K (BLUE) Alphabetical Index

A 351 • Bill Bailey (F) 444 Ciao, Ciao, Bambina (C)

106 • After You've Gone (C) 635 Billie's Bounce (F) 469 • Cielito Lindo (Bb)
443 Ah Marie (Cm) 539 Bim Bam Bum (Bb) 432 Clarinet Polka (C)
110 • Ain't Misbehavin' (C) 355 • Birth Of The Blues (C) 092 • Close To You (Eb)
358 • Ain't She Sweet (C) 660 Bittersweet (C) 441 Come Back To Sorrento (Cm)
626 Airegan (Ab) 508 • Black Orpheus (Am) 226 • Come Fly With Me (C)
441 AI Di La (Bb) 694 Blue Bossa (Cm) 11 7 • Come Rain or Come Shine (F)·
357 • A1exanders Ragtime Band (F) 059 • Blue Gardenia (G) 022 Come Sunday (Bb)
413 • Alice in Wonderland (C) 060 • Blue Hawaii (Bb) 643 Con Alma (E)
086 • All I Ask of You (Db) 602 Blue In Green (Bb) 643 Confirmation (F)
062 • All My Tomorrows (Eb) 659 Blue Monk (Bb)
203 • All Of Me (C) 219 • Crazy Rhythm (F)
101 • Blue Moon (Eb) 078 • Cry Me A River (Cm)
038 • All Of You (Eb) 135 • Blue Room (F) 131 • Cute (C)
241 • All Or Nothing At All (C) 105 • Blue Skies (F)
204 • All The Things You Are (Ab)
o
575 • Blue Tango (D) 632 Daahoud (Eb)
064 • All The Way (F) 658 Blue Trane (Cm)
302 Alley Cat (C) 466 • Daddy's little Girl (0
044 • Blue Velvet (Bb) 1 38 • Dancing In The Dark (Eb)
215 • Almost Like Being In Love (Bb) 659 Blues For Alice (F)
112 • Alone Together (Om) 126 • Dancing On The Ceiling (F)
149 • Blues in The Night (Bb) 451 • Danny Boy (Londonderry Air) "(C)
247 • Alright, Okay, You Win (Eb) 414 Bluesette (Bb)
403 • Always (F) 567 • Dansero (F)
012 • Body And Soul (Db) 358 • Darfrtown Strutters Ball (C)
556 • Always In My Heart (Bb) 636 Bolivia (G)
558 • Amapola (Bb) 019 • Dam That Dream (G)
354 Bourbon Street Parade (Ab) 205 • Day By Day (F)
554 • Amor (C) 535 • Brazil (Ab)
444 Anema E Core (G) 102 • Days Of Wine And Roses (F)
244 • Breeze And I, The (F) 409 • Dear Heart (F)
039 • Angel Eyes (Cm) 463 Bridal Chorus (Bb)
462 . • Anniversary Song (Em) 227 • Dearly Beloved (0
464 Bunny Hop (F)
051 • Deep Purple (F)
462 • Anniversary Waltz (C)
01 3 • But Beautiful (G) 509 • Desafinado (F)
625 Anthropology (Bb)
212 • But Not For Me (Eb) 634 Dig (Ab)
306 • Anything Goes (C)
159 • Button Up Your Overcoat (G) 513 • Dindi (0
021 • April In Paris (C)
103 • Bye Bye Blackbird (F) 607 Django (Fm)
6U9 Armando's Rhumba (Cm)
353 • Bye Bye Blues (0 202 • Do Nothing Till You Hear (F)
402 • Around The World (C) 656 Byrdlike (F)'
442 • Arrivederci Roma (G) 118 • Do You Know What It Means {O
456 Artsa Alinu (Om)
C 611 Dolphin Dance (Eb)
302 • Cabaret (Eb) 245 • Don't Be That Way (Eb)
003 • As Time Goes By (Eb)
512 • Call Me (Bb) 023 • Don't Blame Me (0
659 Au Privave (F)
136 • Call Me Irresponsible (Ab) 201 • Don't Get Around Much (0
465 Auld Lang Syne (F)
132 • Canadian Sunset (Bb) 033 • Don't Go to Strangers (Bb)
047 • Autumn In New York (F) 568 Caravan (Fm)
105 • Autumn Leaves (Em) 511 • Don't lytisunderstand (F)
094 • Cast Your Fate to The Wind (F) 158 • Don't Take Your Love From ME (C)
361 • Avalon (F)
309 • Cecilia (C) 642 Donna Lee (Ab)
B 691 Ceora (Ab)
362 • Baby Face (C) 157 • Don't Worry 'Bout Me (Ab)
032 • Chances Are (G) 613 Doxy (Bb)
355 • Basin Street Blues (C)
356 Charleston, The (Bb)
410 • Baubles, Bangles and Beads (Ab) 054 • Dreim (0
233 • Chattanooga Choo Choo (C) 146 • Dream A Little Dream (G)
157 • Beautiful Love (F)
128 • Cheek to Cheek (C) E
244 Bebop (Eb)
601 Chelsea Bridge (Db) 028 Early Autumn (0
155 • Because of You (Eb) 228 Cherokee (Bb)
431 • Beer Barrel Polka (C) 049 • East of The Sun (G)
565 • Cherry Pink and Apple (Eb). 027 • Easy living .(F)
552 • Begin The Beguine (C)
357 • Chicago (F)
614 Bemie's Tune (Om) 050 • Easy Street (Eb)
466 Chicken Dance (C)
551 • Besame Mucho (Om) 123 • Easy To Love (G)
601 Child Is Bom, A (Bb) 147 • Ebb TIde (0
658 Bessie's Blues (Eb)
248 • Choo Choo Ch'Boogie (F) 404 • Edelweiss (Bb)
240 • Between The Devil and the (F)
485 • Christmas Song (Eb) 673 Elsa (Eb)
063 • Bewitched (C)
492 • Christmas Time is Here (F) 005 • Embraceable You (F)

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-- --4.

403 • Emily (0 469

II
• Guantanamara (0) 053 • I Will Wait For You (Om)
076 • End of a Love Affair. The (F) 070 • Guess I'll Hang My Tears Out (0 039 • I Wish You Love (F)
641 Epistrophy (CI) H 134 • I Won't Dance (C)
658 Equinox (Cm) 463 Hail To The Chief (C) 485 • I'll Be Home For Christmas (C)
519 • Estate 633 Half Nelson (0 155 • I'll Be Seeing You (Eb)
090 • Evergreen (C) 432 Happy Wanderer, The (Bb) 108 • I'll Get By (C)
185 • Everybody Loves Somebody (F) 060 • Harbor Ughts (Eb) 222 • I'll Remember April (G)
065 • Everything Happens to Me (Bb) 147 Harlem Noctume (Om) 411 • I'll Take Romance (F)
008 . • Everytime We Say Goodbye (Eb)
230 • Exactly Uke You (C)
F
613
455
203
Haunted Ballroom (F)
Hava Nagilah (F)
• Have You Met Miss lones (F)
229
028
068
• I'm Beginning To See The (0
• I'm Getting Sentimental (F)
• I'm Glad There Is You (F)
II
637 Falling Grace (Ab) 486 • Have Yourself a Merry Xmas (C) 153

II
• I'm Gonna Sit Right Down (C)
409 • Falling In love Again (Eb) 461 • Hawaiian Wedding Song (C) 009 • I'm In The Mood For Love (0
411 • Falling In love With love (Bb) 114 • Heart And Soul (F) 223 • I'm Old Fashioned (F)
220 • FaSCinating Rhythm (F) 080 • Heather on The Hill, The (F) 359 I've Found A New Baby (0)
401 • Fascination (C) 432 Helena Polka (F) 137 • I've Got My love to Keep Me (F)
098 • Feelings (Em) 301 • Hello Dolly (Bb) 210 • I've Got The World on a (Eb)
515 • FeJicidade (Cm) 416 • Hello Young lovers (Eb) 225 • I've Got You Under My Skin (Eb)
305 Fine And Dandy (F) 010 • Here's That Rainy Day (F) 069 • I've Grown Accustomed to (Eb)
119 • Fine Romance, A (C)
352
042
107
• Five Foot Two (0
• Flamingo (F)
• Fly Me To The Moon (0
138 • Hey There (Eb)
464
353
434
Hokey Pokey (Bb)
• Honeysuckle Rose (F)
081
608
520
• If Ever I Would leave You (Bb)
If You Could See Me Now (Eb)
• If You Never Come To Me (Eb)
II
• Hoop-Dee-Doo (Eb) 066 • III Wind (Bb)
209
053
048
031
• Foggy Day, A (F)
• Fools Rush In (0
• For All We Know (F)
• For Sentimental Reasons (F)
327 Hooray For Hollywood (F)
133 • How About You (G)
062 • How Deep Is The Ocean (F)
212 • How High The Moon (G)
027
639
130
• Imagination (Eb)
Impressions (Om)
In A Mellow Tone (Ab)
II
024 In A Sentimental Mood (F)
069
690
630
• For You, For Me, Forevermore (F)
Forest Flower (0
Four (Eb)
506
036
676
• How Insensitive (Om)
• How long Has This Been (G)
How My Heart Sings (0
036
216
038
• In My Solitude (Eb)
In The Mood (Ab)
• In The Still of the Night (F)
II
566 • Frenesi (Ab) I

II
084 • In The Wee Small Hours (C)
689 Friends (0 020 • I Can't Get Started (C) 611 In Your Own Sweet Way (Bb)
246 • From This Moment On (Ab) 129 • I Can't Give You Anything (Ab) 356 • Indiana (F)
492 • Frosty the Snowman (0 040 • I Concentrate on You (Eb) 607 Infant Eyes (Eb)
G

J
409 • I Could Have Danced All (C) 224 • Invitation (Cm)
692 Gaviota (Cm) 116 • I. Could Write a Book (0 452 Irish Washerwoman (G)
148 • Gee Baby, Ain't I Good to (Cm) 064 • I Cover The Waterfront (G) 031 • Isn't It Romantic (Eb)
504 • Gentle Rain (Am) 142 • I Didn't Know What TIme It (G) 655 Isotope (C)

J
002 • Georgia (F) 139 • I Don't Know Why (Bb) 309 • It All Depends On You (C)
306 • Get Me to the Church on (G) 037 • I Fall in love Too Easily (Eb) 206 • It Could Happen To You (F)
070 • Ghost Of A Chance (C) 227 • I Get A Kick Out Of You (Eb) 210 • It Don't Mean a Thing (Bb)
614 Giant Steps (B) 166 • I Get Along Without You (Bb) 102 • It Had To Be You (Ab)
657
501
239
Gingerbread Boy (Bb)
• Girl From Ipanema (F)
• Give Me The Simple Ute (Eb)
537 I Go To Rio (Bb)
034 • I Got It Bad (G)
301 • I Got Rhythm (Bb)
OS4
083
674
• It Might As Well Be Spring (G)
• It Never Entered My Mind (F)
It's A Raggy Waltz (G)
J
327 Give My Regards To Broadwa) (Bb) 158 • I Hadn't Anyone TIll You (F)
152
025
461
• Glory of love, The (G)
• God Bless The Child (Eb)
Godfather Theme (Cm)
114
001
115
• Hear a Rhapsody (Eb)
• left My Heart In San (Bb)
• let A Song GoOut Of.My (Eb)
328
307
124
222
• It's Alright With Me (F)
• It's Oelovely (F)
• It's Only a Paper Moon (G)
• It's You Or No One (F)
J
516 • Going Out Of My Head (Bb)
224
025
055
• Gone With The Wind (Eb)
• Good Moming Heartache (F)
• Goodnight Sweetheart (C)
311
161
207
641
• Uke The Ukes Of You (Eb)
• love Paris (C)
• love You (F)
Mean You (F)
161

358
• It's Been a long, long Time (F)
I
• Jada (F)
J
578 • Jalousie (Bb)
415
229
553
412
Gravy Waltz (C)
• Green Dolphin Street (C)
• Green Eyes (Eb)
• Greensleeves (Om)
015
604
010
• Only Have Eyes For You (C)
Remember Clifford (F)
• Remember You (G)
537
244
217
• Jazz Samba (Eb)
Jeanine (Ab)
Jersey Bounce (C)
J
188 • Say A Uttle Prayer For You (C) 491 • Jingle Bells (G)
691
696
635
Gregory Is Here (Bb)
Groove Merchant (Bb)
Groovin' High (Eb)
044 • Should Care (C)
116
686
• Thought About You (Eb)
Told You So (F)
491
640
634
• Jinglebell Rock (C)
Joshua (Om)
Joy Spring (F)
II

I
 677 Ju-Ju 688 Manteca (Bb)
204 567 • Never On Sunday (Eb)
• Just Friends (G) 443 Maria Elena (C)
109 071 • Nevertheless (Bb)
• Just In Time (Bb) 539 • Mas Que Nada 304 • New York, New York (F)
230 • Just One Of Those Things (F) 074 • Masquerade is Over. The (Eb) 637 Nica's Dream (Bbm)
144 • Just Squeeze Me (F) 456 Mayim Mayim (Cm) 133 • Nice 'N' Easy (Eb)
K 152 • Mean To Me (F)
608 111 • Nice Work if You can Get It (G)
Kids Are Pretty People (F) 503 • Meditation (C)
614 Killer Joe (C)
211 • Night And Day (Eb)
087 • Memory (C) 677 Night Dreamer (G)
576 • Kiss Of Fire (Om) 148 Memphis in June (C) 638 Night Has 1000 Eyes, The (G)
L 540 Menina Flor (Eb)
132 631 Night In Tunesia, A (Eb)
• L-O-V-E Love (F) 696 Mercy, Mercy, Mercy (Bb)
577 082 • Night We Called it A Day, (G)
La Cumparsita (Cm) 406 Merry Widow Waltz (F)
577 042 • Nightingale Sang in Berk. Sq. (Eb)
La Paloma (C) 464 Mexican Hat Dance (F)
468 • La Vie en Rose (C) 145 • No Moon At All (Om)
359 Midnight In Moscow (C) 514
308 • Lady Be Good (G) • No More Blues (Chega De (F)
057 • Midnight Sun (0 655 Now's The TIme (F)
633 Lady Bird (C) 628 Milestones (Old) (Bb) o
209 • Lady Is A Tramp, The (C) 456 Misirlou (Gm)
602 Lament (F)
507 o Grande Arnor (Am)
002 • Misty (Eb) 443 o Sole Mio (Eb)
066 • Last Night When We Were (G)
626 Moanin' (Fm) 142
311 • Late, Late Show, The (F) •
Oh You Crazy Moon (G)
627 Moment's Notice (Eb) 052 •
Old Cape Cod (F)
018 • Laura (C)
187 • Moments To Remember (Ab) 228 •
Old Devil Moon (F)
627 Lazy Bird (G)
029 • Mona Lisa (F) 041 •
Old Folks (Eb)
490 • Let It Snow (F)
034 • Mood Indigo (Ab) 625 Oleo (Bb)
151 • Let's Do It (Bb)
052 • Moon Over Miami (G) 104 • On A Clear Day (G)
122 • Let's Fall in Love (C)
401 • Moon River (0 125 • On a Slow Boat To China (Bb)
150 • Let's Get Away From It All (Eb)
104 • Moonglow (G) 305 • On The Street Where You live (C)
688 Liberated Brother (Gm)
433 162 • Moonlight Becomes You (F) 303 • On The Sunny Side Of The (C)
Liechtensteiner Polka (F)
510 • like A lover (C) 016 • Moonlight In Vermont (Eb) 504 • Once I Loved (F)
001 Moonlight Serenade (F) 017 • Once In Awhile (Eb)
111 • Like Someone In love (Bb) 553 • More (G) 303 • One (Eb)
160 • lil' Oarlin' (Eb)
113 • More I See You, The (Eb) 056 • One For My Baby (Eb)
468 • limbo Rock (F)
364
022 • More Than You Know (0 056 • One More For The Road (Eb)
• Limehouse Blues (Ab) 568 Moming (Bbm)
505 little Boat (0 505 • One-Note Samba (Bb)
130 Moten Swing (Ab) 519 • Only Trust Your Heart
687 Little Sunflower (Om)
221 248 • Mountain Greenery (C) 216 Opus One (G)
• Long Ago And Far Away (F)
511
127 • Mr. lucky (G) 630 Ornithology (C)
• Look Of Love (Om) 658 Mr. Sims (0
,517 Look to the Sky 205 • Our Day Will Come (G)
237 • Lot Of Living To Do, A (C) 359 Muskrat Ramble (Bb) 201 • Our love Is Here To Stay (F)
235 • Love For Sale (Bb) 236 • My Baby Just Cares For Me (C) 109 • Out Of Nowhere (G)
085 156 • My Blue Heaven (Eb) 017 • Over The Rainbow (Eb)
Love Story (Gm)
145 • Love Walked In (Eb) 415 • My Buddy (C) p
165 • Lovely To Look At (F) 412 • My Favorite Things (Em) 150 • Paper Doll (F)
413 026 • My Foolish Heart (Bb) 055
• Lover (C) • Party's Over, The (Eb)
243 • Lover, Come Back To Me (Ab) 004 • My Funny Valentine (Cm) 602 Passion Flower (G)
043 • Lover Man (Om) 694 My Little Suede Shoes (Eb) 602 Peace Bb)
687 444 My Love Forgive Me (0 141
Lucky Southem (D) • Peg '0' My Heart (Bb)
522 058 My Melancholy Baby (Eb) 207
Lujon (Om) • Pennies From Heaven (C)
118 043 • My Old Flame (G) 217
Lullaby of Birdland (Fm) Pennsylvania 6-5000 (G)
606 • Lush life (Db) 011 • My One And.Only love (C) 433 Pennsylvania Polka (F)
080 • My Own True love (Tara) (F) 693 Pensativa (Gb)
M
208 • Mac The Knife (0 107 • My Romance (C) 058 • Penthouse Serenade (C)
452 016 • My Ship (F) 067
MacNamara's Band (F) • People (C)
408 097 • My Way (F) 218 Perdido (Bb)
Mademoiselle de Paris (D)
143 • Make Someone Happy (F) 452 My Wild Irish Rose (Bb) 555 • Perfidia (C).
110 • Makin' Whoopee (F) N 660 Perhaps (0
603 Naima (Fm) 079
441 Mala Femmena (Bb) • Pieces of Dreams (F)
308 082 • Nancy With The laughing (F) 408 Pigalle (C)
Mime (C)
518
626 Nardis (Em) 159
Man And A Woman, A (C) • Please Don't ta;k About Me (Eb)
126 • Manhattan (F) 011 • Neamess Of You, The (F) 554 • Poinciana (G)
520 • Never Let Me Go (Db) 007 • Polka Dots (( Moonbeams (F)

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 _II
041
II
• Poor Butterfly (Ab) 518 • So Many Stars (C) 131 Swinging Shepherd Blues (C)
078
035
506
• Portrait of jenny, A (F)
• Prelude to a Kiss (C)
Pretty World (G)
507
639
326
• So Nice (Summer Samba) (F)
So What (Om)
• So What's New (C)
614
242
T
Take Five (Cm)
Take The "A" Train (C)
II
310 • Puttin' On The Ritz (Fm) 557

II
• Softly As In A Moming (Om) 206 • Tangerine (F)
Q 630 Solar (Cm) 442 Tarantella (Am)
536 • Quando, Quando (Bb) 655 Solid (Bb) 565 • Tea For Two (Ab)
628 Quasimodo (Eb) 164 • Some Enchanted Evening (C) 113 • Teach Me Tonight (C)
408

II
Que Sera, Sera (Eb) 660 Some Other Blues (F) 140 • Tender Trap, The (Ab)
503 • Quiet Nights (Corcovado) (C) 046 • Some Other Time (C) 003 • Tenderly (Eb)
605 Quintessence (F) 237 • Somebody Loves Me (G) 410 • Tennessee Waltz (C)
R 401 • Someday My Prince Will (F) 655 Tenor Madness (Bb)
186
517
685
234
• Raindrops (F)
Recado Bossa Nova
Recordame (Am)
• Red Roses (for A Blue Lady) (C)
026
678
095
208
• Someone To Watch Over Me (Eb)
Sometime Ago (F)
• Somewhere (F)
068
121
135
• Thanks For The Memory (F)
• That Old Black Magic (Eb)
• That Old Feeling (Eb)
II
• Somewhere Beyond the Sea (Eb) 015 • That's All (Bb)
061
656
627
• Red Sails In The Sunset (G)
Relaxin' at Camarillo (Bb)
Robbin's Nest (C)
402
694
685
• Somewhere My Love (G)
Song For My Father (Fm)
Song For Strayhom (Eb)
470
327
154
• That's Amore (F)
That's Entertainment (Bb)
• That's Life (G)
II
363 • Rock-A-Bye Your Baby (C) 231 540

II
• Song is You, The (C) Theirs Tears
130 Rose Room (Ab) 185 • Song Sung Blue (F) 625 Theme, The (Bb)
328 • Rosetta (F) 032 Sophisticated Lady (Ab) 214 • There Is No Greater Love (Bb)
603 Round Midnight (Ebm) 693 Soul Eyes (Eb) 202 • There Will Never Be Another (Eb)
487 • Rudolph (C) 163 • Sound of Music, The (F) 242 • There'll Be Some Changes (Bb)
467 Russian Dance (G) 690 Spain (D) 139 • There's A Small Hotel (G)
S 551 • Spanish Eyes (G) 020 • These Foolish Things (Eb)
211 • SWonderful (Eb) 555 • Speak Low (F) 127 • They Can't Take That Away (Eb)
522 Sabor A Mi (Eb) 629 Speak No Evil (Cm) 075 • They Sat It's Wonderful (F)
642 Salt Peanuts (F) 657 Speedball (C) 615 Things Ain't What They Used (F)
536 Samba de Orfeu (C) 045 • Spring Can Really Hang You (C) 037 • Things We Did Last Summer, (G)
246 San Francisco (C) 049 • Spring Is Here (Ab) 686 Think On Me (D)
487 • Santa Claus is Coming 354 • St. louis Blues (G) 238 • This Can't Be love (Ab)
103 • Satin Doll (C) 687 St. Thomas (C) 232 • This Could Be The Start (C)
414 Scarborough Fair (Om) 115 • Star Eyes (Eb) 187 • This Guy's In Love (Eb)
013 • Scotch &: Soda (Eb) 465 Star Spangled Banner (Bb) 073 • This Is All I Ask (F)
353 Scrapple From The Apple (F) 006 • Stardust (C) 638 This Is New (Cm)
601 Search For Peace 223 • Stars Fell On Alabama (C) 467 • Those Were The Days (Am)
051 . • Second Time Around, The (C) 035 • Stella By Starlight (Bb) 128 • Three Little Words (C)
215 • Secret Love (Eb) 612 Stolen Moments (Cm) 538 • Tico Tico (Am)
093 • Send in the Clowns (Ab) 217 Stompin' At The Savoy (F) 325 • Tie A Yellow Ribbon (Eb)
129 • Sentimental journey (C) 120 • Stormy Weather (Ab) 360 Tiger Rag (Bb)
077 • September In The Rain (Eb) 659 Straight No Chaser (F) 021 • Till There Was You (Eb)
007 • September Song (C) 164 • Stranger in Paradise (F) 101 • Time After Time (Bb)
629 Serenity (Eb) 094 • Stranger on the Shore (F) 088 • Time For Love, A (Bb)
625 Serpent's Tooth (Bb) 557 Strangers In the Night (F) 067 • Time On My Hands (F)
639 Seven Steps To Heaven (F) 219 String Of Pearls (Eb) 361 Tin Roof Blues (Bb)
501 • Shadow Of Your Smile (G) 465 Stripper, The (F) 238 • Too Close For Comfort (C)
363 • Sheik of Araby, The (Bb) 616 Strollin' (Db) 433 Too Fat Polka (C)
213 • Shiny Stockings (Ab) 613 Sugar (Cm) 239 • Too Marvelous For Words (G)
695 Sidewinder (Eb) 096 • Summer Knows, The (F) 362 • Toot Toot Tootsie (C)
489 • Silver Bells (C) 065 • Summer Place, A (Bb) 508 • Triste (Bb)
685 Silver's Serenade (Em) 144 • Summer Wind (Eb) 072 • Try A Little Tendemess (Eb)
677 Simone (F) 004 • Summertime (Am) 635 Tune Up (D)
186 • Sing (Bb) 077 • Sunday Kind Of Love (F) 605 Tum Out The Stars
695 Sister Sadie (G) 455 • Sunrise, Sunset (Gm) 218 Tuxedo junction (Bb)
019 • Skylark (Eb) 310 • Surrey With The Fringe. The (G) 088 Twelfth of Never (D)
488 • Sleigh Ride (G) 146 • Sweet and Lovely (G) 033 • Twilight Time (G)
636 Smatter (278) 351 • Sweet Georgia Brown (G) 071 • Two For The Road (C)
075 • Smile (F) 325 Sweet Gypsy Rose (C) 407 • Two Hearts In 3/4 Time (C)
029 • Smoke Gets In Your Eyes (Eb) 119 • Sweet Lorraine (G) 456 Tzena (F)

I
l 7
 U 156 • With A Song In My Heart (Eb)
220 • Undecided (0 244 • Without a Song (Eb)
405 • Under Paris Skies (Fm) 406 • Wonderful Copenhagen (C)
005 • Unforgettable (F) 247 Woodchopper's Ball (0
364 • Up A Lazy River (F) 615 • Work Song (Fm)
414 Up lumped Spring (Bb) 245 • Wrap Your Troubles (0
V 404 • Wunderbar (G)
675 Valse Hot (Ab) Y
673 Very Early ( 632 Yardbird Suite (C)
009 • Very Thought Of You, The (Ab) 512 • Yellow Days (F)
407 Vienna Life (Bb) 362 • Yes Sir, That's My Baby (Eb)
406 • Vienna, My City Of Dreams (F) 112 • Yesterdays (Om)
656 Vierd Blues (Bb) 234 • You and the Night and the (Eb)
072 • Violets For Your Furs (F) 556 • You Belong To My Heart (Eb)
442 Volare (Bb) 240 • You Do Something To Me (Eb)
W 095 • You Don't Know Me (0
236 • Walkin' My Baby Back Home (Eb) 046 • You Don't Know What Love Is (Fm)
675 Waltz For Debby (F) 023 • You Go To My Head (0
076 Warm Valley (Eb) 604 You Know I Care (8b)
502 • Watch What Happens (Eb) 106 • You Made Me love You (C)
696 Watermelon Man (F) 108 • You Make Me Feel So Young (Bb)
502 • Wave (D) 125 • You Stepped Out of a Dream (C)
352 • Way Down Yonder In New (G) 123 • You'd Be So Nice to Come (C)
089 • Way We Were, The (A) 141 • You're Getting to be a Habit (F)
221 • Way You Look Tonight, The (Eb) 153 • You're My Thrill (Fm)
008 • We'll Be Together Again (C) 124 • You're Nobody Till Somebody (F)
091 • We've Only Just Begun (F) 059 • You've Changed (Eb)
137 • Weaver of Dreams, A (0 558 • Yours (D)
463 Wedding March (Om) Z
631 Well You Needn't (F)
674 West Coast Blues (Bb)
018 • What A Difference A Day (F)
014 • What Are You Doing the Rest (Am)
085 • What I Did For Love (0
214 • What Is This Thing Called (C)
061 • What Kind of Fool Am I (C)
143 • What Now My Love (F)
,678 What Was (0
415 • What'li I Do? (Eb)
012 • What's New (C)
089 • When I Fall in Love (F)
451 • When Irish Eyes Are Smiling (C)
11 7 • When Lights Are Low (F)
024 • When SUMY Gets Blue (F)
050 • When You Wish Upon A Star (C)
304 • When You're Smiling (Bb)
162 • When Your Lover Has Gone (Ab)
521 • Where Do You Start (Eb)
. 407 Where Is Your Heart (Eb)
048 • Where or When (Eb)
612 Whisper Not (Cm)
307 • Whispering (Eb)
486 • White Christmas (C)
063 • Who Can I Tum To (Eb)
122 • Will You Still Be Mine (Ab)
030 • Willow Weep For Me (G)
676 Windows (Bb)
490 • Winter Wonderland (Eb)
629 Witch Hunt (Cm)
120 • Witchcraft (F)
 THE GREAT GIG BOOK (BLUE) - Style Index

068 • I'm Glad There Is You (F) 032 Sophisticated Lady (Ab)
~AlLAI2S 009 • I'm In The Mood For Love (C) 045 • Spring Can Really Hang (C)
069 • I've Grown Accustomed (Eb) 049 • Spring Is Here (Ab)
062
038
•
•
All My Tomorrows (Eb)
All Of You (Eb)
081
066
• If Ever I Would Leave (Bb)
• III Wind (Bb)
006
035 ·• Stardust (C)
Stella By Starlight (Bb)
064
039
•
•
All The Way (F)
Angel Eyes (Cm)
027
024 · Imagination (Eb)
In A Sentimental Mood (F)
065
004 ·• Summer Place, A (Bb)
Summertime (Am)
021 • April In Paris (C) 036 • In My Solitude (Eb). 077 • Sunday Kind Of Love (F)
003 • As TIme Goes By (Eb) 038 • In The Still of the Night (F) 003 • Tenderly (Eb)
047 • Autumn In New York (F) 031 • Isn't It Romantic (Eb) 068 • Thanks For The Memory (F)
063 • Bewitched (C) 054 • It Might As Well. Be (G) 015 • That's All (Bb)
059
060
•
•
Blue Gardenia (G)
Blue Hawaii (Bb)
083
066
• It Never Entered My Mind (F)
• Last Night When We (G)
020
075 ·• These Foolish Things (Eb)
They Sat It's Wonderful (F)
044 • Blue Velvet (Bb) 018 • Laura(C) 037 • Things We Did Last (G)
012 • Body And Soul (Db) 043 • Lover Man (Om) 073 • This Is All I Ask (F)
013 • But Beautiful (G) 074 • Masquerade is Over. The (Eb) 021 • Till There Was You (Eb)
032 • Chances Are (G) 057 • Midnight Sun (C) 067 • TIme On My Hands (F)
022 Come Sunday (Bb) 002 • Misty (Eb) 072 • Try A Little Tendemess (Eb)
078 • Cry Me A River (Cm) 029 • Mona Lisa (F) 033 • Twilight Time (G)
019 • Dam That Dream (G) 034 • Mood Indigo (Ab) 071 • Two For The Road (C)
051
023
•
•
Deep Purple (F)
Don't Blame Me (C)
052
016
• Moon Over Miami (G)
• Moonlight In Vermont (Eb)
005
009 ·• Unforgettable (F)
Very Thought Of You, ThE (Ab)
033 • Don't Go to Strangers (Bb) 001 Moonlight Serenade (F) 072 • VIOlets For Your Furs (F)
054 • Dream(C) 022 • More Than You Know (C) 076 Warm Valley (Eb)
028 Early Autumn (C) 026 • My Foolish Heart (Bb) 008 • We'll Be Together Again (C)
049 •
East of The Sun (G) 004 • My Funny Valentine (Cm) 018 • What A Difference A Day (F)
027
OSO
005
•
Easy Living (F)
•
Easy Street (Eb)
•
Embraceable You (F)
058
043
My Melancholy Baby (Eb)
• My Old Flame (G)
014
061 ·• What Are You Doing the (Am)
What Kind of Fool Am I (C)
011 • My One And Only Love (C) 012 •

~
What's New (C)
076 •
End of a Love Affair. The (F) 080 • My Own True Love (Tara) (F) 024 • When Sunny Gets Blue (F)
065 •
Everything Happens to (Bb) 016 • My Ship (F) 050 • When You Wish Upon A (C)
008 •
Everytime We Say (Eb) 082 • Nancy With The (F) 048 • Where or When (Eb)
042 •. Flamingo (F) 011 • Neamess Of You, The (F) 063 •
053
·
Fools Rush In (C)
048 • For All We Know (F)
071
082
• Nevertheleu (Bb)
• Night We Called it A (G)
030
046
•
•
Who Can I Tum To (Eb)
Willow Weep For Me (G)
You Don't Know What (Fm)
03l • For Sentimental Reasons (F) 042 • Nightingale Sang in (Eb)
069 • For You, For Me, (F)
023 • You Go To My Head (C)
052 • Old Cape Cod (F) 059 •
002
·
Georgia (F)
070 • Ghost Of A Chance (C)
041
017
• Old Folks (Eb)
• Once In Awhile (Eb)
You've Changed (Eb)

NEWER ~AllADS
025 • God Bless The Child (Eb) 056 • One For My Baby (Eb)
025 • Good Moming Heartache (F)
055 • Goodnight Sweetheart (C)
070 • Guess I'll Hang My Tears (C)
060 • Harbor Lights (Eb)
056
017
055
• One More For The Road (Eb)
• Over The Rainbow (Eb)
• Party's Over, The (Eb)
086
094 .
092
•
•
•
All I Ask of You (Db)
Cast Your Fate to The (F)
Close To You (Eb)
J
058 • Penthouse Serenade (C) 090 •
··
Evergreen (C)
080
J
,
Heather on The Hill, The (F) 067 • People (C)
010 Here's That Rainy Day (F)
098 • Feelings (Em)
079 • Pieces of Dreams (F) 085 Love Story (Gm)
062 • How Deep Is The Ocean (F) 007 • Polka Dots & Moonbeams (F) 087 • Memory(C)
036 • How Long Has This Been (G)
020
·
I Can't Get Started (C)
041
078 ·· Poor Butterfly (Ab)
Portrait of Jenny, A (F)
097
093
•
•
MyWay (F)
Send in the Clowns (Ab)

··•
040 • I Concentrate on You (Eb) 035 • Prelude to a Kiss (C) 095 Somewhere (F)
064 • I Cover The Waterfront (G) 061 • Red Sails In The Sunset (G) 094
037
·
I Fall in Love Too Easily (Eb)
034 • I Got It Bad (G)
013
051
• Scotch & Soda (Eb)
• Second Time Around, The (C)
096
088 •
Stranger on the Shore (F)
Summer Knows, The (F)
_II
···
TIme For Love, A (Bb)
001
015
I Left My Heart In San (Bb)
I Only Have Eyes For You (C)
077
007 · September In The Rain (Eb)
• September Song (C)
088
089 •
Twelfth of Never (D)
Way We Were, The (A)
010 I Remember You (G)

···
019 • Skylark (Eb) 091 • We've Only Just Begun (F)
_I
···
044 I Should Care (C) 075 • Smile (F) 085 What I Did For Love (C)
053 I Will Wait For You (Om) 029 • Smoke Gets In Your Eyes (Eb) 089 When I Fall in Love (F)
039 I Wish You Love (F)
·
046
· Some Other TIme (C) 095 You Don't Know Me (C)
028 I'm Getting Sentimental (F) 026 • Someone To Watch Over (Eb)
I
 ··•
EASY SWING 118 lullaby of Birdland (Fm) 186 Raindrops (F)
143 • Make Someone Happy (F) 186 Sing (Bb)

··
106 • After You've Gone (C) 110 Makin' Whoopee (F) 185 Song Sung Blue (F)
110 • Ain't Misbehavin' (C) 126 Manhattan (F) 187 • This Guy's In love (Eb)

···
112 Alone Together (Om) 152 • Mean To Me (F)
105 Autumn leaves (Em) 148 Memphis in June (C) MEOIUMLUP SWING

··
157 Beautiful love (F) 104 Moonglow (G)

···
155 Because of You (Eb) 162 Moonlight Becomes You (F) 203 • All Of Me (C)
101 Blue Moon (Eb) 113 • More I See You, The (Eb) 241 • All Or Nothing At All (C)
135 Blue Room (F) 130 Moten Swing (Ab) 204 • All The Things You Are (Ab)
·
··
105 Blue Skies (F) 127 • Mr. lucky (G) 215 Almost Like Being In (Bb)
149 • Blues in The Night (Bb) 156 • My Blue Heaven (Eb) 247

··
Alright, Okay, You Win (Eb)
103 Bye Bye Blackbird (F) 107 • My Romance (C) 240 • Between The Devil and (F)
136 Call Me Irresponsible (Ab) 133
· Nice 'N' Easy (Eb) 244 • Breeze And I, The (F)
132 • Canadian Sunset (Bb) 111 • Nice Work if You can Get (G) 212
· But Not For Me (Eb)

·· ·
128 Cheek to Cheek (C) 145 No Moon At All (Om) 233 • Chattanooga Choo Choo (C)
117 Come Rain or Come (F) 142 • Oh You Crazy Moon (G) 228 Cherokee (Bb)
131
138
• Cute (C)
· Dancing In The Dark (Eb)
104
125
· On A Clear Day (G)
• On a Slow Boat To China (Bb)
248
226
• Choo Choo Ch'Boogie (F)
• Come Fly With Me (C)
126 • Dancing On The Ceiling (F) 109
· Out Of Nowhere (G) 219 • Crazy Rhythm (F)

··
102 Days Of Wine And Roses (F) 150 • Paper Doll (F)
118
205 • Day By Day (F)
Do You Know What It (C) 141 • Peg '0' My Heart (Bb) 227 • Dearly Beloved (C)
158 • Don't Take Your Love (C) 130 Rose Room (Ab) 202 • Do Nothing TIll You (F)
157 • Oon't Worry 'Bout Me (Ab) 103 • Satin Doll (C) 245 • Don't Be That Way (Eb)
146 • Dream A UttJe Dream (G) 129 • Sentimental Joumey (C) 201 • Don't Get Around Much (0
··· ·
123 Easy To Love (G) 164 Some Enchanted Evening (C)
147 Ebb TIde (C)
230 • Exactly Like You (C)
163 • Sound of Music, The (F) 220 • Fascinating Rhythm (F)
119 Fine Romance, A (C) 115 • Star Eyes (Eb) 209 • Foggy Day, A (F)
···
107 Fly Me To The Moon (C) 120 • Stormy Weather (Ab) 246 • From This Moment On (Ab)
148 Gee Baby, Ain't I Good (Cm) 164 • Stranger in Paradise (F) 239 • Give Me The Simple U~e (Eb)
152 Glory of love, The (G) 144 • Summer Wind (Eb) 224 • Gone With The Wind (Eb)
147 Harlem Noctume (Om) 146 • Sweet and Lovely (G) 229 • Green Dolphin Street (C)
114 • Heart And Soul (F) 119 • Sweet Lorraine (G) • Have You Met Miss Jones (F)
138
133
· Hey There (Eb)
• How About You (G)
131
113
Swinging Shepherd Blues (C)
• Teach Me Tonight (C)
203
212 • How High The Moon (G)
• I Get A Kick Out Of You (Eb)
129
116
· I Can't Give You
• I Could Write a Book (C)
(Ab) 140
121
• Tender Trap, The (Ab)
• That Old Black Magic (Eb)
227
207
222
• I Love You (F)
• I'U Remember April (G)
142 • I Didn't Know What (G) 135 • That Old Feeling (Eb) 229 • I'm Beginning To See (C)
139 • I Don't Know Why (Bb) 154 • That's Life (G)
'166 • I Get Along Without You (Bb)
223 • I'm Old Fashioned (F)
139 • There's A Small Hotel (G) • I've Got The World on a (Eb)
158
114
· I Hadn't Anyone TIll You (F)
• I Hear a Rhapsody (Eb)
127
128
• They Can't Take That (Eb)
• Three Little Words (C)
210
225
216
• I've Got You Under My (Eb)
In The Mood (Ab)
115 • I let A Song Go Out Of (Eb) 101 • TIme After TIme (Bb)
161 • I Love Paris (C)
224 • Invitation (Cm)
137 • Weaver of Dreams, A (C) 206 • It Could Happen To You (F)
116 • I Thought About You (Eb) 143 • What Now My Love (F)
134 • I Won't Dance (C)
210 • It Don't Mean a Thing (Bb)
117 • When Lights Are Low (F) 222 • It's You Or No One (F)
155 • I'll Be Seeing You (Eb) 162 • When Your Lover Has (Ab)
108
153
·· I'll Get By (C)
I'm Gonna Sit Right (C)
122
120
• Will You Still Be Mine (Ab)
• Witchcraft (F)
217
204
230
Jersey Bounce (C)
• lust Friends (G)
• lust One Of Those Thing! (F)
137 • I've Got My Love to Keep (F) 156 • With A Song In My Heart (Eb)
130 In A Mellow Tone (Ab)
209 • Lady Is A Tramp, The (C)
112 • Yesterdays .(Om)
102
124
·· It Had To Be You (Ab)
It's Only a Paper Moon (G)
106
108
• You Made Me Love You (C)
• You Make Me Feel So (Bb)
221
237
• Long Ago And Far Away (F)
• lot Of Living To Do, A (C)
161
· It's Been a long, long (F) 125 • You Stepped Out of a (C)
235
243
• love For Sale (Bb)
• Lover, Come Back To Me (Ab)

•II
109 • Just In Time (Bb) 123 • You'd Be So Nice to (C)
144 • Just Squeeze Me (F)
208 • Mac The Knife (C)
141 • You're Getting to be a (F) 248 • Mountain Greenery (C)
132 • L-O-V-E Love (F) 153 • You're My Thrill (Fm)
151
122
· Let's Do It (Bb)
• Let's Fall in Love (C)
124 • You're Nobody TIll (F)
236
211
• My Baby lust Cares For (G)
• Night And Day (Eb)
150
111 ·· Let's Get Away From It (Eb)
Like Someone In Love (Bb)
~EWEREASY
228
216
· Old Devil Moon (F)
Opus One (G)
160 • Lil' Darfin' (Eb) 205 • Our Day Will Come (G)
185 • Everybody Loves (F) 201 • Our Love Is Here To Stay (F)
145 • Love Walked In (Eb) 188 •
165
· Lovely To Look At (F) 187 •
I Say A Little Prayer For (C)
Moments To Remember (Ab)
207
217
• Pennies From Heaven (C)
Pennsylvania 6-5000 (G)
IF

218 Perdido (Bb) 407 • Two Hearts In 3/4 Time (C)

234
211
·· Red Roses (for A Blue (C)
SWonderful (Eb)
DIXIE 405
414
· Under Paris Skies (Fm)
Up Jumped Spring (Bb)
San Francisco (C) 358 • Ain't She Sweet (C) 407 Vienna Ufe (Bb)
246
215 • Secret Love (Eb) 357 • A1exanders Ragtime Band (F) 406 • Vienna, My City Of (F)
213
237
·· Shiny Stockings (Ab)
Somebody Loves Me (G)
361
362
•
•
Avalon (F)
Baby Face (C)
415
407
406
•
•
What'" I Do? (Eb)
Where Is Your Heart (Eb)
Wonderful Copenhagen (C)
208 • Somewhere Beyond the (Eb) 355 • Basin Street Blues (C)
231
223
·• Song is You, The (C)
Stars Fell On Alabama (C)
351
355
•
•
Bill Bailey (F)
Birth Of The Blues (C)
Bourbon Street Parade (Ab)
404 • Wunderbar (G)

POLKAS
217 Stompin' At The Savoy (F) 354
219 String Of Pearls (Eb) 353 • Bye Bye Blues (C)
242 Take The "A" Train (C) 356 Charleston, The (Bb) 431 • Beer Barrel Polka (C)
357 • Chicago (F) 432 Clarinet Polka (C)
206 • Tangerine (F)
Happy Wanderer, The (Bb)
358 • Darktown Strutters Ball (C) 432
214 • There Is No Greater Love (Bb)
202 • There Will Never Be (Eb) 352 • Five Foot Two (C) 461 • Hawaiian Wedding Song (C)
• Honeysuckle Rose (F) 432 Helena Polka (F)
242 • There'll Be Some Changes (Bb) 353
238 • This Can't Be Love (Ab) 359 I've Found A New Baby (0) 434 • Hoop-Dee-Doo (Eb)
• Indiana (F) 433 Uechtensteiner Polka (F)
232 • This Could Be The Start (C) 356
238
·• Too Oose For Comfort (C) 358 •
•
Jada (F)
Umehouse Blues (Ab)
433
433
Pennsylvania Polka (F)
Too Fat Polka (C)

II
239 Too Marvelous For Words (G) 364
218 Tuxedo Junction (Bb) 359 Midnight In Moscow (C)
359 Muskrat Ramble (Bb) ITALIAN
220 • Undecided (C)
236 • Walkin' My Baby Back (Eb) 363 • Rock-A-Bye Your Baby (C)
Ah Marie (Cm)

II
• Sheik of Araby, The (Bb) 443
221 • Way You Look Tonight, (Eb) 363
441 AI Di La (Bb)
214 • What Is This Thing (C) 354 • St. Louis Blues (G)
• Sweet Georgia Brown (G) 444 Anema E Core (G)
244 • Without a Song (Eb) 351
247 Woodchopper's 8all (C) 360 TIger Rag (Bb) 442 • Arrivederci Roma (G)
245
234
240
•
•
•
Wrap Your Troubles (C)
You and the Night and (Eb)
You Do Something To Me (Eb)
361
362
364
•
·•
TIn Roof Blues (Bb)
Toot Toot Tootsie (C)
Up A Lazy River (F)
Way Down Yonder In (G)
444
441
461
441
Ciao, Ciao, Bambina (C)
Come Back To Sorrento (Cm)
Godfather TOeme (Cm)
Mala Femmena (Bb)
II
352

302
SQCIETY lMISC,

Alley Cat (C)

362
415
• Yes Sir, That's My Baby (Eb)
Gravy Waltz (C)
443
444
443
Maria Elena (C)
My Love Forgive Me (C)
o Sole Mio (Eb)
I
WALTZ 442 Tarantella (Am)
306 • Anything Goes (C)
302
309
305
•
•
Cabaret (Eb)
Cecilia (C)
Fine And Dandy (F)
413
403
•
•
Alice in Wonderland (C)
Always (F)
470
442
• That's Amore (F)
Volare (Bb) I
• Around The World (C) IRISH
•
I
306 Get Me to the Church on (G) 402
327 Give My Regards To (Bb) 410 • Baubles, Bangles and (Ab)
301 • Hello Dolly (Bb) 414 Bluesette (Bb) 451 • Danny Boy (Londonderry (C)
327 Hooray For Hollywood (F) 409 • Dear Heart (F) 452 Irish Washerwoman (G)

I
• Edelweiss (Bb) 452 MacNamara's Band (F)
301 • I Got Rhythm (Bb) 404
• Emily (C) 452 My Wild Irish Rose (Bb)
311 • I Uke The Ukes Of You (Eb) 403
309 • It All Depends On You (C) 409 • Falling In Love Again (Eb) 451 • When Irish Eyes Are (C)
328 • It's Alright With Me (F) 411 • Falling In Love With (Bb)
•
~
307 • It's Delovely (F) 401 Fascination (C) IEWISH
308
311
•
•
Lady Be Good (G)
Late, Late Show, The (F)
412
416
·• Greensleeves (Om)
Hello Young Lovers (Eb) 456 Artsa Alinu (Om)
308 Mime (C) 409 • I Could Have. Danced All (C) 455 Hava Nagilah (F)
304
305
303
•
•
•
New York, New York (F)
On The Street Where You (C)
On The Sunny Side Of (C)
411
413
408
•
•
I'" Take Romance (F)
Lover (C)
Mademoiselle de Paris (D)
456
456
455 •
Mayim Mayim (Cm)
Misirlou (Gm)
Sunrise, Sunset (Gm)
I
• 406 Merry Widow Waltz (F) 456 Tzena (F)

I
303 One (Eb)
310
328
·• Puttin' On The Ritz (Fm)
Rosetta (F)
401
415
•
·•
Moon River (C)
My Buddy (G) MISC-SPECIAl
326 • So What's New (C) 412 My Favorite Things (Em)
• Anniversary Song (Em)

I
310 • Surrey With The Fringe. (G) 408 Pigalle (C) 462
325 Sweet Gypsy Rose (C) 408 Que Sera, Sera (Eb) 462 • Anniversary Waltz (C)
327 That's Entertainment (Bb) 414 Scarborough Fair (Om) 465 Auld Lang Syne (F)
325 •
··
Tie A Yellow Ribbon (Eb) 401
·• Someday My Prince Will (F) 463 Bridal Chorus (Bb)
304
307
When You're Smiling (Bb)
Whispering (Eb)
402
410 •
Somewhere My Love (G)
Tennessee Waltz (C)
464
466
Bunny Hop (F)
Chicken Dance (C)
I
 469 • Cielito Lindo (Bb) 507 • So Nice (Summer Samba) (F) 607 Django (Fm)
466 • Daddy's Little Girl (C) 540 Theirs Tears 604 I Remember Clifford (F)
469 • Guantanamara (D) 508 • Triste (Bb) 608 If You Could See Me Now (Eb)
463 Hail To The Chief (C) 502 • Watch What Happens (Eb) 607 Infant Eyes (Eb)
464 Hokey Pokey (Bb) 502 • Wave (D) 608 Kids Are Pretty People (F)
468 • La Vie en Rose (C) 521 • Where Do You Start (Eb) 602 Lament (F)
468 • Limbo Rock (F) 512 • Yellow Days (F) 606 • lush life (Db)
464 Mexican Hat Dance (F) 603 Naima (Fm)
467 Russian Dance (G) SAMBA 602 Passion Flower (G)
465 Star Spangled Banner (Bb) 602 Peace Bb)
465 Stripper, The (F) 539 Bim Bam Bum (Bb) 605 Quintessence (F)
467 • Those Were The Days (Am) 535 • Brazil (Ab) 603 Round Midnight (Ebm)
463 Wedding March (Om) 537 I Go To Rio (Bb) 601 Search For Peace
537 • Jazz Samba (Eb) 693 Soul Eyes (Eb)
CHRISTMAS 539 • Mas Que Nada 605 Tum Out The Stars
540 Menina Flor (Eb) 604 You Know I Care (Bb)
485 • Christmas Song (Eb) 536 • Quando, Quando (Bb)
492 • Christmas Time is Here (F) 536 Samba de Orfeu (C) IAZZ EASY
492 • Frosty the Snowman (0 538 • Tico Tico (Am)
486 • Have Yourself a Merry (C) 614 Bemie's Tune (Om)
485 • I'll Be Home For (C) RHUMBA 611 Dolphin Dance (Eb)
491 • Jingle Bells (G) 613 Doxy (Bb)
491 • linglebell Rock (0 556 • Always In My Heart (Bb) 637 Falling Grace (Ab)
490 • let It Snow (F) 558 • Amapola (Bb) 613 Haunted Ballroom (F)
487 • Rudolph (C) 554 • Amor (0 611 In Your Own Sweet Way (Bb)
487 • Santa Claus is Coming 552 • Begin The Beguine (0 614 Killer Joe (0
489 • Silver Bells (0 551 • Besame Mucho (Om) 612 Stolen Moments (Cm)
488 • Sleigh Ride (G) 553 • Green Eyes (Eb) 616 Strollin' (Db)
486 • White Christmas (0 553 • More (G) 613 Sugar (Cm)
490 • Winter Wonderland (Eb) 555 • Perfidia (0 614 Take Five (Cm)
554 • Poinciana (G) 615 Things Ain't What They (F)
BOSSA NOVA 557 • Softly As In A Morning (Om) 612 Whisper Not (Cm)
551 • Spanish Eyes (G) 615 • Work Song (Fm)
508 • Black Orpheus (Am) 555 • Speak low (F)
512 • Call Me (Bb) 557 Strangers In the Night (F)
509 • Desafinado (F) 556 • You Belong To My Heart (Eb) 626 Airegan (Ab)
513 • Dindi (C) 558 • Yours (D) 625 Anthropology (Bb)
511 • Don't Misunderstand (F) 632 Daahoud (Eb)
519 • Estate CHA CHA 634 Dig (Ab)
. 515 • Felicidade (Cm) 630 Four (Eb)
504 • Gentle Rain (Am) 565 • Cherry Pink and Apple (Eb) 635 Groovin' High (Eb)
501 • Girl From Ipanema (F) 567 • Dansero (F) 633 Half Nelson (C)
516 • Going Out Of My Head (Bb) 566 • Frenesi (Ab) 639 Impressions (Om)
506 • How Insensitive (Om) 567 • Never On Sunday (Eb) 244 Jeanine (Ab)
520 • If You Never Come To Me (Eb) 565 • Tea For Two (Ab) 640 Joshua (Om)
510 • like A lover (0 634 Joy Spring (F)
505 little Boat (C) TANGO 633 lady Bird (C)
511 • look Of love (Om) 628 Milestones (Old) (Bb)
517 look to the Sky 575 • Blue Tango (D) 626 Nardis (Em)
522 Lujan (Om) 578 • Jalousie (Bb) 637 Nica's Dream (Bbm)
518 Man And A Woman, A (0 576 • Kiss Of Fire (Om) 631 Night In Tunesia, A (Eb)
503 • Meditation (C) 577 La Cumparsita (Cm) 625 Oleo (Bb)
520 • Never let Me Go (Db) 577 La Paloma (0 630 Ornithology (G)
514 • No More Blues (Chega De (F) 628 Quasimodo (Eb)
507 o Grande Amor (Am) OTHER LATIN 627 Robbin's Nest (0
504 • Once I loved (F) 353 Scrapple From The Apple (F)
505 • One-Note Samba (Bb) 568 Caravan (Fm) 625 Serpent's Tooth (Bb)
519 • Only Trust Your Heart 568 Morning (Bbm) 639 Seven Steps To Heaven (F)
506 Pretty World (G) 639 So What (Om)
503 • Quiet Nights (0 IAZZ BALLAD 630 Solar (Cm)
517 Recado Bossa Nova 625 Theme, The (Bb)
522 Sabor A Mi (Eb) 602 Blue In Green (Bb) 635 Tune Up (D)
501 • Shadow Of Your Smile (G) 601 Chelsea Bridge (Db) 631 Well You Needn't (F)
518 • So Many Stars (C) 601 Child Is Born, A (Bb) 632 Yardbird Suite (C)
 689 Armando's Rhumba (Cm)
!AZZMED/UP 694 Blue Bossa (Cm)
691 Ceora (Ab)
244 Bebop (Eb) 690 Forest Flower (C)
636 Bolivia (G) 689 Friends (C)
643 Con Alma (E) 692 Gaviota (Cm)
643 Confirmation (F) 691 Gregory Is Here (Bb)
642 Donna Lee (Ab) 686 I Told You So (F)
641 Epistrophy (C#) 688 liberated Brother (Gm)
614 Giant Steps (B) 687 little Sunflower (Om)
641 I Mean You (F) 687 Lucky Southem (0)
627 Lazy Bird (G) 688 Manteca (Bb)
626 Moanin' (Fm) 694 My Uttle Suede Shoes (Eb)
627 Moment's Notice (Eb) 693 Pensativa (Gb)
638 Night Has 1000 Eyes, The (G) 685 Recordame (Am)
642 Salt Peanuts (F) 685 Silver's Serenade (Em)
629 Serenity (Eb) 694 Song For My Father (Fm)
636 Smatter (278) 685 Song For Strayhom (Eb)
629 Speak No Evil (Cm) 690 Spain (D)
638 This Is New (Cm) 687 St. Thomas (C)
629 Witch Hunt (Cm) 686 Think On Me (D)
696 Groove Merchant (Bb)
!AZZ BLUES 696 Mercy, Mercy, Mercy (Bb)
695 Sidewinder (Eb)
659 Au Privave (F) 695 Sister Sadie (G)
658 Bessie's Blues (Eb) 696 Watermelon Man (F)
635 Billie's Bounce (F)
660 Bittersweet (C)
659 Blue Monk (Bb)
658 Blue Trane (Cm)
659 Blues For Alice (F)
656 Byrdlike (F)
658 Equinox (Cm)
657 Gingerbread Boy (Bb)
655 Isotope (C)
658 . Mr. Sims (C)
655 Now's The Time (F)
660 Perhaps (C)
656. Relaxin' at Camarillo (Bb)
655 Solid (Bb)
660 Some Other Blues (F)
657 Speedball (C)
659 Straight No Chaser (F)
655 Tenor Madness (Bb)
656 Vierd Blues (Bb)

!AZZ WALTZ

673 Elsa (Eb)

676 How My Heart Sings (C)
674 It's A Raggy Waltz (G)
677 Ju-ju
.677 Night Dreamer (G)
677 Simone (F)
678 Sometime Ago (F)
675 Valse Hot (Ab)
673 Very Early (
675 Waltz For Debby (F)
674 West Coast Blues (Bb)
678 What Was (C)
676 Windows (Bb)

!AZZ LATIN
 I LEFT MY HEART IN SAN FRANCISCO
1
(Tony Bennett) Cross/Cory 54

Verse - Quick Rubato

C-7 F7 0-7 G-7 C-7 F7 B~ta A-7~5 07~9 G-7 C7

J " F J J F I J j J J J J J I J J I J J #J J I
The lov-li- ness of Par- is is some-how sad-Iy
r'
gay. The glo-ry that was Rome was of another
J I rr JJI
1'7\
F7 E~6 C-7~5 G-7~5 G~9 F/C 07 G-7 C7 F
~ I
1ij i' J 3 J I
day. I've been
a
ter-
DJ j J J: J J 3 J
bly a-lone and for -got-ten in Man- hat-ten, I'm
bJ) J )1 1J J J
go-ing home to my
n 1F' P l ~
f I" I
ci - ty by the bay.

SetTempo IAI B~ E~t.?l1l0-7 0~07 C-7 G7~9 1·C _ C-(A7) C-7 F7

I left my heart in San Fran - cis - co:=-' hill _ _ itcalls to

My love waits there__ in San Fran - cis - c o _
B~d7B07 C-7 F7' [§k~d7 E-7~S A 7~9 0-7 C#07 0-7 07
~ I ~ ~
I @i' j - * J j ~a I J' a ; J
1 ill 1 3 **a I .I' J ;"] J I J J ,J. .pI
me._ To be where lit- tIe cab-Ie cars _ _ climb half- way to the stars,_ the mom-ing

G-7 0~7 C7 C-7 B 07 C-7 F7 1~-7 F7 FIE~ A-7/D

I~ ~b OF

fog_
17 F J Ji I d
may chill the air,
l £J I J. l ) J J
I don't care. My love waits
J...
blue_
IJ J F F I a I
and win- dy sea._
07 [QiG+7 0- G7 C7 G-7 C7 C-7 F7 B~
I~ ii, * r ir' p 1r r I hF r r I r J. I ~ a 13 a I r r I r Fie -
When I come home to you San Fran - c~s-co your gold-en sun will shine on me.

MOONLIGHT SERENADE
Glenn M111er 1939

C+ F

G-
fa
0-
1 J
G- Go
WI G-
a 3 IF ,) J I
C7 C+ B~ E-7 A7
I~ i J J r' Fllle
J 10 r F '1 j Y-YJ I

I~i J
A-7~S D7~9

F I iU
B-7~S

r
E7 B-7~S

I~ F r
E7 A-7~S
r-3---,

r I r r r IJ
D7

I
G-7
F'F=r #J J I C7~9
D.W'~
f

2 MISTY Erron Garner/Johnny Burke 1954

Look at
Walk my way, and a
me, I'm as helpless as a kit-ten up a tree, at9
feel like I'm to a cloud; I clin~ing
thou-sand vi - 0- lins be-gin to play, or itmightbe the sound of your hel-lo. that
On my own,would I wan-der thru this wonder-land a-lone, nev-erknowing my rightfootfrom my left, my

Eb~7 _3- C-7 .--3-'

F-7 1. G-7 C9 F-7 Bb7~9

can't
MUS -
un - der - stand,
ic I hear,
- I get
I get
mis - ty just hold - ing your
mis - ty the mo - ment you're
hand. Walk my

hat from my glove, I get mis - ty and too much in love.

t. I 1.
2 'Eb Ab6 Eb ~Bb-7 Eb7~9
Ii elf) 1 WF r I ~F F F F=r- I ~F (1
3 .--3---,

~ 'I,
near. You can say that you're lead-ing me on, but it's just what I want you to do.
Ab6 A-7 D7 C-7 F7 G-7~5 C7~9 F-7 Bb7
r-- 3 - - , '"'""-3--, ~

I~~b!. £]'1 j FrI F FFr FrFFrl e IF JslI

D.C. al2nd End
Don't you no-ticehow help-less-ly I'm lost, that's why I'm fol-Iow-ing you. On my

GEORGIA Hoagy Carmichael/Stuart Gorrell 1930 II

[8] .F E-7~5 A7~9 D-7 D-7/C G7/B Bb-6 F~7 D7

I~~ c:J F" I J J_J. IJ J F' J I J. •F JI J r r F II

Geor- gia,
Geor- gia,
Geor- gia.--
Geor- gia,--
Geor-gia._
Geor-gia.-
the whole day
a song of
no peace I
through, just an
you,
find,
comes as
just an
old sweet song keeps
sweet and clear as
old sweet song keeps
II
r II
11. G-7 C7 A-7 Ab7 G-7 C+7 G-7 C7 F6

I~i E:J -~~F J J I II

I F F F F ,a F J J JI II l
Geor- gia on my mind (Geor- gia on my mind) 2. moon - light through
3. Geor - gia on
the
my
pines.
mind.
II
~ D-7 G-7 D-7 "Bb7 D-7 G-7 D-7 G7

I~i ,J - I J) J JEW ~
• I J) J ,::: ;~
:f'- I J) J it) J I P J §p~
F
II
Flfle

D-7
Oth- er arms
G-7
reach
D-7
out to me,
E7
oth- er eyes
A-7
smile
D7~9
ten - der - ly,
G-7 C7~9
II
I~i J) •~ 11 J j
D F D r- pIr J r r I
j j II
D.C. al2nd End Fine
II
still in peace - fu] dreams I see the road leads back to you._-

I
 AS TIME GOES BY 3
Hennan Hupfield 1931 (Casablanca)

CAb7 G-7 C7)

[8] F-7 Bb7 F-7~5 Bb7 Eb F-7 Flo7 Eb/G C-7
J ~ J ; J J J PI J J J J J PI r F r; rI * rI
You must re- mem-ber this, a kiss is still a kiss, a sigh is still a sigh; the
when two lov- ers woo, they still say "I love you", on that you can re - Iy; No
still the same old story, a fight for love and glory, a case of do or die; the

F7 .. F-7
I

~ I I /
fun - da-ment- al things ap - ply as time goes by. And by. _ _ _ __
mat- ter what the fu - ture brings as time goes by. _ __
I8 I world will al- ways wel- come
Ab G-7~5 C7~9 F-7 A-7~5 D7~9 C-/G Ab7/Gb

I'~I!I! iJ Prr Ie ~rc¥ r I fJ]lrrl rEnf r IE F (J E EI

Moon-lightandlovesongs nev - er out of date, heartsfull of pass- ion, jeal-ous- y and hate; wonran needs man and

I' ~j,b r
F7
F FF
man must have his mate, that
r rI rF j
Bb7

no one can de -
Eo
j Ir
P-7 Bb7 D.C.alCoda-$-G-7

ny.
i }II
It's
I rF
lov- ers,
C7~9

as
j I
F F
F-7 Bb13
I ..
time goes
Eb

by.

TENDERLY
Often played as a waltz Walter Gross/Jack Lawrence 1946

I' ~hj, E r r ~
The eve - ning
The shore was
~ Eb~7

r -r F
breeze
kissed
F
ca - res sed
by sea
r
the
and
trees
mist
r-n
ten - der
ten - der
-
Eb-7
I II

Iy
ly
l

i j-J J I
F-9
l JJ J J I
Ab-6
J f i~r
Eb~7

u::
The trem- bUng trees em - braced the breeze ten - ly.
I can't for get how two hearts met breath - less - ly

C7 I" F-7~5 Bb7 . F-7~5 Bb7 B o7 C-7 F7

* J . p. r I J. J FIl J I J Jr I r JI
Then you and I came wan - der-ing by, and lost in a sigh were
Your
F-7 2. F-7~5 Bb7 B o7 C-7

we.

I'
The shore was op - ened wide and closed me in -
F9 F#o7 G-7 C+7 F-7 Bb7 Eb6 17'\

~j,~ r i E r r I F~ 'E E t f I l JJ ~ J I 9: I
_9
side, you took my lips, you took my love -
so ten- der ly.
4
c- C-(t,7)
MY FUNNY VALENTINE
C-7 C-6 A~A7 A~/G
Rodgers/Hart 1937

F-7 F-IE~
•II
I~ ~1'l.!l J J J I J. Jl j I J J j I J. J2 j I J j j I
r •I JI II
My fun- ny val - en - tine, sweet com - ic val - en - tine, you make me smile with my

I,
D-7~5 G7~9

I ..
e-
j I
C-(t,7)

J. l
C-7
j
C-6
J. ;
II
&1,1z Ii

" Your
J
I
• j I J J I j
heart. _ __

A~A7 A~/G F-7

looks
F-lEb
are
A~-6
laugh - a - hIe,
Bb7~9 EbA7
un - pho - to -
F-7
graph - a - hIe,
G-7 F-7
II
I~ ~\'I, J J J Ir p r' 9)) I II I,J j J II r ' J) j J I J j J II
yet you're my fay - 'rite work of art. _ _ Is your fi - gure less than greek, is your
I
r , lJ J I, J J J I r
EbA7 F-7 G-7 F-7 EbA7 G7 C- Bb- A7 AbA7 D-7~5 G7~9

I~ jl'b i l JJ I J J J I "
Ir J II
mouth a lit - tie weak, when you 0 - pen it to speak, are you smart?_ _ But
II
e-6 Ab~7 D-7~5 G7~9
C-
I . C-7
C-(t.7)

I' ~I'I, J J J I J. l j I J •~ J I J. J) J I f' r F I C- D F

don't change a

C-7 B9 Bb-7 A7
hair for me,
A~~7
I not if you

F-7
care for me,

Bb7~9
stay fun- ny

Eb
val - en - tine

I~ ~I'b I
II
I J J J I J. j) ,J
II
I - I e
stay, - each day is val - en tine's day.

SUMMERTIME
I G. Gershwin/DuBose Heyward 1935

~
A-6 B-6 A-6
I B-6 A-6 B-6 A-6 B-6 D- F
IFF r ~ E r- 1* r;J- U F I J LJJ * E r I p r
3
r- --,
P><F
Sum-mer -
One of these
time
mom - in's
I
and the liv-in' is
you goin' to rise up
ea - sy,_
sing - in',...-,_ _
fish are
then you'll
jump - in'
spread your wings

D- E~ E7 F7 E7
I A-6 B-6 A-6 B-6

I~* G 0 F I fr iD E:t I D F D
w V I*[J (J rl
and the cot- ton is
and you'll take to the
high. _ __
sky. _ _ I Your dad - dy's rich
But till that mom - in'--
and your mam-my's good
there's a no - thin' can

A-6 B-6 A- D7 C/G

I A-7 D7 D-7 A-

I~ r ~
j J J
J r
~

J- I J J I J I D r I I II Ii

look - in',
harm you
* so
with dad- dy and I
hush lit - tIe ba - by
mam - my
don't
stand -
you
in'
cry.
by.

I
 EMBRACEABLE YOU rra/~ge~Win 1930
5
B~o7 A-7 D7 F7 E7 A-7
J J i * J J J I J J' J J-1u j' 1* W F r,
Em- brace me, my sweet ern- brace - a- ble you. _ _ __ Em - brace me,
I love all the rna - ny charms a- bout you. _ _ __ a - bove all
-7~m~ D7 b9 1' G6 A-7 GIB B7~6 IBI E- E-7/D C#-7~5 F#7~9

you ir - re - place - a - ble you. _ _ __ Just one look at you. my heart grew
I want my
B- B-7/A G#-7~5 G-6 P#-7 B7~9 E-7 A7 07 Bb7 A-7 Ab7~

1* # r d\ J JJ II I J J J JI J j F iF I F i J) J Jlu ~
tip - sy in m e . _ _ _ _ You and you a - lone bring out the gyp - sy in rne. _ _
G 71B lei C6 F#-7~5 B 7~9 E- E-(t.7)

I * F F F IFF J F I * J J j J J J I
arms a- bout you., _ __ Don't be a naugh - ty ba - by, come to pa- pa, come to
E-7 A7 GID E7 b9 1-7~S D7~9 G6

1*# a J r· 1* F r F I F '¥ l ill e I J *

l'a - pa do._ My sweet em - brace - a - ble you. _ __

UNFORGETTABLE Gordon Irving 1951 (Nat Cole)

~ G G6 Gt:.7 G6 C#-7~S F#7~9

!#~ ~3---1'
, I@ €J J j) J j) I j ~J J I I J - II

Un-for- get- ta- ble._ that's what you are. _ _ Un- for- get-ta- bIe,_ tho' near so
Un-for- get-1§t,- in ev - 'ry way. And for e- ver- more_ that's how you'll

t 7 B- C o7 A 7/C,r F-7 pt.7

1* I:r *1 r FF r IrE 1
w

1*1
far.
stay. _ _

D9
J aJ
Like a song of

all ,a 1 J J
Eb9 D9 Ab7 ;
love that clings to me, how the thought of

F J 1 J U F F F Fir U fa r 1
2. Ft:.7
you does things

F-6
to me.
,

nev-er be-fore has some-one been more.__ That's why dar-ling, it's in-ere - di- bIe,

Ct:.7 B 7~9 E-7 A9 D7 D-7 G7 C6 (A -7 D7)

aJ • a a n~n a J a a J J fJ;.)J J
II I I I & _ _1_ J. * I
thatsorne-one soun-for-get - ta-ble, thinks that I am un-for-get - ta-ble too. _ __
6 STARDUST Hoagy Carmichael 1929

C F9 £7

I~I!~ l j r r j F r r IF J J •i J #J J J J
And now the pur - pIe dusk of twi-light time, steals a - cross the mea - dows of my
You wan- dered down the lane and far a - way. Leav- ing me a song that will not

A7 D- E- A- 1. B7

I~ ,<> beart. _ __
IJ ~1 J J
High up in the sky the
J J I in J r
lit- tle stars climb.
1

F ;-1]
al - ways
j JJ J I
re - mind- ing me that
die. _ __ Love is now the star-dust of yes - ter - day,
E- F#o G7 G7 C6 C+

I~ J J J
we're a - part. f' j J
the
Jf J J JI J
mus - ic of the years gone by.
i
E r
Some- times
Be
i-j
I
II

[8] F6 F-6 B~7'11

I~ F r J J J r J I.F] J. pi
II

j J F
won - der why I spend the lone - ly night dream - ing of a song. The
side a gar - den wall when stars are bright. you are in my arms. The

I~
C

r J f'
D-7

I E
E-7

f r~
A7~9

J
D-

irFr J J
A7~9
I'
J J J.
D-
)
D-7~~Ab

J J II
.J .
me - lo-dy haunts my rev-er - Je, and I am once a - gain with you. When our
night-en- gale tells his fai - ry tale of par- a - dise, where ros - es
G7 G7 , G+ C D-7 Eb o7 CIE

I~ J J J l
•I l J J #J J I J J J r I
love was new,_ and each kiss an in - spi - ra - tion, but
A-7 D9 A-7 D9 G7 D-7 G7 G+

I~ E r r J J Jis I f
•I b1• J_JJ q}) I
J J J J J J I J.
that was long a - go, now my con - so-la - tion is in the star dust of a song_ Be -

I 2. D-7 F6 F-6 C E-/B A- C/G

I~ l grew. _ _
_J1 J J) II J ~J il J J J
Jin myJ Iheart r F I
Tho' I dream In vain, it will re -

B 71F# F7 £7 Ebl3 D-2 A 7~9 D-7 G7 C

I~ r
main, _ _
F I £- J JJ J
my star- dust meI- 0- dy, _ _
J J oJ]
the mem-o- ry
j J I~
of love's re - frain. _ _
II
 SEPTEMBER SONG Kurt Weill 1938
7
[8] C-6 Ab7 Ch.7 D-7 E-7 A-7.

J j r~ J J j I *J I J. Ji J 1* J J J rI
Oh it's a long, long time, from May to Dec - em - ber, but the days grow
the au- tumn wea - ther, turns the leaves to flame,, _ _ one has - n't got
And these few pre- cious days, I'll spend with you, _ __ these pre- cious
2. D-7~5 G7~9
D7 G7~9

'"
.---3---"
"
short_ _-
.. .. ....
when you reach Sep - tem- ber._
....
When the au- tumn
I
time
.
for the wait - ing
[§] F-6 Yo F-6

game.__
r rII r
Oh the
(J
days dwirt-dle down, _ _
r to a prec- ious few,__
rr I r r
Sep- tem - ber,
CA7/G D.C.a/Coda . . D7sus4 D7 D-7~5 DbA7 C6

1* J J FI IF" WI r r I"
Nov - em - ber, and these few days I'll spend with you.

POLKA DOTS AND MOONBEAMS

Van Heusen/Burke 1940

[8] Fh.7 D-7 G-7 C7 Bb7 A-7

I'~f 1 J J J j: J J 3I J i1 /J J. I 'J J J J J
A COUll- try dance was be - ing held in a gar - den, I felt a bump and heard an
The mus - ic start - ed and was I the per- plexed one, I held my breath and said "may
Now in a cot - tage built of Ii - lacs and laugh - ter I know the mean- ing of the
G-7 E-7
L
A7 D-7 Eb7 F Bb A -7 Ab-7
1£;
.., r E21 J1 J. J J J 3 J IJ J J j ) ;J.
"oh, beg your par- don," sud- den - ly I saw Pol- lea Dots and Moon - beams
I have the next one?" In my fright - ened arms Pol- ka Dots and Moon - beams
words "ev - er af -' ter," and I'll al - ways see Po - ka Dots and Moon - beams

F6 E7
pJ I ,] * J ~J II Ftne
all a- round a pug- nosed dream. " spark- led on a pug- nosed dream. There were
rD1 when I kiss my pug- nosed dream.
L§J AA7 Bbo B-7 E7 AA7 F~ E7
I: t~ ~ )~ IE E,II,~
-F
I ~ II
~ tiE hE J IV
~
J. I J IJ J JJ J jiF I
B-7
r
ques- tions in the eyes of oth- er dan - cers as we float - ed ov - er the floor. There were

I' AA7

~ J Ir
B\,o B-7
r Ilr I E iE If J .Ji J. I ¥ J Ip J. ~p I r D~J * I
ques - tions but my heart knew all the ans- wers,
E7 A7

and
D7,

per-haps a
G-7

few things more

C7

D.C. aJ 2nd Ending

r
8
,
.. EVERYTIME WE SAY GOODBYE
F-7 G-7 AbA7 G-7 C7~9 F-7 Bb7 EbA7 Gb7
II Cole Porter 1944

J; J J J J J I J. J j J ~ j 3I r p rj II
)y < • !j
Ev 'I)' time_ we say good - bye, I die a lit- tie, ev- 'I)' time
When you're near_ _ there's such an air of spring a- bout it,

Gb 0 7
I can hear

F-7 Bb7
II
we say good - bye, I won-der why a lit- tie, why the gods
D F FI FEri
a - bove me who
II
a lark some - where be - gin to
Ab-7 Ob9 G+7 C-7 Gb-7
.-3----, B7
II
must be in the know,
!j 'r P FFI
think so lit- tie
Ir r J J I ;J J J J J I
of me, they al - low you to go._
II
Bb7sus4 Bb7~9 2· AbA7 b9 Eb/G Gb o7 F-7 Bb7 Bb-7 Eb7 AbA7
II
'-'
sing a-bout it. There's no love song fin - er, but how strange the change from
II
I' ~llb
Ab-7
.-3---, Db9

J JJ
ma- jor to
r ~ I
mi - Dor,
EbA7
J. l J
ev - 'I)' -
C7~9

time
F-7
J J
we
Bb7sus4

J
say
Bb7~9

good
J
-
Eb6

bye
e .....
- e II
Fisher/Laine 1945
WE'LL BE TOGETHER AGAIN
C6 Ab7 D-7 G7 A- A;L 07'11

I' • No
Your
Some
J J
tears,
kiss,
day,
~r
no
your
some
J..
fears,
smile,
way,
J; I
re
are
we
P r p
-mem- ber there's
mem- 'ries
both have
I'll
a
rr-o
al- ways to - mor - row,
trea- sure for - ev
life- time be- fore
er,
us,
I p .J._ J
-
so
so
for
~~
•

IlOG?,.,'
I'
Bb-7

~~
F
what
try
if we have to
Eb7
~r
think - ing with your
J
AbA7

~e
part,
heart,
0-7~5
l

I.))
we'll
~r J1
Ab7

rn
be to- geth- er a -
J.
gain.
G7

Your
J f: gain. FIM
II

part - ing is not good - bye,

Times when I know you'll be lone- some, times when I know you'll be sad,

Gb7' 11 F7 D-7
, - - 3 - - , Ab7
b5 G 7sus4 G9

I~ don't let temp - ta - tion sur -

J5 I ~J
round
J
you,
'-'
J. I J dJ J J
don't let the blues make you
•
j
I J
bad. Some
J /I
D.C. al2nd End (FiI)e)
 THE VERY THOUGHT OF YOU 9
Ray Noble 1934

Eb7 Ab117 Eb+7 Ab117 Eb+7 Ab Bb-7

J J J( j J J~J_j J J J I J J J I J J J J JI J J' J ;'1

The ve- ry thought of you,__ and I for- get to do__ the lit- tie or - din - ar - y
Themere i - dea of you,_ the long- ing here for you. _ _ You'll nev-er know how slow the

B o7 Ab/C 3 F-9 Bb9 Bb-7 Eb7 G-7~5 C7 F-7 F-7/Eb

I@~I'!.& J. Jl full G r' I F rr r r I [ p [ pI F r J I r J' r' rub I
things that ev- 'ry-one ought to do. I'm liv- ing in a kind of day-dream, I'm hap-pyas a
mo - ments go 'till I'm near to you.__ I see your face in ev - 'ry flow - er, your eyes in stars a-

Eb7

I JJI J 7 J J J :I~
king, and fool - ish tho' it may seem, to me that's ev - 'ry - thing. The mere I -

I I@~'!'Y
D-7~5 Db117 C-7 F7
ill !i j J JI j J J-iJ j J I J J FI I.
IJ I
I bove It's just the thought of you, the ve- ry thought of you, my love. *
I I'M IN THE MOOD FOR LOVE
I [8J C A-7 0-7 G7 0-7 3---, G7
Jimmy McHugh/F1elds 1935

C o7
r-- 3---, C
I I@t j J j J J 0
'I J7jJ J J I F r-
I'm in the mood for love, sim - ply be- cause you're near me.
Hea - ven is in your eyes, stars we're -
I If there's a cloud a - bove,
bright as
if
the
it should rain we'll
un
let
dec.
it
E-7 &07 0-7 G7 D-7 G7 11. C G7",,4fC
I I@ p F P F ~F J r- I J1 J
I.. I..

Jl J J I e
-& F"tne
I
Fun - ny, but when you're near me, I'm in the mood for love. love.

I ffi)
Oh,
But
is
for
it an
to - night
- y
for
won
get
- der,
it,
I'm
I'm
in
in
the
the
mood
mood
for
for
0-7 G7 C E-7~5 A7~9 0-7~5 G7~9 C
I I@ J) J jl j J J J. I J) J Ji J J e
Why stop to think of wheth - er, this lit - tie dream might fade.

I F#-7~5
.
B7~9 E-7 A-7 07 0-7~5 G7~9

I@ #J) J J) j J r - r· I p F p r I J) J J) J
I We've put our hearts to - geth er, now we are one, I'm not a - fraid.
II

D.C a/ 2nd encJing(Finej

I ,
h
10 HERE'S THAT RAINY DAY
Johnny Burke/Jimmy Van Heusen 1949

G DIF# B~71F E7 fn Eb~7 , - 3 - , Ab~7 A-7 D7 D7· 9

1*1 '.: J j
May- be . I
JI J qJ ~F
should have saved those
r I (-"'r r FI
left ov - er dreams,
I'
IJj
fun-ny but
JI J J Jr I
here's that rain-y
Where is that worn out wish that 1 threw a- side, af- ter it brought my lov- er

G~7 D-7G7 I'·C-7 F 7sus4 F9 Bb~7 Eb~7

1*1 0= I-a I Ir V I Ir j .a J I r q•I #J I J •

I j I
day. Here's that rain - y day they told me a - bout, and I
near?
A-7 D9 C7 fn B+7 E9 A-7 D7. 9 1 2. C~7

1*1 r U r 0 I r a fa J I a- I-a ) F r F
laughed at the thought that it might tum out this way. Fun - ny how

D9/C B-7 E-7 A13 A-7/D D7 D7. 9 G6

~ ~
1*1 F •
love be- comes a
F r I
cold
IT J
rain - y
a I Ii

day,_
IJ j J IJ J
fun- ny that rain - y day is
•
FI e:

here.
la

I REMEMBER YOU Johnny Mercer 1942

[AI G6 C#-7~5F#7 G6 D-7 G7 CA7 C-7 F7

1~I ~ d J J :l I"
1 re-me~ber you,
I J :l J J I \~ :l J J I J. J I d
you're the one who made my dreams come true, a
DE 1
few kiss - es a-
1 re-me~ber you, you're the one who 'said "I love you too", I do, did - n't you

rm:~7 F#-7 B7 E~7

go. _ __
IF
I
r j
re - mem - ber
J I F' P F J
too a dis - tant bell,
lcnow? _ _
F#-7 B7 E~7 E-7 A7 DA7 A-7 D7 G6

I~I * F f J I .a. j I J TJ!FJ I II

IJ * II J J J J
and stars that fell like rain out of the blue. When my life is
G6 CA7 B-7~5 E7· 9 A-7 C-6 F7
I J j J J Ir r r w I
I.

Ir r ~?7E
F==f~
through and the an - gels ask me to re - c a l l - - - the thrill of them
GA7 E-7 C#-7~5 C-6 B-7 B~7tn A-7 D7 G6
,£ j a-
I
F then
F
J J IJ J J J i J j
all. _ _ I shall tell them I re - mem - ber you. _ __
 MY ONE AND ONLY LOVE 11
Wood/Mellin 1953
A-7 0-7 F~7 r - - - 3 ----,

~
e ve - ry thought of you makes my heart sing like an Ap - ril breeze on the
The sha- dows fall andspread their mis - ty charms, in the hush of light while you're
You fill my ea - ger heart with such de - sire, ev- 'ry kiss you give, sets my
E-7 A 7sus4 A 7~9 0-7 G7 E/G# A-7 07 '-0-7 G7

I~ J r j FJJ JJ J j
splen-dor_ _
I i fa 1 J J I
wings of Spring, and you ap - pear in all your my one and on-ly
in my arms, I feel your lips so warm and ten - der,,_ _ my one and on-ly
soul on fire. I give my - self in sweet sur - ren-der,-_

F#-7~5B7[§]E-
j 1·E-7A70-7G7 \ 2. C6 C#-7~5,--3~
- F#-7~5 B7~9

love.
/ 4·
love. '
.. '
The
I
touch_ of your hand-.
I
is like hea-ven,-
.
a
'

E- i _ 3--,C#-7~r _ 3---, F#-7~5 B 7~9 E- ,.--3--, E-ID# E-ID ,-3-, C#-7~5

I~ r £J J r-£J] 1 J. 1 J\ 1 LdiJ J J. J\ I J_liH J

hea - ven that I've nev-er known. The blush on your cheeks when ev - er I speak
0-7 A~3--' 07sus4 0 7 07~9 C6

Fn
D.C.aJCcda .. 0-7

I~ J JJI u I ~I~!j~J~J~J·~d~r~1~It~~II
tells me that you are my own. my one and on - ly love.

THE NEARNESS OF YOU

Hoagy Carmichael/Wasbington 1937
~
,
F~7 C-7 F7 BbA7 Bbo7

I*i JJJ~
It's not the pale
J r
moon that ex
§
-
J
cites me,
F
J
that
,J
thrills
J J
and ex - cites me,
J J J I
oh
It is - n't your sweet con- ver - sa - tion, thaI brings this sen sa - tion, - oh
I need no soft lights to en - chant me, . if you'll on - ly grant me the
A-7 D7~9 0-7 C7
,-.3--., "1 1. A-7 Ab9 0-7 C 7sus4 'I
2. F6 Ep9 F

, Q
no, _ _
no,
-* •
it's just the near- ness of you.
it's just the near- ness of .
..
It is-n't you.
.. ..
whenyou'rein my
right to hold you ev- er so
[§] G-7 C7~9 FA7 F 7sus4 C-7 B7 BbA7 E7~9 A-7 07

I~i
arms,
e:

G-7 Ob7fllC7sus4 C7
J J 1"
J II J.
and I feel you so close
:$- A-7~5Eb7Ul
j) ~J - =
to me,
I J "J> J
07~9
all
J) I
my wild
G7sus4 09 0-7 C7~9 F6 C7sus4 F6
r -
·F If'"
est dreams come
rl
"i; D.C. a/Coda ~ '-3~

I@~ e
true.
±J j1 J I I"j
I need no tight,
I ron rr3 I
and to feel in the night
r JI J J J I
the near- ness of you. _ _ __
«I I ..
12 WHAT'S NEw? Burke/Haggart 1939

D-7~5 07~9

What's new?_ _ __
I JJ J J #J J I
How is theworld treat-ing you?_ __ You have-n't cHanged a
What's new?_ _ __ How did that ro-mance comethrough?--- We have- n't met since
A - dieu.--- Par- don my ask - ing what's new_ _.,-- Of course you could- n't

c- &71B~ Abt.7 07~9 C6 ""D-7 G719 j2.G-7 ~719 _

I~ e 1d J J d J I J j J J_J - r' p -' - F Q I
bit, love - l y a s e - ver, I must miL ad - What's new? What's new?
then, gee but it's nice to see you a - gain. Fine
know, I have-n't changed. I love you SO.

&-7 r - - 3 - - - , A~7 Dbt.7 0-7~S C7~9

Ir F t ±r r
Prob - a - bly I'm
~F e ~T I
bor- ing
Cj

you.-
IJ 3 J J
but see - ing
IJ
you
J
is

F- Ab7/EbDbA7 C7~9 F- &7 D-7~S 07~9

I~ II I !j ~F F F Ij J I J J j J J I I,J 3 J J~ J el 1
grand-- and you were sweet to of-fer your hand I un-der- stand. D.C..Fine

BODY AND SOUL Hetman/Sour/Eyton/John Green 1930

IA1 &- Bb7~9

1~ ~1z11~~
,
t'3 J j J J
My heart is sad and
I spend my days in
1
&-7 D9
r r
lone - ly,
long - ing,
Db6
'I' J J J
for you I
@7

sim, for
and won- d'ring wny it's
r J 1
F-7

r
you dear
F
E o7

on - ly.
F
me you're wrong-ing,
rl
My life a. wreck you're mak - ing, you know I'm yours for just the talc - ing;

Eb-7 E~71Db C-7~S F7~9 &- I?9 3--, 1. Db Bb7~9 ,2. DbA 7
I

h~e- n't yl!~

tell you I
~n
mean
it?
it,
..
I'm all for you, Bo-dy and " Soul.
u U'

glad - ly sur - ren - der

E-7 DIF# 0-7 C7 F#-7 B-7 E-7 A7 OA7
. J . . ~
J Jl JlI P F }l Jl ;j) I }l J J! J j 1~"
I can't be-lieve it, it's hard to con- ceive it, that you'd tum a - way ro- mance.

0-7 G7 E-7 E~o7 D-7 07 C7 B7Bb7 D.C.aJFIfIII

1~!ij r p P F )11 p r J)
L

, F J J )1 j ) 1P P F J> I j ~j J ¥ II
Are you pre-lend-ing, it looks like the end-ing, un - less I could have one more chance prove dear, to
 BUT BEAUTIFUL
13
Johnny Burkel Jimmy Van Heusen
C7 U1 B-7~5 E7~9 A-7 C#-7~5F#7~9 B-7 CA7

fun- ny or it's sad, or it's qui - et or it's mad. it's a good thing or it's
Love is tear-ful or it's gay, it's a prob-Iem or it's play. It's a heart- ache eith - er
B-7~5 E7~9 A7 E-7/B C-(A7) C#-7~5 D7 D/C B-7 E-7

I' I J ,J I U F ~r
bad, but beau - ti - ful!
J ,3 I n
Beau - ti - ful
ij J I F F J. I I
to take a chance and
way but beau - ti - ful. And I'm think - ing if you were mine I'd
1·A-7 D7 G6 B7~9 E- E-(A7) E-7 A7 A-7 D7

if you fall you fall. and I'm think- ing I would- n't mind at all

B~7 A~7

I"
12A - 7 B7 E-7 ' F7 G6 A-7 G6
J I J. j IC F r j I (J r JI LJ. ~
Fr F
nev- er let you go,
e:

and that would be but beau - ti - ful I know

SCOTCH AND SODA Dave Guard 1959

EJ,6f3~ G-7 C7
I~ JJ
Scotch 'n' so - <fa. ba - by do I feel high, oh me ob
Dry mar - ti - ni, Ob what a spell you've got me in, ob
All All I need is sun- shine of your eyes oh me oh my

F-7
Ilf J ] L~ J-
B~7 _I '"BI.-7 @7 A7
f~7
B~-7 E~7 &+7
Ii IJ. ~ IJ ~ I
do I ' feel high. high

.
J Jl I ro J> l
Pea- pIe don't
F·
be - -
lieve me, tQey say that. I'm just brag - gin' _ _ But
1>1
C-7 F9 C-7 F-7 B~7

I
j
could
Jl J
feel
J
the way
~
I J> j JS ~

I do
° J~ I r F J j I J. p?e5t , D.C. aJ Coda
I
and still be on the wag - o n _

C7 F-7 B~7 A~7 E~

I Cd" VO I Sf r PD r' I p ro ~j j a-1e
high - er than a kite could Give me lov- ing ba- by I feel high_
14 WHAT ARE YOU DOING THE REST OF YOUR LIFE
Legrande/Bergman 1969

1AI A- A -/0# A -/0 A -IF#

I~ I! 'J J J OJ) .J J1ij r 0 r~ I r 0 r F r r

What are you do- ing the rest of your life?_ _ North and South and East and
All the sea- sons and the times of your days,.-,-- all the nick - les and the
Those tom-mor-rowswait - ing deep in your eyes,,_ _ in a world of love you
FA7 E-7 D-7

I~ a J ) L La J J d J J J a J1 l '1
West of your life, I have on- ly one re - quest for your life,
dimes of your days, let the rea- sons and the rhymes of your days
keep in your eyes, rn -a - wa-ken what's a - sleep in your eyes,

I~J f :0 J
B-7~S

J 3J
... , 11.E7sus4
I
E7

I * J J J J ,J
)2
j fAA' 1* a J rI
that you spend it all with
U'
me. All the sea-SODS and the
1&
me I want to
all be - gin and end with
[§] it may take a kiss or
B B-7~5 E7 AA7 B-7~S E7

1$ ( Ij r y 'hC r r §r I 'r- aI r Ij r !' hC r r 1r

see your face in ev-'ry kind of light, in fields of dawn and for-ests of the

AA7 A\"'7 D~7~9 0~A7

~ I
I~, 'r ' r r r I ~C r F T' I'e j F J• I ~F ' ~J' J J d
nigbL And when you stand be - fore the on the
can - dies cake, Oh let me be the

0-7 C7~9 FA7

~J
I~ C j F J• .J J ,a J J J J J .a J
D.C. • Coda
I
one to hear the si - lent wish you make. Those tom - mor - rows wait - ing

•I~ E 7sus4
e

two.
I
E7

r r Thru
I
F9

r CJ t
all of my life,
B-7~5

r C J•
Sum- mer.
E7
C r C
Win- ter, Spring and
r II
FA7 F7 fll A-IE B-7 E7 A- II
I~ 13 J•I J JJ J a J J I a fJ J. jl a fJ J. II «, I ..
Fall of my life. all I ev- er will re - call in my life. is all my life with .you. II
•
 I ONLY HAVE EYES FOR YOU
Warren/Dublin 1934
15

Are the stars out to - night? I don't care if it's clou - dy or bright, cause I
moon may be high, but I can't see a thing in the sky. cause I
here so am I. may - be mill- ions of pea - pIe go by. but they

Ct:.7 D-7D#o7 1E-7 F13 ..

E-7 A7 I
Ep-7 I
Ap7 . " 2' E -7 BIp9 A13
-,--3----,· ~

«> I I I I I I I I

dear._ _ The for you _ _ __

on - ly have eyes__ for you-
on - ly have eyes_ _
all dis - ap - pear__ from

rnJ D - 7 07 F o7 E-7 A-7 0-7 C7~9 F-6 B~7 E-7 A-7

I~ t F F J I J J J J I J J_ L,e I * r F IzJ , J J JJ, e

I don't know if I'm in a gar - den, _ __ or on a crowd-ed a - ve - nue_

P,
D-7

f1! r r
D-7~S G7~9
,
F
C
,. II

You are view _ _ and I on-ly have eyes for you

THAT'S ALL Alan Brandt/Bob Haymes 1952

C-7 1)-7 C-7 F7 Bbt:.7

I can
J J J J J J'.J J,J
on-Iy give you love that lasts for- ev - er,
ro' J J J J
and the pt'O:mise to be near each time you
J J JI
I can on-ll give you coun-try walles in spring-time, and a Iland to hold when leaves be- gin to
If you're won- d ring what I'm ask-ing in re - tum dear, you'll be glad to know that my de-mands are

D-7 07 E-7~S 9-7 1)-7 07alt C-7 07~9

I~~I' J J J I J iI ; J r' JI J ~ J J r' l ,J J

call; and the on - ly heart I own, for you and you a - lone that's all, that's
fall; and a love whose bum - ing light will warm the win- ter night, that's all, that's
small; say it's me that you a - dOre for now and ev - er - more, that's all, that's

1C-7 F7~9 2. Bb6 .[§) F-7 Ebt:.7 C7~9 F-7

. ",.
all. . There are those, am sure, w 0 have told you, they would give you the world or a

I~~II J.
E~t:.7

toy.
PI J P J P I J
All I
0-7 C7

have are these arms to en - fold you and a

Ft:.7
j
D7~9

r I J P J P I J.
0-7 C7 F7sus4 F7 D.C.alFine

love time can nev-er des - troy,

i J I
If you're
 I
16 MYSIUP Kurt Weill/Ira Gershwin 1941

IAI F~ 07~9 09 C 7sus C7 07. 9 07 4

I F~ C7~9

of J J r t1 I J J J 'iJI J J r r I J J W I
My ship has sails that are made of silk, the decks are trimmed with gold, and of
My ship's a- glow with a mil-lion pearls. and rub - ies fill each bin. The

9
I do not care if that
E-7~5 7~9
I
day ar - rives, that dream need nev - er
C7~9
be,
0-7C7~9F6
if the
F6Eb7 07. .. 0-9 A 1·0-7 G7 0-7 2.0-7

..., • - I
I J
I-"'"
jam and spicethere's a par - a - .dise in the hold. My ship comes in. I can

[§] G-7/C C7
sun sits high in a
ship I sing does - n't
sap-phire sky when my
I
G-7/C C7 0-7 B\J-6 Fb.7 A-7 D-7 B-7~5E7

I~I F J J. P IF J J I F F J J I J itJ r iF J , Q I I
wait the years till it ap - pears, one fine day one spring. . But the pearls and such. they
A- D-7 A-7 07 07sulG9 C7sus4 C7 :t 0-7 E-7~5A 7~9 0-7 C7
J I
I~~ r iF J C1 I F iF J J I .J J I I r F' "I J. ;; J. ])1
J:::1 D.C. III Coda

won't mean much if there's miss- ing just one thing. II al- so bring my own true love to

Fb.7F#o7G-7 C7 Fb.9 B7. Bbb.9 &7sus4£b7 A-7 Ab7 Obb.7

11 C7~9 F~

I~ ~ a- u I iFF ErE IU r r I r r I J j I I II

me, If the ship I sing doe~n't own true

al- so bring my
I love to me.

Suessdorf/Blackbum 1939
MOONLIGHT IN VERMONT
C-7 F-7 Bb7 Eb6 C-7 F-7
I
,..
en-nies in a stream.___
I
fall - ing leaves, a
,.
sy - ca- more,
I Ird...'
Moon-light in Vep. mont.
I I I

Ii5l
L§J A-7
1- cy fin- ger waves,,___ ski trails on a moun-tain- side.
Ev'-ning sum-mer breeze,_ _ _ warb- ling of a mea-dow lark. I snow-light in Vep. mont.
Moon-light in Ver

ruTI
07 Gb.7 E-7 A-7 Ab7. Gb.7 11

I'~I!I' Fia I RUJ FH I ril E (E I iF- J I II

Te - Ie - graph ca - bles. they sing down the high - way and tra - vCI each bend in the road.

I~;\
B\J-7
En Eb7
TIn IFE Ln I TIn r ~(J I r iF f"',
Abb.7

Peo - pIe who meet in this

B\J-7 A 7'11F7~9. Abb.7

ro - man - tic set - ling are so hyp - no - tized by the love - ly.
Bb7~9

.. Eb F7 E7 Eb6
I'~I'I' e I j JJJ r C I'E ~E .. I
mont. You and I and moon - light in Ver - mont.

I
 OVER THE RAINBOW Harold Arlen/Harburg 1938
17
C-7 G-7 Eb7 Abb.7 D7 G-7 C7~9 F-7 Db7
j
Some - where,
V I F Cf F F I
ov- er the rain - bow,
J
way up
r e

high,
J
there's a
Some - where ov- er the rain - bow, skies are blue, and the
blue - birds fly, birds fly

:-7 B~7~t~ t~
Some - where ov- er the rain - bow,

F7 F-7 B~7 I'E~6

JFJ
JI J J J J j PI
land that I heard of once in a luI - la - by. true. Some-
Fine
dreams that you dare to dream real - ly do corne
I8 I ov - er the rain - bow, why then, oh why can't I?
~ F~ Rb7 Eb6 F-7
1 ~ ~I!I! £J ] J fJ ] J J J J J I J j J JI r r I r' j PI
me _ __
day I'll wish up- on a star and wake up where the clouds are far be - hind Where
Ebb.7 A-7~5 D7~9 G-7 Gb o7 F-7 B!H-7
I~ ~I!I, i J ] J £ J ] J I It r r 1 E E r J r r I IT r
D.C. III Fine
II

trou- bles melt like le-mon drops, a - way a- bove the chim-ney tops, that's where you'll find me.
t:"\
I Tag-Last X only E~ J p :J F-7 Bb7 E&6
I~~'!,- ~~~I;tJ j; J: J j 3 1 J J J J C E F ~j I"
If hap-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can't I?

ONCE IN AWHILE Green/Edwards 1919

Once in a - while will you try to give one lit - tie thought to me?
Once in a - while, will you dream of the mo - ments 1 shared with you?
1 know that I'll be con - ten - ted with yes - ter - day's mem - 0 - ry,
F-7 3
C7 F-7 1'G-7 C7 F-7 Bb7 2Eb6 Ab-7 ~6 07

Though some- one else may be near - er your heart. part In

Mo - ments be - fore we two drif - ~ a - while. Fine
know - ing you think of me once 1D a
[§] Gb.7 E-7 A-7 07 Gb.7 E;-7 A-7 07~9
~
3

I~~kb
I

J r - r' J I ~J
I

IT 9 MF I Mr ~J iJ Jif
love's smol - der - ing em ber, one spark may re - main.
Gb.7 E-7 3
A-7 D7~9 G13 C7~9 F-7 Bb7
I~~kl' r W flJ
MF r V MF J J F F I II
D.C. al 2nd End
II
love still can re - mem - ber, the spark may bum a - gain.
18 LAURA D. Raskin 1945

A-7 07~9 ....--3---, GA7 (C9 ) G6 (C9 ) G-7

1~l!f r r l-pA J i J a I J ;, J I _8 I ,J J
Lao - raL-_ is the face in the mis - ty light, foot - steps-
Lao - ra- on the train that is pass - ing through, those eyes,-

C7~9 B~7sus4 B~7~9

r---- 3 - , E~A7

that you hear down the

how fam - il - iar they
hall. _ _ __
seem. _ __
The laugb- that floats on a sum - mer night, -
1-7~S 07alt 07
I
GA7 B-7 E719 j 2.F-7
a ~F I [ P ,.J Ij qj It'
Ir F r r J~ J 1
that you can nev - er quite=_ _ re - call. And you see She gave
B~7~9) (A-7) (07 ) (A~7 )
0-7~S G7~9 CA7 0-7 E-7 A-7~S 07~9 G7sus4 Q1. C6

I~J J J1:R I r p r
your ver - y first kiss to you.__
I'r F rlbr titlE
that was Lau - ra.-
T rrri
but she's on-ly a
II

dream_ __
I"

WHAT A DIFFERENCE A DAY MADE

Grever/Adams 1934

G-7 C'ZmA FA7 B~9 A-7 A~7IU

r---- 3 - - - , ~3--'

~ J J. I J J J J J JI J :1. I J
,--3---, r--3--,

J) J U J
What a diff- 'rence a day made,_ twen- ty-four lit-tie ho - urs,--
r JU
brought the sun and the
JI
What a diff- 'renee a day makes,_ there's a rain- bow be- fore me,-- skies a - bove can't be
G-7 11·F E-7 A 7sus4 A+7

r-r! I
C7

r r I T LJ Ii
I r !j} J J J J I j j I J.)lJJJJI
flow - ers._ where there used to be rain._ My yes- ter- day was blue dear,_ to- day I'm part of
stor - my_ since that mo- ment of
0-
...
0-7 G 7sus4

I~i j j I J J1 J J J d I J J J ~
paJ J J J I l
you dear,_ my lone-Iy nights are througq dear,_ _ since you said you were mine.

t
a j r - - 3---,
I@ ~ J J J J J r J r~ I J
2. F7
r--- 3 :::J
C-7 F7

rJ"
B-7~S

j ,J
B~6

I J aJ J JJI
It~
x '1
What a diff· 'rence a bliss, that thrill· ing kiss. hea-ven when you_ find ro-mance on your
A-7 A~o7 G-7 C7 F6
t
Ii ~ J J_ I J fJ J J J I J J I * J J J J a I .. I ..
r - - 3---,
II
me • nu, _ _ what a diff·'rence a day made, and the dif·'rence is you _ _
 ._ DARN THAT DREAM 19
rAl Van Heusen/De Lange 1939
tAl G67 B~7 Eb7 A-7 Balt7 E-7 C#-7~S C-6 B-7~S E7~9
I~ II!~ J j d- Ji I j J IJ. ,Jl I J r Ii J J JI F r r I
Dam that dream I dream each night. you say you love me and you hold me tight.
Dam your lips and dam your eyes, they lift me high a - bove the moon - lit skies.
Dam that dream and bless it too, with - out that dream I nev - er would have you.
C-6 B-7 Bbo 7
~------------~------------G----6----~~7~-9~j
11. A-7 Ab7 tll
A-7

I~I F J J J J J J
but
r
when I a - wake you're
J
out of sight.
~J I j
oh, dam
J
that
j
dream.
Then I tum - ble out of par - a - dise oh
But it haunts me aII'b, it won't come true, oh
~2_ A-7 A~71llG6 B~7~9L§JE1>6 C-7 F-7 B~7 G-7 F#-7

I~ j F I J ~ II, j Ji IJ d I F ~-r- piE I'F F I~

Fine
rFI
dam that dream. Dam that one- track mind of mine, it can't un- der- stand that
F-7 Bb7~9 E~6' C-7 A-7~S D7~9 0-7 A-7 D7 &9 D7~9

I~I ~r ~rO J I d Ji IJ ~J I J ro r- piE E EF"T J I T I

you don't care. Just to change the mood I'm in, I'd wel-come a nice old night - mare.
D.C. a/2nd End (rifle)
SKYLARK Hoagy Carmichael/J. Mercer 1941

[AI & F-7 0-7 A~~7 E~671B~ A7. 11 A~la &10

I~~II~~ r r I FcJ E E E}I Ji J :n 11 j A i J ] JI
Sky - lark.-_have you an - y- thing to say to me? Won't you tell mewheremy
Sky - lark, have you seen a val- ley green with spring where my heart can go a
Sky - lark, I don't know if you can find these things, but my heart is rid- ing

E~ F7~9 B~9 ~
:It, ~bl).- ~]J J '_J52J
, C-7 F7 F-7,-3--, B:7 .. 11• --,
==E J ~ I ] J~ ~ I [ r
J ::lWOJjJ 8j 3j I J....,i; rr F=
love can be? Is there a mea-dow in the mist where some-one's wait-ing to be kissed?
jour - ney - ing ov - er the sha- dows and the
on the wings. so if you see them an - y
12. E~ E~6 ~ A~67 B~7
I~ ~IIII J n~E Bb+7.

E EJ
rain, to a blos-somed cov-ered lane?
Eb7

I r'---JJ ~ JI P F P r I
And in your lone - ly flight,
Ao 3

r r~:; ~~ J J ~ I
&71-.."......,.-,

have-n't you heard the mUlrie

A~67 A~7 0-7~S C7 - F- D~7 B~7 Eb+7 A~6

I~ ~IIII P F P r- I r ~Eo Jl J. I J E1 1# ~ J J I E f ~ Ir f'

in the night, won- der - ful mus - ie, faint as a will- '0- the- wisp, era- zy as a loon,
G67 06 A7 D7 G B~7DCa/eot& B~7 B~7alt &

I~ ~~~ IF r IF F"",J j ~J JI IJ ~J IS LJi r- Ii" ~IIJ~J71~l~r~hr~1~Ii~

sad as a gyp - sy ser-cn - ad- ing the moon Oh, where, won't you lead me there?
 II
20 I CAN'T GET STARTED
Ira Gershwin/Vernon Duke 1935 II
II
I've flown a- round the world in a plane, I've set - tIed re - vo - lu - tions in
A- round a golf course I'm un- der par, and all the mov-ies want me to
In nine-teen twen - ty nine I sold short, in En-gland I'm pre-sent - cd at
Spain, the North Pole
star, I've got a
court, but you've got
II
CA7
..
A-7 D-9
- ..
07~9 FA7
II
•
• I IIooooo...J .. •
I have chart - ed, but can't get start - ed with
Ii5l house, a show - place, but I get no place with
you.
..) ~
A-round the you. You're so so-
II
t§J E-7 A 7 E-7 A7 DA9 013 F#-7 E-7 D-7 07 D-7 07

I' " I,J J J J 13 J I " I J J J lJJ J 1 " 1J J J J~n JI II

preme, Iy- rics I write of. you, scheme just for the sight of you, dream both day and night of you.
II
I' E-7 A9

J
and
r
what
D7sus4D7~907sus4
I~F~JJJJII
D.C.a1cJl}-

gooddoes'itdo?In nine-teen
CA7 B~7 A+7

IroJOJ·IFErUrl"
i;J D-9 G 7sus4 07~9 C6

me down-heart-cd'cause I can't get start - ed with you.

- II
THESE FOOLISH TIDNGS Strachey/Ltnck 1935 II
~ E~ C- F-7 B~7 ~ C-7

1 ~ ~I,. f Y JJJ J J JJ 1 J J 'J. 1 Y JJJ J J JJI II

II

man - tic pIa - ces, and still my heart has wings, these fool- ish things Ie- Dllnd me of.
what my heart meant, a fair- ground's paint - cd wings, these fool- ish
who's to ans - wer, I'E1
F-7 B~7 12. F9 B~7 , EJ. D7 t§J G- E-7~5 A-7~5 D7 0-

"
you. .
, r·· j) TIn I
things re- mind me of
e
you. •
I * r J I * r §J I ~ F F F
You came, you saw, you con-quered
0-7 C-7 F7 0-7 C7~9 F-7 B~7

J 1 r r r §J 1 A J. D.C. aI Coda
II
me, when you did that to me, I knew some- how this had to be.
E~9 C7 F9
r--3~

F r F r Erl
Oh. how the ghost of you
Enl r·
clings, these fool- ish things re- mind me of you.
~ I
 APRIL IN PARIS Vernon Duke/Harburg 1932
21
D-7~5 Ab7 G13 CA7 B/C C
r--- 3 - - - ,

I J J J #J
bIos - som,
a-1e ImJ;1
A- pril 10 Par- is, chest - nuts in hol- i-day tab- les
CA7 G- G-(A7) G-7 Gb7 111 p6 EA7 FA7 F6 B-7~5 E7~9
.-3--, r-- 3 - - ,

aj -
FI FE
9'
II F F F F rj" IFF FF r1
1* un-der the trees. _ _ _ __
B7~9
A- pril in Par- is. _ _ __
E+7 E7
this is a feel-ing
E-7~5 A 7~?G
A-7 A-7JG F#-7~5

1* r I rs--f7]
no one can
J F~ I'r
ev - er_ __
r
re -
I
II

prise
I
II

II

F#-7~5 CIE D-7 DbA7 C6 A-7 B-7~5 E7~9

1* IT
I
r #r r r I r r r I r #r r r r F I "
ne - ver knew the charm of spring, nev - er met it face to face
Ir
I
r 'r
nev - er knew my
j rI
II
II
i. A-

r F
A-7JG

heart could sing,

E -7~5· Bb7 111 A 13
IJ
F#-7~5

.J J
nev - er missed a
Eb7 111 D 13
B7~9

J F F I.a ga
warm em -
EA7

brace;
C#7 D-7~5
07

'till
07~9
D-7~5.

I fjl ,J W -
BA7CA7

A- pril in Par- is.,-,_ __

c8
C6

! ~~ I
I@~~ FF fa • J r
.--3---,

II Ii IFF F r F1r I Ii
I Ii

whom can I tum to, _ _ __ what have you done to _ _ my heart?

II
TILL THERE WAS YOU
II E 07 F-7 Ab-6 Db7
Meredith Wllson 1950

Eb Gbo

II There were bells on the

n I r'
hill, but I
D I FJ r
nev- er heard them
pi F J D I J J
ring- ing, no I
WEll
nev-er heard them at

II There were
There was
birds in the sky. but I
love all a - round, but I
nev- er saw them
nev- er heard it
wing- ing, no I
sing- ing, no I
nev- er saw them
nev-er heard it
at
at

F-7 Bb7~9 [§]

I
, I .--3---,
1·Eb E 07 F-7 Bb7-
- 2·Eb Ap EbA7 AbA7

all " there was

'till you . _ __
I
Therewere you _ _
Fine I
And there was mus- ic and
III I A 07 r - 3- . Eb6 B 7 C7 F-7 F7 Bb7 BIH-7 D.C.al2ndEnd

II~ If j'l. J J r r r I Fr J IIF f ;r I r F J I J J J I J FI IJ. J ) I

there were won- der- ful ros - es, they tell me, in sweet fra- grant mea-dows of dawn and dew. There was

I.
7·
22 MORE THAN YOU KNOW Rose/EUscu!youmans 1929

VBlSe C- A-7~5 B+7 c- A-7~5 A~7tn G7~9

1~l!f d •
i J 3 r JI
F r E r r j - I'F r I e

Wheth - er you are here or yon - def, wheth - er you are false or b'Ue,
E - yen though your friends for - sake you, e - yen though you don't sue - ceed,
~---

B~-7 E~7 A~A7 G7~9 A~7111 G7~9

" 2.
c- A-7~5 0-7 pause

I • 'U'

wheth-er you re- main or wan-der, I'm grow-ing fonder of you. break you need.
would-n't I be to fad, take you, giveyouthe
0+7 ~ A C6 G+7 G-9 C7~9 pA7 E-7 A 7~9 0-7 F-7 B~7
I~ J;D
More than you
t j JaR
know, more than you
I J TID I r J J
know, man of my heart I love you
JI
so, late - ly I
j GjJ I
Wheth - er you're right, wheth - er you're wrong, man of my heart I'll string a - long, you need me
Oh how I'd cry, oh how I'd cry, if you got tired and said good - bye, more than I'd
1. 0-9 A~7tn E-7 A 7~9 0-7 G7 2. E-7 A 7~9
3 ;:--3 ;:--3

find, you're on my mind, more than you know_ Wheth - er you're so, more than you'll
show, more than you'd
. 0-7 G7~9 C6 F9 C6 F#;7~5 B7~9 ~ E- C#-7~5 FI-7~5 B7~9 E-7

I~ r r ".iF ~ ii!: J J ,3 I J f ~ J J 1,0 J J 3 J J I J~. I

ev - er know.__ Lov- ing you the way that I do, there's noth- ing I can do a - bout i t . -
ev - er know. _ _
A 7sus4 A7 07sus407 0-9

FI J J #0 J J J I J J D.S. a12nd End (Fine)

Lov-ing may be all you can give, but hon-ey I can't live with - out it. Oh how I

Duke Ellington 1946

COME SUNDAY
[A] F7 E~7Ul F7 0+7 G9 C-9

I~ ~I'~ J J I
• JI ;J J JI J J J FI II
F r F JI
Lord dear Lord a - bove, God Al - might-y, God of love, please look down and
F9 B~6 E~61B~ B~07 Bb6-l§b7 E~7 07 G-7

T£
U Fine I be-lieve that God put sun and moon up in the
through.
F7 C-7 F7 07. 9 G+7 C9 F+7 D.C. aJ Fme
I~~b J J ~ ~
F JI • J J J
I I J I
0
sky,
• •
FI bo I
I don't mind the gray skies, 'cause they're just clouds pass- ing by.
 YOU GO TO MY HEAD Gillespie/Coots 1938
23
[AJ EbA7 G-7 Ab-7 Db7~9 GbA7 C-7~S F-7~S Bb7alt

I'~~II I! J fEE I' r:r I~U JJ U JIJ JJ Jj InudUJ ~I

. You go to my head and you lin- ger like as haunt-ing re- frain, and I find you spin- ning
You go to my head like a sip of bur- gun-dy brew, and the ve - ry
You go to my head, with a smile that makes my tem- p'ra-lOre rise, like a sum-mer with a

Eb-7 C-7~S F-7~S Bb7alt . . EbA7 C-7

I

'round in my brain, like the bub-bles in a glass of cbam- pagne.

- ..
You The
men - lion of you. like the kick - er in a ju - lep or two.
IBI thou- sand Ju - Iys, you in - tox - j - cate my
Ab6 A 07 &A7/Bb G-7 C-7

I, ~~II i J J J r e r I d2 J J J U"r I r i) jU J ]1F" U l

thrill of the thought that you migbt give a thought to my plea casts a spell 0- ver me. Still I

"!I
I@i 'I,
. . EbA7
A-7 07
,--3--, .---3--,
B-7
.---3---,

F F F F F F IFF F F F F I J J J J J J I J
say to my-self "get a
C-7
Bb7
.----3----,

bold of your- self. can't you

Bb-7 Eb7~9 AbA7
A-7 Ab7'U
.---3---, r-- 3--.,
G Gb+

sec that it nev- er can

Ab-6 Ob7 &A7
be."
or'
F6 E7' U

G-7/D
You·

I, ~~~ J J J
soul with your eyes.
J----r- I r- E
Though rm
Ir I r 1 J J I ~ J it J I fjl
cer-tain that this beart of mine
rTF I
has- n't a ghost of a
C-7 A-7~S 07 G-7 C7 F-7 Bb7 @A7Gb7 F-7 E7' U &6
,.--3~ .--3---, ~3~ ,--3---,

r J r F Fr I e= I r r .~r4 I IF tT r rrrI e
= I
cbance in this cra- zy ro- mance, you go to my head, you go to my bead,

DON'T BLAME ME Fields/McHugh 1932

[AJ C6 E-7~S A7~9 0-7~S

,.---3----,
G7 C6 0-7~S
.-----3-----,
G7

I~ J ~r J .J I J J J a a I J JI J J J a JI
Don't blame me for fall - ing in love with you, rm un - der your spell, but
Can't you see, when you do the things you do, if I can't con - ceal the

t
I~
Blame your
E-7~S
,----3----,
J J a J JI
A7
kiss, as

11.0-7

j
sweet as a

G+
r
kiss

Ie'
jcan
C6 '07 2.D-7
j
be,

G7
j
and

I
blame all your charms that
C6
II
[§J F
II .a j a j
F",.
bow can I help it, don't blame me. don't . blame me. I can't help it
thrill that rm feel - ing,
melt in my arms but
E7 A-7 07 D-7 0-7~S G7~9
4 4 rIM
r J r I r r rJ " r r r1 r rI
,---- 3--'--, Q C "

I' ,J I J IS Jilt; leD

if that dog - gone moon a- hove makes me need some - one like you to love.
24 WHEN SUNNY GETS BLUE Fisher/Segal 1956

IAI q-7 3 C7 B~7 Eb7 Ft.7 G-7

I*~!l jJ\f J j l J)I J J j [J P F" I t J 9 J 1 J JI

When Sun - ny gets blue, her eyes get gray and cloud - y, then the rain be - gins to
When Sun - ny gets blue, she breathes a sigh of sad- ness, like the wind that stirs the
mem- 'ries still fade, and pret - ty dreams. will rise up, where her oth - er dream fell

•I
But
A-7 07 B-7~5 B~7 E~7 A-7 A~7 0~7

I*~ a J J J J ~J J J JI j J J J I,.r J J j
fall. Pit - ter, pat - ter, . pit - ter, pat - ter, love is gone so what can mat - ter,
trees. Wind that sets the tree to sway - ing, like some vi - 0 '" lins a - play - ing,
through.
G-7
Hur - ry new love, hur - ry here to
C7 B~
kiss
1-
a - way each lone - ly tear, and
. 2-.-E--7--A----:7~-:.-9-
1:'1'-'-A--7---D-.7 - - - - - - r

1* i J J J J r-
no sweet
J j: J
call.
:r

When
1> ,«I
dies
II
lov - er man comes to
wierd and haunt - ing mel - 0
~
* 0t.7

I ~ ,J J J J J. Ip I '0 J
Peo- pIe used to love
E-7

to
FI-7

hear her laugh,

B

see
S I
her smile,
E-7
,---3----,

is
A7~9

J J S J I «I
that's how she got her
Ot.7

name.
D-7 G+7 CA7 A-7 Ft.7 D- G7 G-7 C7

•I J J J J. p I gi) J f J J I
Since that sad af - fair, she's lost her smile, changed her style,
wjJ
some-how' she's Dot the
J J I U"$II
same. But
G-7 C7a1t Ft.7 Ft.7 G~ G-7 G~ Ft.7
1,r-3~ RePeatfor~ 1,r-3~
Err J F F L~ 11 ~. I ( Fr J FF I Q; La I
hold her near when Sun- ny gets blue hold her near when Sun- ny gets blue

IN A SENTIMENTAL MOOD Duke Ellington 1935

[A] D-· 0-(~7) 0-7 D-6 G- G-(~7)

~ ~
1~*F(FrJj Jf' IF UEFglJ oj
0-7 _ D7 G-7 G~7111 1·Ft.7 Ft.7 A~7
, 2.

E~7 A~7 D~A7

I Sd J d IJ J J I bJ L---3-=

*r U
1 ~
Dbt.7 Bb-7

I'E ~r
E~7

r J I J ~J) d I,S J J I
Ab7 G-7 C7
I*
D.C. al2nd End (Fine)

i7J ( r rJ I
 GOOD MORNING HEARTACHE 25
m Higginbotham/Drake/Fisher 1945
t& C-7 .--3-. F G-7

I~ ~ 1', ' i J J ~J5 J I). j

Good mom-ing heart - ache you old gloom- y sight._
J J ~LJ I '! j J JJ~
Good morn- ing heart-ache, tho' we
J JI
Wish I'd for- get you, but you're here to stay.-- It seemed I met you when my
Good mom-ing heart - ache, here we go a- gain.- Good morn- ing heart-ache, you're the

G-7 -F-.. . . ..,J B~6 A-7 A~7 ...

'! t 3 ~ J J J31 J JJd_J I
said good - bye last night.__ I turned and tossed un - til it seemed you had gone.-
love went a - way. Now ev - 'ry - day I start by say - ing to you.--

It.
one who knew me when._

G-7 C-7 F C9
o
•

t
Might._ as . __~ell get used to you

G-7 C-7
hang - ing a- round.--
C7~9 F6

I~ ~! J j J d J J 1 I _ " 1 mom-ing d J \Jwhat'sJnew?"I _ __

J J heart-ache,
Good
II
II
but here you are with the dawn.
G-6 D-7 G7 CA7 C7
I 'i J. gJ JJ J~ I J. !j ]; I
Stop haunt-ing me now,_ can't shake you no- how'_ _ Just leave me a - lone,...,..,"_ _ I've

!:. A~7 G~7 C-7 F7 . . G-7 G~7IU F6

I@; ;) WJEW a WI jJ J )~ rJ
got those mon - day blues, straight thru sun - day blues.
D.C. sI Coda

JI I, J J 1 J JJ j I
Good mom-ing heart-ache sit down.
Ii

GOD BLESS THE CHILD Herzog Jr /Billie Holiday 1941

E~A7 ~7 A~6 E~A7 E~7 A~A7 B~7 E~7 B~7 E~7

I~ ~!'I! J J • J J J J JI J J J U I ~r r r U I T r J I
Them that's got shall get, them that's not shall lose, so the Bi - ble said, and it still is news.
Yes the strong gets more, while the weak ones fade, em~ ty pock - ets don't ev - er make the grade.
Rich re - la- uons give, crust of bread and such,youcan help your-self,but don't take too much.
A~A7 A~6'" G-7 C7~9 F-7 B~7 E~6

I~ ~!'II J5 J Jl J I J5 J p. ) I p r J5 r J I n r - I -j1 Jl I
I~ ~!,!, -
Ma-ma may have,
It. F-7. B~7
l J
r'J, - I r r r r Ire::: J
pa- pa may h@e, but
D-71!G7" C-
Godbless the child that's
C-CA7f C-7
got his own, Jat's got his own.
C-6
r r r r rI
G-7
FIne

Yes the Mon- ey, you got lots of friends,...,..- crowd- in' 'round the
D-7~5 G7~9 C- C-(A7) C-7 C-6 G-7 C7 F-7~5 B~7~9
D.C. III FIfIe
e

door._ _
I F r
When you're
F
gone and
rI F (J
spend-in' ends,
r I F r r rI
they don't come no
J.
more.
W JII
Rich re-
26 MY FOOLISH HEART Young/Washington 1950

B~A7 E~A7 D-7 G7 C-7 C-7/B~ A 7sus4 A7

J':
The
J
night-
• iJ is
J J J ) J J I l Jj J J I J J
like a love - ly tune, be - ware my fool - ish heart. How
Her lips are much too close to mine, be - ware my fool- ish heart, but

D-7 D7· 9 G-7 Db7 1

1
. C 7 C-7~5 F7~9

J JJ J JIS r r ~ r -J J J Cfll
white the ev - er con - stant moon, take care my fool - ish heart. There's a
should our eag - er lips com - bine then

u a]
B~A7 F-7 B~7'9 E~A7 A -7~5 D7~9

I~ ~b f"
line
r r r r E;I
be-tween love and fas- ci - na - tion
r en c; 1r
that's hard to see on an ev- en - ing such as
A 1f'"
this,
F J 1
for they
G-7 C7 C-7 G+7 C-7 F7
J.J I F r
both gi ve the ve - ry samesen - sa - tion
J J I J FJ f] J J I J
when you're lost in the mag-ic of a kiss.
J
Her
~
12'c-7 C-7/B~ A-7~5 D7~9 G-7 E~7 A~7
I~ ~I, r- -J JJ J F" r II F U
J J JJ I
F r
let the fi - re start. For this time it is - n't fas- ci -
na - tion, or a
B~A7 EbA7 Ab7 G7
1~ ~I! rr F F F rJ i J J
dream that will fade and faJl a - part, it's love, this time it's love, my fool - ish heart_ __

SOMEONE TO WATCH OVER ME

George/Ira Gershwin 1926
A-7~5 Abo E~/a abo a-7/F E o7

•i E F r r I PF D r IDr p r I pF P r
There's a some- bo - dy I'm long- ing to see, I hope that he, turns out to be,
I'm a lit - tIe lamb who's lost in the wood, I know I could, al- ways be good,
Won't you tell him please to put on some speed, fol- low my lead, Oh how I need,

, I F-7 2. Eb Ab Eb Eb7 [§] Abo AbAboA~ II

~ I
some- one who'll watch ov-er me.
v

me.
Fine
I
A]- though he may not be the
II
to one who'll watch ov-er
some-one to

Ao7
watch ov-er

E~/Bb G7/B
me.

C-7 A-7~5 D7 G7 C9 F9 Bb7~9

II
I~ ~I,I, F V rI r V FI IT F rI F r rIF IT hF I El: IJ j II II
D.C. a/2nd End (Fane)
key_

•
man some girls think of as hand- some, to my heart he car- ries the
 --lA] IMAGINATION Van Heusen/Burke 1939
27
B~7 9 A7
t
9A7 E o7 F-7
;31 j J r Ij J r r
1- rna- gi - na- tiol} is- fun - ny, it makes a cloud - y day sun - ny,
1- rna- gi - na- riOI} is- cra - zy, your whole per- spec- rive gets ha - zy,
1- rna- gi na- tion is- sil - Iy, you go a - round wil - ly - nil-- ly;

J C+7
rsrz¥ I J .-F-7
J eST rC7 ~J
r ~~~ = ~ ~ IF.,)7 •B; ) ?
::~ 2.=";, ~
makes a bee think of hon - ey, just as 1,_ think of you _ _ 1- rna- gi
starts you ask - ing a dai - sy what to do,
for ex - am - pie, I ~ a - round want- ing

12·9A7 B~7 97 ~~A7 F-7 A-7 D7 G-7

I~~I!I! J r n jJ. ~ H J J nUl r r qJ P I r r ;.
::I ~
q)) I
what. to do?·_ _ Have you ev- er felt a gen- tie touch and then a kiss and
E-7~5 A 7~9 D-7 G-7 C-7 W--3""":'" B~7sus4 BIH-7 D.C.alCoda

::I II .... ~ ~
:Ii~'::c"l, r !f p ~W; p~ 9~ ( F IFF qJ F I r r· r I #J !f J) ~ qJ I
then, and then fmd it's on-Iy your i -rna- gi - na-tion a - ga.iR? Gh well, I - rna - gi-

-$- F-7 'l~7 3~ G7 D~7.nC7 F-9 B7· n B~7sus4 B~7 96

I~ &1", J J J IJ r I ~ iJ r J j I J J [JJ I J j j I e IJ II
go a- round want- ing you- and yet I can't i - rna- gine that you want me too _ _

EASY LIVING Robin/Granger 1937

IAI
'I~~~ Liv - ing for you is ea - sy liv- mg. It's ea- sy to live,
I'll nev - er re - gret the years I'm giv-ing, they're ea- sy to give,

G-7 C7 1. A-7 D7~9 G-7 C7~9 2. F B~7 ~7 A~7

yOlu....
1 _ __ For
Ftne

I
A 7'11
r F r r~E2F1 r-
peo- pIe say you rule me with
D7~9 G-7 C+7 D.C. alFiM

one wave of your grand, they just don't un - der - stand.

Repeat 1st verse
r

28 I'M GETTING SENTIMENTAL OVER YOU Bassman 1933

I~ ~ I1f FE ErE IEi Fir I FE ;9 Fm: I ;; JlJr It:, IC~9J'-J; Fr:' I:~ I
I was just a notherwho laugheditr~ mance, I said it was not for me_ meant to b e _
IAI Thenyoumadeyouren- trance~d rightat a glance- I knew this was
~ F r.-- 3 - - ,
B-7~5 E7 A-7~5 (r)7. 11 3 D7 G7

Nev - er thoughtI'd fall.----

Things you say and do.-----
but now
just thrill
o
hear you call.--,·_
me through and through..----
- .
et- tin' sen - ti-
I'm get- tin' sen - ti
Won't you please be kind-- and just make up your mind.-- that you' U be sweet and

1~~I"G;7 )I~, fG;\)CJ.~

F E7
)J7 1:7 )1: Ij =
II
Isl men - tal ov - er you men - tal ov - er you _ __
A- 3' F#-7~5 B7~9 E7
I~ ~ J. )
I thought
For- I ~r
I was hap -
J Ir'
- py, - I -
p I IF F Ir If I "e
could live with - out love.--,_ _
B~ E7 A~ D7~9 G-7 C7
I~ ~ J. ,).J. ip I L r Fir' PI Ii

0.5. alCoda
II
now I must

II
gentle, be gentlewithme__ . Be ~s~ I'm sen --ti -men-tal -ov - -er you _ _

A~ AB~ BIAI CIQ

EARLY AUTUMN

B7 B~I>7 A7 A~A7
Woody Herman/Ralph Burns 1949
•
•
I~ i J ,3 J ,3 A t JJr- I-cr rr r ~p I !J JDd I E~E r:r J 1,)1 ilJQJ3
G7 1. CA7 r)9 D-9 A~ A B~ B
•,
G7 Cb.7/E

I, J J j V r'
G7

iJ J J JJ I J_J JJ 0 I
Fine
CA7
,
C-7

I~ J OJ J qiJ •I If?·
F9
~ 1 J .
r
AIB~
p
Bb
•

~p I
DA7 D~7 C9 B 719 Bb7 Ab.7A~7~9G 13
Ir r I fa j I
D.C. B1 Fine ,
,
 Johnny Mathis __ SMOKE GETS IN YOUR EYES 29
Jerome Kern/Habach 1933

IA1 96 G-7 (]!,o7 F-7 B~13 9 E~ A~ Ao7

I' ~llldl~ J J J J JI .J j J J JI "

IF [ r ijr J I
•

They asked me how I knew my true love was true? I of course re-
They said some- day you'll fmd, all who love are blind, when your heart's on
Now laugh- ing friends de - ride- tears- I €an- not hide, so I smile and

F-7 B~9 1" 0-7 C7 F-7 B~7 G~7

] Jlr J 3J) e IJ ~ La.

Fine
*11
plied,something here in - side, - can - not -be de - niea. eyes.
fIre, you must re - a - lize,-smoke gets-in your eyes.
say, when a lovel}flame dies, smoke gets in your

[§] BA7 G#-7 r--3~ F#7/C# C o7 C#-7 F#7

I~'IIII ;1 CEc f J I p J aU J 3 1 J .J 1.1. i I

So I chaffed them and I gay-ly laughed. to thinktheywould doubt my love.
BA7 G#-7 F-7 Bb7 ~6 C7 F-7 B~7

I~ III" f1 C[e f J I i 1 J d.J \3 I .J J I qJ I

D.S. a12nd Ending ,
Yet to-day my love has flown a- way, I am with - out- my - love.

MONA LISA Uvingston/Evans 1949

F
crey [JJT J J [ r IE F [; rr rrI
Mo-na Li- sa. Mo - na Li- sa men have named you, you're so like the la- dy withthe mys-tic
Do you smile to tempt a lov-er Mo- na Li - sa. or is this your way to hide a bro*"en
11'G-7/F C7 G-7. r--3--, C7 r- 3---,

I~ ~ J.
smile.
cr E1 a-fa J I J J J J I {J J1 tJ'*'ctt I
E~c I
Is it on-Iy 4causeyou'relone-Iy they have blamed you, for that Mona Li-sastrange-ness inyour

I' ~ J
smile?
(j' r u I ~F BE F E1 I~F r tJ Ir J C;} I
F F#o G-7 C!3 J2.B~

Do you heart?
BI- F C7

Man- y dreamshavebeenbrought to your dOOf-step, they just lie there,andthey

F F7 B~ B 07 F/C C'2 _. F
I~~ rJ U I F (J F EJ I FP 3J j I £ 3 JJ £3 J J I J. ill
die there, are you warm are you real Mo- na Li- sa. or just a cold and lone-Iy. love-ly work of art?
r

30 WILLOW WEEP FOR ME Ann Ronell 1932

Verse D9 G13 C9 F7
,--- 3---, ,.---3-, r;;; 3---, .---3-----,

I~' (j J I .. I ;: JJ iji J P ;, F pI II I or] 1~J ijJ ,S )r pI

Ob lmd, why did you send the darkness to me? Are the sha- dows for - ~ ver to
B~9 @9 C+7 F6 C7 B7

I~I e d ~J J ) I,J II qel 1- *rI

be? Where's the light I'm long- ing to see? Oh
E9 A7 09 G13
.----3--,
r:--3-, ,--3~ ,.---.3----,

I~I e IfJJJJ~ PF PI 9'

IJ J J ij; J.J ;, F PI
love, once we met by the old wil- low tree, now you've gone and left nothing to
C7 F9 0+7 G6 A-7 07

I~I Ii
I J ijJ ~3 J J5 ~r IJ
* r
me, DOth - ing but a sweet mem - o - ry. Ob

~~G C7 G#o A -7 B~o7 --Dh

I~'f a fjl_w
Wil-Iow weep for me,
Gone my lov- er's dream,
wil-Iow weep for me,
love-ly sum-mer dream,
.--3
J G_tl J J.J~ ~
bend youmrancbes green
gone and left me here
,-:::::::3

a - long the stream

to weep my tears
weep- ing wil-Iow tree, weep in sym - pa - thy, bend yourbrancb-es down a - long theground
GIB D~7 C 7sus4 C9 C-9 A~
r--- 3 ----,
• ~ .-3--,
I~: vi) J J J_J IFJ~£JJ P J 1'J
that runs to sea lis - ten to my plea, lis - ten wil-Iow and weep for me.
in - to the stream. Sad as I can be, hear me wil-Iow and weep for
and cov - er me. When the sha- dows fall. bend oh wil-Iow and weep for me.

D~7:Cn
A~9 G-7 G7

I~'
GA7 C9

v(E
fET r- pI ~m J JILT'
,---- 3----,

)1
me. Whi~per to the wind and say that love has sinned, to
C-7 F7 B~7 @7 A~7 .. G7 c- A~9
~ -;
I~I [ ! r J
• ~p r P I ~J ~J J 1 J ;t PI
leave my heart a - break-ing and mak- ing a moan. Mur - mur to the night, to

G- ,.---.3-----,
G7 C-7 F7 Bb7

I" ~f) J J IJ-F, 1>1 r 1 r •

J ~p F
hide her star - ry light, so none wilJ find me sigh-ing and cry - ing a - lone. Oh
 ISN'T IT ROMANTIC Rodgers/Hart 1932
31
B~7 Eb6 C- F-7 B~7 E~~7 Eo p-7 B~7

J J j J~ J J. I J JJ J J J I J l fO ~ I J ~ J J JI
Is- n't it ro- man- tic, mus - ic in the night. a dream that can be heard. Is - n't it ro-

r7
Is- n't it ro- man-tic, mere-Iy to be young on such a night as this? Is - n't it ro-

J J Br J 11.~7 r G-r~C7'9 f~-7

Eb6
I~ ~bl, J I J l P 1

man - tic, mom-ing sha- dows write the old - est mag - ic word. I
man - tic, Ev - 'ry note that's sung is like a lov - er's kiss.
D-7~5 G7 c- G7 B~7E~7 A~~7 C7 F- 0-7~5 G7
1$~I'b E F r j • j J I j. J> j. )1 e
II
I EF r J• j JI
hear the bree-zes play-ing in the trees a - bove, while all the world is say-ing

I, C- F9 A 7·D B~7 to F- F-7/E~ D-715 G719 C- C-7/B~

1$ h J Ji r p1bJ ijJ JJJJ It 1 E r U J J 1J. l J. Ji 1

-,
you were meant for love. Is - n't it ro - Sweet Sym-bols in the moon-light. do you me~ that
C-6/A A~6 G-7 G~7 F-7 Bb7 Eb A~6 E~
I$~I'I' r' p F" DI F F r r r rrrI r - r Ir - II

, I will fall in love

FOR SENTIMENTAL REASONS

per chance? Is - n't it ro- man tic?

Watson/Best 1945

[AI
I
, I$~ F
I
I
F

love you,
IF
D-7

F
G-7
J I
C7

~ love0 you, F' for sen - ti- men - tal rea - sons, ~
J J J J J j IJ
F
I
and you a-lone were
J J J
h<?pe you do
F

meant
0-7 G-7

for me,
C7

be-
please gIve your lov- ing
JI
-I F
J J ~ J IJ
lieve me,,_ __
heart to me,
0-7 G9
j
F/A
J
I
II

I, Gr=L-3---, C7
F F F F" PI F
F
"I
G-7
F'n r
C7
pI
F
II
0-7

think of you ev - 'ry mom - ing, dream of you ev - 'ry . night.

I ! E-7~5 A
.--3--,
7~9
\,
0-7 G9 C7 C+7
I@~ j j J r' J) I J j J IP F ~F
I r
I. when - ev - er
C
you're
tin sight
D.C. alFine
I
II

I
r
•
32
C6 G+7
CHANCES ARE

~1'~I~,,~~f~J~f~:;~t~f~J~I~J~J§J§J~J~.~J~IJ~J~J~j~J~J~I~J~.~ll
C'il F7 G
Stillman/Allen 1957

B-7 E7sus4 E7
•II
Chances
Just be-
are,
cause
'cause I
my com
wear a sil-Iy grin, the mo-mentyou come in - to view,
- po- sure sort of slips, the mo-ment that yourlips meet mine, II
. A-7 AlC' 1"D7",,' D7 G D-7 G+7.. j2.D7 G Ei>7
I' I JJ J ] J J: j JJ J 1u
churces are you think that I'm in love with you.,___
IJ i J= l, J J J JI ..
Just be- heart's your val- en - tine, _ _
II
churces are you think my •
A-7~S D7~9 E-7~S f!III
I"
D-7 G+7 C-7 G-
i n J rJ I J J. LJ n J P3 I J 1 LJ
In thema-gic of moonlight.-- when I sigh"hold me close dear",
n J Po I J J J. ill
chan-ces are you ~ Iieve the stars that
1 •
I!!!II
A 7sus4 A 7 &9 D9 G 7sus4 G+7 C6 G+7 C'il F9 II
I' I J J J. )11 ~r' p:J Id 3d J J J iiJ ,J J J I A J 3 J. ,I
fill the skies are in my eyes. Guess you feel you'll aI-ways be the one and on-Iy one for me, and II
. GA9 C7.n B-9 E7 A- GIB C6"'AlC' D7 G G+7
I!~ I i J JJ J I,J.! J I r r r r
-; - .
J J IJ J JI e I- l r J I •
D.C. (Coda IastX)
... if you tbinkyoucould,_- well, chan-ces are yourcban-ces are aw.'f1y good Chan-ces
07sus4D7 B-7~S E7~9 A-7 07sus4 D7 G6 II
I" J JF 1"- Irr r r I r P r r I J Jr I.. I.. ~
are aw-'fly good, the chan-ces are your cban-ces are aw.'fly good.

SOPIUSTICATED LADY
Dule EWngton/MillslPariSb 1933

!AI Bi.-7 ?-7 F7 E7 Ei>7 A~"7

A~7 G7 (31,7 F7
I, ~I!~~ ~J •J c:r Fi I 4 F IF It; Ii ,£3 N I F iF T d I
, I Bb7 A-7~S 07~9

- ) Fine

E-7 A-7 D7 B-7~S E7~9

ijJl ~J I i~ ir liJl\ q~
f~-";it ,)' I iF J
E-7 A-7 07 GA7 B o7 C-7 Bb-7 £.-7~S F7~9

\ill \J j1IlP iF ,; IE ,)11 iF iY 1] J I iJ J *rJ d I D.C. a/2nd End (Fine)

•
 33

Hea- ven-Iy shades of night are faIl-ing, it's twi-light time, out of the mistyourvoice is call-ing,
Deep- en- ing sha- dows ga - thersplender, as day is done, fin- gers of night will soon sur-re&der,
Deep in the dark your kiss willthrillme, like days of old, ligh~ing thespark of lovethatfillsme,

G7 C C- G Jr--J~-- E7
I~ I 1 J J Ii ( J E E F ! I j J J. JlI
it's twi - light time. When pur - pIe col - ored cur- tains mark the end of day, I
the set - ting sun. I count the mo - ments, dar- ling, till you're here with me, to-
with dreams un - told. Each day I pray for ev - 'ning just to be with you, to -

J1·A9 A-7 D7 ,,2A7 D7 G C G

-
tJ R* ' tt-" R" ) I~ I .. Cj* ..
IBI hear you,
I
my dear, at twi-light time. ge - ther, at last at twi - light time.
B7 ' E- Co E- Co E-
I~ I J. i J I J J j 3 J. p I J J J J J j2 U I J J 13
Here, in the af - ter'" glow of day, we keep our ren- de- VOllS be- n~ the blue.
A7
D7 C B- ~!~R?~d
AlA ~t $jj J
DC (Fj )

J. J J j J J J J ,ll J J J J A
Here, in the sweet and same old way, I fall in love a - gain as I did then.

DON'T GO TO STRANGERS Kent/Mason/Evans 1954

IAI CA7 F9 CA7 B+7 E-7~S A 7~9

;--3-,

1_ r F
Build your dreams
Ct E~ I r toe stars a- bove,
0 F" pI J r
but when you need some-one true to love,
(siD J I J B J
Play with fire till your fin - gers burn. and when there's no place for you to tum.
Make your mark for your friends to see but when you need more than com- pa- ny,
D-7 F-6 1'G 7sus4 G7 E-7 A7 D-7 G7 2.(}7sus4 G7 C6 G7sus4C6
I r-- 3 --. , ~3-..,

t> _. . . . . .
don'tgo to strangers, dar-ling come to me
-
, .• '
dar-ling cometo me
*.~ *_Q '::.4 Fine
J
F:rlten
1m G-7 C9 G-7 C9 FA7 B~9 FA7

I~ JW-r J. j) I J
r--- 3 - - ,
r---~--,
J F J. jp I F J J J ~~~. , J) I
you hear a call to fol- low your heart, you'll fol- low your heart I know I've
A-7 D9 A-7 D9 D 7sus4 D9 G 7sus4 G9
3 r---3---,
r.-3~
I

I~ J J
D.C. aI 2nd End

been through it
F r'
all
J) I J J F
for I'm an old hand
r' jp I iL J
and
OJ
I'll un- der- stand t t.if Jyou- I go.r r
So
II
r
34 I GOT IT BAD Duke Ellington 1941

C7 B-7 A7 A-7 F7'1l E 7 ~7'1l D 7

ev- er treats me sweet and gen - tie the way he should. I got it bad and that ain't
My poor heart is sen - ti - men- tal not made of wood,
He don't love me like I love him, no - bo- dy could.

~ CI17
J 1. G E-7 A-7 D7
j~:6 D~7'1l

1* e 1- - 1- ~ J II j F F r IF J J
good. good. But when the week - end's 0- ver and

C-6 F7 GI17 F7'1l CI-7~S F'7~9 B-7 E7 A-7 D7

j
F F rI J JI J J FIF r F I F r J I frD.C... J II
1*' mon - day rolls a- round, I
F
end up like I start out just cry-in' my hean
2nd End
out

Like a lovely weeping willow,lost in the wood, I got it bad and that ain't good.
And the wings I tell mu pillow, no woman should, I got it bad and that ain't good.
Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can't live without him.
Lord above me make him love me, the way he should, I got it bad and that ain't good.

MOOD INDIGO Duke Ell1ngton/Mills 1931

IAI B~117 C7 F F+7 B~117 C7

I*~~
You
r 'r FI
ain't been
e

blue,
I r
No,
'V
no, no.
I F
You
'r
ain't been
Fie
blue,
B~ B~ E~ A~7

. . 'till you've had that mood

J fa j I * F F· j I ,j r--Cl Fir FFIr-
in - di- go. That feel-in' that goes steal- in' down to my shoes,
'r I
while
B~117 C7 F7 F+7 B~ [§J B~117 G7
I*~~ F
I
'r FI
sit and sigh
e
IF
"Go
'r
long
e
blues".
I * J.J J.
AI- ways get that
C7 C-7 F7 B~ F7 B~ G7 C'-........,....,

mood in - eli - go, since my a- y said good- bye. In the ev - 'ning when lights are low,

G~7 F7 B~ - . B~....7........,..., E~7

I*~~ ~Err r n I" II¥fJJpr J!IJJJL, I 'E11~r pi

I'm so lonl>some I could cry. 'Cause there's no-bo-dy who cares a- bout me, I'm just a soul who's
A~7 B~117 G7 C-7 F7 B~

blu - er than blue can be. When I get that mood in - di - go,
 STELLA BY STARLIGHT 35
Victor Young/Ned Washington ~'\".,

E-7~5 A7~9 C-7 F7 F-7 B~7~9 E~6 A~7

I~ ~I' Il rI I, I ~ J Jr I II IJ j I 8
I ~ J J JI u.. _ I =4. J I
The song a ro- bin sings,_ through years of en~less springs,- the

B~6 E-7~5 A 7~9 0-7 B~-7 E~7 Ft!.7 E-7~5 A7 A -7~5 07~9

I~ ~. J JJ J I J. ijJ I J. J'i ~ I j. JI FJ JJ I J J Fir Dr I r r I

mur-mur of a brook at ev-en-tide.- that ri~ples by a nook where two lov-ers hide._ A

G7tfi C-7 r - 3 ---, A~7'1l B~t!.7

I,
It~' I,F FEI 8 I,F Errl r r l'rr JI " IF F I
great sym- pho- nic theme, that's Stel-Ia by star-light and not a dream._ My
E-7~5 A 7~9 0-7~5 G7~9 C-7~S F7~9 B~t!.7

I~ib II
l JJrl II * J J J 1;8 I * j;J J J I II I J. ,I
heart and I a - gree, she's ev- 'ry - thing on eanh to me _ _

PRELUDE TO A KISS \'\'!I,

Duke Ellington

07 G+7 C7 F/17 B7~9 E7 A7~9 0-7

I~ F ~r J Ij I J r J~TJ=g I bJ J ~J J I J J 1_J J I.
If you hear a song in blue, like a flow - er cry - ing for the dew,
If you hear a song that grows from my sen - ti - men - tal woes, that was
How my love song gent - ly cries for the- ten - der- ness, with - in your eyes, my

D-7 G+7 A-7 '.0-7 G+7 A+7

~ r-'~
J 3 J p, J J -0 J J. *~
1
I J J J J .~ I J
r-'-'

that was my heart ser - en - ad - ing you, my pre-lude to a kiss.

my heart try - ing to com - pose,
love is a pre - lude that nev - er dies,

,12.D-7 G+7 C6 B7 E/17 C#-7 _ F#-7~S B7 0#-7

- .~, I I ,........

-t • ~_. Fine ~. ~ ~. II

_. a pre-lude to

F'-7 F7'1l E/17

a kiss.

C#-7
Though it's

F#-7~5
just a sim- pIe

B7 E/17
mel-a- dy,

A 7~9
with ooth-iog fan-cy,

0-7D#-7E-7E~7'1l

It *n J IUn Ii J.J J I n J 11 1i J lJJ J I J ~r:Jin

II noth- iog much, you could tum it to a sym- pho- ny, #a Shu-bert tune with a Gersh- win touch, Oh!

~ 5
36 HOW LONG HAS TIDS BEEN GOING ON?
George/Ira Gershwin 1927
IA1 A-9 Gt 07 D 7sus4 D9 D-7 G7 C7 F9

I" I!f P r
I could cry
p r I p F P?=SF
sal- ty tears,
I F r r
where have you been
F I )J £jJ
all these years?
Therovere chills,-- up my spine.--- and some thrills I can'tde - fine
Kiss me once, themnce more, what a dunce I was be - fore,

GIB Bj,., A-7 D7 G7 11'C7 97 D7 GI:J.7

)J 15,J
lit- tIe wow.---
Lis-ten sweet,
what a . break.----
I)J J1_J_J J 3 J J J
tell me now,..-
I re - peat,
leaven's sake.....-=
how
how
how
long has this been
~p
go-ing
J hpfe
on? •
. 12. C7 EJ,7 D7 06 07 ImO>7 ,F7 CI:J.7 F7 CI:J.7 F7
r
l l
j
1" JJJ ] 5p JW-_ t I Jlr }I F J .J IF F J1r OJ' I
long has this been go-ing on? Oh I feel that I could melt.-- in-to He.ven I'm
B- C#-7~5F#7 B- E-6 B-7 B~7

PI F tJF r IFF Ip r pie D.C. aJ 2nd End (FIne)

I
hurled. I knov.bow Col &Dr bus felt.=-- - f~ing ~oth - er world.
#2) I could cry, sal-ty tears, where have I been all these years? Listen you, tell me do, how long has this been going on?
What a kick! how I buzz, Boy, you click as no one does, bear me sweet, I repeat how long has this been going on?
Dear when in your anns I creep, that divine rendevous,don't wake me if I'm asleep, let me dream that it's true.
Kiss me twice, then once more, that makes thrice, let's make, it four, what a break, for heavens sake, how long has this been

IN MY SOLITUDE Ellington/DeLange/Mills 1934

IAI
I' ~'b Fr
In my
In my
In my
t
91:J.7
F F Fe
F-6

sol- i - tud,"-e___
sol- i - tud"'c::...___
sol- i - tudc...'"_ _ _
G-7 C-7
I F r
you
you
rm
F-7 <F7
Ii

haunt
taunt
pray -
2ndX)

IJ.
me,
me,
iRg, -
rI r
with
with
Dear
B~7sus4

Fr t
re - ver- ies
mem - or - ies
Lord a - bove
B~7

I' ~I.. B~;su'4J By J IEJ,:7

of daysgone b y _ _ _
that nev- er die _ __
r-J B;7r
In my
~~-:
.
,:trI
E J. PI h r J. pI
sit in my chair, I'm fdledwitbdes-pair,there's
sendback my love _ _

. 91B~ B~7 B~7 97 A~1:J.7 A 07 EJ,IB~ G~07 F-7 B~7

I' ~I!I! t; r r JI J- , pI It E J.
no onecould be so sad.
pit; r J. pI Eg Err I r
With gloom ev- 'ry-wbere, I sit and I stare, I know that I'll soon go mad. Inmy
rr I
D.C. aJ 2nd End (Fine)
 rAJ l'lIINGS WE DID LAST SUMMER, THE 37
IAJ G E7 A -7 D7 ~
""Ofh"'Stynel946
I~ I I' J 3 J j J J. ~ I J
The
J J J J. pi; ] J J J J J ~ I
boat rides we woulciake, the moonlight on the lake, the way we dancedandhurnmecbur fav- 'rite
The mid- way and the fun, the kew- pie dollswe won, the bell you rang to prove that you were
The leaves be- gan to fade,like pro- mis- es wemade,how could a love that seemed so right go

B-7~5 E7~9 A-7 0 7 " B-7 E-7 11.A-7. 07 G G#oA-707 ~

\J ' l I J F F J I J J f J I J.
the things we did last
JlJ 3 J j I J=J
sum- mer, I'll re -mem- ber - all -win- ter long.
1 Jl ,
The
song,
strong,
wrong? IElI
12. A-7 07 G 7 G
0 0-7 G7 0-7 G7

I~ I J
mem- ber
LiP J J I J.
all win- ter long.
'1.l iiJ
The
JJ \J J, .l I J
ear-Iy mom - ing hike, the
J J Q J.
rent- cd dou - ble bike, the
,Jd
C 0+7' C E-7 A7 E-7 A7
I~ I j J J J r i llJ. ,I) I J ] J J J, ,J! I J ] J J J. Jj I
lun- ches that we used to pack, we nev- er could ex- plain, that sud- den sum- mer rain, the
07 Go 07 D.C.aJCod "B-7~S E7~9 G#oA-7 D7 G
J J J 0 J i 1 J J , )11 IJJUlrrJjJJle II
looks we got when we got back. The summer, m re mem-her aU win-ter long.

I FALL IN LOVE TOO EASILY Stync/Cahn 1972

P-7 G7~9 C- C-IB~

I~ ~b. 'r /! J. J11 e

I fall in love too eas- i - ly, I fall in love too fast.
0-7~~A~
,-3--,
G7~9 c- C-71B~ A-7~S . D7~9 0-7~S G7~9
,--3~
J J 3 J J JlpE J I IJ W@ F Fie I
I fall in love too ter- ri- bly .hard, for love to e - ver last.
C-7 A-7~S 07~9 G7 C6 C7 p- p_(A7)

I~ ~I!b 'I rr r F" pI ir II J J 3 I r- C! I J , J J 3I

My heart should be well schooled, 'causel'vebeen fooled in the past. Andstill I
P-7 Bb7 P-7 B~7~9 ~6
r-- 3---,
! ~Izi. e
I:~ ~.- F Err J J J J J. II e II
fall in love too eas - i - ly, I fall in love too fast.
38 ALL OF YOU Cole Porter 1954

Ab6 Eb~7 F-7~5 Bb7~9 Ab6

I'~\ B J J J~: J JI J J I gJ.

JI J J I J.
I love the looks of you, the lure of you, the sweet of you, the
gain com -plete con - trol of you, and ban - die

F-7~5 Bb7~9 Eb6/G Ob o7 F-7 Bb7 Eb~7 EblD G-7~IDb C7

I, ~I.I, gJ.
FI r' JII r' FI r- F I V' JI J J I r r I F ~r rI
pure of you, the eyes, the anns, the mouth of you, the East, West, North and the

C7 Ab~7

Fir gr I r pr pI
South of you. I'd love to ev-en the bean and soul of you. So love at least, a

A -7~5 D7~9 G-7 C7~9 F- C7 F-7 Bb7 Eb6

I, ~I!I! r e::1 tr r I &
IJ Wi,) r- IF J 19. I
small per-cent of me. do. for I love all of you.

IN THE STILL OF THE NIGHT Cole Porter 1937

F F 11. Bb9 0-7

1~~f*J1 J JUI u I * asJ JI· gaze J JI J J
J from *IJ1FRI
In the still of the night,-- my win - dow, at the moon in it's
In the still of the night,-- while the world is in
C7 F Ab7 G-7 C7 r-1~-B-b9-E-7-- A- F#-7~5

J. J1 r r I r-
fl·Ight. my th ough15 all
p
stray to you.
r I II , J J I * fJ J II' jJ I
s1um - ber lOb• th·
e tImes WI·th - out

F+7 Bb G-7 C7 l'oF

num-ber. dar-ling when I say to you.
r PI r r
Do_ you love me.
I *J r
as I love you?
pI: II

~ you my life to be, my dream come

e' Bb-7 Eb7 A-7~5 D7~9 G- Bb-6 Eb7 EblDb FIC B o7
I, • II

true?_
I * J r pI r o

or will this dream of mine

r I r
fade
fa I J J J J J J
out of sight, like the
I.
moon, grow - ing
C9fBb FIA G-7 C7 F

I'~ I J f1 I I, .,
J
dim
j
on
JIJ J J I
the rim of the
J J JI •• I
hill. in the chill. still of the night?
 ---------------------

I WISH YOU LOVE 39

Trenet/Beach (Fl-ench) 1946

D7~9
Jrrt J
I wish you
[8J G-7

blue - birds
C7
LTJg I
G-7
j
C7
rTF I j
in the spring, to give your heart a song to
FA7 B~13

F'g I
sing, and then a
A-7
j rnA~o7

I
And in Ju - ly a lem - 0 - nade. to cool you in some leaf - y glade, I wish you
I wish you shel - ter from the storm, a co - zy fire to keepyou warm. but most of

G-7 '--3~ 1 1. C7 r:-3~ F6

I~~ j J J J I J J J J I .. 1
kiss, but more than this. I wish you love. And in Ju- wealth. I wish you love.
health and more than
all. when snow-flakes

~ B~A7 B~-6 3~ F C-7 07 G-7

1~~J*n rll F Enl ~r fa JIr r-!--,I r row I r Pf11

.-I J J JI
My ach-ing hean and I a - gree. that you and I could nev- er be, so with my best, my ve- ry

07 C7 D.C.aJCoda C7 F6
r - 3 ---, r--3----'
r-3~
I~~ j
F F FI II
Ir *J r r I Ii I Ii I
best, I set you free. I wishyou fall I wish you love.

ANGEL EYES Matt Dennis/Brent 1946

07

Try to think
An- gel eyes
that love's not a-roun:;:
that old dev - il sent,
still it's un-com- fOn-·t
y near_ _
they glow un- bear- a - bly brigh,tl.-,_ _
Par-don me, but I got - ta run, the fact's un-com- mon-Iy clear._._ _

I 1
C-7
- 07~9G7~9
.
C-

.
C-/G
11\.
A~7 G7~9"V11. C-A~7G~ !t.C-

.., M* Id h .,... -.' •• ·b-~ I 4'

Y0 eart am t gam - m' no ground be- cause my an-gel eyes ain't ere So
Need I say that my love's mis- spent, mis- ~t with an-gel eyes to- nightl--_ _
Ii51 Got-ta find who's now num-ber one and why my an-gel eyes ain't here._
~ B~9 E~7~9 A~A7 C-7 F7~9 B~~ E~7~9 A~A9 A-9 07~9
I~ ~b~ Dr" !J J llJd'-.-J I ~ F E! F fJ1J. F Ilr"1§J nI
drink up all you peo - pIe, or- del an-y-thing you see Have fun you happy
GA7 G6/D C'-7 F#7~9 0-7 07~9 '-A~9 07~9 C-9
I!~ ;1\ "JU,-U 'f~ll is J J J SJ1±e D.C. aJ Coda
I I J 'J* J ..3 fJ JJle
pea- pIe, the drink and the laugh's on me. 'seuse me while I dis- ap- pear.
40 I CONCENTRATE ON YOU Cole Porter 1939

. Wbenev- er skies look grey to me,_ _ and trou-ble be- gins to brcwf.-,-
Wbenfortune cries "nay, nay" to me,_ _ and pco-ple d~ clare ·'you're through".--

E~9
1 1'F~7 ..--3--, B~7 C'-7 Pl7 B 7'11
* 1* J J F 'r I F qJ I.J 1 * J ~J J 1 ie I *j J J I
when ev - er the win - tcr winds be-come to strong, I con-CCD-

&6 0~sus4 @

J2fe I t iF kF ijJ I
trate on you _ _ _ __ when ev - er the blues be-come my on-Iy

F7· 9 B~7 E~6 A~6 &6 A~A7

It J J J I ~J j J2±:e IJ J JI F" rI
song, I COD-cen- tratc on you * On your smile so

D~7 G~sus4 G~A7 ~7 F-7 B~7 &A7

F 1ir ~r- IT J. )1 J d I ,J J. ,JlI e 1

sweet, so ten - der, when at first my kiss you de- cline,

on the light in your eyes when you sur - reo - der_ and once a - gain
rI
our
B~A7 B~7 E~6 A~7'11 0-7
cr I e
in-tcr - twinc. _ _ __
IF' * I * F F Fir r I r' P r
arms And so when wise men say to me,

that love's young dream nev-ercoines truc,--- to prove that

C+7 F-9 F 7sus4 F9 B7'1l Bb7 &6

1~~I'h IzJ J I J J ~J. PI II
It J J J I ~J J J-Ie Ie
ev - en wise men can be wrong. I con-cen- trale on you.
 POOR BUTTERFLY Golden/Hubbel 1916
41
D~9 C7 B7' 1l B~- B~-7 E~7~9 A~A7 A~6

I~ ;I'I,~ B j qj
Poor but - ter-
The moon and
J~
fly
I
ElF
IF E21 F
'neath the blos- soms
know that she is
r I F F-
wait - ing,
faith - ful,
Ir J
poor
I'm
eJ I
ut - ter -
sure he
G7~9 C+7 1C-7 F7 B~7 E~7

fly, or she loved him so. The pass in- to hours, the hours
-
come to me bye and
Eo F- F-7 B~7 S,7

F fJ J I J J j J I FUr l-r J \j J I &'

pass in- to years, and as she smiles thru her tears, she mur- murs low. The moon and
B~7 A~ Db7· 11

LJ J J "J j J hC1 J_ 1
bye. But if he don't come back, then I nev - er sigh or cry,
C-7 B~7 Eb7~9 ~~6

I~ ~I'I'~ J J J " I J qLJ F r Ii

- II
I just mus' die. Poor but - ter - fly.

OLD FOLKS Robison/Hill 1938

[8J D-7~5 G7~9 C-7 B-7 B~7 A7 ~bA7 Db7 G-7 C7

,I~~I'I'~ JJl j
Ev- 'ry-one knows him as
Fa I j J J
old folks,
j)
like the
I FH pm I l
sea-sons he'll come andhe'll go,
fJl
just as
leav-ing his spoon in his cof- fee, puts his nap - kin up un - der his chin and that
quite un- der- stand a - bout old folks, did he fight for the blue or the grey? For he's

P-7 Bb7 . EbA7 . C7~9 11. C-7 F7 P-7

t:. I ;=3~ . ~ r--~--' . ,..---3--, -
I@; 'I, ~r~ ra I J ~ r J )J I i J J tJ J j J I J.
free as a bird and as good as his word, that's why ev- 'ry- bo- dy loves him so. AI-ways
yel-Iow cob pipe, it's so mel - low it's ripe. but
so dip-Io - rna - tic and so dem - 0 - era - tic,

I I~ ~~ B~7 EI.6 [§] ~A71B~ BIz-7 &7 A~A7

I~~'· fJ 'j n
you need-n't be a-shamed of him.
J J JdJ, nil u~r Ell ~F n
In the ev- 'Ding af-ter sup-per,
F I ~on \j J~
what stoi'- ies he would tell,
we ai-ways let him have his way.

t:. I D~7111 S,A7 Eb7

r::- 3--,
AbA7 Db9 C-7
,..---3--,
p7 F-7 E~7

I@;'I, J i11 r r j r;i J] j I J JJ J J I J J J J JJ j L J fiU I

how he held the speechat Get-tys-burg for lin-coIn that day, I know that one sowell. Don't
D.C. aI 2nd End.
42
,
A NIGHTINGALE 'SANG IN BERKELEY SQUARE I
Sherwtn/Maschw1tz 1940
, E~t.7 C-7 0-7 B~7 E~7 Abt.7 3 D-7~S3 07~9 C- A~6, I
J\~: J J J ,I rr J J J I FA EEf IrE r I
That eer - tain night, the night we met, therewas mag- ic a- broad in the air, there were
I
The
may be right I may be wrong, but I'm
streets of town were paved with stars, it was
per-fect-ly will-ing to swear,
such a ro- man- tic af - fair,
that
and
I
~t.7

I~ ~I'I.
Ebt.7/Bb
rr r
F-7 C-7
J JI J J I
F-7 Bb7
e
C-7
I
an - gels din - ing at the Ritz, and a
when you turned and smiled at
as we kissed and
me
said good- night,
a
a
night-in- gale sang in Ber - k'ley square.
I
!"F-7 B~7 j>'A-7IS D719 GA7 E-7 A-7 D7 B-7 B~07 I
I~ ill. - ~, A - II', iJ J i J n I PC n' pI j j ~. Ol'l I
I The moon that lin- gered 0- ver ~don town, poor puz-zled moon, he
A-7 D7 0t.7 E-7 A-7 D7 B-7 E-7 F-7 Bb7
1* ' J ~ j I'I i J J i J J J IPF rr pI j j J 'I r r l' JI I
wore a frown, how could he know we two were so in love, the whole dam world seemed up- side down. The I
FLAMINGO Grouya/Anderson 1941

,
Ft.7 D-7 0-7 C7 F-7 I
~ r· t,~

I * likeL1a
Me J r IT J lin. rFJ
I
.
Fla min - go,.__ flame in the sky.--,_ _ fly - ing 0 - ver the
Fla min - go in your tro - pi - cal hue,.--,_ _ speak of pas- sion un -
Fla min - go, when the sun meets the se...,.a,_ _ say fare - well to my

:' ,F. t.7 0-7 C7 f F6 Bi.-6 I

D~9 0-7 C7
I * J J J ;J-J I: :_
D7
J J I J *J , "
is -land
dy - ing
lov - er
to my lov - er near
and a
by. _ _ _ __
love that is
Fla
I - trUe _ _ __

Ft.7 B 7'll Bb-7

- * J II e
I
Eb9
The winu..d_ _
0-7
sings a song to you
C7 D.C.alCoda
as you go,
.. 0-7 C7
a song
1",repe8tFt.7 0-7 C7 I
that I hear be-low

~~~~*~~F~F~lJ$!~I~"~~If~~~*$i;I
il I * J pn : I - I I e
the mur-mur- ing palms.____ Fla and has-ten to me _ __
I~xFt.7 ;:t& Ft.7 0-7 0-9 C 7~9 0~7tu F~

I~~ IT ~ I" IF I" I" I

I
 MY OLD FLAME Coslow/Jobnston 1934
43
Gb.7 F9 B-7~5 E7~9 A-7 r-- 3 ----, A -7~5 D7~9 G C9 F9

I" U. r My Old
IT I qj~J. ))1 J.
Flame, I can't
n J F r I ~J.
ev-enthink of his name.
;;J
But it's
I J J J J J JJ I
. fun-nynowandthen,how my
My Old Flame my new loy - ers seemso tame. For I haven't met a gent so mag-
My Old Flame, I can't ev-en think of his name, but I'll nev-er be the same un- til

Bb9 E~9 r - 3 ---, -'A-7 D7 1"A-7~SD7~9rC-7 F7 B~A7

~u In J J J Ef I IT J . J. t • j,
flame.
til' r (, J J J J I
I'vemet so man - y who had
thoughts go flash- ing back a- gain to myoId flame.
ni - fi - cent or el - e-gant as myoId flame.
I dis - 00- ver what be- came of myoId flame.

I' • A-7~5

~J ~ J J
r-- 3 --, D7~9 A~7

tJ. JhJ ~ J J top j ), U

r - 3 ---, 0+7 C 7sus4

Some who tookme up to the skies,

D7 G-7 E-7 A7 A-7 D7 D.C.alCoda-' A-7 D+7 06.

I~*~.~><r~>~<r'~~~p~I~J~J~J~J~J~.~}lll~r~r~rj~-~J~J~IJ~I I~ I IT Tie I
but their at- tempts at love were on-Iy im- i - ta-tians of My Old Flame.

LOVERMAN' Davis/Ramirez/Sherman 1941

D-7 G7 D-7 G7 0-7

.I'j' ' J J J J A I iJ J J . J I '
I don't know why, but I'm feel- ing so s a d _
j J
I long to try some- thing I've nev- er u;baaud_ __
The night is cold and I'm so all a-lone, I'd give my soul just to call you my OWOI_ _
Some day we'll meet and you'll dry all my tear5.--then wbis-per sweet lit-tIe things in~m~y~ears~==;--

B~7 B~7 A7~

F7· 9
IzJ J J J Jl J. I IzJ
Nev - er bad no kiss- in'
Got a moon a- bove me,
L

JJJ P J. I ~i J J a J
oh, what I've been miss- in'
but no one to love me,
&7 G-7

Lov-er Man oh where can you

ro:
C7 I" FA7
II

be?
,

Hug-gin' and a- kiss-in', ob what I beeV miss-in',

1~b.7 Bb7 A- A-(~7) A-7 D7 Ob.7 A-7 B-7 A-7

I'j" I F no F n I F" J1 PfJ I Ir n FE I Ie I
r"t-.J
be? I've heard it said that the thrill of ro-mance can be like a hea-ven-ly dream.

I*j
G- G-(~7) G-7 C7 Fb.7 E-7~S A7~9

F goJl bed J J I F J J rtf I

F with
j JI Ii

D.C. 111 FIM

I
I to a prayer that you'l1 make love to me, strange as it seems.
r

44 BLUE VELVET Wayne/Moms

Shc
She
J
wore
wore •
B~
e

blue
blue
1
D-

F J.
vel-vet,
vcl-vct,
I
G=1-
J fr F7~9

~ r
blu- er than vel - vet was the
blu- er than vcl - vct wcre her
3

f J J
I

1
B~

night,
cycs,
*
I
Blue_ vcl-vet, but in my heart thcre'll a1 - ways be,

3 .. I 1r"'""1'--P-7- - B~A7 G7~9 C-7 F7 tC-7 F7 ,

J i?J j J. )1 Ij IJ ! J J J,J J. ;PI
soft - cr than sat - in was thc light from the stars _ __ She wore sighs, love was
warm - cr than May hcr ten - dcr
pre - cious and warm, a mcm - 0
P-7 B~9 E~ @-7 B~
,-3-.
I' ~II II

ours.
I ~. ! I r
Ours,
p §~
~ I ~F
a lovc I held tight~
r
ly,
I r rrF
feel - iog the rap-tore
JI
B~7 E~ E~7 D-7 C-7 P7
I~ ~I, J
grow,
~ 1 r
like
p §~
~
a flame burn- ing
I ~F r
bright-Iy,
I
,-3.--,
r Jrr
but when she lcft,
I ~~
"
gone was the glow of
r··-
JI
B~6
j 1 8"

ry through the years. _ __ and I still can sec blue vcl vct through my tcars _ __

I SHOULD CARE Cahn/Stordahl/Weston 1943

G 7sus4 E-7 A9 D-7 G;?w.43 CA7 E-7~5 A7

~-7
I~·I F I
should care,
e
I*Ar(JIFr
I should go a-round weep-iog.
I,.· I
JI ..
should care,
I should care, I should lct it up - sct me, I should care,
P-7 B~9 CA7 ,....11·-B---7-~5-E-7- G-7 C7
r-- 3--., ,-3----,. r-3--,

J JalJ J I a JaJ ala J. laJaaJI

I should go with-out sleep-ing. Strange-I,y o-nough I sleep well, 'cept for a dream or
but it just docs-n't gct me. May - be I won't find

~
TIn J J I J
pA7 B-7 E7 A-7 A-7 09 Q;L. G9
1* ..
two,
I but then I count my sheep well,
J. I Tf5
fun- ny how sheep can
J JIJ FJ
lull you to sleep. So
J r
1r"'""2-.-B--7-~5--E-7 A -7 D7 D-7 G7 C6
I, J J J I F fa J I F' ~F I r- J I r' JJ I " - II
some-one as love - Iy as you, but I should care and I do.
 SPRING CAN REALLY HANG YOU UP THE MOST 45
Landesman/Wolf 1955
Cb.7 A-7 D-7 G7

1. Spring this year has got me feeI- ing

J J J JJ J J ~I
Mom - ing's kiss, wakes trees and flo-- wers,
2. Spring is here, there's no mis -tUlak....----=- ing,
Col - lege boys are writ- ing son_ _ - nets,
E-7 A 7~9 F#-7~5 F-7
J. J 1 J J j J_J starJ - ingJ
post, I lie in my room up at the ceil ing,
toast, I walk 10 the park just to kill the lone - Iy hours,
coast, my heart tries to sing so they won't hear it break. - ing,
grossed, but rm on the shelf with last year's Bas - ter bon - nets,

j~
l D-7 07sus4 07 0-7
, J J j ill
07
J
Cb.7

I~ J J j J
..z

J J J J JI u J J 1 e II
Spring can real- Iy bang you up the most Spring can real - Iy hang you up the most
~ G-7/C Cb.7 0-7/C CA7 0-7/C CA7 G-7/C
I~ ~F· I J J. ) I ~p rP J J I ~F· I ~ J. t JI ~ r 10

Heard it De - fore and I know e score and I've - ad - ed that Spring is a bore.
Spring came a - long, a sea- son of song, full of sweet prom - ise but some - thing went wrong. .
GA7 FA7 CA7 BbA7 CA7 A-7 D-7 07 E-7 A7~9
.1 ~ J J J_J. ;ill J A (E r I J J J J J J J JI J. ~ I
LOve seemed sure a - round the New Year, now it's A- pril, love is just a ghost,
Doc - tors once pro - scribed a ton ie, suI- pha and mo - las - ses was the dose,
F#-7~5 F - 7 ' " E-7 A-7 D7 D-7 07 E-7 A7~9

Spring ar- rived on time, on - Iy what be-came of you dear?, Spring can real-

f] J
did - n't help a bit, my con ....

I~ ;7 J j JGg J J7 JI : B~AJ 7.£d

,",4 J JA; u· I Dj? J J J JI
Spring can real-Iy hang you up the most di - lion must be chron - ie, Spring can rea1-ly hang you up the
E-7 A7~9 D-7 CA7 D-7 CA7 B-7~5 Bb7 A-7 D7sus4D7 .
I~ a I J. )l J. ) I J. )l ) J. I ~ J J J J J J J I r' 0 I
most. All a - lone, the par- ty's a - ver, old man Win- tcr was a grac- ious host, but when
D-7 Bb7 E-7 A7 D-7 Db7 CA7

I~ r J )) J )1 J J Jj jnJ. I J J 3 J ~J J d & I",

you keep pray- ing for. snow to hide the cIa - ver, Spring can real-Iy hang you up the most
46
"YOU DON'T KNOW WHAT LOVE IS Raye/DePaull941
IAI D~9 C7~9 F-
F-7 C7~9 D~A7 G-7~S
1~ ~~I!~ ''if; f
J La. J! I J J J. ~ 1 J 3 J J J J J J I J ,~ 1
You don't know what love is, un -til you've learned the mean-ing of the blues, un-
You don't know how lips hurt, un -til you've kissed and had to pay the cost, un-
You don't know how heart's bum, for love that can - not live yet nev- er dies, un-

D~A7

~
C7~9 F-6 A~7 11. G-7~S C7~9

J J
...

r r r
til you've loved a love you've had to
r I W
lose,
r
you
I r r>"<r' i' I J J J. J
don't know what love is. You
til you've flipped your heart and you were lost, you
til you've faced each dawn with sleep-less eyes, you

I2.D~A7 C7~9 F-6 rm B~7 ~7 A~A7 B~7 Eb7sus4

1, ~I!b~ r r J I ~ J. J JII r r (:1 I p F P F' ;, I J J J. ~ I

l'
don't know what love is. Do you know how a lost heart fears the thought of rem - in-
A~A7 D-7 G7 CA7 D~9 C7~9
D.C. aJ 2nd End

~I!I!~ rr e r I 9r D D hf e IJ. l J J I J JS;PJ.) I

is - ing, and how lips that taste of tears lose their taste for kiss - ing? You

SOME OTHER TIME Bemsteln/Comdon/Grec:n 1944

~ CA7 G 7sus4 CA7 G 7sus4 CA7 G 7sus4

1_* • J Where bas the

J J
time all
J. JI ~
gone
W-
to,
I, P
have
C~5
n't done
J•
J. } I
half the
This day was just a tole en, too rna - ny words are
There's so much more em - brae ing still to be done but
G-7

I~ J J J J I J=
DIP' F-6 E-7 A7J
eA
~ ..J I
D-7
,..
J
E-7
j
FA7 G 7sus4 CA7 07sus4

things
still
we want to,
un - spo - ken
Oh
J
Qh Well, we'll catch up
cJ ;1
some oth-er
1
-
time.

time is rae - ing lsi •

1'CA7 07sus4 2.CA7 B~7E~7 A~A7 E~7sus4 A~A7 ~7sus4 A~A7 E~7~9

""e Ftne e
Just when the fun is start - ing comes the time for
A~A7 AA7· 11 A~A7 CA7 E-7 A-7 E~7 D 7sus4 07. 4

I~ 'OF S_J. I 'J ~4• C J.- n I J J J r I r- ~a

G+7 sus D.C. aJ FIIIB

" II
pan - ing, but let's be glad for what we've had and what's to come.
 AUTUMN IN NEW YORK 47
Vernon Duke 1934

G-7 A-7 Bb6 C7 C+7 F67 G-7 A-7 D7~9

I~ ~ I! J J J3
J I i
J j J P F PI F ,J I -
Au-tumn in New York, why does it seem so in - vit - ing?
Au-tumn in New York, the gleam-ing rooftops at sun - down.

G-7 A-7 Bb6 C7 A-7~5 D7~9

I~I J J J J J I i
JJ J pF PI F
j - II
Au-tumn in New Yorlc, it spells the thrill of first night - ing.
Au-tumn in New York, it lifts you up when you're run down.

G-7 B~7 &7 AbA7 B~7 C-7 D-7~5 G7~9

Glit- ter - ing crowds and shim - mer - ing clouds steel, they're
Jad - ed rou - es . and gay di - vor - cees Ritz, will
C-7 A-7~5 D-7 G7~9 C67 G-7 C+7

I~~ )
J bh J J iF a J. .a II
mak-ing me feel at home It's
tell you that "it's di vine!" This
G-7 A-7 Bb6 C7 C+7 F67 G-7 A-7 D7Db7
I~~ J J J 3 J I 'f
J j J P F PI F j I -
Au-tumn in New Yorlc, that brings the promise of new love,
Au-tumn in New York ttanrforms the slums in - to May - fair,
C-7 D-7 &-6 F7t9 Bb- B~7/Ab G-7~5 C7~9

I~I J' ) ~p,

..II
~a
[ r r~ J I J bJ PI I ·r *II
Au-tumn in ~ew
York is of-ten mingled with pain.
Au-tumn in New York, you'll need no cas-des in Spain
F-7 C+7. F- Ab7 DbA7 ... A'*7 Db67 Gb67
...
I~~ P Ij P r r I r- F I
I,Jl J Jl
r rI d. J I
Dreamers with emp- ty hands, may sigh for ex - ot - ic lands, it's
Lov-ers that bless the dark on bench-es in Ccn-tral Park greet
;.
G-7 A-7 Bb-6 C7~9 F-
I~~ J J J J j Ij J &J J
...
I.i' F 1>1 Ii -
au-tumn in New York, it's good to live it a - gain.
Au-tumn in New York, it's good to live it a - gain.
48 WHERE OR WHEN Rodgers/Hart 1937
F6 F117 B~ B~/A

J I J J J JI j. JI j. JI W J J U JJ JI
It seems we stood and talked like this be - fore, we looked at each oth - er in the
The clothes you're wear- ing are the clothes you wore, the smile you are smil- ing you were

1'G-7 C7~9 , 2.E -7 A7

"
I fJ I v·
same way then, but I can't re- mem - ber where or when._ __
smil - ing then but I can't re- mem - ber where or when _ __
0-7 G-7 0-7 G-7
j fa J I r F J. j) I .... < *I j fa J I ~ F J ;'1
Some things that hap- pened for the first time, _ _ seem to be hap- pen- ing a-
G7/D C7~9 F F6 E-7~S A7 0-7 F7 B~117

e e I *J J ; I J JJ J J. a I J J I J. a I
gain._ __ And so it seems that we have met be - fore, and laughed be-
A-7~S 07~9 G-7 A-7~S 07~9 G-7 C7 Gb7 tn F6
e=
J J I r· F I V· r I r r r r when _ __
fore, and loved be - fore, but who knows where ·or

FOR ALL WE KNOW Coots/Lewis 1934

F G9 C7 r-3--, G-7 C7 F117 07

I~~ J f J. J I J £3 I n j J JJ I J * *J I J. J I F' f] I
For
For

G-7
a)
all
all
we
we
know we may nev - er meet a - gain,
know, this may on -ly be a dream,

C7

F iF I
FIA

r r r
. be - fore you
we come we

.Abo7
e- F I
G-7
go make this
go, like a

r FrI
mo- ment sweet a - gain. _ _ __
rip - pIe on a stream. _ _ __
** We
so
won't say good
love me to
- night un - til the last
.
E-7~S A 7~9 0- 0-(67) 0-7 G7 G-7 C7 G~7 .. B-7~5 E7~9
J J;I il
min - ute, I'll hold
W WI il
out my hand and my
aWl r U UI JW
heart wi11 be in it
*J".
For
r
night,
~
to-
I
07sus4 07 G-7 C7 F6

mor - row was made for

J
some, to
J I PSf-re
-mor - row may nev - er
aal W WUWI
come for all we
"- I"
know. _ _
 EAST OF THE SUN 49
Brooks Bowman 1934
GA7 C7 Br--
-7 3 - - , E7 A-7
.-3--,

I,ll! ED tJJ
East of the sun
J I J J J J_ I .p
and west of the moon,.--
I J J J F F1 r
we'll build a dream- house- of
,J

C-7 F7 A-7
~ ~3-, ,-3--, 07 F~-7~53-, B7 E-7
II

love--
I ~e
dear._
I r rr F F FI
Near to the suo in the
e
day,-
J J J F F I J.
near to the moon at night,
J
we'll
41-3~ E-7 A 7 .t\=1.3-. 07 GA7 C7

JJJJJI j J I rrr F FI FF J I
liv-ing on love and pale moon-lighl
Iiltl)
Just you and I,
J I
for -
live in a love-ly way dear,
B-7 E7 1\ -7 3----, c;-7 3-, F7

J J J J J_
ev - er and a day,
,I -" I J JJ
love will not die,_
r Ir J I
we'll
r r r ~J-1-e
keep it that way.-,- _
I
A-7 FI-7~S B7 E-7 A7 J\.:1.3-' A-7~S D7

r F r pI
up a-mong the
FJ r' pI J J J J FU I J J j I J J J F J I
stars we'll find, a har-mo-oyof life to a love-Iy tune, east of the sun and west of the
r FFI
B-7 E7 Bj,..7 ~7 A-7
4~3~
07 G
e
I ~e I r, r r
east of the sun and
J JI r
west
F Fie
of the mooo _ __
IJ -
mooD,-

SPRING IS HERE Rodgers/Hart 1938

A~6 A~6 C-7~S F7~9

J Ii J J I J J. J. JI
Spring is here, why does- n't my heart go dane- iog? Spring is
Spring is . here, why does- o't the breeze de - light me? Spring is

I'~'!'!~
B~7

u
here,
here,
C-7~~G~

I J
wby
wby
Tn J J I J F7~9 Bj,..7

is - o't the waltzen - tranG: - ing?

does- o't the night io - vite me?
GW
CJ.
A~A7

I J J J JI J J F
No de-sire,
May-be it's
A~/G F-7 F-~

no am - bi - tion
be - cause 00 - bo -' dy

I' ~1!1!5
II""'1·-0-~-A7-
:"

I,
C+7
I'
F-6
I J qJ ijJ J I J J F r I
B-7
he
E7 B~7

I"
E~7

I'
leads me, may - be it's be - cause no- bo- dy needs me.
I2. B -7 E7 B~-7 E~7 C-7 F-7 Bj,..7 ~7, A~
~bl!~ Ie I Ii
F" J F Ie
loves me, Spriog is here, I hear._ __
50 EASY STREET Alan Jones 1941

F-7 B~7 ~7 A~7 B~7

I ' C F J J J. I D j J!.-,J I ,Ii F J ~) J. I

'--'
Ea- sy street.- I'd love to live on ea - sy street,-- No - bo - dy worlcs on
Life is sweet- for folks who live on ea - sy street,-- no week - Jy pay - ments
Ea - sy street,- I'm tell- in' ev- 'ry - one I meet-- if I could Jive on

C7 "-F-7 B~7 I" EI>.6.7 F7 F- B~7

JJ 1'( F 1 F j J. , J> I j J i J J ." qJ ~

'--'
ea - sy street,- just sit a - round
all day (just sit and play the hors - es)
you must meet-- that make your hair tum
Ea - sy street,-- I would- n't want DO

12.~fl7 B~7 ~7 A~fl7

:!,!.-
I d'i. «C::;d
grey.
I 3': :~ =
J ~l I F FF F ..J JjJIFFF F JJ j JI
When op - por - tun - i- ty comes knoclc - in' ,you just
A~7 D~7

keep on with your rock-in', 'cause you

E~fl7 B~7 &7 A~fl7 A~7 D~7

I~ ,I'b J JJ ; UJ 'J JJ IFF F F FJ J JIFF F F lJ JJ I

know your for- tune's made' and if the SUD makes you per- spire, there's a man that you can hire to plant
C-7 F7~9 F-7 BIH-7 ... B7 BIH-7 ~ D~7 &
~ ~L! I ;. J1~
It ,kl'l'
.
J H .-I!:E"£..
~
r·I J3 i CJ:t I .D.C. aJ Coda
PI E Fe JJZ F k] =I
l j)~ I e
I
trees, so you can have shade on I would- n't want no job to - day, so please go way.

WHEN YOU WISH UPON A STAR

Harlfne/Washington 1940

C A7 D-7 G7 Co C CIE ~o7

I~ J J J J I iJ J j
I J F J j I iJ J r I F r F
JI
When you wish up - on a star, makes no diff- 'renee who you. are. An - y - thing your
If your hean is in your dream, no re - quest is too ex - treme, when you wish up-
Lika a bolt out of the blue, fate steps in and sees you thru, when you wish up-

I~ J J
D-7
j
heart de- sires will
J
G 7sus4
J
come
1"C6
J J.
G7

to you.
• fC
*. •
do.
Ftne
II
D-7

ill
Fate
G7

is
J
E-7
e

kind,
A7

on a star as dream - ers

on a star your dream comes true.
D-7 G7 Co C A-7 D7 D-7~S G7~9

~ J J J I Ii 1 J. *dIJ JI.f1 J'C UI II

r. * II
D.C. aJ FIfIe
she brings to those who love, the sweet ful -fill- ment of their sec- ret long - ing.
 THE SECOND TIME AROUND 51
Van Heusen/ Calm 1945

CA7 F13 E-7 E~o7 D-7 G7 CA7 ...

a a J. p I Fr· F r I 0--1) ,j F I a a J. f-I

F r • love
Love is - Ii - er the se- cond time a - round.- just as won - der - ful with
Love's more comf' - ta- ble the se- cond time you fall,_ like a friend - Iy home the
D-7 B-7~5 E7~9 A-7 G-7 C7

J J) I a J a .a
both feet on the ground__ It's that se - cond time you hear your love song
se - cond time you call. Who can say--- what led us to this
1r--1 F-A-7
0
D~7 F IC A-7 D7 G7

1~ .',. I).a J I J J J. } I #J a
sung,_ makes you think per-haps, that love like youth
j ,j
is
I F ,j F j I F F
wast - ed on the young. Love's more
r~
~ 2-FA7 E~9 D9 D-7 G7 Esus4 B~13
I j j j j a J Ia j j
mir- a- de we
I F F
found? There
r
are
I a
those who'll bet
fa
love comes but
I J a J
once and yet, -
A7 A-7 D7 G 7sus4 C

I~) a #J J I J J J. }1 I J a J J
I'm oh so glad we met the se - cond time a - round - -
-e- -e-

DEEP PURPLE De Rose/Partsh 1934

F F#o7 G-7 C7
I~~ J J •r j J 1 ~J J bJ I Jar F r j
When the deep pur- pIe falls, ov - er sleep - y gar - den walls, and the
In the still of the night, once a - gain I'll hold you tight, though you're
FA7 . A-7~5 D7 CIE F o7 D71F# G-7
I~~ r F r j I a ,a j
FI u_ I =J #J J I r ir ~F I
stars be - gin to flick - er in the sky, thfough the mist of a
gone, your love lives on when moon - light beams and as long as my

B~6 A-7
I" A~o7 G-7 C7 C+7
I~~ j d J J ~J J a ~J j j bJ J I J ,a FI
mem - 0 - ry, you wan - der back to me, breath - ing my . name with a
heart will beat, lov - er we'll

F
Ii

sigh._
Ft G-7 C7 t#07 I,
I - J
In the
J' F F
al - ways meet,
r I
G-7
r ~F r I
here in my
C 7sus4 C+7

deep
J ,a
pur- pie
j I
F
If"
dreams, _ __
I"" II
52 OLD CAPE COD
Rothrock 1956

B~7 A~ 0~9

1~ ~bll fl. in 9
J3P J 111 &3
If you're fond of sand dunes and salt- y air,
97
QJ 1 J n f -0 J 1W i]~J I
quaint lit- tie vii - lag - es here and there,
If you like the taste of a lob- ster stew, served by a win- dow with an 0 - cean view,
If you spend an eve - ning, you'll want to stay, watch- ing the moon-light on Cape Cod bay,

I~~II~
El>t.7
1
~ CE 4'EJ.
.. F7 A~ B~7
J JJ- J J J 1J ; ~J. * , ..-.l;o *I r r r r r FI
Bi.9 BI.-7 El>7

you're sure to fall in love with old Cape Cod. Cod. Wmd-ing roads that seem to

F-7 F7 B~7sus4 B'*7 D.C•• Coda" F7 B~7 9

I'~bb ~ ~ ~ ~
J J I J. P IJ I I r J I e
-
mind you of the town where you were born.
old Cape Cod.

MOON OVER MIAMI Burke/Leslie 1935

fA) A-7 ..-3---,

07 Gms4- 3 C/G G Abo
I~'f r F FFIr r I F F F F JI JJ J J
Moon
Moon
Moon
ove - r Mi
ov- erMi
ov - er Mi
- a- mi,
- a- mi.
- a- mi,
shine on
shine
my love
on as we be
and

you know we're wait- ing

- -
CJ
me,
gin,
for
so we can
a dream or
a lit - tie
A-7 07~9 C @7
I'0G E7 i~G FI7
I~I ...
r Jj J J I J. ;CJ I J J J. * J.
tI
stroll be- side the roll
rme in.
of the roll - ing sea.
two that may come true when the tide comes
love, a lit - tie kiss, on Mi- - a - mi's shore.
B- E- B- ~7 -

I~' J n
Hark to the song of the
r ~J IJ J wi ijLJ
smil- ing trou - ba - dours, hark to the throb- bing gui - tars,
G-IB~
B-
I~' J f -0
E-
r
bear how the waves of- fer
B-
n I J J fJ3_J
thun-der-ous ap-plause
I rn
O/A

at -
3 &7
~FrF I ..
ter caeh song to the
A-7 D7

stars.
~~.~
 I WILL WAIT FOR YOU 53
Michel Legrand/Gimbe11965

D-7 D7 G-7 G-7 C7

I~ ~ I! J J IF F I r r Ir IS a I j J
If it takes for - ev - er I will wait for you, for a thou- sand
An- y- where you wan - der. an - y - where you go, ev- 'ry - day re-
If it takes for - ev - er I will wait for you, for a thou - sand
G-7 C7 Fsus4 F E-7~5 A7 D-7 D7

J .J
sum - mers
iF
I will
rI r wait for
,J J .a
you, "TIl you're
J J
back be
I a J
- side me,
'r
'til I'm
FI
mem - ber how I love you so, in your heart be - lieve what in my
sum - mers I will wait for you, "TIl you're here be - side me, 'til I'm

G-7 E-7~S A 7~9 D-7 E-7~S A7~9 0-7G-7 I'·n- 12.n- 7

rrI r J aI W F j I aJ J I 0 .a J • j * ~ ~ I
,;...-

hold- ing you, "til I hear you sigh here in my arms. An- y The
heart I know that for - ev - er- more rn wait for you.
touch-ing you, and for - ev - er- more shar- ing your love.
B~A7 G-7 D-7

rEF r U Fir EJ F· ~ I J J J J J
clock will tick a-way the hours one by one and then the time will come when all the wait- ing's done. The
E-7~5 A 7~9 B-7~S B~7 A 7SUJ4 A 7 D.C. aJ FIne

W J JJW J OJI r fJ J I It JJ J J I I J fa J I
time when you re - tum and find me here and nm
Ii

straight to my wait - ing arms.

e
- If it

FOOLS RUSH IN Bloom/Mercer 1940

0-7 G7 CA7 CIE E~Q1 0-7 A+7
J 1'ft I) r (r fJ I e I J J FJ J 31 S. Jl.~§
r
Fools rush in_ where an - gels fear to trealU,d,,--- and so I come to you, my love,
Fools rush in_ where wise men nev-er go.-- but wise men DeV - er fall in love,
0-7 B-7~S E7 A- A-(~1A-7

JI u I J J J JI j J J JI
my heart a - hove my head,- though I see -
the dalrger th~~'- - -
9-
if there's a
so how are they to ~

A7 2.B~7

I~
09

.a.
l

J' ,J>- 1<J

A-7
J
D7 0-7
e I
. G7
J
~
A7 0-7

J. Jl j
-
e
F F ~ e II
chance for me_ then I don't care. ~----
lcnow?_ __ When we met

C/G A-7 0-7 G7 C

I felt my
F I F" D r~
life be- gin,
r t r E E fir p r I r r r F I ,e
so op- en up your heart, and let-. this fool rush in, _ __
I<II I
54 .. IT MIGHT AS WELL BE SPRING I
Rodgers/Hammerste1n 1945 ~

G· C9 G

JJ' J J J J J 3 J J I J J DtJI1 3J J Jj3jlll

I'm as rest-less as a wiI- low in a wind-storm, I'm as jump- y as a pu~pet on a
I am star- ry eyed and vague-ly dis - con - tent - ed, like a night-in-gale with-out a song to •
I'm as bu- sy as a spi - der spi&ning day-dreams, I'm as gid- dy as a ba- by on a ~
D-7 G7" CA7 D7/C GIB B~9 1. A-7 D7~9 B-7 E7~9 A -7 A~71I11

string.
sing,
I'd
Ob
say that I hadspring
wbysbould I havcspring
fev-er,
fev- er,
but I
when it
know it is - n't Spring. I am I
.......
swing, I

I2.A-7 D7 G G7 C A-7 D-7 G7 D-7 G7 ,

1, IFF FJ I e I FF E rr f I J. ij$ j J qJ J J J J I
is - n't ev-en Spring? I keep wish-ing I were somewhere else walk - ing down a strange new ~
1,1 C'
e

street,
E7 A-7

FF r
A-7/G

bear- ing words that I have

rr
FI-7~5

F , J J J JJ I F F ~
B7~9

nev - er heard from a

E-7 A7

girl I've yet to

rI
D7sus4 D7
E" on-V ,
meet. I'm as ,

A-7 D7 B7 E7~9 A7 .
JJ JJI r ullrJJPl1
'--

- ~
mel-an-c dy way, that it might as well be Spring, It might as well be Spring.
~
DREAM Johnny Mercer 1944

F#-7 B7

J rrI e
I e

true.-

you'll find your

D-7 G7~9

r' J rrries there._

F IF
G7
r " I
C6
;>
It ,--- ..
of mem - 0 - So

II
 THE PARTY'S OVER 55
Styne/Comdon 1956

E~ F-7 B~7 E~ F-7 B~7

I ! ~1'l,Il J j
The par- ty's
f
J J J.
0 - ver,__
Ij J j
it's time to
J I J iJ J I * J J J I
call it . a day, they've burst your
The par- ty's 0 - ver,__ the can - dies flick- er and dim. you danced and

E~ Eb7 Ab6
J EJ J I*FrFIIFJ~
pret - ty bal- loon and ta - ken the moon a - way_ It's time to wind up
dreamed thru the night, it seemed to be right just

I! A~6
;1'1,) JJ JI
the mas - quer- ade,-
Eb
e I *a
0-7
a a I gJ J I * J J J I ijJ ;J
just make your mind up,
G7

the pi - per
C7 F7

must be
B~7

I JllJ n,
paid. The par- ty's

&7 Ab F-7 Bb7 G-7~S C7

r I*r r r I r· J I*r r pi e I *F F F I
be - ing with him. Now you must wake - up, all dreams must end.- take off your
F-7 Bb7 EbA7 C-7 F-7 Bb7 Eb
F J IlJa Jla J. I J J J I J J;. I)J j 1 I
make - up,_ the Par-ty's 0- ver, _ _ it's all 0- ver_ _ my friendu-_

GOODNIGHT SWEETHEART
Ray Noble/Rudy Vallee 1931

c B C B C B C F/C C 0-7 G7

I~ J J I #J
Good - night
J.
sweet - heart.
#Jtill a J J
we meet tom -
I J J I J J
mOl - row, good - night
Good - night sweet - heart though I'm not be - side you, good - night

I!
Gb
IJ
G7
J. I IJ
Gb G
J J J
@ G 0-7
j
G7
J I r 1'k A-(A7)

r I
A-7

r r
A-6

F
sweet - heart. sleep will ba - nish sor - row, tears and part - ing may
sweeet - heart still my love will ~ guide you, , 2.
0-7 G7 CA7 A-7 0-7 G7 A-
I! r J J J-I I F J J J I j. J I J J J J I J J ;JJ : f' r I
• I! r r'
0

make us for-lorn, but with the dawn;---- a new day is bo~ So I'll say dreams en -

•I
A-(A7) A-7 D7 Eb o7 E-7 A7 0-7 G7 C
IF F F F I r J I J J I IJ J FI
.>
I)
I~r -
fold you, in each one I'll hold you, good- night sweet-heart. good - night
~-. - ~-------

56 Harold Arlen/J. Mercer 1943

•
ONE FOR MY BABY
B~7
•
•
I I

,.
It's
I'

quar - ter to three,_ -- 'II

there's
'II I
no- one in the place ex - cept you and me,
'II
-- 'II

so

2.
So,

Eb7sus4 Eb7
set 'em up Joe,_

We're
Ab~7

drink- in' my friend._

I've

Gb~7
got a lit-tie sto - ry you ought- a know

Ab~7

to the enL
Db9

of a
E~~7

brief ep - i - sode.-
Eb~7/D
•:1
Db7 UI C7. 9
ft

J Wi
G+7 C7· 9
l> J P ;T1J J J J J J
~
F-7 G-7 Ab6 Bb7sus4 Eb6

e I -
A-7~5 D7

'P III
•
[§]
make it one for my ba - by and one more for

G~7
the

D 7sus4 G~7
road.

D-7
* I

•
I"f F 'e r r F rI J IJ J qJvt, I
•
•
got the rou - tine,_ so drop an- oth - er nick- el in the ma-chine I'm
that's how it goes,_ and Joe, I know you're get - ting anx-ious to close, so
G~7 D-7 G~7 D 7sus4 G~7 D-7

" I J IJ J §tJ 1)1, E IE

feel - in' so bad.- I
r rr r
wish you'd make the mus - ic dream - y and sad._ __
I
J ,J J qJ ,J I
Could
•
•
thanks for the cheer,_ I hope you did - ntt mind my bend- ing your eaI:_ _ __ This
C~7 Bb~7 C~7 F9 G~7 o 671F# E7· 9
-EJ F7' 11

I"~ Yr F II JI r
•
c=n

F 'E F ~

:J E r 's F F" J WI
tell you a lot.-- but you've got to be true to your code, make it
torch that I've found-- must be drowned or it soon might ex - plode, make it
B+7 E7· 9 A-7 B-7 C6 D 7sus4 -$- G6 D-7 07

I"~ P F P
one for
i!1J
my ba - by and
»1 r
one more
F J
for
J
the
e
road.
- *
J
You'd
II
[Q)
C 7sus4 C7 C 7sus4 C7 B+ E7 A7 D7sus4 G6 07

nev - er know it, but bud - dy I'm things to say, and

C 7sus4 C7 C 7sus4 C7 G-7 A7 Eb7 D+7
»J
I"~ r'
•I"~ B+ B7
ip p J II
when I'm gloom - y you

E7~9 A7
E ;r S
sim - ply got -
A-7
r (J
ta

D9
p J 1'1 J
lis - ten to me, un

G6
- til
hi ;r" P
it's talked a - way_ Well, •
r- J r r e
road, that long, long road.
 MIDNIGHT SUN 57
Burke/Hampton/Mercer 1947

C Ct.7 C-6

r \if F ~J J I,J J I fJ J. J ~J J J I d CQf-r ==-1

Your lips were like a
F
red and ru - by chal- ice, warm - er than the sum - mer night.-
I can't ex - plain the sil- ver rain that found me, or was that a moon-light veil?_ _
The flame of it may dwin- dle to an em - ber, and the stars for - get to shine.-

F7Hl Bb Bbt.7

Itor ~
j
the
E
clouds were
r ~F
like an
r d - J- ~] J
al a bas - ter
i)
pal - ace
J. J J
ris- ing to
~J
a
3I
The mus ic - of the un -
i - verse a - round me, or was that a
and we may see the mea- dow in Dec - em - ber, ic - y white and

Bb-6 Eb7 U1 Ab

It &J
snow -y
( J
height,
;:0
~~
(
:" 1..-
j
*
J
each
~J
star
J I.J J
its own au
&J
- ro - ra
J J JI
bo-re-
night - in - gale? And then your arms mi - rac - u - lous - ly
cry -stal - ine, but oh my dar - ling al - ways I'll re-

Abt.7 Ab-6 Db7'U

It ~J)
a -
lis,
J. J - J - &3 J
sud den ly you
J
held
~f
me
J==- j
tight,
Ij ~J
I
J J JI
could see the
found me, sud - den - Iy the sky turned pale, I could see the
mem - ber when your lips were close to mine, and we saw the

~'07
I J) J
Mid - night
A-7

Sun.
l ==- j I
Fme
D-7
J
G7~9

F
I
f CA
l7 J
Mid - night
A-7
l'
Sun
j I .J
F#-7
,11_J
B7

II

Et.7 E-7 A7 Dt.7 E-7 A7

It J ,J .J J
Was there such a night? it's a
F
J) I J
thrill
,J J J
I still don' quite be -
F rI '--.
lieve,
1-J. ,U
but

Dt.7

It J J Bd J
af-ter you were gone, there was
j J-J I
D-7
J J d J J f7J
still some star- dust on my sleeve
G7 E-7

e
Eb7

I
D-7 Db7' 1l

J
*
D.C. III FIfHI

The
FI
58 PENTHOUSE SERENADE W.B. Jason 1 9 3 1 1
•
E~07 D-7
3

r r
I r - - 3- - - ,

I F F F J. J) I r r
~ r--- 3- - ,

r "--1=3
J _ I
Just pic- ture a pent - bouse way up in the sky, with bing - es on chim - neys for
From all of so-ci - e - ty we'll stay a - loof, and live in pro - pri - e - ty
In our Iit- de pent- bouse, we'll al - ways con - trive to keep love and ro - mance for

"! G7
..-3FJ
D-7
r-:--3~
G7 D-7
r-:--3~
G7 -$-1'· CfE A~n;i.
I@ J ~ J. ) I J :Jj 1> J' J> I J J j 1> J. J r I
stars to go by, a sweet slice of bea - ven for just you and I. wben we're a -
there on the roof, two hea - ven - ly her - mits we will be in truth when
e - ver a - live, in view of the Hud - son just 0 - ver the drive, when

I~ J.
0-7

lone.
G7

From
J fCJ we're
G+
;j
a
C

J
lone.
A7
- I
D-7

J J J J I J J.
We'll see life's
A7~9

mad
0-7G+

pat - tern,
C E7 A- A-7 D7

I~ J r F r Ir r F I r F r r I F r j
as
G7
we view Man -
0-7
bat - tan,
G7
then we
D.C. III Coda
can
... thank
C
our
B~7
luck - y
C
stars,

I~ F F
J F IJ J J J I I j r II

that we're liv - ing as we are. In we're a lone.

MY MELANCHOLY BABY Bumett/Norton 1911

C7 F- F-7 C7
I e I J J ~J J I j r
Come to me my, mel - an- cbol - y ba - by, cud- dIe up and don't be
Ev - 'ry cloud must have a sil - ver lin - ing, wait un - til the sun shines

B~7

II'·F-
F-7 Bb7 C F-7 Bb7 F7
I~~"I. c.
I<r- J J j
I r Fr r
F< ;;;

F e I Ii

blue,
througb,
* all your fears .are fool - isb fan - cy, may be,

~. C-7 F-7 F7 Bb7sus4

I~~~II J J J J I J J J J I iii
you know dear that I'm in love with you._ __ Smile my bon - ey dear, while I

D~7 C7 F-7 Bb7suf Bb7 Eb

kiss a- way
iF I V·
eacb tear,
J
or
I j F iF
else I sball
r
be
I J F J J
mel- an - cbol - Y
e
-
too _ __
 YOU'VE CHANGED 59
Fisher/Carey 1942

Eb67 A -7~5 D+7 Db7 G-7~5 C+7

Ff r
changed, that
F Ir~Frr~FFI
spar- Ide in your eye is gone, your
r· J I F ~F rrl.J1r
smile is just a care-less
I
You've
You've changed, your kiss - es now are so bla - se, you're bored with me in ev - 'ry
You've changed, you're not the an - gel I once knew, no need to tell me that we're

F9
·I'·B9 Bb9 Eb C-7 F-7 Bb7

*F ~
J. F : #J J J J_J J J ~ I_1
yawn, you're break-ing my heart. you've chang-ea-- - - - - - - - You've
way, I I
through, it's

Bb-7 Eb7 Ab67 Ab-7 Db9

o--
I
can't un- der- stand, you've changed. _ _ __
h IJ J J I j J J J<» J"is ±l d·... j
You've for- got- ten the words " love you",
G-7 EbA7 Bb-7 Ab67 Ab-7 Db7
I~ ~I,~ J J JU J J J I r' J J I j J J J J £p ] 1> ~J._ J gJ J I
each mem - 0- ry that we shared.-- You ig - nore ev- 'ry star a - bove you, I can't

G-7? Gb-7 F-7 Bb+7D•C. a1Coda-t B9 Bb9 . Eb6

I~ ~I'I, fil3 ~ ~H P] r' r I §il#~JJ~J~J<»~J~f~J§~1~e_~e~
__
re- a-lize you ev- er cared._ You've all ov- er now, you've changed_ __

BLUE GARDENIA Russell/Lee 1953

A-7 D7 G67 CI-7~5 F#7 F67 B-7 E7

I~ • f Blue
J. r I F r I J a ] J J I
Gar - den.., ia, now I'm a - lone with you,
II I J qi1 J J
and I am at - so
e
blue,
I
you, Gar - den - ia, once I was near her heart. af - ter the tear- drops start

A-7
I~ I a a J a J: r F r
she has tossed us
D..L3_I'·GA7 E7~9 KA-707~9 G

a - side. And like

where are tear - drops to
,e hide?
I j a .n I .a J.
I lived for an
0- 09

ho- ur,
I ~:
G E-
i j: i I
what more can I

CI-7 F#7 B67 G#-7 CI·q F#7 B7 E7~9 E-7 A7 A-7 D9

I~ I II
tell,
I j .a ,n I r
love bloomed like a
If I IF
flow - er,
r P r'
then the pe- tals
I II

fell.
I J FI
Blue
F
Gar - den- ia,
r·
G67 C9 B-7~5 E7~9 A-7 D7sus4 Ab7 G6
I~I J J1 J J I r F I J C1 J F I J j I l! e
thrown by a pass- ing breeze, but pressed in my book of mem - ries. 0 -
60 BLUEHAWAU Robin/Rainger 1937

Bb7 Ab G+7 C7 ..
~) J IfF F" P I F" ~j) J I
Night and you and blue Ha - wa ii, the night is hea- ven - ly
Love - ly you and blue Ha - wa ii, with all this love - Ii - ness,
Dreams come true in blue Ha - wa ii, and mine could all come true

1'C-7 F7 ~3 G7~9 C-7 F7t& 2. C-7 ,F7

and you are hea-ven to me- there should be love.,_ __

~ E~ Eo BI@ Bb B~7 C7

I'~b J. J I J J J J J I,..,J r
>

Come with mec-_

P r I)
, * F
while the -
moon is on the sc.,.a,_ _ *
,J I J. P
the night is young
C-7 F7' D.C.alCoda'" C-7 F7 Bb
Ii'~~II§f~F~J~F~I~'F~ll~'~-~II
and so are we,, _ _
I * tJj-
this
r J) I F'
mag - ic
J~
night of nights with you.

HARBOR LIGHTS Kennedy 1937

fA) B~7 F-7 Bb7 @o

I*,~IIII J J F
I saw the
I watched the
Now I know
• F' P
har - bor
bar - bor
lone - ly
r
lights,
lights,
nights.
I 'If F ir F rr
they on - ly told me we were
how could I help if tears were
for all the while my heart is
F r I §,J
part - ing,
start - ing?
whis - p'ring,

F-7
J I'· Bb7J J J
Eb
f J J J I F"
the same old
~
har - bor lights
'I
that once brought you
rrI to
e
me, Iwatchedthe
Good - bye to ten - der nights
some oth - er har - bor lights

12. Bb7 E b ' El>7 1m Ab A~7 D~7

I'~b'l d J J F J 1 8 ___ I_J J'W J I F' J) J air JJWI

be - side the sil - v'ry sea. Fine I longed to hold you ncar and ' kiss you just once

,
will steal your love from me.
E~ C-7 F7 B~7 D.C••12nd End (Fme)

1~~llh •
e I a J J a I J. }) W a I r a J. I Ii If J J F I
more, you were
but on the ship and I was on the shore. Now Iknow
 WHAT KIND OF FOOL AM I? 61
Brtcusse/Newley 1961
E-7

A 7~9
fool am 1?_
D-7
- G7
o nev-er -
fell in love,_
CI:.7
seems that
A -7
I'm the on - ly
D7

I~ j JJ
one that 1 have been
j j I J ~) tJ)
think- ing of._
J J J I J. 11 J I J J J
What kind of man is this'?--=-- An emp- ty
j I ,..--1
sbell,-
A-7 D7 B-7 E-7 A-7 D7 . G 7sus4 G7

I~J J j ,J I ,J. h a. Ji I J J ,J J I e Ij J J J I
a lone - ly cell in which an emp - ty heart must dwell.__ at kind of
What kind of
Ct.7 A 7~9 D-7 G 7sus4 CI:.7

I~ J. h J I J J J I J. J! J-.LJ - J J I J. Jl J. )i I
lips are thes~ Jat lied with ev - kiss,-- tl whis- emp - words'ry pered ty of
clown am What doI?_1 know of life?_ Why can't 1 cast a - way the
GIB B~t.7 A 7~9 A 7/G F#-7~5 F-7

I~ J -}l J F J I J. l rip' F F r I r' ~ F I f rr r I

love that left me a - lone like this,_ why can't 1 fall in love? like oth - er
mask of play and live my life?_ Why can't I fall in love, till 1 don't

CIE E~Q7 D7 D-7 G 7sus4 G7~9 C

I~ r' p r IFF F r I F F C- D I F F C- D I
IF 1<:"
peo - pIe can, _ _ and may- be then I'll know what kind of fool I am
give a damn_

RED SAILS IN THE SUNSET WUl1ams 1935

I~ •• * F
G
r r=r I f
GA7,

Red sails in the

He sailed at the
0-7 G7 CA7

sun - set,
dawn- ing,
C' I * J
IP--,---, G''7G,07A-7 GF,
J J JI
way out on the
all day I've been
e
sea,
blue,
I * J ~fJ I J J.
oh car - ry my
red sails in the
A-707

loved one
sun - set,
.
1'-'0 0+1
,
A-7
I~I * J J J J:
If:L3--,

home safe - ly to me.

e ,J C rE1-3:---1
W j ·W
Swift wings you must
G
I W
bor-row
J I~
A-7
j
~3-, G
J
make straight for the
W W I e
shore,
G7

I'm trust- ing in you.

c G E7 A7 D7

-I
D.C.s1Fme

I~I j I J J 'I j l II
P heF goes
F II

we mar - ry to - mor- row and

P
sail - ing no more.
62 ALL MY TOMORROWS Van Heusen/Cahn 1959

(C#-7~5 3rtIX)

1~ I I! J' r r r
To -
Right
A-7

F
day I may not have a
r· )11 0
thing at all,
now it may not seem like spring at all,
C-6

,J , jl 1 J
GIB
J J J J. J) 1 p. 'J) 1
ex - cept for just a dream or
we'e drift- ing and the laughs are
B~o7

two,
few,
but
but
As long as I've got arms that cling at all, it's you that I'll be cling- ing to, and

F#7~9 B-7 E7~9 A-7 D7~9 -$-I'·B-7. IS E7 J

J J J J J I )) J l qJ FOI l J ;; ~J. J): j * J ,
. I've got lots of plans for to- mor- row and all my to - mor-rows be - long to you. Right
I've got rain- bows planned for to-mor-row, and all my to- mor-rows be - long to
all the dreams I dream, beg, or bor- row, on some bright to- mor- row they'll all come

C:1 F7 G E-7 C#-7~5 C-(.tt.7)

J I itS J J j J J. j I ~ S J J-J j I e

you. No one knows bet - ter than L that love keeps pass- ing me by, that's fate.
GIB E-7 A-7 D7 B7alt E7 A-7

I~' J j
r I E F r J,. =- r r F r I C F r ; "= r J I j * J I
*
.- B-7~5
But with you
E7~9 A-7
here at my side, I'll soon be
E7~9
tum-

1-7~5
ing the tide,
D7
just

G
wait As

I~I r'
true,
J Ir r r
and all my bright
r
to -
PO
mor - rows be-
I V
long to
r e

you.

HOW DEEP IS THE OCEAN? Irving Berlin 1932

How much do I . love you? I'll tell you no lie, how deep is the 0 - cean,
How far would I tra - vel to be where you are? How far is the jour- ney,
G-7 F-7 Bb7 '·-E-:-b7--- Bb-7
r- Eb7 Ab7 &-7 Ab7
I
1~ ~I'i. * rpm; 1
how high is the sky?
II 1*F F F 1 E 0-F r 1r d J J J e
How ma-t1y times a day, do I think of you?_ _
from here to a star?
B9 Gb-7 B7 F7~9 G-7~5 C7~9

How ma-ny ros' - "- es, are sprin-kled with dew?_ ---- And if I ev - er lost you,
F-7 r--3~ Ab-7 Db7 £bIBb C-7 F9 F-7 Bb7 @
1~ ~j,I, t J J J Ji"
how much would I cry?
1* J TE 1 J J
How deep is the 0 - cean,
I*J :rTJ I J
how high is the sky?
*I
 WHO CAN I TURN TO? 63
Brtcusse/Newley 1964
C-7 F-7 B~7

j IJ
Who can I tum t o , - -
* J IJ J J J JI;
when "r-" no - bo - dy needs me * J My
may - be to - mor - row....;...·- - I'll find what I'm af - ter, _ _ I'll

F-7 G-7 A~£l7 B~7 E~7

j P j J I r r r I ~r rJ r J IJ
--- l J II
heart wants to know and so I must go where des - ti - ny leads me _ _ With
throw off my sor - row, beg, steal or bor - row, my share of laugh - ter._ _ With

11A~£l7 A 07 07. 9 G-7 C7 F-7 0-7~5

I~ ~I'I, r Uf r rTr ~ r I r r y r J---I J

r J J I r Uf rJ I
DO star to guide me, _ _ and Do-one be-side me,.-,- - I'll go on my way and

0-7~5(]1~9

af- ter the day the dark-ness will find me.__ And
r rTr * j
you I could learn to, _ _ with
I
C-9 F7 Fl07 E~/G ~07 F-7 B~7 &6
I~ ~I'I, F S F
you on a new day _ _
rTr * Fir E:i r
but who can I turn to if
cr I IT you
r r I "
tum a - way?_
-

BEWITCHED Rodgers/Hart 1941

0-7 0#07 CIE E+ F6 F-6

I'm
I F1 r
wild a - gain, be - gulled a - gain, a
JI t70 r .J71 r I 19 r r I
sim - per - ing. whim - per - ing child a - gain. be-
I'll sing to him, each spring to him. and long for the day when I'll cling to him.
Could - n't sleep.

E~07 t
would - n't sleep. when love came and told me I should - n't sleep. be-

-$-1 "D-7 A7~9 D-7

CIE

I~ witched,
F *both-
D-
J andJ 1be3.- wild-
£ ered _
G7

J eredj amJ I 1't:. _ _[J.

A-
*' J 2.G7/D C7

j
wild- ered am
J I "b
0-7
FA7

L_ __
·G7
E-7 A7
I..-J. *I

I~ n J 0 IJ J
Lost my heart but what of it?
I n
He is cold
J aI
I a -
e
gree.__
I0 J
he can laugh but I
0 I
D-7 G7 E-7 E~07 0-7 G7 D.c.alCoda'" 0-7 G7 C
I~ J J-11 c:r I IT V I J
~$§~~g~~~J~1I
love it, a1- though the laugh's on me. I'll
I J r
wild- ered am
J leF
.a.-I_ __
64 ALL THE WAY Van Heusen/Cahn 1957

Ft.7 E-7~5 A 7~9 D-7 G9

I~ ~ (.: J J J J J J J) I J J J J J) p. - FF Ii

When some- bo- dy loves you, it's no good un-less they love you, all the way.
When some- bo- dy needs you, it's no good un-less she needs you all the way.
C7 Bjm Dl o7 C7/E Ft.7 C-7 F7
I~~ r Err - J J J IrE r r p J. 1- J J I II
I
Hap - py to be near you, when you need some- one to cheer you, the
all way.
Through the good and lean years and for all the in be- tween years, come what may.

1 ~-7 G7 C-7 F7
Bbt.7 C7 G-7 E-7~5 A 7~9
I~ ~ p r- r IE r I Err F jl J pJ J . I II

Tall - er than the tall - est tree is, that's how it's got to feel,
Who knows where the road will lead us, on - ly a fool would
Bbt.7 C7 A7 D-7 r-3-,D-7/C Bb-7 Eb7 J~D- B!.-7&7
I~ ~ per Ie:; r IFF r F I :£ j J3JJJ11 e =,1. JI
. deep-er than the deep blue sea is, that's how deep it goes if it's real . say, But
Ft.7 A+7 D7~9 B-7~5 C9/Bb A-7~5D7~9G-7 C7~9 F

I~ ~ J J J J J J JJ I J J J J jl r· I r ; I II IF J I Ii

if you let me love you, it's for sure I'm gon-na love you all the way, all the way.

I COVER THE WATERFRONT

IAI John Green/Heyman 1933
E-7 47-3 A-7 D7~9 G Ct.7 B-7 Bb o7 A-7
I~ I f * F J dJ I F EJ
I cov- er the wat - er - front,_-
r I*F EP I J.
I'm watch- ing the sea, will the
J J I l ; ;)) ;tJ I
one I love be
I cov-er the wat- er - front,__ in search of my love, and rm cov-ered by a
I cov-er the wat- er - front,_ I'm watch-ing the sea, for the one I love must

D 7sus4 D7 1'.~A7 B-7~5 E7~9

J~G D 7sus4 G

I~' P F P F
J Ir ~ • S! I
Fine
J. ~ II
com - less
ing back to me? bove
star - come sky a i. me
[e] soon back to
A-7 D7
I~I r F Fr
Here am 1--. pa-tient - Iy wait- ing,_ hop- ing and long- ing.- Oh, how I yearn,

r--r
B-7 E7 CFl-3--. F#7 B-7
r--3---,
E7
I~I r r I J a ,a J) J I r F F #p r' 00. a12nd End (FlOe)
where are you? Are you for - get - ting, do you re - mem - ber, will you re - tum?
 EVERYTHING HAPPENS TO ME 65
Matt Dennis/Adair 1941

I~ ;1, I'" r r
[8J

I
I
C-7

r r r r EJ
F7

1
make a date for golf and you can bet your life it rains, I
D-7

Er rr r
try to give a par- ty and the
nev- er miss a thing, I've had the mea- sles and the mumps, and ev- 'ry time I play an ace, my
C-7
PI EF r r J J J] I
F7

I've te - Ie-graphed and phoned, I sent an air- mail spe-cial too, your ans- wer was good-bye, and therewas
D-7~5 G7~9 C-7 Ab7 D-7 --pbo7 ..
1~ ~I! i,~ J J J ~ i J) 1 ~ 3 d J ~ #d J J 1-:-:
(J E: F j?""""";'j 1
guy up-stairs com- plains, I guess I'll go thru life just catch-in' colds and miss- in' trains,
part- ner al - ways trumps, I guess I'm just a fool who nev - er looks be- fore he jumps,
ev - en post - age due, I fell in love just once and then it had to be with you,

J > ,< '-'"""" r. 3

ev- 'ry- thing hap - pens to me. _ __ At
Ebl.7 C7~9 F-7 Bb1!9
I·e r I E1 r i pI E E F F
\.J d J] I
first my heart thought you could break this jinx for me, that love would tum the trick to end des-
Ebl.7 E-7 A7' 9 Dl.7

i PI J J J J F F j F J J j
pair, but now I just can't fool this head that thinks for me, I've

1~~Gf§-7§~~~~C~7~~~~C~-~7§F~7iD.Ci.a/J C-7 F7~9

I~ ~I! r F r F J J J J 1r ¥)i I I (E r J -EE
mort- gaged all my cas-ties in the air. I've ev- 'ry- thing hap - pens to me _ _
c; 1 Bb6
s

A SUMMER PLACE Max Stdner/Discant 1959

Bb G-7 C-7 Fsus4 Bb G-7 C-7 F7sus~ Bb~ C-7 !:7 ? Bbl.,! C-7 F7 ?
if CU.)iF
I. I.

I~ ~I! Jl I tJ)i F ;131 F" F;13 J-,N :i! I F" F;ttl lJJ :i! ~
There's a sum- mer place where it may rain or stann, yet I'm safe and warm, for with-
in that sum- mer place your arms reach out to me and my heart is free from all
of a sum-mer place is that it's" a - ny - where when two peo - pIe share all their
Bb G-7 C-7 F7 Bb G-7 C-7 F7 .. G-7 BblF Eb C-7 BblD G-7 C-7 Eb-6
I~~· -rrrr"qr 1 I r· r-rr ; I r·-c r J J. J I (J JJ U, l I
• 1~ ;1. J.
care,
ho~s,
B~IF F 7sus4
J3
or 1t
all their
C7
J J. F" I ( ~;E
knows
dreams,
F9
there are
all their
no

iii J J I
___
gloom - y skies when

D.C.a/Coda
seen thru the eyes of
..th.
V

I
Bb
s'
those" who are blessed with love, s~t se - eret love.
66 LAST NIGHT WHEN WE WERE YOUNG
Arlen/Harburg 1937

Gil7 C7 111 B-7 E~3-, G/A A9 Eb7 CID ~3-,

j s;;""... W3 J J I J. fJ J I tAJ J J I J. fJ ijJ I
Last night when we were young, lovewas a star, a song un -sung.- Life-was so
To - day the wodd is - old, you flew a - way ad time grew cold, whereis that

G6
I II

U· u·. u· U· ..
- ft·
new, so real so bright, a-ges a - go - last night go last night? To
star that seemed so bright a-ges a -
B-7~S E7~9 B'*7 A9 A 7~9 B+7 B~7~9 A7~9
r--3~
I~I r tr Err IrrqJ]ILJJJJ I j. JI
think that Spring ha4 de - peRd- ed - on Rler& Iy- this, a look a kiss. To

I~I
O-<tm

IT
think
- rar D-7
r--3~

E
B-7~S

r I'r I r IfJJ ~J 3 I fr
splen- did could slip a
E-7~S

- way-.
~3-,

lJ i J)
-in one lit- tie
Eb9 09 A~7111

I ~r ir
day-.break. SO
JI
that some-thing so
Gil7 A-7 B~o7 B-7 E7 B-7~S E7 F9 E7 E7~9

J J3 J J I J 3j ijJ J I r r-- 3 -r
..., < ~ EJ Err I r r i],3 J I
now, let's r&mi -nisce - and r&GOI -Ieet - the sighes and- the - ki~es, the arms that
E-7~1A ~7 B~o7 A-7 07~9 G
,J
~ J ]
~

IT J J E! II
clung when we were young last night

ILL WIND Arlen/Koehler 1934

B~6 A-7~S 07~9 0-7 G7 Eb-7 A~7 0-7 G7 ·C-7~S F7~9 B~6 07~9

I~ ~II f e
Blow,
I r r ~J. ,pI
ill wind, blow a
e
way,
I ~r r r d I J r I E r d J I r' .J I
let me rest to - day;you're blow- in' me no gOod, no
Go, ill wind, go a way, skies ~ oh so gray a - round my Reigh-bar hoed no

11·C-7 F7 J2B~6 A 7~9 07 E-7 F o7 01F# G 7sus4 .

I~ ~II ..
good.
:J J "S I
good. You're
Q J IS Q J s I Q J IS ~ J. I
on-Iy mis-Iead-ing the SUIrshine I'm need-in',
Em p=irl
ain'tthat ashame1-
013 07 E-7 F o7 01F# G7 0~7111 C-7~S F7~9

I~ ~b ~r- ~IIV I P J P P J ~ I P J S P J ~ I r n jl J ) I r ~d j I
It's so hard to keep up with tro\lhlestheycreepup from out of no - where, when love's to blame.
D.C. a11st verse
 PEOPLE Jule Styne/Merrill 1963
67
~3-, G 7sus~6.7
JIJJ. IJ~F [I [F[[FIF ["pi
Peo-pIe, pea-pIe who need
Lov- eI'S- are ver- y spe - cia!
peo-pIe,
peo-pIe,
- are the
they're the
luck- i-est peo-ple-
luck- i- est peo- pIe.-
in the
in the
1~1'B---7 £7 A- A-7~5 D7~9

I' ".J) ~ j I ,3 fa. I J ,E .3 JJ I ,3 Ia. I j ~ J Fir r:l F J I

world_- We're chil- dreIl-- need- ing oth-er chil- dreI1--- and yet let- ting our grown-up
G6.7 AlC# C-6 GIB Bb o7 A-7 D7 D-7 G7
1*" I J 1] j ,3 I J J #3 I J. J I U#J 3 I #3 J. I J. ~ _
pride hide all the need in - side, -act - iBg more like chil- dren than chil- dreD _ _
rs:;=7 C7 F G7/F F- CIE G-7 C7 F
¥
I
world_
I F ~ J d I Ude I) J ,fJ J J I J d;, I) J J UI J J J J I
With one pel'-SOD..-- one ver- y spe- cia! per- SOll,- a feel- ing deep in your sou'J:::::..
G7/F CIE F#-7~S C/G A-7 D-7 G7
1* J J J UI J J J J I J ~ F J I
'-' says you were half, now you're wliole_.J_
nTIJ J ¥$I 3 n i J J j
No more hun- ger and thirst, but first, be a pel'-Son who needs
I
C C7 F F- G7su4 0-7 G 7sus4 C
1* F rITr F EF f I F (Tr * r F I ErE F Elf' r I •• I'll II
pe<>-ple.--,_ peo- pIe who need peo- pl.c-e_ are the luck-i-est peo-ple in the world_ _

TIME ON MY IlANDS Vincent Youmans/Adamson 1930

TIm En
F6.7 B-7~S E7 G-7 G-7~S

I* ~t TIme on my han~
J .. I
you in my ~
J I.. I FA
noth - ing but
J I J inJ I
love:=:--
,---1'h_en if you fall, once and for all, I'll see my dreams come

I*sl'~~ I~r ~7 ~ ~:
view
..
true
I). ~ I ~r3
Mo - ments to SpaTe.--
r I r Dr I ~7 r r
for some - one you
\(T
care--
G-7 C7 F6.7 3 0-7 G7 G-7 C7 F6.7
If~"r ~ I
for, one
r-fl love
J IJ J I
af - fair_ for
0

twO:-
I J FlU J I
- With time
TTl on my
J
han~.---
0,±L3 ¥l-3--, G-7 C7 p6

and
IF
you
0 r Ir r
in my arms,--- and
I 'F F [ ,J
love in my heart,
Ij j I
all for
u,-
you. _ __ -II II
68 I'M GLAD THERE IS YOU Maidera/J Dorsey 1945

F-7 G-7
J I J J f J JJ I ~J J J. I J ~J Izn JJ I J J J I
In this
In this wodd
]J
---
world - of or- di- na-ry peo-ple, '--" -
-- ---
extra- or-di-na-ry pe(}ple.--
where ma- ny, rna- ny play at love,-- and hard - ly an- y stay at love,----

C7 3 11·F~7 Ab7 G-7 C7 F~7 A- Ab 0 7 G-7

I~~J J ff} Ir I-II I p r p-( I'rr rr rr I s-(
I'm glad there is you In this worldu.--_ of ov- er-rat-ed pl~ sures...---.
I'm glad there is
C7 FA7
I~~-r r F F r; I B~Js
of un-def-rat-ed trea- sures, I'm glad there is you I'll live to love.-- I'll love to
Bb-7 97 FA7 E-7~5 A+7 D-7 G7 G-7 C7
I~ ~ r F J J I J. J!J. I) J 3 J I J=J J J J I J J J J I 0 Ie ~
r
I~: .('
live with you be - side me, -

FJ,9 D7~9

I==-r- e 'e
G-7
I ~---
;J
this role so

~/ft

~
new, I'll muddle

~bA7
I~ J
C7~9

r
thru with you to

] ~ I
F6
I a,;;;;;:
guide

I-J
me.

- II
you more than ev- er, I'm glad there is you

THANKS FOR THE MEMORY Rainger/Robin 1937

G-7 C7 F6 C+7 F6
r-lJIFJJ 1f)1 J J
Thanks for the mem- 0- ry, of can - dIe - light and wine,-- cas - lIes on the Rhine, the
Thanks for the mem-o-ry, of rain - y af - ter- noonsr-- swing- y Har-Iem tunes, and
Thanks for the mem- 0- ry, of sun- bums at the shorer-- nights in Sing - a - pore, you
9 07 E-7~5 G-7 .~ C 7sus4 C7
I~~ #3 J J J J J F P I MJ J I J. * ~
Par - the - non and mo- ments on the Hud- son Riv - er Line, how love-Iy it was.
mot - or trips and bum - ing lips and bum- ing toast and prunes,
might have been a head- ache but you nev - ~r were a bore, so
Ab B~-7 97 A~. D7~9 C/G A-7
I~ ~ d n ]i J ~]il 3 JJ 'p I IrA B J J J I #3 ;j i;)1 J A F Ul
Ma-ny'sthe time that we feast- ed and rna-ny's the time that we fast- ed, oh, well it was swell while it
D-7 G7 G-7 C+7 A G-7 C7 F
~ D.c.a'eo;a ~ ~
I@~ J il ¥)I J J J ) I •J J J ~ I I ~ il OJ I n II
last-ed, we did have fun and. no hann done. And thank you so much.
 I'VE GROWN ACCUSTOMED TO HER FACE 6S
Loewe/Lerner 1956
9 Ab13 G-7 C-7 F-7 Bb7 F-7 Bb7
I~~'b!!j 3311 E r fF tlJ ~ 'IJJ3 I r r rr t I) HJ J 31
I've grownac £us- tomed t~ her face,....-- she al- most makes the day t»gin.- I'vegrownac-
I've grownac cus- tomed t~ her face.-- she al- most makes thedayt»gin,- I've got- ten
Ab6 A 07 9IBb C7 Ab6 G 07 F-7 Bb7
I' ~I'I. r r r r r· I; r r Err ip r· IJI r 1 1 lil J! 'Oijli i JHII
cus- tomed to the rune she whis- tlesnight and noon,her smiles,her frowns, her ups, her downs are sec-ond
used to hear her say. "Good moming" ev- 'ry day, her joys, her woes,her highs, her lows are sec-ond
Eb Ab13 G-7 C-7 F-7 Bb7 F-7 Bb7
I' jl'l, r I' r F tJJ ~ lj J J Ir r r F j~ I) * d J31
na- ture to me now,--- like breath- ing out and breath- ing in,_ _ I was se-
na- ture to me now,.--- like breath- ing out and breath- ing inl..-,- - I'm ve- ry
Ab6 A 07 9IBb C+7 F-7 B~ Db9 C+7
I'~I'I' cr cr Er C:J r r uri JJJ J is 3J J J J J J 3 J31
I 1
rene-Iy in- de-pen-dentand eonteBtt»forewemet, sure-Iy I eould al-ways be that way a-gainand yetl've grownac-
grate-ful she'sawo-manand so ea-sy to for- get,rath- er likea ha-bit one can al-waysbrealandyet,l'vegrownac-
A-7~5 Ab-7 G-7 C7~9 F-7 Bb7sus4 @
1, jl'l, j J. J J J. Jl 1 j J J J F" PI ;b J. li J. I ~. ~ II
cus- tomed to her looks, ac - eus - tomed to her veice, a£ -cus- tamed to her- face.
cus- tomed to the trace, of some - thing in the air, ac -cus- tamed to her- face.

FOR YOU, FOR ME, FOREVERMORE

George/Ira Gershwin 1946

F6 A-7 A~o7 G-7 C7 I'· F6 A-7 A~o7 G-7

J I J. J I j. ) J IJ *J F J I J. J I J J Jj
For you for me, for ev - er - more, it's bound to be for ev - er- more,
I'm yours, you're mine, and in our hearts~ the
C7 C-7 F7 C-7 F7~9 Bb D-7 G7
l~jJ ~ J II r r I ~J. J I r r r (rlrF r I [ rI J JI
it's plain to see, we found 8y find- ingeach olb-er, the love we wait - ed

C+7 J 2.C.-7 F7 . B~t.7 IJi,7",,4 IJi,7 Ft.7 D7~9

I<J qJ :, r r I ~J. J I It< '_,1 *; J I J r r r I

for_ _ I'm hap - py end - ing starts,,-.,_ _ what a love- ly world this
G-7 C7 Ft.7 D-7 G7 G-7 C 7sus4 C7 F6
r· P r FJ I
world will be, with a
J rrri r- r , r r I r J J J I 11-1..
world of love in store, for you, for me, for ev- er more _ _
II
 I
70 GUESS I'LL BANG MY·TEARS OUT TO DRY I
m Jule ~e/Cahn 1944
IAJ E-7 E~7 D-=1 07 CA7 FA7 B-7B~7'l1A7A~7'1l
I' "f r r r ~(r I fo J J J Ji J, I, r r r f J J tLe I.
When I want rain_
Friendsask me out,-
I get sun- ny wea- ther,
I tell them I'm bu - sy,
I'm just as blue as the sky,
must get a new al - i - bi,--,_ __
I
I gave that treat-ment a try,-;:,====~--,

0-7
Some- bo- dy said--
C7~9
just for- get a- bout her,
Fro- . B~7" A -7 07 0-7 07sus4 I" C G;m,4 J•
I' J J J tJ. ,PI i J] J 3> J, I j J JJ j J J J : J. • ~
diY._#'-
since love is gone,
I stay at home,
strange - ly e - nough,
can't
and
pull my- self to - geth- er, guess I'll hang my tears out to
ask my-self where is she, I
rnl 0-7 C7
/2.C 0-7 C7 FA7 B~7 F6 I
If. I ~r U F r I ~r U r r J J J3 J J
u
Dry lit- tie tear - drops, my lit- tie tear - drops, bang- ing on a string of dreams. I
I' E-7

J n
A7
lJIJEJ )) J .J I J J J 3 J J
Fly lit- tie mem - 'ries,
E-7

my lit- tie mem - 'ries,

A7

re - mind her of our era - zy

D-7 A~7

I
en
07sus4p.t:aJCoda
u
schemes.
I I
I
.. C . CA7/B A-7 C/O FI-7~5B7 E-7 &-7 O~ 07sus4 C

I' j J J J J J J J1 r' r I r ~r I fo
then one day she passed me right by_ Oh well, I
J JJj
guess I'll bang my tears out to
3 j J I. I ..
dry-' - I
GHOST OF A CHANCE vtctorYoung/Washington 1931 I
j
B~7
j I
J
I
I
But
need your' love so
thought at last I'd
what's the good of
bad - ly,
found you,
schem - ing,
I
but
I
love you oh so
oth - er loves sur -
lnow I must be
mad - ly,
round you,
dream - ing,
but
for
J
CA7 A-7 QL3 G+7 1"E-7 A7VJ D-7 G7 J2. C F- C A7VJ J
I' J J
IBI
r piE D J J: ec· IJ ~ ~ J "e" f) - I
I don't stand
D-7
a ghost of a chance with
0+7
you._._
CA7
I you Fine
J
I' J j
If you'd
j Jl J. I just
sur - ren - der
~JD p
for a ten -
!' r
I J
kiss
)
or
J-
two,
I ---'
J t J
F'-7~5 B7 E7 A7 D7 G7
J J IJ l J JI I
3

I' ~fl p r I lED p r

you might dis - cov - er that I'm the lov - er
r'
meant
#)
for you, and I'd be true. But J
D.C." 2nd End (Fine>
 TWO FOR THE ROAD 71
Manctni/Bricusse 1967

C7 F#-7~5 B7~9 E-7 E-/D Ct.7 B-7

J J IJ Jf J Jl J I J. ) ,J J S J I J 11 JJ J 3d] J J I
If you'refee~ing fan- cy free:=:- come wan-der thru the world with me,- and an- y-placewe
In sum- mer-time the sun will shine..-- in win- ter we'll drink sum- mer wine, and ev-'ry- day that

G~711.
*J
I I
A-7
Jl
chance to be
A-fG D/F#
J, I) J J J I
will be our
A o7fG
r: p
ren- dez- vous.--
r r r r r I r:
two for the
E-7

road. we'll tra-vel down the

you are mine-- will be a love - ly day_

~7/C#)l13 j J J I Dr jJ Dt Il7~1 i J J IS lEt Jtt J J I

years, col-Iect--ing p~cious mem - 0 - ries, se -1ect-ing sou- ven - irs- and liv- ing
J2. G7/F
* ICM J JI ";:;
I I
D-7~5 G7~9

life the way we

Ct.7 .

please_
IJ
C7

j J IS J :J r r r r I
In summer-timethe As long as
E- E-/D

r )l J J I r ~ I
love still wears a
C#-7~5 C-6

smile, I
GIB C~7 B-7 B~7 A-7 D7~9 G
r JyJ JIJ£] J JI J J j r E! e II
know that we'll be two for the road, and that's a long, long while

NEVERTHELESS Ruby Kalmar 1931

F7/C F9 D-7~S G 7~9

J>.=<J J> I J J J J J. }1 I IzJ J J J J.;p I
May- be I'm right and may-be I'm wrong, and may- be I'm weak, and may- be I'm strong, but
May- be I'll win, and· may-be I'll lose, and may-be I'm in· for cry- ing the blues,
May- be I'll live a life of re - gret, and may-be I'll give much more than I get,

* C-7
I ~I! J J J J~Q d : J J I..
G7 11·C7 F7 B~ G7~9
I
C-: F9
__
7
:J 2.C~7
I
B~
o~ e

II you.

I
II tak
e
ing,
F7
II
D.C. a12nd End (Fane)
" I
~
Ii

fme at the start, then left with a heart that

~
break - ing.
72 VIOLETS FOR YOUR FURS Matt Dennis/Adair 1941

G-7 <;:b3:---1 Ft.7 B~7 @7 A-7 D7~9

...

I~~ Of J D hn f1 I J iJ J 'J I r EY ~r J1 J. J >-<

I bought you vi - 0- Jets for your furS:-- and it was spring for a - whiJe, re - mem- ber?
I bought you vi - 0- Jets for your furs, and there was bJue in the win - try sky.
r------
<;:b3:-1 B~t.7
n J 1 IFF ~F
G-7 Ft.7 A-7 D7 11G-7
I~~ J A hJJ $1 I J r F IF ~ p (r 1 p I
I bought you vi - o-lets for your furS:- and there was A - pril in Dec - em - ber. The
You pinned the vi - o-lets to your furs and gave a lift to the crowds pass- ing
C7 Ft.7 G-7 G~7 F6 C7
I~ ~ . IT @ T=ia I Jl CJ J I J J J J I J
snow drift- cd down on the flow - ers and melt- ed where it lay, the
JI r BtN]1
snow looked like dew on the

r>1>7 J B~t.7
. G-7 G -7
2. &7 Ft.7 A-7 1S

J I e ' F' j fP II J J J r I J J J I J r r. r I
blos- soms as on a sum- mer's day. by. You smiJedat me so sweet-ly, since thenonethoughtoc-

B~3 C+7 F6 G-7 ~?t93~ F6

'J) II] Jl J..) I l J. 'Fa 11 J £J FI,J J J J I I,
curs, that we fell in love com -plete- Jy, the day that I bought you vi - o-lets for your furs.

TRY A LITTLE TENDERNESS Connally/Woods 1932

l:.~t.7 C-7 F-7 B~7 E~ D+7 D~9 C9

!
I ~I'I! P J J J J JJ I J J J J (
She may be wea - ry, wo- men do get wea - ry
F FlO rP p
wear- ing that same shah- by
r pie
dress _ _
You know she's wait- ing, just an - ti - ci - pa- ting things she may nev - er pos - sess._ _
You won't· re- gret it, wo- men don't for- get it, Jove is theirwhoJe hap- pi - ness _ _

, C-7 F7 F-7 B~7 1'G7'9C7~9F-7 B~7~9 , 2.@ B!,-7 E~7

~
And when she's wea- ry,
While she's with- out them,
try
try
a lit- tIe ten - der -
a lit - tIe ten ,der
• ness.
I ~

- -
ness. It's

It's all so ea - sy, try a lit - tIe ten - der

Abt.7 D-7~5 G7~9 C-7 G-7 L5 C7 L9
i~ ~I'I, r V hL1 I F IT
j
V
,
r r r r J J
~

JI
not just sen - ti - men - tal, she has her grief and care, and a
F-7 G-7 L5 C7 L9 F-7 F7 B~7
I~ ~I'I, g
) <

word
> <
~ ~
that's
J
soft and
~ r f'
gen - tIe
:f
•
makes
J ,FJ
it ea-si-er
r r to
Ii

bear
 TinS IS ALL I ASK 73
Gordon Jenkins 1958
Verse
F6 G-7 C7 0-7 C7 Fo7 F6

J II J r I r fJ F' p I j J F f I f Elf V
As I ap- proach the prime of my life, I fmd I have the time of my life,

FA7/A
I~~ F F t Fir
Ab o7
E:r D r
G-7
IrE r
F#o7
r ~ r'
G-7
I j
if
f r f J J~ J
B~-7

learn- ing to en - joy at my lei- sure all the sim- pIe plea- sures, and so I hap- pi - ly con -

A13 Eb9 A-7~5 07~9 0-7 G7~9 Ob9 C7~9 F6 07. 9

I~~ I J J J F I I J J J J I
"
cede, this is all I
e

ask, this is all I

••.........
need,
-I
Chorus .
G-7 C7 F6 FA7 A-7~5 07~9 G-7 C7~9

I~~J ~ fll f
Beau - ti - ful
II

girls,
I J JJJ J J
walk a lit- tie slow- er when you
J #J I j.
walk
j
by
Wan - der- ing . rainbows leave a bit of col- or for my heart to

0-7 G-7 G#o7 I'FA7/A

me. Lin - ger- ing sun - sets,

r [J I r r frF FE f:
stay a lit- tie long- er with the lone
r - ly
f II
own. Stars in the sky make my wish come true be- fore the night has
B-7~5 E7~9 A- A-(A7) A-7 07
I~~ r r IZE r ~r I
r iF J I.a J iF r I #3 J "r
sea. Chil - dIen ev - 'ry - where, when you shoot at bad men, shoot at me,

G7 C# o7 0-7 G7 C7

If.lJ J J J 31 .. 3 ;J i ~j J j I
take me to that strange, en- chan~ ed land grown - ups sel- dom un- der-

p fAr~~ p r F 'F.
C+7 r-3'--' Bb6 B-7~5 E7~9

~~ IJ. j j E II [ f I E f E f
stand. flown. and let the mus- ic play as long as there's a

A- A-7 07t& G-7 C 7sus4 F6

I~~ e- r I r' j I r r r r J I II
song to sing and I will stay young - er.
j
than
I)
........
spring.
- Ii
,..

74 THE MASQUERADE IS OVER

Wrubel, Magldson 1938

Verse )31, )3I,A7 0-7~5 C7 F-7 Bb7sus4 Bb7

I~~b ~ e ~r j J r
;:a

My
r F F IF
blue ho ri - - zon
ris
I
tum - ing gray,
I""'F F
and
0-7 C7~9 Db9 B~7sus4 B~7~9

I~~bb J J J J IJ
my dreams are drift -
F
ing
J
a
-
i.

way
J I
Your
Your
You
~ IAI & 07 C-7 B~7 )31,7 Ab D7
r - - 3 =::J
I~ ~'I'!f J. J J J Fg I J. J I J t aI F r I
p

J
eyes don't shine- like they shine, and the thrill
words don't meaD...- what they
look the same,..- you're a
0-7 C7 F7

r-PZf77
gone when your
I qJ
lips meet
J I
mine, I'm a - fraid the mas- que - rade is
spired, now they're just rou - tine,
"no, no you're not the same",
AbA7 At,-6 C7~9 F-7
I~ ~bll r j
s 1«J J J J IF J r· 1> I e
love _ __
ov - er..---- and so is love,....,_ _ and so is

B~7 F-7 Bb7 F)6

I~~bll-F IF J J J I J * J II
Your love, and so is
e ......
love - I
mI F-7 Bb7 0-7 C7~9 F-7 B~7

I~ ~IIII J J J J J J IFF J IUS SJ J J I r

guess I'll have to play Pag - liac - ci and get my- self a clown's dis - guise, and
A-7~5 D7~9 OA7 07 . C';'7 F7
_r--:-3----,
B7'1l B~7 D.S.a/Coda
I~ ~bll \J IF r 0 I r r Fir Fr r I J t J I
learn to laugh like Pag - liac - ci with tears..- in my eyes. You

•
I'~b"
97
r F I
Ab
r ,J
D9
I J JJ
0-7 C7~9
c. -
F-7
I~r
Bb7sus4
J r F I ,.-
)31,6

rade is ov - er, * and so is love, and so is love _ __

 THEY SAY IT'S WONDERFUL 75
lrving Berlin 1946

G-7~5 C7 A-7 A~o7 G-7~5

JJlrAJJ IF' pa la j I F- P bJ I
They say that
And with the
fall - ing in love is
moon a - bove, it's
won- der- ful,
won- der- ful,
-- It's
it's
won - der- ful..-
won - der- ful..-
--
r-11--C-7-~9--- F117 A-7 D7~9 d 2. C7~9 F7 F+7

I§~J j j I <>_ _ _- e :, bJ j J I J J;, Ld. W II

so they say_ _ _ __ so they tell me _ __ I

B~117 B!,-6 FIA A-7 A~o7 G-7 A-7/G

I§~ J J J J I J J J I J J J J IF j iF I F F F F
can't re - call who _ said it, I know I nev - er read it, I on - ly know they
F9 E7 A-7 07 A!,-7 0~7 G-7 G-7~5 C7~9

I§~ r t¥ ,J JI a I ~e J I rAJ J I
tell me that love is grand. and "* J J the thing that's known as ro-mance is
A-7 B9 09 0-7 G7 G-7 C7 F6

I~ ~ r Pr I F· P J IJ J J J I) J J I say_ _ _ I__ I
won - der-ful, won - der- ful in ev- 'ry way_ - so they
u_ II

SMILE Chaplin/TUrner 1954

F117

J J I J J J J I J J J I J J J j
Smile, tho' your heart is ach - ing, smile e - ven tho' it's break- ing,
Light up your face with glad - ness, hide ev - 'ry trace of sad - ness,
A-7 A~o7 G-7 07~9 G-7
I§~ J J J I j J J I J J F I fA J J II
F F r
when there are clouds in the sky, you'll get by_ If you smile though your
al - tho' a tear may be e - ver so near. That's the time you must
B!,-7 . B9 F6
I§~ F F J J I r F ~r IF F J J I j F
J
fear and sor - row, smile and may - be to - mor - row, you'll see the
keep on try- ing,

J. 2·C7~9,J ,J
smile, what's the use of cry - ing, you'll find that
0+7 G-7
1'·~~~9 F
I~; r J J J I J. J I I '....... I-
I' II
sun come shin - ing thru for you you'll just smile
life IS still worth - while, if
76 THE END OFA LOVE AFFAIR Edward Redding 1950

IAI G-7 c;:!- FA7 F-7 B~7 S,A7

nf
So I
J. )!J ]11 J ~ J)I J.
walk a lit- tie too fast. and I
'-Tfa
drive a lit- tie too
I j l;0j1
fast. and I'm
So I talka lit- tie too much. and I laugh a lit- tie too much, and my
So I smoke a lit- tie too much. and I drink a lit- tie too much, and the

&-7 M7 &-7 A~7 _ nJ,A7 O ..,4g-:r-F D-7 _ J

I'~ J J J J I,A I J J J J ~iQ I J i"O J. ~ J * /1 ,
reck-less it's true, but what else can you do at the end of a love af - fair? So I
voice is too loud when I'm out in a crowd, so that peo - pIe are apt to
tunes I re- quest are not 81- ways the best. but the ones where the trumpets
/2° F m]O-7 G7 0-7 G7 0-7 G7

I' ~ J i f J I J, J Fa I J J fa I J ;1 J Fa I
stare. Do they know, do they care, that it's on - ly that I'm lone-Iy and low as can
G7 CA7 A-7 07 D-7 G7 G-7 C7

be?
l J JI J
And the
rJ MF iF] I
smile on my face is-n't
tr J Mel
real - ly a smile at
r VI e l F l fJ I
all _ __ So I
C-7 F7 B~A7 3 &9 FA7
l GJ
~ -I
I OJ p]
tr ~ -1--'
~ OJ JI r !j
,
J' f9 I J £ J J £0 I
blare. So I go at a mad- den- ing pace, and I pre - tend that it's tak- ing her
Ab o7 G-7 C7 G-7 C7 F6

I',~ J ~ J J IJ J ) J J) IJ P r '-I ''- I,," I

place. But what else can you do at the end of a love af - fair._ __

WARM VALLEY Duke El11ngton 1943

1'~~k
Ab6 DbA7
f' r r ~~ I F~Er ~U I iF'
F#-7 B7 Bb9 Eo
~r I r r I r FFr I
F-7 B~7
~3--,
.9I Qfr- II
 A SUNDAY KIND OF LOVE 77
Louis Prima/B.Belle 1946

I want a Sun - day kind of love::::.- a love to last past Sat - ur- day night,
I want a love that's on thesquare.,..--- can'tseemto fmd some - bo - dy to care,
Myannsneed some- one to en- fold, to keepmewarm when MoIHiay'sare cold,

G-7 B~6 97
I~ ~ 'r r t J J J J
I'd like to know it's more than love at first sigiit'L,-,_ _ I want a Sun- day kind of love_
I'm on a lone - ly road that leads me no- wherer-,-
a love for all my life to have and to hol.u,..d,_ _

r.a J )~:r
11· F6 D7 G-7 @7 @A9 F6 C-7 F7
I~~ '-/ -
II I
:;
J ,J.
I>FIM J I J. ~ J. 3 l J )11
I want a I do my Sun - day dreaning and
C-7 F7~9 B~6 C-7 F9 B~6
I~ ~ £ j J. j r! Co f I J. j J 3 J. P J I J.
all my Sun-dayscheming ev- 'ry min-ute.ev- 'ry hour. of ev-'ry day. I'm hop-ingto ~cov-er a

G9 1)1,7 C9 Fl o7 G-7 C7
I~I e- !t -- P r- f -- IS
rF I~ ?
:::0

rn- !I I If F Q ~ t f .C.aJFIIHI
II
cer - tain kind of lov-er. who will show me the way?_ My arms need

SEPTEMBER IN THE RAIN

Warren/Dubl1n 1937

@ G-7 C7 F-7 F-7!@ I»7.n B7 B~7

I~~kk F f F F F rIF J F' 1> I j j-l,J J. J I j ,It£j J. )1
The leaves of brown came tumbling down. re - menber?_ in Sep - temherr- in the
The sun went out just like a dy - ing e~ herr--- thatSep-
Though spring is here. to me it's Ii. still Sep - temberr--- thatSep -

.f~
I~~kb
9 C7 I'F-7 B~7 B~7 @7 B~7 @7
j. J F J .F
e .......
rain - r J
The
J
To
II
ev - 'ry word
r of
J I
love I
r
heard
J
you

A~A7 D~7 C-7 F7 C-7 F7 F-7 B~7

I~~bl! j J IJ JI J F F J I J F r J I e I r F II
whis- per, the rain- drops seemed to play a sweet re - frain Though
78 PORTRAIT OF JENNIE Robinson/Burdge 1948

r--3~IAI F 0-7 0~7 C-7 F+7 3 B~6 E)9 ..

J I,J J iJ~t D J
A por- trait of
flen-nie,...,_ _ __
FifiJ
more love - ly to
I .F
see,...,_ _ _ _ than
tr a
J r I
The por- trait of Jen- _ _ _ __
ni,~e
is etched on my heart, where her
the por- trait of Jen- nie,...,_ _ __ I nev - er will part, for there

0-7

mas - ter-piece, how-ev-er fa-mous it be. lsi The por-traitof fea - tureshave been
G-7 C7~9 F6 E)9 F6 B-7 E7 AA7 ~-7 0-7 G7
~ r-3 3 ,--3~ ~

I'~ r
q::::3--,
J. ) I u_
the start_ __
[J 14 ,S hrj) I IJ. Jb J-1J § Trip I
sketched from Ah the co-lor and beau - ty of line and the glow of her

I' ~3--, F7

J IJ r I r Fir hr·
~ spiJ. - JJ vine,...,
rit di - __
E-7 A7~9

all
0-7 A~9 09 07~9

cast in Hea-ven's
Ir
G-7

own
J I r ~J J J d JI
C 7~9

de - sign. With the por- trait of

D.C. aI Coda
....-3-;---,

I' r-
..

5
A-7

is -
0-7

~ Jl J. I r r r
n't an- y
n-7
-r--=-s-,

por- trait of Jen- nie, ex - cept in my

F6

' •.0::::;

heart.
Eil II

CRY ME A RIVER
Arthur Hamilton 1953

I' ~~~6 r
, IAJ C-
d"C
~J
Now_ you say you're
Now_ you say you're
C-6
] I J)J. J
Ion~
-
C-7

ly.-,_ _
sor- 1)'.-,- -
"i)
F-7 ) B~7

F F1 j
you cry the whole night thru.---- well you can
for be- ing so un - true,---- well you can
9A7 0-7 G7
J J ,3 J
Now_ you say you loverne.--,_ _ well just to prove you dOr-- come on and

1 J
G-7~5
r-;- 3--,
C7~9 F 7sus4 r- 3 --, F9 B7 B~7sus4 ~6 G7 ~ D7~9

me a riv- er,
..
I cried a riv-er ov- er you.
Fine -

You drove me,

Ii]
near-ly drove me
A-7~5

I qJ JJ (J. WI F
out of my head,
07~9

while you
G-

51 ruT"
ne~ershed
A-7~5 07~9

atear.--,- -
-

r' ~""
G- ,-3-.

'logE iJlp IIJ JJJj

A-7~5 07~9 G

l!i
0-7

1m i1 t1 ...~. l!i 1m l j t.' a!~. I

re- member? I re-memberall that you said; told me love was too pIe-hi-an, told me you were thru with rne and
G7 D.C.alr/lJe
 PIECES OF DREAMS 79
Michel Legrande/Bergman 1970

F6 G-7 A-7 D-7 G-7 G-7/F C7/E C7

I~ ~ ". Lit-
J J J J IJ
tie boy lost---
!f ;J 1 IJ) J
in search of Lit - tie boy
~
found,
§j !f
J JJ I
you go a -
Lit- tie boy falstc-e- - - in search of lit - tie boy ttue, will you be
F~7 G-7 A-7 B-7~5 C-7 C#o7 A7/C#
I,
I~~ J J J fJ r I (£J r rJ r 1
Iii i
1 II
won- der- ing, wan- der- ing, sturn - bl - ing, tum- bl- ing, round, round.
ev - er done tra - vel- ing, al- ways un - rav- el- ing you, you?

1 1. D-7 D-7/C B-7 L5 £7 A-7 F 7sus4 F9

I~ ~ E E r j
.....
fmnu.._ __
LA ,(CrIC; F EJ
When will you what's on the tip of your mind?:-_ _

B~~7 F/A G-7 C7 A-7 D7 G-7 C7

I~ ~ FJ F j
Why are you blin.u..d_-
LA 'erJ' I EJ r fa were,
to all you
J
ev- er were, nev- er
In r fJJ :~
real-Iy are, near-Iy are?

12'D-7 B~ID G-7~1I)I, C7 F/C B-7~5

I~ ~ Err r Ir 1 r FJ I Err A...... LA !f J J iJ I

run-ning a - way_ __ could lead you fur- ther a - stray,.-,_ _ and as for

F7/C C9 F7sus4 C-7 B 7III B~~7 B~7 ~7

I~~ 0 r LA r 10 r j c:::::::: EM r II
fIsh - ing in streaml:...s_ __ for pie - ces of dreams'ro,- - - those

F6.7 D-7 G-7 C7 F6 G-7 A-7 D-7

I~ ~ Fa J J J J lilJ flJ I J J J ; I;
~
!f J
paJ] I
pie- ces will nev- er fIt, what is the sense of it? Lit- tie boy blue--;- don't let your
0-7 0-7/F C7/E C7 ~ F6.7 G-7

I~ ~ J J J J I; , J SJ I J a J J )
r
-
lit- tie sheep roam, - it's timecome blow your hom, meet the mom,
A-7 B-7~5 C-7 C7 L9 F6 Bb6 F6
..-
.,
I~ j tJ r r d· r Ilnl
1
8

I I 8
II
look and see, can you be far from home
80 TIlE HEATHER ON TIlE lULL Loewe/Lerner 1947

C7 F6 C-7 F7

The mist of May is in the gloam - in',

I' fJ ] Q LUg
and all the clouds are hold- in' still,-
The mom-in' dew is blink- in' yon - der, there's la - zy mus- ic in the rilL
That when the mist is in the gloam - in' and all the clouds are hold- in' still..-

A-7 D7 G-l
11;t J
J D7/A
rEF F1F r
B~A7 B o7 ='
rEI P r' J a
F/C C719 '1'6 C7 .
II
1 ,

so take my hand and let's go roam- in' thru the hea- ther on the hill.
and all I want to do is wan- der
if you're not there I won't go roam-in'

J'"~;P J;7J~J J It:!..E~7 r FIf~tr c~b J J 1

hill. There may be oth- erdays as rich and rare, there may be oth - er springs as full and
A~1l.7 D-7 G7 Clo7 D-7 G7 C 7sus4 C7
1~; J_ JJ J J I J1 J'1: iF r IF *F I II I
D.C.BiCoda
fair, but they won't be thesame they'llcomeand go, for this I know.
-$- D-7 G-7~ID~ F/C D-7 G-7 C7 F6
I~; J J I ;;1 F
~ r----
r Ij J III ____
Ihill.. ___________________ II
hill, the hea- ther._ _ on the

MY OWN TRUE LOVE (TARA'S THEME)

Steiner/David 1941

F G-7 . C7 G-7 C7 Fsus4 F F/A B~

I~ ~ f * Myj ownr' true;i1 I love,

e I* myj r' )1
own true love,
" I'J r Plr r
at last I've found you,
No lips but yours, no anns but yours, will ev - er lead me
And by your kiss, you've shown true love, I'm yours for - ev - er,
;

IF/A G-7 C7 J~F G-7 C7 F B~

I~
~~ J ~ r' J),
my own true love.
I e ~ J ~ J. ) I .. I * J r= ~ I
I roamed the earth
I

A-7( A-7
I ~ ~ * J r= i~ 1 II I J r'
in search of this, know you by your leiss.
 IF EVER I WOULD LEAVE YOU 81
Loewe/Lerner 1960

C-7 F7 B~A7

If
j 3
ev - er would 4J f leave y:'~
J I ."
J l
q) ;
,.zz

would- o't be
JJ WI J
in sum - mer,-
But if I'd ev - er leave you, it could- o't be in au - tumn,-
If ev - er I would leave you, how could it be in spring - time?_
G-7 C-7 F7 B~A7

j J JI J J e
J r
,L

; F
see ing - you in sum - mer, I oev - er would go, _ _
how I'd leave in au - tumn I nev er will know_

•
know - ing how in spring I'm be- witched by you so,.--,- -

I' -r
~I! F
Your
I've
B~7
i

F
hair
seen
r J
streaked
how
with
you
96
r
sun - ligh~t,_ _
spar - kle:_,- -
r I r
C-7

F r -
your
when
lips red as
fall' nips the
B~A7

s
It

flame.-
air.-
1
Oh No! oot m spring - time,--

I'~k
G-7
...., ~ r-),. J I J
r
C-7 G7/D
J I'· EJ,6J J J J I e
C- Bo C-7

r
your face - with a Ius ter.
J
that puts gold to slwDe. -
I know - you in au blIDIl

F7 J-" C-7 F7~9

I'~k J'JJ3JJ , J J. J J J
-- But if I'd ev- er and I must be
'tJ'
there.
1- J all
could I

D D+ GA7 E-7 A7 D6
I'~I' J J J J J J J J ijJ I snow?!-.
I'·-=- ;>J '.J J PI
leave you run - oing mer- ri-Iy ___thru the Or on a

B E-7 A7 D6 F7 D.C.alCoda

J I iJ J j J j 3 I ..~ I) 'J1 j J f J I
win - try eve - oing when you carch tbef. fi - re's

B~6

sum - mer,
r--3
F rw I
win - ter or
.
0;
fiWaUl,-,_ _
C9

r r r r r r' I
no, nev - er could I
F9

F
leave
r'
yoU-.
B~6

I'~k
-C-7

IT
F7~9

j e e
all _ _ _ _ _ _ _ _ _ _ _ _ __
BA7
e
II
at
 I
82
•
NANCY WITH THE LAUGHING FACE
Van Heusen/Phil Silvers 1944

G-7

f F F F F Fr I J
C7
....
G-7
J
C7 Fb,7 G-7
•
r r J J
•
I*hl I j J..... J. I
~F )
If I don't see her each day I miss her, Gee, what a thrill each
She takes the win - ter and makes it sum - mer, sum - mer could take some
I swear to g~ness you can't re- sist her, sor - IY for you she

A-7 Ab o7 G-7 D ~9 G-7 E-7~5 A7 1. D-7 G7

time I kiss her. B~ eve me I've got a case on Nan- cy with the laugb-ing faCe.'
les- sons from her. Pic- ture a tonr boy in lace, that's
has no sis - ter. No one could ev - er re-place my

J D -7
1 *~ 'rG-7

j
'-'
D7~9

E iF
She takes the
2·

J J J J J I'
Bb-7 £1,7

Nan- cy with the laugh- ing face.

J I'lJ *
F6

Fine
A+7

Do you
D-7
n I r r r r-JJ 3 3j
A+7

ev- er hear mis- sion bells ring-

D-7 A+7 D-7 A+7 D-7 G7 C7

I*U j p

;J J I t· ~ ~ r ,. <J J 3 J eJ s J9
ing? well, she'll give you the ve IY same glow. When she
Fb,7 D-7 G-7 A7~9 D-7 G7 G-7 C7 D7~9

1* ; r r r r
~-.::::
"
I<r r J I J J J J IJ !(
( r yll
speaks you would think
E t
it
E F
was sing . ing, just to hear her say "Hel - 10" I swear to
D.C. a12nd End (Fine)

THE NIGHT WE CALLED IT A DAY

Matt Dennisrrom Adair 1942

F#-7~5 B7~9 C#-7~5-$-

1 *JjJ f r
I
There was a
I heard the
A-7~5

moon out in
song of the
bE
D7~9

r r·
Gb,7

space,
spheres
,3 J I
r - - 3--,

r r
r--3:=::::j

but a cloud drift- ed ov - er its

like a min - or 1a - ment in my
FF f4
E-7

I J.
face,
ears,
J I
you
I
The moon went down, stars were gone, but the sun did - n't rise with the dawn, there

B-7 Bb7 A-7 Ab7' 1l 1' D7~9·

G b,7 ,-3--,
, -3-.,

kissed me and went on your way,

V'

the
• . . ..
night we called it a
~. v •
day. I heard the
• • I 'U

day.
had- n't the heart left to pray,
 83
THE NIGHT WE CALLED IT A DAY (pg 2)

Ct.7 D-7 D#o7 CIE A-7~5

,--3---, B7· 9
,--3---, E-7 A7

I~ I r r r r r r r r e
Soft thru the
I r
dark,
F
the
I
hoot
F
of an owl in the
I
sky,

F#-7~5 B7~9 E-7 A7 3 Eb7· 11 D 7sus4 ~l~·C.aJCoda

I~' sad
r F F
tho' his
I J
song, no
J I rJ§ J J I]
blu - er was he than I.
J J J
The moon went
I

•I~ ~

I J
3---,

J J F F F
E-(A7)
,--3---,
I
E-7

r
E-6
I'F
B-7

I F
B~7

F E!F-zf Ie
A-7 hb7 Gt.7

II
was- n't a thing left to say, the night we called it a day.

IT NEVER ENTERED MY MIND

Rodgers/Hart 1940

Once I laughed when I heard you say - ing that I'd be play- ing so - Ii -wre.
Once you told me I was mis - talc - en, that I'd a- wak- en with the sun
Once you warned me that if you scorned me, I'd sing the maid-en's pray'r a- gain•

A-7 G-7 . . A-7 _ b7~9 1" G-7 C 7sus4 C7

. I~ ~ 1 J J J J II I J £1 J :' J J J J J J Jd J. * :~
'-' it nev- er en- tered my mind,_ _
un - ea - sy in my ea - sy chafr,..--
. and or - der or - ange juice for one.-
and wish you were

, 1 2. G-7 G7 G-7 C7 lm P6 G-7 C 7sus4 Ft.7

I~ ~ ¥ J J J i J J 1 If
it nev- er en- tered my minlu..d_ _
, II

,Ab7
r j
You have wha:tL--_
j

G-7
--IJ '
J IJ
I
j j
lack my-self.--
G-7 C7 Pb.7 G-7 A-7 C 7sus4 C7

I~~) J I )J. P r·
* and now I ev-en
I p r· P
scratch my
r Ir back
F r> FV·
my - self_ __
,II
D.C.aJCoda
baveto

• A-7~5 D7~9 G-7 C7sus4 A-7 D7 G-7 C7sus4 F6

I~ ~ r UJ. 111 PlJ J J 1J J J) I' J n J J J Jd.. II

there a - gain,.--- to get in - to my hair a - gain.-- it nev - er en- tered my mind _ _
 I
84 IN THE WEE SMALL HOURS
I
David Mann/Bob H1lliard 1955

I
C~7 0-7 C~7 0-7 C~7 G7sus4 C~7 C7

I J J J J1 I J1 J J J J I i 1 J J J J I J. J J I
I
When the sun is high in the af- ter- noon sky, you can al- ways find some- thing to do, but from
I
E-7 B7· 9 E-7 F#-7~S B 7~9E-7 A7~9 07 G7

I' dusk
F J #J J J I F J #J I * J J J J J I J
to dawn, as the clock ticks on, some- thing hap - pens to you.
J JI
In the
I
I
C~7 C7 F~7 F-6 B~7.n C~7 Cl 07 0-7 G7 I
I', J wee small ho- urs of the
1
J i J J J f ) J J J J J f.JJJIJ
mom- in~ while the
1
whole wide world is fast a - sleep,
'JlI
you
I
0-7 G7 GIF E-7~S - A7~9 F#-7~S B7~9 E-7 0-707
I
I' J J J. )1 J J J J J. i5IIJ j ,3 J i- J J J J. 1 J J II
lie a- wake and think a- bout the girl, and nev- er, ev - er think of coun.. ing sheep. Wbenyour I
C~7 C7 F-6 B~7.n CA7 1-7 C7~9 F~7 A7/E
.1, J J fJ J Jli10 J J I J. ) JJJIJ iJl I
le~son':::-
lone - ly heart has leamedits you'd be her's if on- ly she would call, in the
I
0-7 0#07 . C6/E B~9 A7~9
f] J J J I j J J J J J IJ.
.- 0-7 G7~9 C6 G 7sus4
I
I' F r E r F4'
d I -
wee small ho- urs of the mom-ing.-- that's the time you miss her most of all.
* t
I
.- 0-7 07 G7~9 i.
C6
I
I' •~
time
F
you
J J Ij
miss her most
J
of
e-_
all
_e-
II
I
I
I
 WHAT I DID FOR LOVE
85
nu Ch~s~e
t8J C~ Asus4 A7 0-7
I~I! £ j ) JJ J~ 0 I J 111 J J J 31 FljLJ
Kiss to - day good - bye, the sweet- ness and thc sor - row, _ _
Look my cyes are dry, thc dream was ours to bor - row. _ _
Kiss to - day good- byc, and point me t'ward to - mOf- row. _ _
F- C OIB" 09 F-
1~ J uJ J LA I J J I" I r l J J ;F j jJJ fJ JlI,J )J
we did what wc had to do, and I can't re - grct what I did for lovc,
It's as if wc aI - ways knew, but I won't for- got what I did for love,

0-7~S
Wish mc luck, thc same to
0 OIF I,· G7 11 ~ E - GID
I~ ,)' , fa }! F' I ac Ir l £ J 1 J J 5 ~i r I
what I did for lovc. _ __ Look my cyes are dry
what I did fOf love. _ _
[§] A- A-/O FA7 Esus4 ,E7 A- A-/O FI-7~S Bsus4 B7 E- O/A A7

I~ e II I Fl F F r rI Ii I Fl e F rei 6' IT lJ JdJI

Gonc.__ love is nev-er gone. as wc tra- vcl o n . _ _ lovc's what wc'll Ie-

0-7~S 07 D.C.81Coda" A- A-/O 071F' A-71E 07 F CIE

I~ d J I - if? J J 5J I" I r l E tiJ t FEU r (0"1
mem- bee. Kisstoday goodbyc you. _ _ Won't for- get; can't re- gret what I did
0-7 G 7sus4 C ClBb F-/Ab C CIB~ F-/A~ C
I~ r IT I
for
II

lovc,_
I l A J, F' I ..
what I did for lovc. _ _
Il fa Jl r· I I~
what I did for lovc._

LOVE STORY 1970

I
I.
07 D.C. a/Coda 0-
I I .. I I
86 ALL I ASK OF YOU
Phantom of the Opera 1987

[8J Db O~6

fl. J J J.!
DbA7
I~ ~~Ih F] 11 I J J j J J. ~ I J : J) *0__£3 I
No more talk of dark-nes~ for - get those wide>eyed fears, I'm here,notb-ing canhannyou, my
Let me be your shel- ter, let me be your light, you're safe no- onewill find you, your

B AWe D~

J j J J J2 J~J 1J J J. !
words will warm and calm you.
Fg 411
Let me be your frec..doln;-" let
J J 3 J J. ~ 1
day-light dry your tears, I'm

r
fears are far be- hind you. Al] I want is frec..dom, a world that's warm and bright,and

I~ ~b~~~ J
D A7 : J] 1 tn 1 j J J. j r J~r" r B~ 7 ] J3 I
here with you be- side me, to guard you and to guide you. Say you love me ev- 'ry
you, aJ - ways be- side me, to hold me and to hide me. Then say you'll share with me one

E~-7 A~7 D~/F B~7 ~7 A~7sus4

1~ ~"b~i ~
~-
F F
win - ter mom - ing,
J- J I r tum
D
my head
J
with
J J
talk of
I J J
sum- mer- time,
~S < ~ k-<
J t
love, one life - time, let me lead you from your sol - j - tude,
D~ B~~ E~7 A~7 nb/F Ob6
I~~"'h r r ] J JI F F J A-
I -;:~ J J
Jj'"
•
-e!iii
J
RI
..say you need me with you .now and aJ - ways,- pro-mise me that all you say is
say you need me with you, here be- side you- an - y - where you go, let me go

E~7/A~ F-7/Ab Db Ob
l!j £ J ) J. J> I
--------I •
II
u u
•
true,, _ __ that's aJ] I ask of you._ _ _ _ _ __
that's you._ _ _ _ _ _ __
all I ask of
&-7 A~7 D~/F B~7
J F F . -J I
F one J r p ~ J JJ I
All I ask for is one love, li Ie - ume, _ _~ say the word amd I will

fol - low you, _ _ _-.., share each day with me, each night, each mom - ing,:,""

Ab7sus4 Ab9 Db

say you f e e l e way I do,

~ l J ]) J J J J I o
love me, that's all I ask of you _ _ _ __
I
 MEMORY 87
Webber /Nunn 1981 Cats 82
A- F

r- rE r E r-
;j 1 F' r' rE r E r1 I J. J. J J J rJ] I
Mid-night, not a sound from the pave- ment has the moon lost her mem- 'ry. She is smil-ing a-
Mem- 'ry, all a - lone in the moon-light, I can smile at the old days, I was beau - ti - ful
Day-light I must wait for the sun - rise, I must think of a new life and I must-n't give

E- D-7

I~ J,-_J J )1 J. J
lone. In the lamp - light where with - ered leaves col - lect at my feet and the
then. I re - mem - ber the time I knew what hap - pi - ness was let the
in when the dawn comes to - night will be a mem - 0 - ry too and a

G7 e ~ E- F E- F

I~ l J J1 J ) I J.
ft'
_ ~. J l J. J. IJ~JlJ. *Jil
wind De - glDS to moan. seems a
Ev - 'ry street lamp to beat
mem - 'ry live a - gain. Burnt out ends of smok - ey days the
new day will be - gin.

E- e D G E- A7 DA7 G

I~ J. J. J. J )1 1 J warn-ing.
*. I J. J. J>
Some one mut-tcrs
r-fJ J I ,s.
and a
S. jj j J.
street lamp sput- ters
fa - ta - list - ic

. -
stale cold smell of the mom-ing. The street lamp dies a noth- er night is 0- ver,

E- A7 D r- 2 - , D.C. a/ Coda .

.I~ * 0 r ·Fl J. *.
"
•rr D
and
a

Bb7
-
soon it
noth - er
F' 'F'
will
day

Eb
be
is
1

mom - ing.

e-
I

I~ 11hz F' F' F r F [ F~

J I F" F' F r F E F J-
dawn - ing Touch me. it's so ea- sy to leave me all a- lone with the

o- F-7 ,-2-"1

rr E}I l j. J p F' J :b J9 E1 Z
mem- 'ry of my days in the SUD. If you touch me you'll UD - der - stand what

c- B~7 Eb
I:t~'::
ell" ~
L FJ F P
'F' !j f] I rp
~F ) J ) I J. ft'
-
·FIIIfI
hap - pi - ness is, look! a new day has be - gun
88 A TIME FOR LOVE
Johnny Mandel/Webster 1966
3rdX- B~A7 A-7~5 D7~9 G-9
fA] ~~~ Ab 13/G~ B~/F

J.
200 X-
A~91B~ B~6

I~ ~b e j~[f E; r- r I ( r
A time for sum- mer skies for hum - ming birds and but -ter- flies, for
A time for climb- ing hills, for lean - ing out of win - dow sills ad-
As time goes drift - ing by, the wil - low bends and so do I, but

C-7 ... 1'D 7sus4 D7 A-7~5 D7~9 2.A -7~5 D7~9

, I

ten-der words that

mi - r - ing the
. u. _
bar - mo- Dize with
daf - fo- dils a
lo~e:-e:- - - -
~ . ,
bove.
I
A time for

oh my friends what ev - er sky a

[§] G-7 D7 G-7 . C9 D-7/F A7 0':'7 07~9 G-7 F-
I~~b F J J i J I J F- F F rJ I r J J ~J I J r>"'( F[J I r'~" J ~J I
bold- jng hands to - geth - er, a time for rain - bow col-ored wea- ther, a time of make bo-lieve that

E-7~5 A7 DA7 C-7 F7~9 D.C. aJ Coda . . A-7 A-7~5 07~9

I~ ~\, ijJ. J J _J -
r r r- pI
~

P I .....,
i •
~ JI i)
I
we've been dream- jng of. As hove, I've known a

G-7 C9 C-7 F7sus4 F7~9 B~6

I~ ~\, ( F r rI J9 J J I iJ j JI j r e; e

time for spring, a time for fall, but best of all a time for love.

'l'WELFTH OF NEVER
fA]
D B- G D A7
I~ I, J t1 •I J •
I J Ir F F If r IJ F IF F F F
DA7
Fr r
E-7 A7 E- A7
I~ I, Ir rF I e- F 'I F F F f
A7 B- G A7
F IFF r J Ir f r I
OA7 F#-7 B- E7 E-7 $7 D.C~alFIfI(J

I~I, e If" Fie IF F E" piC t:r: '~II

 THE WAY WE WERE 89
Hamlisch/Bergman 1973

C E-7 F~7 A-7 A-fG F~7 E- E7 A- A-fG"

j J aa J J a3 I e I~ f J a j ,0 J I r J, l
Mem - 'ries-- light the com- er of my mind...... , - mis - ty wa - ter col- or mem'ries
pic - tures-- of the smiles we left be - hinG..--:- smiles we gave to one an - oth - er -
Mem - 'ries-- may be beau - ti - fuI and yetL.-,- - what's to pain- fuI to re - mem- ber,-

F~7
I" CA7 E-7 FA7 G7 .~ :LCA7
.
C7
If) ' f j J. ; : e 1- ~ J J == ~
were _ _ __
I J * - II
of the way we were: _ _ Scat- tered

I' i
for the way we D-7 E-7 A 7sus4 A7
. F~7 .,

JJ 51 r r rr I 0 J. Irc E rJ JJJI r *

I'
Can it be that it was all so sim- pIe then, or has time re-writ-ten ev- 'ry line?
D-7 G7 CA.7 G7sus4 G7 D.C.aJCoda

JJ J J J J J J I f) J Fa I J-J J J_J ~ II
If we had the chance to do it all a - gain, would we? could we?_ _
.FA7 J E7",,' E7 A- A-/G FA7 E-7 FA7 E-7
I' tl J - P r ~ I"
we sim- ply choose
I~ r FJ I J J I~ F
to for - get - So it's the laugh- ter
r pI J
we will re - me~ ber,-
J
F~7 E-7 A-7 D-7 G7sus4 CA.7 F~7 G 7sus4 C~7

Ita, P DE U I J J I h l J.;I
when-ev-er we re mem- be:l-:r-_ _ the way we were_ _
e 1~ ! l ;il J. I
the way we
e--le
were _ __
II
WHEN I FALL IN LOVE Young/Heyman 1952

F D7~9 G-7 C 7sus4 F D7~9 G-7 C7~9 F B~9 £1,7 D7

J JF J I II IJ J r· ; I f J.W· I J J F' p I r· j I
When I fall in love it will be for - ev - er, - or I'll nev - er fall in
When I give my heart, it will be com - plete-Iy, - or I'll nev - er give my
G-7 1)1,7111 C 7sus4 C7~9 1.p D7~9 A-7~S D7~9

love:__ In a res.. less world like this, love is end - ed be-fore it's be- gun, and too rna-
hean.,....,_ _ and the
G-7 E-7~5 97111 D7~9 G-7 C7
I' ~ r a a a I F ;j cJ IrE J rr I "
ny moon - light kiss - es seem te cool in the warmth of the SUD. mo - ment I can
B~~7 E7~9 A-7~S D7~9 G-7 97 F D7~9 G"'7 C7~9 F6

I' ~ r IT J 1r
feel that you
r r I r'
feel that way too,
nI J
is
JFJ I J J
when I faIl in love with
I • .;:;;;;

you _ __
I .. II
90 EVERGREEN
Barbara Streisand/paul Williams 1972

D-7/C
r " r- I-a
D-/C ,..--3---,

I_J -I- J_ I_J J J UI

Love,_ soft as an ea - sy chair._ _ Love,-,_ fresh as the
c elB A- r-- 3 ---, E-7

I~ J J 1 Ij. *I- r Ir J r rI r F J_ LJ. , 1

mom - ing air._ One,-,_ love that is shared by two.---

D-7 B~ G G 7sus4 C ,--3---,

I~ J r
I have
J I J.
foun.u-
JI
with
u
you., _ _
IJ~J Jlla
Like a rose_
IJ-JUJI
d __ UD- der the
FIG D-7 FIG C Nichols/Williams 1970

I~ J J l U. *I *r rlJ J ~ilJIJ J _I
ap - ril snow,_ I was al - ways ccr- tain that love would grow_.-
A-7 r-- 3 - - , E-7 FA7

I~ r Ir Jrrl rF l- L.J. I - J rIJ J1

M

Love,,__ age-l~ and ev-er-~n,-, ___ - seJ - dom seen by

~A7 B~/C C7 l§JFA7 F6 E-7

I~ e IJ *I r r I J. c:J I r' i ] I J. 1
two. You and I will make each night a firsL *
I~ .
FA7

rn
Ev- 'ry
I J.
day
OIF

c:J Ir J.
a be -
E-7

gin - ning _ __
B~/C
I j.
C7

*
I-
FA7

r rI
Spir - its
B 7sus4
J.
rise
B7

cJ"
and their
E-7 r- 3 --, ~A7' CID D7 FIG r--3--,

I~ r FFr I J. *I * J r U'I n J. I~ F FrFI rEF I

dance is un - re- hearsed. They warm and ex - cite us, 'cause we have the bright - est
CA7 r-- 3 - - , B~/C D-7 FIG

I~ t1 W 1- J JJIJ
love. _ _
JI]. -I * r r I Eu tr iJ 111
Two lights that shine as one. Mom - ing g)o - ry and the
 91
EVERGREEN (pg. 2)
A~ E~
~3~

I~ J J J
mid - night
J_'J.
sun. _ _-
CIB
* I * r' TIme,__
Ir J r r I FU1 IJ·
we've learned to sail a - bove _ _
F_(~7)
B~/C F~3:---; C
I~ r r
TIme _ _ __
r ,~r r F" p, r j F r I r·
won'tchange the mean - ing of,
d
one
, A:

love, ago-less and

C#/C C C#/C
Ilj ir- I" II
I" d
ev - er, _ _ _ __ ev - er_ _ _
~n--------
~_

D/C Eb/C D/C C#/C C

I~ II
, Ii
I Ii
I " Ii
I"

WE'VE ONLY JUST BEGUN

Nichols/Williams 1970

F Bb A-7 0-7 ,--3---, 0-7

j
1~~4* 'ij J j J j Ir r r r I J.
>

I J. 'ij
PI
II
l ,J
We've on - ly just be- gun to live, white lace and prom - is - es,
Be
And
- fore the ris - ing
when the eve- Ding
sun
comes
we
we
fly,
smile,
so ma - ny
so much of
roads to choose,
life a - head.

0-7 r--3--, 0-7 ... 1.....1-C-7su-s4---1r-2.-C-7.-su-S4-p-- jF 117 B~1l7 F 117 B~Il.7

I~~ H)! E FEE J I J. p J : - 'H) t J J-I.. I - I
a kiss for luck and we're on our way. andyes,we'vejustbc> gun_
we start out walk - ing and learn to run,
we'll find a place where there's room to grow,

Shar-ing hor - i- zons that are new to us, watch- ing the signs a-long the way,
Gbll7 BIl7 obll7 BIl7 Obi. BA7 C7sus4

I~ ~ '~E£j r "PC 11 Q
talk-ing it ov - er just the two
F - I,t B
of us,
r t ~E IT I r
working to-geth - er day to day,
,J! I mJ - I
to - gefb.er.

I~/t c:w~ n J "J r.:7 ij~7 *f:A7 ij~7 dir.:7 iJ~7)PI #::7
we've on-ly just be- gun., _ __
-2-
92 CLOSE TO YOU
Hoffman 1933

IAI AbA7 G7sus4 G7 G-7 C-7 Ab

jaC: r Err rl J. Hlf HI F" ~IJiapr

Why do birds sud - den - ly ap - pear ev- 'ry time you are near? Just like me,
Why do stars fall down from the sky, ev- 'ry time you walk by?
That is why all the boys in town fo~low you all a - round,

~ -:11 J J J a J J JI
F-7 B~7sus4 EbA7

I, ~bb Ji apr I J J ( r
they want to be, close to you. _ _ Why do On the day that you were born the
G- C 7sus4 C7
J J J J J J IF F rr Fr r J" E· ( r
an - gels got to - geth - er and de - ci - ded to ere - ate a dream come true, so they
AbA7 Ab6 Bb D.C.aJCoda

r rrr rrlr re err r r I E - I - J J II

sprin-kled m()On dust in your hair of gold and star-light in your eyes of blue. That is

.-3---, F-7
F rFI Ii EJ J e
close to you. _ _ _ _ __
 SEND IN THE CLOWNS 93
Stephen Sondheim 1973

A~
[ J]
E r J r' • I
Is- n 't it rich? Are we a pair? Me here at last on the ground, you in the
Is-n't it bliss? Don't you ap -prove? One who keeps tear- ing a- round, one who can't

Dbt.7 11. E~/A~ E~7sus4 E~/Ab E~7sus4 12. E~ E~7sus4

i
I illl,~ W J. ~- *-f J J ! l -' -' *. J
pasJ
Is - n't
J :~ l
it clowns.
*. J J J I
Send in the
air. Send in the clowns.
move, where are the

A~ G 7sus4
[§] C- G- C- G-

I~ il,lz~ J *. j
F
J J II r' *. J J J I V'
F'

*. ijE ~
;;t-
clowns. Just when I'd stopped op - en- ing doors, k- al - ly

C- F-7 C A~IE~ B~71D D~6

l~il'I'~ g E!F rEU

know- ing the one that I want-ed was
tv II r-
yours.
*- J J J IRia J E r ; Fa J I
mak- ing my en - trance a- gain with my u - su - al

C 7sus4 Bb-7 bS C-71E~ Eb 7sus4 E~/Ab

I~ il>l,~ I; l
~ *. d J J I l *. £ J J I j.
w'

-'
flair. sure of my lines. no one is there. Don't you love
Is - n't it
(g] Ab Eb7sus4 A~ E~7sus4

I~ il>l,~ • J. * r {PI J. *- *- Err Ig j F r

farce? My fault I fear. I thought that you'd want what I want Sor- ry my
rich? Is - n't it queer? los - ing my tim -ing this lat in my ca-

PJ J:1
Dbt.7 '_E~9/A~

J *. * } f J] I j. *J; JJ J
dear. but where are the clowns? Quick send in the clowns. don't both- er they're
reer. and where are the clowns? There ought to be

Ab E~7sus4 Ab E~7sus4 2'E~9/Ab Ab Eb7sus4 Ab

here. Is- n't it clowns. Well, may-be next year...

94 CAST YOUR FATE TO THE 'WINJ>ince Guaraldi/Werber
C F C B~

I'~ I! J5f E fJ _Jot JlI J Fa J' J5 1 E Q J i) 1 J. 'J5 1

C
F fJ J I
set my
emp - ty
Sai~
wien Pe
sky is
tide comes in--- and
my best friend, and
I just
I
cast my fate
.
to the wind.
drink the dark and laugh at day, and let their wild- est dreams blow a - way.
WOD- der how it might have been, had I Dot cast my fate to the wind.

I'~
C7 B~ F B~

r! OC7
B~
~b ; B~ F C

! J) U: I !
Bb
J) U: } J J> ! Bb
J: I ! * ThatJ
II
F F C F
I~i J J 1--J J I J J
'!!II '!!II
;J J •I I J J
;:;;;
J JJ I J IJ_J J I J J ;OJ I
time has such a way of chang-ing a man through-out the years_ And now I'm re - ar-
Bb F B~ C F D.C. aI 3rdI4Ih verse

J f1_J J ! J . J FJJIJf]- I * J J * I - * If J5 I
rang- ing_ my life through all my tears. _ _ a-lone. There's

STRANGER ON THE SHORE AclterBilk

F G-7 C7 F F7 Bb B~ F D-7
I ~ t E -J J i) I J fJJ F I
s;
r-
Here I
F I e
J go
stand,-- watch-ing the bde out';'-""
J I J. '1

so all a- lone
>z<

and
watched your ship_ _ as it sailed out to sea, tak- ing all my
Why oh why,_ _ must I go on like this?_ _ shall I just be a

G-7 C7

blue,
')11 J
just dream- ing dreams of
A-rr 1 J. you. r.. dreams and tak - ing all of me _ _
lone - ly strang- er on the shore?_ _
Bb F G-7 C7 F F7

I"
j( r F F EJ> I "'r· J I J A -F r J '1 ))
The sigh - ing of waves, the wail - ing of the wind,- the

I~~
Bb
F' P F F
-
r I V-
A-
i
P I hF ( F F
G7 ..,.,
E~>
~
G-7
1<,,·
C7
II
tears in my eyes bum, plead - ing, my love, re - tum. *
D.C. a12nd End (FIJl8)
 SOMEWHERE Bernstein/Sondhe1m 1957
95
C C7fE F7 Bb G-7 C7 F7 Bb C c;mj~
1'& e~ There's
J ra I J J)
place for us,
j I~ r F
some- where a
rI J J) j
place for us,
1 }1
peace and qui - et and
J r
There's a time for us, some - day a time for us, time to - geth - er with

i2fc~
There's a place for us, a time and place for us, hold my hand and we're

PIdb 1~b
~
A-7
F' .p
0-7 -$-Bb
J I rpW:
Eb I" C
J) 1 J er
o - pen air wait for us some - where.- time to care, some-day,_ some - where._
time to spare, time to learn,
half-way there,
Fr=1- 3----:oaJa-3-, G-7 B~3--,Eb7 3 ~b G E-7
! ::b; ;--;
I@~ 0 F r F F FI Pr. "' riFF FF FFI
I -l~
I P a._W J e
«
I,~~ti II
We'll find a new way of Iiv-ing, we'll find a way of for - giv-ing.- some-where _ __

r,& rb p tTr 1~~ P ~b 1 ~b (rr 1;- (r

-f~blF
r Fie ~
F
e
hold my hand and I'll take you there, some - how,_ some - day,- some - where _ __

YOU DON'T KNOW ME

Cindy Walker/Eddie Arnold

I'
[A1 C C7 F

JJU
You give your
fi J JJ
hand to me, and then you
J J J 1f J (L-I-EF.....F_J I r J
say hel - 10, and I can hard - ly speak, my heart is
No youdon't know the one, who dreams of you at night and longs to kiss your lips and longs to
You give your hand to me and then you say good-bye, I watch you walk a - way, be - side the
F#o7 C A7 0-7 G7

I' rJ I rJ J J 3 I' J
,..-.::;:
rJ r a d ) J J JJ J I
beat - ing so,
hold you tight,
EF
and
to
an - y - one can tell
you I'm just a friend.
you think you
that's all I've
know me well,
- but you don't
luck - y guy, to nev - er, nev - er know the one who
c 07 ~2. D-7 G7 C F C C7
J) J. J
--
knowme. _ __
J
No, you don't
J Cf) J~J
ev - er ~n,
JJ 3 I
but you don't
J~
know
;.
me.-
J IJ
- F",.
*')) I
For
loves you so,
F r-- 3 - - ' C C#o7 . D-7 3 G7 C
;--~-l

I"LID
I nev- er knew the
r pip F r J J J J I
art of mak- ing love, though my
Ja J
heart ached with love for
i J) I l a~ J. "I
you A-
A- E- 07 G7

I'
D.Co aJ 2nd End (Fme)
I,

FO
P FO pi r r r F r' hi J J) ~ J tJ J I J J J J II !j

fraid and shy, I let my chance go by, the chance you might have loved me too. You give your
96 THE SUMMER KNOWS Michel Legrand/Bergman 1971

r '1)1
The sum- mer smiles, the sum- mer knows, and un - a- shamed, she sheds her clothes. The

sum-mer smoothes the rest-less sky, and lov-ing-Jy, she warms the sand on which you lie. The

F F
I~~ J J r 'iJI J) r '1) 1

sum- mer knows, the sum - mer's wise, she sees the doubts with - in your eyes, and

B~6
B-715 E7I9 AA7 E7~9 .; I 1~A7 J tr\
~ ~
I
I~~ (r r i7J I ( r r c:; I IF J. J e ;;.= : !F :: :
so she takes her sum - mer time, tells the moon to wait and the sun to lin - ger,

A~A7 E~7~9 A~A7 D7 G G-7~5

F iJ IJ 1'(
twists the world 'roUnd her
tt I Fsum - mer fin - ger,
~
iJ ~ F I F iF = JIE2JH~J"JI
Jets you see the won- der of it all. And

F/C B!,-6/C F/C B!,-6/C

I~~ if you've learned 11

J j J
your-I J )
r
les- son well,
'I jl
there's
I c:r ,J
lit- de more
Ij
i" I
for
C1
her to
~r
tell,
"J I
one

F-/C B~6/C F-
I~G J ,.3 j I J 1.3 J J
last ca - ress, - lJ it's time to dress for
et_

fall
- CI
 MY WAY 97
Francois/1bibault/Anka 1967

IA1 F A-IE A-7~ID D7

1£ ~ e
~
}' J 1 J J W J 'J J W I a ,j W J J Id I 1 Ji I
And now the end is near, and so I face the fin - al cur - tain, my
Re - grets, I've had a few, but then a - gain, too few to men - tion, I
I've loved. . I've laughed and cried, I've had my share of los - ing, and

0-7 C7 F
F1J
J JIr
p
J
I~~ r
friend,
j

I'll say it
J J3 I r
clear,
j

I'll state my case,

'I
J 3I
of which I'm cer- tain,
F J
I've
did what 1 had to do, and saw it thru with - out ex - e~ tion. I
now as tears sub- side, 1 fmd it all so a - mus- ing. To

F7 B~6 B~6

r ,J JJlr r
lived
planned
think
i he 0 FI
a life that's full,
each chart- ered course,
1 did all that
j
~1 It
each care- ful
and may 1
I
each
step
say,
r and ev - 'ry
a - long the
"not in a
high- way,
by - way,
shy way",
j
and
and
oh
PI

FA7 0-7 P-3---, Bb6

A
J J IJ J J J I e
more, much more than this, I did it my way. Re -
more, much more that this, 1 did it my
no, oh no not me, ·1 did it my
, I2. F6 F F7 B~A7
r.--- 3- - ,

I~ ~ J J r r II r 'i r OJ I r ¥ Me r r I roo r 0I
way. Yes, therewere times, I'm sure you knew, when I bit off more than 1 could
For what is man? what has he got. if not him - self, then he has

0-7 C7 A-7

chew,
¥
er r I r
but thru it all,
j
r r " I
j
when there was doubt.
r 'i r r;J· I
I ate it up,
IT ¥ Er r I
and spit it
not. to say the things he tIU - ly feels, and not the words of one who

D-7 0-7 C7 0-7 C7~9 F6

I~~ r 'E r FI r ¥ rr r (' j ( jJ I
0

I
e
II
out. 1 faced it all, and 1 stood tall, and did it my way.
kneels, the re- cord shows 1 took the blowsw, and did it my way.
 II
98 FEELINGS
II
fA) E- E-(Lm E-7 A7 II
I" "f E J J. 1- *J 3; 31£J-...-l 1- *J3;31
-
Feel - ings.---
Tear- drops.--,_
II
noth- ing more than
roll- ing down on
feel - ings,--,-
my face.,...-,_ _
ny-ing to for-
ny-ing to for-

A-7 D7
- J
G6 rF#-7 _ B7 j2. D-7. G7
pa
II
.--3--,

J
1" r J I ~ J I e

get
get
my
my
feel- ings
feel- ings
of
of
love.
love.
"
1m C CA7/B A-7 D7 B- E7
r- I.e J la'PEr erlr
I" Feel- ings, . for all my life I'll feel
P
it,
!f
* * pI wish
I
E
!j
E t rI
I'd nev- er

A- D7 GA7 D-7 G7

I~' r ""6J f V I~ !f P JJ J JI e - II
met you girl. you'll nev- er come a - gain.

C C/B" A-7 D7 B- E7
F r ~
I* r F r I r F I F r r
Feel - ings wo, wo, wo, feel - ings, * * wo, wo, wo,
A-7 D7 .--3--, F#-7 B7

r r ~ I- !l J) J
p

J J e - II
feel you a - gain in my arms.
E-(t.7) E-7 A7
I - * r= J ,; 5I r' ~
Ori J J)
=-1
1- = J
'mrS WI
Feel- ings, feel- ings like I nev - er lost you, and feel- ings like I'll

A-7 D7 D-7 G7
~ I r" J1 J 3
1
Jj
e I- ,) .-
J J J I
G

r' I - II
nev - er have you a - gain m my heart
 -- BLUE MOON Rodgers/Hart 1934
101
(AI@ c- Eh c-

Blue
F t~ moon~
F-7
r
Bb7
F ; J J J4~
F-7
1-; j J J J a J JJ
Bb7

Blue
Blue
c- F-7
LJ J
for,

[§] F-7 Bb @
If J J J J
sud- den-Iy ap-peared ~ - fore me, the on-Iy
J J J J I j~J J J
one my anns will e- ver hold. I heard some-
Ab-7 Db7 Gb C-7 F7 F-7 Bb7

If J aa J
00- dy whis- per "please a -
J J I ~J) LJ J J J I J J J J J J I
dore me", and when I looked, the moon had turned to
r'
gold. Blue
FI
D_C. aiFine

TIME AFTER TIME

Sammy Cahn/Jule Styne 1947
fA]

1-
Cl17 A-7 0-7 G9 A-7 0-7 G9
j J.af- terJ) I time,
J. JI IJtell my4 - selfJ thatJ J. J IJ F J J I
Tune I'm so luck - y to be
know what I know, the pass - ing years will show, you've kept my love so

,A-7
I J I
B-7~5 E7~9
I_J J"
[WA-7 A-7/G
r J. p I J
F#-7~5 B7~9 E-
F I J J IJ J
lov -
J
ing
(I:

you _ _ _ So luck - y to be the one you run to

E-7~5 A 7~9 D-7 Bb13 A 7~9 Ab7' U
If J see,
~F J I J J
m the ev - 'Ding when
J J IJ
the 6iay
J
is through _ _- on - ly

1 2_ G-7 C7 Fl17 F-7 F-6· (g C/G F#-7~5 F-6

If J
young
J
so
if

new
IF" F I
And time
r
af - ter
I V'
time,
F
you'll
E-7 A-7 D7 D-7~5 C/G A-7 0-7 G7~9 C~

If F
hear
r r·
me say
p
that
I r·
I'm so
Fir r F
luck - y to
r
be lov - ing
r I
you
II
I r- * II
102 •
I~ ~
-- THE DAYS OF WINE AND ROSES

F~7 @7
J r r r r r J J J J-1
J
D7~S D9
Henry Mancini/Johnny Mercer 1962

G-7
•J
Ii J II
1 1 1 1
The
My
days
lone -
* -
of wine and roses,
J
ly heart dilr - clo - ses, -
laugh and
just a
ron a - way.
pas- sing breeze,

*~~j r
I JI BJ6 ~J J. I ~7 J '¥IrAr J J. ill I Dr J J r I Gt r J 1

like a
filled with
child at play_- Through the
mem - or - ies, of the
mea- dow land to - ward a el<>- siBg door, a
II
S [QIfr
E-7~S A7~9 D-7 G7 G-7

r F J J 1 J. J 1 J J J. ),1 e- I J J J J II 7
1

door marked ne- ver- more, that was-n't there be- fore. _ _ The gol - den smile that

D-7 D-7/C E7~9 A-7

B-7~S D-7 G-7 C7 F6 ,

I~~
~~~~~~r~'
JJ J r ~F~I~r~J~J~J~I~J§;~J~J~II~,~I~ii~lI,
II

1
Rne
in - tro- duced me to,_ _ _ the days of wine and ros- es and you. _ _ __

J
IT HAD TO BE YOU Isham Jones/Kahn 1924
,
It
Some
B~7 F-7 Bb7 F-7 1 1. B~7
-J
I i c"I,L
: ~ p :: p
~s
r' r r r r
)2
and fi- nal-Iy found
I
F" • ~-l\
r 9r r r " rr
some - bo - dy who,_ __
1
,
,
could make me be true.-,_ _
or try to be boss,- but they would-n't do, _ __
Eb7 C7 F-7 C+7 F-7 Bb7 Eb7 E7
1~ ~I'b~ E F E FE rI II I J J j JJ 3_1 -p JJ J 34p F rr r I 'd
could make me be blue, and ev-eil be glad,- just to be sad, tbink- ing of you_
J
I~ ~bll~ {7 J ~7 J J J f ~~71 FF (f sft J jJ 11 ~~-6 cr F Fl
Some oth- ersI've seen do._ For no-b<>-dy else- gave me a thrill.-- withallyowfaults
J
*
1 ~I'!.~
AbA7
r Er F r I
C7

I love you stilL

F-7
J J JJ J J_ I J J JJ l iJ
It had to be you,
Eb7 Bb-

won- der- ful you,

@7
r:F r-1 f
A~

had to be you. _ __
II I" II -J
 SATIN DOLL 103
EDington/Strayhorn/Mercer 1953

Cig - a - rene hold - er, which wigs me, 0 - ver her shoul - der, she digs me,
Ba- by shall we go out skip - pin', care-ful a - mi - go, you're flip- pin',
Tel- Ie - phone num - bers, well, you know, do - in' my rbum - bas with u - no,

07 A~-7 0~9 c3 (B~7 A7~9 )

I' ~r Ij F J 1-
out cat - tin', that sat - in doll.
1.. &

Fins * F
She's
speaks Lat - in, that sat - in doll.
and that - 'n my sat - in doll.

~ G-7 C7 0-7 C7 F6
IfF ;0 J 1 Fir ~n i J J J M, PjJdJlu, j pI
no - bo - dy's fool. so 'rm play - in' it cool as can be. nI
A-7 07 A -7 07 0-7 .---3--, G7 A7~9

If [give
E F -}
it a whirl,
n r I[
but I
EEl
ain't for no girl
EF r r Ir ~ r r r I r * I i
Caleh _ ing me. (Switch-a-roony) D.C. aI Fine

BYE BYE BLACKBIRD Hend~/.Dbnn1926

P 0-7 C7 F B~7 PIA A~o7

If~ J J J J .I r J ,J I J J J IJ J J II I &
Pack up all my cares and woes. here I go sing - ing low, Bye, Bye,

G-7 C7 A-7 E7~9. 0- 0-(~7) 0-7 C9

If~ J JJ& II r r rr IF r r Ir J J IJ J J
Black - bird. When some- bo- dy waits for me. sug;. ar's sweet, so is she,
G-7 C7~9 F6 0-7 C7 F7 C-7 F7
j J
Ifi & Bye,
I II

Bye,
J J I 'I
•
I J F r r r r I
Black - bird. No one here can love and un-dec-
E~7tl1 07 G- G-(~7) 0-7 0-7~S C7~9

Ifi & I" IJ F r r Ir J J J I «, I e II

stand me, oh what hard luck sto - ries they all hand me.
F A-7~S 07 0-7 C7 F
Ifi J J J J I F J ,J I J J J I J IJ j I J r~ J I"
Ir Bye.
Malee my bed and light the light, rll ar-rive late to- night, Black- bird, Bye.
104 ON A CLEAR DAY Lerner/Lane 1965

1,11l JJ-:
On a
Gb.7
j J I.l fa J WI J
clear day,.-- rise and look a- round you,-
C7 fll
j 1;1 W J J J IJ J 1
Gb.7

and you'll see who...- you

1
B-7
:±l
are.
E7~9 A-7 F7' 1l B-7 Bb o7
I' I J J J II r r- IT J J 3J I r r- I-r J J I J d J I J J * J I
On a clear day,--- how it will as -tound YOB,- lat the glow of your be-ing out-

I*r I
A- A-(A7) A-7 D9
Fr I j F r I r Jd j Fric F rJ
shinese~ 'ry star. You feel
D-7

part o f _
G7

e~ 'ry
D-7 G7
r j raJ I F J aJI
moun-tain, sea and shore_ You can hear, from far and
Cb.7

*
I i FJ J
A7

near, a world you've

07
J I J IJ J J
nev - er heard be- fore_
Jda J J J I
~d on a
Gb.7
J J I J J r I r Fd
clear day,-- on that
B-7

clear day,
GIB C GIB 11·A-7 07 G

r-J 1
F t F 1 a I II
a ,-
you can see ·for ev - er - and ev - er - more
ILast~_7 GIB C GIB A-7 07 G
1,1 J r * F IJ F t F 1 a I" Ie La II

MOONGLOW Hudson/DeLange/N.Hlls1934
,

IA1 C C- G A7 A-7
1,lf * in l jJ>
It must have been
J 1 r
moon - glow,
I t !f
way up in the blue,
1~!f)fJ
it must have been
JI
I still hear you say - ing "dear one, hold me fast" , and I start in
And And now whenthere's moon- glow, way ~ in the blue, I al- ways re-

D7 GIB Bb o7 A- Bbo GIBG7 ~ G7 F#7 F7

I, i F r I' J. J J I J J J3J :~ EO IF IT F'e e IE eI
moon- glow, that led me straight to you. Fme Wel;;.--__ seemed to float right tbru the
pray - ing, "oh lord, please let this last." -(Tag 3Xs)
mem - ber, that moon- glow gave me you.

E7 B-7 E7 A7 E-7 A7 D7 :g,7 D7 Db7

1*1 e

air,
I=>a 1
r rr
hea- ven-Iy songs
r~rp IF ,3 J 3 )1 r·
seemed to come from ev -
~r
'ry-
I I,
where.
II
D.C. afFine
 AUTUMN LEAVES 105
Joseph Kosma/Johnny Mercer 1947
~
A-7 07 Gt:.7 Ct:.7 F#-7~5

,£' e
«J
J J J
The faII- ing
~ "
leaves.__
,
r J
drift
J J ,
by my
r r 'T J J J'
win- dow. _ _ the au - tumn
II

leaves
~
I see your lips. the sum- mer kiss - es,-,- - the sun - burned hands

1 1. B7 E-
1, I J J Fl #J I.. 1~ J J J
181 of red and gold_ I see your I used to • hold.__ Since you

F#-7~5 B7~9 , E- A-7 07 Gt:.7

I' I J J J I J J J J 1• U J J Jill I j J F r , e= , 'F ~ #J FI

lei went a-way,_ the days grow long_ and soon I'll hear._ old win-ter's song._ But I

F#-7~S B7~9 E- A7 0-7 G7 Ct:.7 B7~9 E-

I" rr J J 1 d. r 1r r- I l' F I J. J I J J J I.. U -

miss you most of all, my dar.-liog,-- when au - nunn leaves stan to faIl _ _

Irving Berlin 1927

[AI 0- 0-(A7) D-7 0-6 B\J-

,I'~f Blue
Blue
j
skies
birds
j ,j J 3 J
smi - liog
sing - ing
at
a
Ii

me,.-,_ _ _ __
song.-._ _ _ __
IJ J )
DOth - ing
DOth - ing
J
but
but
Blue days. all of them gone,.-._ _ __ DOth - iog but

F D-7 G-7 C+7 F F C7

I"
j
~ I_a J J J~J II -
blues
blue -
skies
birds
do I
all day
see.
long.
-----------
blue skies from now 00. o.

[§) F B\J- Bt,..

F F C7 F
I'I~ J J J J r , PC
J• F r I J 3 J J If ] J J ~
Nev- er saw the sun shin-ing so bright, nev - er saw things go- iog so right.
No - ti - clng the days hur- ry- ing by, when you're in love, my how they fly.
D.C. alF",.
106 YOU l\IADE ME LOVE YOU J.V.Monaco 1913

C CIE rj, 0 7 0-7 G7 0-7 G7 0-7 G7 .:

I' I!~ • a F J I J ,J. )1 J J J J Jl J iii I J J J J 31 J. I, r F Fl.
You made me love you, I did-n't want to do it, I did-n't want to do it. You made me .;
You made me sigh for, I did-n't wan-na tell you, I did-n't want to tell you. I wantsome

1'.0-7 G7 C 0-7 Eb o7 CIE A7

I~ J r I'JIm J IJJ )I 'ila S jJ i 3 J) I d. d d"Q4j- J iii J. I •
want you, and all the time I knewit, I guessyou al-waysknew it. You made me hap - py sometimes, •
07 D-7 G70+7
I' 1 J. J ~fl1u
you made me 'glad,
I'J.,J U· I"F F
but there were times
n
dear, you made
I J F Jl kJ JEte
me feel so bad.
t.
12.0-7 B7 E7 F7 E7, E7 E7 ~7 E7 A7 G- A7, G- A7 •
If J love that's
r I,a n J n I,J
true, yes I do, 'deed I
J J J J I J ~F J r I
do, you know I do. Gim- me, gim-me
)1
what
T£)1 J iii I
I cry for, you •
07 Ft:.7 F-6 C A-7 D7 G7 C

I' J J IS J ( r ri I ~ E ~, r- I' r F 0 J J F"sp J. I I" II • II

know you got the brand of kis~es that I'd die for, you know you made me love you.

AFTER YOU'VE GONE Creamer/Layton 1918 •

1_
Ft:.7

r E r r-V I, F
F-6
r F DF" I
Ct:.7
J J
E-7
J J..,. Id JJ p J·I •
A7 •
M - ter you've gone-- and left me cry-in'. af - ter you've gone.-- there's no de-ny-ing,
There'llcome a time..--

Dr I
G7
.
J)
nowdon'tfor-get it,

r
Ct:.7
there'llcome a time..--

I, J J J J ] J JlpaotJt.
when you ~gret it.

C6 C7
•
you'll feel blue,--. you'll feel sad.--
.. you'll miss the dear-est pal you've ev- er had_

;2. 0 -7 A7 0-7 F-6 C6 . E7 A-7 07 •

I~ F
Some day,
r If IF r
w en you grow lone - ly,
rEF I 41r E r ir fir F; I J.J
your heart wiIJ break like mine and you'll want me on - Iy,
J Lr J I
C6 G7 C6

I' FEr
af - ter you've
J r I' J J J
gone.--,_ af - tef you've
F E I E J F'
gone a - wfly--,,--_~-=-- __
- II
 MY ROMANCE 107
Rodgers/Hart 1935

CtJ.7 D-7 E-7 A-7 D-7 G7 CtJ.7 Ealt7 A- A-(t:..7)

I~ I! j J ~ J. j J I JJrrl r r JI J J JI J. J J
My ro - maBce ~oes- n't have to have a moon in the sky. My ro mance dge~n~
My ro - maBce ~oes- n't need a cas- tie ris - ing in Spain, nor a dance to a
A-7 A7~9 D-7 G7

need a blue la -goon -5tand-ing by. No month of May, no twink-ling stars, no

con - stant - ly sur -pris --ing Fe -

F#-7~5 B7~9E-7 A-7 D7 D-7 G7 2·CtJ.7 C7 FtJ.7 A7'9 D-7 D-7/C

hide a -way; flO soft gui tars. - My fO - frain. Wide-a - wake, - I can makemy most fan-
B-7~5 E7~9 A-7' Bb7 fll E-7 A-7 D-7 G7 C6
I~ Err FIr- (r IF" (r IFrJJI" I" II

II tas- tic dreams come true. my ro - mance ~oes-ft't need a thing but you.

FLY ME TO THE MOON

II Bart Howard 1954

-II Fly me to the mOOD-- and let me

Fill my heart with song- and let me
pla~
J tJle
a - mong the stars.--._ __
sing for - ev - er more _ __
CtJ.7 C7 FtJ.7
I J. l J f 1
let me see what spring
You are all I long
- 1_

B-7~5 E7 A-7 A7 D-7 D#o7 -$-

II- ~_~ J J J I.J Jl J J J~ J I j r FI
1

is like on ju - pi - ter and mars _ _

,J "oth-
) J
er wocu;:,ds"--_ _
In hold my
I for, all I wor - ship and a - dore..-._ _ In oth- er wordl:)..S_ __ please be

-
1 1. E-7 A7 D-7 G7 CtJ.7

19 Ok
LJ. Jin IJJ IJ j
I J. £2J_ 1

-,
han,u,.d,_ _ _ __ oth- er words.-:_ __ dar - ling kiss me _ __

A7 D-7 G7 C6 B-7~5 E7
IJ. fa I J)J ffi_J1J J J e-
- II
D.C. a1Coda

•I~
true.--,_ __ in other words. I love you Last X

E-7 A7 D-7 G7 C6
I- II

IV- F Q J JEJ Ij F F II
I" II
true in oth - er words, I love you
I
108 YOU MAKE ME FEEL SO YOUNG Gordon/Myrow 1946
•
•

•
Bb B07 F-7/C F7 ..
I Ii J ~3 J j J I I,j i 0 J I

•
YoumaIce me feel so young~,_ _ you make me feel like spring has sprung,---
The mo- ment that you speAAak......
, _ __ I wan- na go play bide and seek._ _
You make me feel so young,-,_ _ you make me feel there's songs to be sung,,-,_ _
Bb Bb7 9 C-7 110-7 G-7 C7 F7
1~ ~I' JJ \3 ] F F1 F
and ev- 'ry-time I see you grin,
J J..J 0
I'm such
; r JJ fOr
a hap - py
IJ n J \3 d ~ •
in - di-vid - u - al. •
I wan- na go and bounce the moon, just like a
12'0-7 G-7 C7 F7 [§J Bb7 E07 F-7 Bb7 Bb7 E 07
I~ ~I' rJJ Jn I J. t I F" J I ~J t rIFU J J J I,Jq •
a toy bal-loon You and I are just like a cou- pIe of tots.--
A-7~5 07~9

pm r J I OF ' nrr FJ PF PI J fl J H
F-7 Bb7 G-7 C-7 0-7 96 E 0 7 F7G- F7/Ao.c.BlCods
I~~!. II I
run-ning a-cross a ~dow.-- pick - ing up lots of for geH~not5:_-

B~ G7~9 C-7 G7~9

~ ~II rTf r u I En rFl I
.. Bb7 EbA7 Eb-6 0-7 F7 0-7
1 I!U JJ J J J J I " I e
bells to berung,and a won-defofulflingto be flung And ev-en whenl'm old and gray',.-,_
C-7 F7 Eb6 07 G7~9 C-70-7 EbA7 F7 Bb
I~ ~II ,J J J J J J •~ I F F I F' FI r F rI r ;J I e I- I
I'mgon-nafeel the way I do to - daYr 'cause you makeme feel so young

I'LL GET BY Turk/Ahlert 1928

C A7~9 1'0-7
1_ SJ J j-LJ G7 C B-7 E7~9 F6 A-7

I'll get by,..,_

j I j J F I ='F
1._ _
r I u: I_A J I JJ r I
as long as have you Though there be rain-
Pov - er - ty _ _ may come to me, .. that's true..-- but
0-7 G7 D7~9 G7 G+ C Cl 0 7 D-7 G7~9

and
I r F rr I'r
dark - ness too'.--,_
r
I'll
IF j
not com- plain.----
j IJ r IJJ
I'll see it tbrough _ __
t I _e _

B-7~5 E7 E7~9 A- E-7 A+7 0-7 G7~9 C

r Ir F I r j r- I">r j I j J j IJ r I II
I" II
what care 17._ _ Say, I'll get by_ _ as long as 1__ have you_-
 JUST IN TIME 109
Comden/Green/Styne 1956

* B~~7

I ~I, Il J {.l J I*{.l J 1 I J ,1

Just . in time, I found you
A -7~5

just in time,
j
07

I ~ #1 J 1 I J {.l
be- fore you
A~9

came, my time
j
G7

I*{.l J J I
was run- ning
G-7 C7 F7 B~7 £I,~7

1* ~I, u:
I_0 I J {.1
I was lost,
j ! ~ {.1 J 1 I J ,1
the los- ing
j
dice were tossed,
I~ {.1 J 3 I J ,3
my brid- ges
J I
all were crossed,
low
Ab~7 A-7~5 07~9 G- 07/F# G-7/F
1* ~I, ~ #J J FI II
I II
F
J r I* J F
J I F F F FI
no- where to go " Now you're here, and now I know just where I'm

* C7/E

go- ing, no more

B~6

I ~b E r F F I J ,3 J I *#3 J F I.. I* J 3 J I J .1
doubt or fear, I've found my
A~7

way_
G7

For love came

C9

just
j
in time,
I

1*
F7 Bb6 G-7 C7 C-7 F7 B~6
~I, * {.1 J J 1J #J J I *,J J F I F IF F Fir r 1"- I'" II
you found me just in time, and changed my lone - ly life, that love- ly day_ __

OUT OF NOWHERE Green/Heyman 1931

You came a - Ions-- from out of na- - where,,.-,_-_ _ and you took my heart-..
If. you should g o - back to your no - - where, - and leav- iog me with-

I'· E7
* C7
1 I JJ J J J[
and found it free
a me- mo- ry
B-7
II I
E7
II
A-7
I if qJ J J -
Won- der- ful dreams,
I'll al- ways wait
19 A-7
. J qJ j J l Fir ~
won - der- ful schemes from no-where..--

made ev-' ry hour, sweet as a flow- er, for me for your Ie- tum out of
A-7 C-6 B-7 Bb o7 A-7 D7 G6 Yo

1*1 r r I FO ;D,J I rJ=g J J 11-J ro ! 1 ;8: 1;9 II

no - -wher&; hop- ing you'll bring your love to me
110 .'
MAKIN' WHOOPEE Kahn/Donaldson 1928
(AJ F Fl o7 G-7 C7 F~7 F7 B~67 B~-6

I'~ B
J J 3f
An - oth- cr
rJ
bride,
Jj J JI
an- oth- er
r?"SJ
June,
~ J )1 r -J J J ] I r
an - oth- er sun ny hon- ey ;noon;
EE r fl
an- oth - er
A lot of shoes, a lot of rice, the groom is nervous, he ans-wers twice. It's real- ly
He's wash-ing dishes and ba- by clothes, he's so am 9itious- he- ev --en sews, but don't for-

I'~
A-7
•~
sea - son,
J J
D-7

J J J I ,j J J #J 3 J
an - oth - er
A~-7

rea - son
D~7 C7

for male -m
.,
I' J F

whoop - ee,
D-
J
D~7

IJ
C7

* , JJ 3 :J
(L )

- whoop - ee
kill
IB A-7~5
in' that he's so will - in' to make
get folks, that's what get folks for male - in' whoop - ee.

12, F B~6 F D7~9 G-7 G-7~5 C7~9

I'~ J J - II P
IIF
PF r F r' p ~F PFF1
Pic - tore a lit- tie love nest, down where the ros- es
F~7 A-7~5 D7~9 G-7 G-7~5 C7~9 A-7 D7 G-7 C7 D.C.•/FIIIe

I'~ ~F
j - I P IIF P j J
F r IF r' Ip P F I j J J II
F bring. He's
cling, pic - tore the same sweet love-nest, think what a year will wash - ing
Another year, or maybe less, what's this I bear, or can't you guess. She feels neglected and he's suspected of makin' whoopee.
She sits alone most every night, He doesn't phone her, he doesn't write, He says be's busy, but she says "is he?" He's makin' whoopee.
He doesn't malee much money, only five thousand per. Some judge who thinks he's funny, says "you11 pay six to her."
He says "now judge, suppose I fail?" the judge says "budge right into jail", you'd better keep her, I think it's cheaper than makin' whoo

AIN'T MISBEHAVIN' Fats Waller/Razaf 1929

E o7 F-7 Fl o7 E~ G7 A~ A~6

J 3 P F' I, J J J
No one to talk with, alI by my-self.
r I, E r F D F PI [
No one to walk with, but
r r ~--m
I'm bap- py on
J
the shelf.
•I I
I know for cer- tain, the one I love, I'm tbru with flirt - in', it's just you I'm think - in' of,
I don't stay out late, don't care to go, I'm home a - bout eight, just me and my ra - di - 0,

C7 F-7 B~7 __ !'G-7C7 F-7 B~7 12. E~ A~ E~ G7

J 3 P F' I, J J J p r P B:: Lo :J B:: IJ - I
;;:

Ain't mis - be - hay - in' I'm say - in' my love for you. you.
ain't mis - be - hay - in' I'm say - in' my. love for
IBI ain't
mis- be- hay - in' I'm say - in' my love for you.
C- A~7 F7 C7

I'~bl' * r d D r' I * lJ D r' I * E J D r' 1* 9( J D F'

Like Jack Hor - ner in the cor - ner, don't go no - where, what do I care

B o7 C-7
F F IF. F F Fir
F7 B~7 C7

V
F-7 B~7
I J r II
D.C. a/Coda
•I "
you. _ __
E~

I
II

II
your kiss - es are worth wait - ing for, be - lieve me.-
 --NICE WORK IF YOU CAN GET IT III
Ira/George Gershwin 1937
lAJ B7~9
I'·!. F E9 A9 D9 G9 <;9 3-:----l A 13 B~o7

F F F J r· J J J I.J J I II

Hold - ing at hands mid - night 'neath a star - ry sky,

Stroll- ing with the one girl, sigh - ing sigh af - ter sigh,
Lov - ing one who loves you, and the tak - ing that vow

•I
A (C6, 9ta: B~o, A-1) 1stX
E-7 A-7 E-7 V A -7 U"/sus4 G (C#-7~5F#7)
, ~
l_J J J .J I J) F· j J J J I J) F· J J J, IJ. .* ,
IBI nice work if you can get it. and you can get it if you try _ _
E- C7 E-7 A13

I I' I 1 F j F J I ~F· l J I; aJ] 1) J. I,

Just i-rna - gine some - on~e_ _ wait - ing at the cot - tage door,..---_

I E-7
J I J ok J i J IFF
A9 A-7
(J
0+7
~a
C7 U1
I
F D.C. alCoda

I two hearts be

E9
- come- one,-

A-9
who could

D 7sus4
ask for

G6
an - y - thing more?

I get
r-
it,
r F
won't
r
you
J J
let me try?
a II
I
LIKE SOMEONE IN LOVE Van Heuson/Burke 1949

I
I
I
I' ~II'~ &067
J J JI J
Late-Iy
Late-Iy
G7/D

I
I
C-7

find
r F
C-71B~
J
my- self out
seem to walk as
I
F7/A
J J
gaz - ing
though I
A~7'1l

FI
at
had
G-7
e

stars,
wings,
C7~9 F-7
I J j
hear- ing
bump in -
r
gui-
to
I
B~7(A-7 D7) 9 067 B~7 &7 A~o67 D-7 G7
~ ~111o rI a r
I' 1
r
tars,
FI F r
like some- one in love.
II F
Some- times
F 9r I
the things I
F 9r F I
do as-
things, I.
like some- one in love. Each time I look at you I'm
I 11. Co67 C-7 F7 F-7 B~7
~ ~IIII J
I
1

tound me,
l_ La I F
most-Iy
r F IFr F
when -ev- er you?re a- -round
rI " I ~a
me.
~
12 . Co67 F7 Ft G-7 C7 F-7 B~7 ~6
I ~ ~I,II J J
1 J I qJ JI
F r F I J F FI
II
-
limp as a glove, and feel-ing like some- one in love.

I "
J
112 ALONE TOGETHER Dietz/Schwartz 1932

E-7 A7 D-6
J. )11 I'
IJ ')j J. ;'1
A - lone_ to - geth - er.-,_ __ be-yond the crowd....
, _ __ a - hove the
A - lone_ to - geth - er.-,_ __ the blind- ing rain, _ __ the star - less

A -7~5 D7~9 G-6 G-7 C7sus4 B-7 E 7~9 B~-7 E~9

.. IJ'I} Jpl r ~F" PI r F" Pip r" r" p I
world, _ __ we're not too proud,__ to cling__ to - geth- er.- we're
night, _ __ we're not in vain,__ for to - geth - er.- and

F~7

J
B7' 1l
J hI
E-7~5
;J J
A7~9 D~7

J. J IJ.
A7~9
fDA?
strong
what
"
as
is
long
there
as
to .
we're:_ _
fear~ __
J5 I I)
to
to
-
-
geth - er_ _ _ __
geth - er~_ _ __
'I ) "J J
Our
"
A-7~5
II

love: _ _ __
1m r
D7~9

is as
.---&---,

deep
F Fie
as the
G-
G-(A7)

sea.. _ _ _ _ _ __
G-7
I r"
G-6

J I
Our
G-7~5

8'

love
t
E-7~5 A 7~9 D- B-7~S B~7'1l A 7~9
j) I 1 J" }! I J J. ) ]; J~J--1
is as great as a lov·c;..e_ _ can be: _ _ And we- can weath - er_ _

D-6 E-7 E~7tl1

I~~ J ¥il J.;I II

-
the great un- knOWDl,.-,_ __ if we're a - lone~_ to - geth- er_ __

YESTERDAYS Jerome Kern/ Otto Harbach 1933

D- E-7~5 A7~9 D- E-7~S ·A7~9 D- D-/C#

I~~f J J I e J J e I J J J J I
Yes - ter - days, yes - ter - days, days I knew as
youth was mine, truth .was mine,. joy - ous, free and
D-7/C B-7~5 E7~9 A+7 D9 G13

I~' .J J !F FI
-
r !F
II
II r- J II
I F" J I
hap - py, sweet se ques - tered days. Old en days, gold - en
flam - ing life, for - sooth, was mine. Sad am I, gladl":'\ am
C9 F13 Bb~9 E-7'5 A7'9 D-
I~~ e

days,
I r
days
J I
of
r
mad
F J J
ro - mance and love.
II
1
Then
J J
gay
~ II

days.
I, for to - day I'm dream - iog of yes - ter
 Did you say I've got a . lot to learn.-- well don't think I'm try - ing not to learn,
C of i t . - - right down to the X, Y, Z of it,
clear my love.--- should the teach- er stand so near my love,
E-7~5 A? D-7 G7 11. CA7 0-7 G7 ~
I~ * ~U j J J J I J J J. I J j JI e 1* n J 3JJ ,
since this is the per- feet spot to learn, Teachme to night. Stan-ing with the A, B,
help me solve the mys- ter - y - of - it, -
grad- u - a - tion's al- most here my love,

12·CA7B~9 CA7 E- 0#- ~-7 G7 CA7 C# o7 0-7 G7 ~

J) I
I' & Roe I* J J J I J J J. Ji I J J ;0 I J J r'

THE MORE I SEE YOU Warren/Gordon 1945

~ F-7 G-7 C7~9 F-7 Bb7 £I, F-7

! I ~ ~
I®~ 'I, J
The
j.
more I
Ji t j J= 1_J J
see you,
r'
the more I
9;1 r j 1J J
want you__ Some- how this feel - ing
j. ) I j J--.J.
Can you im - a - giDe - how much I love you.-- The more I see you,

just grows and grows _ _

FFU F
Wben- ev-er you're gone
r FF F
I be
F"
€ome -more- mad- a-
BA7 A!,-7 BIH-7 E"- E"-JDb C-7 F7 F-7 B~7sus4

I~ i~l, jJ 1 I J pJ. Jl I J l IJ J J. ~I Ii
J J J.
bout you, so lost with -out -you..=.!- and so .it goes Can you im-
r-12·-G----B...,......Irl--- B!,-7 ~7 AbA7 A!,-6

: ~ :J r"
:I!~'llzl,:::± pI II
I rr 4:::l
OJ ;
I f~ r F OJ'F
II J
~j JJI
me can on-Iy

my heart won't try_ __

114 I HEAR A RHAPSODY Fragos/Baker 1940

(8) C-7 F-7 B~7 EbA7 EbID 0-7~ID~ C 7~9

r-3~

IF ~ f p
r--3:a

r Ir r I r H r I-r a a J r I
And when I hear you call, so soft - Iy to me, _ _ I don't hear a
And when your spar- kling eyes are smil- ing at me,_ then soft thru the

,
My dar - ling hold me tight and whis-per to mc._ Then soft thru a

I' jl'l,
F-7
F·
call at
star - lit
~

Jj
F-7~S

ir-
all, _ __
skies _ __
B~7~9

I1 J J J
I hear a
Eb6
J.
map - so - dy
J_ I':J
FIne
0+7

And
a qJ
when
iF
your
j
star - ry night'-_ __

12A_7~5 D7~9 [§] 0- A-7~S D7~9 0- C-7 F7

'~I'1. J ~ -
1 II ~ J J71[J
• J. J W- i) ~ I ___._.0
My days are so blue when you're a - way
D-7~S G7~9 G+7 D.C.aJF1ne
r - -3---,

J J JI J J r· Mp r- I -F a qJ
-
iF
My heart looks for you, so won't you stay? My dar ling "
HEART AND SOUL Hoagy Carmichael/Loesser 1938

[A] F D-7 G-7 C7 F D-7 0-7 C7

I'j~ J J J I JJ J 0 J J a I J J J l£Ja) a1
, Heart and soul.__ I fell in love with you, Heart and soul.- the way a fool would do,
Heart and soul,_ I begged to be a - dored, lost con - trol._ and tum-bled ov - er - board,
Now I see._ what one small kiss can do, look at meo-- it's got me lov - ing you,

F D-7 0-7 C7 .. F D-7 I" G-7 C7 J2. F7

I'~ r mad - Iy,_

J IrJJJalJ JJ J J : F fJ J
be-cause you held me tight and stoIc a kiss in the night. 'F J.
moon-mist.
I
glad - Iy,__ that mag - ic night we kissed there in the there in the
mad - Iy,_ be- cause the kiss you

~ B~ A7 D7 G7 C7 F7 E7 A7 B~ A7 G7
I'~ 'IUS J. ))I,J J I J j Ij J l!j l£j J )1 #J J
Oh but your lips were thril1 - ing, much too thrill - ing. Ne~r bo-fore were mine so

C7 F7 E7 C7 D.C. aI C<K1a -$- A7 D7 G-7_ C7 F

J ,J Ij W- JI I II I !j FJ J J J I II

strange - Iy will- ing. But stole held all my heart and soul _ _-
 I LET A SONG GO OUT OF MY HEART 115
D. Ellington/Mills 1938
IAI EJ, Ab7 EJ, C-7 G-7 C7 G-7 C7~9
I' ~1'bI~ f J J J T D1UJ
I let a song go out of myheart,
J. I 1 r J JJJI
it was the swee~est
r n r"
mel- o-dy,
1l
Sinceyou and I have drifted a- part life doe!rn'tmean a thing tome,
I let a song go out of myheart, be - lieveme dar-ling when I say

F-/Ab G- F- G~ 9/G Ab7 -$-9 C-7

I'~I'I' )I J
I know
JuV
I
ptp F'
lost hea - yen
E"
-
DI FB
'cause you were the song
l Fine Am I too
please come back sweet mus - ic,- I know I was wrong.
I won't know sweet mu - sic - 1Hl -

~ F-7 Bb7 9 A7 D- G7 C- C-/B C-lBb C-/A

I' ~I'I,.. I Jr r ir I... I pr" r rI r r E r

lat to make a -mend5? You know that we were meant to
Aj,..7Db7 Gb7

I~~I!. E;r d J I i e
be morethan just friends,
B7

I
BI:M-7

0"
just friends.
D.C.alCoda"

J. I I m
9/Bb Bb7sus4 EJ,6

J J Ie
til you re - turn some day.
II

STAR EYES Gene De Paul/Raye 1943

F-7 Bb7 9 A7 9-7 Ab7

1
J J) J J J
F
3IJ J I 'f J J) ~J J J J
, Star Eyes, that to me is what your eyes are, soft as stars in Ap - ril
Star Eyes, flash - ing eyes in which my hopes rise, let me show you where my
Star Eyes, when, if e- ver will my lips know if it's me for whomthose
DbA7 G-7~5 C7~9 FA7 F-7~5 Bb7~9"

I' ~~I! r J !j ~F
P C1 fTi2F I W' PI ~E lie r r u-r ~
- skies are,
heart lies,
lips glow?
tell mesome day you'll ful- fill
let me prove that it a- dores
Makes no di.t: f'rence where you are,
their prom- ise of a thrill.
that loy - li - ness of yours.
your eyes still hold my wish-ing

-II lm
I, ~1!1z E E E"
AbA7
oJ]
All my life I've felt
r"
con- tent to star- gaze at the skies, now
@A7

hate I >[" b'p£hJ) I r"

I on-ly want to melt the
pi
F-7 Bb7 D.C. alCoda -$- G-7~5 Db7 C7 F-7 Bb7sus4 96
I 1 ~ ~1!1z Jl J PT e
star-dust in your eyes.
I dd I I e
oh
I J J I ~ J Erei I
star eyes, how love-ly you are.
II II
I
116 I THOUGHT ABOUT YOU Van Heusen!Mercer 1939

C+7 F9 @13 F9
J J I J J 3 J_J-1J.
. I took a tnp J.
· on a traJn"---_ and I thoughta - bout you
*
At e¥- 'ry stop that we made,.-,_ oh I thoughta - bout you
F-7 0-7~S G7 C-7 B7 B~7 ~7
I'~bb '3 3J J §J bJ J, IJ J J I J I,J J Jc::>Ji£J2J. Ij )11
I passeda ~had- ow - y lan~e_ _ and I thought a - bout you _ _ _ _ __
ButwhenI pulled down theshade,.-,_ then I real - ly felt blue I
A~A.7 A~-7 F-7 G-7 A~A.7
J I
r r--r'r r
I:i~ &1'~::1, E
T F
Two or three cars parked
I
un - der
F
the stars,-- a
r fe
wind- ing strea.&llm_,_ _ __
peeked through the crack and looked at the track-- the

A-7~S 07~9 A-7~S 07~9 G-7 @7 F-7 B~7

I' ~bll F [ E IF §J lEE r ;,",pj I J D' T I J J Js;;?J

moon shin- ing down on some lit - tIe town and with each beaml,-,- sameold~

·'2·EbA.7 C-7 A-7~S A~71n G-7 @7 F-7 B~7 96

,'~IIII Err j cr I r
one go-ing back to you,
F IFF En
and what did I do?_
I~ J J J J J2±&
I thought a- bout you _ _ _ __
II

I COULD WRITE A BOOK Rodgers/Hart 1940

CA.7 A7 0-7 G7 CA.7 A-7 D-9 G7 C CA.7

H they
J mer I
asked
j J J JI
I could write a
e
book~,_ _ _
I JJJJI J J JJI
a- bout the way you walkand
And the sim - pie sec - ret of the plot, is just to tell them that I

whis - per and look____ I could write a pre - face on how we

love you a lot, then the..

GID 07/C GIB B~o7 A-7 07 0-7 G7 ~"A- A-(A7)

j J IJ I j j I J E~ IJ I e I J JJ
* : r r I
met, so the world would nev-er for - get, - And the world dis-
"
A-7 A-6 G-7 C7 FA.7 B~7 CA.7 E+7 F6 G7 CA.7
I~ rr
cov-ers
F I ~r
as my book
r I j
ends,
J J I J J I J r FI
how to make two lov-ers of friends
I" II
II
 COME RAIN OR COME SHINE 117
Mercer/Arlen 1946

,J I ..
I'm gOIrna love you like no- bo-dy's loved you, come rain or come shine: _ _ _ __
You're gOIrna love me like no- bo-dy's loved me,

High as a moUIr tain or deepas a riv-er, come rain or comeshine:____ I guess when you
F-6 B~-7 B~-7/A~ G-7 C7 B-7~5 E7~9 1-7~5

I! ~ F J J J I r fiJ F I II I r r Ell F r ( r
met me, it was just one of those things, but don't ev- er bet me, 'cause I'm
1-7~5 D7~9 G-7 C7~9 J-'·F#-7~5 B7~9 B-7~5 E7~9

I!~ br FrO I J J J IF U P F PI IF U P F p I
gon- na be true if you let me. Hap-py to- getirer, un -hap-py to-.getiref', and
A13 E-7 A7 Dl3 A-7 A~7.n G7 A~71n
!
I ~ If J
won't it
J] J I
be fine _ _ __
II
I r r r Pr
Days may be cloudy or
wlrr r PF
sun-ny, we're in or we're out of the
G7 A 7~9 D-7 G7 B~71n A9 D-6 (G-7 C7 )
I!~ F j J I J
mon-ey,
n
but I'm with you cUvays,
ip r I F E:; tr FI
I'm with you rain or
L r J-
shine _ _ _ _ _ __
-r FE" ~ II

WHEN LIGHTS ARE LOW

fA) G-7
Benny Carter/Spence Williams 1936
B~1:.7
FI:.7
. .J) I A-7
.Jl J J) G-7J) J. FI:.7 A-7 D,.;,..7.........-t
jJPI
·I! ~f r J) J
I r JlJ )11 j
Sweet mus- ic soft and mel - low, sooth - ing and slow,
Dear, we're so close to - geth - er, I loveyou so,
Lips meet-ing soft and ten - der, love's all a - glow,
G-7 C7 97· n D7 G7 C 7sus4 - 7 ---,~
· 1r-'· -F- -C
I!~ f' J1J jlPJ1J ;P )Jr· I J!j JJ3j on ~r~F r;:,
strains of a mel - low cel - - 10, - when the lights are low. Fme
why talk. a - bout the weath - er, ~
why shouldl't we sur - ren - der?
1 2. F· [§J B~7 E)7 A~1:.7_ C#-7 F#7 BI:.7

I!~ - ~ j I Ij J U I
Two hearts re- veal -
QJr r
- ing;
~ I Wr p'F
mus - ic hath
'r: I 'E"
charm.
A7 DI:.7 D-7 G7 G-7 C7~9

life's
pC
so ap - peal
'pro - lBg
J
-
'1'r FFI PJ
witk in- spi - ra-lion -in
P PJ
- yoU!' arms.
pr I --r , ~r
D.C. s/ FIf/6
II
118
DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS
1946 Alter/De Lange

[AJ C G+7 C G+7 CA7 A-7

J J~J 3 J LrplJ Jj J J. p IJ J 3 J j rI
Do you know what it means to miss New Or-leans, and miss it each night and
Miss the moss cov-ered vines, the tall sug- ar pines where mock - ing birds used to
Do you know what it means to miss New Or-leans, when that's where you left your

, D7 F6 C/G A7 ... 1'D-7

t> -
day? I kn~w \~ n~t wrong,
,..
the
I"
feel- ing's get- ting strong- er the long - er I stay a-way.
..-
sing, and rd like to see the laz - y Mis- sis - sip - pi a
heart? And there's some-thing more: I miss the one I care for

Miss the hur - ry- ing in to spring. The moon - light on "
the bay-ou, - acre-ole

A~6 A-7 D7 G6 E-7

tune that fills

J dI J r I
the air; I
F -J J ,J
dream, a - bout mag
J I J is J J- J J J
-DO - lias in June, and ~n
JI
rm
A-7 D7 D-7 G7 D.C.8ICoda .. D-7 G7 C

~I~~r~r ~r ~r
wish - ing that I
r~tJJ~7 ~I-Er
was there.
~J~J~II
Do you
I f r r f .EJ
more than I miss New Or -
FI Ii

leans.

LULLABY OF BIRDLAND George Shearing 1952

G7~9 C7~9 F- B~7 &7

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F-7 G-7~5 C7~9

- --
. 12A~A7 Eb7 AbA7 [§] F9 F7~9 B~-7 E~9 Eb7~9

I~ ~llb; J l if J1 I Fine
- "r EhE F Eltt I '1 F ~F
P

* I FMEl e cr j
F9 F7~9 B~7 Eb9 Eb7~9 AbA7 C7~9

IrE he F 81 I '1 F ~F * IFkEl F cr 1reF E - I D.C. aJ 2nd End (Fine)

 A FINE ROMANCE Kern/Fields 193(;
119
C6 A-7 G7/D 0#°7 E-7 A-7
I~ I: a
A
f e
fme
IJ J
T~mance,
~
with no
I U
I F J FI e
kiss-es, a fine..--
IF V a I
ro-mance, my
A fme T~ mance, you won't-- nes-tIe, a fine ro-mance, you

G7 !,"C6 F7 CfE A719 D-7 G7 E-7

friend.-
Ir r a I: r Fr r I Bfl J oJ I J
this is. We should be like a cou-ple of hot to
J. U
-ma-~oes .....
,-_
a I J sa J FI
but you're asc~ldas
won't---- wres-tIe, I

41-3 09 0-7 G7
I~ J I,n
yes - teT- days mashed po
J I J J~.J
- ta - -toes-=--
J
A
: F FF
might as well play bridge with myoId maid

aunts:-'_ _ I have- 'nt got a

E-7
Ie
chance,---
A7 0-7
I riJ a r I" 07~9

this is a fine. ro
C6

mance~'--=-_ _
- II
A fine romance, my good fellow, you take romance, I'll take jello!
You 'recalmerthan the seals in the Artic ocean, at least they flap their fins to express emotion.
A fme romance, with no quarrels, with no insults, and no morals!
I've never mussed the crease in your blue serge pants, I never get the chance, This is a fine romance!

SWEET LORRAINE Mitchell Partsh/CUffBurwdll928

0b.7 F7 E7 A-7 D7 0#07 E-7" G7/D C7 B7
I~ I ,J , F F r- IF n EJ r r 41• I a a l LJ; J f 3 j J
I've just foundjoy,.- I'm as haJ>py as ba- by boy__ with an - oth - er brandnew
A pair of eyes thatue blu-er than the summerskies.-- when you see them you will
night I pray.-- that no- bo-dystea1sher heart a- way.-- just can't wait un - til that

T
Each

I~ I oW
E7 A7
J Jaa i J
J
A-7
J J 11 iI :
I'· !-7 E7 A-7 D7
Ir
te·
uJ, -
. 0117 D-7 07
· I
choochoo toy.-- when I'm with my Sweet Lor - raine A raine; _ _
re - a - lire why I love my Sweet Lor - Fln8
hap- py day.-- when I rnar-ry SweetLor
i.

Cb.7 E7/B A-7 C7/0 Fb.7 E7 A-7 C7/0

Err! FE IF r r "I ( r r 0- DF P111
smile _ __
I
When it's rain - ing I don't miss the sun, for it's in my sweetie's
F7 E7 ~7 07
I~~rr r 0 IJ oJ I
120 WITCHCRAFT Leigh/Coleman 1957 Sinatra

j\~o7 (i-7 .C7

J 2I l J J2 j I J. J 2 I ) J JE J I J. J
j j 21 :J)J
Those fur gers in my hair, that sly come hith- er stare that strips my consciencebare it's
It's such an mrcient pitch, but one I woul~n't switch, 'cause there's no
F6 C-7 B 7111 Bb6 B"-
I~ ~ l ;Jl_ J"'"'---""I u I d J J I J n £l J I d. J J I J I,B on d I
witch-craft._ _ __ And I've got no de-fense for it, the heat is too in- tense for it,
F-/j\b (i7~~ C7 FA9
I~ ~ ~ J. J 2 I J 1,f3 J) J I e I J. :.[J J II r· kJ
what goodwould common sense for it do?_ _- 'Cause it's witch-craft'_ Wick - ed
Bb13 FA9 ,-3...-, B-7~5 E7~9

I~~ r kJ 1*
witch-craft.--
j Jd J I
and
r'
al -though I-
A2 r 1 pJ. J J r I
kBow it's strict-ly ta
W

-boo'--'-=----=-_ __
Fa II
j\- F/j\ j\-7 D9 D7~9 (i-
I~ ~ ., r r ir I ir £J 1p J I j r· r ir I ir £J !p J I j r· r j I
When you a -rouse- the -need - in me, my heart says "yes, in - deed" in me, "pro - ceed with
&/G (i-7 C7 ... C7 F6
j J J><%J 2I
whatyou'relead - in'me to."_ _ __
W I-a ~I I J1J p--r 2I Ii

nicer witch than you: _ _ _ _ _ __

I .. II

STORMY WEATHER Harold Arlen/Koehler 1933

1AJ j\~ A 07 j\~ j\~7 DbA7

Bb-7 Db-6 &7~9
1* ~IIII~ iU
Don't know
f r EiU I Er [ ¥ ~F iU I P LJ I FEE F r ~ I
why, there's no sun up in the sky, Stormy Wea-ther, since my galand I ain'tto-
Life is bare, gloomand mis-'ry ev-'ry-where,stonn-y wea-ther justcan'tgetmypoorself to-
Can't go on, ev - ' ry thing I -had is gone, storm- y wea- ther, since my gal and I ain'tto-
j\b/C F7~9 Bb-7 Eb-7 j\b F-7 n·Bb-7 &7. 2· C - 7 F7~9 Bb-7 J~7 j\b j\b7
I . " . ,n7 '

ge- th er, keeps . . , all·1 th!'"e tIme__,

• ram-m . ......., '1', Lif-~'
e IS .
tIme.
..
so weaF-y all
I r
the time_
ge-ther, I'm wear- y all time__ ~epeat last 2 bars
lei go-ther, keeps rai.rrin' all the time_
Db r - 3 ----,D o 7 j\~tEb j\b7 Db r - 3 ---,D o 7 j\~tEb j\~7
I~ ~IIII~ i J J JJ J3 3 J I Lob PJ. I n J JJ JJ 3 J I J ~) f II
When shewent a-way the blues walked in and met me. If she stays a-wayold rock-in' chairwillgetme.
Db D o7 j\btEb j\b7 C-7~5 F7~9 Bb7 F)7 II
IJr I
r - 3--,

I~ ~'b~ A J JU
All I do is pray
n n
the lord a
I J J'l
- hove- will let me
P r· lEO
walk in the sun once
j JI r
more. Can't go
 THAT OLD BLACK MAGIC Arlen/Mercer 1943
121
& &6 &b.7 &6 & &6
I~ ~I!~ Il J
That
f J. otJJWJ
old black mag - ic -has me
l ~ 5I J. IJ J2tJ.
in its spell.
J I J. kJJIJ ~ r j I
that old black mag - ictba~ou
The same old tin - gle-that J. feel in - side, and then that el - e-va-tor
11°F-7 B~7 F-7 B~7 F-7 B~7
I~~~II J. M JJ J.
weave so well
J se
IIJ. M n J J J I J. ;P J J IJ
i - cy fm - gers up
J. d down my spine,
FI
the .

I~~II~ Ft Dr rj~7F r F IG7 D~7rlr~

same old witch - craft when your eyes meet mine_
i B;
The
tt starts its
J!J JdJ
ride,
JII
and
A~b.7 A~-6 G-7 @o7 F-7 A~-6
!I ~3~
I! ~ 'I, F" P-F F' I FJ J I J. JJ J J I J J J I J. 1J J1J J J J J I
down and down I go, 'round and 'round-- I go, like a leaf that's caught in the
G-7 C-7 r--3~
A~7'1l

IJ J F I r r £lJ J J J r I elF" p F" p I

tide _ __ I should stay a- way but what can I do,--._ _ _ I hear your '
D-7 G7 G-7 e13 F-
r-3~
I~ ~bll e FF" l qJ. 'I qiiIJ J I r r j@jJJ PI
name~ __ and I'm a -flame;_-

B~ B~(A7)

; J'" r I ~F" pRF FITF ~FF rI

you're the loy - er,- I have wait - eel for..--. _ _ the mare that fate had me cre-
B~7 99 A~b.7 A~6

I~ ~IIII ~r ~"F r 11 r I E' ~ r r I r r r J I h l

at - eel for And ev _., ry ti~ your lips meet mine,--,- -
A~b.7 A~6 G-7 ° @o7 F-7
J J I r" p-r r~ I'r J J I J. Jt J J I J J J I J. AU JJ
dar-ling down and down I go, 'round and 'round-- I go, in a spin,
F-7~S B~7sus4 9
Tn I J. 1J JlJ Tn I J. kJ UJ J J
3

I~~'I'IJ I.. [J - II
lo~ingthe spin I'm in, u&derthat old black mag - icGalled- love _ __
122

nue, when this fam - i - - liar -world is - through, ,

darlc, when love has lost its se - eret spark__
, _ __
larms, when lov - ers heed no call to arms,.-,_ __

B-7 E7 97alt 1' . AgA7 F7 BI.-7 EJ,7 ~. 2.A~7sus4 A~7

I~ ~~I'; nJ ~J I ~J ~J : ii I .. ,_ I* J F iF I II
IBI 0: you still be ~~ A~I:.~ne? When moon- light II
~ ~I.I';
I r F r Ir F J J I ~J r I" 1* ,J1 F J I F J F J I •
!III

r ~7 IBj7~7 y.•
on the Bud -. son's BOt re - man- cy,..::.,- _ _ _ and spring no long-er turns a

I~~~I'; Coda ~~d~75J~J~IB~:9§1EJ,~.:~~(~JA~7~*~-§~=~II II

young man's fan - cy. will you still be II mine?

LET'S FALL IN LOVE

A7~9 0-7 07 C6 A7~9 0-7 07 .- II
Koehler/Arlen 1933

r J J IJ r r r If' J J I j J 3JJl
Let's
Let's
fall
close
in
our
love, why should- n't we
eyes and make opur own
fall in love? Our hearts are made
par - a - dise, lit - tle we knGW
II
Let's fall in love, why should- n't we fall in love? Now is the time ..
E-7 A-7 D-7 07 JB~7IUA7 A~71U 09 lB-7~S E7 ..
1~~~n~J~J~J~J~J~I~j~J~J~j~J~~~J.~J~jJ~
__~le~~J~J~.J~DJ_~I~e~11 II
of it, let'stake a chance~ why be a-fraid-- of it?_ _ __ of it. _ __
of it, still we can try to make a go ..
A-7 A-(1:.7) A-7 09 ~o7 E-7 A-7D-7
.-3===1 07 II
I~ " I FFr J J J I.,) r< I-r j Ie I r r3 J J1 I
II
w,.~__ might have been meant for each oth - er, to be or not to be, let our
CIl7 et o7 0-7 07
I'~~J~~F~I~J$F~II
D.C.alCoda-$- E-7
nJ fn
A-7

I
0-7
J
07 .
iJ J -3"
J C6
I" II II
hearts dis - co~ - er.- for it, while we are young, let's fall in love _ _ __

•
 YOU'D BE SO NICE TO COME HOME TO 12:3
Cole Porter 1942
F E7 A- B-7~5 E7~9 A- G-7
J FI
You'dbe
(I

so_
I F~P J ,m I
nice to come
j
home to,_
aJa #J J I ..
you'd be sOv-_ nice by the
F D-7 D-/C B-7~5 E7 B-7~5 E7~9 A- A-/G

I~ ~~_IJ J J I J ,J I J_l ,J PI [" F P r '0 I

fIre, while the breeze on high sang a luI - la - by,- -you'd be
F#-7~5 B7~9 B-7~5 E7~9 A- B-7~5 E7~9

I~ r- r Il F pi... IT J F I 'I
I r~ --p J Il I
all that I could de - sire:.:----=-~ Un - der stars chilled by the
A- .-3--' G-7 C7 F F6
I~ j a_ La
win - ter·,--,_
J J J I J F ,J I 1 ,) J J I
un- der an Au - gust moon burn - ing a
Ci

- bove..--,--=----
I_J J J
you'd be
II

E-7 F6 C
IJ jJ pl[" I II
1- II
so_ nice, you'dbe pa - ra - dise t~ come home to_ and love_ **

EASY TO LOVE Cole Porter 1936

B-7~5 E7~9 A-7 D7 Gb,7 Cb,7

1 J. J I J J. )1 J JI J ,lUi J.J JUI

You'd be so ea- sy to love, so ea - sy to i - d~ lize, all
We'd be so grand at the game, so care - free to - getlt - er ~at it

'·E719 A-7 D7 Gb,7 Cb,7. B-7 B~7 A-7

Jt 1
e II e I j. J IFF Fe I >F * - I * F J. fi
oth - ers a ~v~ - So worth the yearning for, soswell to
does seem a
D7~9 DWC B-7 E7
~~ E7
A-7 C-6

I~ • au a> \J J J I J J j I J *- : r-
FI ["
-J I
F JI
kee~v - 'ryhome fIreburn - ingfor.- shame, that you can't see your
Gb,7 B-7 Bb o7 A-7 D7 G6
I~ I r J J I J I,J J UI J r 1
J
F ~F I e- Le II
fu - ture with me, 'cause you'd be oh, so ea - sy to love.
124 IT'S ONLY A PAPER MOON Harold Arlen

I~II!~ q
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)
0#07
p F PI
A-7

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--.

Say it's on-Iy a pa- per moon, sail - iog ov-er a card-board sea,
Yes it's on-Iy a can-vas sky, hang- iog ov-er a mus-lim tree,
It's a Bamum and Bai-Iey world, just as pboney as can be,

.~~G
D-7 G7 C A- D7 D7
G
I~i ~
J J) QF 'p I r EJ ~ £3 I J 5-'~F
;J If"1. J
1' ·
Fine
- J JI
*With-
but it wouldl't be make be-lieve if you bo-Iieved in me.

C6 ct 07 OA7/D E+7 A-7 D13 G G7

I~I ~ ,A
r' (J F' P F" P I ~. ~ I ~

out your love, it's a bonk - Y tonk par &de, - with-

C6 C'07 OA7/D B-7~S E7 A-7 D+7
I~I ,J ,J
r' ,fJ r F F F ,11 I r r r r D.C, til FIne
I
out your love, it's a mel-o- dy played in a pen- ny ar - cade.

YOU'RE NOBODY TILL SOMEBODY LOVES YOU

Morgan/Stock/cave 1944

, G6 B7 E7 Yo
j J .~
J ~
You're no -
r J
bo -
J F
tiD
I
dy
J
some - bo - dy loves
r- IT'
you.
~
you're
The world is still the same, you11 never change it, as

11'A -7 D7 06 B-7 B~07

I~I F :£1
no - bo- dy tiD
r 1r JJ
some- bo· dycares____
lie, Ij. J I J OJ.) 1J B J. )1
You may be king, you may POSHSS the

1
J,
A-7 D9 A7 A-7 D7'
I~I J J lJ I J. J I r EJTt)1 r ttl) I J J
world and all its gold. but gold won't bring hap-pi-ness . when
i:J1J.
you're grow-ing old._ _
, I

2.A-7 E7 A-7 E7/B C6 C6

sure as the stars shine a-bove You're no - - dy till some'- bo-

GID F7'1l E7 A-7 D7 06

I~I x.. I J IJ J
r'
you,
J I
so
r r
find your -
'F
self some - bo - dy
F
to
I
love
&: La
 YOU STEPPED OUT OF A DREAM 125

You-- stepped out of a dream; you are too won - der - fuI- to be what you
You-- stepped out of a clouu,-d;- I want to take you a- way.- a- way from the

11AbA7 Ab6 3 G-7 C7 3 FA7

Ir * r r r II r J J~J f r f I V J J- I
I I

I~ II

seem Could there be eyes like yours...-- could there be lips like yours,
FA7 A-7 0'7 .---3---, @-7 0-7 G7 A~7

I~j p--3p-] I r J J-LJ J J J I ;8 I ij8 }

could there be -
smiles - like yours~ hon - est and tru .Jy?
12·~7
If
E-7
II

crowd
F7

Ir r r r II r
And have
0-7
you
D-7~S

all
G7
;r I.J
to
q±7
my -
3
I J.
G7~9

self. -
j
a--
I
CA7
Fm
CA7

lOBe
.

iUld - a - part, -
D-7
rr t
A=1- I

In rr-J
out of a dream,
e IJ
safe
J J J
in my
2
heart
2 I

ON A SLOW BOAT TO CIDNA . Frank Loesser 1948

07
r I J ;, r- I
I'd love to get you on a slow boat to Chi - na. all to my - self. - a - -
Out on the bri - ny with a moon big and sbi - ny. melt- ing your heart of
B~IF A~7
G7 C-7
I
I'I EJ) J I
E o7\,

J) ~Jt:;:;) j )1 j p F pe I
G7

r
8
8

lone Get you and keep you in my arms ev- er- more,
stone-::'====::::
C13 C-7 • ali7 F7 F7 F+7
rr I J) J. j IJ J J 3 J J1,3 ll8
leave all your lov - ers.- weeI>' ing on the far a- way shore _ _ I'd love to

C7 C-7 F7 B~

get you on a slow boat to Chi- n.e&,-8,_

Ir
all
IS J Ir r I
to my - self - a -
ee
lene--=-____
II
---------------~

He danc- es ov - er - head, on the ceil- ing near my bed. in my

I
I
try
love my
to hide in vain,
ceil- ing more,
un - der- neath my
since it is a
coun- ter- pane,
danc- ing floor
there's my
I
D7~9 1'2. G-7
~~6 J J J ttJ
C7 F
II ~. J. j I
. Ii
J J JI •
sightL,-,_ _
love,-,_ _
through
up
the nightl..-- - -
a - bove _ __
I whis - per "go a - way my lov - I
F F7 B~6 B"- A-7 D7 G-7 C7~9

I~ ~ J q FI .. I~aaal a J 3JJalj~r r I" II I

•
D.C.sJCoda
er, it's Dot fair", but I'm so grato-ful to dis-cov-er he's still there.
I
I~~ r
G-7

just
r
for
r
C7

J
my
I
love
F
II IJ ~ • II ,
MANHATTAN Rodg~/Hart192511
F A~o7 G-7 C7 F~7 A-7 A~o7

I~~f !j
r he r F F 1'3 13 J J a Ia a La J J J I J
We'll have Man - hat - tan, the Bronx and Sta - ten is - land too,.-,_ it's love - ly

G-7
And tell me what street
D7~9 G-7 C7~9 1'
com - pares .with Mott street

A - 7 D7~9 G-7 C7 F
in Ju - ly,,_ _

A~o7 G-7
sweet push- carts

C7
J
go- in' through-. the ZOO',-,_ _ __ it's ver-y fan-cy on old De-lan-cy
J
gent-Iy glid- - ing
D-7 A7 D-7 G7 D-7 G7 G-7 pto7 G-7 C7 J
I~~ J J l IJ J J J I J J r FF hr a J I Jar I aJ r J
street you know,--- the su~way charms us s o , - when bal-my breeces blow to and fro.
~

B~6

I
D7
r j .a JI Fn
G-7
j J I r
F
a I J aJ a J I
D-7
J
by,-,_ __
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the great big
A-7 A~o7
cit- y's a wond- 'rous
G-7 C7
toy
F
just made for a girl and
J
I~~ .. I F j he r F F I' J 3 J j j i" I II II J
boy,-,_ _

I
 THEY CAN'T TAKE THAT AWAY FROM ME 127
Ira/George Gershwin
Bb7sus4 (AI ~6 F-7 G-7 (}l,07 F-7 ..
1~~~~lt§Iz(§!~7~j~J~J~j~E~J~_*f~_~e~~I~i~j~J~J~j~jg:~l__
~I~u~~1
The way you wearyour hat\.r-,_ _ _ _ the wayyou sip yourte 1.C<3:1,-,- - - -

The way yowsmile just beams.,....,_ _ _ the way you sing off key,...-,- - -
The way you hold your knife.,..-,_ _ _ the way we danced till three..-,- - - -
Bb7sus4 BI.-7 &7 l'A~A7 G-7 F___7
I~ ~I'b 1 J J J I * r r r [r rJ r fJ
the mem- 'ry of all thcu..at- - - No, No, they can't take that a-wayfromme.
the way you haunt my dreams.,....,- - - - No, No,they

F-7 Bb7 ~6 A-7~5D7~9

lmG-7 C7

f; r iJ-LJ. j g I r Jf rI
The way your smile just beams can't take that a- way from me _ _ We may nev-er, ne.... er
G-7 C7 G-7 A7 07sus4 07 G-7 C7 G-7 G-7~t:7

I~ ~llh F J r B I J J J S I J Jg I F J frlr] r rl
meet a-gainon the bump-y road to love. Still I'll ai-ways, ~ways keepthe mem-'ry
F7 B7 1ll Bb7sus4 Bb7sus4 !J Bb-7 E) 7sus4 E)7
rr r r I
D.C.sJCoda"

I~ ~IIII II I' J J J J E 1 I I 'J J J J FE" I

of - !fhe way you hold YoUf-knife the way you've changed my life,-,_ No,No,they
Ab~7 F-7 C- Ob9 @/Bb G-7/Bb F-7/Bb Bb7 @6
I~ ~bll E r Cj' F i11J')! F J I J J J FI J J I .. II
can't take that a-way from me No. they can'ttake that a - way - from- me':-_ __

MR. LUCKY Henry ManCini 1959

07 0-7 G7 C-7 F7 Bb6.7

I~ I J J
Thy call us
r f Ir F' I r F J I .. IJ J ~J I
luck- y . - you and I, luck - y
ex
girl,
Ij ijS ~J I
luck - y
--l
guy._
A luck- Y rai&bow_ lights the 9lcy, when we kiss.,-- when we sigh_
11. A-7 07 B-7 E-7' C-7. A-7 07 0-7 G7
I~ I j WJ I J J J Ji,l JI II I J J J JI ijJ JW J I J J I dJ JJ r }
Whenyou take my band or touch my cheek- I know I'm on a lif~time luck- y streak_ A luck-y

1?~A7 B>A7 A-7 D7 B-7 B~7 A-7 D7..,' D7 G6

I~ I: *+=l I SJ ~J J IIJ J F r I ... 11 rI r J I J J I e I - II
fiey say I'm luck-y, mis-terluck-y guy and you'rethe rea- son why_
 II
128 CHEEK TO CHEEK Irving Berlin 1934
II
C A 7~9 0-7 G7~9 C A 7~9 0-7 G7~9 CIl7 0-7 Eb o7 CIE

I' 'If J LJ
Hea-ven,-
I - a J I J LJ I • a J I
I'm in hea-ven.-- and my
Ja F JI rFF rl
heartbeats so that I can hard-Iy
II
B~7
Hea-ven,--
A7 D7
I'm in hea-ven.--
G7 0-7
and the cares that hung a - round me -thru lbe
G7 0-7 E7
II
I@
II
- F r I F F F J J F
J J e II
speak.--- and I seem to find the hap - pi - nes I seek,-

A7
week,
D:7
J
seem to van - ish
07
like a gam - bier's
C
luck - y
A7~9r-0-7 G7~9J2. C
streak,
II
It~ - J J I
IBI whenwe're
J) J) J) J J)- I J) J ~
out to-geth - er dane -
~?
J
ing cheek to
._-&I
1)
cheek
I - : - ¥ J;}I
Fine
Oh I II
G7 C G7 C G7
1_ J a F F J 18 r d ~ll J a p F PJ r d ~ll J a F FI II
love to climb a moun - ta.in.- -and -to
love to go out fish -ing,-- - in -a
reach the hig&est pea_k_,-
riv - er or a cree..,.,...k,_
but it
but rkw
(QJC-
does- n't tbrill me
don't eo- joy it II
half as much-- as danc- ing cheek to cheek_ Oh I
II F"
Dance with me,
p r
half as much..- as
C-IB,L3-, t: 9
danc- ing cheek to cheek_ _
0-7 B-7~5 E7 A-7 D7 D-7 G7
I~ r rr
I wantmy
r I:r ~Ji a aJ) ~r I
arms a- bout you,-- the
r Jd JJ J Fir- Ji J
charm a- bout you-- will car- ry me through.--
1 I J JI
to
D.C. aiFine

THREE LITTLE WORDS Kalmar/Ruby 1930

[AI C 0-7 E-7 A7 ~7 .. D-7 G7

1_ raJ ada
Three lit- tie words..-,_ _ _
Three lit- tie words
I a a J a I ~F r
oh what I'd
that's all I
give for
live for
J I a a J LLU
that
the
won- der- ful phrase _ _
rest of my days,-,_
Three lit - tie words: eight lit - tIe let - tefS which

*.2. D-7 &9 D9:£>1,9 mlc7 • G-7 C7 G-7 C7

I~J J I d r _ r J ~F ap I J J ~F F I
e
I e
to hear those feel in my heart they tell sin - cere - ly,
and what I
FIl7 F6 B~7 A 7 A~7 G7 .. D-7 G7~9 C6

I, J J J LiJ a J a I .J \d I r
no oth- er words can tell it half so cleaF:.
t Coda
I J J J FTr (' I
sUn- ply mean, I love
(i

you.
 I CAN'T GIVE YOU ANYTHING BUT LOVE 129
Jimmy McHugh/Dorothy Fields 1928

e-7 B o7 B~7 £1,7

J JI j J J J -I e
I tY r'
I can't give you an - y - thing but love ba - by. That's the on - ly
Gee, I'd like to see you look - ing swell ba - by.

e-7 F7~9 Bb-7 £1,7 Ab7 £1,-7 Ab7 DbA7

j J J rI .. I cr ~r' I J3fJ r' I t21t r- IFF r ri
thing I've plen- ty of, ba - by. Dream lr while, scheme lrwhile, we're sure to find..-
Db6 e 7 B7Bb7 F-7 Bb7 £1,7 B~7

It~'I'~ Xe I B r" I (F !F" IFF r F F

hap - pi - ness, and I guess, all those things you've al - ways pined for.
£1,-7 Ab7 DbA7 Ob6 ObA7

r FI F r F F I
II
I F
A- I J J J JI
Dia- mond brace-lets, WooI- worth does- n't sell ba- by. Till that luck- y
0 07 AbJEb F7 Bb-7 Bb9 £I,7~9 Ab6
It ~'I!~ F J J J I" I J J. I \J J t F IFF r rI II I II II
.day, you know darned well ba-by, I can'tgive you an- y- thing but love· _ _

SENTIMENTAL JOURNEY
Green/Brown 1944

I- e
,j ))
Gon- na take
Got my bag,
l
a
I
Nev- er thought my
)1 J j WJl;.I' J J l J) I J ~£l_j
sen - ti - men- tal jour- ney,
got my re- ser- va- tion,
heart coUld be so year- ny,
e

gon - na
A-

set my heart at ease,

s~nt each
dime I could af- ford.
why did I de- cide to roam?
0-7 G7

F7 F-6 e A7 -07 e
j J l j) I ~J 3 J J l J. I 1 J J J5 J. I J ~W J J_d
gon- na make a sen - ti - men- tal jour- ney, to re- new old mem - 0 - ries _ _ rifle
Like a child in wild an - ti - ci - pa- tion, , long to hear that "all a - board."_
Gon- na take a sen - ti - men- tal jour- ney, sen - ti - men- tal jour - ney home_ _
F F#07 e
Ueun__F" _ I F
It Sev- r j
that's the time we leave at
r P r· I .i J>.J.
sev- en, I'll be wait- in' up for
A-7 G7 FIG E-/G G7 D.C.aJFine

I ie Fr p j JL: J J) I J J J cJ II
hea - ven,..-,_ count - in' ev - 'ry mile of rail- road track-- that takes me back_
130 IN A MELLOW TONE / ROSE ROOM
Duke Ellington 1943?
Hickman 1917

, , E~-7

..>
J
'"
..> , l'

, , ...... ...... D~ ,..,

.., I r I I ~

I
,..,..., D~6 D~6,..,

..> "'-oll

B~7 E~7
2.
D~7
J J .. F7
""""
.., ~ ......
I """'" ,.... D~6
.
. ,.
..> r I I

'"
, I ...... ...... A~

.., ...... .....

D~6,...
I
.
..> .,...." , "L."J

MOTEN SwING Benny Moten

(B~-7 E~7 C-7 F7)

A~7 D~7

JJJJI~pr
...---:-----
nu l- _JI
E~7 11. A~ B~7 E~7
• '1 .p I,U
1
r J {31B.J. ItEUB-~
G7 C A-7 D-7 G7 C A7

Ftne
I J. JEW liB * * r IJ * J ilJJfJJ.
E~ 7 D.C. a12nd End. Fme
C A-7 D-7 G7 C ~3-, ,.---3-r-t

IU*. F IJ * J iJ!1J_J I * Er hF r F~F FI

 LIL' DARLIN'
13]
Neal Hefti/Howard 1959

D9 . G7sus4 E-7 A7 D9 . G 7sus4

I~ Uf 1 r r F IF J F U J II Ir - I ' r r F I F J F U 1
C C7 F6 F-6 C C7 F6 F-6 E-7 A7
I- * 1 10 I F nt r 'F fir I d;"J YIp I F dr cr FF I F
I ".-"..
I~ II ,- I
D9 . 11. Yo. G 7sus4 . E-7 1*' A7· ~ 2·0-7 G7 C
I~ ; r r F IF J U rElF" ,10 I crW ~ ,r J rr U I - I - II

CUTE Neal Heft1/StyIle 1958

D-7 E-7 A7 D-7 G9 C6 ·A7 0-7 E-7 A7

I~ , J. J
Mind if
j
I
I J J. iLl)'. -
say you're cute!
- , J. J J I
In ev - 'ry
I mean I like your style, that sly in-
D-7 G9 G-7 G-7 C7 Fb.7 E-7 0-7 F-6
li~69~J~J~·~A~I~;~k~t~-~~~-~II~,~J~·~r~(~r~lsF~t~-~1
way you're cute! Those big blue eyes,
trigu - ing smile. Your ev - 'ry mood,
C F7 E7 A7 ,....11.-F#---7~S--- B7 Eb.7

I~ l J. J
that turned up nose,
u! F ~ - I' BU.
.that
J J I
cool and
r IJ. pip
care - free pose.
l ~ -

your at - ti - tude
,

I~
E-7~SA 7~9

- j; D-7

just
J.
E-7
J J I
add up
A+ 0-7

r
to
G7
F'
you're
pI P, ~
cute!
C6
- - II

SWINGIN' SHEPHERD BLUES

PI
Iz _. Iz. I
r r rJ I £j J J
"F7 C D-7 E -7 A7
I~ r e [ r F 0 I S r j ,11 I J (r f1 I
~7 G7 ,-3--, C C7 F A~7· G7 C6
I~ T r J j j J I 1'( t r JJ J I P~F· J!i.J. I fJ J E
132 Kaempert 1964
L-O-V-E
F Abo G-7 C7 G-7 C7 F
J a I a J IJ J I J a I I J. J I J J I J. J I
is for the way you look at
a
me, "0" is for the ~J
n-IY one I
Love is all that I can give to you. Love is more than just a game for

F7 I'" B~ G7 D-7 G7 G-7

u
I J. a I a J a J J. J I J J J J I J a I J J J J I d J a J I
see. "V" is ve- ry, ve- ry ex - tra ~r-di-na-ry. "E" is e-venmorethan a-ny-onethat
two. Two in love can make it,

C7 ~2. B~ Bo7 F C7 F
I~~ J J J J Cd a J JI J a J alJ. JI a Jaal .. I (I II
you a-dore can. take my heart and please don't break it, love was made for me and you.

CANADIAN SUNSET Heywood/Gimbel 1956

fA)
I~~f
F
II

Once, I
r-r=a I ..
was a -
Cold,.--,_ _ cold was the
3 F6
I"
lone,-,_ __
wind _ _
F
II

so,__
Wa.rm.---
r-f2J I ..
3

lone - ly and
wann were your
F6
I ..
then..-,_ _
I
lips.--,
heart _ -_
-
Down..----- down came the sun _ _ Fast, fast beat my
.G-7 C7 /2. F
Ir d J J
~
r--3--,
I_a , .. I.. I
youcame-. out of nowhere..- like the SUD-- up fromthe hills _ _ thrills_ Fine
out there-- on the ski trail- wheTe¥our kiss-- filled me with part-
I knew,-- as the sun set-- from that day_ we'd nev- er
~ G-7
I~~f ~ J
A week-end in Ca- na - da.--- a change of scene, was the most I bar- gained for_
And then I dis <overedyoR--- and in your
F6 J D -7 E7 A-
2· • B-7~5 E7~9' A- ~ G-7 C7
I~ ~" I" J J IF I r" JI ir" .J I J J ID e
D.C. aI 2nd End (Rne)
--- eyes I found a love that I could- n't ig - nore: -
"
Bass line for first 8 bars of tune
 NICE 'N' EASY 133
Spence/Bergman 1960

F) EI* F)6 @7 .. F-7

I~ ~I'ld. d i 3 J I fJ J )~J J I d.J J I ,3 J ZU J I d. J
Let's take it nice and ea - sy, it's gon - na be so ea - sy
nr
for us to fall
Hey, ba- by, what's your hur - ry? Re-lax and don't you wor - ry, we're gon-na fall
The prob-Iem now, of course, is to sirn- ply hold your hor- ses,

r
in love_ - I ~
in love-.- We're on the road to ~mance,

A~A7 9/G D7 G-7~5 C7 F7 F-7 B~7

that's safe
roE
to say.--
r· b F r I ~r 0 1 Fqm)
but let's make all the stops a-long
mIll lo.",:L
the way'_-
.. A~ G7 . C-7 A-7~5 A~7 9/G C-7 F-7 B~7 @
I~~IIII 'r·IF F Ilnr ~T"Tr ~ r I F tr FFI J J'Jj JI .--L. I
to rush would be a crime, 'cause nice On' ea - sy does it ev- 'ry time: _ _

HOW ABOUT YOU Lane, Freed 1941

G C9 GIB Bj,o A -7 D7
I~ 'f J J 3 I J J J I J 'b J F1 •
I like New York in June, how "a- bout you?:_ _ I like a Gersb-win tune,
, I'm mad a - bout goo6 booIES, can't get my fiw,.I1,_-
'B-7~5 E7~9 A 7/CI C-6 'GIB A-7 G6 F#7~9

I~ I qJ. jJ 3 r' I'II I r J J I J F J IJ9JJJ]e I

how a - bout you? I love a fi - re- side when a stann is due~i--

B C o7 C#-7 F#7 B G'o7 A-7 D7~9

I~ I 3 J. j J. j J J J. 3 J. j J I 'F - 0 F F J • _
I like po- ta- to chips, moon-light and IDO- tor trips, how a- bout you?_ _
I2.D-7 G7 CA7· F7 G GIB
I~' r ·r r I F r r IF' PF t I) r F I F J.j J. j J I
and Frank-lin Roose- velt's looks, give me a thrill, hold - ing hands in the mov- ie show,
r71B~ A-7 A-fG FI-7~S B E-7 A-7 D7 G
I~ I ~ J. j J. j J I * r FFir· J I J J J I J r J I. I. II
when aII'the lights are low may not be new, but I like it, how a- bout you?:_ _
 •
134

I' Ilf
(AI C~7
I WON'T DANCE Jerome Kern/Hammerstefn 1935

•
•
B-7 0-7 G7ms4 CI:.7 B-7 0-7 G7ms4

,ib ; J I* J J J I II J J J I * J J J I
1
You
1
won't dance,
know what?
won't dance,
don't
You're
Why
ask me,
love - ly,
should I?
1 won't dance, don't ask me,
and so what,
1 won't dance,
you're love - ly,
How could I?
•
J
B-7
J
0-7

I*
J
J J
C7
I J. l J J •
•
e ...... ~

1 won't dance ma - dame with yon, my heart won't

but oh, what you do to me, I'm like an
- -

J•
1 won't dance, mer - ci beau collp, 1 know that

F 0-7~S G7~9 C6

Jdo:-- I e-....
• /'DJ-7 G 7ms4
-
I';let myJ feetJ J,
do
J
things
J
they
J
should
~

- •
•
o - cean wave that's bumped on the shore,
mu - sic leads the way to ro - mance,

/2.C7 F6 0-7~5 G7~9 C6 Bj,-7 g,7

If1;; J II; 1 J 1
1 feel so so - lute - ly ab -
J
stumped
J I e-
Jon theJ floor ., ......
IJ
-
-
•
I

lm A~
I' ~J •~ r I ' ~r II~ ~J J I
~7
~J. ~ J I J.
A~7
•
,
J
When you dance you're charm - ing and' you're gen - de,
==
*
•
•
D~~7 Aj,-7 ~7

&J J I ~J Q - I gj. I J.
I' l- to. &J [ J J
-- *
nen - tal,

•
~

lally when you do the - t1

B7 F#-7 B7 C7

I' butJ ithis

U iJ r
feel - ing
I J i J ,0 IJ I J. l J
is -
n't pure ly men - tal, - -- IJ J J J
~

for hea - yen

•
I'
B-7
j.
rest
j)
us,-
B7
J- I J J ~
A7

I'm
r
not
J I J.
as -
*'0-7

bes -
)
tos,- J...
G7
IJ J
~

and
J
that's
•~
why,
•II
II

•J J J J I J
C7 FI:.7 B-7 ~7 0-7 G7ms4 C
II
I' so if 1 hold
J J F
you in my arms,
F r r
1 won't
Ii

dance
~
1'......
II

•
 THAT OLD FEELING 135
Fain/Brown 1937

E~ E~A7 E~6 E~ G-7~5 C7 F- F-(lm

1*~k!. ef J
\
J) J) I JJ J FI ~e
I r W- J r J' r ;[j
F F
I saw you last night and got that old feel- ing, when you came in sight,
Once a - gain I seemed to feel that old yeam-ing, and I knew the spark

F-7 1"F-7~5 Bb7 C- G7

1* ~!.I!) J J F 1,1,
I F J I J J J J I J J J
Igot htat
of love was
old feel- ing. * the mo - ment that you danced by

1 * G-7~5

~I!I, ~ J J Ji"
I felt a
C7

thrill,
C-7
I
* r r r I
and when you
F7

F F
caught my eye
r
F-7~5

I~ F F F I
my heart stood
Bb7
II

still.

f 2. A -7~5 07~9 G-7~5 C7 F-7

I*~'~ II

still
IF
bum - ing,
r I * ~F F F I ~F
there'll be no new
U=J?J J I ~ r
£0- mance for me, it's fool - ish to

A~7 Ob7 C-7 F7 F-7~5 Bb7~9 E~

I~ ~III! IJ J J
IT'
start,
J J
for that
e

old feel - ing,

r' I* J f
is still in my
J.
heart.
*
BLUE ROOM Rodgers/Hart 1926

F 0-7 G-7 C7 A-7 0-7 G-7 C7 F F7

'I~ ~~ J j J I J J J I J
J JI
J r J I J r r r
We'll have a blue room. a new room, for two room, where ev - 'ry - day's a
Not like a ball- room, a small room, a hall room, where I can smoke my
I'll wear my trous - seau, and Rob -
in - son eru - soc is not so far from

I~~
BbA7

r
hoI - i-day
lj-F f J I J
Eb7

be
0-7

cause
J J J J 3 r~-7
G7

you're mar - ried to me.

C7~9
fF II

knee.
FIIIfI
I
pipe a - way, with your wee • head up - on my stairs.
world - ly cares as our blue room far a - way up
C7 G-7 C7 F --lJb7 A-7 07~9

I~~ J J J J F r F F I ~ F F Ed• F r r
We will thrive on, keep a - live on, just noth - ing but kiss - es,
G-7 C7 Eb7 07 0-7 G7 G-7 C7
.- --.
I~~ ~ r r ~
;;;;j r r V I~ ~ > <
~ J J e If
D.C. aJ FIIIfI
with mis - fer and mis - sus on lit - tie blue chairs.
136 CALL ME IRRESPONSmLE Van Heusen/Calm 1963

A 07 B~ 7 B 07 A~/C C7~9

Call me
I ijJ nA]~JI J J I ~J
ir- re- span- si- ble,
Call me un- pre- dict - a - ble,
n lJ J I
call me UD- re - li - a-ble, throw in
J J I JJ1 ;Qd I
un- de- pend- a- ble
tell me, I'm im- prac- ti-cal, rain - bows I'm in-clined to pur-

B\'-7 DtEb ~9 C-7~S F7~9

too _ _ __
e
I r r I MF c:r F 9r ~F I· e I qli
Do my . fool - ish al - i - bis you?_

F-7 B~7 B\'-7 @7

I~ ~I'I.~ .t
j "iii I ~ I
rI 'J;/'§l j, JI j J
Well, I'm not too clev- er, I just a - do~ you. - sue___ Call me
D7 ~9 C-7~S F7~9 B~9 D7 »9
I'~I\~ iF EF Eqr kr I r r I iF C('C! I'm I rr I iF C1 F 9r I'F
ir- re-spon - si- ble, yes I'm un- re-li - a - ble, but it's un- de- ni - a- bly
C-7~S F7~9 B~9 B~7~S @7~9 A~

I' ~I!I!~ II l Fir iF ~CftlF I r' J I "£ I. . " II

tnle...-,_ __ I'm ir - re- spon - si - bly mad for you _ __

THE GLORY OF LOVE Billy Hill 1936

IAI G D7 G G7 C
J J J , r· J5 J; J. I r· ;'J) J. I' F F F F F I r plJ.1
You've got to give a lit-tie, take a lit- tie and let your poor heart break a lit- tie,
You've got to laugh a lit- tie, cry a lit- tie, be- fore the clouds roll by a lit- tie,
You've got to win a lit- tie, lose a lit-tie and al- ways have the blues a lit- tie,

CC-G
IJ~ l JI
that's the sto- ry of, that's the glo- ry of love You'vegotto love As

1m C ;. G Go G G7
I~ • r 'i p r 'i p I ( Eif '! 'iF j IFF r IF I F P'I J I
long as there's the two of us, whe got the world and all its charms. And
C- C-7/Bb A 7 A -7~5 D 7 D.C. at 2nd End (F
I~ • r 'p r q I kG EJ ,- lYE E F r J I J 'J JJ I
when the world is thru with us, we've got each oth - cr's arms. You've got to
 I'VE GOT MY LOVE TO KEEP ME WARM 137
IAI Irving Berlin 1937
F A~o7 G-7 C7 F67

J-
The snow
j J
is
J d 31 j
snow - ing the wind
J Id J J
is blow - ing, but
J J
I can
I can't re - mem - ber a worse Dec - em - ber just watch those
My heart's on fi - re, the flame goes high - er, so I will

I~; ,2 ijr
E7
r r
.---It-?:,5
Ie -I r r r F I V r
E+7 G-7

I iF
F#o7

r J J
wea - ther the storm. _ _ _ __ what do I care how much it might stonn?
i - ci - des form. _ _ _ __ what do I care if i - ci - cles fonn?
wea - ther the storm, _ _ __ what do I care how much it may stonn?
C9 F 07~9 G-7 C7 'OF AI,. G-7 C7
I
e Ii r' r #r I F F J J J _Ie I,J
-_
warm.,_ _ _ _ _ -- Fme
~ J
I've got my love keep me
to
B-7~5 E7~9IBIA-
1_" I J J r
A-(lm

ID r D
-r A-7
Ir P J ,)2 1
I
G-

r
I
W
need
Off
A-7

J. I } J IJ[JJ
no
with my

o-ver- coat,
o-ver- coat,
07
I
G-7
J.
I'm
,
bum - ing with
...
,p
off

J.
with my
C7

F J
love. My
glove,
D.C.aJFine

-II

A WEAVE:ti OF DREAMS Victor YOWlg/EUiot 1951

1-
C67 ,.-3--, B-7~5 E7~9 A-7 ,.-3--,

F" } J J WI e F J J J J JI J J r' , J JJI

You're a wea-ver of
You're a wea-ver of
dreams,
dreams.
you and your strange fas - ci
you and your lips warm and
- na-tion,
ten-der.
you're a wea-ver of
just like mag- ic it
G-7 C7 F67 B~7IU

e I ~F EJ F CJ I ~r' i pI J r F rI d r r rI
dreams. you and your come hith - er smile,_ just to hear you speak can leave me
seems. thrill- ing. en - chant - ing me too.· I'm in -your spell and there's no cure, I'm

1" E-7 A9 0-9 G9

I' r: U F r 1 "
F [J J F Ii

weak as a babe in arms. poor Iit- tie babe in arms, help- less be- fore your channs.

,.--3--, G9
J J J JI F" D F r I F F I'll
love with you.,_ _ __
II
lost for sure. 'cause you're a wea- ver of dreams and I'm in
138 HEY THERE Adler/Ross 1954

B~7 C7
J. }1 I ~J J J.
Hey there,_ you with the stars in your eyes, love nev - er made a fool of you,
get her,_ her with her nose in the air, she has you dane- ing on a string,

G E-7
J IJ. ~II" J.J
......
you used to be so wise. _ _ Hey there,- you on that high - fly - ing
break it and she won't
I G E -7 J\::l- 3------, D7 G7 G-7 C7 F-7
I~ ~ 'I. .. I J if F ,J. PI !EJ r J I EJ r J I FJ J i >
cloud, tho' she won't throw a crumb to you, you think some-day she'll come to you.-

Eb7 ~3--, Ao7

bet- ter for - care.

I~r
Won't
I
•
you
FIF r r r· p IFF r pI
take this ad - vice, I hand you like a
EblBb G-71Bb G-7~S C7 F;-7 3~ Ab-6 ~3----,

P r-r I r F j J I J J J J. "I J pm I J J J J j I
broth- er? or are you not see- ing things too clear, are you too much in love to
G-7~S C7~9 F-,1-3----, Bb7sus4 llb7 3~ DIE~ Eb

r * f JIJ j j j Fir J J J I J J~ I_a

hear, is it all go - ing in one ear and out the oth - er?_ __

DANCING IN THE DARK Schwartz/Dietz 1931

F-7~S

u" I<j * J J I
Dane-ing in the dark.- till the tune ends, we're dane- ing in the dark- and soon
Look-ing for the light-- of a new love to bright-en up the night.- I have

J Jl I ~ P r p I~7 'r f 1'~t P f C: (t f

19
JI
it ends, we're waltz-ing 1D the won-der of why we're here, time hur - ries
you, love, and we can face the mus - ic to -

I~~bb
E7tIl

hF' ~p J > 1< j ~J

B7
I
Bb9
II
~~~
.~a
Bb7
I ije I r- F I r F I
E~ Gb F7 E~7 Eb
I,-I "
by, we're here_ and gone. geth - er, dane - ing in the dark
 I DON'T KNOW WHY Ahlert/Turk 1931
139
@7 Bb G-7 C7
J fJJI JJWJ r IfE e rfE er l r E err I
All day longyou'reask-ing me, what I see in you, all day long I'm an-sweFing but whatgooddoes it do?

I~ ~I, ct Err ~7 r I B~
I have noth- ing to ex - plain,
I; r ie J C07 r ~F J IGt J
I just love you, love you, and I"
57
tell you once a- gain,
J ~7 I
D-7
I J J J
I don't know why I love you like I do, I don't know why, I just do.
F7 C-7 F7m f C-7 F7~9 Bb Bb
J J). )1 U
I don't know why you
Fr] r I r r r
thrill me like you do, I don't know why,
(""'EJ J I J.
you just do.
i #p I
You
Bb Ab7 G7 C7 F7 Bb C7 C-7 F7
I~ ~b r Ie [ r p r ip I r r' J! I J J J J P r pI r J JdI
nev - er seem to want my ro -manc-ing, the on-Iy time you hold me is when we're danc- ing,
Bb D-7 ,--3--, G7 C-7 F7 Bb
I~ ~b J J J J~3.)1 J J J n) IrE e L~tr r Ie'
I don't know why I love you like I do, I don't know why, I just do.

THERE'S A SMALL HOTEL Rodgers/Hart 1936

GA7 G6 GA7 G6 GA7 C7 B-7 Bb o7

I~'f j J I J r J I j J I J J J
There's a small ho - tel with a wish - ing well,
There's a bri- dal suite, one room bright and neat, com -plete-for as te share to-
When the stee-ple bell says "good- night, sleep well", we'll thank the small ho - tel to-

l'OA7 G6 GA7 G6 J 2. GA7 D-7 G7 CA7

I~ I gethJ ter U. ~ Jr. rgeth - er
I r' ~ I r
LOok - ing
F J. thm
)i
the
D-7 G7 CA7 E7 A~7

I~I r F qJ. J I F
J J J I J .a I F J W-
J)
win -
E7
dow you
A-7
can see a dis - tant
A-7~5
stee -
D7
pIe, * .GA7
D.C.aJCoda
not a sign of

I~I J .a I qJ J - ;J j I r r Ie II
peo - pIe, * who wants peo - pIe? * " geth - er.
140 TIlE TENDER TRAP
Van Heusen/Cahn 1955

A~6 Ao7 &-71B~

J 3 J J J) a ~JtI J. t; ; I ~a J J J
You see a pair of laughing eyeS-- and sud- den - ly you'resigb-ing sighs,
You're hand in handl»neaththe trees-- and soottbere's mus - ic in thebreeze,
And all at once it seems so nice,-- the folks are throw- ing shoesand rice,

Z rr those eyes, those sighs, they'repan of the ten- dertrap!- You're

thosetrees, that breeze, they'repan of the ten- der trap_
you won - der how it all
G-7~S C7~9 F-7
I, J r
Some star - ry
hF I r
night, when
E rIrr
her kiss- es
J a Ir
make you tin - gle,
J221
Abo G-7~S C7~9 F-7 B~7 B~7 r)70 .C• a1Coda
I' ~IIII~ J r r IF IrE Fir F J J I J. f r I J. lEa. ." I
she'll hod you tight and you'll hate your- self for be - ing sin - gle. And

F7~9

J? 'r ( J" I"r hE J r [ til

came a - bout, it's too late now, there's no get - ting out, you fell
@7 • A~6
IF 9r F I'D a J£ 1<" - II
in love and love is the ten - der trap.
 YOU'RE GETTING TO BE A HABIT WITH ME 141
Warren, Dubin 1932

-~
r)GJE)J
Ev- 'ry
.... In
P) - J W_
~ J
B~

- A-7
. .PIJJJRJJJ JI
G-7 .-3--"1

kiss, ev-' ry hug seems to act just like a drug,

C7 L

you're
FIl7
,--3--,

ge~ting
G-7

to be a hair it with me.

'-"

1• F/A F7 B~ A-7 G-7 C7 FIl7 G-7

I'~ J
1
.

'-'
Po I J e
Let me
J
stay in your anns, I'm
min J J J_J. Jl I J Ll n iJ J ~J
~
,--3---,

.
die-ted to your channs, you're
L ~3~

ge~ting to be a halrit with me.

.
A7 07~9 G-7 C7 A-7 A~o7 G-7 Csus4

I'~~ I 1 (r F J J J JI )i J )1 J. fi I J. J1 J J I
I used to think your love was some- thing that I could take or leave a-
Fl o7 G-7 C7 A-7 0-7 G7sus4 G7

u
I '( r F J J J J I )i J fi J J I 1i J. ;}l J.
lone..-- but now I could- n't do with - out my sup - ply, I need you for my

C 7sus4 C7 JEIGt A7D7 G-7 AJ,0 7 A7 07

-- t J. J J ) I i J3J E E E r 1 ~p J hp-r J)
I'i r- own. Oh I you've got me in your clut-ches and I can't break free, you're
G-7 C7 F ~7 07 G-7 Cl F

I'i eCrU i?J J I J J JJj )11 [Fe u ok J J 3£..

get-ting to be a hab- it with me, can't break it, you're get-ting to be a bab- it with me,.-,_ __
II

PEG '0' MY HEART Fisher/Bzyan 1913

C7 G-7 C7

iji letJ us) part..-,

I * JI loveJ you,J I don't J=_r_ I * I
r F JI
love you.
your glan - ces make my beart say, bow's· chan- ces?,

F7 1' . C-7 • F7· Bkz B~ID Jjo7

J ~ j J J. J J I Jr--J""""'J-) J J J 3,.
it would be YOlu,..l,_ _ since I beard your lilt-ing laugh- tcr,

J2C·7 F7 B~

it's your I-risb beart'm af-ter,

J J j J
come, make your bome
tn F I in my beart
e - II
142 I..DIDN'T KNOW WHAT TIME IT WAS Rodgers/Hart 1939

F#-7 E-7 A7 F#-7 B7 E-7 A7

1*' HE F I_
I_
did - n't
did - n't
•I
know
know
j
what
what
F3 J
time
day
it
it
was,
was,
F
then--
you _ _
PJ
I
held
met
my
Ii

you.
hand,
1_ _ did - n't know what year it was, life- was no prize,

A-7 E- E-71D C B-7 .!'A-7 J D7 2. A-7 D7

j ..., <
J' a a J1 J a J J •I J :" J e II
Oh- what a love - ly time it was, how sub - lime it was too. grand.
warm_ like the month of May it was, and I'll say it was
1__ want- ed love and here it was shin - ing out of your
B7 F#-7~5 B7 E-7 G7
J Q-- I J pj
..... J I••I e
Grand- to be a -live, to be young, to be mad, to be yours a - Jone.
G E-7 A7 A-7 07
J Pm J Pm J PJ J J e
D.C.sJCoda
II
Grand- to see· your face, feel your touch, hear your voice say I'm all your own.
A-7 A-7~5 GID B7 C6 G
r
eyes,
F
I'm
F
wise
PJ
and I know
J
what time it is
e
now. _ _ _ __

OH YOU CRAZY MOON Van Heusen/Burke 1939

A-7 07 A-7 07~9 G~7 C9 B-7 E7~9

L ,
J' F F r J J • a o
When they met, the way they smiled, I saw that I was thru,
When they kissed they tried to say that it was just in fun,
There they are. they fell in Jove, I guess you think you're smart,

A7 Bb7 A-7 07~9 E7 C#-7~5 F#7

3
_.I l' J f 1___-J •I
J IJ. J *- II
oh, you cra- zy moon.__ what did you . -
do? _ _ __ done. _ __
heart. _ __
Fine

oh, you cra- zy moon,__ look what you've

oh, you cra- zy moon,__ you broke my .
B- G#-7~5 C#-7~5 F#7~9 B-7 E7
J .a
Once you
#J
pro - mised
r iF (; --= r p I
me, you know. that
t£lr
it
F J
would nev - er e n d _ - - -
e

A- F#-7~5 B-7~5 E7;1~ A9 A-7 07

J J ••J 1,
• •
I
F r J9 A J J *
D.C. sJFtne
II
you should be a - shamed to show your fun - ny face my friend.
 --------------

MAKE SOMEONE HAPPY 143

Styne/Comden 1960
F6 F+ F F+ F6 C-
I J f) a J I * J J J 1 J £ J a J I * a a aj
Makc::-
e __ some- one hap- py, make just one- some- one hap- py. make justone
Fame ....._ _ if you win it, comes and goes- in a min- ute. where's the real
C-(t.7) C-7 F9 B~ Bb+ B~6 B~-7

I"~,") J d J J I e I,
II
e=
I -r lJ J aI J ~r F rI
heart the heart you sing_ to,_ one smile that cheers you, one face that
stuff in life to cling- to?,- Love is the ans - wer, some-one to

I'~
FA7 B~A7 A-7 D7 G-7 C7

E2J
lights when it nears you,
a j
one girl
j J
you're ev
r r
- - 'ry
Ii

-thing-...:
II

to._-
~
love is the ans - wer,
12 . FA7 B~7111 A-9 D7~9 G-7 C9

I"~ J J r r I i r P r FI r r I
e
I-r E~
:J F FI
once you've found her, build your world a FOun~ hel', make some- one hap- py,
A-7 D7~9 G-7 C9 F6

,,, ~ * r r r IT r F 1 F j I
make just one some- one hap- py
J F
and you-
r I F EJJ
will be hap-py
j a. I Ii

too, _ __
I" II

Becaud/S1gman 1962

G-7 C7

LJfJJJI
live thru a-nother
hopes-- in- to bits of
world.- closing in on
where..-.. theseasllouldle.
last good -
F
II

ciay -Fine
- nateh- mg
U7 . my 1.once I could see,-- once I could & I
lee&,-
clay 2.What now my love,--- now that you're gone.--
bye·D-7 G-7 C7 F F7 B~7
r--- 3 - - - , ~

r J J Fir"
now I am numb,
JJ
1've be - come
I r- F I 1H1 -
II

rea].
I F J J ~F
I walk -the
~e=
night.--
t
1'd be a fool to go on and on No one would care.....--
Eb7 AbA7 DbA7 r - 3- - , G-7~5 C7sus4 r--- 3 - - - ,

I"~ r with-out
Ad j F a
I" V J J FIEF I-r !"J I
goal,....,_ _ strip-perl of my heart-r-,_ _ my
J J j II
soul _ _ _ What now my
eo

no one would cry__ if I shoUld live or die _ __

144 SUMMER .WIND Mayer/Mercer 1965

Eb C7~9 F-7 Bbg

. 4 J1J,) I J Pm J 1-
The sum - mer wind- came blow- ing in_ a - cross the sea.-- it
Like paint - ed kites_ the days and nights_ went fly - ing by._ the
The au - tumn wind._ the win - ter winds- have come and gone.- and
F-7 Bb9 Eb
h J J J -
lin - gereel there_ to " J
touch your hair_ and walk with me.-- all
world was new_ be - neath a blue_ um - brei - la sky.- then,
still the days.- the lone - Iy days_ go on and on.-- and
Bb-7 Eb9 Ab Ab-6
§P r p=r !j 1> I §;J~ r pr -- ' p r J J. )1 Ii

sum - mer long_ we s~g a song_ and strolled the gold - en sand.
soft - er than_ a pIp - er man_ one day it called to you.
guess who sighs_

I'
his lui - la - bies- through nights that nev - er end,
EblBb Bb7sus4 Bb7 .. ~
~!'Iz l J r J 7J. 'J'I j5 J »- J use C7 to
- II
two sweet - hearts and the sum - mer wind
1.£-_
To modulate up 1 step
I lost you to the sum - mer wind_
my fic - kle· friend, the sum - mer wind_
Eb6 Ab9 ~6
J). J &pl J) J
sum - mer wind.-- -- the sum - mer wind.- the sum - mer
) _J_
J wind
--
JUST SQUEEZE ME D. Ellington/Gaines 1946

lA1 FA7 0-7 A-7 0-7 FA7 0-7 A-7 D7~9 0-7

I, ~ • J J Jl F p' Il fr J J J E£J" I"r· p~r· p;o I"r· p-r

Treat me sweet and gen - tic..e_ _ when you say good - night, Just squeeze me,-.
I get sen - ti - men - tal _ _ when you hold me tight, . Just
When I get this feel - ing_ I'm in ec - sta - 9'. so
C7 FA7 0-7 C7 [§] J;:1-3~
I'~ r· r r r·
It.

'l' J1-< J FIllS

.- )JJ,J 0 EiFrl
but please don't tease me._ Miss - ing you since you went a - way,

J J33
3
Bb

I'~ r I crt
r-
(J ( r E
sing- ing the blues a- way each day, count- ing the nights and wait-ing for you. _ _ _ __
G7 G-7 C7 C+7

I'~ feB FFur I -Err'} Fr (1 r I F I , r p-~ I

I'm in the mood to let you know, I nev - er knew I loved you so, please say you
 LOVE WALKED IN 145
George/Ira Gershwin 1938

E~ C-7 F7 F-7 B~7 E~

e
J J J r I qJ J J J J I e e

Love-e- - walked right in and drove the sha- dows a - way,__ lov'e-e_ _
One:_ _ look and I for - got the gloom of the past, on,~e-

C-7 F7 F-7 Bb7 Bb-7 E~7

J JJF r r [jr rI e

day.,_ _
II Ii
I J JF rI
walked right in and brought my sun - ni - est mag - ic mo- ment
look and I had found my fu - ture at last_ _ look and I had

11·AbA7 G-7 C7 F-7 Db9 E~ C7~9 F7 F-7 B~7

I~ ~I'I! F F r J F I I* n I I ~ J J r I iF r J J ~
know,_ that love said "hel- 10,"_ though not a word was spa- ken.

F-7 D~9 E~ C7~9 F-7 B~7~9 E~

F r rJI J J IF J J J I EP
~----
Ie
found a worldcom-plete-Iy new, when love walked in with you_ _ __

NO MOON AT ALL
Evans/Marm 1947

D- D7~1C G7/B
1~5f J J J JJj I J p--a - J
j j I 'I J ,) J
><
No moon at all._ what a nigbt,- ev - en light- niDg bugs have dimmed their light,-
Don't make a sound._ it's so dark.- ev - en Fi - do is a - fraid to bark.-
No moon at all,_ up a-bove.- this is noth - ing like they told us of.-

E-7~m~ D- B~7 A7 D-7 A7

1~5 "f J :b J J J J I J :3 j J- J J JU..... I .....0
- :~
stars have dis - from sight E'd there's no moon at
ap - peared all
what a per - feet chance to park,
just to think we fell in love.
07
.....
J J) I J ,J 1 > J , J. hp F )1 J htJj-r
C7
J.
Should
,}l
we want -
at - mos - phere
F6
<

for in - spi - ra
A7~9
- tion dear.--

, r ~ J p'!'r OJ FJ I J JJ J J j J JI 'I trJ'J· 'II

one kiss will make- it clear, that to- night is right and bright moon-light might in- ter- fere._
146 - DREAM A LITTLE DREAM OF ME
Kahn Andre 1931
•
G Eb7 D7 G E7
,---3---,

I~I e~: J J J J J J j J J J J J I .a r a ijJ j I

Stars shin - ing bright a - bove you, night breez - es seem to whis - per I love you,
Say "night- ie night" and kiss me, just hold me tight and tell me you miss me,
Sweet dreams till sun- beams find you, sweet dreams that leave all wor- ries be - hind you,

A-7 F7 A7 A-7 D7

J I" G_
~
I~I j J J ]3) ~
j J JI
3-,

j ~J
e

birds sing - ing in the sy - ca - more trees. dream a lit- tle dream of
r FI
me.
while I'm a - lone and blue as can be
but in your dreams what - ev - er thay be,
2.0 E~7D7 G B~7 Eb C-7 F-7 B~7 Eb C-7
,---3----, r-- 3- , ,---3---,

dream a lit- tie dream of me. Stars fad- ing, but I lin- ger on, dear, still crav- iog your

F-7 Bb7 Eb C-7 Fme F-7 Bb7 Eb Ab A-7 D7

r---- 3----, ,---3---,

I"
D.C. aJ 2nd End
IT r IT ~F
~e

kiss, I'm
r
long - ing
F r I ~r
to
j
lin - ger till
J
dawn.
J
dear, just
r
say - ing
e

this;
II

SWEET AND LOVELY Tobias Arnheim 1931

G-7 C7 G-7 C7

r· F F J. r r r r E If r r e

Sweet and love ly, sweet- er than the ros - es in May,

Skies a - bove me nev - er were as blue as her eyes.
Sweet and love - ly. sweet- er than the ros - es in May,
F F7 Bbl:.7 Eb7 CI:.7 G7 C6

sweet
J r
and
r
love -
J
ly,
1j J J J .J
hea - ven must have sent her my way_ _ __
J J J--I ..
and she loves me, who would want a sweet - er sur- prise. _ _ __
and she loves me. there .. is noth...; ing' more I can say Fine

F-7 Bb7 CI:.7 F-7 Bb7 Ct:.7

~
1 ] I!~ J J J J J J 1 j J J) jkJ JD J JJJI e

When she ne£- ties in my arms so ten- der-ly, there's a thrill that words can- not ex- press.
A~-7 D~7 Ebt:.7 E~7 Ab7 D-7 G7

I~ d IIJ J ~J J IIJ a-r'

r D.C. a/Fine
..,.
J J I J izJ I d iJ ~r· J) rr II
In my heart a song of love is taunt- iog me._ _ me] - 0 - dy, hauot- iog me._ _
 EBB TIDE
Maxwell, Sigmond 1953
147
C67 A-7 D-7 G7~9 C67
1~1l J If J. n 9i I J. F]1
First the tidC!'-" rush- es in:-- plants a
1 (--,lm I
kiss on the
J. J I l_J iJ I
shore, then rolls out to
So I rush to your side like the on - coming tide with one burning

0-7/Bb I1. A719 D-7 IS . G719 ~ J2. E -71?A_ A7a1. •

fa
.p

If J. J La : J_ J JJ J I J. ] J ;tj , J. I J l,p I
sea and the sea is ve- ry still once more. So I arms o-pen wide? At
thought. will your
B-7~5 E7~9 D-7~1A~

Tn I r· en I F"
D-7 ,-3--, A-7 C/G Ab+
If J. J d JI r· El I P- 0 I f'" E r I
last we're face to face, and as we kiss thru an em - brace, I can tell, I can feel, you are
A-7 D-7 G7~9 C6 A-7 D-7~5 G7~9

1* r- EJ Ire: SI ( tQ I ( «g I r- ~fD I J J )11

love, you are real, real- ly mine in the rain, in the darlc, in the sun, like the
C67 A-7 D-7 G7sus4 G7 C6

1* J. ~ I J. .fa '1 I J:.-J.a I J. J JIB e II

tide- at its ebB;---:'" I'm at peace in the web of your arms _ _

HARLEM NOCTURNE Earl Hagen 1940

lAI
* ill
.I ~ 1 E E!( f
D-(1.7)

<,t

B~ 7fllA 7 1.
I-N
__ G-6
JB J ;1,1 ,S.J.. - - -I cr rJ r f!.rl
,
0-(1.7) G-7
_ • r- 3-,
D-6 Last time Vamp out
/-,...;,-, , 2. D-6 D-D~7~ .h.

-
-.~

Fil'lfl' • ,

B~13 F-7

I*~ fuT-r
2
1 'A9 G9 D-

I*~ Err j I ~: D.C. aJ 1st End.

148 MEMPHIS IN JUNE H. Carmichael

I' ~ I!
(Jb9 F9

(
Cb.7 r- 3 --, 0-7
r' f'
3--,
1
E9

r 0'-'
f)9

E-7, .-:- 3-fb.~G

I' (
B~9

D
Cb.7
r(
A9

3
G+7
Ab9
1.1 J,I)
0+7
911
-
I' (tiD a_a J
Cb.7

E-
r- 3 --,

ill ill ~lJ

B+7
0-7
r - 3- ,

J 1

E-7
E-7
3 ~
3-fb.7/G

A13
_

1
Cb.7
r-3-,

~ fiJ) JUg J~J

Fb.7/G Cb.7 B7
- II

I' fl3 H JJ 3j 1fj n iJJ

E- B+7 . E-7 A13 013 0-7 0+7
I' JiJ JJ J J J J 1J j J J iJJ 1r t1t J J J Jda mJ ~

GEE BABY, AIN'T I GOOD FOR YOU

Don Redman 1929

C7 ~3---, A~7 G7 3 C7 "F7~9 Bb9

I ,;
I'P't r- Tj ]
Love makes me treat you the
lia JlI
way
r=::: ---,
JJ J ,J a
that I do,
1 ~a In ! FJ~-tJ. j
Gee ba- by,
3

ain't I good to
1

DOth - in' too good for a girl that's so true,

I' 11 .

~I'h J ' J.
96

you.
G7

There's
,..----3
you.
Fine

Ab
Ab

"If J)
Bought you
A 07
.
r-- 3--, ~3~
A.

J ~J J J ~J ~j .... il I
07

a fur coat for christ - mas,

0-7~5 G7 .
,--3---, r--- 3 ----, D.C. aI Fine

:1 ~ ":~
• J -3
1 elil. . Ii IJ1. I If P ~J J J J I Ii J) J J 1 j I
a dia - mond ring, a Cad - iI - lac car, an ev - ' ry - thing. ---
"
 BLUES IN THE NIGHT 149
(Y.
~
IAI Bp
I
r-3--,
Harold Arlen/Johnny Mercer 1941
r-3-o
I
Bp7

I~'~ I! ill I f~J

My rna- rna done tor me, when
n F' ;p I f3] RQF' )1 fJ]
I was in knee pants, my rna- rna done tor me,
A-r I JJ..~
son,- A
From Nat- chez to Mo- bile, from Mem-phis to St. Joe, where - ev-er the four winds blow,.- I
Eb7 B~7
I r - 3--,

I~ I' J 31 J tJ.)1 J J
wom-an- 'U sweet talk
aJ U I' Li.J J J J ,3 JJ)J. )\1
r-- 3 ----,

and give you the big eye,

-

but when the sweet talk-in's done,-- a

been in some big towns an' heard me some big talk, but there is one thing I know,_ _
F7 C7 F7 Bb ..

I~~II
IBI
ltd] u''r" ill I ~FEr
w;r an ' s a two-face.- a
L1 a=[J J. j I
;;-ri-somethingWhO'lllea~~ou to sing the
Ar-m I ..
bl::- ---, in the night.
I
3

I~ ~b F" p J. j J. j I ~F" P J. j Jj I Ip (F" ill I f J ] nr Q

Now the rain's a-fall- in', hear the train a call-in', whoo- ee,- (my ma-ma done tol' me)_ _

I,
~7
II, ~F"
Hear dat
p J. j j. j I F' P E, F'
lon~some wbis-tle
C-7LS F7

blow-in' cross the tres- e.

r Ip (" r
I
Bb

whoa- ee- (my

1_ 3 --,

)\1 f3 ] n
ma-ma done tor me}- a
F' ;P I
F7 C7 F7 Bb

fr-'..,.4: r rl ;PI ~Ei sl,m J.

3

I~~I' j I A(ml J d jJ I
r;q whoo- whoo- eo. 01' clido&ty clack's. eo-ho-ing bock the blues in the night The eve-Din'
&. E)9 C-7 LS F7L9 1»7 C7 L9

'1 ~ ~I,t r' ~ r' p I F" ~p (': F"; F' I,Jl F' )11 ~e
breeze - 'U start the trees to cry- in' and the moon- '11 bide its light,
Take my word, the mock- ing - bird - '11 sing the sad - dest kind of song,
G7L9
I'G-:~ C7 F7 C-7LS F7

I~ ~II I,J. , J. )5
r ISc.- I>r -
~
5 ?

FF F F
when you get the blues in the night
he knows things are
2·G - 7LS C7 F7 ob Ab-6' F7/t.-, C7 F7
r-"3 O.S.BlCoda

.
I'~I' J.
wrong
Bb
and she's right

..--3---'

!f 1111
Bb7
,3-,
Iz~. ,w~ ~r-r J) I-,
C7 F7 C7
~r--3--,

r r r L1 £1lJJ I
F7.sus4 ,-3-,
From
Bb

II
" 'U
night. Hum - - - - My rna- rna was right, there blucs- in the night.
===---:-:----===-----

150 LET'S GET AWAY FROM IT ALL

Matt Dennis/Tom Adair 1941
fA] 96 Bb7~9 96 g,7 Ab6 F#o7 G-7~5 C7~9

I~ ~III! " J J HjJJ J 113) IrE E r-rr r F a

Let'stake a boat to Bef-mu - da, let's take a plane to Saint Paul,
Let'stake a trip in a trail - er, no need to come back at all
Let's go a-gain to Ni- a - gra, this time we11look at the "Fall"
-$-Db9 B~7
F-7 Bb7
... ...
C9
I'PJ9 J J J ~ •~ F-7
I~ ~I!I! J J JJ >""<

let's take a kay - ale to

J1r J11 J J IJ J- )5J.
Qumcy or Ny - ack.
dO I
---
let's get a-way from it all _ __
II
~
Let's take a pow - der to BoHon for Chow - der,
let's leave our hut dear, get

I2. P9 B~9 Ei>6 Ei>7 1m AI><; A-7~SD7 G-7 C7 F-7 B~7

I~ ~~b J J JJJ J DiU-

let's get a-way from it all
JI rr r r I Dr p-r r I ))r la,s I
We'll tra-vel'roundfrom town to town, well vis-it ev - 'ry
FJ,6 B~ B o7 C-7 F9 B~7 BIH-7 D.C. alCoda

I~ ~I!I! J. ,)51 J F F r I pC fr I ~E r; Pr pte

'I I
state.- A - las- ka and Ha - wa- ii too- then all the for- ty - eightL--_ _
.. Db9 C9 F-7 &6
I~ ~bl! i J J J"PF I E r r r-c r r rTF" * II
out of our rut dear, let's get a- way from it all _ __

PAPER DOLL Johnny Black 1915

F FJ,7 D7~9 G7 C7 F G~ G-7

I~; J J J I iJ n Er U I J J J.)I J 13 JJJ J qJ J I J 'J JJ I

I'm goin' to buy a pa-perdollthat-lcan callmyown, a doll thatoth-erfellows cannot steal, andthenthe
F F/A F-IAb C/G A7 G7 C7
I~; J J J J J ~ J I J. i J J P J. 1)1 I i J J j ~J i ] J d I r- rI
flir- ty, flir- ty guys with their flir - ty, flir - ty ey~, will have to flirt with do~ lies who are real. When

G-7 C7 Fh.7 Fl o7 G-7 C7 A7

I~ ~ ( IE ~F 1 J IJ 3 .3 I ,p ('r riPE tr J IJJ ,3 I J J I

I come home at night she will be wai~ing, she'll be the tru-est doll in all this world. I'd
Bb B o7 F/C D7 G7 C7 F

I~ ; J ,3 J J J j J J I J Err E r I J J J J J J I ~- t II
ratb - er have a pap- er doll to call my own, than have a fic- kle mind- ed real live girl.
 LET'S DO IT 151
Cole Porter 1928

B~6 F7/C B~/D F7/C B~6

f)
When the
f nJ J J JIJj
lit-tIe blue-bird, who has
JJ J
nev- er said a word starts to
n IJ r r
sing "Spring, Spring."
~ I
When the lit-tIe blue- bell, in the bot- tom of the dell, start to ring "Ding, ding."

['C-7 F! J B~7 EI> EI>- B~ID C7 F7 B~ID B o7

n I Er rr a J J)I
2.

I;~I' - ~ if) ,- ~ Q I U r F J DI F
Whenthe Whenthe liHleblueclerk,in the middle of his work,starts a tune to themoonup a-

C-7 F+7
I~ a a J I
bove, it is na-ture, that's all, sim-ply tell-ing us to fall in love. And that's why
In Spain, the
IA1 B~6 C-7 F7 B~6 96 A~7

1;,I'f J ~f] JI J ~£ ] J I J P J J J !3 I r !E &E-F

Chinks
best
do it,
up - per
Japs
sets
do
do
"-"
it,
it,
* up in Lap-land, lit - tie
Lith- u - an - i - ans and
Laps
Letts
do
do
it,
it,

. B~6 C-7 F7 1 1. D7 G7~9 C9 F+7 .~ ~Be~6 0+7

1; ,I, J ~£3 J 1 J 1>£3 J 1* J J J == -
I * F F FI
love. In Spain, the love. The dutch in
C-7 B~A7 F-7

old Am - ster
I r
dam do it,
... I * J ta J
not to men - tion the
J I I, ..
Finns,

I; 1>1,
9A7
J JJa I '-"
A~7

~J J J_a
I)I,A7

I* J
C-7
J a J a
F+7
I
folks in Si am . do it, think of Si - a- mese twins. Some Ar - gen -
(g
I; 1>1,
B~6
J ~f) J I J
C-7 F7
m;u 1 i,J J J F r F r I
Bb G-7 97
~r
tines, with- out means do it, peo - pie say in Bos- ton, ev- en beans do it,

B~6 G-7 C-7~S F7~9 Bb6

I;~I' r EJJ -- r r ...
r
;:

I E J• e e II
let's do it, let's faU in love.
152 MEAN TO ME Ahlerttrurk 1929

F6 pt 0 7 G-7 C9 F6 C-7 F7 B~A7

You're
t J J 3~J I
mean to me, why must
r· fiJ ,3 J I r you be
J J J I
mean to me?_ Gee, hon - ey, it
r'
I stay home-- each night when you say you'll phone.-- you don't and I'm
It must be great fun to be mean to met- you should - n't for
FA7 07 G-7
r
C9
r"'r
J IFJA7 0-7
. ;l. . .,
1'(rJ ~+7
j i··r
~
J
J J J CJ
-
seems to melIIC:---
left a-Ione~-
IF
you love to see
r
sing- ing the blues
me
and
cty - ing,
sigh- ing,
I don't know why_

l' ~
12· C- 9 F7~9 B~A7 G-7 C-9 F7~9 B~6 Eb9 D7
r r II r-r I F reF kr r I I* F r
* Your treat
e
J I
me cold ly * each day_ in the year, you ai-ways
G-9 Eb9 07 G9 C+7
I~~ ,J J I * F F J I J. L

J1'-"J
pE] J IJ II
D.C. III Coda

..- scold me when- ev - er some - bo - dy is near, dear.

,'i FA7
J
can't
J
you
J
see -
0-7

J
....
1 J
what you
G-9
I F"
mean
C9
J I J Jt
to
F6

me
I-.. II

THE GLORY OF'LOVE B1lly Hill 1936

IAJ G D7 G G7 C

"~I J J f F· lJJ. r P1> J. I

l

J I F" J1Jl J. I' r F r r r I

You've got to give a lit-tie, take a lit-tie and let your poor heart break a lit-tie,
You've got to laugh a lit-tie, cry a lit-tie, be- fore the clouds roll by a lit-tie,
You've got to win a lit-tie, lose a lit- tie and al- way's have the blues a lit-tie,
CC-G

I J**JI
As

when the world is thru with us, we've got each otb-er's arms. You've got to •
 I'M GONNA SIT RIGHT DOWN 153
Ahlert/Young 1935

C C~7 C6 G+7 C~7 E7

J J J J I J J J J I r r 1 r· r I r F F F1r. J I
I'm gOD-na sit right down and write my- self a let- ter,- and make be-lieve it camcttom
I'm gOD- na smileand say,"1 hope you're fee~ing bet- ter,"_ and close"withl.ove"the way you

F A 7IEI1.D-7 D-7 G 7sus4 G 7 C6 C71B~ A 7

I~ II,

you
;) l r r r I F J J J I d 'r Fr I F J J J I J
I'm gon- na write words,oh so sweet, they're gon- na knock me off my feet.
'in ~ I
A lot of
do _ _
D7 G7 J D-7 2· F F~7

I~ J J J 13 I J J. I F r J F IFF !J JJ J J 'I; J J I FF J r I
kiss-es on the bot- tom, I'll be glad I got 'em, I'm gOD:-na I'mgon-na sit right down and

F6 F#o7 C/GB~7 A7 D7 D-7 G7 C D- C

I~ F Fir iF I r J I J. EI E FFJ I J J I I F I<r - II
write my - self a let - ter_ _ and make be-lieve it came from you _ __

YOU'RE MY THRILL Washington/Lane 1934

G-7~5 C7~9 G-7~5 C7~9 C-7~5

I~ ~I'!.~_ r- J I e
I F #J J I r r- IFF
You're my thrill, you fo some - thing to me, you send chills right
You're my thrill, how my pulse in - creas- es, I just go to
Wbere's my thrill? Why this strange de - si - re that keeps mount- ing

F-7 D~9 .. C-7 F7

j ,J
~
II

J J II
tbru me, and I IOl:)k at you, 'cause you're my thrill.
pie - ces when I look at you, 'cause you're my thrill.
bigb- er? When I look at you I can't sit still 'cause
B~7 F7 B~7 . D-7
I~ ~~I,~ E F \J J I E F" e
noth - ing else could mat - ter, Mmmm,

~9 F9 D.C. aJ Coda .. G7
I~ ~bl,~ EFEr I ~lt~~IzI~'~~~~~~~~
~ "
sil-ver pIal-ter. you're-- my__ thrill. _ _ __
 _I
154 THAT'S LIFE Kelly Gordon!Dean Kay 1964

I
[AI
G B7 E-7 B~7 A7 c- •
,; J J z J p I 'r r r J)
•
r-3~

I~I e ~. r *- I J ,
j I ~ ~ i' ~
i'
P r rr ru,
you're rid- ing high in Ap-
W-
That's Life, that's whatpeo-ple say, shot down in May, but I
That's life, fun-ny as it seems, some peo- pIe get their kicks, step- pin' on dreams,but I

G C ll7 B7 E-7 A-7 07

r"A9 F
I~' r r' p I J -
J )
E r r r r'
know I'm gon- na change that
)1 J
tune, when I'm back on top in June.
If
P
That's
don't let it get me down, 'cause this

12. A7 07 ~3-, G IBI G7--,--. ~'--' 0=-'--, ='-,

I~I ~ r -
P F go- ing
J ] 91 J r

' ;J J •JI J J 9 F J J J J 9 J J 9I
01' world keeps a - round. I've been a pup- pet, a pau- per, a pi- rate, a po- et, a

r-- 3 - - , B~7
J. a J J 9 £ a I J J ; J J~ ,
pawn. and a king_ I've been up and down and ov-er and out and I know one thing,

A7 07

each time I [md my-self I pick my-self up and get back in the race_That's

IA1G B7 E-7
~ r-3~
A7
r - - 3---,
C-
I~I r~ - "PCJpJ'Ii'l J J ; ,in I F r r ; J f!1
life I can't de~ny it, I thought of quit- ting but my heart just won't buy it If I

I~I U
G

di~n'tthinlc
En F#-7~5

r
it was worth
B7. E-7
)1
a
raj
try.- I'd i.
A7~9

J I ~j J 3 Jr:r, JJ I JJ J I e II
07

roll my-self up in a big ball and

G

die _ _ __
 I'LL BE SEEING YOU 155
Sammy Fain/Irving Kahal1938
G+7 F-7 C7 F-7 C7 F-7 C7
J I J1j JlJ ~ I J. 1 J ))1 J. \1 ~ J I J. i J ) I
I'll be seeing you m all the old fa - mil - iar pIa- ces that this heart of
I'll be seeing you in ev - 'ry love - ly sum- mer's day, in ev - 'ry-thing that's

1'·~~ ~.y
Bb7 F-7
I! &1'1, ~ ~ ~
mine em- brac- es
J
all day thro.
Il * I i C7

In
rip
that
r Mp r r I r
small ca - fe, the parle
rI
a-
light and gay, I'll I
BI)7sus4 Bb+7 96 Bb+7
I! &1'1, Pr if F r I r rip #J J~J rip J 4J r I #J)J JJ
~~-"-'---
wa, the chi - dren's carous - aI, the chest-nut trees, the wish- ing weil'::_
C7 F- F-7JEi, D-7~5 G7~9 C-7

aI- ways think of you that way I'll fmd you in the mom- ing sun, and when the night is

F 7sus4 IF; ) 1~~7~9 J I ~••~

F-7
~1!~~lzl§z~l~~~~~I~~~J~J~J~t~:<~R~=~.~:~~r~~~:~-~-~~F~"~~IL
new, I'll be look-ing at the moon, but I'll be see-ing you _ _ __

BECAUSE OF YOU . WUkinson/Hammerstein

F-7B~7 @6 B~7 F-7 B~7

J. bJ' I J J. pie IJ J J. J> I F J. bJ' I J J. PI

Because of you there's a song in my heart- B~causeof you, my ro - mancehad its
96 G-7~5 C7~9 F-7
I~ il'l. e IJ r r pI ~r P F· J) I J. l J. PI F" P J. ) I J J I
start B~cause of you, the sun will shine, the moon and stars will say you're mine, for-
F9 F7~9· F-7 B~7 B~7 F-7 B~7
I~ il'l. J J J I d J J I "_ L4 J J. ill r J. bJ1 I J J. PI
ev - er and nev- er to part . I on - ly live for your love and your
G-7~5 C7~9 F-7 A~1l7 D7
I .r r'r- r I r r I r r I
I- ~

IJ F r· pit r·;1 J j ~J
it's par - a - dise to be near you like this___ Be - cause of you my
C-7 F9 F-7 B~7 @6
r r J I J J J J I F rIr Fl') I II

II
life IS now worth - while, and I can smile, be - cause of you _ _ __
156 WITH A SONG IN MY HEART Rodgers/Hart 1929

F-7 B~7 F-7 B~7

With a song in my
r fJ I e
heart.....
, -___
n I F Fa
I be- hold your a - do - ra- ble face,
j
At the sound of your voice,..,_ _ _ _ hea- ven 0 - pens its por-tals to me,

t
I ~bl.
C-7
t i 13 J L] I
just a song at the
D-7~5

e
start,.....,- - - -
G7~9 C-7
I J LjJ J iJ I J J \J
but it soon is a
D-7~5

hymn to our grace.

G7~9

;j II
can I help but re - joice, that a song such as ours came to be?
C- C-7/B~ A-7~5 .. Ab7 C-7/G
! -
! I
I ~ 'I, J j
When the
j S J I ..-
mus - ic
I=-r r r F F
.---3--,

touch - ing your

c.

handl,....,_ __
T
But I al - wa~s
A-7~5 C7~9 F-7
! I
I@;'I,'"'r rr r---3----,
F F I Ii

D.C.BlCoda
I
anu.-d_ _ _ _
it tells that you're stand - ing neaI.--,- - -
.. EJ,/Bb A-7~5 A~6 9/G abo7 F-7 Bb7~9
t
I ~bll r Q r FI IF n tr F E3 I r r e
I. -Ii
II
I would live life through.....
, __ with a song in my heart for you _ _ __

MY BLUE HEAVEN Donaldson/Whitlng 1927

, B~7sus4 ~6 F-7 9/0 F-7 9 A7 D7 Db7 C7

I*~bll J C1 F
When whip- poor - wills
A tum to the
t It"
cal.J-l_ _
rigbt,
rr J n
and ev- 'Ding is
a lit - tie white
rI~ nigp1b.--,_ _
light
1F ¥ FJ J]
hur- ry to
will lead you to
Just Mol- lie and me, and ba - by makes three, we're hap- py in

Bb13 96 I'B~7....4 J2.B1.-7 pJ.7

my_ __
I e
blu,,....e_ _
IS J.'
hea - ven. ~ Fine
:J J elF
A . tum to the
'J F r r
You'll see a
I
G-7 C7 F- C7~9 F-7 @o7

D IF I"'V' F
smil- ing face a fi - re - place, a co - zy room.,....,_ __ a
F-7 B~7 F-7 B~7 F-7
It~bl' P r p r F I P J SEW F
F"<

IJ
lit - tIe nest that's nes- tied where the ros - es bloom, _ _ Just Mol-lie and
 DON'T WORRY 'BOUT ME 157
Rube Bloom/Koehler 1939

Ab F-7 B~7 Eb7~9

Don't wor- ry 'bout me,-- I'll

I r' p r? I'f" J I
get a - long..--
rrJ err-FrS I
for - get a- bout me, be hap- py my

Ab6 Ab/C B 07 B~7 Eb7sus4 @9

r - 3--, -I .-3==1
Ii
...
love_-
IJ J ~ j I
Let's say that
J j j J
our lit - tie show is
~ I F rA F
ov- er and so
r
the
Irq)
sto - ry ends,
J-1
Eb7

Bb-7
why not call it a day the
. Eb7~9 Ab
sen - si - ble way, and
F-7
still
l J I J.
-
be friends _ _ "Look
II

I~ ,bl,; rrr
out for your- self'_
rar r
should
IF' P (lOr
be the rule..--
r r
give your heart and your love to whom-
Ab7 0+7 Obt.7 ob-6
I~ ,1'1,; Fir r F
ev- er you love. Don't be
I J. ~ J, LA J J I J F J ~ Fir r F r r I
a fool.-- dming,
r - - 3- - - ,

why should you clingto

.-3----,

some fad-ing tbingthat

Ab 0+7 @7 F7 Bb-7 Eb7~9 Ab6
r - 3--,
I~ ~I'I,~ rr JJ.
]I J
used to be?_ _
J IFr r r7Tr r r [J I h~
don't wor- ry 'bout me _ _ __
til II
H you can for- get,

BEAUTIFUL LOVE Young/King/GOlspie 1931

E-7~S A7~9 o- 0-7 G-7

I~ ~ , J. JJ
Beau- ti - ful
f J. love, you're
J I J. J J J JJ..
all a mys- ter - y,
I, J. J ~ IF'
beau - ti - fullove,
F
what
Beau- ti- ful love, I've roamed your pa- ra- dise, search- ing for love, my
C7 Ft.7 E-7 A7.. 0-7 G-7 Bb7 A7

I~ , J. ]I J Da
have you done to me?
ll I d. IF Ir I r PC J I r·
I was con - ten- ted till you came a - long,
H JI II 1'j.JJI
thrill- ing my
dreams to re- a-lize Reaclring for hea-ven, de-pend-ing on you,' beau-ti-ful

0- B7111 E-7~S A7~9 2·0- B7111 Bb7 A7 0-

J 1 1•
\,.

~ I~: • .. ' 14:.. • "

souI With your song. Beau- ti- ful love 'Will my dreams come true?
158 DON'T TAKE YOUR LOVE FROM ME
Henry Nemo 1941

0-7 E-7 EJ, 0 7 G7/D 0-7 G7

J J Ji J ;JJ J J J J t 1
LA. 19,
Tear a star from out the star and the sky feels bluer-,_ _ tear a
Would you take the wings from birds so that they can't fly,, _ _ would you
0-7 A7 0-7 G7 Ir--'·-C---- 0-7 0#07 CIE
I
\,

I' J J ;!l J JiJ} J F r 1e l F F F

.FO: rose J1
pe - tal from a ros~e_ _ and the weeps too _ _ __ Take your heart a-
take the 0 - cean's roar_ _ and leave
EJ, 0 7 0-7 A7 0-7 A7~9 0-7 A7~9 0-7 G7~9

I' wayF from

F mine )'IF J J J J
j
Ir J J J I J J
and mine will sure - ly break, my life is yours to make, so
~3~ ~7 'D-7 G+7 J2. C6 G-7 C7 F6
I' J Li ~F· b)J 1 J. J:J, J F (rr- Fir r r F
please keep the spark a - wake. Would you just a sigh? All this your heart won't
F-7 Bb7 C6 E-7~5 A7~9 0-7 A+7 D-7 G7~9 C6

I' F l.fJ J 1*
let you do,
IF J J
CO>I iF F
j
this is what I beg of you,

I HADN'T ANYONE TILL YOU

1* F J J IJ J
don't take your love from me -
-& -&
II

Ray Noble 1938

I' ~ J Jj
I had- n't
I had to
G-7

f Vi wiw
an - y - one--
save my love-.
C9

J
till
for
F6 G-7/F F6

I u_

you
you,
lU,U J J J_iO J1JI
A-7

I was a lone - ly one-.

I nev- er gave my love.-.
07

IT
till
till
G13
I ..... 1
you_
you_
"G-7 C7 A7~9 0-7 B-7~5 E7 Ab.7 pt-7
1
J I Jon J><lJ I F j r I J in Jj J.
c> J I J IJ JMr I
I used to lie a- wake and wo~ der if there could be a some- one in the
And thru my ;.

I'~ ~F7 r E;;9 1J~J§JDj 1J~nCQ J J _1~J~n a.n 1~jh J.

wide world just made for me, now I see. I had to lone - ly heart de - mand- ing it,
F/C A -7~5 07~9 G-7 C7~9 F6 0~7 F6
!... I j
I@ ~ r EJ r Ef I ltJ r 'j J J I J--JJ j ---I j I 1.__ E.. II
cu - pid took a hand in it, I had- n't an - y- one--._ till you
 PLEASE DON'T TALK ABOUT ME 159
Sidney Clare 1930
[AJ £1,6 G7 C7 G-7~5 C7 -$- F9

I'~I!Id. F J p E pIT rJ ip r D' 1',,--- tr F J j I j j

Please don't talk a - bouL-me when I'm gone:,....-,_ _ _ oh hon- ey, though our friend-ship cea.s-
J1 j fr
If you can't say an-'" y - thing real nice, it's bet- ter not to talk at all
Makes no dif- f'rence how---I car - ry on, re- menr ber,

es from now o n _ _ _ And lis-ten, is my ad - vice. We're part- ing,

F9 C-7~5 F7
I P r p=rJ I P r p-r r I
you go your way, I'11 go mine, it's best that I do_ Here's a kiss, I hope that this brings

Bb7 ~o7 F-7 Bb7 -$- F7 F-7 Bb7~9 96

Ii*~~ll§ll~r~r~9~J~r~1e~~D.C.~Blr I'~I!I! F r roP I FE r r I "I" II
lots of luck to you. please don't talk a-bout me when I'm gone _ _

BUTTON UP YOUR OVERCOAT

Henderson/DeSylvia

G E7 A7 E-7 A7 C/O 07

r i!f r 9r I r
But- ton up your
EJ- r I ~ J .a J
ov - er - COal-- when the wind is
MJ I II

free,
I J. J) J • I
take goOa'
Eat an ap - pIe ev - 'ry - day,- get to bed by three,
Keep a-way from boot - leg hootch,-- when you're on a spree,

C/O D7 -$-I,oG E-7 A-7 D7 to G 0-7 G7

I,- j 13 j IS ~ r .p : r J J I J. ~:J r J J IJ J J rI
care of your-seIt,-' you be - long to me long to me. Be car~ful

C G Gt.7 E-7 A7

1,- r r f' IV
cross - ing streets, 00- 00,
r~lr r r Ir r
.
don't eat meats, 00- 00,
I J J J
cut out sweets,
IF J~ I
00- 00,

07 C/O D7 Gt.7 A-7 0~o7D.C. alCoda -$- G C7 G

1,- J) J J J
you'll get
~>
a pain and ru
8;0
-
r r #r II
in your tum- tum.
1,- r long to
J Ie
me.
II
160 LIL' DARLIN'
Neal Hefti/Howard 1959

B~7sus4 G-7 C7 F9
J J' J J J J , J J_ I >J - , '1 r· J J I
You may va - ca - tion in Ha - wa - ii,, _ __ or go to
Tho' you may fly to Scot - tish High - lands,..-,- - or try some
No mat - ter where you care to tra - vel,..-,_ __ no mat - ter
£I, £1,7 Ab6 Ab-6
,
J f~
- I ~e
- J ~J I J J ~J J ~J Jd I
Switz - er .;. land to ski,..-,- - -
isle near Nap - 0 - li,,_ __
*when
when you're
you're
scan - Ding the snow cov- ered moun
whis- tlin' 'The Camp- bell's are Com-
what you choose to see.--,_ __ when - ev - er your head hits that pi!-

G-7 C7 F9
,
tains-:=::'" or fan - Ding your - self by the Wi4,-,--
::r '1 - 'I
r·
don't dream of
J JI
ing".--- or hum- min 'The Isle of Cap- ri",--,_ _
low.---- what - ev - er the ho - ur may be,-,_
B~7sus4 G-7 C7 .12. F-7 B~7 EJ. ... G-7~t7~9

,a
11.

I~ ~llb ati J JJ j: I::: I ~'pr~ tid JJJI - El"

,- * Ina
IBI an- y-bod- y but me! an - y - bod - y but me!
F9 F-7 Bb7 G-7 C7
I~ ~I!b aJJ J J_ U 0 , J J J J J. I>J. E2J I
ca - fe on the Rhine.--,_ _ an -, y - place a - long the line,.-,_ _ I'll for-
F-7 Bb7 Bb-7 £1,7
J Ja J J JIJJ J Ja JJJICEr F r 'r· c:J I
give you when a straIrger puts your li~tle heart in dan-ger if his face re-sembles mine_ Wbenyou
~3 ~3---,~3----, C7~9
I~~\ r aU d
4L3

vis - it a night club in

n I· F J £I,

Fris - co
£1,7
C1 I raJ d J a I
and the sing- er keeps sing- in' off
G-7

key,
e I
F9 F-7 G-7~5 C7~9

I~ ~I!h j
r· J J I J J J J J ~'~ ~. ~ fiS I F r t-~
D.C. j II
won't ev- en mind if sud - den-Iy he re - las you of me_
2nd End

"'G-7~5 C7~9 F9 F-7 Bb7 £l,

I~ ~1.1. - - Ij r' J J IJ J • 3J j
32±e - II
Don't dream of an-y-bod-y but me'
 I LOVE PARIS Cole Porter 1953
161
IJaJ. )1 I; ; I J a J. } I
I love Par- is in the ----
spring- time,--,_ _ I love Par - is in the

I; ~I'b - D-7~5 G7~9

u I CJ CJ 1 J J J )1 J J i J } 1 J CJ
fall,,--- I love Par - is in the win- ter when it driz- zles,

I; ~bl, J
D-7~5 G7 C- C6 D-7 CIE D-7
j 1a J J J) I a J ¥ a J) I J J * "g9 9 r v 1 r r F· pI
I love Par- is in the sum- mer when it siz- zles. I love Par- is ev - 'ry
C6 D-7 CIE D-7 C6 D-7 E-7 :eo7 D-7 G7 F
I; r v?* mo - mentL,.-.- -
I-r * - I r r I
ev - 'ry
r r r·
mo - ment of the
J) I
l

e:
year..-._ _
IJ * - IJ J
I love
F#o7 C/G A7 11.D-7 G7 C
1; J F * 1 J. I; J. ; I J J J J ; * J J J I J. J I _ I J * -
Par- is, why oh why do I love Par- is? be-cause my love is near-
12 ·D-7 G7 E-7 A 7 D-7 G7 C
I~ * J a J I ,.r IS ;- I
be- cause my
e: IJ J a J I
love,......._ be- cause my
e I F"
lov'c:...e_ _
r
is
I
near
e. 'II
II

IT'S BEEN A LONG, LONG TIME Styne/Cahn 1945

F FA~?_~.....-_ F6 ,-3-, FA7 FIA Ab7 G-7 C7

I; ~ Jl I J J J j
Just
JJ J Jim J J tJJ
kiss me once, then kiss me twice, then kiss me once a- gain, it's been a long, long
J)I J die time.

G-(A7~

I; ~
G-
1 J J J,J = J d I A J J
. G-7 ,--3--,

Have-n'tfeltlikethismydear,sincecan'tre-mem-be.. when, it's been a

en J JI J I,j
C7 G-7

long, long
C+7 FA7
I J , i J i~ I
time. You'llnev-er

A-7~5 D7~9 A-7~S D7~9' G-7 C7~9 Db7 C7

! I ~ . \
I@~ F f r f 'E F F ; I r r' i J) IFF j r~r F r r I r r ¥ J) I
know how rna- ny dreams I dreamed a - bout you, or just how e~ ty they all seemedwith- out you, so

R FA? A-7 D? ~ G-7 C7 F6

JJJ i J 3j I r
3

1; ~ j J J J J J J ] I fJ '-"
J I" II
kiss me once and kiss me twice,then kiss me once a- gain, it's been a long, long time.
162 WHEN YOUR LOVER HAS GONE

When you're a - lone, who cares for sky - lit skies?

What lone - ly hours, the ev- 'Ding sba- dows bring,
F-7 Bb7 1)1,-6 @9 Ab6 C7
t
I: ~ .~IzI,~
p .- r' ;;1:1 :I
F F hF I hF ~F r I *r r F
lone, the mag - ic moon-light dies, at break of dawn,
hours, with mem- 'ries lin - ger - ing, like fad - ed

F7 Blr-7 ~7 Ab6 Ao7 Bb-7 &+7

J J IJ J J I e ..... t.J. ~
there is no sun - rise, when your lov- er has gone

12. F-7 Ab7 Gb7 F7 B7 Blr-7 E9 ElH-7 Ab6

I~ ~I'I,~ J ~ I ~ E E 'E I'E F r I - J r I hr J r I u,- En II.
flowers, life can't mean an- y- thing, when your lov-er has gone _ __

MOONLIGHT BECOMES YOU

Van Heusen/Burke 1942
I
F6 0-7 G-7 C7 F D-7 G-7 C7
~
A-7 07 I
I~ ~f J J ,4 I 3
. - - - 3----,

r Jr. J J I f"r IF r F .J J I
MOOIr light be - comes you, it goes with your hair, you cer - tain - ly know the
MooIrlight be - comes you, I'm thrilled at the sight, and I could get so ro-
If sly I love you, I want you to know, it's not just be- cause theres
II
G -..,tr::
'Ir
C7'- 1'A7 D7~9 G7 C7~9 ,
r-2-
P6 - - - - C 7 F7 C- 7 F~'~3--,
4

I
~ I I
wear_ __ -
night_ __
-- I I
right things
man - tic
moon-light.
to
to
al
You're all dressed up to go
II
Bb~7

I~~
C-7

r r r
F 7sus4
I
C-7
J J 43--,
F7~9

- ~ FF J J IFF
E-7~5 A 7'.9

fa
0-7

I F J.
II
dreaming, now don't tell me that I'm wrong, and what a night to go d.ream- ing,
II
<;il3
I~ ~ J DJ J I J ~ I
mind if I tag a - long?
G-7 C7

D.C.aJCoda
... F
. 07~9 <;iL
'1~~~~~I~J~3~~J~J~I~,~~LII~11 I
though
G-7 C7~9 F6

moon-light be- comes you so. _ __

I
~---- --------

THE SOUND OF MUSIC 163

Rodgers/Hammerstein 1959

F6 F e7

r~: F 0 J 1* fO a J
with the sound of
I]
mus -
]
ie. - L] * with
JI
The hills are a - live
I go to the hills when my heart is lone ly. I

I~~ a
F6
a J a J I' ~-7 C7

*r
J J j IF II
songs they have sung for a thou - sand years The
know I will hear what I've heard be-

F6 F e7
I~~ F D J I~ J J a J 1 ] ] I]
- a
hills fill my heart with the sound of mus - ie,
......
* my

F Bb C7 F6
I~~ J a1r Er Ij. J 1 .. 1* J J a ~J II
heart wants to sing ev- 'ry song it hears, my heart wants to

Bbo7 F6 Bb Bbo7 F6
Ja J aJIJ J J J J 'j . a J IJ *J I
beat like the wings of the birds that rise from the lake to the tress. My

Bbo7 F6 G7 C7 F7
Jaa aJIJ J . F Fa I ] a a , ] ~ J I
heart wants to sigh like a chime that flies from the church on a breeze, to

Bbo7 F6 Bb Bbo7 F6
OJ a a J 1 J J J J JI j a a I rJ ~ J I
laugh like a brook when it trips and fall ov - er stones on its way. to
D- A-1 D-7 G7 G-7 C7
I~~ d J J I j. a J IJ J) iF (r I r * r
sing thru the night like a lalk who is learn - ing to pray. I

F6 A-7
I F t9 r 1
*
f1 r r
fore___ My heart will be blessed with the sound of
G-7 A-7 C7 F6
,J ........
I,. j J F Ie Ie 1 ..- L.. II
mus - ie and I'll sing once more
 II
164 STRANGER IN PARADISE
Forrest/Wright 1953 II

Takemy band,
rJ~7 Cl F JJ
I'm a strang-er in pa-ra-dise,
rn r'
all lost in a
I *F J fo] I
won-def-land,
Gt J JjTJ J 9 ~ II a strang-er in •
Star- ry eyed, that's a dan- gerin parra-dise for mOf-tals who stand be- side an an - gellike !II
fer-vent prayer, of a strang-er in pa-ra-dise? Don'tsend me in dark des-pair from all that I

A-7 0-7 J 2P6 ob7

I J J ~W Ij I d F •
GbA7 II
I*WJJ: II I* J J J I It
......
pa-ra-dise. IT I stand you. I see your fac~e __ and I as - cend - ed- PI
B~6 A7 OA7 0+7
I~ ~F F FI ~e IF~F ~F ~F I II
out of the com - mon-place.--- in- to the rare. Some- where in space, I hang sus- •
GA7 AI>-7 G-7 C7 FA7 0719 DR J!II
I~ ~ r iF IUF FFie IF UFO I II 1* n rB I _,
pe~ed, un-til I know there's a chance that you care. Won't you ans-werthe ~

~ ~ ;6 J J. 1*-7 J °fJd IGt J F ICtB~E r F 11 in r II

bun- ger for. But 0 - pen your an - gel's ann~s_ to the strang- er in pa-ra-dise •
07~9 G-7 C7~9 F6 Jerome Kern/Fields 1935 !III
I'~~~g*~F~r~fJ~I~J~J3J§IJ~J~J~J~Jsl~.._~~l..~~11 II
and tell him that be need be_ _ a strang- er no more, _ _ __

II
SOME ENCHANTED EVENING
Rodgers/Hammerstdn 1949 II
I~ t C

j ,3 J J J J IJ *I j ,3
Some en-chan~ eve-nin~
Some en-chan~ eve-ning.--,_
. G7

J J J F1 F'
you may~ee a stran- ger,
some- one may be lauglring,_
*I j
C

,] J J J
you may see a stran- ger
you maybearherlaugh-ing,
rl •
I
Some en-chan~ eve-Dingo--- when you fmd your true love.-- when you feel her call you ......

E+ F C~3:---1 0-7 E7 ... A- C7 •

~

I~ ~r rr rI
. - - - 3 -:----l

J ]i j I *} J ; J I I1 J J JI
a-cross a
a-cross a
a-cross a
crowd-ed room.
crowd-ed room.,
crowd-ed room,
.,
Ans some-how you
and night af - ter
u
-
know,----
night..--
... W
you know ev - en
as strange as it seems,--
then fly to her side- and make her your
 - ~ -------------------------

SOME ENCHANTED EVENING (pg. 2) 165

It ; J EFA I ~-7 r JIJ ~7 J I' . ~l * J2... C

IJ * I
'-' that some- where you'll see her a - gain and a - gain dreams--;---
the sound of her laug~ ter will sing in your
G7 C G7 C G7 C A-7 07 G7 D.C.aJCoda
It J J J J J I J J J J J I J J J J J I J J J J I.. I.. I
Who can ex,.plainit? Who can tell you why? Fools give you rea-sons, wise men nev-er try. _ _

..
I'
A- C7
Ii'"
own,
F
I-r J
or
E-
nO
'all thru your
I
0-7

rr
life you
J I
may
r
dream
G7
j
all
FI
a -
C
't
.>

lone
FV·
*
II

G7 C· G7 C G7 C 0-7 C

I' J J J J J I J JJJ; I J J J J J I
Once you have found her, nev-er let her go, once you have found her,
(J j
nev- er
IJ
let her
r I"
go.
II

LOVELY TO LOOK AT
,Jerome Kern/Flelds 1935

F6 A~o7 G-7 C7 G-7

. I' ~ 1 I J )5)5 J;1I p r ;Jl F' ~ I p r p j IJ J J EI ~ F P j I
)1
Lov~ Iy to look at, de - ligh~ ful to know and hea- ven to kiss..-
- .
a com- bi - 08- tion like this
'-"

I' J C7
~ J J ElF F J J J
is quite my
F6 r-3-, 07
r rEI
G-7
IF F J JU
3
r-----,

most im- pos- si-ble scbemecomettue.1m - a - gine find-ing a dream like you, You're
<if J
J] I

I' ~ F6

Jd
love-Iy
) 1>
to look at,
J ;1 I P F
it's tbrill-ing
Jl
I..

to bold
B;7~S

r P Ir
you
~3----, A7e
r iF r
ter - ri - bly tight,
09
FIT'
G7~9

r
for

G-7 .----3-, C7 G-7

I' ~ [J J J J f J J 3IU -I.. II
we're to- geth- er, the moon is new, and ob, it's love-Iy to look at you to - nightL-_ __
-2-
 I
166 I G~ ALONG WITHOUT YOU VERY WELL
Hoagy Carmichael 1938 J
IAJ B~ C-7 B~A7 C-7 D-7 D~o7

I!f
I~ ~~ J J J J J e:
IF J J
I J J r r r J
I
I've
get
for
a - long with
- got - ten
- out
you
you
just
ve - ry
like I
well,
should,
of course I
of course I
•
•
I get a - long with .. out you ve - ry well, of course I
C-7 B o7 C-7 F7 C-7 F7 B o7
I~ ~I! "_ LJ J J J I J J EJ
do.--,_ _ __
have.--,_ __
ex - cept when soft rains
A
fall
- J drip
and
J from
•I
ex - cept to hear your name or some - one's
do.-,_ _ __ ex - cept per - haps in Spring, but I should

C-7 F 7sus4 F9 F7sus4 F7~9

I~ ~~ J J J J I W- J IJ J J J I ; J r r
leaves, then I re - call the thrill of be - ing shel- tered in your
laugh that is the scune. but I've for - got - ten you just like I
nev - er think of spring for that would sure - Iy break my heart in

B~ID 1» 7 0 C-7 F7 C-7

anns,..-,_ _ __
IF J
of
r ;
course I
1 ..-
do,
LA J J I; J ; J
but I get a - long with -
F7~9 B~A7 C-7 F7 B~7

I~ ~I! J J J J I I. L.. J
r I
---
[BJ out you ve - ry well What a
~6 E0 7 B~IF D 71F# G-

I~ ~I! "_
La J
r Ir r J~__ tJ J
guyy':,==========:..-. F7~9
what a fool I ALamu,.,_ __ to
C-7 BbA7 Bb7

I~ ~I! J J J
think
e,6
my break- ing heart-
E07
could
B~IF'
fool the
J Jill
--
moon..-,- - - -
D71F#
I _J
what's in
r
J r J
should
r
I
I r
phone once
F
more?_ __ no iy's
C9 F7 D.C. aJ 2nd End (Fine)

J J IJ J til
best that I stick to my
r tune _ _ _ _ _ _ __
II
 SONG SUNG BLUE 185
Neil Diamond 1972

It~ Bf
Song
F
j
song
j r
blue,
J J J JI J
ev - 'ry- bo- dy
C

r'
knows one,
fJm * I
song
J
sung
song( song)sung( sung)
J
Song(song)sung(sung) blue(blue)weep-in' like a wil- low,
F F7
r J JJWI J r- I JJ J1;r *I - "D J I r "1 J' IZD J Ii
blue, ev - 'ry gar- den grows one, me and you are sub- ject
bJue(bJue) sleep-in' on my pil - low. Fun- ny thing but you can
B~ C7

It~ i r Ir r F In
....
r r r r r * I - * ') I J J J J j J J 3I
to the blues now and then, but when you take the blues and make a
sing it with a cry in your voice, and be- fore you know it start to feel - in'

1 j-
G-7
It~ "1 - ~ FJlfJJ.
song, you sing them out a - gain. sing them out a- gain
good, you sim - ply got no choice.
F C

.I~~f ,J I,
j Ii
I J J
EVERYBODY LOVES SOMEBODY Lane/Taylor 1948

I
G-7
i J J J
J I C7
e
Ev-'ry- bo-dy loves some- bo-dy some- time;_ ev - 'ry - bo - dy falls in love somo- how,_
Ev-'ry- bo-dy finds some- bo- dy some-place,_ _ there's no tell- ing where love may ap- pear,-

r
Ev- 'ry- bo-dy loves some- bo- dy some- time,_ and at- though my dream was 0 - ver - due.-

It;
F
J J J J
A-7 A~7

r' gp' I
G-7

F F r Tj IJ· r· F,:7 C7 ~, II
some- thing in your kiss just told me my some - time is now._ here _ _
some- thing in my heart keeps say - ing .. my some - place is
your love made it well worth wait - ing for some - one like you._ Ftne

F7 C-7/G F7 B~' F+7 B~

It; J J J J J J I J) J:..<J ell J JJJJj J J e

charms,....,_ _
If I had it in my pow-er,_ I'd ar -range for ev- 'ry girl to have your
D- D-(A7) D-7 G7 G-7 F#o7 G-7 C7
!
!
I ~
r=:3--,
ut.(1! ] J J J) I J) J. j j J I J ___
J JJJ JJ J I e
D.C. al2nd End (Fine)
I
then ev-' ry min - ute, ev-' ry ho - ur,- ev-'ry boy would find what I found in your arms _ _
186
IAI F
RAINDROPS B.J.Thomas •
FA7 F7 Bb
J A fJ 3 J1 J ~ ~ 1,1 r B E r FJ 1 J F J J 1
I~j '. Raindrops are on my bead and just like the guy whose feet are too big for his
f~in'
did me some~in' to the SWl and I said I did - n't like the way he got things
Raindrops keep faU·in' on my bead, but thatdoes-n'tmean my eyeswill soon be tum-ing
A-7 01 - A-707 0-7
r *~ J J JI r r 1 r l2! r r r r I r lJ p r· I
bed, noth- ing seems to fit, these rain-cirops are fall- in' on my head, they keep fall- in'
done, sleep- in' on the job, these rain-cirops are fall- in' on my bead, they keep fall- in'
red, cry- in's not for me, 'cause I'm nev - er gon-na stop the rain by com-plain-in'

I~~ C;au J J4

So I just
r fJ ~ fJ 17~7 n
thing I know.--- theblueS-
j ~ J 10 ;1.1.)j. J7 0 1
they send tomeeL- mewon'tde.feat
Butthere'sone
A-7 be-causeI'm 09 0-7
P r pr sr '1 J) 1 P r pF5r i J 1 J ;1&2) Ji
-1

me, it won't be long- till bap- pi- ness steps up_ to greet me_

! -C 7sus4 ~~.~
.. F FA7 0-7 C 7sus4 F
~1~~~~-~F~~~~$F~I~l~b~;~r~11 §I;~t~*~I~*~J~J~r~J~-~J~I~f~:~Q~J~.~II
free noth-in's wor- ry-ing me-_ _

SING 1973

B~ B o7 C-7 F7 11·B~ F-7 B~7

I~~bf J. 1- J J I J. 1- J J 1 J. I - J F I &J I - II
Sing,
Sing,
* s!ng a song,
smg a song,
* sing out
maKe it
loud, * sing out strong, *
9 .Bb Bb 07 0-7 C7 C-7 F7
1, ~~ ~ J J 1 J r J1J • - 1 - 1 * r F1 F r;1 e
-}
sing of good times not bad, • sing of hap- py not sad.

12·B~ F-7 B~7· Eb 0+7

I' jb J J J 1J F r r1 1(" 1 <r * * F II r r r F r 1 F r F· pI
sim-ple to last your whole life long don't wor-ry that it's not good e-nough for
0-7 C7 C-7 F7 B~ Bb C-7 F7
1, ~k U r FJ1 J- 1 H 1- Jr1 F~ - 1 - J;1JilJ;p1 J;1J,pJJlI JJrug 1J * ~
a-ny-one else to bear sing, sing a s o n g . .
f -.; .
 Tms GUYS IN LOVE
Bacharach, David
187
A~t.7 D~t.7 -et.7

a±J '* ,:J) I r J JI S J~J * I *] a][Jd

You see this guYr-- this guy's in love with yOlu,..l,- yes,I'm in love ....
I've heard some tallc.- they say you think I'm finer-- this guy's in love-
A~t.7 D-7 G7 C-7 B~7 -e7sus4 FJ,7
I$~I'b J. II , ;.5 I j j \J IF I p F P~F: I ~p .F D~r I ~r r Fr I
who looks at you the way I do,- when you smile....- I can tell we
and what I'd do to make you miner-- tell me how..--- is it so, don't
A~-6 G-7 C-7 F-9
r p r IS] ] S I W I r Sir ] I
know each oth - er ve - ry well, how can I show you, I'm glad to
let me be the last to know, my hands are shale - ing, don't let my
Bb7sus4 -et.7 A~t.7 Ebt.7 A~t.7

I$~bb F j J J J ~ * j J) j a1 a - IJUJ_]] ala-

know you, 'cause I need your love.-- I want your love,.....-
heart keep bre~ing, 'cause
Ebt.7 D-7 C-7 F7 B~ B~t.7

I$~bl! * j J) §J I
sayyou're in
r §J I a D qJ. I
love, in love with this
u-=:
guy,--,_ if not,I'll just die _ _
II

MOMENTS TO REMEMBER Allen/St11lman 1955

IA1 Abt.7 Ab6 Abt.7 Ab6 Abt.7 AiH-7 Db ._---- B~7

b6
• J J J. J) I J j J. J I r r r' pI J J ,J I
The New Year's eve we did the town, the day we tore the goal post down,
The qui - et walks, the noi - sy fun, the ball room prize we al- most won,
When

FJ, 7
I$~I!I!~ * j J \0 J :
oth - er nights and

1'"81.-7
j
oth - er

J J. ;ill
JlI.7
days

A~07
may find us. gone our

A!- BI.-7 JlI.7 BI.-7 JlI.7

j j 1- *'t) :JW J Jrl
t sep'-rate ways,

we will have these mo- ments to re" - mem- ber.- The roo- ments to re-

£1,-7 Ab7 lmDb Ab EJ,7

I- J J II r J J r I r a c:J1 r J J r I
Tho' sum - mer turns to win - ter and the pre- sent dis- ap -
Db A~ F- Bb7 B~7 FJ,7 D.C.alFin,

pears, the
F J J Fir J J. P I F IS J
laugh- ter we were glad to share will e - cho thru the
r I r' years.
'J) I
When
•

188 I SAY A LITTLE PRAYER

Bacharach/David 1967

[8] A-7 D-7 C/G C

1~1l~: * J JJ1 J I J f" I * [J>""'EJ F I J J F (" Ii "r 'i l' I

The mo - ment I wake up, be - fore I put on my make - up.-- 1
I run for the bus, dear, while rid - ing I think of us, dear,_ I

B7 , E E7 A-7 D-7

1~1l J JJ J J1
F P e I * J J 11 J I J V·
say a lit- tIe prayer for you. While com'l;-: ing my hair now
say a lit- tIe prayer for you. At work I just take time

C/G C B7

I~ * OnE! rI JJ F r:> Ii ==-r ,J? Ie J J J J

and wond - 'ring what dres's to wear now, _ _ I say a lit-tIe prayer for you _ _ For-
and all thru my cof - fee break time,_ I say a lit-tIe prayer for you _ _

lli1 F G
I~ p r p Q F Q IJ F F E
E-
J-EJ Ierr
C Bb C
P F ~ I P F P PF PI
F G
II
ev- er, for- ev- er, you'll

E-
stay in my heart

C Bb C
and

F
I will love you, for - cv - cr, for - ev - er, we

G E-
II
I~ ~ Er (;iijCtf III F F P F Pip r p P F Q I~ F F E: J-t; I II
nev-cr will part, ob, how I'll love you, to - geth-er, to-geth-er that's bow it must be, to

I
I-r
C Bb C F G E

* ~ I
I~ I! r I ••
~

F F P p IP r P P r p "-

[Q] A-7
live with- out you

I~ * J J 11 J I J F' I * 0>""« F r I F rr
would

D-7
on - ly mean heart - break

F
for me

I
"
r r
CA7
"
,
"'--

My dar- : ling be - but you.

lieve inc,
CA7 G7sus4
for me there is
CA7
no- onec-_
II
pie
love me too. _ _
,J. fC F' r J I P
ans- wcr my
I
'-'
Please I'm in love with you,
CA7 G 7sus4 CA7
- f- G 7sus4 CA7
I--
"
e

prayer.
I J F
say
1 l2J
you love
I ~
me
f:
too.
.........
g - -
,
I
 OUR LOVE IS HERE TO STAY 201
GershWin 1952

G-7 C7 F Bb9 A-7 07 G13 G+7

I}) J ) J J I.. I~ J J Fin
It's ve - ry clear_ _ our love is here to stay,-- more than a year,
But oh my dear,_ our love is here to stay,_ _ to - geth - er we're
C7sus4 C7~9 Eb7 07 B-7~5 E7~9 A-7 07 G-7 C7

I~ ~ J! J Jl J J I Ii I ~ F E FI 0 r rplEJf r rI
for- ev- er and a day._ The ra - di - 0 and the te - Ie - phone and
go- ing a long, long way._ In time the Rock- ies may crum- ble, Gi - bral- ter may tum - ble,
/1. F Bb E-7~5 A 7~9 0-7 0 G7 G-7
I~ ~ J J F r I J J J J I J J J J I' J Jl1J J I e
mov-ies that we Jcn()w may just be pass- ing fan- cies and in time may go._ _ But oh my

12. Eb7 07 G-7 G#o7 A-7 07 G-7 C7 F6

I~~
~

j J1 ,J1 F F I j r I~ F F J I r j I, In
they're on-Iy of made
clay. but. our love is here to stay

DON'T GET AROUND MUCH ANYMORE

Duke Ellington 1942

f 7B7B~7A7
E- J. J 0 A7
~9

JI 1 f J J19
pa

Missed the sat- ur- day dance•._ __

p fJ
heard they crowd-ed the floor,
!l J I Jl
could- n't bear it with-out
Thought r d vis-it the club,,-,_ __ got as far as the door, they'd have asked me a- bout
Been in- vi- ted on dates._ __ might have gone but what for. aw - f'ly diff-rent with- out

1) I'· G7
Ii F
lsi F you._ don' t get a-roundmuch an-y- ~ore. ThoughtI'd vis-it the

F-6 E- 0-7 C7
I~ or p J p r r J l I_l F
Dar - ling I guessl>-_ __ my mind's more at ease.-,_ _ but
F F#-7~5 B7~9 E- Eb o7 G7 r--, D.C. 11/ F",.

I~ r p J P 1 "
I' F F F P J 1>1'1 F P~ J I
nev - er the less. why stir up mem - 0 - ries. Been in - vi - ted on
 •
202
•
DO NOTHING 'TILL YOU HEAR FROM ME
m Duke Ellington 1943
aA. G~7 D-7 _ G7 C~7
r r r r~
Do noth- in' 'till youhearfrom
e
me.
1·,fJP EL
Pay no at- ten-tion to what's
r rI e
said.
Do noth- in' 'till youhearfrom me. At least COD- si- der our ro- mance.
Some kiss may cloud my me- mo - ry, and oth - er armsmay hold a thrill,
C-6
I~ I ,J J i3 EL r rIJ J J
G E+7
u A-7
I HJ J
D7
JJ
head.
chance.
will.

seen
G~7

J JI r"
with some-one new,. but does that mean that I'm un- true. When we're a - part,- - the
B-7 E7 A7 D 7sus4 D.C.BlFine

J J J j J. Ji I J ,) J J [IE E ; I' J J i3 r r [ r I
words in my heart re - veal how I feel a- bout you. Some kiss may cloud my me- mo

THERE WILL NEVER BE ANOTHER YOU

Warren/Gordon 1942
Eb~7 D-7~5 G7~9 C-7

I~ ~llb J ~ J J J J I J r J J I II IJ !j J. I J J J F I
There will be rna - ny oth- er nights like this, when I'll be stand- ing
There will be oth - er lips that I may kiss, but they won't thrill me
B~7 E)7 A~~7 A~6 Eb~7

r· pi" I r- F I F r F J I J J J JIF JJ Wi
here with some- one new_ _ There will be oth - er songs to sing, an - oth - er fall an-
like yours used to do _ _ Yes I • may dream a . mill- ion dreams but how can they come
11 .

I~ ~1.11 J J J
C-7

oth- er spring
JJI
but
F7

there
r F F qJ I J J J J
will nev - er be
C-7 F7

an - oth - er
F-7

you
II
IBr J
There
J
12 . F13 Eb~7 Ab7 111 G-7 C7~9 F-7 Bb7~9 Eh
I~ ~llb r r I F F F r IF J F J Ij J I e II
true. If there will nev - er ev - er be an - oth - er you.
 ALL OF ME 203
Simons/Marks 1931
[AI c ,--3---, E7 B-7~5 E7 A 7sus4

I,"@ r' ]J J I_J r F Fir' 1m J La I i )J~

All of me, why not take all of m e ? - - - - Can;t you see
Your good- bye left me with eyes that cry._ _ __ How can I,

0-7 B-7~5 E7 A-7

I'm no good with - oU.tL-_ _

I .,
you._
I" E7
J.
Take
~:b l
my lips,
U Tiff Is
I want to lo,:>e:.se_ _
go on dear with - outL-_ _ you. _ _
09 A-7 Q2-3~ 0-7 G7

I' II I r ~p J I J J r FI .. I a
rrI
them,__ take myarms, _ _ I'll nev-er use:_ _ them _ _ You took the
F-6 E-7 A7 0-7U G7~9 C6

I' partr rIr J 'J I r' Jlr l,JrlF r I"

me_._ _ __
I"
that once was my heart, so why not take all of

HAVE YOU MET MISS JONES Rogers/Hart 1937

0-7 C7
'I
J J;j" J )11 }l r p r
t'Ii
Have you met miss lones._ __ some - one said as we shook hands.
Then I said miss lones,_ __ you're a girl who un der - stands,

A-7 0-7 ';Ai.-7Di>7 G-7 C7 C-7 F7

F" J l' J ) J. J 1
:8 Ie If F' FFII
She was just miss me. free_ And aU at
rm a man who
E-7 A7

~J I J. llJ1'J
once I lost my breath, and all at once ~ared to death and all at once
OA7 A!,..7 0~7 0~A7 ~ 0-7 C7 t8J .FA7 E+7 ~7 07

I, ~ J)J. AJ
I owned the
J I ~r r
earth and sky
pi" I e I J. -J! ~ J 1 I ...
Now rve met miss Sones,

G-7 C7 B~7 A-7 A~o7 0-7 C7 FA7

1 J l }1 J }1 1 ) r' pF DI" I Dr J f ) I II I •• II
and we'll keep on meet - ing 'till we die. miss lones and 1_ _ __
204 •
ALL THE THINGS YOU ARE
Jerome Kem/Hammerstein 1939
•

trem- bles on the brink of a love-Iy S~g:--. You are the glow that lights a ..

I'
-"'I

GA7 F#-7~5 B7 EA7 C+7 jill

~I'b~ he- I-F ijJ J iF I iF \J I \J J:;:::j J I... Ie I ..

I'
star,- - the dear - est things I know are i t you are _ _
F-7 B~7 &7 A~A7 D~A7 0~7
~I!I,~ II
IF" j IJ J J J IJ r J I .. IV F
Some day my hap - py arms will hold you and some day rn
C-7 B o7 B~7 &7 Ab (G-7~5C7~9 )

I:t~'41.~.- J J J J J I ;.~ J I JJ j Fir ~ I .. I I

know that mo- ment di - vine when all the things you are are mine _ _

JUST FRIENDS Klemmer ILewis 1931

F7 GA7 r - - 3- - - ,

F IJ j I' Ij j J j JI
Just friends, Jov - ers no more,_ _ . Just friends,_ but not like be-
Two friends_ drif - ting a - part,-- two friends but one bro - ken

BI.-7 El>7 I'· A-7 07 F#-7~5 B 7~9 E-7

~¢ _ I_J. J I J. ]) J. ]) I J. J I J. )) J. ;)1 J J J F I
I" fore.
To think of what we've ~been and not to kiss a - gain seems like pre-
heart._ We

*
I I
A7

F#-7~5
.E-7
IT F- I'F J J J J I F
tend - ing
B7~9
it
41-3~

is - n't the
E-7
A-7

end - ing._
j
D7 Ob7
Ij r
Two loved we
A-7 07
laughed
G6
we cried
j I
and
A7

1*' J Jl J fi I J J F r I r-
sud - den - ly love died, the sto - ends ry and
J I r r
we're just
e
friends.
-
 DAY BY DAY 205
Sammy Cahn/Stordahl/Weston 1945

. G-7 Bbfl7 A-7 G-7 0-7 C7 Ffl7

I~~ I!~ J. )l
Day by day,_
L1J
I'm
j J J I J J J.
fall - ing more in love with
J) I J J
you, and
1 j.
day by day
) J-1
day by day_ you're ma}( - ing all my dreams come tIlle. so come what may

i 3
Abo7 G-7 G-7/F E7 A7

J J La· 3 II; J JJ J J 1
#3 J
my love seems to grow. _ _ There is - n't an - y end to my de -
I want you to
D-(1.7) D-7 D-7 09 G-7
J I J. J I J J J J 1J J IJ J I r r t
vo - tion, it's deep - cr dear by far, than an - y a - ceaD.

A-7 D7 ). 2. A.. _-7~S D 7~9 0-7 B~7 e,7

I~~ l'
I..
j
F r ,-= I r- I'F I r· Jl J 1* J J J
,
I find that lcnow'_ __ I'm yours a - lone and I'm in
Ffl7 e,9 D 7sus4 D7~9 0-7 C7~9 Ffl7

I~' J ;J I J. F
J. 1> 1
J. 1 J J J I I'
-
love to stay, as we go through the years day by day

OUR DAY WILL COME

Hillard/Garson 1963

Bb7 A-7 D7 I..

0

3 J 1 qel 1* J J J I f· Jl J 1* J 3 J I
day will come and we'll have ev - 'ry - thing. We'll share the
day will come if we just wait a - while. No tears for
A-7 D7 D-7 <;lL-3---, _.
I~I ;
I.. I..
j 1 Jl J j
ij.i
joy
1* J J
fall - ing in
r·
love can bring.
II * Nor one can
r IF
tell
r
me that tm
F
too
us, think love and wear a smile. Our dreams ore mag - ic be - cause we'll

C-7' ,--3--, B-7 B~7 A-7 D7 j

young to lcnow,,_ _
~ J I ,.0
I
)l
love you so,
i· iJ ~F
and you love
J j I..
IDe _______
IJ. ~ J
\2. Cfl7 C-7 0 E-7 A-7 D7 G
I~I F" )l l Jl 1 iF· J5 a 1 j F- Ir J 1 Q; Le
al ..: ways stay in love this way, Our day will come
 J
206 TANGERINE
Schertzinger/Mercer 1942 J
0+7 G-7 C7 F6 A~o7 G-7 C7 G-7 C7 •

r Ff
Tan- ger- ine,
II, U r J 1 J J tL<l J J 1 J.;d
she is all they claim....- with her
$11 J. Jd J 1 -
eyes of nightand lips as bright as
And I've seen,-- toasts for tan-ger-ine,-- raised in ev- 'I)' bar a- cross the AI· gen-

*
I ~
11FA7
'L
flame _ _
0+7
I) E F I
Tan- ger
G-7
'L I)
• ine,.....,·_
C7
r
when she
FA7
J I J J t I ) J J·I J. i) J. ;1
dan-ces by,
B-7~5 E7~9

sen-or .
AA7

i -
ptI-7

tas stare asd

1* J2~~
B-7 E7 A7 D7 D+7 D7~9 G-7
U 3--,
~ J. iJ')§r J 1 ", I) F F ,....
j
F r II F F r FI
ca - bal- le- ros sigh__ And I've tine, yes she has them all on the

E-7~5 A7~9 D-7 .--3~ G7 G-7 C7 F6

-il*~~~;§J.~J~.J~I~j~J~J§J§J§I~JE.~JEI~.J~J~J~F~Ir~J~I~iI~~-II"
run, but her heart be-Iongs just to one, her fieart be-Iongs to tan - go - rine_ ..

IT COULD HAPPEN TO YOU Van Heuson/Burke 1944 ..

A-7~5 D7~9 G-7 B-7~5 E7~9 A-7

J I ;J J ,J I J J J J qr I r r
Hide your heart from sight, lock your dreams at night, it could
Keep an eye on Spring, run when church bells ring, it could
BbA7 A7~9 A-7~5 D7~9 G-7 Bb-6

I*~ r r hap- pen

J
to
I 1'---
you
" I J J
Don't count
J
stars
F J J
or you may
hap- pen to you All I did was won - der

E-7~5 A 7~9 D-7 .. G7 G-7 A-7 BbA7 C7

sturn - ble,--,_ _ __
,.... II
I ill. J IJ JJ JI J J I J J
some one drops a sigh and down you tum- ble.

12 ·P A7 A-7~5 D7~9 G-7 C 7sus4 C7~9 F6

I*~ J J J J I
how your arms could
II

be
I J Jit
and
F J
h3,J}pened
JI
to
II

me.
- I
 I LOVE YOU 207
Cole Porter 1943

G-7~5 C7~9 F~7 _1 1

' G-7 C7 ,--3-,

F
"I
f r &3 J F ,pI ,J. ) J~ ;) * J I ;J J I J J J ~J I
"I

I~;
F~7

u
hills.- Ij
.-'"
~ F
"I
f
.
B 7
,J-
E7
J JI
as once
AtJ.7

ijr' 3D
more she sees
r
B-7 E7

r rI
daf - fo
A~7
I.

- dils.
..- ""-

I ('
*
rI
It's

G-7 C7 ,--3-, F~7 ~ -7~5 07~9

I~ ~ r p rTF r IT F r I r p en * r F I =[ p r I 1" ~ r n I
-
spring a-gain, and birds on the wings a- gain, start to sing a-gain the old me-Io-

G7 C7 A-7~5 07~9 G7 G-7 C7 F6

D.C. a/Coda

I~~ e J ~ FI I ,J
F F I 'F' P F J I
j j
"
-
dy. 1 and it all be-longs to you and me.

PENNIES FROM HEAVEN BUrke/Johnson 1936

0-7 E-7 E~07 D=l-3----, G7 CtJ.7 0-7

r Frl F F r I J J J J J1 e IFF F rI
Ev - 'ry time it rains, it rains, pen -'nies from hea- ven._ __ Don't you know each
Trade them for a pack-age of sun-shine and flow-ers _ _ __ If you want the

G7 C7 G-7 C+7
J J] e I *J J ~F I F r F ~F I
cloud con- tains pen- nics from hea- yen. You'll find your for- tune fall - ing
F6 E7 E~7 07 A-7 D7 G7 0-7 G+7

I~ * J J,J I" I *,3 J r I r r Fr I j FP J I " 'I

all 0 - vcr town, be sure that lour um- brel-la. is up - side down. _ _

12.907 CIE D-7 F6. F-6

I~ things
F F r
you love, you must have sho- wers._ _ __
I ~ J J F IrFr
So when you
. brl
hear it thun - der,
E-7 E~07 l)=l.3~ .-3--, D-7 G7~9 C6

I~FFE~EU!F" E1r I J JJr J r I IT V I ,F

don't run un- der a tree,__ there'll be pen-nies in hea- yen for you and me _ _ _ __
 I
208 MACK THE KNIFE BU~~rwdllI928

C6 C# 7 0-7 0-7 0 I Sinatra

J J I J J. J5 I J J J. J~ I j j
Oh the shark has,- pret - ty
I teeth dear,.-,_ _ and he shows them
shark bite,......
s-_ with his teeth dear..--- scar - let bil - lows
C6 CIE £1,07
•
J)
0-7 I
Ii
J. P I r r Ir r· r dear-:::-
J I
pear - ly
start to
white _ _
spread _ _
Just a
Fan - cy dear,..-
Ijack - knifec.-_
gloves though.--
has
wears
Mac-
Mac-
Heath
Heath
0-7 G9 C6
I
J. J) r W- I~W r· p I " I ,J J. j)
~
and
so
he
there's
keeps
. not
it
a
out
trace
of
of
sight
red
When the
I
3. On the sidewalk. Sunday moming, lies a body just oozing life; someone's sneaking around the comer, could that someone be mac~
4. From a tugboat by the rivera cement bag's dropping down; the cement is just for weight, dear, bet you Mackie's back in town. •
5. Louie Miller disappeared,dear after drawing out his cash; and MacHeathspends like a sailor. did our boy do somethingrash ?
6. Sukey Tawdry, Jenny Diver,Polly Peachum,Lucy Brown; Oh the line forms on the right dear, now that Mackie's back in town I
SOMEWHERE BEYOND THE SEA
fA)
1947 Trenet/Lawrence I
F6 0-7 G-7 ,cI3---, F6 0-7 G-7 ~3---, FA7 A7
1~@~~~J~_~:5,~,~IJ~J~J~J~I~;~J.~J~~J~J~J~J~I~'~I~~ I
Some - where,:-- be- yond the sea, some - where wait -.mg for me,,.-,_ _
Some
We'll
- where,:--
meetL.,-,- -
be - yond the
be- yond the
sea, she's
shore, we'll
there watch- ing for
kiss
me,.-,_ _
just as be - fore;_--"'-
I
FA7 D-7 B~A7 D7/A G-7 <?-3-o'°7 0-7 B~117
J. ))1 &'
!F F r JJI j J WI
I
my lov - er
if I could
bap- py we'll
stands on gold - en
fly like birds on
be be - yond the
sands,....,_-
high.-,_ _
sea4--_
and watch - es the
then straight to her
and nev - er a-
ships
arms
gain
that go
I'd go
I'll go
I
I@ ~..
r-11'-G-7-- C7

I J *J ,
tGe-7 C7
I
F6
J
1ft)
J I
A6 F#-7
•
•
II
Fine
sail ing. Some sail ing It's far be- yond a
A6 F#-7 B-7 J}7 A AA7 A6 G7 C6 A-7

•
3

I~~ iJ is
I

J I J I J I
'r- I_J II

hr e
star, it's near be - yond the moon _ _ __ * I know_ _
0-7 G7 3---1 CI17 A-7 0-7 G7 G-7 C7
I@~ V hfSr
be - yond
FI
a
r
doubt,
r
my
I r hp pJ173
heart will lead me there
.t

soon _ __
Ir
D.C. a12nd End (Fme)
 THE LADY IS A TRAMP 209
Roders/Hart 1937
[8J C/).7 E~-7 A~7 D-7 G7 C/).7 E~7 Ab7

I~ ef * r F' p I ~F r F I J J1 J Fffe I * F F' PI ~F r F I

She gets too hun - gry for din. - ner at eight,--- she likes the thea-ter but
She don't like crapgames with Bar - ons andEarls.--- won't go to HaJ.:.lem in
07 CA7 G-7 C7 FA7 F-7 B~7

J' j F' I~e I * F J. ]) I J j J I J ) J JJ II

nev - er comes late, _ __ she nev - er both- ers with peo - pie she hates,.-,_ _
er - mine and pearls,--- won't dish the dirt with the rest of the girls.-_ _
E-7 A 7~9 0-7 G7~9 lC/).7 A 7~9 0-7 G7 lC/).7 [§]FA7 ' 07
I

..,
that's why the
....
la-dy is a
Q
tramp., _ __
••
-----~-
tramp'__ She like the free
-. .. fresh
E-7 A-7 0-7 07 E-7 A7 0-7 G7 C/).7

I~ r' /iJ J t II I J ) J 11 Je I 'f J Jt j I 'f J p---r I ~ F F' PI

wind in her hair, life wi~out care,__ she's broke..-- it's oke.-- Hate Cal- i-
E~7 Ab7 0-7 E7 A-7 07 07 e A7
I~ ~rr
for- nia, it's
r I J. Jd
cold and it's damp_ __
r- I-e Iq r' pI r FE r I"
that'swhy the la-dy is a tramp'_ __
IF * -

A FOGGY DAY
George/Ira Gershwin 1937

. FA7 A-7~S 07~9 0-7 C7 F6 0-7~S

I~ ~. * J J J I d· J IJ J I, I~ j
me
J I I,t
low and
A fog - gy day in Lon - don town, had
How long I wondered could this thing last? But the age of mira - c1es

0-7 C7 11•. FA7 C-7 F7

JI e I~ r r r IFF
f
had me down, I view the mom- ing with a - larm, the Bri- tish mu-
had - n't passed,
•
A-7 07 07 C7 C -7 . F7 Bb6 @7
I~~ n r I J.
se- urn had lost its
u
charm.
: F F Fir
For sud - den - ly
FI
I
r r
saw you
I,J
there,
J
andthru
FI
F/).7/C 0-7/C FA7/C 0-7/C A-7 0-7 0-7 C7 F6
I~~ r J J rI J J J rIj F IJ J II I.,
fog - gy Lon - don town the sun was shin - ing ev - 'ry - where'-_ _ __
210 I'VE GOT THE WORLD ON A STRING •
Arlen/Koehler 1 9 3 2 J

•
I've got the
fve got a
world on
song that
a string,_
I sing,_
sit-tin' on a rain-bow,
I can make the rain go,
•
got the string a-round my fin-
an - y - time I move my fin-

J
,- 'jJO, •
F-7 B~7 E o7 F-7 B~9 I'· G+7 C7· 9 F-7 B~7

ger.
IJJJ JjJJJ. JJ
What a world, what a life, I'm in
'e love _ _
ger. Luc - ky me, can't you see, . I'm in love _ _

G9 C9
, If J J J J J J gJ I Ii

love. Fine Life is a beau-ti-ful thing, _ _ __ as long as I hold the string _ _-

I Repeat 1st verse
F9 F-9 Bp9 D.C.a/2ndEnd

I ~ ~b. If n~ . ~ r 9rj -- I gil I If ~ ~

J J J 'J J~ I e I~ If J J ~ II
I'd be a ilY so and 50,__ if I should ev-er let go'_____ I've got the

IT DON'T MEAN A THING

(IF IT AIN'T GOT THAT SWING) Duke Ellington/Mills 1932

[A1 G-7
G- G-lFt G-IF G-/E 97 D7 G7
I~~I! F ~ J J F , r J F I ~r p F A I ...e
It don't mean a thing if it ain't got that swing,
It don't mean a thing, all you got to do is sing,

C7 G~7'1l I'· F 7sus4 B~6 D+7 1

I~~I' ~ ct=u F I P F P F u- I-a r P r PI r ~ ~ F ,
doo wah, doo wah, doo wah, doo wah, doo wah, doo wah, doo wah, doo wah. It

12. F 7sus4 B~6 [§] F~ B~7 E~6

I~ ~1. a F P F PI
doo wah, doo wah, doo
r·
wah.
F
Fbt
II F F P F P1F it'sF sweet
P orF·
makes no diff - 'renee if
'8<
hol,-
J
G-7 C7 F7
I~~b J. F I F F P r' I F F P r· Ii

just give that rhy - thm ev - 'ry _ thing you gOL-

 - ------------- --'--~-

NIGHT AND DAY Cole Porter 1932

211
fA) B 1:.7 Bb7 .-- 3 -----, EJ,1:.7 EJ,6 B 1:.7
r U-, -w IT J j jJ I.., U r u- I-r F r r I
Night and day, you ~ ~e one On - l~ you be- neath the
Day and night why IS It so?-- That this long - ing for you
Bb7 ,--3--, EJ,1:.7 EJ,6 A -7~5 Ab-7 G-7
I~ ~I!I!
moon
PH J j iJ I.., iJ
and un- der the SUD_ Wheth- er near to me or
j.
far,
;1 j j j J I &LlJ ;1 J J J j I
it's no mat- ter dar-ling
fol- lows where- ev - er I go_ In the roar- ing traf- fic's boom, in the si-lence of my

r a ifw i-r r u f~
Gb o7 F-7 Bb7 ~1:.7 11. EJ,6
1~~I!b J IJ ~LJ J I J 1';713 I J
where you are,.- I think of yon - nightand day_ __
cr r r Day and night Night and
II

IBI lone - ly room,

G~1:.7 ~1:.7 ~1:.7

I~~bb~"- I-E
day,
rYE I r u-r IT f' ~ I ~Q r H EJ
un-der the hide of me, there's an
H~F
oh, such a hun-gry yearn - ing; bum - ing in-
p-f1iJ I
EJ,1:.7 C-7 A ...7~5 Ab-7 G-7
I~ ~bl. r a-F- IT J. ;1 j j J J I ~l -; J ; I j j j JI
side of me And its tor- ment won't be through "til you let me spend my
(Ji,07 - F-7 Bb7 EJ,6
I~ ~I!. j \J ~AS2F ~r r Ir F r~r- I'r E S Sf" Iii II
life male - ing love to you, day and night, night and day _ _

George/Ira Gershwin 1927

'8 WONDERFUL

to
D7

see You've made my

r r
life so
B-7 E7~9 A-7 D7 G9 Cl3 F9 Bb13 E7
I~ ~I,,,
lei
t gl~-
p r I-e
or- ous,-- - -
I* r r r Ir r r r Ir p r
you can't blame me for feel- ing am - OT- OUS.-,- -
r !h I
nv (Ji,07 F-7 C7~9 F-7Bb7~9 EJ,
I~ ~I'I, f' ! J. I-e I [ P r I
'S won- ~r-ful, 'S mar- vel-ous,
II I r J J r-I
that you should care-
-r J I '" I.e II
for IDe--
 -------------~----

212 HOW !UGH THE MOON

Lewis/Hamilton 1940

G117 G-7 C7 F117

J J A_a F- trw J J I ~e I r J ~J J I J J
Some-where there's mus - ie, how faint the tune,-,_ _ some-where there's hea - ven,
Some- times there's mus - i c . - it's where you are,,_ _ some-where there's hea - ven,

I* I AJ ijJ J I I...
how high the
how near SO
F-7

mOOD. _ _
far. _ _
Bb7

There is no
The dark - est
Eb117
I J J ;J qJ I J J J J I J J J
moon a - bove when
night would shine if
A-7

love is far
you would come
D7
JJ J I
a- way
see me
A-7~5 D7~9 G117 A-7 B-7 Bb7 A-7 D7~9

I r· 11 JJ j Ie rrJ r rlrrrrlp'J J J•
too, _ __ <till it. comes true, _ _ that you love me as I love you. Some times there's

A-7 B-7 Bb7 A-7 D7 G117

soon,
Ir J r rl r r r r I r
un- til you will, how still my
J J JI
heart, bow high the
&

moon _ _ _ __ •
•
BUT NOT FOR ME Ira/George Gershwin 1930

•
I'~I!I' * J J J 'J Eb117 C-7 F-7 Bb7~9

J JJJ J J J I e
Eb Ab7 G-7 C7
I~ J J J I J J J I
F9

- •
a- bove

•
They're writ-ing songs of love but not for me._ _ A lue- ky star's
I was a fool to fall and get that way,-,_ Heigh- ho, a - las and al-

* F-7

I ~~" J J J J I e
Bb7~9

but not for

Eb7

me. _ _
Bb-7
I~ J
Eb7

J r I
Ab o7 Ab117

Mr
Ab-6

F r I* J J J I
•
•
With love to lead the way, I've found more
so lack - a - day. _ _ AI - though I can't dis - miss the mem - 'ry

Eb117 C-7 G o7/F F-7 B7' U Bb7~9

r rl*JJJIJ J rl*r r J I" 1* J J J ij~ •

of gray, than an - y Rus - sian play could guar- an - tee _ _ I was a

I 2. E bo 7 Eb117 . C-7 C+7 F-7 Bb7~9

I, ~I!I, \~ r r I* r r J I e I ..
for _ _ me _ _ _ __
of her kiss, I guess she's notL-_ _
 - ================::::-

SIUNY STOCKINGS 213

Frank Foster IE. Fitzgerald 1956

B~7 Eb7 B~7 Eb7 G6

ir· ~ r
I walked
*p r sn r· r r
with my ba - by and I know in noth - ing
I J
flat.
r P r 1- j ijJ I
she's
I'm hip and I'm luc - ky to have some- one so well en - dowed, a
Db7 Ab6/C B 07 B-7

r DID r· J r I J J P J 1- ¥ ijJ. "

got some - thing mel - low lots of fel - lows whis - tie at. When
girl half as love - ly would make lots of fel - lows proud. I
.-------
Bb-7 Eb7 D~7 C-7 1. F7

we I soon as we're out. with no

love all but one's real - ly a ball
--------,

~
F7~9

of doubt she's got lots

D
proud
r
of

B~7 &7 Ab6

I r r p r p I, J. P r ""
J1 I - -
I love those shi - ny stock - ings most of all.

SHOUT CHORUS
Eb7 ~~
Eb7 Ab6

)111' , - ptp!' * - I r r
" :>
"
•I
\
Db7 B~7 Eb7

f
I II'I!~ r I J JJ nJ.iJ ~ "
*F
C-7 F7 I'· 0<-7 . G7 AC6

If~kk~ FJJ !PIn * * r :r §J J &;1£4 *lJ §JJ I -

J
 I
_ THERE IS NO GREATER LOVE
I Isham Jones/Symes 1936

[8J B~A7 E~7 A~7

t I
07
I'~I' (~ j
r r r J J) J. I J ijJ ~J J I I J J j I,j I u:
There is no
There is no
great- er love than
great - er thrill than
great- er love in
I
what
what
all
I
you
feel
bring
world,
for
to
it's
you
me,
No great - er
no swee - ter
There is no the true No great - er

11. C7 F7 ~2. C7 C-7 F7 I

I'~I'.. I J J F ~r I It j F r ,J J r r I F. r
II

love, _ _ no heart so true. I

There is no song
love
than
than
what you
what I
sing
feel
to
for
[§]
1,;1,
B~ D7 A-7~S
0- D7
I A-7~S

me.
e-
Ir= t II J ,S
FInfI
j
r I IS
You're
J rr I
the sweet - est
e

thing I have ev - er
you. _ _
0- A-7~S D7 0- C7 F7 D.C. II 2nd End.

I'~~
e
I J ,S J F r II I r IF J J J
..

It j
known, and- • to think that you are mine a lone. There is no
I
WHAT IS TmS TIDNG CALLED LOVE? I
Cole Porter 1929

F- ... D-7~S I ...

F F I". l- t Id I 1,J1 J JEl l

What
Just
is this tbing_
who can solve-
I called
it's mys - ter -
love?
y?
This
Why
fun - ny thing
should it make--
ask the Lord-- in heaven a - bove, What

07~9
11. CA7 ~ ·CA7 I .. G719

I~J fJ I 1- J ~J , J. •
e
love?
I- t tr I
I Just a fool of me? I

B~A7 A~7 :a
r-- 3 - - , I
r r r I 1- tr Ir I.J J Ijr r ~f41 e
r--- 3

saw you there- one won- der-ful I day. You took my hearL-. and threw it a-

D-7 07 -$- D~7. 0+7 C6

I' Ir
D.C.aJCoda

e It ;r F F II I I,j J J I_J ~
I II
Ir - I
way That's why I is this thing_ called love?

I
 SECRET LOVE Webster/Fain 1953
215
C7~9

j F FI
Once I had a sec - ret love, that lived with - in the heart of
So I told a friend-Iy star, the way that dream- ers of - ten
B~7 F-7 Bb7 F-7 Bb7 F-7
Ii
I" II J a I J J a J I 11
___
I:4, J I J a I
me,...-,_ _ all too soon my sec - ret love,...-,_ _ be - came im-
do,__ just how won - der - fu1 you are,-,' - - and why I'm

I~ ~bbB~r J J B~7~91 ~ U- ~~7~9 j ;G7~9 *~r F7

7

pat- ient to free:___ Now

rI
I
F
shout
F
be it from the
so in love with you_ _

Bb6 B!,-7 £1,7 AbA7 Ob7 9A7 F-7

F I .. I ;r rIr J J r I V- a I gr' a II r' J I

high - est hills, e - ven told the gold- en daf - fo - dils, at last my
G-7 AbA7 Ob13 C9 F-7 Bb7 Bb7~9 9
I~ ~IIII J JJ aI e:
r' I J f:J ~ r I F J J I I II
heart's an o-pen door,
I J J
and my sec- ret love's no sec-ret an- y- more
e. e

ALMOST LIKE BEING IN LOVE Lerner/Loewe 1947

[AJ EbA7 F7 0-7 nb o7 C-7 F7sus4

1~ ~b F
What a '
rfr F JI J J rI r
day this has been, what a rare mood I'm in, why it's
J J I J J J I ~ F J J I FJ J I
al- most like be- ing in
There's a smile on my face for the whole hum- an race,why it's al- most like be-ing in

B~ ~2.
Bb
I~ ~II ~..- fF~
love_
11.

Fr
There's a
'F *Fr I r J iF I r 9r r I
All the
mJA-7 07

mus- ic of life seems to

GA7
1..-
be,---
I-F ~ J J I rF JFI
like a
G-7

bell that is
love r;:q i.

C-7 A-7~5 07~9 &. EbA7 . F7 D-7 Db o7

I~ ~II F J ~ F I 9' I'r r r r I r F J I j J Fir J J I J J J I
ring - ing for me__ And from the way that I feel, when the bell starts to peal. I would

C-7 C# o7 BblD Db o7 C-7 F7 Bb

I~ ~b F J J I F J n I r J j I F J Fir F Fir r r I
swear I was fall- ing, I could swear I was fall-ing, It's aI- mostlike be-ing in
8'

love: _ _
I,e II
216 IN TIlE MOOD Joe Garland 1939 (Glenn Miller)

I~ ~blh:
Bb7
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_ B"-7 E~7.sus4
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I jJ J JjJ J I Jj J t), * I
D~ A~ _
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I'~bl'~ jJ Jj j a J JI Jj jJ PJ J31) J JJ JJ JJ I ) J ~.J d
1'~b~VJ ll'~ i~jp~7ro 110 )~J'~ i~£J1~7r 11u iJ/~ I
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I' ~1z1,~ ~~ r P"r ip I EIWn I, ~ rIrEiCCbWI r J1J I..

l 'I I 'I
--
OPUS ONE Sy Oliver 1945

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I, t Jl f iH J. ,pI JJJ 3J. ,pI nJ J. ,pI JaJ3J. ,pI n ,pI U Jo

1"~TJJJ)7 JlI';uJn7J (TaB)7 Jl~TJniJj31Jo perU"

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o o

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D.C. aJ 2nd End (Fine)
 JERSEY BOUNCE Plater/Bradshaw 1941

~--~----------~~--~---
07 0-7 9
G7 2. C Ab9 C

J~j IJ J J J ,J JEJ IJ j J J>gJ

G7 G+7 D.C. a/Fine

J~ J 'I J &J &F !,IJidJ !j J J J IjJ7 J>s<J "f

J' II

PENNSYLV~65000

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I~l~ i1 J 0 J Ia. Id 1 fJ J 0 J J. 1 lOd
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lsi
n J fJ J Ia. ~J "I - ere ric ;gr-D ("
Penns}4 van- la six IV ou - sand!
~
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1 ~ I ~~r J) iP J. 1 J J1 J. liP IF r r r'E r Er I~ r Jl J D.C.a/Fine
I
 I
218 PERDIDO
Juan TIzoI 1942 I

TUXEDO JUNCTION Hawkins 1939

Bb F-7 Bb7
If ~p r' IFF J t I- !J kQ r
Bb 0-7 C-7 F7
~p r I F" hp,?SF' P I[ P!i}1 J I
 219
CRAZY RHYTHM
Caesar/Meyer/Kahn 1928

Ff17 G-7 A-7 G-7 Ff17 B~7 A-7 A~o7

I~ ~ 'If ' J J) J J I J J J
Cra-zy rhy- thm, here'sthe door - way.
W J~liJlW WI a au W J~I
I'll go my way, you'll go your way,
Here is where we have a show - down, I'mtoo high-hat, you'retoo low - down,

G-7 C7
~-----,--

I" F Ab7 G9 (Ji.9 F F G-7 A-7 D-

I~ ~ '! J J) J J I J J J Jl J j II I J * - '" I J J J FI
cra-zy rhy-thm, from now on we're though. you. they say that
cra-zy rhy-thm, here's good-bye to you.
C-7 F7 B~f17 B~6 B~6

I~ ~ , r~ F F I J A_p r I ~ F PF J I e Ii F pJ JI
when a high-brow meets a low - brow, walk-ing a-Iong Broad- way, soon the high- brow,

E~9 A+7 D9 G+7 C9 Ff17 0-7 A-7 D-7

I~ ~ J n ;P F' I p J P j I ;P J ;P J I ' J J) J J I J D J J ~ I.
he has no - brow, ain't it ashame, and you're to blame. Wbat'sthe use of pro-hi-bi - tion?

*
I ~
G7
1
You pro-ducethe
A~7

J ;P J J I,J TLJ J * I
G7

samecon-di - tion,
C 7sus4
'! FP
C7
r r I iF C1
cra-zy rhy--thm
D~9

I've gonecra - zy
C7
PJ. I
F
II

too.
I II

STRING OF PEARLS
Gray/DeLange 1941

E~

1* ~'II J: I6j ~jUI d: 2J d 12: 8 d - I,' j: ij

JJ ! I
F7 B~7 & b
*
I ~IIII t3: I'd- lJd: $nS .IS: f!
J) I' J
))J1R b II

*
~
I ~I!II
A~

~: ., ~,~ Iii =: l8 ~~ I~O:

~

===
FIIIB

~, ~
13th: .
, t1 F
Bb&7 A~ D.C.B1Fme

t= ~ ~ -11~
~

1~~bH': ~ ~: ~~ I ~: f~ J~ ~ q; I J) jJ n J
J Solo on Blues
II
220 UNDECIDED
Shavers! Robin 1939

C6 CA7 C6 F7' 1l
rrJpl cJ J)JICFrrJplcJ J)JI
First you say you do and then you don't, and then you say you will and then you won't. You're
Now you want to play and then it's no, and wben you sayyou'U stay, that's wben you go.

k'
lf you've got a heartand if you're kind. then don'tlceep us a - part,make up your mind.

D7 D-7G7· £.C6 AI ~7 _07~~.;6 0-7 0#07 CIE

I' r F F r J. P I F F r F ~ ::t.~": FIIt8
== -= I V ~ [J I
IBI un - de - ci - ded now, so wbat.are you gon - na do?·___ I've been
0-7 C9 0-7 C9 F6 C+7 F6 E~7'1l

" r r rtf F U
si~ting on
1 Err g P F piE r EJ r c:J I P r' r c:J I
a fence, and it does-n't make mucb sense, 'cause you keep me insus-penseaud you know it. Then you
D7 CIE Fo 07/F# 07sus4 07 . G+7

I' r rU F U 1Er FJ p J piE r r~ r 11 I P LJ

pro-mise to re-tum, when you don't I reaI-Iy bum, well I
--~--~J
guess I'll nev-er learn, and I show it.
nc.~
I

FASCINATING RHYTHM Ira/George Gershwin 1926

I'~~ j
0-7
aJ J D
C7
' ) 1J
0-7 C7
J J J P ,A 1 {J J J ! rfa J1
0-7 C7

•
Fas-ci-nat-ing rby-thm you've
once it did-n't mat-ter
0-7 C7
but
C-7
got me on the go, fas - ci - nat-lDgmy-thm
now you're do-ing wrong, wben you
F7
start to pat- ter,
-7 F7
all a-
I'm so un-
•
qui - vcr. What a mess you're mak- ing, rs want to know wby I'm
•
C-7
I'~ , - ways
bap - py,
F7
won't you take the day off?

r;ing 'I justEkrlike ra 1 r vcr.J. II

e sbak-
far a - way off, and make it
C-7

f1j -
snap - py.
F7

•
B~

* J r r 1r Ei tJ rill
Eacb mom - ing
Ob ho~ I
to run a - long
07~~1·0-7

I get up
C7
some- wbere

with the
F6

sun,
•I
E~ ~ 0- 0-7 07 C7 A-7~5 D7~9 I
I' ~ f J J "3 J J 0 1* J J r 1.F c;J~lt r I" 1 *F r ~ ~
(SWl a- bop-plUg, nov-cr stop-pmg) to find at mgbt no work bas been done.· I kDow tlm = •
12. 0-7 A 7~9 0-7 09 0-7 C7 0-7 07 C7~9 F6
,'~ F
long to be
rJ (J E1 *FPr 1 1 j aJj u'~ .£ J J J--(! J I" 1
the man I used to
e
be, fas-ci-na~ing rby-thm ob won't you stop pick- ing on me.
II
I
I
 THE WAY YOU LOOK TONIGHT 221
Jerome Kern 1936

F-7 B~7
IJ a Jal ..
when I'm aw- fly low, when the world is cold, I will feel a
with yoursmileso warm, and your cheek so soft, there is no~ ing
nev - er, nev- er change, keep that breath-less charm, won't you please ar-
B~-7
rI II

Fine
glow just think- ing of you and the way you look to - night\..-- - - -
for me but to love you, just the way you look to - night\..-_ __
range it 'cause I love you, ~t the way you look to - night
EJ.A7C-7~ IF-7 Bt lA57D~7Ilh:;t.A7 G7 o Ai.-7 I»7
I~ jl'i, ~ J - J 1 qJ ~ J ~ ::;1- J I r r I r r I F ~F iF J I ..
Oh but you're With each word your ten - der- ness grows...-,- -
B~7 ~7 A~7 I»7 @A7 ~7 A~7 A~/@ F-7~S B~7~9
I~ jl'l, J pJ J [ d~J I " I r- ~ I ~r r I ~r r I ~F F IT F-I e I
. tear-ing my fear. a part, and that lauglrhat wrinkles your no~se_ _

9-79-1D~ C-7~SF7~9F-70-7 A~A7B~7 ~-7 B~7 F-7 B~9 B~7~9~6

I~ ~bb J r d I j ~J I'" I ~e I D.C. aJ Fine
I ~ JJ I J J F J I r r I" I" I D.C. aI F"",.
touches my fool- ish heart,_ _ just the way you are to -night.

LONG' AGO AND FAR AWAY Jerome Kern/Gershwin 1944

D-7 0-7 C7 FA7 0-7 C7 F6

J I J J J. ;1 J. j I j J J J I dayJ
Long a - gG and- fap. a - way - I dreamed a dream one and

0-7
I~~ J.
now
Chills
C7
run
A-7
;1 J a J ,J I
up and down

that dream is here be

D7,
my spine,
0-7 C7
j
- side - IDe.-
J r.t
A

Long
- lad - diB's lamp is

FJI ~J7 r ~7 J I t7
the skies were 0-
mine,

ver - cast, -
the

J
But
1

t
dream I dreamedwas not de - nied - me.i..
07 CA7 0-7 C7
C7
I~~ J ir J j I J. j I J.' rI " IW * : W- r 1
now the clouds have passed, you're here at lasL-t_ _ __ Just one
F7 B~A7 ~7 F6/AA~o7 0-7 C7 F6
I~~ rl'FrJI e I~FJjIJ JI JJjJln I II II
look and then I knew that all I longed for, long a - go was you.
222 I'LL REMEMBER APRIL
De Paul/Raye 1941
•
o~ 04
1~. I! ~ r r Fir r J J I J J I J .J. I * J T r I ~r J J ijJ I
This love-Iy day willlengtb-en in - to ev-'ning, we'll sigh good - bye to all we've
The fire will dwin-dle in - to glow- ing ash - es, for flames and love live such a
A-7 D7 B-7~S E7~9

La. J I J. J) j I J J F rl F r ISF Frl

ev- er had. A- lone, where we have walked to - getb - er, I'll re-
lit-tIe while. I won't for - get, but I won't be lone-Iy, I'll re-
A-7 D7 0 117 06 C-7 F7 B~117

F r F r I r F ,J I
mem-ber A-pril and be
eF

glad.
I r *FI
I'll
J. 1> J_ I J J ~F
be cmrtent you loved me
rI r rI once in
mem-her A-pril and I'll smile. FIne

D7 0+7 C-7 ' -F7 B~117 r - 3- - , A-7

I~I ~r J ijJ I J. , l I J J T r I F F
A- pril, your lips were warm and love and Spring were new.
r I'F F F r FI
But I'm not a -
r
fraid
rI
of
0117 06 F'-7 B7 EI17 D7
1,1 F r F" p1 J r I T Fr pI F r' 1 - . 1 " I =>8
D.C•• Fine
I
Au- tumn and her sor- row, for I'll re - mem-ber A-pril and you.

IT'S YOU OR NO ONE Styne. Cahn 1948

C7 0-7 C7 11. FI17

r rIr J J .. IJ J J J I &; IUS Jrl" I

It's you or no- one for me.- I'm sure of thi:5-S_ _ each time we kiss_
Please don't say no to my plea._ 'cause if you do.-._ _ then I'm all
B~7 .r:7 A~117 A-7
II * I'F F F If r F I ~r r Fd I ~J. S I J J J FI
Now and for - e - ver and when for - e- ver's done, you'll find that you are
D7 0-7 C7 -} 2. A-7IS D719 G-7 B~7 E~7

It~ F" hr I & I ... J " I II I ~ r r r I r J JI

still the one. _ _ through _ _ There's this a - bout you, my
FIl7 A~7 D~7 A-7 D7 0-7 C7 F6
J r r r IlzF jr r FI ~ r rrI r J JI II I.. I
world's an emp- ty world with - out you, it's you or no - one for me.
 I'M OLD FASmONED
Jerome Kern/Mercer 1942
223
[8] F6 0-7 G-7 C7 FA7 0-7 G-7 C7 B~IF FA7
I~ ~ I! J II I J J II I rJ. JI J J JI r·· dill J d I
I'm old fash - ioned, I love the moon - light, I love the old fash - ioned
E-7~5 A7 0-7 G9 0-7 G9 A~7'1l

I J. J I J. JIJ. JI JdJ JIJ. JI

things . - - , - - - - - The sound of rain up rDl0n the win-dow pane, the
G-7 A-7 B~6 G7/B C 7sus4 C7 t§.J F6 D-7 G-7 C7
d I J,J I J I J J JI
rr r
star- ry song that A - pril
II

sings . _ _ _ __
II
I IT"
This years fan- cies are
FA7 0-7 B-7 E7 AA7 B-7 CI-7 07 E7 Fl o7 G-7 C7
I~~ J. J I J J J I iJ J ill I J III ,,1 I,J J J I rJ r I
Icl pass - ing fan - cies, but S1gh- ing sighs, hold - mg hands, these my heart un- der- stands.
F6 0-7 G-7 C7 FA7 0-7 G-7 C7 C-7 F7 B~A7 E~7111

I~; J 11 J J JI rJ. J .I 1 j JI r Fr J I J JI
I'm old fash - ioned, but I don't mind it, that's how I want to be, as
A-7 0-7 B-7~S B~6 A-7 0-7 G-7 C7 F6
I~~ r r r JI J J I F' JI J j JI Ii
-
long as you a - gree to stay old fash- ioned with me.

STARS FELL ON ALABAMA Perkins/Parish 1934

07 G+ CA7 0-7 E-7 E~o7

We
,J J J 3 I J J J I r 'F F r r I r ~r I
lived our lit - tie dra - ma and
I can't for - get the gla - moor
My heart beat like a ham - mer,

A7 0-7 Gi 11• C

IBI stars
IJ J J J I J J J I
fell on AI- a - ba- ma last nighL
e
. . ..
nighL
JJ I
I nev- er
D-7 G7 E-7 E~o7

I~ J. Jl P2 J J I F Fe r r
planned in my i - ma- gi - na - tion a sit - u - a- tion so hea- Veil - ly, a fair- y
0-7 G7 E 7/GI A-7 A-/G F#-7 B7 EA7 G7
I~ J.
l

J1 JJ J J I r rr r F r I r reeF IF If r I IJ IJ I
land where no one else could en - ter and in the cen-ter just you and tReC.a1~~(Fene)
224 INVITATION Kaper /Washington 1952
fA)
1'~I'b I~
J
You and your smile- hold astrangein-vi - ta:Jion,-
How long must I stay_ in a world of il - lu-sion,_
som~how it seems we'vesharedour
be whereyou are, so near yet so
F7 Bb7 Er-7

I'~bl' J J I ... 1-8 II J ~J F r I r tJt PrJ I j J I J

dreams, but where?
far a - part.
3-

II
3----,

TlIIle af - ter time- in

Hop - ing y'ou'll say_ with
3

a room full of
a wann in- vi
..

stran-gers.-- out of the

In -

Db7~9 [§] C#-7 I

:nr
Ab7 F#7 F#7a1t B-7

I'~bl' J I j. J I IT \J I .Ef1i 1r IT I[J hElD IIF F: I

I
e'

blue sud-deIrly you are there_ Wher- ev - er I g o . - you're the glow of temp - ta-tion,-

I'~bb II I
B-7

,fir-iF IF
glan- clng my way,__
E7

I F ,0
in the gray
Irrr I
Eall7

of the
E-7~S Eb7
A-7

Ie'
dawn
l=r ijJ I ijJ
And
A,.=1-
fj
al- ways your eyes-
~" t.I
-

I'~I'I' "r
D7

\n ~Fm I \d J J rTF I
Dall7

smilethatstrange iIrvi -
G-7

ta-tion,_
j I" IJ0
thenyouare gone,_ wbereohwberebaveyou gone?
rfJ I
3 Dall7

II I
Galt7

II )

_
B 7.n Y. F7 alt Bb7 alt E~(t.7)-

;) J I J J J
ta- tion_ "wherebave you been?__
J J I J bf e j r"1
Jar:ling come i n . -
tr Ip tJ af I ..
come in- to my heart."_ _ __
I-e,

,
GONE WITH THE WIND Madigson 1937 II
I, ~hl" r
F-7 Bb7

r pie
Gone with the
now all is
Ebl:..7

wind,
gone,
1
F-7

F cr
just like a leaf that has
gone is the rap- ture that
blown a - way.
fined my heart.
1
A-7 D7
J ,S. 9;1
Gone with the
Gone with the
...
06
~££J
wind,
wind,
-
•
_

A-7 D~3~ .01:..7 I"G- ,--3---, Flo? F.:7-3---, •

'~;IZI§z~~J~J~,~J~J§§?§I~r~'~p~F§I~~- ~r~F~F~I§F§r~>~F~I~r~F~r§F~~r -
il

•
my TO- mance has flown a - way. .. Yes- ter- day's kiss-es are still on my lips
the glad - ness that filled my heart.
Ebl:..7 0-7~5 C7~9 F-7 . r--- 3-"1 Bb7 12. F- c-
*rrri r (~F r rl *Jrr J1 J r,r r-pl"
I had a life- time of hea- yen at ny fi~ger - tips. But Just like a flame,
F-7 Bb7 0-7~5C7 F-7 Bb9 Ebl:..7
3

love burned bright-Iy thren be- carne an emp-ty smoke dream that as gone, gone with the wind.
 -- I'VE GOT YOU UNDER MY SKIN 225
Cole Porter 1936
F-7 Bb7 Eb67 C7~9 F-7 Bb7

II rr I V V J hi B:: LJ F Ir r IV P JJI
I've got you_ un - der my slcin _ __ * I've got you- deep in the

I' Eb67

~bl! J. I) J. LJ. J I J
heart of me,--
F-7 Bb7
C-7

so
F-7
fl j
Bb7
IJ J
deep in my heart,- you're real-ly
Eb67 Eb6
'J ,I J. J J- IJ
a
p-7
Eb67

part of me.-,_
Bb7
G-7 Gbo7

* I'veJ I
Ij ~ I
.1:,== fill,)
.- ~
got
)
~~
you_
J~ J $
un - der my
n:
I
=4
slcin.__
* r I r r IF
I tried so
P J ) I
not to give

I'~bll
Eb67

e
in,.--,_ _ _
Eb6

I J t FI
I
-Pn Fm I
F-7~5

said to
Bb7~9

iF ~~ J 1)113.
my- self "this af - fair will nev- er
D

go
I)
&67 Eb6

J U Jg
so well" but
1)-7 3-......" r - 3--, G7 B/C C67/B A-7 A-7/G F-7
I'~bb \J . J J J J J I \J J I) J ,I) I ,J. ,I) L1J J I J J I

n:
un - der my slcin__ I'd sac - ri - fiee an - y - thing, come what might, for the
&67 &7 Ab6~ Ab-6W- &67 @7. 11

·I'~bb rr nll P'r pEl Ju rUI Tn fnl FH PHI

sake of ha¥-ing you near, in spite of a w~ing voieethat comes in the night and re - peats and ~peats in my
F-7 G7~9 C- C-7/Bb Ab Bb7/Ab G-7 C-7/G Gbo7 F-7
! I ~3:::::;· ~35
Ir
"':3'--,
I, ~ 'I. r>=<~ ~ IrE! r Ir r r Fr I e- ~r~ Ir' pr~ ~
ear. "Don't you know lit-tie fool.--- you Rev-er can win,_ use your men - tal - i-ty.
Bb7 EbA7 Bb-7 Eb7 Ab At,.. 6 Db9

I, ~llb F F Pr ~ I F" ~ r IT t (j I r· ~ r (J I F" P F

wake up to re - al - i- ty". But each time I do, just the thought of you makes me
Eb67 Db7. 11 C7~9 F-7 Bb7~9 &67

I'~bb r ~~ I) 3 I) Ir ) IJ J U I) J I) I.. La
stop, be - fore I be - gin, '!se I've got YO,u..:_ _ un - der my skin-n_ _
 J
226 COME FLY WITH ME
James Van Heusen/Sammy Calm 1958
J
fA] CA7 E~o7
J
I~I! J C: p J
> <

r p r C:4 ~
IT F (
Come fly with me, let's fly, let's flya- way! _ _ __ If
Pc
J
Come fly with me, let's float down to -lU., _ _ _ __
In
Weath - er - wise, it's such a love - ly day_ _ _ __ Just

CA7 C6 G-7 C7 FA9 B~9 CA7 JI

A-7"

I~ P J ~} r, 1 )1 J J[J; J .111 J !$! r r r- 1 J 1 J i7J J ;OJ -

youcan use
La-ma land
some ex - ot - ic booze there's a
there's a oneman band and I'll
bar in old Bom - bay. Come fly with ~ let's fly,
toot his flute for you.. Come fly with me, let's fly,
II _
say the words and we'll beat the birds down to A - ca- pul- co Bay. It's per-feet for a fly

G 7sus4

let's fly""'"
G7E+7

--
a- way._ _ _ _ __
09

-
G9 2. 07~9

take off in'-"

0-7

the blue----
&
•JI
let's fly a - way!_ __
C ~ A~ AIH- B~7 ~7SUS4 JI
I~ * J J J J I F' pE"<r I'F jp,.Jrl r F~J lu I ~r r w,
Once I

B!,-7 @7
get you

A~
up there:,..,_ _

F-7 B~7
where the air is

E~7sus4
rae -

A~
j -

AIH-
-
fiedl,-, _ __

A~6
we'll just glide,-

07~9
--
,
•JI
I~ I ,.J
J J I J J ~J ~J I.J "F' p-r I' F p r ~F
star - ry - eyea:---' Once I get you up there,-,_ _ I'll be hold - ing

G6 B-7 E7 A-7 07sus4 07 G G 7sus4 G7 A~7 G7sus4G7~9

I~ r F J Iu I r F JIu I F ~F r' p I t1 jr ~ ir
. you so near. - you may hear_ _ - an - gels cher, 'cause we're to- geth - er.
I
D.C.aJCoda

F9 G7/F E-7~5 B~9 ;. E-7~5 A7.~9 07sus4 09

J ,. J ,J
I~ jJ f j
- tJJ r
;

ing
1 J eyJ
hon--- -
j
moon, they say, come
II F ~
fly with
;:t
me,
;

let's fly,

0-7 G 7sus4 G7~9 C

I~Rr E ;j- ;J
;::0

F
-
I.
1-"
let's fly a - way!
 I GET A KICK OUT OF YOU 227
Cole Porter 1934
Bb7~9
r-- 3 - - o EbA7 G-7 C7~9 F-7 Bb7~9 ..

•
I~I rl J,JI 0=
j J ~ I
I * mere 37J5J I
I getno kick from cham - pagne, a1 - co - hoi does - n't
Some get a kick from co - caine, 1'm sure that if I had
I get no kick in a plane Fly - ing too high with some
I 1~1'E-b-3a- G-7 C7~9 Frf-3---' B~3~7 G7 C9 F-7
I~n ph I l
thrill me at all,
JI a J J I
so tell me why
ED I.. I J * J I
should it be true, that
j J J F§!
I get a kick

I'~~I, 'F
Bb7~9

j
out of
Eb
JI ~ IJ - ,
you?
AbA7 G-7 C7~912EbA7
nill I nil I •
ev- en one
E o7

sniff it would
F-7

bore me
I
lefn1
Bb7
pta I
rif - ic - 'Iy
0-7 G7 G-7~5 C7~9 F-7 Bb7~9 Eb F-7 F#07Eb!G t.l2mb-7
I~ ~I'~ &

too,
IJ J JI J JJ
yet I get a kick-
F- I rJ out
JI ~ IJ - I
of you
*Jj JI
I get a

I~ ~I'I.
Eb7sus4
Err I ~F"
kick ev - 'ry
Db!Ab Ab

- time
r I ~r
I
Db!Ab Ab

see
*
you're
r I r-
Bb-7

stand - ing
Eb9
Fir' Fie I
there be -
G-7~S

fore
C7
€>

me.
II
F- D-7~S Db7 tll C7~9 P9 F-7~5 Bb7~9
i I f%S!f1
I@~ 'Iz
I
* J J ~J I
I get a
r - 3 ;::::::::J
,J LJ I
kick tho' it's
r'
clear
-l
OJ
to
I r*
me, you
-l
OJ I J. J I J r J Ie: ~ ~
ob- vious -ly don't a- dore me.
..
I~ ~bl!
Eb G-/D C-7
Ff]
gal in the
I rn I Fi] I rff I .. I J *JI In I rr FI .. I"
sky is my
P-7.

i - dea of
Bb7

n~thing
Ab7 G7

to do,
C9

yet
F-7 Bb7

I get a kick out of you _ _

Eb6

DEARLY BELOVED Jerome Kem/J.Mercer 1942

D-7 G7 0-7 G7 0-7 G7 0-7

I~ J J. )1 J J ~ I' J J.)I 41 I J J. J5 I J ~ J r I r J. pI
Dear - ly be - lov- eel. how clear-Iy I see, some- where in hea- ven you were fash- ioned for
No- thing could save me, fate gave me a sign~ I know' that I'll be yours come show - er or

G7 11. C6 A-7 D-7 G7 CA7 A-7 Eb-7 Ab7

I~ " 1 J J r I " I j 1 I -e I ~ F r I I ;r r F I ~r d I" ~
me. An - gel eyes knew you, _ _ an- gel voi - ces led me to you _ _
shine.

f~C6 A-7 09 0-7 G7 C6

~ -
I J
So I
r
say
'i
I j
mere - ly,
r I~e I J J. hi J J J
dear -ly lov- ed be - be
e
mine.

m
 I
228 OLD DEVIL MOON Lane/Harburg 1946

Eb6 F6 Eb~7 F~7

1,_ _
I ~J J J J J J I C)
I J J J Jrlll
look at you and sud-den - ly, som~thing in your eyes I see,.-,_ _
You've~_ got me fly-ing high and wide on a mag - ic car-pet riuc;de_ _
Eb~7 F~7 C-7 F7 Bb~7

I, ~ r r r r F F I II Ir ~ r r I r r FJ IJ dcJ
soon be- gins be-witch-ing m e . _ _ _ - It's that old dev - il mOOD- that you stole
full of but - ter - flies in - side.___ Wan - na cry, wan-na croon,_ wan-'na laugh
C7 F6 Eb6

from the skies,_ it's that old dev-il moon_

d hJ 1
in your eyes.__
Ii 1 = ~J JJ
You and your glance
J II

like a loon,- it'sthat old dev-il moon_ in your eyes. Just when I think
07 D-7
fJ J J IJ J J J @~ ~
make this ro-mance_ too hot to han - dIe._ Stars in the night- blaz-ing their light-

can't hold a can - dIe

r 1~7F ~; J J j J
to your raz-zl,e daz- zle.
fr J think I'mllJ.__
1~6 d
free as
JJ ~
a dove,.
I

Eb6 A-7~S D7~9 0-7 C7~9 F6

I ,--3--, 3 s:::::::: 3:E3
I,] r rrl r
old dev- il
~f71 J JiJOI"
moon, deep in your eyes, blinds me with love~_ __
I ..

CHEROKEE Ray Noble 1938

lAI b~7 F-7 Bb7 Eb~7 Ab7 Bb~7 D-7

I'~~t 1M J I 8
18 I .. Ij J I 0 .e-
I O"
Ij j
C7
1'~-7 IJ j G7~9 C-7 F+7
t~C-7 F7 Bb

I'~I' I I I I
8
,
8

& 1#&
• '8
0
II
TI' _U' Fine
[§) C#-7 F#7 B~7 B-7 E7 A~7

1'~1. 19 FE 'F IlrldiJ IJ 'F Ilr diJ IJ ijr I ~Q I ;;8 I

A-7 D7 G~7 G-7 C7 C-7 F+7

I'~h M9'
Ir j I J,U J-1J j I J UJ-1J J I& I 1&
D.C. al2nd End (Fine)
II
 GREEN DOLPHIN STREET 229
Kaper /Washington
Latin
[8J Cb.7 C-7 07/C

1*1l~ V
Lov - er,
r I r pslSJ one love - Iy
I ~e=
day,
I-a I j
Love came__
,J
plan - ning to
Through these _ _ mo - ments a - part, mem - 'ries live in my

CA7
1'.0- 7
Swing G7
d
Cb.7

I~ a- I_a I' J. J J I J j ~F 9::: I_a

=
stay. Green Dol - phin street sup - plies the setting,
heart.
F-7 B~7 E~b.7 G7 ~z0-7S~~O-/C B-7~5 E7~9

I~ 'I ~F J J I,J ~F I'r 1

;r I ~9 I-r Mr .!f J. J J I J a .a F I
set - ting for nights' be - yond for - getting__ and When I re - call the love I

A-7 A-/G F#-7~S B7~9 E-7 A7 0-7 G7 Cb.7

I~ r pr
found on_
I; J i J F I J JEW I, J. J a I
I kiss the ground OD- Green Dol-phin street.
a- La

I'M BEGINNING TO SEE THE LIGHT

H. James/Ellington 1944

1 ~ .~ f; J
1
I
Fr6 FlY J .p
nev - er cared much for moon-lit skies,
~7 .clil °u J ~9 F I ~~,J
I nev - er wink back at fi - re - flies,
AJ.
but
~ 1

I nev - er went in for af - tee glow, or can- die light on the mis- tie - toe, but
I nev - er made love by lan- tem smne, I nev - er saw rain- bows in my wine, but

F#-7~5 F-6 C B~ A7 09 G9
1* cJ J r F 1D r rr c; 1 c; J p F light._ _ rtne 1_
now that the stars are in your eyes, I'm be - gin- ning to see the
now when you tum the lamp down low,
now that your lips are bum- ing mine,

:r
..

light.
p r F1
Used to ram-ble
~;F ~
in the park,,--
r IB~lE ~p sha - dow box-ing
E F 1~71rJ %1 r
, in the dark,

J)
r
07
J I fiJ' J p><r t:
P r r r
I
7
D r f
G7
I -r'
D.C.aJrme

i ,ib I
then you came and caused a spark, that's a four a-Iarm fire now. I
230 JUST ONE OF THOSE THINGS Cole Porter 1935

I~~ I!
It was just ODe- of those things, just one of those era - zy flings,-
It was just one_ of those nights, just one of those fa - bu - lous flights.--- a

F/A
-~~---,
F-6/A~
-.
G-7
-r-- 3 - , .
C7 F6 G- C7 1'E-7~5 A 7~9 2. F-7 B~7

-.> ..,.., -I~'" - ~~ ~ .......

one of those bells that now and then rings, just one of those things__ It was If we'd
trip to the moon OD gos- sa- mer wings. ( D-7 G7 )
~ E~ E 07 F-7 B~7 E~ G7 A-7 B~07 G7/B
I~~ J JaW,J J I r rr I Fir ~r I J hID J ,2 I .. iJ J .JiI
thought a bit-- of the end of it-- when we start- ed paint - ing the town, we'd have
C6 A-7 FI-7~5 F- E-7 &07 G-7/D C7 E-7~5 A 7~9
I~ ~ J J J I J fJ J lEE H r kr r I r *fI
I?'I been a- ware-that our love af-fair_ was too hot
r Fj
nOl-- to cool down.
I II I r r JI
So good-
&, D- A7B-7C 7A7/CIC-7
0 F13 B~A7 B~6
I~ ~ j ~ J j JSJ J I II I J *I J ~ or r r I J fJ J Ii I J ,J J I
bye dear, and A - men, here's hop - ing we meet now and then.- it was
A-7 D7 Fl07 G-7 C7~9 F F7/A B~ BOF/C C7 F

I~ ~ E ~ r II J PJ I r ~ r- I F J J I II I" I - I -
great fun,_ but it was just ODC-- . of those tbings.-_ _

EXACTLY LIKE YOU

Fields/McHugh 1930
[AJ C117 C6 D9 G7

I~t Err J I F r I Err J I" I r J J J I J J JI

I know why I've wait-ed; know why I've been blue, prayed each night for some- one ex-
Why should we spend moo- ey on a show or two, no one does those love scenes ex -
Now I know why moth-er taught me to be true, she meant me for some- one ex -

l"C A7 D-7G7 12.C F7 C • C7 ~ Ft.7 F-6 Yo

I~ r J J ill - JF J J ill J
act-Iy like you. act-Iy like you._ You make me
J JI r Fr
feel so grand,
I T ~F r IF
I want to hand the
E; I
Fine
C117 F117 F-6 E-7 A7 D-7 G,!D.C.p1Fine
1* r Fr I FJ F r IFF rTF E r FU IrE p r' I r F ;J1 ~ I
world to you._ You seem to un- der- stand each fool - ish lit- tIe scheme I'm schern-ing, dream, I'm dream-ing.
 THE SONG IS YOU 231
Kern/Hammerstein 1932

~ C~ ~~ D~
*
G7 r-- 3 - - , Cb.7 A7

I I!~: F F rr IFF r
I hear mus- ic when I look at
FI
you, _ __
II
IJJJdJI J JJJI J JJJI
a beau - ti - ful theme of ev-'ry dream I ev - er
I hearmus-ic when Itouchyour hand, _ _ a beau - ti - ful mel- 0- dy from some en-chant-ed

D -7 G7 ,--3---, 1 1. E-7 A7 D-7 G7

1* .. IJ J 3 ,3 UI .. IJJJJle I J JJJI
knew,___ down deep in my heart.--- I hear it play.--,_ __ I feel it
land, down deep in my

Bb7 E-7 A7 D-7 G7 J 2. E-7 A7

IJ1JJ l e e I . e I J JJ aI
start,--- the melt a - way. _ _ _ __ heart, I hear it

G7 C6 Bb13 C6 F#-7~5 B 7~9

IJJJ JI" I II
- I - I
Fine
say, _ _ __ is this the day?_ _ _ _ _ __

[§] Eb.7 . C#-7 F#-7 B7 Eb.7 C#-7

1* J r r- I-r r r r I r J
I a-Ione_ have heard this
j
love-Iy strain, _ _ __
I' I a 'F r
I a-Ione-
I-F 'F F F I
have heard this

A#-7~5 D#7

1* If IF r I"
glad re- frain.-_ __ Must it be, for - ev - er in - side of me,-,_ why can't I

*
I ,3 ,3
F#13

let
j I J,3 3 3 I aU F
it go,_ why can't I
B 13

. let you know?

r-
G7 [QJ
I-F F r FI F F. F Fir r r
Wby can't I
Cb,7

let you know the

Eb o7

song my heart would

rI
I*.. D-7 G7 r-+--, Cb,7
I r J J I,J UI UJ J U! U J J UI"
G-7 C7 Fb,7
I
Bb9
r J J ,3
r-- 3 - - ,

JI
• sing? _ _ _ The beau - ti - ful rbap-so-dy of love and youth and spring.-,_ _ the mus - ic is

•II
A7 D-7 G7 C6 Bb13 C6
I-aa J al.1) IJUJUI" I" I -
Fine
sweet, _ _ thewordsare true, _ _ the song is you._ _ __

~-
232 TinS COULD BE THE START OF SOMETIUNG BIG
Steve Allen 1956

C-7 F-7 Bb7

J J J I J J J J JI J r IT sa r I
You're walk-ing a- long the street- or you're at a par- ty.-,_ _ or else you're a-
You're lunch-ing at "Twen- ty One"- and watch- ing your di-et. _ _ de> clin - ing a
You're up in an ae - ro-plane_ or din - ing at Sar-di's,-- or ly - ing at

F-7 F-lEb D-7~5 G7~9 C-7 B+ Bb-7 Eb7 AbA7

r J 1 I J ~J J J1 rI
Ii

F Cd r II r r r I
lone and then-
Char- lot Russe,_
you sud - den-ly
ac - cept - ing a
dig, _ _
fig, _ _
* you're look- ing in
when out of the
some-one's eyes,
clear blue sky,
Ma - li - bu.- a - lone on the sand,_- you sud - den - ly hear a bell

A-7~5 D7 G-7 C7~9 F-7 -$-'1. Bb7 G-7 Gb7

r F r-r b r I F r- ~~ I r· JI J J J J I J J J J I e I
you sud - den-Iy re - a - lize that this could be the start of somo-thing big.
it's sud - den - Jy gal and guy,__ and this could be the start of somo-thing
and right a - way you can tell__ that this could be the start of somo-thing grand

F-7 Bb-71Eb Eb7 Bb-71Eb

* J Frll~r r FJIJJFrl~r F FM
You're lunch - ing at big. There's no co~ trol-ling the un -roll-ing of your fate my friend,

Bb-7/Eb Eb7 E9 Bb-71Eb Eb7 AbA7

F r I ~r r F J I r r I e I *J J F" rrJJI
who know's what writ - ten in the mag - ic book? But when a lov - er you dis-

Bb-7/Eb Ab F-7 C-7 F7 F-7 D.C. aI Coda (Last Xl

J J J Fir J j I J J J r I r r iF r I F r I e J AJ I
cov - er at the gate my friend,_ in-vile her in with-out a se-cond look. You're up in a

1*•~I'I! r
G-7 C7 F-7 Bb7 Eb

r Fr Ir J J ~J I. r. r rrIr J J J
This could be the start of some- thing, this could be the start of some - thing fine! _ __

You're doing your income tax, or buyin' a toothbrush, or hurrying home because the hour is late,
the suddenly there you go, the very next thing you know, is this could be the start of something big.
You're havin' a snowball fight or pickin' up daisies, you're singing a happy tune or knockin' on wood,
When all of a sudden you look up and there's someone new, oh this could be the start of something good.
Your destined lover you'll discover in fright'Ding flash, so keep your heart awake both night and day
because the meeting may be fleeting as a light'Ding flash and you don't want it to slip away.
You're watching the sun corne up or counting your money, or else in a dim cafe you're ordering wine,
Then suddenly there she is, you want to be where she is, and this must be the start of something- (TO CODA)
 CHATTANOOGACHOOCHOO 233
Warren/Gordon 1941

[8] C Gsus4 C E-7 A7

I'llf J J J J J J JD J J J J J J J) J. J IJ~J J J31 1

'--'
choo choo._ __ track twen- ty nine.
choo choo, _ _ I've got my fare,
sta - tion,,-,_ _ sat - in and lace,

G7 C
j J J J J J J r r II
boy can you gim- me a You leave the
and just a tri - fie to
I used to call fun - ny

C7/G F/A C7/G F C7/G

J J PJ J J JI f J J 3 >
<F
J J J i ~J JJ JI
penn- syl- van- ia sta- tion 'bout a quar- ter to four,-- read a mag - a - zine and than you're
When you hear the whis- tie blow-ing eight to the baro- then you know that Tenn - e - see is

F/A F7 B~ B o7 F/C 07

I' J J 3 r
p

J > <F 1 F F e F D r r j r ~p J.
in Bal - ti - more, _ _ din - ner in the di - ner, noth - in' could be fin - er,
not ve - ry far, sho - vel all the coal in, got - ta keep it 1011- in'

,I' G7~9

I,j J J J j
than to have your ham and eggs in
woo woo Chat - ta - noo - ga
I'· 0~7
J J)" ~jl
Car -
J Jl i' J.
0 - Ii
l
C7
=2
...

na.
r~7 J J
there
C7

you
3J J
--
are-
F G7

D.C•• Coda
II

.- D-7 G7 C C CIB C71B~ F/A

,.
J J IS J J I J J J J
I' rr
.::: ::::-

e- COP C j
• I 1> J p r 1
She's gon - na cry ..un - til I tell her that I'll nev - er roanl--

A~7 -07 G7~9

I,"r
C/G A-7 C

F I ( Ilr F r ~D
r' r r e II F
,. ;:>
I::::"
Chat - ta- noo- ga choo choo, won't you choo choo me home.
 I
234 YOU AND THE NIGHT AND THE MUSI~wartz/Dietz 1934J
c-
,.-3---, ,..-3-:---1

J J IJ J J J I J J
0-7 G7

You and the night and the

C7~9

J) J I ::
mu - sic, fil1 me with
r
flam - ing de -
~-.
sire,
-,.1
:
You and the night and the mu - sic, thrill me, but will we be one,
If we must live for the mo-ment, love till the mo - ment is through,

D~3---' ,..-3---,
G7~9
CA.7 1;0-7_ G7 A2.! A-7 •
J J ~J J J J I J j J I ~e: J~ J qJ rI
set - ting
at - ter
my be - ing com -
the night and the
plete- ]y
mus- ic
on
are
fire.
done?
Un - til the I
A~9 07~9 G7 D-7~S G7~9
..-3---,
r--3---, r--3--,

r r r r r r I r r r I r r 'r e I
tars,
I

r r r
C-
"
•
RED ROSES FOR A BLUE LADY
die will I have you?

Tepper 1948
•
C B7 E+7

I' J
I
~J
want some
Wrap up some
J
• A7
e
red
red
E-7
I Fr a a I ~e
ros - es for
ros - es for
A7
a
a
D-7
blue
blue
Ir r'
]a - dy,
la - dy,

It G7
I r F FF
Mis - ter flor- ist
send them to the
E-7

I' r' a J aJ a j J IJ aF r
;0

F F .a a I e
I J I
take my or- der please.- - We ~had a siJ - ly quar- reI the oth - er day,

,
sweet- est gal in town, and if they do the
A-7 D7 A-7 D7 D-7 G7

I' "II I F J ,S J I F J F Fir J J I J J ~J J

hope these pret - ty flow - ers chase her blues a - way. Wrap up some
j F- C B~7 A7
2. D-7 0#07 CIE G7 C

I! l J I J J J r I r' J I r r p J I r J J JI «;- 1=<11

trick, I'll hur- ry back to pick., your best white or - chid for her wed- ding gown,
 LOVE FOR SALE 235
[8] 2ndX-EbA7 BbA7 2nd X. 3rd X-EbA7 Cole Porter 1930

1SIX. 3rdX-Eb9 Bb-7 E~ top notes 2nd X

I~ ~I, Ilf.. I r· Love _ _

JI
for
"_ I_A.
sale,, _ __
* I * r r r rl
ap - pe - tiz- ing
f rJJI
young love for
Who,_- will buy? _ _ Who would like to sam - pIe my sup-
Love _ _ for sale,._ _ ap - pe - tiz- ing young love for
BbA7
Bb-7 Eb9 Ab7 -$- nb9 top notes 2nd X

-
i I
[,1.
* II * lover r r rIr r r I * ~O F F I
sale,--- that's fresh and still un - spoiled, love that's on - ly
ply? _ _ Who's pre - pared to pay the price for a trip to
sale,-- If you want to buy my wares,

C-7~5 F7~9 Bb-7 E7' ll

* ~
-
I) IJ I J.
slight -
pa -
ly soiled,
ra - dise?
love:_ _ __
lov'c:-e- - _
for
for sale
"0"
sale: -
Eb-7 Ab7 DbA7 F-7

I~ ~b * iF) ~J J I J J J I * J &3 J J I Itl. &3 JI

Let the po- ets pipe of love, in their child- ish way, ev- 'ry

nbA7 BA7 Bb7 B7 Bb7

J I d J j I.
I * J &3 J J I * iJ
e
3
type of love, bet - ter far than they. If you want the thrill of love,
, Eb-6 .-3--, Ob7. ll 0-7~5 C7~9 F#-7 B7 F-7~5 Bb7
I~ ~I, * J J J d I r rr I ~r r I ~r r I *iO r r I hF ¥ I
I've been thru the mill of love, old love, new love, ev- 'ry love but true love.
D.C.aJCoda

C-7,-~5 _ _..L
F7{fi Bb- Last xtake Tag

fol- low me and climb the stairs.

,
~

lovc:-e_ __
I-r ~F
for
e:
sale
Ir *,
love:______________ for sale . _ _ _ _ _ __
236 MY BABY JUST CARES FOR ME
Donaldson/Kahn 1930

I~I I. G
~ J JJ J
My ba- by don't
My ba- by don't
J J J
care for shows,
care for nngs,
F#7
~ I~
G
J j
• •
my ba- by don't
or oth- er ex
j
J
-
I J J J
care for clothes,
pen- sive- things,
P#7
~
-
I

I~II
1·G B-7 Bb o7 A-7 E7~9 A-7 A-7/G F#-7~S B7
~ J J J J j J I -
i.
I""'' I ~ r tJ r I r j
my ba- by just cares for me My ba - by don't care for
E-7 B7/E E-7 A7 D7 A-7 D7~9

J J§J I J l' J I ~ J J .J J I #] J I F· P-- F I r' tJ }

furs ancL...- lac - e s , - my ba - by don't care for high- ton~edl---_ plac - es
12·B-7~S E7~9 F7 E7 A-7 C~7 C#-7~S F#7~9

I~ I *ijJ J J J I d ~J I
;;
c. I'"'., I~ r r 'E d - I F 'r
she's sen- si- ble as can be My ba - by don't care who
'B-7 E7 A-7 A7 D7 G
I~I
Ii
e
I I~ r (J J r r e e I
knowS--. it,-- my ba- by just cares for me

WALKIN' MY BABY BACK HOME Ahlert/TUrk 1930

E:J,~7 F-7 G-7 F-7 E:J,~7 C-7 P7

PF p-rClI E iF V I F r F rF<EJ r I e
Gee, it's great, af - ter be - ing out late, walk- in' my ba - by back home,
We go 'long bar - mo - ni - zin! a -5ong, - or I'm re - cit - ing a poem,
Af- ter I kind - a straight- en my tie, she bas to bor - row my comb,

F-7 C7~9 F-7 F-=1. ~ A-7~SD7~9

II I

FIne
arm in arm, ov - er mea- dow and farm, walk- in' my ba- by back horne. home. We
owls go by and they give me the eye,
one kiss, then, I con tin - ue- a - gain, -

C-71B~ A-7 D7/A

j J J_l1 J I J '1 PI
stop for a - while, she gives me a smile, and snug- gles her head to my chest. We
G-7 D+7 G-7 C-7 F7 P-7 B~7
!
® f rr f r
I
I ~ liz
10 ...

pI J J I~ Ef-c:r r I f r F J'" E D.C.B1

I
start in to pet, and that's when I get, her tal - cum all ov - er my vest.
 A LOT OF LIVIN' TO DO
Strouse/Adams 1960
237
Use for 1st 8 bars C6 Cb.7

I~!l J r- I * U- fJ J i J. iiJ 1- J J
and I
I
mean
e
There are girls just ripe for some kiss - in',
And there's wine all read - y for tast - in', . and there's Cadillacs,
Life's a ball, if on - Iy you know it. and it's all

C7 ,--3---, F6 0-7 0#07 E-7

.......
I~ ~ j r J aI 0 I- J a I
oh, those girls
Ii
I~C;
don't know
EJ
what they're
F I r 4J
miss- in',
to kiss me a few,
all shi - ny and new, got - ta move, 'cause time is a - wast- in', -
just wait- in' for you, you're a - Ii-ve,- so come on and show it.

0-7 1~'G7 B~7 A7 Ai>7 G7

* r I r J J r : p J._ j J I e I- a J
I've got a lot of liv- in' to do. And there's liv- in' to

I~ II

do.
Fine
I-
There's mus - ic to play, plac- es to go, peo - pie to see,

@b.7 F-7 Bb7 0-7 G7 D.C. aI 2nd End (Fine)

I~_J. ~ I ~r J5-....- J J J e
IF ~ a J I
ev - 'ry - thing -for -you - an~ me. Life's a

SOMEBODY LOVES ME Gershwin/MacDonald 1924

G6 Bb o7 A-7 07 Gb.7

j aJI J J IIFF
Some- bo- dy loves me, I won- der who, I won- der who she can be _ _
Some- bo- dy loves me, I won- der who,

A-7 07~9 Gb.7 Bb o7 A.-7 07 Gb.7 E-7 C#-7~SF#7~9 B-7 G#-7~S C#7 F#7~9

I~ I J. *I j J J I J J I * f f J I .. I * r r fir p 'F pj
Some- bo- dy loves me, I Wish I knew; who she can be wor - ries me_
E7 A- B-7~S A-7 'B-7~1E A- A-(A7 '>A-7 A-6 E-7 A7
l~rrFlir J FJlrJ F Ji" I" IF a J a I
For ev- 'ry girl who pass-es me I shout, hey, may - be, - you were meant to

E-7 A7 A-7 09 ~-7~SE7~9 A-7 07~9 G6

I~I f J J a I " I e
D.C.alCoda
I I e I J J e II
be my lov - ing ba- hy. may - be ~t's - you _ __
 I
238 TOO CLOSE FOR COMFORT
Boch/Holofcener 1956 •
C6 B+7 E-7~mb A 7~9 D-7~1Ab G7 ..
It I! J ~ J. J I J J I ~r J 1,2 J J 11.d. J I J J J I .
Be wise, be smart. be - have my heart. don't up - set- YOlK cart hen she's
Be soft, be sweet, but be sis - creet, dOB't ge . off your beat,she's too •
Be finn be fair, be sure, be - ware, OB your guard, take care while there's
11'CA7 D-7 G7 J2. C C/B A- C7/G F7 F-7
I' J 4) 1- ~ J :J J ~ J ~ I J ~ F ~ I ~ F II PTpII P F Fl'
so close_ Be close for com - fort. Too close, too close for com- fort, '.
CA7 G-7 C7 F7 F-7 ~6 Ab7 D-7~5 n7~9

r J ro J
::::j D.C.8J Coda
It e I * F I'F" PTpI'F P r Fir ~F bJ J J J. J I •
please not a - gain..-,_ _ too close, too close to know just when to say "when"_ Be

.. C CA7/B A- C7/G F7 F-7 ~A7

I~ J * j *I J * r*I*F pip I'F P r F I * r IT pJ

such temp - - ta - tion, - one thing leads to an- oth - er, too late to

r Ab7
I pI'F P r F I ~ F br-
run for co- ver,
D-7~S

she's much too

P
G7~9

I pI'E P F F 1·1""
close for com- fort
c-

DOW_ _ __
1-" II •

THIS CAN'T BE LOVE Rodgers/Hart 1938 •II

1. Ab F-7
1
r II
This can't be
This can't be
This can't be
love be- cause I
love, I get DO
love be-cause I
feel so well,----
diz - zy spell..---
feel so well,--
J
no
my
but
sobs,
*JJIJJ,J I
DO sor - -- rows, no-

II
G-7
II
sighs _ _ head is DOL-. bl e skies_"_ My heart does ot stand still",-- •
PI
t C7
I ~I'I,~ J .r
'-"
JUst
r r
hear it
I
.F-7
If
beat,--- this is too
C7' 9
I,
sweet-
F7~9

to_
Bb9
I ..
be_
I
EJ,7~9

e
love_
D.C. a1Coda
I

-$- Db9 C-7 F-7 Bb-7 Eb7~9

I~ ~I'I,~ F J r * J J '> 1-- J r r it....,

L:y II
but love to 100L-. in your eyes _ __

I
 - .--- -------

TOO MARVELOUS FOR WORDS 239

Whiting/Mercer 1937
A-7 09 A-7 09 G6

- J
You're
f J
just too
J I CJ r J I J r J J I r J I J fJ_)
mar- ve-Ious, too mar- ve-Ious for words, like gIo- ri - ous,

-II It's all so won-der- fuI, I'll nev- er fmd the words, that say e - nough,

I~I Y£]~J ;11'; J ~7 J I bO;07 J ~~:aA7 J ~-7,tl Bbr r r I

1
glam-or- ous, and that old stand- by, arn-or-ous. It's mean they just aren't swell e-nough. You're

•
t

I~I F"
tell e- nough,
D-7
J
I
G 7sus4 0-7
J
G 7sus4
J
C6.7

r" J IJ
F7

•
I r- r I F F F IF r I
r
much too much, and just too ve - ry, ve - ry, to ev - er be in

•
E-7 A7 A-7 07 A-7 09 G F7
I~I r J JJ I JJ J I J J I E1 r
J I J J J r
- I~I F"
Web- ster's dic- tion - ar --yo
B-7~5 E7~9 A-7
-And-

J IF
so
C-7
I'm

!r
F7
bar - row - ing

rIJ
A-7

F J
a

J I
D7~9
love song
G
J
from the

• rIF #F 9F 9r * II
birds, to tell you that you're mar - ve - lous, too mar- ve- lous for words.

•I F-7 Bb7
GIVE ME THE SIMPLE LIFE
Eb6.7 C7 F-7 G+7
Bloom/Ruby 1945

C-7 B~-7
1~~"l>f D Ep ~ pIPE ~ J po I<H J J 2-1J3) J JlJ
~
j )l )l
I don't t» lieve in fret - tin' and gRev - in', wby mess a- round with strife.--- I nev-
Some find it plea- sant din - ing -on phea- sant, those things roll off my knife,--- just serve

-II
Some like the high road, I like the low road, free from. the care and strife.-- sounds corn-
A-7~5 Ab-7 G-7 C-7 ~. F-7 . C7 F-7 Bb7
~Ilil _ 1) J
I:"t .- - ~ - -jJ > I '" . ~ ~ II! J . I 3 :3 ~ ~
J . J
)) j p p
er was cut out to
r l J)
step and strut out, give
J V pC Pp ~
me the sim- pIe life _ _ __
J!.l,dc;;i V J
me to - rna - toes and mashed po - u - toes,
y and seed - y, but yes in - deed - y,
I 2. F-7 Bb7 Eb F-7 Bb7 Eb F-7 Bb7

I me the sim-ple lif~ Fine A cot-tage s~~~m af-ter, not one that's spa-cious and
Eb 0-7~5 G7~9 C-7 F9 F-7 Bb7
I I~ ~Irl, r" J I J J j J j J I J J P ,0 I J J J J I ;Ll PI
wide, a house that rings with joy and lauglr ter and the ones you love in - side:_ -

~
D.C. aJ 2nd End (Fine)
240
BETWEEN THE DEVIL AND THE DEEP BLUE SEA
•I
•
Harold Arlen/Koehler 1931

F D-7 G-7 C7 F D-7 G-7 C7

I'~ e' * ,J
I
I
I
J
don't
for
should
j
want
give
hate
you,
you,
you,
r I
*
J .J
but
'cause
but
I'd
I
I
hate
can't
guess
J
J
to
for
I
-
I
lose
get
love
J V'
you,
you,
you, •
t
E7~9

II II
you've got me in be- tween the dev- il and the deep blue sea.

Ab.7 FI-7 B-7 E7 AICI C o7

1 ,~ ; ,~,J 12 J ,J Jl ,J )lJ
1 I J J J gJ
I oUght to cross you off my list, but when you come knock - ing at my door,

C A-7 D-7 G7 ~7 G7 C7

; ~~ L rr
fate seems to give my
riP F fr P I 'i E E
heart a twist, and I come run- ning back
r F i.J I
for more.
e
D.C.alFme
I

YOU DO SOMETHING TO ME Cole Porter 1929

E~ D7 E~ Ebo ~6 C-7
1, ~I.I, e u J J J I e J j J IJ j j r I
You do some - thing to me, some - thing that sim - ply mys - ti-

F-7 B~9 F-7 C7~9 F-7 G-7~S C7 F7

1~ ~I'I, e I J J I .. I e I J r J I e I J J J
fies me. Tell me, why should it be, you have the

I' ~bl. J pow'r

BIE~
j qJ F I "
to hyp - no - tize
F-7

B~ID
I
B~9

r' * •I
me?
F7'7ft
G-7

Let
e
I
G~o7
Ii

me
B~9
B~71F
I F' oJ1
live
J Flu l

'neath
<

your
Eb
CIE

1, ~I'b iF" ,JU ,J I F" )~J J I J au J I j

well,
J
for
II e
you

I'
do do that voo - doo that you do so
E~ G-7 C7 F7 F-7 B~7 Eb6
~1'1. J ,J J IJ r I Mr r- j I j J I e
-
some - thing to me that no - bo dy else could do.
241 ALL OR NOTHING AT ALL Altman/Lawrence 1940

A-(t.7)
3
A-7 A-6
I

a a J J 9;:: IW -
AlI _ _ _ __ or noth - ing at all,
AlI_ _ _ __ or no - thing at all,
fell under the spell of your call,

A- A _(t.7) A-7 ,--3----,

Bb9
j I j a J J I J. J) j ........ IJ * I
1* W
half
if
a
it's
love
love
nev - er
there is
- ap
no
pealed
in
- to -
be - tween,
me - -
I would be caught in the un - der - tow,

1*
G-

J. J)
J.If Jl your
G-(t.7) G-7

. heart
G-6
I

nev - #er could

3

J
• I
D-
J.
yield to
~

J1
D-(t.7)

me,
j
s
D-7 D-6
1< J F
then
J
I'd
why be - gin, then cry for some - thing that might have been, no, I'd
so, you see, 1've got to say,

1*
D-7
a j
rath - er
ra- ther
a Ia j
have
have
Db7#ll

no - thing
no - thing
a
at
at
Cl:.7

!!
all
all
1'8J-7 - 15 E7~9

r
: a
Bb-7
~ ~
E)7

d I
But

~ Ab AIM- Ab6 ~3 Ab F-7 Bb-7 97

1*~I'I,~ r r r r I r- r§ .i - I-r- a
D
please, don't bring your lips so close to my cheek, don't

* r- r-
1 ~I'I,~
Ab

smile or
D
AIM-

I'll
D
be
I
DblAb

r f- ~
lost be
Ab

yond
J
re -
Eb7
e
saIl -
I J.
The
J

* .~
1 ~I'I,~
B~7

kiss in your
Eb7
F- P I F3~
eyes, the
B~7

touch of your
97

F77f7J I
hand, makes me
B~7
e

weak,
Eb7 G-7~S

Ir r
C7~9

and my
F

*
1 ~I'I,~
F-7
j J J IJ
D-7~S
j
G7~9 ~

J I
C
e
·C7 B-7~S

I~ [
E7~9

Jif q4 I
D.C_sJCoda

.* heart

D-7
may

B-7~5
grow

E7~9
diz

I -
A-
- zy

A-/G
and

F-7
fall

Bb9 I 3 C
:::=
1 !9\! II

No,
I
No,
e .)

all
I""'r r
or
r
noth -
r
ing
r
at all'
Ii
I""'' II
242 THERE'LL BE SOME CHANGES MADE
Billy Higgons 1921

D-7 G7 D-7 G7
J JJ(JJJJI J J J Js J <

For mere's a change in the wea - ther, tliere's a change in the sea,
I'm goin' to cahnge my way of liv - in', if that ain't e - nough,

G-7 C7 G-7 C7 11.A-7 D7

I' ;1, ! F F F r F gFI p r p-r p - FEE F P r ;ill

G7 G-7 C7 D-7/F
I, ~I, J
tallc
Jj J_ J I FEE F
and my name,
t r r -- I p r
noth - in' a - bout me is goin; Jto be the same.
p' <J J JJ~
I'm goin' to

! II 'A-7 _D7 D:7 G7 C7 ~7

I,~' E E E r
no- bo-dy wants
or r r
you when you're
I Jl
old
J Jj J
and gray,
I' E r; ; J 1
there'll be some chan- ges
B~ B~
I'~I' P F P
G7
r I
C7
, r r r r F7
p r - II
made day,
to - there'll be some chan - ges made.

BiDy Strayhorn 1941

D7·ll D-7
I N' J r I @t J. I ..
Fb.7

- ~ Ul ·1 D J. J
,..... > til
D-7 G7 G7~9

I ~J. J r I Crt I_A ,,,1

D.C.a/Coda
I
 LOVER, COME BACK TO ME 243
Romburg/Hammerstein 1928

The sky was blue,

G-7~5

I*J J Jle
and high a - bove
C7~9 F-7
I* J J
the moon was
rI
new,
41
•I
You came at last, love had it's day, that day is past,
The sky is blue, the night is cold, the moon is new,

Bb9 B o7 Able C-7 F-7 Bb9 Bb-7 Eb9

I'~'I'~ l J J J I " I* J J J I J r r r I .. Ie I
and so was love, this eag- er heart of mine was sing ing,
you've gone a - way. This aclr ing heart of mine is sing ing,

2'Ab6
"I I

,
"lov- er, here can you be?" me." When
"lov- er, come back to

Bb-6 F-6 G-7

I F F 9r F Ii II

I re- mem- her ev - 'ry lit - tIe thing you used to do. I'm
Ab-7 Db7 G-7 C7 F-
II
Ie IJ JJ r Ir F 9r F
so lone - - ly, ev - 'ry road I walk a - long I've
Bb-6 F-7 Bb9 B~7 Eb7
F r 9r F I .. I " I J JJ r I
Ii

Ie II
walked a - long with you, no won-der I am lone ly.

F7~9 Bb-7 C-7 F-7

..
I'~I'I'~ *r r r
but love is
I"
old,
1* r r r Ir r
and while I'm wait- ing here, this
F r Ir r rheart of mine is
J
Ab6 Ab7 Db6 Eb 7sus4 Ab6
I j J ,J I ,J J I ,t_ I .. II
sing - ing, "lov - er, come back to me."
244 WITHOUT A SONG Vincent Youmans/Rose 1929

97 Abll7 I»9 Eb

With- out a song, " would

F
the
r a ,aa
day would nev- er end,
J "a a r ,
with- out a
e.
song,
That field of com nev - er see a plow, that field of com,
I'll nev-er know what makes the rain to fall, I'll nev-er know
Abll7 Ob9 Eb G-7~5 C7~9 F-7

a a 'ad;',a a a, e "a a JIJJgl

the road would nev-er bend, when things go wrong, a man ain't got a friend,
would be de - sen-ed now, a man is born, but be's no good, no- how,
what makes the grassso tall, I on - ly know there ain't no love at all

with-out a

-
I got my tro~ble and woe, but sure as 1 know the Jor-dan will roll,
0-7 A-7~5 07~9 G-7 C7sus4 F-7 B~7

I F §iJ J Fir Q r F I F EJ r I. F F, FI
D.C. BI FIfIB
I'll get a-Iong as long as a song is strong in my soul. I'll nev - er

THE BREEZE AND I Lecuona/S~1928

rI
,

I~ ~., J f 1 TI J I JJ J JdJ j ~:9 I 37:~jJ I

The breeze and 1 are say- ing with a sigh--. that yon no long- er
The breeze and 1 are whis- per-ing good- bye- to dreams--. we used to

I~~ : I'j. j r;-7~11 T7J FI ~71 FI r7C E r F I fj

cart 0# The Ours was a ,;. love song that· seemed con-stant as themoon,end-ing in a
JJJI
G~ F ~3~

rTF I rCr I f
3

I L ELI
strange, m~ - tune _ __ And all a - bout me, they know you have de-
A=1~ p.:1~ 0-7 C7 F 0-7 0-7 C7 F
I&; ~ rFr JJJI J J I J j I 0_ '_J J J. J I 11_ [J *- II
t.> pan - ed WI'th - out me and we -
won - der why, the breeze and 1 . - - -
 WRAP YOUR TROUBLES IN DREAMS 245
Hany Barris/Koehler/Moll 1931

C 07 C6 G7 C6 E7 A-7

j j f J j I J j J IJ J o r I r·
on - Iy gray for a
-J
When skies are cloud - y and gray..-- they're day.-- so
Un - til that sun- shine peeps thru, there's on - Iy one thing to do,_
Just re- mem- ber that sun - shin....
e - al- ways fol- lows the rain..--

D9 A- D9 1 -0- 7 G7 C6 0+7 J2'D-7 G7 C E7

I~ r r 0 rI J. J
1

r r a r I IF/) :J r r JJ J I r r
wrap yourtr01rbles in dreams, and dream your troll-bles a - way. Un - dreamyourtrou-bles a - way. Your
I
A-7 B7 E7 A7 D7 G7 C E7

I~ f r r IF PF P IFf [ if~r 1 J J fJ Jul) qJ I

e
cas - tlesmaytum- ble,that's fate, af- ter all,- life's real ~ Iy fun - ny that's way_ _

A-7 B7 E7 A7 D7 G7 C G+7

I~ Err IF Pr P I F r [ ifF 1 J J ,J J_I) qJ 1 r t

f).C. afFine

II
No use to grum- ble, just smile as they fall.- were-n't you king _ for a day? Say!

DON'T BE THAT WAY Benny Goodman/Parish 1935

C-7 F-7

I, ( rJ &_-----
Don't cry, oh hon- ey please don't be that way_ _ __ Clouds in the
The rain will bring the vi - 0 - lets of May.--,_ __ tears in
are
Sweet - heart , to-mor-row is an-oth-er day _ __ Don't break my
~6 C-7 F-7 Bb+7 F-7 Bb+7

, ( rJ J ,J I- J F :~
sky_ _ _ _ should nev - er make you feel that way_~_ __ The
. ___
vam,-, so hon- ey please don'\, be that Fine
heart......
, ___ oh hon - ey please don't be that

1 2. FJ,6 F-7 F#o7 FJ,/G [§J D7 G7

I~ ~Irll ":::
way_ _ _ __
IJ r I F IE EI" Ir J
As long as we see it through,
C7 F9 BIH-7 D.C. afFine

1
r r r I
e
1
r r J .
I-
1 j
F II
you'll have JDe, I'll have you. Sweet -
246 FROM Tms MOMENT ON Cole Porter 1950

I' ~bb~ Of ~ J
F-6

From this
From this
qJ I j
A~7

mo-ment on,
J
hap- py day,
r I'
>
G-7
c.?
C7

'""'v- ~ I
D~IF

you
no
e
F-
.)

for
more
I
9-7
e

me,
blue
A~7

"
dear,
songs,
II

From this mo-ment on, you and I babe,

D~f.7 D~(~7) D~6 .1'·nI..l.7

Abf.7 G-7 C+7
I, ~bll~ r F1 F r F I
on - ly_ two for tea
II
I r
dear,
~I*r J:J J JI ..
from this ma- ment on---- ~---
IJ*:~
on - ly_ whoop- dee - doo songs, from this
we'll be- rid - in'
Ab7 0~f.7 0~7 @7
I_J ~ J J I j J Js I<J J I j J Js I?j -
mo- ment on _ __ For you've got the love-- I need so much...-,_
Ab6 Qb7 fn F7sus4 F7 ~/Bb E o7
I' ~bbl j J JeD· J I W J JaW - I r F r I r· JI
got the skin I love to touch..--,_ got the arms to

F-7 B~7 @7 A~7 Db7 C7 t9

1, ~bh~ r r r F • I * J J I J. ]i) J J J J JJj · I
1 1
hold me tight, got the sweet lips to kiss me good - night _ _

F ; ___ e___ d c. r r· F ",= ..," II

high babe, ev- 'ry care is gone, from this mo - ment on _ _

SAN FRANCISCO 1936

F . .. C 1'k E- D-7 G7
I J F r rTr r j J J J Jr. <r J J I J J J J I J
1~7 G7 C F7 1m E-
C F#-7~5 B7 E-7 A7

I~ r J j I "_ I)· I J JIJ J I J F JIJ I r r 1 e

A-7 07 -$-c
~ J D-7 G7
D.C. ., Coda
A-7 F6 D7 G7 C
I r r r i r r Ie I IJJrrlrrr IFrr I" II
 ALRIGHT, OKAY, YOU WIN 247
Watts/Wyche 1955

[AI 9 Bin- 9 Bin- 9 ~ 97

I' ~'I.I! - 'J ) tEa H~Ol) nd ga I ah:M I
Well, al- right.-- O-kay,-- you win,--
a ,.cs i
I'm in love with you.
'] Jj
ell, aI-right,

A~ 9
I, ~I.I.) ~ ~ J aJ) r *0 I A ~ '1 a ,) I a J J J J ilB 1
0- kay,--- you win, Ba - by, what can I doY I'll

I'~~~ ~S ffi)9n·tt~ ~ '1]\1 ~ n:tJ al~ ~ '1 Jl fl i~ ~ -I

do an-y-thing you say..-- it's just gOHa be that way_ Well, aI- right.

1m )3!,' . A~7
I'~bl. 'IF PiJ] llJP * - I ,DiJJ J ai-a ~ - I 'F fJO aI
: All that I am ask: - in' , all I want from you.- just love . me like

Eb Bb7 IAJ )3!, BIri-

I'~'" 'P p-J] J JI d a J a tLJ ~ 'Jd"WJU ~ ~ ,.cag

I love you and it won't be hard to do Well al- right, 0 - kay,-

-tAb7 Eb Ab7
I F* j r Dlr r r ±r J J ]J
Sweet Ba - by take me by the hand

well. al-righL-- o-kay_ you win!-'_ _

WOODCHOPPER'S BALL
Woody Herman/Joey Bishop 1934

C . F7

I, (t ~F r r ~ I r ' ~ * r' I<r r r * I r ,~~ (lOr r r ~ I r 1 pt r3

C 1)-7 c
I~?r r r ~ Ir p 't (I <r r r ~ I r 'P- I * r:=
248 CHOO CHOO CR' BOOGIE

I'
Horton. Darling. Gabler 1945
F7
~ II 11i~: J J J J J J J ) I ; J J J,=<J, ,)5 I J J J 3 f J JJ,
I'm heaGin' for the sta- tionwithmy pack on my back, I'm tired of trans-port- a- tion in the
I'm gOD- na set-tie down be- side the rail - roadtrack, and live the life 0' Ril-ey in a
B~7

J J_) ![ I,)' I I,J J J J J J J J I i J J I,J~J dl I

back of a back_ I love to hear the rby - thm of the click - e - ty clack.- and
beat- en down sback_ So when I hear a whis - tie I can peep thru the crack.-- and
F7 C7

J JJ JJJj ] I i J J l) ,iP I J J J J J J J JI
hear the lone-some whi~ tie see the smoke from the stack.- and pal a - round with dem - 0 - crat- ic
watch the train a - roll- in' when it's ball - in' the jack.- for I just love the rby- thm of the
, F B~7 F B~7
!:I .. .---3---, ,..--3-, ~

J J 3 ; <=> F !f J) I J J J J J J I J • J • I' Iz~,_),

fel- lows named "Mac"__ so take me right back to the track, Jack! Coo- choo,.-,_
clicl - e - ty clack- F7 B~7

I~ ~ l,iP J iP ji J. I J J J. .
I,J Js ,(J
choo - choo ch' - boo - gie, woo - woo,--_ boo - gie woo - gie, choo - choor-,_ _

I'~ IIiP J iP) J.

choochooch!.boo-gie,
I'frr Cfrr I ~7 ~ r "Ii JfFF pn I [6 ~ ~ ~ II
takemerightbackto the traCk, Jack! I'm
2

takemerightbackto the track, Jack!

MOUNTAIN GREENERY Rodgers/Hart 1926

I-
C6 A-7 D-7 G7 C6 A-7 D-7 G7 C6 A-7" 07

F rI r f])JJI J J I J FO £lrlF r I r a~E1rl

In a moun- tain green- ~r- y where God paints the scen- er- y, just two cra- zy peo - pIe to-
While you love your lov - er, let blue skies be your cov - er, when it rains, we'll laugh at the
Beans could get no keen - er, re - cep- tion in a bean - er- y, bless our

J2· C7
I'
G7 F6 to C7 F6 F-6

J J
geth- er_ __
J J rp rAnd if you're good, -
J) I' u -I 3 r prJ'- I
~---- I'll search for wood,
u
~----
I 3r p rIP''--"
so youcancooL
wea- ther_ _
E-7 A-7 07 D-7 G7 .. 0-7 G7 C6

14\-_ _'_3 r p r while I

J~u
stand look
e
ing.
I' r a FJ FI
moun- tain green - er- y home_-
Ir 1<" II
 HELLO DOLLY 301
Jerry Herman 1963

I*~i> e J~
Hel -
Bb
I.

10
room
3 J 3J
Dol - Iy, well hel - 10,
sway- in', for the band's
1
G-

e 13 J3 J1J
001- Iy, it's so
play - in' one of
11 . Bbt.7/D

nice
r J rl
to have you

Db o7 C-7 F7 C- C-7 Ab/C

I*~I! J
r rr " ~ ~J J IJ II e 1
JJJJ 1
I,ll

back where you be - long. You're look - ing swell Dol- Iy, we can tell

*
I ~I! j J J JI
Dol-Iy, you're still
C-7
r r F
glow - in', you're still
r1F r
F7

crow-in' you're still go - in' strong. We feel the

1 2. Bb7 Ebt.7 D7 0- D-

I*~' r r r r 1 r r r r 1 e 1" ~
r JI rJ ) J.
your old fav- 'rite songs from way back when. So take her wrap fel- las,
So gol - ly gee, fel- las,

* U r r I J J. I r r r r I r r r r I .. I e I
I ~.
0-

find her an emp- ty

find her a va - cant
j
D-

lap, fel-Ias,
knee fel- las
Jl
C7
F
Ool-ly-'U nev-er
.. F7

go a-way a -
Bb B o7

gain _ __
C-7 F7

I*~b r r F* I Err r r I r r r * I r r r r I r r r r I.. I-e

.. C-7 F7 . C7 F7 C7 F7 Bb

F
go a-way, Ool-ly-'ll nev-er go a-way, DoI-Iy-'ll nev-er go a-way a - gain _ _

I GOT RHYTHM George/Ira Gershwin 1930

IAI Bb 0-7 C-7 F7 D-7 Dba C-7 F7 Bb Bb7 Eb. Eb-6 .. Bb F7

1*~'!fni'J.1 n r I *nr l J. AJ I ~JJlJ·ln p E plrrUrl

I got rby-thm, I got
mus- ie, I got my man who could ask for a-ny-thing
I got dai- sies in green pas- tures,
I got star-light, I got sweet dreams,

* !, e I * r pr I r \p E I ~ r pr I r it] ~ I ~ r
I ~II F"
11.

more?
BbF7 ~2. B~D7

more? Old man trou- ble,

. 07

I don't
.

mind him,
C7

You
p r' I
won't

I*
I F7 D.C.aJFIfHI .. Bb Ab7 O? C7 F7 Bb
~ F r I ~ r Pr' I I I r r Ef EI r lJ I r Ef
I P II F Fie I
fmd him 'round my door. ask for a- ny-thing more, who could ask for a-ny-thing more?

. --m
302 CABARET KandorIEbb 1966

lA1 ~6 B~9 ~6 B'*7 ~6 B~13 97

I'~I'I. Ii
J J J I J FiF I r r J F I I r r J I r r I " IJ f I
Wbatgood is sit-ting a -lone-in yourroom?
-a
Come hear the mus-ic play.--,_
Put down the knit-ting, the book and the broom, time for a hol- i day.--,_ _

I~~'b ~~ r r (t r I Gt r TI a 17 r J I Bt J II'~ I Bt f j
life is a ca - ba - ret old- chum, come to the ca - ba ret, _ _
12.96 [§) A~6 @6 C- C-(lm C-7 F9 '
I' ~bl' a If J J. iii I i a I ~ J J. iJil a I f J oj JI r r I rr r r I
ret. Come taste the wine, come hear the band, come blow the hom, start cel- e- bra-ling
B~7 96 B~9 ~6 B'*7
I~ ~I'I, r s r r I r'F J
right this way your
JI J J JI J
ta-bles wait-ing. No use per -mit- ling some
r iF I r F J Fe I F' iF I
proph- et of doom to
ad -mit- ling frem
Start by era - die to tomb, it
~6 0-7 B~7 97 A~ A-7~S D7 .G-7 C7
I~ ~bl, r r JI r r I~'" I a I r r r I r r I Fr r I a
wipe ev - 'ry smile a - way.......
, - __ life is a ca - ba - ret old- ChUuuffll..-,_ _
is - n't that long a stay.-,_ _
F-7 B~7sus4 ~6 D.C.aJCoda • 0-7 C7 A~A7
r r rI r rrI
last X
I~ ~I'I, II I II I IFF J_ 1;;;8 I r r rI
come to the ca - ba- ret ret old chum.-,_ on- ly a
A-7~SD7 G-7 C7(Jl,-7 F-7 B~7sus4 ~6
i rl ,
7
:I ~'::1
e
F
ca - ba -
rtF
I ~ I!
Fe I
ret old- chum__
, _
:r hF I r ef
so come t o _
I: Pt=
the
r I Ii

ca -
:IIi

ha -
I Ii I" I
ret,_-_ _

ALLEY CAT 1962

I' - G7
l ,oP Jj ~
IAJ C6
r FJI,J I J,n ,) 'I fJ,J hP I f 1,J 1J ~ I r FJI,J I
D-7 G7 C6 WlF
G7 D-7

I~ J ,; -0 Ii I ; J.J J U I ~ Fine
! ,d1 *1 f ~ Fr UTa I
C D7 D-7 E- F DIF# G7 r-3~

I~ F f ata IFF uta I U r F J I hiJ Q Jin I

 303
II

for the girl is sec- ond best...-- to none, son, ooh, sigh, give heryour at- ten-tion,
~ G-7 ~ G-7 t C7 t C7 F9 B~7 9 Use Intro as End

I~ ,1'1. F J F J I r k rI p qr' I II
I e
~
II
- II
do I real- ly have to m.en- tion she's the one!

ON THE SUNNYSIDE OF THE STREET

m McHugb/F1e1ds 1930

aAI C . B-7~5 E7 F G7 0#07 A-7 D7

I~ i -0 @ J J J J I F [T I r r J JI J J I J J J r I r· In I
Grab your coat and get your hat, leave your WOF-ry on the door-step, just dif.ect your feet to the
Can't you hear a pit- ter pat? and the hap-py ttme is your step, life canbe so sweet on the
If I nev-er have a cent, I'll be rich as Rock- e - fel--Ier, - gold dustat my feet on the

I~ r11 nJ rf f a f ~~ r r;11 ~7
D 7
sun- ny- side of the street.
rIM
Can't you street. I used to walle
~)J mr ~7 FI
in the shade- with those
F D7 A-7 D7 G7 D-7 G7
I~ blues
r JttJ.
on par - ade;,--,_
rI r Jj J .Jtl J. J I F r * J I J J * JTii lM

but I'm not a - frailu-d _ _ rov-er crossed o-ver.

this If I
304 NEW YORK, NEW YORK Kander!Ebb 1977 (NYNY)
Inlro-Last " bars

G-/C
I~ ~ I: *J
Start spread-in' the news, I'm leav- ing to - day, I want to be a part of it,
These va - ga- bond shoes are long-ing to stray and step a- round the heart of it
My lit - tie town blues are melt-ing a- way, rll make a brand new start of it

! F~7 Bb~7
I~ ~
11.

*.;
F6

J ; I" I* J
New York, New York.
G-7 C7

flu
These va-ga-bond
'* r j FI
New York, New York.
F7

II I*J F FI F F J ; I
I want to wake up in the
A-7 D7 0-7 C7 D.S. aJ 31d ending
J ~3~ g3~
1* FrlFFrF IF~la 1* J TUm I
ci-ty that does-n't sleep, to find rm king of the hill, top of the heap. My lit- tie town

1 3. F6 C-7 'F7 Bb Bb-6 F/C D+7

I~~ i rJ r I" Ii r FJ I r F r Ir F J J I IT r F~ t
in old New York. If I can make it there, rd make it a - ny - where,

WHEN YOU'RE sMiLING

,
F1sher/Goodwin/Shay 1928

Bb Bb~7 07
I~¥I' •
I •
I I F 1-, J J I J J I j J I J J I J j
When you're smil- ing,_ when you're smil- ing,_ the whole world smiles with
C-7 F7

J J II r r Ir J J F r~ IT J I J j
you, _ _ when you're 'augh-ing_ when you're laugh-ing_ the sun comes
Bb Bb7 Eb
I I. I J ~J J J ; I I,d J I j V I r F J Fd
shin - ing thru.__ But when you're . cry - ing,_ _ you bring on the rain,_
C7 F7 Bb
J I r r- I~r r I F r iF r Ir J JI r t
so stop your sigh - ing_ be hap - py a- gain._ Keep on smil - ingr----
G7 C-7 F7 Bb
I [ r~ ,-[ I r r I [ r I t- a II
'cause when
F
you're smil - ing_ the whole world smiles with
EF

you _ __
 -ON THE 'STREET WHERE YOU LIVE 305
Lerner/Loewe 1956 (My Fair Lady)
C G7 C

ti
JI;llJ-.lll'll J I; F F FI
I have of- ten walked down this streetbe-fore,--- but the pave-ment ai-ways
Are there Ii - lac trees in the heart oftown?- Can you hear a lark in
Peo-ple stopand stare, they don't both-er me.-- for there's no-whereelse on
&07 0-7 G7 0-7 F-6 CIE
1, F r F r 1 J J J, IJ ~ J J I J E r I r ~ F EI r r r I
stayed be- neath my feet be- fore, all at once am I._ _ sev- 'ral stor- ies high
an - y oth - er part of town ?__ Does en - ch3Btment po1lr.:""'-- out of ev - 'ry door?
earth that I would rath-er be Let the time go by~,- I won't care if I

A-7 07 1 1. G9 C C#07 0-7 G7sus4 ~ 2. G7

I' r ~ E Fir Fr I r r
know- ing I'm 'on the street where you
Flu
live:_ __
IJ'll J
Are ther
'r r rl
street where you
no it's just on the
can be here on the
1m E7
I' C 0-7 0#07 CIE F#..7 G 07

live
I I _ __
I r~ ~ rI II I r F
And ob, that tow - er- ing feel- ing.-,_ just to

I' . F-6 F~

know._ some- bow you are

B 7SU54 B7
r ;;;-;l I
C
II

nem:~___

E~7
CIB CIB~ CIA

IF *~ FII"
A7
That
A~7 C/G F#-7~5

0-

0-7
IF
G7
,-3-,

F F J fa I
ver- pow- er - isg
D.C. aJ 2nd Ending

, I' r ,J I J .J J J I r r r r I F ,J J J I.. IT ~ J JI
feel- ing;_ _ that an - y se - cond you may sud - den- It ap - pear:....
--_ Peo- pie

FINE AND DANDY Kay Swift 1930

F A~07 0-7 C7 F~7 A~o7 0-7 C7

IJ J JjJ J la J SiU J J IJ
I"f ~ JUj" c Uri" I
1·C-7 F9 B~9 C-7 C#07B~1D ~7SU54 ~9 A~~7 G-7C7~9

·c-7
12 F7~9 B~~7
- ~9 0-7 G7 0-7 C7~9 F6
I,! r J HEr J I r ; FTF r JIJJJJIJJ I" I" II
306 GET ME TO THE CHURCH IN TIME
lA1 Lerner/Loewe 1956 (My Fair Lady)

I~II~J
I'm
I

chime Pull out the stop- per, let's have a whop- per, but get me to the
prime Girls,come and kiss me, show how you'll miss me, but
chime Kick up a rum- pus, but

I~IB~ :J'AI ~ t;-7.D7 j2J /Y

church on Ume_ rifle
Ek J I JJ JJ
If I am danc- ing.-- roll up the floor..--
I: U JJ J IrJ I
If I am wbis~ling,
!. ~7 D7) D.C.a1Fine -$-G -I B-
I@ J 'l J J I Ii I~ *J I Ir r· pI I~ r* 'I PIFF F F I
throw me out the door' For don't lose the com-pass, and get me to the
C G E-7 A7 OlD B- E-7 A7 A-7 D7 G
I~' J IF F F F IJ , PI F F IF rJJI e I .. IJ • II
church, * get me to the church, for Pete's sake get me to the church on time. *
ANYTHING GOES
Cole Porter 1934

C C6 C~7

I~ J JJ JI OJ J J 13 J I :b J J J e::J
In old - en days a glimpse of stock - ing was looked on as some- thing shock -
Good auth - ors too who once knew bet - ter words now on - ly use four let-
So though I'm not a great ro - man - cer, I know that you're bound to ans-

I~.A& r Yr I Po!
ing, now hea- ven knows.....-,_
l~t;5Etr I ;,
an - y - thing goes
i'rJ ~7 J i~-7~_C:;; rll The world has gone
IBI ter words,writ- ing prose,
wer when I pro -pose-;:-,--=-_
E B 71F# E-7/G B 71F#
1~1 ! Ucr r lip! Ucr riP' u-u r I Ip 'u-'u r I
mad t~day. and good's bad t~day, and black's white to-day, and day's night to-day, when most
i=. E-7 ~ ~ A9 ct o7 D-7 G7 D.C.a1Fme

I@P j gbffi ~d I F J J-=>if3 J I J J ,J J J IJ *J I

guys t~day. that w~men prize to- day. are just sil- ly gi - go - 10s_ So
 IT'S DELOVELY 307
Cole Porter 1936
F F+ F6 FA7
! "-1
I@~ e r I J J J J J I #kyJ J J J JOf J w,-,m J I .P ~ "LiP r it' I
Lit. \"

);1
The mgh t
0
IS
0
young,
'-" th e s IS c1ear.
0 '-' an d 1 you want to go _11~ d
w4l.ll:"mg
0
ear.OIt' s de-
F F#o7 G-7 C7 G- ~/G

I~; r J!.iPr )11 r' ;Jg)1r)11

lightful. it's de -li-cious, -it's de -love-ly.
r pr -
I- *FII J J
I wrderstand
OJ )11
the
~J J J). jf? I
rea-son why, you're
G-6 G-7 G- G#o7 FIA

I~~ ijJ J thJ J I PF PPr PI

sen- ti-men - tal, 'cause so am I, it's de
r PPr p I r Mp
-light-ful, - it's de
-= Pr p I
-li- cieus, -it's de
r p-r
-love-~y. -
I
G-7 C7 C-7 F7 BbA7 C-7 C# o7 BblD DbA7
! I ~ ~
I@~ - 1 r p II'E P~ 4 I j
-1 :i
l J ~J51 J. ~}~) ~J I iF:; tJJ =-
Pr p I
You can tell . at a glance what a swell night this is for rer mance, you can
Bb-7 ~9 G-7 C7 F

I~ ~ ~r p J jJ I ~J1 F 1t n J I J J r p' I'p r fr rI J J J J JI

hear dearMotlrer Na- ture mur - mur-ing loW- "let your - self go."- Sa pleasebe sweet my
F+ F6 FA7 F FIE
-1
I~ ~ bJ to J J') I J to 10 J I } ~ oJl} r J) I r' r r' r J) I
L It. It. It. L L j It. \" It.

~_. ~_. 0 oJloP J) I ;it;)

chick-a-dee, and when I kiss you just say to me, "it's de -light.ful, - it's de -li-cious, -it's de-
ob7'
! ~7tn D7~9 C7sus4 C7 F6
1l

I@~ r EJ- J)r J) I r EJ=iP FJ) I P 4 P-E!

L -1
\, j It.

EJ I l r j I..

p r pI r Pr I- -

e II
lec~a-ble, it's de -lir- i-eus. - it's di ~emma., it's ~~limit, it's d~luxe,it's de -love-ly. -

WlUSPERING Rose/Shonberger 1920

~ A-7 D7~9 ~A7 .
V r Fir F r Fie I II
I ~ IJ Fir F §J F I
Whis- per- ing while you cud- dIe near me,
Whis- per- ing why you'll nev- er leave me,
Db7 C7 F7 F~ "Bi>
can
II
I e
hear
I ~ J JI
me, each lit - de - whis - per -seems
r j J j I
0 to
e I"
cheer
1
: ~
me,
J
I know
j I
grieve me, whis - per and say that you be - lieve - me,

J J
G- ab o7 F-7 Bb7 2. F-7
i
Bb7sus4 ~
-
ih true there's no tine but you. Ydu're J whis- per- ing that I love you.
308 Jerry Herman 1966

C#o D-7 G7 D- D-(A7)

~ .
You coax the
J J I J J Jc:=>£ is J I
blues right out of the hom,
II tiJ
Mame,.--,_
I t J J JI
you charm the
You make the cot - ton ea - sy to pick, Mame,.-,_ _ you give my

0-7 G7 11. CA7 E7 A- A-7

I~ J J J J J J I e I P..J, IltrrrlrEJEJrl
husk right off of the com, Mame.--,~ you got the ban- joes strum - min' and
old mint ju - lep a
E- A9 D- D-7
I~ OJ J J IS J 3 qJ is I e I t J J J I J FJ JI
pluck- in' out a nme to beat the band, the whole plan - ta - lion hum - miB' sinoe

C ct· D-7 G7 A-
I~ j J J 13 j J qJ IJ I e I t r r rI
you brought Dix - ie back to Dix - ie - land. - kick; Mame.---- you make that
A-7 A-6 E- A9 D-
I~ r U EJ r I OJ J J,3 J J §J ,3 I e I*J
old mag - no - lia tree bIos- sam at the men- tion of your name, you've made us feel a-live a- gain,

* E-

I * r r r I r Ef""ip
and giv-en
A9

us the drive a-gain,

D13 D+7

r I * F F FIFF to make the

D-7

south
G7

F?'SEJ F I " I
I& vive
C

a- gain, Mame_--
II I

LADY BE GOOD George.Ira Gershwin 1924

G C7 G C7 B-7 E7~9 A-7

I~·. r r
r-3~

Oh, sweet
F
and
Ir
ly
r I E(3 J. IJ r IF r
la - dy be
love - la - dy, be good, oh
I am so aw - fly Mis - un - der - stood, so - la- dy - be
I'm just a lone- some babe in the wood, so la - dy, be
.
1"0 E-7 A-7 D7~9
f~
07 . D-7 G7 C C# o7
I~'J r IJ - IJ IF F F F I
II
e..
Fine
- I
to me me Oh, please have some

G E-7 A7 A-7 07

1'-
D.C. III Fine

~
(' r- I-r - It F F F I F F J J Ir ,J I. F r 'r I
pi - ty, I'm all a - lOBe in this big ci - ty. I tell you,
 IT ALL DEPENDS ON YOU 309
Ray Henderson/DeSylva/Brown 1926

CA7 G7sus4 G+7 CA7 G 7sus4 G+7 E-7 ~a7

. I~ I! n JJ J I
I can be hap- py,
FJ J din J J J I FJ J J J I
I can be sad, I can be good or I can be bad, it
IT" ~ I dr I
all de - peods on
G7 D- 0-(~7) D-7 G7 0- 0-(~7) 0-7 G7

I J. *" J1 J J J 1 oJ" J r 1 ;10 J J J I f1 J J J I

yO\u.,..I,_ _ I can be looe-ly out in a crowd, I can be hum- ble, I can be proud. it

D-7 G9 G+7 CA7 A7~90-7 G7 G-7 C7 F F6

I~
all
r FI J
de - pends
r I..
00 you
J. ~ I U r r FI ~ r r FIE r r r r I
I can save mon- ey, or spend it, go right 00 liv-ing
FA7 E7 Eb7 07sus4 , 07 0-7 . G7 CA7
I~ ~ EEI.e I (J r rEI ~ r r ,S I
or end it. You're to blame,ho~ey, for what I
I" I )
do _ _
hJ UI
I know that
n J J JI
I can be beg- gar,

G7sus4 G+7 CA7 CA7/B B~9 A7 07 0-7 G7 C6

I~ Fa J d I
I can be king,
t JJ J
I can be a1 - most
JI n J r J IrE I d r I
an- y old thing, it all de - pends on
II'
you_-
I'" II

CECILIA Dreyer/Ru~ 1925

C CA7 C6 Cl a7 0-7 G9 D-7 G7 0-7 G7

1_ J. ) J. ) I J. ) J. ) I e
Does your mo~er know you're out, Ce. - ci -
I h - I J. Jl
lia?
r'
Does she know that
Jl I J. Ji r J) I
I'm a- bout to
How a - bout a lit - tie kiss, Ce - ci - lia? Just a kiss you'n nev- er miss Ce-
J1°B7/C C6 CIE. Eb o7 0-7 G7' G7 0-7G7
I+ e
steal
I rl- I r r
you? Oh, my,
I j
when I
rI J J ,J Fie
1* in your eyes,
I r r
SOD1&- thing
I,J r
tells me
I
C D- EJ.. CJE F CJE EJ.. GID rB-7~S E7~9 A-7 D7 FI-7~S B7
I~ J S aU J I J J~' J ,I" Ir ~ • I r r Ir d
you and I should get to - getb - er. ci lia. Why do we two
E-7 A7 0-7 G7 0-7 G+7 C6
I" 1 J. )J. ))1 J. j) J. l I c~ II
leep on wast- ing time, oh, ~ci - lia, say that you'n be mine.
 I
310 THE SURREY WITH THE FRINGE ON TOP

G G1l71F#
Rodgers/Hammerstein 1943

E-7
•
IJ J J J IJ •9)J
Chicks and ducks and when I take you out in the surrey,
Watch that fringe and when I drive them high- ste~ pin' strut- ters.
Two bright side- lights ain't no fin - er rig I'm a- think-in',

GIl7
I~I J J J J I J
CA7 B-7 E-7

J JiJdJ IJ.
-$-A7

r
r 7D7 i~A-7
A-
u
:r
D7
FI
when I take you out in le sur- rey with the fringe on top. pop. The
Nos - ey pokes- '11 peek thru their shu~ ters and their eyes will
you can keep your rig if you'rethinkin' 'at I'd
0-7 G7 C 0-7 G7 C

I~' r r •=F~ J J IU F
J 1>1 J J JJ J IJ J J
wheels are yel-Ier, the up- hol- ster-y's brown, the dash- board's gen-u- ine leath - er, with
B-7 E-7 A7 A-7 D7

'r r J) I J n J
B I r o.c.i: I
is - in-glass eup.tains ya' can roll right down, in case there's a change in the wea - tiler.

-$- C E7/B A-7 F9 G G#o7 A-7 D7 G

I~' J r 1r rJIJJJJJJJJ IF aUla II
keer to swap fer that shin- y lit - tie sur- rey with the fringe on the top _ __

PU'M'IN' ON TIlE RITZ Irving Berlin 1929

F- F-7JEi, 0~A7 F-/C F- F-7JEi, D~A7 F-/C

J J r i '2£;'1 r
If you're blue and you don't know where to
J JI J r J J Jl I
go to, why don't you go wherefash-ion
r J ~J JI
Dif - f'rent types who wear a day coat, pants with stripes and cut - a - way coats, per-feet
Come let's mix where Rock - e - fell- ors, walk with sticks or um - breI- las in their

G-7~S C7~9 F- F-7!EP~"'7 F-jmJ B!.-7

e 1r i J i J 1 'e 1_" ~ F r F E 1rEF r I
mittsr-.- - 97 A~6 97 A~6

r 'fP r
troup - er,.-,_
I - IJ r r F IFF r r I J !j JEd
sup- er dup - er.
try- ing bard to like like Gar- y Coop - er,.---
 THE LATE LATE SHOW 311
Berlin/Alfred 1956

C9 Db9
~J fd J J I r * Ii bJ JJ
'-"
Gee. it's co - zy in the park to - nightr-o- when you cud - dIe up and
Hear the cra- zy mus- ic in the tress,.-- see the flow- ers danc- ing
Then we am- ble back to my front door.-- say good- night and then we

C9 F7 E7 97 D7 -$-G9

I~ i r P
hold me tightr---
tJ * I r stars
EJf -r ~t£r 1 r U=J I' J. J j J J I
a - bove they seem to know,- we're put- tin' on the
in the trees.-- old man moon be- gins to grow,- he's join-ing in the
kiss some more,....- guess you know I like you so,_ it start-ed at the

I~ J'~9 f f~J J'Y rJ~J ~BJ6 J J

Bo7 F6
J I J) I.J - I F F E FF rD
lat, late show. late, late show. Birds that should be dream- ing, start in chirp-ing a song,

*
I ~hr
.
C-7 F7
-
Bb6 Bo7
I J oJ) J J I )) l'woJ 'p I F * F * IItt;
while fi - re- flies are gleam- ing, we
F6

kissed. kissed
Flo7

all
G-7 C7
r CJ * I
night long.
G7 C9 F6
I~~ i F" J J J ,3 I J ~ I
e=
II
F
it start-ed at the late, * late show

Vernon Duke/Harburg 1933

IA1 9 C-7 F-7 Bb7 e C-7 F-7 Bb7 E) C-7

I~ il'I" rr I
I J F
like !e likes of you,
j. J) I J r J. h I II I J r' hi
I like the things you do, I mean I
I like your eyes of blue, I think they're blue don't you? I mean I
I like the likes of you, your looks are pure de - luxe, looks like I

F7/A Bb7 96
I~ i"l, J r JJI e
like the likes of you. Oh dear, if I could on - ly say what I
like your eyes of blue.
like the likes of you.
96 F9 F-7 Bb7~9 F9 E7 111

mean, I mean if I could mean what I say, that is I mean to say that
312 MARGIE Conrad/Benny 1920

C7 F6 F6 C-7 F7 B~6

I~ h! r r r I II
I .. I J FiF Fir F J J I .. o
My lit- tie Mar gie, I'm aI-ways think-ing of you, Mar gie,
B~A7 B~~7 &7 F6 E7 &7' 07
I~ ~ *J aJ I
I'll tell the
F J
world I
a sa I
love you.
;J r
Don't for -
IIF
get your
r I r r J ItlJ. prom- ise to me,
G7 G-7 C7 G-7 C7 F6 C 7sus4 F6
I~ ~ j IT I Ir r I r r F a I r r IF jr I II
I .. I J F iF FI
I have bought a home and ring and ev- 'ry-thing, for Mar - gie, you'vebeen my
C-7 F7 B~6 A7 C7~9 F6 B~6

I~~ F r J a Ij F I J J I ...... Ld J d Fir r Fr I

in - spi - ra - tion, days are nev - er blue. M-ter all is said and
F B~6 F A-7 07 0-7 C7sus4 C7~9 F6

I~~ r J r I r F r r I F" r Ir F IF j JI It_ £.. II

done, there is reaJ..ly on-Iy one, oh Mar- gie, Mar-gie, it's you.

BOW CAN YOU DO ME LIKE YOU DO?

AustinlBergere 1924

C F C B~7 A7 07 07 C D-7G7
.I ~ , ( r J r r r r I a ,a :U I" ( r;] Er If j I r' ~
How come you do me like you do, do, do, how come you do me like you do?
C F C B~7 A7 07 G7
I~ , ( r J FEr r I a ,a ]) l!j r r r ( rr I e I
Why do you try to make .me feel so blue? I ain't done noth-ing to you.
C7 F6 A~7

I~ ~ r fEE E r I ~ r fro p·1 U r ·r t r r r :I 1,,.E

I! ~
~ F
Do me right or else just let me be, 'cause I can beat you do- in' what you're doin' to me.
If you rave III have to get you told, for I can change your tem- p'ra- ture from hot to cold,

C F C Bb7 A 7 D7 G7 C

I~ l E r i- r. Err I a I a 1) IY ( EJ [ r 'f =f I r * - II
How come you do me like you do, do, do, how come you do me like you do?
,.....,."",==~-~ - -- ---- --

__ TIE A YELLOW RIBBON 1973

325
Eb Ebl17 F-7 Bb7

1* ~I!II Ilf q JFir cFtr J 1*JJFir cFt.~J 1 *JJJ1 FJOiQJ 1 *J JJ1 u JJ d

*
1 ~I,I. f * J
E~

]i j
I'm com- ing home,
Bus dri - ver, please
P1 F F F J lJ) - 1- !j]i Fir U - F F ~ §
I've done my time,
look for me,_
G-

now I've
'cause I
B~

got to know
could-n't bear
what is
to see

1 * C7
~1111.3 j Jl
and is - n't mine,-
what I might see,_ _
F JZ
F-
I) - I - i r' I r
if
I'm
J
you re- ceived my
real- ly still in
r
A~
J I P J ) J Jtj
let - ter, tell - ing you
pri - son and my love
C- F7 A~6

1*;"1 Z OJ JJ r CJ"TIT - Ir r ;r r I
I'll soon be free;- then you know just what to do-- if you still want
she holds the key,_ a sim - pIe yel - low rib - bon's alL- I need to set me

*r*
1 ~IIII
B~7

me,
free,
FIT,'
I
I
A~6

wrote
wrote
r I ;r
and
and
told
told
IT
her
her
B~7

r
please,
please,
~ - I -IIF" p D J.
Eb

TIe a yel-Iow

G- B~·

rib - bon round

J a IJ F" P Ir
the old oak tree,-
~ r
it's been
F I ~J
three long
r I r r r
years, do you
F- A~ E~ 07
~ ~
;2 I) J I J. a J I J J
still want me?_ If I don't
r
see a
P
rib - bon round the old oak

1* Jl *
~I.~
c-

tree, I'll
J.
stay
Eb
J 1 ]i J
on the bus,
1c J ']i 1 J J J
&+-

for - get a- bout us,

j I
c-
J. )) p
put- the blame on
r' r 1
C7

me,
FI
if

1* J,~II. P
F-

I don't see a
F J 1 p J. ]i J.
A~

rib- bon round the

1
F-7

old·
J. J 1 ]i F'
B~7

oak:-_
r 1
E~

Jl ()J)
tree: _ __
*0
Now the
~
E~ C7 F-
aJI J. lr r IF" Fir J p JI
whole darn bus is cheer- in' and I can't he-lieve I see, a hun - dred yel- low

1* ~II.
A~

P
rib - bons round the
F-7
J. J J 1 fJ JJ- Jl 1 J JjJ p r'
ol.u..d_ _
B~7

oak
1
Eb
Ji J, - I F ~ - I
tree_
326 SO WHAT'S NEW? 1966

So tell me babe what's new?_ and how's the scene with you"_ Gee, it's
Yeah I need you s o , - how you'll nev - er know, gee, it's
So tell me babe what's new,_ you glad to see me too?_ Hey, my

1 1. G7 C C#o D-7 G7 J G7 2. C C7

I~ good
a Jl to
J l I.. I
see you babe.
n J. ,a good to
'~'"
J seel youJ babe _ __
I) F F F I
F F- . E7 A-7 D7
i - -
Ii F 'F r I F 'F r I * U CJ F I " I * r r CJ Fir' I.

J) F FI
You walked in, light went on, all 0 - ver my face, you lit up the place, and you've been
G7 ... 07 E-7. A7 D-7 D#o7
I~ P r prJ I - i, ,)111 I a J l J. I *r r I J a )l J. I .J I~ I
gone just too long now. So world is spin - nin', now I know I'm win- nin', you stay
E-7 A-7 D-7 D#o7 E-7 A-7 D-7 D#o7 E-7 A7 D-7 07 C
I~ a F J I J IJ I a r J I J fJ I J oJ I ~ F Pr F I *J J * I
home now, don't ev - er roam now, and I'll say babe, it's' so good to see you!

SWEET GYPSY ROSE 1973

C D-7 07 D-7 07 C
I~ a a JIJ I a EFa I * Jj J a I d. * I JtI 3 a I J F r J I l a aIJ I
C7 F C A- D7 07
I~ a JJ a I * J.a t1 IF r J I a J r r'il l I Jfa J,J I pJ r a I
I~ ~ FF ;fr Jfr
07
*F I ~7 sa IsJ a I~- J r J, I<~ 'I r' I
aT Pr IIJ.
D7 .. G E7 F G

I~ r ;j I IJ. j I' DO J I; I; IJ ~ D.C.aJCoda

I
.. C7 F C A- D7
I~ F F r ~r lit J. a tJ] r r J I a J r (Il * I J.a J ,J I
G7 D7 07 D7 07 C
I~ raj r aI * mM I piA PF aI 'I,m &ilIA ptr EEFI Et1(r' I
 -- THAT'S ENTERTAINMENT 327
m Shwartz/Dietz 1953
tAl B~ BIr+ C-7 F7 B~ B o7 C-7 D7
JE n' IjJ UIJJHIH 31.. IJJ JIJJdJtJr JII
I G-7

"'!.l1"i51 I I I I .-6_-6. ~ 1
.. ~ 9 EIr+ 96 F-7 Bb7 Eb Eb+ 96 C7
I~ ~II J JJ I J JJ I au J rtF' 3I J JJ I J JJ I JJ Jr i" I

..
I~~II - d I J
F

Bb C7
F+
j
Bb
F6
I J rTF au
G7

C-7 F7 Bb
C7
rr I J
F

G7
FJI Jr J I
C7
96

F7.
Tn JJ Idrar
D-7

Bb 9
C-7

Bb
F7

1~ ~b r r r fIt IF Ir r 3I J. JIr r 3I JJJ r I" I" Ie 1- H II

HOORAY FOR HOLLYWOOD Whiting/Mercer 1937
C7 F A7 E-7 A7
I~ ~ I Fr Jf r J Hex I.JJ JJ I JjJ r I j JIIJ~tt IAll JJ I JJ Jr I
11·Bb Bb- F F+ D- A E7 A Abj
I~ ~ J Jr±r r J I J J JJ J j J I; J I ail aln" 1- fJ I
C Cl o7 D-7 G7 C7
I~~ J dRJJ J I J J ala J. I aJJ a I JJ J Ir r JId r r J _
'l2Bb Bb- F 97 D7

G-7
n
I~ ~ J d rr r I J ar±r F JI J J J4j aJ I e
B~6 F D7 G-7 C7 F
Ff rr JI
I~~ r JriFF r J I r JFJ" Iff FF I r r JJt, IJ I n
GIVE MY REGARDS TO BROADWAY George Cohen 1978

C-7 F7· C-7 . F7 Bb F7

1e IJ J I· J J J J I J J I.. I,J. *I
F C7 F G-7 C7 F F7
J Ij Fir J JJ Ir J IJ r I" Ir' I _~
C- G7 C-7 F7 Bb G-7 C7 F7 Bb6
JIr r I r iF I r r r r I r· r IFF Ie - II
328
0-
IT'S ALRIGHT WITH ME
0-(t.7) 0-7 G7 0-
Cole Porter 1953

0-7
•
j I.-J j I.-J J J£J J J JI
,J s J JI ,J > J JI rJ
It's the wrong time- and the wrong place,-- though your face is charm -ing it's dIe
It's the wrong song- in the wrong style,.....- though your smile is love - ly- it's the
It's the wrong gaIIle-- with the wrong chips,.....- though your lips are tempt -mg, they're-the
G- G-7 C7 A-7~5 07~9 0-7"

$
I ~ F F I fir Fir IT TFJ ,J J I
wrong face,--- it's not her face but such a
r ~F
chann- ing face,- that it's
r> I=<V J JI ,J
all right
JB
wrong smile,--- it's not her smile but such a love - ly smile,.....-- that it's all right

r
I~ ~ .}
wrong lips.....-- they're not
G7 E-7 15
J I e--1J J J
A7 19
her lips,
J'G-
JJ
but they're such tempt- ing lips--
7 C7 F6
J I I~J. J I
that if
C-7
r r FIT
[7
some night

r rI
with me It's the with me _ _ You can't know how hap- py I
G7~9 G-7~5 C7~9 FA7 A-7~5

I$~ IF F r I IT' iF I r F r I ~F r F I .." I r r FI

am that we met, rm strange-Iy at - tract-eG- t~ yOlu.-
1, _ _ There's some- one rm
G-7 G-7/F E-7~5 A7~9
G7
! D.C. aJ Coda

try- ing
r I "r
so
r r I IT"
hard to for - get,- don!t
hF I r P r p I F r r I u"
you want to for -get SOIl» one t001_ __
Icd JJI
.. G7 C7 FA7 C-7 F7 BbA7 G7 G-7 C7 F6
i
I@ ~ -I
d. J I e-iJ J J I ,J r> I'r *'r I r r -. ---
I r Fie I e I elF l - I
with me _ _ _ _ __
are free, dear, it's all right.--- it's all right

ROSETTA Woode Hines 1935

E7 07 G7 C7
r r?" ISf F An I_A F FI J J J I J j Wi
t.I Ro - sel- ta.....:.--- my Ro - set - ta, - in my heart dear, there's no one but
You told me that you loved me, nev - er leave me for some- bo - dy
Ro - - sel- ta, - my Ro - set - ta. -:- please say I'm just the one, dear, for

1'1'-
-- A--7- O- 7 G-7 C7 # 2 F6 B-715 E719 ~- B-7~5 E7~9

I, ~ 0 I J J J" - I j J •I hr F
my whole £e a

A- D-7~5 G7~9 0-7 G7 G-7 C 7 D.C. a12nd End (Finl

r' I);>

dream...-,_ __
-
I
r
pray you'll
r
make
J J
it come
"
true _ _
- l J
Ro
II
 SWEET GEORGIA BROWN
351
Bernie/Pinkard/Casey 1925
B~7

J1 I J l I ) J Ad. Jl I
No gal made has got a shade on Sweet Geor - gia Brown _ _ Two left feet but
11. E~7

I~ ~bllj ~ J i~-r p I F i~ r f Il *II ]; J iJ ];1 p J Pro p I

oh so neat. has Sweet Geor- gia Brown,-- They all sigh and wan- na die for
A~6 B~7 E~7 A~6
I~ ~llllj r p J ))JJ J J JJ J I II Ir J J JJ J I r·

1~;I"j
i
Sweet Geor - gia Brown.
G-7 C7 'B~7 C7
I'll tell
F-
you just why,_
G-7~S
you know
C7
I don't·

F-
lie, not

r * J r - I F' P r * I pap r r I r· p r *
much! Fel - lers she can't get are fel - lers
0-7~S C7 A~7 07 @7 F7 B~7 ~7 A~6

I~ ~""~ P J Pr ~ I ]; J J) Jl ro I 0 9r p~p ro I r 0 r It.! Iii I

she ain't met Gear- gia claim~ her, Gear- gia named her, Sweet Gear- gia Brown _ _

BILL BAILEY Hughie Cannon 1902

1 ~ J j
Won't you
JI J ,a J r I J
come home Bill Bai- ley, won't you come home.
J ;1; J
She moans the
Re - mem - her that rain - Y eve that I drove you out. with noth - in' but a
C7 O~ C7 G-7

I J J JI r J r r IJ J JI e
whole day long.,_ _ __ I'll do the cook- in' Hon- ey. I'll pay the rent,

C7 C+7 F B~

I~~ J J JI r r I FJ JI S J J I
I know I've done you wrong.--__ fine tooth comb _ __ I know I'm to

OIB F/C 07 07 0-7 C7 F

I~i J j I rr F I J. J I J a ,S J I r j II I •• I
blame, well ain't it a shame, Bill Bai - ley won't you please come home_ _ __
352 WAY DOWN YONDER IN NEW ORLEANS
Creamer/Layton 1922
0-7 C7 F~7

P r PEJ r I ;i'l J Jt j I * i3 i 3 J I l J lJ 1
Way down yon - der in New Or-leans..-- in the land of dream- y scenes,...--
Cre - ole ba - bies with flash- ing eyes.-- soft - ly whis- per with ten - der sighsr---

I'· F C7 0-7 C+7

J) I "
F F# o7

I'~ *
.- J J F p F
-
p

J J
there's a
oj
gar- den of
I r'E - P
den,
r I
* that's what I mean
Bb6 F+7 Bb A7 Ab7 07
J l J AI ~J_J JJ JI e I a * i (ie) I
Stop! Oh won't you give your la - dy fair, a lit- tie smile _ _ Stop! You bet your
C 7sus4 C7 F· D-

PI Ii
I P r P Elf rip r pESr I
life you'll lin- ger there, a lit- tie while, There is hea - ven right here on earth.--
Thev've got an - gels right here on earth.--
F F Fl o7 ·0-7 C7 F6

I'~ P r P Elf r I
with those beau - ti - ful queens,..--
I P r PElJI
way down yon - der in New
r J I" I ..
Or- 1eans.:--_
II
wear- ing lit - tie blue jeans,...-

FIVE FOOT TWO Henderson/Lewis 1925

[AI C E7 A7

I~ Five
a a
foot two,
a* I a fa eyes of
J Ii;1 J J J J I J F J~a J I
blue, oh what those five feet can do, has
Turned up nose, turned down hose, yes a flap - per, one of those has
Could she love, could she woo, could . she could she could she coo,

I' ~7 J F
a- ny-~dy
llr J seen my gal?_ _
IJ t G7
* ~ .seenJ myJ Ig~!­
C
ED a J JI
- Now lifyOU

I' r r r
E7 A7 D7

run m - to
'iJ5I~
a
r r *Ir
rlVe foot two,
J F.
co- vered with furs,...-, _ __
J ] .. I J F
dia- mond rings,

I' r J those things,

all
J *youIcanf bet
F your
07

r
life
~l 3#3 I
Jit l)lis - n'tJ her
D.C. aI CodIi -$-0 7
I J ,J
seen my
I
C
"
gal?
I
II
II
 HONEYSUCKLE ROSE 353
Waller /R;u.af 1929
IAI G-7 C7 G-7 C7 G-7 C7
J J
I~~ Bf J J J J J Ev - 'ry hon- ey bee,
I J J
J J
fills with jeal- ous - ly,
j I
when they see you out
J J
with
j

When you're pass-in' by, flow - ers droop and sigh, and I know the rea - son
When I'm tak- in' sips from your fast - Y lips, seems the hon - ey fair - ly
G-7 C7 F FIA B~ C7 F
I~~ j J J J JIJ J J I j J J J 31 II I ..
me, I don't blame them, good- ness knowsr--- Hon - ey- suc- Ide Rose _ __
why, you're much sweet - er,
drips, you're con - fee - tion,
~ F7 Bb
I~~ J
Don'
J
buy
I J
sug -
j
ar,
I
* c:J you just
(J
have
r
to
I ~F
touch
EJ :J
my
---r
cup,
G7 C7 D.C. afFine

I~~ J j
Ir I ( F F J• F I'm FJ •
r II
you're my sug - ar, * it's sweet when you stir it up.

Charlie Parker

II
07 G7 C7 D.C.afFme
2nd Ending
, , "1 ,,, , >I ' >>'1 " >'I >> >I >>"1 >>-, I > I I I I , 'II

BYE, BYE,
. BLUES
Hanun/Bennett1930

C Ab7 C A7 07
I~
II
Ie I I". I II
I
II
Ie I Ii
I II
I
II
I"
Bye, bye, blues, bye, bye, blues, bells ring,
Just we two, smil iBg - through, don't sigh,
~o7

f~
G7 0-7 Ab7
I~
I, I'CF ,J
G7
Ij J
C

birds
Ie
sing, SUD
r Ir
is shin- ing,
I r r
no more pin - ing. Bye,
I 1",
bye,
I
blues
II
I II II
don't cry,
 BASIN STREET BLUES 355
Spencer WIlliams
[8] C 0·-7 0#07 CIE Yo CIE E[,..6 0-7G9 Yo

1~1l J J~ W J ii' J. IG ;r-J l' J I - I

Won't- cha come a - long with me, to the Mis - sis - sip - pi?
The band's there to meet us, old friends to greet us,

1'·~ C/G
1J 1 J
C C7/Bb F/A F-6/Ab (8_ G7
I~ ii r ii r J JI r [ r-r • r ~r-J j J J JI EWd
We'll take a boat to the land of dreams,_ steam down the riv - er down to New Or-leans.
ffil where all the light and the dark folks me.et,-- Hea - ven on earth, they call it Ba - sin Street
~ C E7 A7

I~~ ii J ii_J Iii J ii_J 1 ii I ii r l J I p r

Bas- in Street,-- is the street,_ where the e- lite al- ways meet, in New Or-leans,
G+ CIE C
, ___ WW Icc r WIIlW!]
land of dreams,_ you'll nev-er know how nice it seems or just how much it rea1-ly means. Glad to be,
E7 A Bb7 A7 07 G7 C
I~ p pla J IJ r PJ I jlJ hJJ IlF J)J Iq JJ J 3£. I... }
yes sir- ree, where wel-come'sfree._ dear to me where I can lose my Bas-in Street blues _ _

BIRTH OF THE BLUES

DeSyIvia/Brown/Henderson 1926

out the news

Fto7
i
FA7 G7 0-7 G7 C C A o 7 B o7
I~ J P r I.
W &J J
and they made that the start of the blues. _ _ And from a
and thay played tlw as .part of th~ blues._ _
that the South__ land-- gave birth to the blues._ _
r - - - - - - - [§] E7
I~;C
B+ F7 E7 F7 E7 F7

E
From
F C IC I r
a whip - per- will
E c
out on
r;
a hill,__
I~r E
they took
c r -- I-r
a
j
new_
r~
note.--
t
E7 A7 B~7 A7 Eb7 07 G7G A o7 Bo
I~xr E rC IC I r IE r r J IJ 're [J g J J IJ J &J 05 01
pushed it thru a hom 'til it was wom__ in - to a bluc- note. And then they
 I
356 THE CHARLESTON
Mack/J. Johnson 1923 •

Il 0- E-7~5

I'~b J'! a La J I PF n a I Err F P J 12 I.e

E-7~5 A7
A-7~5

D7
D7

F7
0- 0-

U a itJ J
Bb
•
•
I, ~I,"PF PF J I'i F J PijiJ JCLl) U I r r tr E Iv r p=r
F C F7 •
IJ'r Dr I

- II

INDIANA MacDonald/Hanley 1917

I"~ ~7J J ~ ~FII &7 1 r r

,D7J IT OiLLD J J 1'y-7
J IJ~ aI
Back bome a - gain in In - di - a - na, and it seems that I can
The new mown bay_ sends all its fra - grance from the
F F7 Bb F Eb7 D7 07
I~~ II I'd. J ~JII J to--,- IT J I J i 1 j I J J f I if FLtJ
see the gleam - ing emrdle- light still shin - ing bright thru the syc- a - mores-
0-7 C7 l2·0-7 ·E-7~5 A 7~9 0-7 A+7 D-7
I'~J J I.. I 'i J J J ,~, J I J J I" I - J J I J .a J J I
for me._ The new mown fields I used to roam. When I dream a- bout the
E-7~5 A7~9 D- D-7/C G7/B G7 F D- 0-7 C7 F
I~ ~ a J a a I J, .till ~ J J I J J J I r a f J I" I J ~ - I
moon-light on the Wa - bash,,_ then I long for my In - di - a - na bome.,_
358 AIN'T SHE SWEET Yellen/Ager 1927
-JI
I~ Ilf C
A oj
CJl,71D~ D-7
I j 'i
G7 C
J ) I J J I,J J I J
aJ,71D~ D-7
!j
G7 C
J WI F F F F IJI
E7

-
Ain't she sweet? See her com - ing down the street. Now I ask you ve- ry
Ain't she nice? Look her 0 - ver once or twice.
I re - peat - dOB't YGU think that's kind of neat?

I~
A7
Jan JIJ J
D7 G7 11. C
J - ,J r
~2. C C7
p r p 11" I
F7
rrr r • I

•
con- fi- den - .tial-Iy, ain't she sweet? nice? Just cast an ey~e- - - in her dir-
C C7 F7 C C#o D-7
I~ r J. U r p r pi" Ir r r r Ir l U JJdj I
ec - tion,

C
Oh me oh

DARKTOWN STRUTTER'S BALL

my,

A7 D7
ain't that per - fee - tion-=--_ _

•I
Shelton Brooks 1917 ~

I~ il~ J J J wHir J );)1 HI] ~ J.JJJI p F MtJrll •

I'll be down to get you in a ta- xi hon-ey, you bet-ter be read - y a-bout halfpasseight,
Re - mem- ~r when we get therehon-ey, the two steps goin' to have'em all, goin' to •
11G7 C Ebo7 D-7 G7 ~2. F
I~ i J J FI p FAn J JI r J r J I r r )!;)' F r Pr pH
now dearie don't be late, I want to be there when the band starts play-ing. dance out both my shoes,

I~'::n n I ~/GU Ei;J FlY n; IIr u pr pI ~7 F ,p J pI: I I II

whetthey play that jel - lyroll blues. to mor-rew night aHhe darlE-town struHer's b a l l _ - -

JADA 1918

D7 G7 C7 F C7 F Eb7 D7

EJ U J I J JJ J F J I j -
I - F" I EJ J.
Ja-da,
G7
Ja-da,
C7
.FIA
Ja-da Ja-da Jing, Jing, Jing. .
A~o7
Ja-da,
G:7
Ja-da,
C7
I~ ~ J JJ J J I,J I J. * I E EE r iF EEr I £n COl * I
Ja- da Ja- da Jing, Jing. Jing. That's a fun- ny lit- tie bit of mel - 0- dy,

FIA A~o7 G:1 C7 F ~7 D7 G7 C7 F

I~ ~ r Pr r r r I £ JJ Ln J I eJ r· I ij A. I JJ JJ r JI " I
it's so sooth- ing and ap peaJ.ing to IRe, -it gees Ja- da, Ja-da, Ja-da Ja-da, Jing, Jing, Jing.
 MUSKRAT RAMBLE KidOry 359
I
---
. .. . .
A~
- I

.. .....
c-

~ I [C] '* ... ..... '* '* •

~
G7
.
'* I I . . A~
i.J,..J-I
I 1

..
I

. .. .. ..
I • •
10
'I" 4-

......
'*

..E~7 - ... '*

B~7 B~7 A~
q. .~~7 E~7
~ L .1 I I I

F7
It~'~~~)ijJ ;d. ;PI FlJ J liEF d J~.gl~ niH I aq' ~I
I'~~'~~· J J 1d3% j Ji~J ~J i~;u~JJ] I~a 1J I' F ~Fh JiI
B~7 Eb7 A~ G G~ F7
1t ~~I.~ J ~ IJ * I a * r pI F n J Id ;b ha I)J IJ )J J. JlI
B~7 B~7 E~7 A~ D.C.aJCoda .. A~ E~7 A~ A

I' ~I!I!~ r lJ JIU tPF ~ JJ dJO - I 13 I Jj Jidd' uIE ijV J I

I'VE FOUND A NEW BABY Palmer/Williams

D- A7 D- D7 G7

. I' ~
C7
,n iIJ J • J. )JJ,
F
* I*In JJ J I"
11A7 J2. F A7
I*'CfCtf I J J J
1'~*e:iEjal,,_ )lnS J, - HlcrlrlullrfJJSI
D- G7 C7 A7 D.C. al2nd End (Fine)

It~)JJ ;pJ I" InJj FIn I J !3J f;J I ~J ;ha,a 1;j'l, In n J I

MIDNIGHT IN MOSCOW
. . Sedot/Matusovosky

c- D-7~5G7 c- G7/D E~6 C-7. E~ A~ G-7 Eb D-7 G7

1, ~~I!~: j aaJ I J JJ I J J. J1J - I J J rr Ir FJ I J. *I Id iF I
c- F- c- G7 c- D-7 G7
1'~bl! r ill I Hd 10 J I afl.l I- r JIJ J JI JJ J131 J *I IJ IF I
r~ r ~ -...-._-_ ~
........
360 TIGER RAG
IAI B~ F7 - B~ F7 B~
I'~I! ,,' r r r U±H iJ1 J J IN pkl D I Er r FE I r FFgd
F7 _ 1. B~
1\ I

1~ C7
1'511"'1 ..

F C7 F
1 . 1 1

07 C7 F
I'~I! r ~ ~ r I J ~ ~ J I F ~ ~ F I J * 1 i JI; I r ~ * F I J ~ ~ J I
C7 F F.2 B~ F7 -
I,~~ F ~ ~ J I J IC::rFJ
B~. F7 B~
n I F F F U~ F Jl J J I iJlF F7 - Bb
Pfj
Bb7
DI
I t ~rr1 r IFF F u1l F iJ1 J J I Np Jj n I Fdawn J 11~~b
I'~~I!J. JIJuurlr*- 1- IJ. JIJuurl
B~7 ~

I'~~I! r * - I - I r Uri r EJ r I r CJ r I r t; F
B~7 9 Bb7
I' ~~I! r Uri r EJ uri r * - - I r EJ r I r U F
I' ~~I! ~ En I r Ej Fr
[QJ A~
1~7 J rr ~7 IB~~r rr JtJ 3J I~ Jj7 J II~I\~
I' ~~I!~ ~ J. J. I J. D- I ~ J. J. I J. P- I ~ J. J. I J. p-
97
I'~IzI!~ l J. J. I J. P- U J. J. I J. P- I * J. J. I J. P- I~ J. J. I
A~
I,~~~~ J r ~ I J J JqJ I ; \J J J U .J. J. I J. P- I~ J. J. I J. p-

A~
~7

I'~~b~ * J. J. I J. P- I * F' J. I F' h

F7
~

B~7 97
1;)111 r Fp ipfr
Ab
J
~6

I'~I!I!~ r r pr 1:; JJ 3J. Jll r J\JiJ iptC Fig J'l;r iPt " I" II
 AVALON Rose/DeSylva 1920
36]
C7 F C7 F
I~ ~ !! J I j J I r ~ IF J 1 IJ J I II IJ J I II Id J I
I found my love in A - va-Ion_ be sidlC--e_ the bay_ I
C7 F
j
I~~ J d I J j I J J J-1J j I II I j I II
I ,J j II
left my love in A- va-Ion,- and saiI'u.-d_ a - way - I
D7 G- D7 G- Fo
j
I~~ j r IF riFF
her and
j
A - va- lon_
IJ j I
from
a

dusk_-
LJ
to
I
dawn,
e=-
fF
and
j I
dream of
F D7 G- C7 F

I~~ J j I j r I rr V IV r I e I ., I I. I II

so I think I'll tra- vel onI - to A- -va -- Ion - "

TIN ROOF BLUES New Orleans Rhythm Kings

B~ F7 B~ ~3~ B~
I '* I J jj d JJ f.l J I j. ,in I 1,11
B~ D- Dba
1~IJ1J J I
- C-7 F7 C-7 F7 B~)3i, B~ID C-7 B~

I~ ~II J. Jt:J I! J P J JJ3~hn flU EJ I r 1 JJ \3 I

B~ B~7

If~"f J IS d 3 J \3 ~n I J J"1J I J IhJ3 J 13 ~J"3 I J lU

~7 B~ G7
I,~~ J J I,; 3 J \J ~; 3 I F D-J . I J \3 ~J 3 J \3 ~J 3 I J flU
b'·C7 F+7 B~ F7
If~"T ~ra j jl ~J su. Ji I J P ill dJ I J JJ J ~
ffi r"3~ B'
-
,19 t7\
B~9
m11 J JJ ~r F Ef I £J ; a d
12. C9 F7 Ei>7 BL
I'~II , EO PF II IEl ill J II
362 BABY FACE Akst1926
0-7 CrE C~ ~-7 G7 0-7
J 11 J * - I * r r r Ir J J J J J Sj S* - I * r r J I
Ba - by face,_ you got the cut- est lit - tie ba - by face.- there's not an-
Ba - by face,_ I'm up in hea-ven when I'm
G7 0-7 G7 C E-7~5 A7 07
I~ J a a d I J J J I II IJ J J 1 .e I J r Fir r r
oth - er one could take your place.-- ba - by face.- my poor heart is jump- in',
1 E7
G7
I~ F r IF flY F J kJ
you sure have start
Flo
- ed some-thin'.
C/G
'fJ 2.

A7
J IJ r I
in your fond em - brace,-
07
A-
II
C7

I r r F 'F I r
G7
I did - n't
C A~7 C
P

r rEi
need a shove,

I~"F J ,a J Ir FJ IJ a fa I J IJ I F r I II I II

'cause I just fell' in love~_ with your pret - ty ba- by face _ __

Kahn/Erdman 1922
TOOT TOOT TOOTSIE
C 07 0-7 G7 CI17 C6
1_: * F J Toot Toot
I F ~ r I.. I.. I* a J I a J J I: 1% I
Toot- sie good - bye, Toot Toot Toot- sie don't cry'_ _ Fit»
Kiss me Toot- sie and then, do it ov - er a - gain _ _
Toot Toot Toot- sie don't cry, Toot Toot Toot- sie good - bye.
1 1. C CI17 C,07 0-7 G7 D-7 G7 C @o D-7 G7
If *::j J J I J J I e I 1* J J J I j J I J J F~a I J a J F)
T:t choo choo train that takes ~ a- way from you, no words can tell how sad it makes me.
l2. p7 C G7
jit
~
r F~F JJ.. J rr ~F J# J
..
I a~a J J I ha J
Watch for the mail,_ I'll nev-er fail,_ if you don't get a let-ter then you'll knowI'm in jail_
a I J d J J1J - D.C. aJ Fine
I
YES SIR, THAT'S MY BABY Donaldson/Kahn 1925

Eb Eo J
P-7 Bb7 . F-7 Bb7 ~Bb7
I~ ~llk f r r I F r r Fir r· DI F or r Fir r I F raJ I U·e ,
Yes sir, that's my ba- by, no sir, I don't mean may-be, yes sir, that's my ba-by now_ _
Yes ma'am,we've de-ci- ded, no ma'am, we won't hide it, yes, ma'am, you're in-vi- ted now_ _
1 2. Bb7 Eb7sus4 Eb7 Ab G Gb F7 Bb7
I~ ~IIII J *.J J I cia Hr FI I J * a ~J I J J I r r r I I-r l' l' l' I
II w
By the way,__ by the way,_ when we reach the preacler I'll say, _ _
 ROCK-A-BYE YOUR BABY
Schwartz/Lewis/Young 1918
363
C 9 7 0-7 G7 0-7 G7
-
0

I~ Of a a J ,3 I J E f r r I r F P 3, I J, rip F p r
Rock - a - bye your ba- by with a dix - ie mel- 0 - dy, when you croon,
Weep no more my la- dy, sing that song a- gain for me, and old black Joe,

11. D:7. G7 C lA-7 07 G7 0-7 G9

I~ Jl a P- F I ;P a ;il) F I J IJJ ijJJ II, I J J ) J.

croon a tune, from the heart of Dix - ie. . J:t hang your cra- dIe,
0-7 G7 C E-7 A7 GID A-7 D7

I~ Jl J, JgJ I' J J ,3 J F' I p J f r I t a J F I P r PF J I

mam- my mine, right on that Mas- on Dix- on line, and swing it from VIr- gin - ia

G7 J 2°0 _7 G7 E7

I~ ! r1 J 1 3 J J ,3 I J J J2) 3' }l J P- r IF I r~E f F ~ I

to Ten-nes-see with all the love that's in yer. just as though you had me on your
A7 D7
I~ J. l I ~ j J J a J J Jill J J1J J I' J J J J J J 3 I
knee. A mil-lion ba- by kiss- es I'll de-liv - er, the min- ute that you sing that
C/G C CIE E)7 07 G7 C
I~ p J PF J I a a J ,J I £ J J l.F r r IF I EF PE'I" II
Swa- nee riv - er, rock- a- bye your rock- a- bye ba - by with a Dix- ie mel- 0 - dye

THE SHEIK OF ARABY Snyder/Smith/Wheeler 1921

B~6 B07 C-7 F9 C-7

1~~lj J is f J. J I J. JI e I J. J I J.
I'm
The
the Sheik of Ar
that. shine
- a -by, your love
will light
be - longs to
stars a - bove, our
B~6 B~ID 1)l,0 7 C-7 F9 C-7
1~~lj J II JI JI J I r'
e

me
I r'
At
r'
night when
1
~'

you're a - sleep,
e IJ.
in - to your
JI

J~~
F7 B~6 C-7 F7 97. n 07 G7
I~~b J UI e I j. U I e
'Fto love FI r rI
tent I'll creep The way You'll rule this
C7 C-7 F7 B~6
I~~b W- rI e Ir J I j. J I J. Fie II
land with me, the sheik of Ar a - by_ _ __
364 LIMEHOUSE BLUES Philip Braham/Furber 1922

B911'B~9
J J I"JJJ JIJJ JI
Oh, liIn&house kid,--
oh, lime-house blues..--
oh, oh,
I've the
oh, liIn&house kid.,-,- -
real lime-house blues _ _
-- go- ing the way - that the

G7~9 Ab Db7 C7 F-
I~ ~I!I'~ J J J J-l-.. I J J J J> I<J r iF I r hF ~F Js I::,"
rest of them did.-,- - poor bro- ken bIos--: sam and no - bo - dy's child,
Eb7 D7
r I F qJ ,,J J J J ~J J
haunt- ing and taunt-: ing, you're just kind of wild_ Oh, oh can't seem to shake
Ab G ~ F7
I~ ~I'I,~ J F r I J j r J I".."
>- r hF r F~F r r I
off those sad Chi - na blues Rings on your fin- - gers and

Bb-7~5 Eb7 F I DJ~ Aj/C tJ~ I~ ••

I F r F rTF r = : - !1 ~ -~ : ~-- II
tears for your crown,.--,_ _ that is the sto - ry of old Chin - a- toWD _ _

UP A LAZY RIVER
Hoagy Carmichael 1931

D7 J . G7
I~ ~f
Up
j IJ J I,; JJ
a la - zy riv- er 'bY the
J J I r iF old mill run, the
~r )1 J J J J
la - zy, ha - zy riv - er #m the
J J J~ I
Up a la - zyriv- er where the rob- in's song, a - wakes a bright new mom- ing, we can
1C7 C7
J I
F

t>
noon-daY sun,
v
I
lin- ger in the shade of a
i'*.. •
kind old tree, ~w :-Jay ~~
y our
~
)u- bles,
. 1
m:am .;;

loaf a - long, ,.
F Bo? FIC D7
I
• J J,-J F hr r d IE r r ~r r
dream with me. blue skies up a - bove, ev - 'ry - one's in love,
G7 C7 F E7 D7 G9 C9 F
I~~ E [[J P j J I J J 3 J 1M I Er[ r PJ )) I " II
up a la- zy riv- er, how hap - py you can be, up a la- zy riv- er with me.
 MOON RIVER 401
Johnny Mercer/Henry Mancini 1960

*
I I~ J. I r
C

Moon
Two
A-
r
riv - er,
drif- ters,
F
I r- F J ) I J J
wid - er than a
off to see the
C

mile, I'm
world, there's
I
F
r· F J J I J J I j~J J I
cross- ing you in
such a lot of
C

style some - day.

world to see.
B-7 E7

Old
We're
E C7 B~9 A7 0-7G~-

dream
F
IN I j j. )1 I J. I j
mak-er, you heart
j.
A-

break-er, where - ev- er you're

B7
-Ii I J j J I r r ; I r J. ib I .J.
E-

g<?ing I'm go-ing your way.

n I
af - ter the
J JI

* F7 C F

I r- I IT r I 1 U J J 3 JI 1 UTI R 3J I J. J. I J jlj JI JJJ- I

same rain-bows end: waitin"roundthe bend,
C F _ C

1
my huo-kle-ber-ry friend, moon riy.er
A- 0-7 G7 C

and me.

SOMEDAY MY PRINCE WILL COME

Moray/Churchill 1937
F A+7 B~A7 07 G- G-(A7) G-7 C7

I*~~ J. J #J I J JI J IJ r is I j JI J J rI
Some - day my prince will come, some - day I'll find my love, and how
He'll whis - per "I love you" and steal a kiss or two, though be's

* 11. A-7 A~o7

I ~ r r r 1 FEE I r- I r J r I r r r IrE E1r' I r * * ~

thrill - ing the mo- ment will
G-7

be.-
C7

when the
A-7

prince of my
A~o7

dreamscomes to
G-7

me.,_ _
C7

-I*
12. F A+7 G- . A~o7 A-7 07 G-7 C7 F

~ r r I IT r I iJ- ;p i :J I r r I r r r I r r I r- I r- II
far a - way I'll find my love, some - day, some - day when my dreams come true _ _

FASCINATION Marchetti/Manning 1904

*
1 I *J J
It was fas-ci -
C

na -
F7' U

j:J ~ r- I F r I r I* J J J J I r F r I F J. PI J 1
It was fas-ci - na - tion I, know, and it might have end -
tion 1
C

right there
know,
start.
sec.- ing you
CIE

ed at the
Ebo

a -. lone with the moon - light a - bove,

0-7

G7 11. 0- 0-7 ' D-7~U7

I. * i J J J I r I-ri J J11 r- I*I- J J ] I r rr I J J J I J ~ 1

lust a pass - ing glance, jJst a brief ro mance,and 1 might have gone on my wayemp-ty- beart-ed:-
then 1 touched your
2.
D- 0-7 G7 D- G7 C

hand, and next mo- ment I kissed you,- as - ci - ca- tion turned
402 SOMEWHERE MY LOVE 1965 Dr. Zbivago -J
J.
Some - where my love, there will be songs to sing, al - thougltbe I
Some - where a biJJ, blos-soms in green and gold, and there are .
You'll come to me out of the long a - go, wann as the-
Till then my sweet- think of me now and then, God - speedmy

A-7 D7 -$- A-7 D7 G D7 C CIB C/AC/G I

J I J. I J J 11 I J Fir Ir ~ J. I oJ. U. I J J ~ 1 •
snow. cov- ers the hope of springs__ Some - day, we'llmeet a - -
dreams.--- all that your heart can hold _ _
wind, soft as the kiss of snow •
love~_

C et o7 GID B~ B~/A B~/G B~IF . F/C B~

1*1 W- I W- I ct. I_J II J I qJ. I j IS I a S a I J. I ~r·

gain my love, some - day, when - ev - er the spring breaks

D/A D7 -$-A-7 D/A D7 D7~9 G

F' I r· I
D.C. ale.-...
I a J &J I J. J. I J: LJ. I
throughu.--_ a - gain ___________

Young/Adamson 1956
AROUND TIlE WORLD

A - round the world I search for you. I t:ra:- veIled on, when hope was gone to keep a
It might have been in Coun- ty Down, or in New York. in gay Par -

*
1
D-7
j JI J J1
ren- dez - vous. I
G7 D-7
r J1r
G7
J 1
.
D-7
j
know some - where, some - time, some - how, you'd look at
G7
J 1 J. ]; ;: J 1 J. ]; f J
'
D-7

me, and I would

1

*J. ];
1
G+7
J
see, the smile you're
J 1
C
j
smil- ing
G7

now. It
~ 2·.A7
J 1 J J '~F' J1.J 1 1 r Fir J 1 r
ree, or ev- en
D-

Lon- don town, no

F 1
more will

C A7 D-7 G7 C
•
J) .a ) I
1* r· I go all a - round the
r aI J. #J) a .J I
world for I have
rJ
found my
JI r a I F' I r-
world in you
I
 EMILY 403
Johnny Mandel 1964

Cll.7 A -7 0-7 G7 Cll.7 G-7 C7~9 F ll.7 Bb7

I~~ PJ I PJ I Pl
E- mi-Iy, E- mi-Iy, E- mi-Iy,-
IJ J. ~I J. ;d I ,)
has the mur-mur-ing sound
J I J~J J I
of May_ All
All.7 F#-7 B-7 E 7sus4 E7 A -7 07 0-7 G+7

I~ q JIq JIq J~J J J I J J J I r F J I J I #J I

sil- ver bells, cor- al shells, car- ou- sels,- and the laugh-ter of chil-dren at play, say,
Cll.7 A-7 0-7 G7 Cll.7 G-7 C7 Fll.7 E 7sus4
I~ P J I P J I P 1 IJ
E- mi-Iy, E- mi-Iy, E-mi-Iy,-
J J I j. M I [ P r I J. I
and we fade to a mar- vel- ous view,
r·
two
I
A-7 B7 E-7 A7 0-7 G7 C A-7
I~ r r J I J #J I J1 r- I -r J J I
lov-eis a - lone and out of sight.-- see-ing
n
i- ~ges--
J I J J. ~) I J J 1 U J r I
in the fire - light- As my
F#-7~5 B7~9 E-7 A7 0-7 G7 C6
I~ r r J I J #J I 11 r- I -r
eyes vis-ual - ize a fam- i-Iy,-
J JI
they see
Q
d.ream- i-Iy,
J I PJ
E-mi-Iy
I F'
too_
I r' I

ALWAYS Irving Berlin 1925

C 7sus4 F 11'G-7 C7 F
j
J J J IJ IF I J I J. i j J IJ I J J I
I'll be lov - ing you aI- way:sr-s,_ _ with a love that's true ai-ways,
Days may not be fair ai- ways,,.-,_ _

F6 A B-7 E7
J I J I J. .J J @I 'r' I J..J ,3 @I IT" I
When the things you've planned, need a help- ing hand. I will un - der - stand,

C7
I J J
al - ways ,aIways, that's when I'll be there aI - ways,.-._ not for just an

Bb-7 F G7 G-7 C7 F
I~~ p' IJ J J J I J I J. J 3 J I J J I J J IJ II
hour, not for just a day, not for just a year but aI- ways
404 EDELWEISS
Rodgers/Hammerstein 1959

F7/A B~ID Eb BblF G-7 C-7 F7

J I V· I r J I J. Ij JI J J J I J. I J. II
Ed - el - weiss, E - del - weiss, ev -'ry mom - ing you greet me,
B~ F7/A BblD Eb BblF F7 B~
I'jb ill J I r· I r J I J. I j J IJ J J I r· I r· I
small and white, clean and bright, you look hap - py to meet me.
Bb BblD ~ CIE F F7
J JI j JI r· I J rlr rid. IJ. I
BIos - sam of snow may you bloom and grow, bloom and grow for - ev - er,
B~ F-6/Ab Eb/G Eb-/Gb BblF F7
Il~ d,
: I' ~
3. :3~ I F IF I
:3~. J I ill J I J J II
E - del - weiss, E - del - weiss, bless my home - land for - ev - er.

WUNDERBAR Cole Porter 1948

D7 G D7 GA7 GA7 G6 B- E7

I' I J ;Jl
Wun- der.-
~1 bar.-
r ~ -I bar,-
I] Wun-der r" IT Wt J\a I per-J feetJ InightJ forJ I love_ r' ~I I
l I J Here
Wun- der - bar,_ Wun-der - bar.- we're a - lone and band in glove.- not a
Wun- der - bar,- Won-der -bar,-- there's one fav- 'rite star a - bove.-- what a

il A-7 B-7IS B-# A-7 07 A-7 A-7 IS 07 G6 I" 07 Y

I!! r'
am,
J F I F' I r J J I
here you are, why it's
j
tru - ly
J I J J I l J J. Jl ~
Won - dr - bar._ Wun - der -
cloud near and far, why, it's more than Wun - der - bar_ _
bright shin - ing

1 2. G F-7 Bb7~9 . &6 C-7 F-7 Bb7~9 Eb

~r
I" J OhJ. Jill care r I 1 ~r' J 1D J. )1 ~r r- I T ~r p I J ~ * I
~ I mad
I dear.- for you - ly,_ and long dear_ I
for your kiss. .

C-7 A-7 D7~9 G6 E- CI-7~5' FI7 B- E7

* ~r· p I r. F' I T F" PI J JdJ F" pI r F5PF J. ;; I ,J JJ
A- D7
J
I would

D.C. a/Coda

J) II
J.
.
die dear,_

A-7
for you

D7
glad-Iy,_

I r- I I F J I J J I J J I J.
you're di -

A-7
vine dear,-
D7~9
and your

G6
mine dear.

LJ.
1" Wun - der star,_ like our love it's Wun - der bar -
 UNDER PARIS SKIES 405
Giraud/Cannon 1953
Bb-7 Bb-6 Bb-7
Fir F J I J J J I j, I r- I r Ir ~I
Stran- ger be - ware, there's love in the air. un-der Par - is skies,
Love be- comes king, the mo- ment it's Spring, un-der Par - is skies,
Just look and see what hap-pened to me un-der Par - is skies,
B~-

~
C7 F- F-
I~ ~1!I!i
J
try
~W
to
J
be
I J JI
smart and
F F
don't let
r I F J WI J. I J. I J.
your heart catch on fire _ _ __
Fine
I':.
lone - ly hearts meet some - where on the street of de - sire: _ _ __
watch what you do, the same thing can hap - pen to you _ _ __

12. B~-7 E~7 A~6 A~A7

I~ ~I!~~ J J J I J. ,I J 1 J. IW JWI J IS. 1,1. J JJ

Pa - ri - sian love can bloom, high in a sky - lit room or in a
Bb-6 C C7 F- C7

gay ca - fe,
Fir F
where hun - dreds of
r I r r F I F'
poe- pie can
IF' I V' I
see_ _ _ _ _ __
r • I
~ B~ Bb-6 Bb-7
I~ f~I,i J J J 1 J Fir F J 1 J J J 1 J. 1r' I Fe IT."
I was- n't smart and I lost my heart un- der Par - is . skies.--,_ _
C7 F Tacit

J ~J J I J J IF· F r I .F qJ J I qJ. I J. I~ • r I r qJ JI
don't ev- er be a heart brok- en strang - er like me: _ __ Oh I feel in
rn1 FA7 Tacit C-7 F7
I~f l.. IJ t r J J I iJr Il. Ij r
love. _ _ __ yes I was a fool.--, _ - ' - -_ __ for
Tacit B~
I_J • F. I F J. J I &l la.
la~
Par - is can be'-_ __ so . beau - ti - faly cruel _ _ _ __

Tacit F A7 D-7 A7 D- C7 F
I~f J d ~3 1J J 1iJ J 1 j 3 1 J J 1 J J 1 J J I.J !
Par - is is just a gay co - queue, who wants to love and then for - get.
G-7 F Flo Tacit C C7 F- C7
J I F F J I r- I V' I
1'1 F
Stran- ger be
F I F'
- ware,
I F' I r•r there's love in the air
r- I F
D.C. aI FJne 1st End
II
 -&

406
C
WONDERFUL COPENHAGEN
F G7 C CIB
Frank Loesser 1950

E-7~m~ A7
•
I' ~~ J. IJ! J I J. 1;11 J I r J I J J I J. ,Jl J I J. #Jl J I l U J JI
Won - der- ful, won - der- ful, Co - pen - hag - en, friend - ly old girl of a town. "'Neath her
won - der- ful, won - der- fu} Co - pen - hag - en, sal - ty old queen of the sea. Once I
D- G7 C E- 11' A- E- D- G7 1
I' J. ;11 J If J 0 I J Ii J I f J fir f JI J J I iLJ.o f J,
ta - vern light on this mer - ry night, let us clink and drink one down._ To

A- E- A- E+ D7 G7 C
JIJ JI r· J) J I J. Jl J I r J ·1 r P FIr- 1r * II
Co - pen - hag - en, won - der- fu}, won - der- ful Co - pen - hag - en for me._ _

VIENNA, MY CITY OF DREAMSS1eczynsk1! Caesar 1937

C7 C+7 F6
IJ r J I r fa F 1J J 1J J I
when Vi - en - na dreams, as o'er the Da- nube the moon - light gleams.
Hold me and it will seem, nighHime is end - less and love su - preme.
1 1• F/A A~o7 G-7 C7 G-6 C7 Psus4 -P-6 ---'1
0 J Vi0 - Iend - na'sJ ImelJ - J Idies,J. IJ J J I; J f IF J 14
I';Waltz to 0 -
,
1 2. P F+7 B~
I~; J i¥. J IJ J J 10 J f stay in old Vi - en - na's cttCaml-_
MERRY WIDOW WALTZ Franz Lebar

F C7 F C7

I'~ C7J J I J ~ I; J IJ ~ I r· I ~.
. C7
I J. c:: I_W- II
• F F

I'~ J J I j F I; J Ij F r'
1- r' 1 I J. IJ II
Bb C7 F D- G-7 E-7~5 A

I'~ IT F Ir F 1 r· I J. Ir F r 1
F 1
J. IJ II
G-7 C7 P D- G-7 C7 F

I'~ J J Ij J IV J IJ
•
I I J. I W- IJ IJ II
 TWO HEARTS IN 3/4 TIME 407
StolzlYoung 1930
Co C Co C C CIE Eb o7 GID G7
I! i J I i d J I * ,J ;iiI F r I F r I r r I J r I J r r- I -r JI
Two hearts beat with a joy com - plete, oh what a night for you and me._ Two
Do D-7 Do D-7 D-7 G7 D-7 Gsus4 G7 CA7
I! ,3 JI *.J ; I r r I r r I ~ r I r r I r' I r I
hearts beat with a love so sweet, while walt - zing dream - i - ly. _ _
G-7 C7 F6 A-7 D7 D-7 G7G+
I! r J J I J Fr 1r J J j J 1 E J J I J r r I r Fr I r J I
I'll share your charms 'till the break of dawn,_ locked in your arms 'till the new day is born. Two
Co C Co C E-7~5 A7~9 D7 G7 C

I! i d J I * #J ) I IT LIE rEI J EI r r r I r' I r'

hearts beat with a joy com - plete, walt- zing to a new pa- ra - dise:_

VIENNA LIFE
Bb ~[AJB~F7
I! ~I, U FFir' I E1 r r Ir \J r l"f J. PI r' I* J. p1J jlf nI d {J I
I' ~~ 7 1* ,J. )11 r-[§] ILIf" ~ 1r- 1* F' lie;, J. pi rl ll; 1* \J J1 ~
12. F7 Bb C7 . . F Bb F C7 F
.I! ~~ J J ;1 QJ. I ~ n Fn Ir nr 1J J. ;1 F r I J J. Ji IFF I J J JlI
C7 F G7 C7 F D.Cal2ndEnd·F"me

I,~ r JI n r n Ir nFI J J. tljf r IIF f" PIF J 1n J r I j. 1J J PII

• WHERE IS' YOUR HEART (Mouljn Rouge)

• I, ~I,. J ~ J.
& G- C-7 F7 F-7
Ji J 1F
Bb7 F-7
J 'Il Jl J IJ J J I J. ) J

J
D-7~5 G7 c- D7~9 G-7 C-7 F7 B~

1'~I'b i~ i] iJ 13 n lUi J
D.C. aJ Fme

• ]11 j J I iJ ]1lj I J J II
408 QUE SERA SERA
I'~I'q J
F-7
H' -- r)

Bb7
r J I r J I r·
F-7 Bb7
I J r 'I r r I
F-7 Bb7
E0 7

rr JI (r)
F-7

I_J
@7
Bb7

I
I' ~I'. rEF I EIT I r rEI IT I J r r I r J I J:.. I _, OJ r ~~ I
Ab A 07 @ £\,07 Ab £I,
I, ~I'k F J I ( 14r r I FEr I r J I J I J l \J I r r J I
F-7 Bb7 F-7 Bb7 @ 1'·F-7 B.7
I, ~'I' r J I ( I FJ J I J J I t Ij. :.. I JJ J ~
ILpt-'Y Bb7 Eb F-7 Bb7 @ Ab Eb
I, ~I'I, JJJ I ;j JI t Ij. I JJ J I r Fir IT 1-5" • II II
PIGALLE II
C CA7 C6 CA7 C G7 0-7 _
Iii J J J I J J J I J J J I J J J I J J J I r l J I J J_ I). I JJJI ~
G7 0-7 G7 0-7 " G7 C6 G-7 C7 _
I' J J J I J J J I J J J I J J J I F * J I J J I J. I r J J I ~F J J I I
G-7 C7 F FA7 F6 - A-7 07 A-7 '-

I' r J J I ~r J J I J. IJ It I). I r J Fir FJ I r J r I •

07 0-7 G7 D-7 G7 .. G 7 C

I' FFE I r IJ I r' Ir ~ I FH I F( I l II. '-'

MADEMOISELLE DE PARIS I
o F#- B- G- D F#- B- A7 E- E-(t.7) I
I, II f d. I d. I JJJ I JJ J I it. I J I JJJ I JJ J I J IJ.

I
 I COULD HAVE DANCED ALL NIGHT 409
Lerner ILoewe 1956
C E- C D- E-7 A 7 D-7

1'1 J J J I F r I r' j J J I F J I
I could have danced all night, I could have
J JI J J I J J I
danced all night, and still have begged for more.
tJ
G7 D- D-(A7) D-7 D-6 G7sus4 G7 CA7
I'). f J1 I r Ir I Ir' Ji ;1 I r r I F J I J aI J J I J, I
I could have spread my wings and done a thou- sand things I've nev - er done be - fore .
. E FI-7 B7 E G A-7D7 G7 F CIED-
I'J. 3tH) I r' a ,J PI J rI .J. III 1mI F aI J. r' I F' J F'U r I
r'll nev-er know what made it so ex - cit - ing, why all at once my heart took fligbL I on - Iy
C
I, P F I F'
know when
mI F r I r' f J F
"J I F'
D-7

he bc>gan to dance with me, I could have danced, dancecL danced.

rI r
~ G7
Irq I (I <r -
all
C

night

FALLING IN LOVE AGAIN Fred Hollander 1930

E~ &7 A~A7 A~6

I'~I'I.~ F F FlU J I J1 a J I J, I J) J J I J J I J J-ia

Fall- ing in love a- gain, nev-er want-ed to,
Love's al-ways been my game, play it how I may,
G-7 C7~9 F-7 B~7~9

what am I 10 do, can't help iL

I was made that way, can't help iL
E~6

n'
F-7 B~7

Fine

G7 C-9 F7 F-7 ~~7

I' jkl• aIF r I r rr I g: r rip' I J\J r I r r r I (r FFI ;-'1

Men clus- ter round me like moth .round a flame, and if their wings bum, I know rm not 10 blame.

DEARBEART Mandn1/Uvlngston 1964

F FA7 F7' B~ Bo F G9 G-7 C7 F FA7

J. I r- I r r· ;1 I J J I J. I J. I J. I J ,a I J. I r-
Dear heart, wish you were 'here 10 warm this nighL_ My· dear heart,
Soon I'll kiss you hel - 10 at our front door.- and dear heart
. F7 B~ Bo ... F A~ G- C7· F F7· ·B~ B~6 F A 7 D-7
I~ ~ r r,,pl J J I J J I JJ.)I ,W JI r JI ~r JI r J.)I j n I
seems like a year since you've been out of my sighL_ A sin-gle room, a la-.ble for one, it's a
I want you 10 know I'll
G9 G-7C7 D.C.alCoda ... F D-7 G-7 C7 F B~ F
I, ~ J J I j J I J. I J .a I I J. I J. I J, I J J J I (J), I -' I -' I
III 10J»some town all rigbL_ But leave your arms nev-er - mol'C._

•
 I
410

G7

old

G7
friend
J)
I
1 J
hap - pened

e
J
to
1 J
see _ __

(me
JIn - troJ - friend - stole-
beau - ti -
E7
my
ful
,
I~ J J J I 1=;
J-_:_ _ CJ II r [ D I IT r r I
sweet - heart from .me _ _ __ I re - mem - ber the night and the

F
Ten - nes - see
e
waltz Fme
G7 D.C: a12nd End (Fine) I
i.-

I~ r FJI J m r J J I J J J I J._ II
I
Ten- nes- see waltz, now I know just how much I have lost___ Yes I

BAUBLES, BANGLES AND BEADS

I
Forest/Wright 1953

B~-7 99 A~~7 F-7 B~7 99 A~~7

I
I~ ~I!I!~ J r IJ r I J t ;b IJ j J J d I J r I J r I J r';b I ~
Ball-bles, ban-gles, hear how they jing, jing- a-ling - a, bau-bles, ban-gles bright shin- y
D-7 G9 e~7 A-7 I D-7 G9
I~ ~I.,,~ r' I \J iF I \J iF I iF IF" ;b I F IE E E ~F I \J If I \J iF I '
beads: Spar-Ides, span- gles, my heart will sing, sing- a-ling - a, wear- ing ball-bles, I
eJ:.7 F~-7 B7 EJ:.7 A7
I~ ~'I!~ iF Ie- )i I IE" I r I E F E I if IJ I r I
ban - gles and beads. I'll glit - ter and gleam so, make
B-7 B~7 .99 A~J:.7 F7 1
I J ~J I J r 1 J r I J r: ) I r r r r r I
some- bo- dy dream so that some- day he may buy me a ring, ring- a-ling- a,
A~J:.7 F7~9 B~7 99 A~J:.7

r: J) 1 r' r r r I I J r 1 J r= j) J J ! ! I 1 II

I'veheard that'swhere it leads, wear-ing bau-bles, ban-gles and beads_-

•
 FALLING IN LOVE WITH LOVE 411
Rodgers/Hart 1938
B~b.7 Bb6 Bbb.7 Bb6 C-7 F7 C-7 F7
I~ ~!, ~f j J J I J J I J J I J J J I d J I 1 I J. IJ ~ ~ I
Fall- ing in love with love is fall - ing for make be - lieve _ _ __
I fell in love with love one night whn the moon was full _ _ __
C-7 F7 C-7 F7 Bbb.7 Bb6 Bbb.7 Bb6
I' ;!, J J J I J J I J J I J J J I
Fall- ing in love with love is play- ing the
r I TIT I ~F ~
fool _ _ _ _ _ __
l I
I was un - wise with eyes un - a - ble to see
Bbb.7

r F FI F FI
Car- ing too
Bb6

much is
Bt F I B~ r r 1'"Ai
such a ju - ve- nile fan
7

-
I~: I ~;: I ~7 ~ ~
cy_ _ _ __
I
I fell in love with love, with love ev - er -
G- G..'(A7) G-7 G-6 C-7 F7

r rrI r rI r rI
Learn- ing to trust is just for
F r J I :Ll:t.JJ2
chil- dren in school _ _ _ __
IJ l * ~
12 . A-7 07 G7sus4 G7 C-7 G7~9 C-7 F7 BbA7

I' ;b J I J< I J * I r I r- I r I r- I r I r7lTSEr7J1 * * I

last - ing _ _ But love fell out with me _ _ _ __

I'LL TAKE ROMANCE

lAI Oakland/Hammersteln 1937
, A F6 0-7 G-7 C7 C/Bb· A-7 Ab7 ObA7 abA7 G-7

I~ ~f J I J J I l I.J J r I r rI r rI F ~F r I r' I r r r I
I'll takero - mance,-- while my heart is young and ea - ger to fly, I'll ~ve my
I'll take ro - mance..-- while my arms are strong and ea - ger for you, I'll ~ve my
fIrst real ro - mance, while my heart is young and ea - ger and gay, I'll give my
III
I~; Dr r I Gj7 I VJ J rJ~ I At I Gt I::
mance _ _
I J.
C-9

So my lov- er when you want me, call me in the hush of the eve -

•
D6 C#-7 F#7 Bb.7 Eb.7 A-7 07 G-7 C7 D.C.BlF"1IHI

I, i r' I ,d. IIF:" I .J. I ,a. I * J J I J rrI J J JIJ rJI

•
Ding, when you call me, in the hush of the eve-Ding, I'll rush to -my
412 MY FAVORITE TIDNGS Richard Rodgers 1959

lAl E-7 F#-7 Ch.7

1,_ • J F FIJJJIJJJIJJ*IJ FFIJ JJ1J JJIJJ~II
Rairrdrops on ros-es and whiskers on kiHens, brightc0l>"per ket- ties and warmwool-en mi~tens,
Cream col- ored ponies and crisp al>"ple strudels, doof-bellsand sleigt:bellsand shnit- zel with noodles,
A-7 07 Gh.7 Ch.7 Gh.7 Ch.7 F#-7~5 B7
1, I J r J1 J J J 1 J J J 1 j. 1 J J J 1 J J J 1 J r J 1 ,J
brown pa - per pack - ag - es tied up with string, these are a few of my fay - or- ite things.
Ii51 wild geese that . fly with the moon on their wings,
&. Eh.7 Eh.7 Ah.7 Ah.7

1,- J F r 1 J J J 1 J J J 1 J J * 1 J r r 1 J J J J J J J J *I
1 1
Girls in white dress- es with blue sa- tin sa-shes, snow- flakes that stay on my nose and eye - las~es,
A-7 07 Gh.7 Ch.7 Gl17 Cl17 FI-7~5 B7~9

1, - J r J 1 J J J 1 J JJ1 j. 1 J J J 1 J J J 1 J IJ r r1 I
lei sil-ver white win-ters that melt in-to Spring, these are a few of my fay - or-ite things.
E-7 F#-7~5 B7~9 E-7 E-7/D CA.7

1, - *F When the
F1 F J
dog bites,
1 * J J J
when the
1
bee
,3 1
stings,
*J J
when I'm
1 J J 1 J.
feel - ing sad,
tw J I
I
Ch.7 A7 Gh.7/D 07sus4 D7
I"~ J J J I J J J " J J J I.J JIF r F I F' I r-
sim-ply re - mem- her my fav- or- ite things and then I don't feel so
G6 Ch.7 G6 Ch.7 Gh.7 Ch.7 (FI-7~5 B7~9)
.. .. .. I··
," J. I J. IJ IJ I II

GREENSLEEVES
0-7 C B~ A7

I have loy - ed you so long, de -.light - ing 'in your com - pa - ny.
F C A- D- A7

Green - sleeves, all my joy, Green - sleeves was my

I'; F

V
Green
r- I r sleeves
M~ I :J
my
C

heart
JIJ
of gold,
A-

~
and
~~
Bb
I .J f j I #J
who nut my la
A7

#J dy
I
D-

J -I J I
Green sleeves.
 LOVER Rodgers/Hart 1933 413
C F#-7 B7 F-7 Bb7 E-7 A7

r * ( I'r r· pI r * r 1 r #J p I &r * rT r J &p I d;, I,J I

Lov - er when I'm near you, and I hear you speak my name,
Lov - er, when we're dane - ing keep on glane - ing in my eyes,

rr IV 1~~71~il
Lov - er, please be ten - der, when you're ten - der, fears de - part,

soft - ly in my ear you breathe a flame. dies.

'till love's own en - trane - ing mus - ic
loy - er I sur - ren - der
E~7 F o7 F#-7 B7 E~7 F o7 F#-7 B7
I~ ,; J ; 1J ,; J 1r * r 1r I .a J a I J ,a J I F' I r· II
All of my fu - ture is in you. Your ev- 'ry plan I de sign -
GI:.7 G#07 A-7 07 G7 Ebo7 0-7 G7~9

I~ r r r
prom- ise you'll
I F
al- ways
r r -I r -* r I r 'r r
con tin ue to be
I W-
mine.
I W- I J. I W- I
-$-G7 C
I~ J F F I r:- 1-V·= II
to my heart.

ALICE IN WONDERLAND Fain/Hillard 1951

0-7 G7 C~7 F~7. B-7~5 E7~9 A-7 E)7

,
1- W- I r F Ir F I J. IFF r Ir r Ir F I J.
A lice in won - der - land, how do you get to won - der- land?
When clouds go roll -
ing by, they roll a - way and leave the sky,
A lice in won - der - land, where is the path to won - der - land,

D-7 G7 E-7 0-7 G7 11. E;1 A2 D-7

G7_
I~ r F r I r r I r - r (f r I
..Ii

IT r I [' r IW I r"
0- ver the hill or un der - land, or just be - hind the tree
where is the land be - yond . the eye that peo - pIe can not -
0- ver the hill or here or there? .. I . won - der

1~:~;~7 A-7 07
~7
E-7
Ir
A-7 0-7 G7
rI
r
see
Fine
~5
r IF II
Where can
r I
it be?
I r-
Where
IFFF I~
do stai"sgo? Where is

D-7 A 7 0-7 A 7 D-7 Ab7D.g~2nd End· FIT

the cres- cent moon? They must be some -

1r
where in
r 1rEI r r 1F"
the sun - ny af - ter -
II
414 BLUESETTE
Jean 1beUemans

,'~I' 2'
IAI
@t.7
B~t.7
JJJ 'r
9-7
A-7~5
r J I IA. I E J I ijJ I r J I J I
Ab7
r r I
nbt.7 b Db-7 Gb7
D7 G-7 C7 F-7 B~7

I, ~b r J I J. JtJ Sir r lEE I kJ r I r ~r I I,J ~r I r ~F I

Bt.7 C-7 F7 -$-D-7 Db7 C-7 F7

Ilk ;:A7 I,J r I kr ~rA-;~5 I E !7 1 r G-~ I J. C~ J. F-~ J I ~~7 ~

I'~k * UUIU I * UUI rr 1* uul rr I *0'0'1 F~j I
I'~k ~A~,J \J I r r r I t\E F I #7r EI ~A7F r I ~FIF EI ~tF'F 11\r~r I

..
Bt.7

D-7
1
C-7 F7

G7~9
1
D-7 Db7

C-7
C-7 F7
I' ~k E ~r I T ~F DI Fl E~ I r * £ll J J J I I,J J ) I J. I 1T
F7 Bbt.7 Abt.7 Bbt.7 Abt.7
r B~7
,'~k tlrTr r I r r I efFIE r I r F' )11: r- I TIT l-r :11 31
UP JUMPED SPRING Freddie Hubbard

IAI Bbt.7 G+7 C-7· F7 G-7 G-IF E-7~5 A7~9

I,,~I' Pf P E!r I ~ rIF I P Ef I prJ I r pO I ~ r r I J. I J JI
D-7 E)t.7 D-7 E)t.71'B-7~5 E7~9 C-7~5 F7~9 ;2'C-7 F7
I' ~I, J I rIJ IF': J. I.J.J I ~J. I j # ~ J * 'i;ill r r J I
Bbt.7 lel G-7 ·C7 Ft.7 D7 Ab7 G7alt C-7 F7
I, ~b r I'r nI F I r UIn ;J pi
•
f' I'F I "j ~tr I bJ d I J I J PII
D.C aJ 2nd End. Rne

SCARBOROUGH FAIR
C D- F D- G A7
J J J J J. :P J J
I I 1 I j riC! r P I J iF J Ij J I
C D- G C D-
J 1 j J J J J1 I i1Jl J I j J J J IJ J J 13. I
I
 __ WHAT'LL I DO?
lIving Berlin 1924
415
fA) ~.6.7 A\'-6 ~/G F-7~5 E,b.6.7 Bb7sus4 Bb7
I
I; ~ q J n
,-3---1

Whar.'ll I
f r- d
do_ when you-- are
~

far-
I 1'( n I r- U I J~R I J_n I J
~

a - way_ and 1_ am blue, whar.'ll I

~ r - 3 --,
JJ J
Whar.'ll I do_ when 1_ am won....:. 'dring who..--who's lov_- ing you, whar.'ll I
When I'm a - lone.- with OIl- - Iy dreaIIlS-- of you- that won't-.come true, whar.'ll I

I; ~bb J:,
FJ.6

do?
rB~7"~3~
§J J J J
Fine WJm.'1l I
,it ED-
J2-:7 3-- -' I§k=~
What'll I
I [:
do_
~L J I IT-ij I
with
F-7
just-- a
A~6
r-e I
phO-..: to-
Db9 @.6.7 Ob7 C7 F7 Bb7sus4 Bb7 D.C. aI Fine

I~ ~I.I! r~u I r 0 I ( ~fJ I t U *J J j I

graph...- to teU- my trOll--- bies to. _ __ When I'm a-

MY BUDDY Kahn/Donaldson 1922

G Ab o7 A-7 D7 G

r r J I j J I
Nights
F
are long
F·
since
F
you
F
went a
F
- way,
r .1 think a -
Miss your voice the touch of your hand, just to

Bb o7 A-7 07 G G7/F E7 A-7

I~I J J I J J J I J J I J j I a ~ J I fa r IF~ FI Fr
bout you all the day, my bud- dy, my bud- dy, no - bo- dy
know that you un- der - stand, my bud- dy, my bud- dy, your bud- dy

I~II J
1'A7

a I J.
A-7 0+7
fA7 07~9 G

I j
quite so true
I F" : F
miss - es
r you
W-
*
I

GRAVY WALTZ Steve Allen 1963

C F6 C E7 A-7 F#-7~5 F-6 E-7~5 A7~9

I~ n1J 1J I J J r I r- p r 'I r I * C:; 0 I frnU1 fJ I

416 HELLO YOUNG LOVERS
/~

lA1 Eb Eb6 EbA7 Eb6 Eb

I'~IH F
Hel
f- r 10 young
F I r" p F I r" p J I J
lov - ers who - ev - er you are,
J
I
I J
hope
Be brave young lov - ers and fol - low your star, be brave
Don't cry young lov - ers what - ev - er you do, don't cry

B~7sus4 B~71; ~6
F-7 L I
~I'~&'I'~IJ~J.~J~)lsJ~J~~~t_~~J§~~~~~~~1I1
I've been in love like you _ _ __
I've been in love like

I
I' 1m
~I!II
know how
J I
it
B~7
j
feels
JJ I F J J I j
have wings on your
to
Ab6

heels,
B~:"7

and to fly down the

J
I
D-7~5 G7~9
I
tr r I hr ( F
street

C-7
in a trance _ _ _ __

F-7
You
C7~9
fly down
F-7
a street
B~7
on a
D.C.aJCoda
I
I r ( FI r ~ J IJ J J I rJ.
- LA F I
chance that you'll meet, and you meet not rea1- Iy by chance Don't

I
I'
~
F-7 B~7 A~6

~I!I! J J J I J J J I J F hF
I
own _ _ _ __
I've had

D~7111
a love of

C+7
my

F-7 Bb7~9
I've had a love my of
I
~I!j, I~F F iF Pr
1,
ir r I ro I r r r own _ _ __
~
*
II I
own like yours, I've had a love of my

I
 BEER BARREL POLKA 431
Brown/Timm 1939

G+7 C J G7 C
ro J r Ip r Ip IFF * J I a,a J Fir
2·

1* F J * fJ I J a * a,a I
lm D-7 G7 0-7 G7 C C/E 90
1_ J *Ia J£J J:lJ I "- L,l JiJ I aJiHla :lJ J I '! I aFE rII
I'D-7 G7 C
I r FFFir' F J IzJ I e

F
I-F IF Fr I ~ r r Ir j I j J IJ J I
F 11. C7

Roll
V'
out
"r I r
the
r
bar-reI,
I e FIT· F
we'll have a
F
bar-reI
r §r
of
I e
fun _ _
I e II
Zing! Boom! Ta - ra- reI, ring out a
C7 F
, I* ~"
Roll
I r IF I F
out the
r
bar-rel,
1-" F
we've got
F: Fir F SF 1'('" I~"
the blues on the run _ _
I

• I* ~
1 2·F7

F r JI
B~
e I" I
B~6
j J F r I F'
B o7
ElF (
F/C 07
I<r IF r I "
G7

• good song of
C7

all
F

here
Fine
cheer,...---_
0-
now's the time to

I*~ .. I "iF Jj I J, lJ, II jjJQJ I J, pJ II Jj tJ I J ;d· )JI

roll

.
A7
the barreI,--
0-

.
for the
C
gang's

.
G7 CGC C7 C7/E F C7/G F/A CIB~ Bo C7
I* ~ nnJ I J JlJ $1 JJ J IT I r' IF I r' JI a J a JI J i - _
Back to C Chorus
 I
432 THE HAPPY WANDERER
B~ F7 B~ F7
I
J I j ,J 1 J JI a j I ill. JI j j 1j j I ~ I_a j I ,
Bb Eb Bb F7 Bb
I~ ~I, J J I J. J I r J I J. J I J J I J J 1"0"_ I) *J. 111 •
F7 Bb F7 ___ Bb I
I r J.;Ii E JI r J JJ I - rr
L

I~ ~b ,,_ IJ J. ;/1 e I r J. Jl ,f
F7 Bb Eb Bb F7 Bb I
I~ ii, "_ LA J. ,pI e I r J I J J I J J 1"0"_ _u
I
I
HELENA POLKA·
F C7
---
11.

I~j ;t FFrrl FErri rJJJI J. ;1 JJJJi J

F7
1 ~J JJJ 1 9 1 *rJJ I ..
Bb F7 Bb
I~il' J J I JJ~JII .. I IJJJJ I e I *r JJ 1 ,J J 1 F r 1 9

CLARINET POLKA

i].
I~ • * j ] n EHi IFF F Ei I F E1 E bil u J J I r[
1* £J JJ cF aI r r t tr I r t; rr E:il'~ ; ~ I ~7 FA JJ jJ I _
G D7 G D7 G
I~ HjJ r I Frr rr rr r I J @ liJJ JI Jp1 JJ j3 I HjJ r 1_
~2. F ~
I~ rr Er r rr r I J
D7 G
j J iF F F F f I f
C7
IT Erl I r· @ I-
C7 b b- F
I~ r:r [j cF [J I ie EffF r I r £Hll F r I F[pair] I rr r *11-
 LIECHTENSTEINER POLKA 433
/ F C7 11 . F
.
"
., F7 1m B~
I
F
I
O-A+ 0- G7
, 12- F

., I
C7 C+7 F
I I I

C7 F

C G7 C

G 07 G 07 G G7 C7
I~ ~ J FI iF' r I [pr r I ore I rFir JI Jn JI JJJ JI J. JI J,JJir I " I
, PENNSYVANIA POLKA
F ~ C7

I~~ Fr * r I J J * J IJ J J J I.. 1* J J J IF r I r J. I I e
C7 , C+ F C7

I~ ~ r r * r Ir r * r I J r J J I 1* J J ztpr I r J. I J. J I e

I~~ ; F * r I J j * J I J J J J I.. 1* J J J 1FT I ~ F" I I

B~ C7 F Fo C7 F
e

I~ ! FIf F" I W r I r F' I r J J J I J J * J I r J I J~. I" I

TOO FAT POLKA
G7 C ct 0-7 G7 C G7
I~ F f rrrr IrrFJI JJJJI I JJJJ I I JJJJ I I rrrrIrr r J Ie II e
C F 07 . C 07 11.C F C 0-7
I~ JJJJI e I JJh I rr r *1 rr rrTf r I j JJ J FJI J tiJ JJI J JJ
I~J7JJIJ J IJ~j~
G-
w; JJljYr I~ I~r -IF
C7 F F.
j IJ7Ia. *11
C+ F
1~5 j lllJrE I" IB - I r F IJ J I" IF -Ill uJIJJ F 1"- r
"(!.7 0- 0- Yo F 07 07 C7 F Yo
I~ 5Xc - IT fFfj' r JI ..- IT - I J Jrtr r c I J t r FJ I e I e I" ] rr II I
434
J
HOOP-DEE-DOO De1ugg/Loesser 1950
Eb I Bb7
If ~bb i r \J I I ~ J ,3 I I* FqJ Fir F J J I J J ~J J I I
a a n
Hoop- dee - doo, I
Hoop- dee- doo, I bear a pol-lea and my trou-bles are through_
E~

If ~~" i J cl I" I ~ J ~J I" I ~ J J J IFF r IJ I r ~ ~J fia I I

Hoo~dee- doo, Hoop- dee- doo, this kind of mus-ic is like bea- yen to me _ _

If ~"1. ~ F \J I a I* J #3 I a I* F \J F I ~7 F\J F I~: I" I II

Hoop - dee - doo, Hoop - dee- doo, it's got me bigh- er than a kite.
E~ C7 F-7 .. Bb7
If ~bb J J J J IFF r I cl J J J IFF r I * r iF I F IF FFI
Hand me down my soup and fish, J I am gon- na get my wish Hoop - dee - doo - in' it to -
E~ . A~ A~

If ~I!I, " I FJ J J II ~I'I,~ J J I J J IF! lid J I J J J ijJ I .. 1I

night. When Jere's a tronrbone play- in' rah - ta dah-dab - dab. I get a thrill,_ J
Bo E~71B~ E~7 B~7 E~7 B~7 ~7

If ~I,,,~ J J J 3 I ~ I j - - J I J J I J J IF! /) J J I
I al- ways will_ wien thi,s a con - cer - ti - na stretch - in' out a J
Bk E~ ~ ~
f Y~-
I ~bl,~ J - a J I .. I J J J J I
mile, ways
I J J J ijJ I J J J J I I
smile, 'cause that's my
II

style. When there's a fid- dIe in the

. A~7 . D~ D~/C 1
'I f ~\~ J J J J IF! /) J J I a I F Jl J J I J J F F I.. t y
mid-dIe and he oplays the tune so sweet, play the tune so sweet that I could die.
D~lBb~1A~ D~ A~ F7 B~7
If ~bl,~ Ka I F 0bJ J I J J IF' /) J J I J ijJ J ~J I i J ~J I
Y
Lead me to the floor and bear me yell for more 'cause I'm a hoop - dee-
Eb7 Ab . B~7 E~ D.C. aJ Coda

If ~I'I,~ J ,J J J I.. I j F' Ej!11 r r Ir J I J J I iJ ~ J q JI

doo - in' kind of guy. • . . I:t*
.. I Bb7 E~ D D~ C7 . F-7 . A~
I, ~ 'I, F IF F IF I F \J I,J l I_a I J J J J IFF IT
do - in' it with all of my might, rain may fall and snow may come.
~ C7 F-7 B~7 E~

I, ~bl, J J J J IFF r I ~ r- IF I r IF r F I" I"

noth - ings gon - na stop me from hoop - dee - doo - in' it to - night.
- 2·
 --~- -

441

COME BACK TO SORRENTO Emesto De Curtis 1935

C- F- C- A~ C-
1~;bH n jJ JJI JJ. It iJ iJ J) Ir r- IF" HEC;; I; J.
G7 C C F G7 C
I~ ;I'b 'J Ii JJ JJ I. I i~\ , Ei j JJ JI J J. I t iJ jJ JJI J A-
·- D-
I~ J. ;dJ jJ I J J.
G7 • C C
ltD JJ jJ I e · I r ~ JJ JJI J ~.
A~
F

•
E7 A- C- G7 C

I~r prrFrlr F IU T rEErl; J. I' iHd HI .. II

C D- 7G C F- C- G
7 C-
I~ aF J Irr- I'tG r· .pI JJ. IJI,J r liT' Pr IIF r ~ I II II
 I
442 ARRIVEDERCA ROMA Rascal/Sigman 1954 I
I,I Il J
AI - ri -
AI - ri -
G
f r' Fir
C-

ve - der - ci
ve - der - ci
G

Ro-rna,
Ro-rna.-.--
G B7
FI J We IJ. J I r J I ;J. J lOki J J ~ ~ ~ I I
good - bye, good - bye to
it's time for us to
C

Rome_
part,
E7/B A-

Ci- ty of a
savethewedling
!. D7 A7 D7 ·1
J JI J J J J J JI
l l _

I@ J. II' J J I J J J J J J I J. J)
mil-lion mootrlit pla- ces, ci - ty of a mil-lion warm em - bra - ces, where I found the I
bells for my re - tum-ing, keep my lov-er's
1"0 7 C- 07 G B~7 A-7 07 )2.
arms out- stretched and yearn- ing, please be sure t h e -
07 G
I~ I J. ;J1 J J I J J r FIe' FE ~ J J J J r J I.. I - I •
one of all the fa- ces far from home. AI - bum- ing in her heart.
flame of love keeps
VOLARE 1958
II
G7~9 C-7 G7~9 C-7 F7~9 B~ II
I' ~k r _ r J, U E I I r r I F J I J
C-7 F7 3 B~ G- C-7 F7"
3-,
II

1B~ G- G-(A7)
3
m1"- Ir *
F7

G-7 G-63
G-

n- A+7
~3-, r;-3--,
Fl.

I
D-7 A-7~5 Q1 A-7~5 Q1 G- @- B~7 ~ A~7 D~

1'~1r J nlraFrJ~lrYrr;Jlw IT n11~lJml~lJpnlli I •

IF7 G7~9 , 2.B~ G7~9 .. B~ G-' C-7 F7 B~ G- C-7 F7 B~ I
O.C. 1.2. aJ Coda
IF * * FIJ. plfrlr H r I;' p¥rl" I I
TARANTELLA
IA1 A - ~
f
D- A- E7 A-

I~~ f P r ~f PIE !IE DIF HEFIE IF ~IE PC ~Ir H pi •

E7 1A- ~ A- . D- A-. D- A- E7 A- -~
, I
A- D- A- D- A-

--
l,rvEfFlf ~wlELfFlrrlr H'Fr lfuCJ:;l'r c
,mft:- A
II :
 AHMARIE 443
f;,- D7 07 C- F- C- F-6
go
1~ ~1'Id~1' lEU I rJ r 1r ~ 1r- 1F rJ [j I Q 1 U ~ I J. I
. 07 C- Ab7 F- 07 I1. C- ~ 2. C
I~~'" J I;J n 1fJ LIJ ~ ILJ.J !p n :j~ * j). 1* r F I
C 07
.1~ 1\1 F' Ir J F I J. U a J I J J F 1F F a I d. I~· I r I r r 1
C 0-
1~ Fj 1J J J IFF Fir Fr I J l U r FI r- Ir J r Ii 13 Fr 1
A7 D- F-6 C D7 C 07
I~ En I EFE I Fe- IT nr Ir FIr- IF J r Il U FE I t;r Jr ~ I
MARIA ELENA Barce1ata/Russell 1933

C D-7 G7 11. G7 G+ C

I~ 'P Et li h all PErri J. I tF'H ElF I r J I J. p10 IJ. 1

G+ C &07 D-7 G7 C

I~~P ailE" pijlF" $inlr J IJ a IF' p[jlr pElr JI

~ 2.E7 . A- F F- C
.1 ~ bp rr FJ , r a I.J a IF:" IP Fir pu I r DE 'F IF' r
C6 D7 G7 C F- C
1~ C- b n 1J. .,p 6 1r' '- tJ I r- I r' Ir I r- I
. OSOLEMIO

1~ ~~. Btr ~ fj uJ.,pa aIB;7 j ii J aJ'1 J, 10 1J J aJI: J itr Ja~

I!

" I~ B~7 EI>. B~7 EI> F- B~7!§1E1> B~7

I~VI' d Jj I r' '-J J I J. J I JJ, IH FE I r r I-r nr 4.. Iq rr I
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•
444
,
ANEMA E CORE Salve D'Esposlto 1950 •

GI:J.7 B-7 B~07 A-7 09 A-7 11'0 7

I~ l!l F, F' J1JJ I J J'B I J (1) r I r' ]i);: J ~T.J 1•

G6 B~07 A-7 07 GI:J.7 A7~9 01:J.7 0#07 ..-3-, E-7 ,-3-, •

1* I e_ 1J. FI F' )JJ3 1J iE 1 ~ J~ I) JJJ I ,j JH 1

A7 A-7 07 JA -7 07 B-7~5 E7 B-7~5 II
Tn I I r I r n p1
2

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I~' Et rTf I At ( I ~r,7 F7r I GF~7 Ji~7J I ~71jJ 110;. 1 II :

9
e

Mescol1/Lee 1960 •
MY LOVE FORGIVE ME ',-,

I~~" qEFf~~ H IC;;crEfI1IF~ Dr- 1;7hfia(;~ AJ I~~;r pi II

I G-7 (M F-7 B~7 ¥2.B~7SU$4.Ei>_ q-71S C719
F-7 B~7 II
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D.C.sJCoda
Modlugno/Parish 195911

CIAO CIAO BAMBINA

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 DANNY BOY 451
Fred Weatherly 1913

C C7 F F- CIE A -7 07

I~ I! :f- J 0I J. J3 J J J JI J ) J {-J J J I J. JJ J J J JI
Oh Dan- ny boy, the pipes the pipes are call - ing~ from glen to glen, and down the moun- lain-
But when ye come, and all the flow'rs are dy - ing, if I am dead, as dead I well may

0-7 G7 C . C7 F F- C 0-7 G7

I~ LJj J J I J. J3 J J J J I J )Lt.l J .~ I J. J1 J ~ j J I
side, the sum-mer's gone and all the ros-es fall- mg, It'syou, It s you must go and I must
be, ye'll come and find the place where I am ly - ing, and kneel and say an Av - e there for

•
C G7 C F CIE C

I~ J !J' J J J II r' p J J J JI f J J_J J J JI

-

•
bide. But come ye back when sum - mer's in the mea dow, or when the
me. And I shall hear, though soft you tread a - bove me, and all my
A- A-/G 07
F CIE
,.G7 C7 F F#o7

• I~ r'
val - ley's
p J J 3 j I J_J J J
hushed and white with snow, it's here I'll
3I F" p
be in
r r
sun - shine
r
or in
FI

•
grave will warm - er, sweet - er be, for you will bend and tell me that you
C/G . A- F-IAb C/G A-7 0-7 G7 C
I~ f J J_J J 3 J I J J J J J J J J
• -sha dow, oh Dan - ny boy, oh, Dan - ny boy, I love you
e-
so.
I

•
love me, and I shall sleep in peace un - til you come to me.

•• C
WHEN IRISH EYES ARE SHINING

f J J I J J I J L I] J J I J
C7 F
r
BaD/Oleot 1912

"• When
When
J
I - rish
I - rish
eyes are
hearts are
smil- ing
hap - py,__
C ;,.
sure it's
all the
like a
world seems
J
mom in
bright and
J I Jr 1
Spring.
gay,

--
F A+ 07 G7
I~J F9 r F I J J I ,J J I j
J I J J I J~

•
In the lilt of I - rish laugh - ter you can bear the an - gels sing_
and when "I - rish

fA' r I r- C A7 07 G7 C

•• I~j
*
When
J . F
eyes are smil
I
-
j
ing,
iU
sure they
j I J
steal
r I heartr
F your r -I F' I r * II
a way

I. . . . . . . . . . . . . .----------~------~-------------~
 ,I
452 MY WILD BUSH ROSE 1890",

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IRISH WASHERWOMAN I
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McNAMARA's BAND
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 SUNRISE SUNSET 455
m ~~~~~

1.& G- D7~9 G- G- D7~9 G- G7

1; I ,
I,!W 2~ J J r I oLJ IJ ; I J. I J. I J J rI f
-1 --1
J IS ~ I l I j. I
ns

Is this the lit- tle girl I car - ried? Is this the lit - tle boy at play?_ _
When did she get to be a beau - ty? When did he grow to be so tall?_ _
Now is the lit- tle boy a bride - groom? Now is the lit - tle girl a bride?_ _
Place the gold ring a- round her fin - ger, share the sweet wine and break the glass,_

i
G7 11. c- A E~7 D+7

FI FJ Mr r I F' I J. I J I J I r- I'r'
I don't re - mem - ber grow - ing old - er, when did they?
Was - n't it yes - ter - day when
Un - der the ca - no - py I see them, side by side
soon the full cir - cle will have

12. C- A7 D+ [§] G- D7 G-
I~ ~II r- I IF" I
they were
r IT IT I'E
small. _ _ _ __ * *r r rr
@ I
Sun - rise,_ sun - set.
j I
*
r1 F
sun- rise.-
come to pass._ _ _ __ Sun - rise.- sun - set. sun- rise.-
A-7~5 G- A-7~5 G- G7 c- F7

r F ~
sun- set.
I * r r 1 FF rl F I r'
swift -' ly_ flow the days,-,_
I r r r I ElF
seed-lings tum 0 - vcr night to
FI
sun- set. swift - Iy_ fly the years._ _ One sea - son fol-Iow - ing an-
B~d7 A-7~5 11. D7 G- ~2. D7~9 G-

I~ ~I, r I r' I r r r 0 J r I r- IT" JOJrllU II

sun - flowers, blos- som- ing ev - en' as we gaze,- hap - pi- ness and tears_
oth - er la - den with

HAVA NAGILAH

D7
D7
I~~II I!~ J LH,JJ J I,J J I ~ J JJ I J J. U r JJ I.A
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• D7 G-

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 J
456 __ MAYIM MAYIM •
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ARTSAALINU
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MISIRLOU
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 HAWAII.AN WEDDING SONG 461
1926

C G7 C C7 F G7 C G7 C E7 A-7 D7
I~ n j j J IJ J I J J J Ij j JIJ j J I J J I J J f]3 I
This is the mo-ment I've wait- ed for, I can hear my heart sing-ing, soon bells will be
G7 C Co D7 G7 C Co
I~ rr I f' j JIr IT I IT j r I IT r I J J J J J J J JI
ring- ing. This is the mo- ment, of sweet A - 10 - ha. I will love you long- er than for-
G9 C G+ C A7 D7 G7
I~ J J I J J J J j J J i J I pl J ~ I F: FIF IT I j J r~ I
ev-er, pronrise me that you will leave me nev-er. Here and now dear, all my love I
C Co G9 C
I~ IT r
vow dear,
IJ J JJ J J
pro- mise me that you will leave me
J JI J J nev-er,
IJ J J J j J J ,J I ]1 J I
I will love you long- er than for - ev- er.
C7 F D7 G7 C A7 D7
I~ J j j ~r I II I J IJ J Fir' J. I F 'F J I F r F J I
Now that we are one, clouds won't hide the SUD. Blue skies of Ha - wai - i smile on
G7 C D9 A7 D7 G7 C
I~ r r r r I r- I J. J I J. J I r r I'
II
this our ¥ wed - ding day. do love you with all my heart

GODFATHER (SPEAK SOFTLY LOVE)

IAI
ttf t E rE; or G I J
C- F- C- }3b6 F-
I~ ~I!I' !! Cg I Er[ r [F rj I ~ ,p QI

D~
J J J IA J r p IJ
G7
, D.C. aiFine

C E~
i II'
462 •
F#-7 B7
ANNIVERSARY SONG

F#-7 B7 E-7 C9
Chaplin/Jolson 1946

E-/B E7~9
•
•

- J. J. 1 J IE
Oh-:-:-- how we danced
j 1 tLJ IE J 1 J. on the
1 j
nighL...-..- we were
J j 1 r
wed,
1 F
we.
F1
The world was in bloom,- there were stars- in the skies.- ex -
The night- seemed to fade in - to bos- - som- ing dawn.- the

•
Could we- but re - live- that sweet mo- - ment sub - lime,- we'd

1,- A-7

r-
;;:z

vowed
I
F#-7~5

1 F
F7

our true love

E-7

though a word-
C#-7~5

J I r' I F J J I J I J J J I J~J J
was - n't said-
F'-7~5 B7 E-

~
cept for the few that were thel'C- in your eyes_
sun
find
she a
that our
- new
Jove
but
is
the
un-
dance- lin - gered
tercd by
on_
time_
Could
al- -
A-7 D7 G Glo A-7 D7 G
r r r I r r r I r F' Ip I F' IFF r I F r r I r rIII I r FI
Dear as I held you so close in my arms, an- gels were sing-ing a hymn to your charms, two
FI-7~5 B7 E- FI-7~5 B7 E- •
J JJI J j J I J J. J' I J Fir J J I J J I J. I J t I
. - D.C•• Fine •
hearts gcnt-ly beat-ing were mur-mur-ing low "my darl- ing I love you so."

THE ANNIVERSARY WALTZ •

, C Cb.7 C6 G+ C6 D-7
Ruben 1941

G7
•
I~ J J1J J I J F J J 1 D fJ J 1 J I J. I J.
•
•I
Tell me I may al - ways dance the An - ni - ver- sa- ry Waltz with you _ _
D-7 G7 D-7 G7 C6 D-7 G7
I~ J j 1 ~ J1r r1 r J1 D FJ J 1 J F I J;, I ..) WI
Tell me this is real ro - mance, an an - ni- ver- sa- ry dream come true _ _ Let
G-7 C7 F6 • E-7 . A+7 D7 G+7
~ F f"
1 P1 F f" P1 ~r J. Ji 1 J J 1 J J. Ji 1 J J. Ji 1 J r· )11 ,J. I I

•I
this be the an-them to our fu - ture years, to mil-lions of smiles and a few lit - tie tears.

I'
c A-7 E-7 A+7 D7 G7 C
(J fJ F I
j J J JI
;::

I<r t I
J JI J JI FI I r f"
May al- ways lis - ten to the An - ni - ver- sa- ry Waltz with you _ _

I
 Mendelssohn
WEDDING MARCH (Recessional)

I~ ~ I!
A-
0-6 E7
r r-
G-
A-
Ip IFF F J I J
F
G-

C7
F
rn JF
C7 F
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F
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C7
E7

~ ~3~
Iii ~ F F F J I J Jj J J J. j I J JF.} I J J. j) IJ J J J I
F C7 F B~ G7 C7 D.C. alF",.

·1 ~ ~ J. J1 J. ;lj J J J J IJ. Jl J. ~ I r- F J I J In J ;::" I J F F r I

BAIL TO THE CIDEF
C . G7 C 11• C 07
1_ J J. pIr F" JlI J. r' ~ I r r' ~ Ir ~ r' SI
I~e
G7 t,J C
r plJrJJIJ r· pi
C
F
)J J J I J
C C G7' C
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G7 C G7C G7 C
I~ r n I r J I r r- ~ Ir r r I r J. )1 I r r· pI e

F C F C C G7 C F
I~ J r J I J r Fr I r- r I J r· J J I J r' pI
I..

jll W II
464 THE MEXICAN HAT DANCE

~ -
.~ G7 11 It.. "C~ -............. G7 .......C •

I~ ~ r j J J J J I Ji J~f J J I r J J J J g I Ji J~i J J I ..
G7 C G7 C
I~ ~ r J J 3 J g I Jl J~i J J I j J J J J -0 I J ! ~ U I •
.. [QJ F
I~ ~ Jl ' , ¥ , JI I J J J J I ) , If If If J I J J J l!j J'l 1•
C7 F
1~~)lnn)IJ )J JlI )I' ~ n JlI JJ JJlI )II Jl 1 I , 'i J ••

•
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•
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•
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THE BUNNY HOP
•
•
F Bb7 F F7
•
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I Ir r Fr J IJ J J ~

•
Bb7 F
I~i r F r FIz} J. I F F r Flu1 I FF r J r IJ J J
G-7 C7 F *
I~i r r r rIziP J.
\

I r r r rlj Ir r Fr J IJ J J ~
 AULD LANG SYNE 465
F C7 F F7 Bb F
I~ ~ Il J I 3. J1 J J I J "J J I 3. ;}l J r If r I r jJ J J I
C7 A7 D-7 G-7 C7 F Bb F C7 F F7
~ ~ J ;J'1 J '
I.- j I J J1· J J I 1
d. r I r-
-' - )1 J J_.I J ;)l J r I r ;. J ~ I
- -' - - .
Bb F C7 D- G-7 C7 F
I~ ~ r Flr)l J J I J ;)l J a I 3. ;)l JJ IJ *
STAR SPANGLED BANNER
Bb F7/A G- D71F# G-7 C7 F F7 Bb F7
I~ ~I, ! - £J _ J J J I r cr I F J~J I J . B I r PF I J- ~ J i
I~ ~I, 7F J I'J J FJ J'B; J Er lilt Ffir E5 I~7 F E I
Bb F7 G- C7 F F7 Bb D- EJ, G7
I~ ~I, rEI r PF I rJ D I F J \J l.l J IFF n I J J J I"
c- G7 C- BblF F7 Bb BblD G- BblF F7 Bb
I~~' rU0 IFJ n Ir p EJI r U Ir ~ r I r- II
 J
466 CmCKEN DANCE •
~ C G7

I~'d n;D D~ J JJ J I J DB U I r I' r r I r n n fJ I JJ J J I •

1 1• C 12. C 'I
G7
-I
J I r- r I r r I* J ~J J I J. J I r Fie 1* J hJ I •
G7 C
I~ 3. J I r- r I r r 1* r r r I r r 1* J J r I" I ~ J J n J J II •
I
DADDY'S LITTLE GIRL
Gerlach/Burke 1949 I
B~ D7 G- D7
I~~!. I \J J I
You're the
r (lp I r
end of the rain-bow, my
r JlI r pot
JIr J I
0' gold, you're
r'
dad-dy's
jl fJ I r J I J ,J I •
Ii~tle girl to have and I
@ B~ C9 F7
I~ ~~ J J II J J I r J I j J I J r I r r Ir JI J rIr \J JII I
hold. A prc-cious gem is what you are, you're mom-my's bright and shin-ing star. You're the
, B~ D7 G- D 7 G- D7
I~~!. r rIp I r F' JlI r r J I,A #J JI r J I r r J I J J ,J I J JI •
spi-rit of Chris~mas, my star on the tree, you're the Bas- ter bun-ny to mom-my and me, you're

a Bbo B~ D7 G- C7' F7 B~
I
I~ ~II J J J I r J IJJ J I r ( r Ir J Ir r I r~ hr" II I
sug- ar, you're spice, you're ev- 'ry- thing nice, and you're dad-dy's Ii t - tie girl.
~ .

I
I
I
• j
 THOSE WERE THE DAYS 467
Gene Raskin

IAJ A- A-6 A-7 A-6 A 0- 0-6

1'" ( r F J E Er J I P J. *';til J J J
Once up- on a time there was a tav - em,
SJ J J JI
where we used to raise a glass or two,
j *' ;)1re-
Then the bu - sy years went rush- ing by us, we lost our star - ry no- tions on the way,
Just to-night I stood be- fore the ta- vern, noth- ing seemed the way it used to be,
Through the door there came fam - i-liar laugh- ter, I saw your face and heard you call my name,

D- A-7 A-6 B

Er howF Jwe laughed

I' mem-ber Err J I P J.,!f)1 J
a - way the hOQrs, and dreamed of the great things that we would do.
if by chance I'd see you in the ta - vern, we'd smile at one- an - oth - er and we'd say
in the glass I saw a strange re - flcc- tion, was that lone - Iy fel- low real- ly me?
oh my friends we're old- er but no wis - er, for in our hearts the dreams are til] the same,

[§] A- 0- G
rr Ij F FJ> I<J U J I J J J-LJ J 3 J I J. '-I
Those were the days, my friend, we thought they'd nev-er end, we'd sing and dance for-
G7 C o- A-
It J J J J I J I' J J J I J J J I j J J
eve- er and a day,
E7
we'd live the life we -
chose,
A-
we'd fight
U
and
IF [5(T
neV - er lose,

r r J I"J 3 J .3
>
,J "E r; IF fJJ
for we were young and sure to have our way. La la la la la lao
F7 E7· A-
3 J I J- ,ll
J J J .3 Ie J - -
la la la la la lao those were the days, oh yes, those were the days.

RUSSIAN DANCE

tJ
I iN 0 I bE Cj J
07 G
.m C 07
t I G r hr r r
07
C

C
I UU I r hr F~
d r~

d
 I
468 LA VIE EN ROSE Louiguy!DaVid1950 I
C CA7 C6 0-7 G7
I~ Il ro ~ i J J JI ro ;}l J J J J I J. ;;t; J JJJ I ;J ~ I•
Hold me close and hold me
Quand il me prend dans ses
fast, the mag - ic spell you
bras, il me par - Ie tout
is La Vie En
cast. this
bas. Je vois La Vie en
Rose.
Rose.
I
0-7 G7 0-7 G7 C G7
I~ r pJJj JI r
When you kiss me hea- ven sighs, and tho' I close my
J! J J J JI J. ;;t; J @J J I
eyes I see Vie en
;J
Rose.
~ I •
ca m'fait quel-que cho - se.
D me dit des mots d'a - mour, des mots de tous les jours. D
C C7 F
I
j
When you press me to your
3J
heart, I'm in a
J ] IJ l J
world a - part, a world where 105- es
J j JI II

bloom,
I
D
F6
est en - tIe dans mon
F-6

I~ ~ F P ~ F piP FpJ IPEp P Fpl PEp F F

coeur u - ne part
CIE A7~9
de bon - heur dont je
A-7 D9
con - nais la
D-7 G7~9
cause.

•
and when you speak, an - gels sing from a- bove, ev- 'ry day words seem to tum in - to love songs.
•
•
C' est lue pour moe, moe pour lui, dans Ia vie. D me l'a dit, I's ju - re pour Ia vie - e.
C CA7 C6 0-7 G7 C6
,.
I~ r- JJI ]
p I..

;J 3 r· Jl J J J J l J
r
•
~ II
Give your heart and soul to me and life will al - ways be La Vie En Rose.
Et des que je l'a - coisa - lors je sens en moi mon coeur qui bat

F
LIMBO ROCK
C7 F
•
J J II r E1 EJ r 1- J JI J flu J ,- J
Ev - 'ry Lim - bo boy and girl, all a- round the lim - bo world, gon - na
First you spread your lim - bo feet, then you move to lim - bo beat, lim - bo
Get your - self a lim - bo girl, give that chick a lim - bo whirl, there's a
C7 F B~

I~~ r Ef EJ r 1- J JI J Pu J I - F F IFF F?5tr F I

do the lim - bo rock, all a - round the lim - bo clock. Jackbe fun.bo, Jack be quick,
an- kle, lim - bo knee, bend back like the lim - bo tree.
lim- bo moon a - bove you will fall in lim - bo love
F C7 F B~ F
I~~ - r r IF U Er
Jack go ~derlim
J 1- J J I J
- bo stick,
nU
all a - round the lim - boclock,
J 1- J J I J .ttn J I
hey,let's do the lim - bo rock.
 CIELITO LINDO 469
I'~~ I J
I'll
, Bb
F F J
nev - er for
Eo
1
F7
J J Jil
- get her the
F F
J
night that I
Bb Eo
1
F7
J J ;
met her a
1
Bb
F F J
thou - sand gui-
I heard my
I
I thought to re - sist her but fin - a1 - ly kissed her when
Bo F7 F7
,J J WI J J IJ.II J J J 1 J J IJ J J J JI
tars were play - ing:----- and stars a - bove were say - ing. love·s in the
heart say sur - ren - der. then with a sigh so ten - der. we said good-

F7 Bb

air and my head was sway - ing. _ __

Ii
I night of splen - der_ _
1 r * II
bye to a
Bb B'* Eb c- P7 Bb

I'~b~ r
Ay.
I r
Ay.
F I
Ay. Ay.
J. J. I
That
r- r
night was
F I F r
hea - yen,
J
When
II
Ay. Ay. Ay. Ay. That night was hea - yen, is
Bb Bo C-7 F7 C-7
J J J I J J J r rr I ;j J I J J J I
one brought such hea - yen - Iy bliss and my life was
still

IloP7
I'~'! J
tho'

,1....... I -J
we've
F7
fr drift-ed

F7
a

F I F j•
- part.
Bb
but

r
some - day

I r·
I

so com - plete a - gain _ __ know we· II meet a - gain

GUANTANAMARA
[8] E-7 A7 D G A7 D G

I'" I! F U U* 1- aU I J J)B~I - 1 J J1 r
Guan- ta-na-me- ra 0 gua- ji-ra Guan- ta-na- me- fa. Guan- ta-na- me -
A7 ~ D G A7 ~ G A7
1"1 J
ra
1 fj JI J
gua-ji-ra
nJ
Guan-ta-na-me
I
-
J !!J J JI J
ra Yo soy un
nn~
hom-bre sin-ce-ro
I - q JJ I
De don-de
D G A7 G A7 G
I' I, J fJ
cre- ce la pal-rna
aJ ~ I - 1 J J JI J
Yo soy un
nn~I-
hom-bre sin-ce-ro
'I J J J It} a)11
de don- de ere - ce la
A7 P.-3 G A7 D G A7
I' " J J ~ 'j J J3 I J E r 1 j ! £) JI J J J J I J - I
pal- rna Yan- tes de mo- rir- me quie - ro E- char- mis ver- 50S del al - rna
 THAT'S AMORE 470·
Wanen/Brooks 1953 I
F- ~ B~ F- C7
I~~ I! rI [;t + tr li 1~Cr1 Cod 1 v-a I,n I! (" I)'" I J
In Na-po - li, where love is king, when boy meets girl, here's what they sing..._

F
I
r II: F r r I F F F I
When the moon hits your eye like a big piz- za pie, that's a-
When the stars make you drool just like pas- ta fa - zool, that's a-
C7 0-7 C7 C7 O- C7 o- I
I~~ rJ I J. I J. I~ r F I F r F F r F
mo - re,
mo- reo
wben
When
the
you
world
dance
seems
down
to
the
shine
street
like
with
you've
a
I
C7
F r
0-
F
I" F
C7
F F I F j ..., IJ>
F
S""
It j r I
I
bad
cloud
too
at
mu~h
your
wine, that's a - mo - re Bells will
I
F Bo C7 Fl o7
F I
e:::t• e:::t• I
. Fe:::t· D • .I F j rf I. F r PI. F p? 17P? T
- r- .-f- -
ring, ting - a- ling - a - ling, ting - a- ling - a - ling, and you'll sing vee - ta bel-IA,-a,_ __

0-7 C7 C7 0- C7 I
I~~l I t J r I F OOlrOOu Jrlrrri l
hearts will play, tip - py tip - py tay, tip - py tip - py tay, like a gay ta- ran -
.:....----
............
~7
I~~
F
r j 1*- r
I I -' I* r r ij:I F F I Js
A7
J
tel - 1a
E~7'1l D7 0- I When you feet, you're in love_

I~~ J I.). I * r r I F r r
>w< 5 F F F I F F F I I
walk in a dream but you lcnow you're not
.
B~-6 Bo C7 Bo
r r F I r~ 17,.. r F IF r F I
dream - ing sig - no
re,, _ __ scuz - za me, but you

Bo C7 O- I
r F IF r F IF r YI f r ( 1=' II
I
see, back in - re: _ _ _ __
old Na - po - Ii, that's a - mo

I
 CHRISTMAS SONG 485
Mel Torme 1946

B~-7 A~A7 D-7~507~9"

I': A~A7
e,A7 F-7 G-7 9 A7 97

I'~I!II J r rEF 1 I J J J,pl :l r J J 3 J I J.

Chest- nuts roast- ing on an op- en fIre, Jack Frost nip- ping at your nose.
knows a tur- key and some mis- tie toe help to make the sea- son bright,
so, I'm of - fer- ing this sim-ple phrase to kids from one to nine- ty two. Al-

A~6 @A7 A-7~5D7~91·GA7 A~-7 0~7 G~A7 B~7

I
C-7 ..-3-, - \..

41 I I I ._ I ,
Yule- tide car- oIs be- ing _sung by a choir and folks dressed up as es- ki - mos. Ey.'ry- bo-dy
ti - ny tots, - with their - 'eyes all a- -glow, will

1'~lltt7J fJ Ft B;I
fmd it hard to sleep
t,
to - night.
J J JI
They know that
~~7 ;; F3' I A;~7
San - ta's on his way,
Jl J JI
he's load-ed
B~7 @7 A~A7 A~7 D~7 @A7

I, ~IIII ~F r r r E FE J I r"',J j JJ I i() IF .£1 J ~J I j hH JI

lots of toys and good-ies on his sleigh, and ey.'ry moth- er's child is gon - na spy, to see if
F 7sus4 F7 F-7 B~7 C-7 A~-6
I,
I
PI. J J JJ J
,-3---, s::ra
~~ I J '1
D.C.B1CodB

l I
..

- g J J JI
I J r.
rein - deer real-Iy know how to fly. And though it's been siad ma- ny
@A7 D7 96 B~75US4 @6 B~7sus4 96 B~7sus4 @6

J C1 r
times. ma-ny ways. "Mefory
EJ I F J
Chri§.mas.
(j I F J
Mer-ry Christ- mas.
E:; I F J
Mefory Christ- mas
JI
to
e
you."
II

I'LL BE HOME FOR CHRISTMAS

Kent/Gannon/Ram 1943
D-7 07 c E-7~S A7 1' . D-7

I'll be bome
rI J
for Cbrist- mas...
, _ _ __
I J.
you
J I ~r·
can COWlt
J:
on me: _ _ __
u: rI
Christ - mas eve will find me:...._ __ where the love - light

I'J. D-7

Please
I2.D-7
D-7~5

bave snow
07

:l I J. andJImisJ.
F
C

-
F-6
A-7

J I r-
tie - toe.
FIFF
o 75US4

amd pre- sents

E-7~S A7 D-7
07

on
0-7

the tree_
G 7sus4 G7 C
07
-
If II
gleams,...,_ _
IJ - I r rl r IJ JIF r Iv F I
in my
I"
it

dreams _ __
II

•
I'll be bome for Christ - mas, if on- ly

\
,~
486 •
HAVE YOURSELF A MERRY LITTLE CHRISTMAS
C A-7 D-7 07sus4 C A7 D-7 07
Marten/Blane 1944
C A-7".
•
1~llf J J J r I is 3J J JI J J J rI e I J J r rI
Have your- self a mer- ry lit- de Christ- mas, let your heart be light, from now on, our
Have your- self a mer-ry lit-de christ-mas, make the yul~tide gay, from now on, our
Through the years we all will be to - geth - er, if the fates al - low, hang a shin-ing

11. 0-7 B-7~S E7 A7 D-7 07 12·B-7~S E7 A-7 G-7

I' r E
trou - bles will
r -i J J 1
be out of
e e
sightl.-_ __
I _r E r -i .J ri"
trou - bIes will be far a - way_ __
I II I

FIl7 F-6 E-7 s,07 D-7 Osus4 G7 CIl7

;F1
I~ F F r FJ- I C1 r E2J I r r I e

Here we are of yore,

F#-7~S B7~9 0-7 G7

I~ r r r
faith - fuI friends who are

star up- on the high- est bougpIhr-._ _ and have yo~self a mer-ry lit-de Christ-mas now_ _

WlDTE CHRISTMAS Irv1ng Berlin 1942

F/C CA7 B/C CA7 D-7 A~7 G7 0-7 G7 G+7 CIl7

rID--
I J J #J J I
dream- ing of a
n

white
I IJ J. I
Chris~mas,
j r rI F r r J I
just like the ones I used to
'" 1
mowr---
rID..- dream- ing of a white Christ-mas, with ev- 'ry Christ-mas card I writ~e._

0-7 G 7sus4 C CIl7 C7 11.F - FA7 F-6 CIl7 A7 D7

1~ J J J 1 J J 1 J J J: J' J 1 J 'J J 1e 1 J J JJ I
where the glis- ten and chil- dren lis - ten to hear sleigh bens in the
may your mer-ry and
0-7 07 B~7 CIl7 C# o7 D-7 G7 C

I~ snow_ _ brightL,-._ _
I r J JIJ J 1 J, )44 1 e_.._-&
II
and may all your Christ- mas- es be white.
 RUDOLPH THE RED-NOSED REINDEER 487
Johnny Marks 1949

1~llf JI J J5 J F
Ru - dolph the red - nosed
J
rein - deer,
J.
had a ve - ry shi - ny nose,
All of the oth - er rain - deer used to laugh and call him names,
Then how the rein - deer loved him as they shout - ed out with glee,

D-7 G7 0-7 G7 11'0- 7 . G+7 C

I~ f J J) J r , J J. j J JUJJ, o
and if you ev - er saw it, you would ev-en say it glows. join in an - y reindeer
they nev - er let poor Ru- dolph you'llgo down in his- to-
Ru- dolph the red-nosed rein- deer,
C C7 F C 0-7 G7 C C#o7
, J J J J ,
I~ J j
Ii
II e
games. Then one fog - gy Christ - mas eve, San - ta came to say,
ry.
G#o7 A-7 07 0-7

r:r1'~"
OlD G

I~ J J J J , j
Ru - dolph with your
r r
nose so
F
bright,
F F
won't you
r
guide my sleigh to - '-"
night

SANTA CLAUS IS COMING TO TOWN

Coots/Gillespie 1934

C C7 F F- C C7 F F-

I~ Jf
You
JJ a J.l, Sr r
bet- ter watch out, you bet - ter not cry,
, J1 a a a I PJJ
bet-ter not pout I'm tell- in' you why,
j I
He's mak- ing a list and check- ing it twice, gon-na find out who's naugb-ty and nice,

C
I~ J a J J
San - ta
A-7

Claus is
,
0-7

J J J
com - in'
G7

to town
;.
C

e
I'-J
G7

*
,)
He's
Jj ~ F II
He
0-7 C7 FA7 F6 G-7 C7 F

I~ F F F r J j
r F r F F
J. F

• sees you when

A-7
r F IF F
I~ knows you've if
07
you're

been
,
sleep - ing.
GA7

F F F
G#o7

bad or good,
he

C1
so be
,
knows
A-7

F
good for
when

r
07

F
you're a

J I j
good- ness sake.
-
0-7
wake,

* Oh,J.
G7
he

D.C.BlFine

you
J) I
I

II
 Sleigh Ride (page 2) 489
Gt.7

If I J J
be the
J
per - feet
J I J J J J
end - ing of a per
F
- *- *-
J
feet
J.
~y,
J
... J
we'll be
II
pass a - round the cof - fee and the pump - kin pie, it - 'II

G#o A -7 A#o GIB B7 11. E- BIF#

.
I fI J J J J J I J J J. Ji 1 J
sing- ing the songs we love to sing with - out a sin- gle
rF J:J
stop,
a
at the
I J J i J J. Ji 1
fi - re- place while we
near-Iy be like a pic- ture print by Cur - ri - er and

C#-7 F#7 Bl17 07sus4 E-7 A7

I fI J r IF
watch the chest - nuts
Rr 1
pop,
r *- F J J
Pop! Pop! Pop! There's a
J
Ives,
J JJ fa JiJ I
D~~

I~I F F J J J I;
these won- der- ful
a J 01; "J F J ; 1 J F r r I
things are the things we re - mem- ber all thru our
~~~

lives.

SILVER BELLS Uvingston 1950

C C7 F 07 G7
ofW WEjI; W r;lrJJlaOlr
Cit - y side- walks, bu- sy side- walks, dressed in hoI - i-day style, in the air there's a
Strings of stree~lights, ev-en stop lights, blink a bright red and green, as the shop- pers rush
C C C7
J. J) I J J£±J l2J I J J J
feel - ing of Christ - mas. Chi - dren laugh - ing, peo- pIe pass - ing, meet- ing
home with their trea - sures. Hear the snow crunch, see the kids· bunch, this is
F 07 ·G7 C G7

I~ r J J j
r ] • I F J ;J I J J r I r- 1-· I
smile af - ter smile, and on ev -'ry street cor - ner you hear.
San - ta's big scene, and a - bove • all this . bus - tie you hear.
C F G7 07
I~ W J L U I •
f J
F F r
Sil - ver bells, sil - ver bells, it's Christ - mas
Ring - a - ling, hear them ring soon it will

C G7 C
121 I r J_ LJ. F I r' I r f II
time in the cit - y. _2 _ be Christ - mas day.
490 WINTER WONDERLAND
Bernard/Sm1th 1934
Eo7 F-7 B~7

E±! I J r EiJI r· Ll I J r 'I ~ I•

Sleigh bells ring, ~ you list- 'nin'? in the lane, snow is glist- 'nin', a •
Gone a - way IS the blue- bird, here to stay is the new bird, he
La - ter on we'll con - spi - re, as we sit by the fi - re, to

I: t~ d'l,
P::
F-7
I!
F
I!
F ~ J
I!;PO«
B~7
r· PI
0-7
cr --$
r--,
C
?J
4
F9
I ;d. ;3:::j :1'1
; . ; J.
B~7
j J.
-
j
.
11. Eb B~7.
=IW·
J
EiJ :
I4
sus

beau- ti - ful sight,

sings a love song
we're hap- py to-night,
as we go a - long,
walk-in' in a win-ter wo&der - land. Gone a -
Fme
I
face un - a - fraid the plans that we made,

12 .9 D7 0 I D7 0 0 D7 G
t~~IZI,@)~.~zg~l~t~~~~§t~=I~~~~t~~~~1~t~1
~
~ ~
p.- J. 3 'EiJ ~J. ~ E2l 'r J. J. 3 'EiJ ij~' j E1 ,8 :
-
can a man, pre- par-son
In the meadow we I build snow- then tend that he is brown,

B~ F7 B~ C7 F7 F-7 B~7
I~~!.k J. J r:: J. a [II F r r I r: J. j [J J. QI atM.
he'll say""areyoumaI'l'-ied," we'll say ""no man, but you can do the job when you're in town." Lat- er I
LET IT SNOW ~e/Calm 1954

F C7 F I A-7 A~o7 C7/0 C7

I~~ - *J J f Ed r J J I. J J J I J. J) J. -\1 Jl J J JI I
Oh, the out - side fright-
weath-er but the is so light-
ful, fire is de - ful,
It does- n't show signs of stop- ping, and I brought some com for pop- ping,
The fi-re slow-Iy is
dy - ing, and my we're still good- bye- ing,
I dear,

i
0-7 D7 D-7 07 0-7 C7~9

I~~ ~ ~
and since we've
r r
no
J
place
J.
to
e --
J
go, let
I r (jJ J J
it snow! let it snow! let
J rOF
J. J
it snow!
I
the lights are
but long as
way
you
down low,
love
turned
as so, me I
12·F C i.C# o7 ·D":7 07 C
I~~ J J J I J ) J J r J. .~~
~ I J J J J J J I J. J J I
It When we fin- al-ly kiss good - night, how I hate go- ing out in the stonn, but if

C7 B7B~7A7 D7
5T
07 0-7
I~~ J FJ J F I 8 IC Y J
r J9 I V-
1
you"ll real- ly hold me tight, all the way home I'll be warm. The
 m JINGLE BELL ROCK
Booth/Seal 1957
491
aAI C 07 C6 C C6 ct Db G7
1~l!f 0 r U
lin- gle bell, jin- gle bell,
Fin j
jin- gle bell rock,
J I n J J JI~ J J
jin- gle bell swing and jin- gle bells ring,
lin- gle bell, jin- gle bell, jin- gle bell rock, jin- gle bells chime in jin- gle bell time,

D-7 G7
I
0-7'· 0-7 G+7 G7
I~ J1 J J1 l j II f J J J • ~ J .3 f J J I J #3 j
be- gun.
snow- in' and blow- in' up
dane - in' and pranc- in' in i
bush- els of fun,
lin gle bell square,
now the jin- gle hop has

I~~~B ~7 J I~·
in the fros- ty
0 I~;
air. What a
r p-r U
bright-- time, it's the
l ~07 r fl
right- time to
pI ~GF J JI
rock the night a-

A-7 07
I~ J. EJ I p r p"r cJ I r pdr J ~ II
lei way, jin- gle be11- time is a swell time to go glid- in' on a one- horse sleigh.

C CIl7 C6 C C6 B~7 A7 F
I~ 0 rU Fin J J I n J J J I Ii
IJ r rrrri
Gid- dy- up, jin-gIe horse, pick up your feet, jin- gle a- round the clock; mix and min- gle in a

F-6 07 G7'" C ... 07 G7 07 G7 C

I~ In r r I ~ 0 i] J I "II I ~ 0 i] J I ~ 0 uri" II
jin-gl-in' beat, that's thejin-gle bell rock.' that's the jin-gle bell. that's the jin-gle bell rock.

JINGLE BELLS J.S. Pierpont

; '6 JF J J I j ~ n I J F
Dasb-ing thru the snow, in a
j
one- horse 0- pen
JI J.
sleigh.
t I j- F F j I,{
o'er the fields we go,
*I
Bells on bob- tails ring, mat - ing spi- rits bright, what fun it is to

I~I r rr J I ;
laugb-ing all the way.
J J1 r HI
ride and sing a
Tr r j
sleigh-ing song to- night.
I J. ~(; F riFF r I
lin-gle bells, jin-gle bells,

. C 11.07 J~7 G
I~ I r rJ.;il1 r·
jill-gle all the way,
t IFF F'P I rFF COr Fj JFI
oh what fun it is to ride in a one- horse 0- pen sleigh.
J rj F rr J I
one- horse 0- pen
a
sleigh.
II
 J
492 CHRISTMAS TIME IS HERE
Vince Guaraldi/Lee Mendelson 1966 J
Fb.7/C A~b.7/C Fb.7/C A~b.7/C

~~~~~~~~~~~~~~II
I!q EJ r I ( tr IT I EJ r I L tr IT -
IAI Fb.7 ~7fll Fb.7 ~7·n B~-7 II B-7~5

I EJ r' J1 I J I r J J.
.. ..
I!~f E ;j• r' J1 I J
~~~~~~~~~~~~~~~OOll
Christ - mas - time is here, hap - pi - ness and cheer, time for all that II
Snow - flakes in
Christ - mas time
the
is
air,
here,
car - ols ev - 'ry - where,
fam- 'lies draw - ing near,
old - en times and
oh that we could I
A-7 -$-I'FA9 . ~"A9: oJ,A7
Aj,..7 G-7 C 7sus4 Ql.7' ll _

'1~~~~i~J~J~.~~l~il~i1~J§J~:~J~ij~J~JjJ~J§.§~~[j~-~J~p~lr~~'§ II
chil- dIen call their fa"" 'rite time of year. share. Sleigh bells in the air,
an- cient rhymes of love and dreams to
al- ways see such spi- rit thru the year.
D~b.7 Gb7. n Fb.7 Eb7 D9 G-7 G+ II C9

I!~ E8 J pI rio J pI (f J ~ I a J JJ.,,£LJ II

r'
beau - ty ev - 'ry - where, yule - tide light, a fi- re- side and joy- ful mem- 'ries there.
A I I 6 I I 6 I 17\
F6 Ap/Dp Fs
I
Ap/Bp F9 ~:~
I .n dr:t# I :E
V

I!~ r tIE'II<f" I r tIE,I<F" II

II
Nelson/Rollins 1950

C C7 F F# 7 C/G F F# 7 I o o

I! I!f J J. )11 J r U IFf F J J J. U IFf FBI 1

Fros - ty
Fros - ty
the Snowman, was a
the snowman is a
jol-Iy, hap- py soul,
fair-y tale they say,
I with a
he was
com- cob pipe and a
made of snow, but the
Fros - ty the snowman was a - live as he could be, and the chil- dren say he could
II
I! W~ l) J:J I'T J JJ I J. ~7 3~7 J I;. ;11 J J~07 f I
7 _1-
but-ton nose and two eyes madeout of coal.
chil- dren know how he iI
I came to life one day. There must have beensome
same as you and me.
laugh and play just
C/G 0-7 G7 C G A-7 07 0-7 G7 I E7~9

I! r J J J I 3 J J J I J. J I J J J J I Fr FUI Frr J IA.JEJ

I
mag- ic in that old silk hat they found, for when they placed it on his head he be- gan to dance a - round.
• C 11 G7 J2'07 C
1_ J J J J J I jq J J J. J J J J I J n J J J I .. II I
Thum-pe-ty, thump, thump, thumpe-ty thump,thump, look at Fro~ty
0

go, ov-erthe hills of snow.

I
«
 THE GIRL FROM IPANEMA 501
Ft:..7 07 Jobim/De Moreas 1963

I*~ Of J J J J )1 J J 03 fa I J J J fa 1 n J (B ;1J
Tall and tan and young and love - ly, the girl from I - pa - ne - rna goes walk- ing, and when
When she walks,she's like a sam- ba,that swings so cool and sways so gen-tIe, that when
Tall and tan and young and love - ly, the girl from 1- pa - ne - rna goes walk- ing, and when
J
~ ~J' J J)-
I!'
G-7

n
she pass - es, each one
she pass - es, each one
J J-LJ J J- n J :
0~7

she pass - es goes

she pass - es goes
1"FA7

* "ahhL'l'l~
J;
0107

e '* 2. FA7

J I e FmeI
"ahh~
see _ _
she pass - es, I smile, but she does - n't

*
1 ~ ,,~
~t:..7

Oh..--,_
.--3--,

IJ ~J J ~J J J 1~J.
,.---3--,

but I watch her so

B7
~j\;)-.lJ. ,. ~Jr I ""..~
sad-Iy_ __
l

How.____
~-7 r--- 3 - ,

I) IJ I,J ~J J J 1
can
.--3:---1

I tell her I
07 0-7 .--3--; r---- 3---, EJ, 7
1* ~ J. lJ&tJJ. ' J! 1 <'L I) F J J J J I J. 1:J

1* ~) ~
love her?
'--1-'
it r rj 1
J\.:Z.-,
J £n
Yes,--,- - - - -
~'a
1
0719
d. qJ 1
1-F
I would give my heart
7 ' - ' ,---,~
~ j J J J 1 ~e
glad - ly.--,- -
C719
II
O.C.BlFme
but each day as she walks to the sea, she looks straight a-head not at me.

THE SHADOW OF YOUR SMILE

[AI F#-7

,1*' ,. 3d J J J ~ P
The sha - dow of your smile when }'OU
Our wist - fullit - tie star was far
11. A-7 07 Ot:..7 Ct:..7

1*' J. J 1 ;J. J I e Ir J
dreams and light the dawn Look in - to my eyes my love and

1*. _ E-7
e
E-7/D
IJ JJ j
C'-7~S
J J. J L[4, J
1
Fl7~9
1
F#-7
0_
B7
IJ' J\ J J J J ,
~

.- *·-r
I
lips and
E7sus4

J 3J
so did

I will be
E7~9
I.

PI
A7
Now when I

J. ,J t U
re - mem - ber - ing!;-_ _
EJ,7
Ie -
07sus4
member spring.-

j)
07~9

J J J
the sha - dow
all the joy that

of you
JI
06

e
smile.
love can bring,-

- II
 I
502 WAVE
~ IAI Jobim 1967 I
I," I!~
D -7 G7
...... Z Z ~
D-7
- n=r ~
SO close your eyes,
You can't de - ny,
DA7
;L )i
for
don't
B~o7 .
I E ~r F i P r f I ' 9
th'it's a love-Iy way to be,-,_ _
try to fight the ris- ing sea,
~ A=7
I.
I
. By now we know, the wave is on its way to be_,_ _

I' II 4 r
..q7
or m ~7 0-6
r: P r LTL (i~a r ~re I 'I Er * P r n I
Pl7 B7 l-

a- ware of things
don't fight the moon,
just catch the wave,
your heart a-lone- was meant to see,
the stars a-hove,-- anddon't fightme,
don't be a- fraicL- of lov - ing me.~,;:===---_
the fun- da-men~allone-
I
I~"
B-7
1 FF
Ii-ness goes
E7
:;--r F rF I i r IF :f I.J
when-ev-er
g~7 A7

two can dream a dream to-getb-er.

J 13 L,u
11'D-7 G7 D-7
I- rm ~ •I
You can't de -
1 2. D-7 G7 D-7 [BJ G-7/C r--3 C91B~ r . - - 3-----, A-7

I, " 'L U. * I F IF
When I
A I J J ~r r I IF" P r . I
saw you first, the time was half past three.--
~

B~9/A~ 9A7/G A+7 D.S.BlRtIe

when
.J 3 I IJ
your eyes net nine
Eiff I ~r' p r ITt IFOI.
it was e - ter - ni - ty_ __ By now we
I
WATCH WHAT HAPPENS Legrand/Gimbel 1964

,
~lAJ
~A7 ~6 ~A7 ~3 F9 F-7
I
I' ~"I·t J. ;b J. U
Let some - one--
One some- one__
r J J il 1
start be-liev- ing
who can look in your
in
e
you,
eyes,
185 J J J 1 e
let him hold out his
and see in - to your
hand,
heart,
I
B~7
Let some - one.-
3 ..
with a deep love to
S,A7 EA7 'FA7 EA7
give,
~ 2FA7@A716JGA7
m.,e that deep love to
OA7 0.6.
you.
I
" I r - - 3--. r:-- ----. 'I.

't him touch you and see what

let him find you and watch what
and what mag - ic you'll
haP-Pins, ,/ hap-~ns. Cold-- ;0 I can't believeyour
! I 0-7 ~ C7 G-7 S7 FA7 ~ F~6 F~3-' ..--3-, F-7
~ 'Iz
I@ ?Sr' §; r- br 9~ J I J. §J) j I ~ J J §J J J 1 IZII
heart is cold__ May- be just a - fraid,--- to be bro- ken a - gain__
.. &A7 E6 D6 ~A7 E6 D6 ~A7 B~7 ~
"
D.S. BI Coda

I' ~~I, see,J. letJ Isome-

\J J ~ J ~ilJ. ! 1\J J Jl J ~1il.e
one give his heart.-- some - one who cares like me
:111 •
D.S. BI Coda
II
 MEDITATION Jobtm/Mendonca 1962
503
F#-7~5 B 7~9 C6 0-7
IfOpJIJgJ'3 I J J J J JJ J JA
In__ my lone - Ii- ness,___ when you're gone and I'm all by my- self
Though- you're far a- way,___ I have on - Iy to close my eyes
1__ will wait for y o u - - - 'til the sun falls from out of the sky,
&07 CIE E-7 A7 0-7 F-7 B~7"
I~ J f1-., J ;£11 J1 r ~ J I ~. n " I j. JI ~TJ J I J Yll
and I need your ca-ress,___ I just think of yOIu.-1J- - and the
and you are back to stay,___ I just close myeyes,.-.- - and the
for what else can I do?___ I will wait for yOIu-1J- - me-di-
E-7 A7~9

I~ though
J NT] I
of you hold - ing me near
j
makes my
J
lone - Ii - ness soon dis - ap - pear.
sad - ness that miss - ing you brings, soon is gone and this heart of mine sings
FA7 B~7 ~-73 &07 3 0-7 G7
, ~=t--, ~~ ~ ~ ~
.. I r-
Yes,,_-
r I gF Fr I r- r I FE r r r 1 aE r r r I "
I love you So and that for me is all I need to know_ _
I Ii I
D.C.aJCoda

... B~7 A 7~9 A~7 G7~9 C6

I~ J J 3 J JJJJLJ J J J_J JJJ~IA #.11

ta- ting how sweet life will be when you come bade to me._ __

QUIET NIGHTS (CORCOVADO) Jobbn 1963

09/A Abo - G-7

'I~ 'J J. I'J)J>J

J! Ji J Ji-1to stars,
Qui - et nights of qui - et qui - et chords from my gui - tar,
1 '
floasi~ on the si-
'I'bis is where I want to be. hire with you so close to me, un-til the fin- al flick-
G~7.n

r,7 ji Ji J a~J kJ
FA7 E-7

I~.)lence
J Ai'
that
J ill·
sur- rounds
J5JJJ.
us.
l
Qui - etthoughts and qui - et dreams,
I' J]1JlJ Ji]
qui-etwalks by qui-
er of life's em - ber._ __
A+7 09 0-7 A~

I~ J J J. I ! J ji Ji J ill J ltl;J J I } J Jl J J I Jl J ji~J1 J ~

et streams~ and a win-dow look - ing on tile moun - taiDS and the sea, how love - ly.
.J z.F-7 :: B~9 E-7 A-7 '0-7 ,
It' F~rJ ~ J J I J. AJ I HpJ J J ) I J. E l l d fJ 3J I
, I who was lost and lone-ly.--- ~liev-ing life was on - ly a bit- tel' tra- gic
G7~9 E-7 A+7 0-7 G9 G7~9 C B~C

I~ )J ::r,~J ill.. I j - I H.p fJ 3J I JJ ~li-'*

a J)~I I I
~
• jc*e.hive 10ilnt with;O: the mean-ing of ex - ist-encc, my love.
 504 ONCE I LOVED Joblm/Gtlbert 1965
C+7 FA7 Fl o7 (J-7 (Jt o7

I-P r Jl I Ii
!f'~
I A I re- 'e- -ee
' §'~ I Fer
r-'_[I
Once, _ __ I loved.-,_ _ _ and I gave so much love to this love, it was the
Then _ _ one day"____ from my in - fi - nite sad-ness you came and brought me

I&~
A -7

fP J 1 J.
world to me. _ __
love a-gain .._ __
A-7/(J

*1
P-7

II

Once_-
Now _ _
B~7

r PF l 1 ..
I cried.---
Iknow, _ __
EbA7

U rull Fro rTF

E-7~5

at the though I was fool-ish and

that no mat - ter what ev - er be-
1
•

A 7~9
~---=-----
07~9 OA7 I
r;a· J.
11.OA7 (J7

1 &~ J 10 n JI A - ~ )) ,3
\

it'd
~
I lJ ~
ot;J1j
l

)1--
proud and let you
falls, I'll nev - er
say good - bye. _ _ __ let you go_ I will hold you clOS: II
CA7 F7 B~A7

I&~ ",,8 I J l J ;J I
:;;;;;;p
Ii
I_J ¥]3-] f}1 I~
make you stay, be-cause love is the sad- dest thing- when it I
A -6 Ab7 111 (J 7 (J-7 A 7~9 0-6 ~

! Ei3~ r - 3- , r-3~
I i~ J.)1 l
goes a-way, _ _
I ill tj ~
be-cause
I J J J=J JiJ
love is the sad- dest
I j
thing
J) J ~J~ J. Jl j.J.u
when it
1
goes a- way_ _
II J
GENTLE RAIN Luis Bonfa 1967
I
, A-6 B-7~5 E7 A-7 07 (J-7 C7 I
1* J. We
I
J
both are
J I ;.
fell your
lost
tears
and
as they
a-
J. J J I J. J J
lone in the world, walk with
fall on my cheek, they are
1

wann
e
m.~e_ _
1J JJ~
in the gen- tIe
)1 •
like the gen - tIe
.

B7~9 E-7~5 A 7~9

I
IF- J
F6 FI-7~5

1& ~u rain. _ __
IJ. fJl J J ~J 1 ~r'
~d!:11
Don't be a - fraid, I've a hand for your
rain. _ __ Come
15
lit - tle one,
r- --_· B
you've
I 7
got
~2.A-7
me in the world, and our
I
0-7~5 B-7' E~
I
~ 1. A-6 , D7 (J-7 C7
I~ I,d. j J. £1. e I j. *, IJ j J J 3 1 -

will
love
be
will
your
be
love
sweet,
for a - while. _ __
will be
e
sad, like the gen - tie I
F6 C7 F6 E-7 A- E7

~1&~A~§IJ~j~J~J~J~I~u~I§J~E~r~r~r~'~i~1~1§11
rain, _ __ rain.-,_ __ rain.-,_ _-
like the gen - tIe like the gen - tle
I
l
 ONE NOTE SAMBA 505
m Jobim/Mendonca 1961
t.8J D-7 D~7 C-7 B7'n
I'~I' Il ¥ J ;il~ J J JJ)J ill Ji J. q JlI J J J N in q ;ill
This is just a lit - tle sam - ba, built up - on a sin - gle note. Oth- er
So I come back to my fIrst note. as I must come back to you. I will
D~7 C-7 B7 tn
J) J J)];P J. ¥J ;PIJ JS)J J)IJ !j F PI
notes are bound to fol - low but the root is still that note. Now this
pour in - to that one note all the love I feel for you. A - ny
P-7 B~7 E~A7 -$- A~7
1'~lr ,
new one
u'"),
is the con
p- 1-, r F 'IF plF EJ><P F P- I"F"
- se - quence of the one we've just been through.
!j!fJ })
as rm
I
one who wants the whole show Re, Mi. Fa, Sol, La, n, Do
D-7 D~7 C-7 B7' 1l B~6
I, ~b J J J Jl J )1J J1 J jl J J J I J J J oil J P - I
bound to be the un - a - void - a - ble con - se - quence of you.
[eJ E~7 A~7 D~A7
I, jl' ( C ~E fEE r §" I ~1:U 3 ~J i J J J I j. Jl 'fiJ J I J Jl ~
There's so ma-ny peo-ple who can talk and talk and talk and just say no-thing or near-ly no-thing.
D~7 G~7 BA7 C-7~S B7. 11

tA~7 I have used up all thescaIes I

1)1.6
know and

C7 BA7
so I

-
I'~' r " p I r Up r p?q r P r r~ I'r tJ-p r
He will fInd him- self with no show, bet- ter play the note you know.

LITT~E BOAT (0 BARQUlNHO)

Menescal/Kaye 1962

A~A7 D-7
lJ)d J)~r UldHr JoJ IJJJJJJjJJ
,07 E-7 A~ D~ G~

I .- I') 'F p I J. }1 J J J J I ~r r-p r p I J. J) J J J J I la. I

.>
 I
506 HOW INSENSATIVE Job1m 1963

0- Ob o 7 C-6
I
I~~ Il II I J n JJF;'I II I J n}F ;. I J }.J }I PIF ~lJ J] •
How_ in- sen - sa-tive-e_ _ I must have seemed,,_ _ when she told me that sheloved
Now_ she's gone a-way _ _ and I'm a - lone with the mem-'ry of her last I
B-7~5 BbA7 :@A7 E-7~5

I; ~ J. Ii l U.J. III .. U f LiM ibl.. U a Ii J II j 'lIS )1 •

me. How___ un-moved and coldu-__ I must have seemed when she
look. Vague and drawn and sad,__ I see it still, all her
A 7~9 B-7~S
0-
I Ob7. 11 C-7 F7
Ii ~ P IzJl;J1 J II j. Jt,J I J. J) II" I J fJ ) J J) I
! ~ L L

II

told me so
heart-break in
sin- cere
that last
- ly_ __
I
look.,_ _
Why _ __
How_ __
she must
she must
have
have
ask,~ed.--,
ask,~ed.--,
__
__
BbA7 0-7 G+7 C-9 E-7~5 A7~9

I;~ J i).p J }I J. J I J 11_)) J J)j J j J. obi I II

did I just turll- and stare in i - cy si lence? Wbcu..at _ _

F7
could I
B-7
just turIl-
A7 E7~9
0-
and I stare in i
E-7~S
- cy si lence WhiCU-a
t __

I;~ JfJ.pJ ~I.. IJ J 1M J£j iJi to I )d JiJiJ ifj. Jjjlj - I

was I to say, what can you say,_ when this love af-fair is ov - er?_ _
was I to do, what can one do,_ when a love af- fair is ov - er? _ _
I
PRETTY WORLD (SA MARINA)
I
'lAJ G G7- C , / / 07/C / / / B- / / 07
I~'f' fJ -0 iJ J J I J J:3 fJ S I J J J J-0 Lio I
G
II C
- / /07sus _~02.. ~ G C ,,2.G7
I
4 / 1.

G E7 A-7 I
J I J) J Jl J. pip F 'r InJJjiJ II P

11D7 0-7 G7 07
I
D.C.aJCoda

I" ~) J Ii J fJ I I] """,-",,,it:
- - I I
.. G E-7 A-7 07 G E-7 A-7 07 G C
I" J. in )IF iJijJJ4f j) J. hi F fJ J 3J Jle I
I
-
 SO NICE (SUMMER SAMBA) 507
Valle/Gimbel 1965

F B~

I~; e~ sr.-- J J a ~J J I J
one to hold me tight,
j
tliat would be ve -
J La d J I
ry nice,
rJJJd
some- one to love me right,
JI
Some- one to cling to me, stay with me right or wrong, some- one to sing to me
E7 Bba7 Bb6

would be ve -
t
-
nice. ry Some - one to un - der- stand each lit - tIe dream of me,
some lit - tIe sam - ba song. Some - one to take my heart then give her heart to me,
Bb-7 Eb7 A-7 D7~9 1 1• G-7

I~~ ~i1 j fE J I ~i J H m a I * F 3D IIF COJ I So nice,_ life would be so nice.-

II

som&one to take me hand, to be a team with me.

som&one who's read - y to give love a start with me. Oh yes..- that would be so

E-7~5 A 7~9 0-7 G 13 G-7 Ob7 C9

I' ; J EiF ;U lOki J J "J J ~J I J J J J FJ J Qb11 a - ~
if one day I'd fina..d_ _ some-one who would take my hand and sanrba thru life with me.
/2. G-7 C7~9 F B~9 F6
I'; II I Ii j ;J J ; J ga I a ;J ga I II - II
nice,_ __ should it be you and me, I could see it" would be nice_

o GRANDE AMOR
Jobim 1958

A- A~07 G-7 C7 B-7~5 E7

I't J.. ) IJ J) I J FJ_J J ,J..; , J 3U 1J. J) J: 1:4 J3JJI

" 0-7 G7 C F
, J;3 J II J.
... ~
Jl 1 j .. ) I 1>J ltJJ llJ ,fUn I
Bb B-7~5 E7 J E-7~S
2.
A7~9

I'JJJJLlJ J. nil j\JjjjJ11 J LJ. Im:_"___

u

0-7 0#07 CIE F B~ B-7~5 E7 A- E7

• I~ *'M 1J. j\JlJ i.. I J. J'; J1iu I J. ]J fa fJ 4 II I ..

•
- -----

I
508 TRISTE Jobim

Bb Bbb.7 @b.7 B7 Bb Bbb.7

II
I~~III! r ln J ~I J 41Jd pi " I" I r 'n J ~ I J ibJ J8 •
Sad is to live in sol - ~tude, far fromyour tran-quil at - ti-tude,
G7~9 C-7 C-7/Bb A-7 07 G-7 G~71F I
Ij I" I r ,J5)1 J Jl I ~ J JlJ J iO d j J j11 J P I

Bb Bbb.7 Bb-7 97 Bb Bbb.7

I~~b H rip J pi J ibJ JlI " I" I; pep j pI Ij j il_tP J JU
Your ~ty is an ae - ro-plane, so highmy heartcan'1bear thestrain,
F-7 Bb7 9b.7 _ Ab7 0-7 G-7
I~ ~II .. I II I 1 Ej j Jl J 12 I ; ijJ ~kJ J I J fJ ~ J
a heart that stops when you- pass by, on - Iy to cause me pain,
lJ I
C7 C-7 / / F7 Bb-7 ~7 Yo Yo Yo I
It~ ;1, ~& I; 'i
~J J Jj) I J FJ_J) J J2 I
LA en
b
_v
II _u _'0: I
sad is to live in sol - i - t u d e _ _ _ _ _ _ _ _ _

BLACK ORPHEUS (A DAY IN THE LIFE) Luis Bonfa 1959

A- B-7~SE7~9 A- B-7~SE7~9 A- 0-7 G7 Cb.7 Cl o7 I

A7~9
(~ J
A
f F n I J. In I..
day in the life of a fooL-,
I J r JI r
a sad and a
n I j. long
nI
lon~ ly
e
day
EJ 1) iJll I
I walk the
0-7 G7 Cb.7 Fb.7 B-7~S E7~9 A- B-7~5E7

I~J·JlJJJ 'JlJ JIJ.Ji.llj

a - ve- nue.--- and hope I ron.in - to_
1JiJ I J.JlJ
the weI-come sight of
I; ';);3 1LlJ· JII I
com- ing my way_ I yo~

A- B-7~SE7~9
A- B-7~S E7~9
A 0-7 I
E-7~S 7~9

I~ r· n I J. in I ... I J r J. I ~r· r JI J. JJ I" I J * J I

stop just a - cross from your
0-7 0-7/C B-7~~7~9 A- A-7/G
door, but
Fb.7
you're nev- er
B-7~S E7~9
there
I
eJ .
back to my room. and there in the gloom I cry, tears of good - bye _ _
I
~LastX A- 0-7 A-7 0-7 A-7 0-7 E-7 A-
IM J * n ·till you
lirE J F
come back to me, that's the
n I r U F fJ I r EJ F n I" } .. I
way it will be, ev- 'ry - day in the life of a fool_-
 DESAFINADO 509
Jobim 1959
G7'" G-7

J. J1 Fl J I J. ~il.~o
J I I qq Ii J J I
Love is like a nev - er end - ing mel - 0 - d y _ _ Po - ets have com-
Once your kiss - es raised me to a fev - er pitch.__ now the or - che-
Tune your heart to mine the way it ::.us~ed~to~~be=.===-_~Join with me in
C7 • A-7~5 " G;:Z
D7~9
I1.'lf A7~9

J J
~

J. Jj ,3. J ,
pared it to a
r' ;J)
sym - pho - ny._ _
JJe )J
A sym - pho - ny con - duc
J ~ 'T'
- ted
J) #3
by the
JI
stra - tioo does - o't seem so rich. _ _
. har- mo - ny and
D7 D7~9 G~ ~~

I~ ~ ,£ 1 J J I ~a , !j ,j J> J 3 I ,'w, l J J I J. ~J1 J-1J -

light- iog of the moon. but our soog of love is slight-Iy out of tune_
B!,-6 A-7 B-7~S E7 AA7

~ly you have changed the tune we used to sing,.-._ _ liltc the bos-sa no - va ove should
B-7 E7 [§] AA7 B~o7
I~~ 8:

swing.
I_J * e. Ie
j
used
.J Ii J )JJ J
to har - mon - izc. two
AA7 F#-7 B-7 E7 CA.7 Cl o7
I~ 5 !l; .;1\,; J IIF J ::l J I J .3 JJ LlJ * J I ; J J J I ; J ; J I
oow the soog is difJ.reot Ld the words don't ev-en rbyme,- 'cause you for-got the me-Io- dy our

hearts would al- ways croon. and so what good's a heart that slight-Iy out of tune?

.. A-7~S D7~9 G-7 B!,-6 A-7

I~~ r ;r
siog a song
r "r Iir ir
of lov - ing.
t J I
We're
r "r
bound to
~r J
get in
I r
tune
J J J I J. J
a- gain, be - fore too
A~o7

I~~ J. ..J G7

J I J J J J J J I' J
Yo
)
B!,-7
J J I J J J J F rd
loog There'll be no De - sa - fi - na - do when your heart be - longs to me com - pletc - ly.
E~7 G7 C7 F6
1~5l fa I J J J J J J J I J ' l .3 J I J. :P j I II

•
\ then you won't be slight- Iy out of tune,_ youll sing a - long with m~e_ _

-...-\
 I
510 LIKE A LOVER Caymmi/Motta 1967
I Sergio Mendes

IAI Cb.7 G7sus4 Cb.7 D/C

I
'!f
I~ ~ J J il J ill J i J~J I ~ J J ." J ." I IJ J J f -oj I
Like a lov-er the mom-ing sun,_ slow - Iy ris - es and kiss - es you a - wake.
Like a lov- er the
Like a lov-er the ·1
riv - er wind.-
vel- vet moon-
sighs and rip-pies its
shares your pil-Iow and
fin - gers through your hair.
watch - es while you sleep.

B-7 E-7
I
I~ vA ~ J ~
Your
Up
I
smile is soft and drow - sy you let it play
- on yourcbeek it lin - gelS, DeV - er bav-ing known
up - on your face,
a sweet - er place,
Its light ar- rives on tip - toe, gent-Iy tak~ing you in its em - brace,

GIF Cb.7 G7sus4 I

r Jl J LD J J 1>; 1>1 J PJ_JJU I
1

Ob, how I dream I might be like the mom-ing sun to you.

Ob, how I dream I might be like the riv - er wind to you.
Ob. how I dream I might be like the
I
vel - vet moon to you.

I~
Cb.7

v9
FII'HI
G 7sus4
- ;~A7 _
J 0
F-/C
jl J )1
Cb.7

J J J- J J li,,--
ill
J
- vy a cup that knows your

, D/C Yo
How I
B-7
en
B7~9
PS.
E-7
I
I~ J IJ J f J ~ 3 ~. F] J I
~ I.

J~ F J J )
J i~ J )1
I I
v let it be me. my love. and a tab - Ie that feels your fin- ger- tips.

J JI I
F#-7~S B13 B+7 E-7

I~~ n l2J" ~F" I~F fJ P F ! LJ J ,3

I.
)1

let it be me, let me be your love.-- bring an end to the

I
A-7 A-/G D71F# .. G 7sus4 G7
-
D.C.aJFiM

I~ J J J_J J J. 1~J. J .J J 1 :;u

I II I
end - less days and nights with out - you.
I
I
~
rl
 THE LOOK OF LOVE 511
Bacharach/David 1965
A-7

of love is in your eyes, a look your smile

-
can't dis- guise.
of love, it's on your face, a look that time can't e - rase.
A7 D- D7 Bbil.7 Bb- Fil.7

of love, it's say-ing so much more than words can ev-er say,
Be mine to - night, let this be the start of so ma- ny nights like this,
F7 Bbil.7 Bb6 A 7sus4 D-7 G7 F6
I~' J - H jJ lJ pfl J J) J) J)I J J J iH 1- 1 J;ill J J)fJJ ~ I
and what my heart has heard, weJl it takes my breath a- way. I can bard- ly wait to hold you,
let's take a lov - er's vow and seal it with a kiss.

You've got the please don't ev-er go, I love you so, don't ev- er go.

DON'T MISUNDERSTAND Gordon Parks 1955

, IAI FA7 B-7IS &A7 A-7 IS D719 G7

f
rl9

I~ I iJ JJ II
Don't mis- un- der- stand,--
I r F:F j r I F' l
we are on - Iy stran - gers,
J I - E[ F r I J, ;il J n I
on our way to somc>one else, to
Don't mis-take my srnile,__ it just means I'm lone - ly, love me till this day is past and
Don't mis-un- defo stand,- you are no con- cern of mine, but in case you're free some>timeand you

Fil.7 D7~9

II IJ J JJJIl
some-place we for - gOL__ Don't mis-~ my then for- get we meL.-t_ _ We're just pass-ing

D-7/C B-7~5 Bb7'1l F/A Ab7' 1l

I J J 3 J 31 J J J. 1>1 J J J J I
ume,__ In some seo-ret place, _ __ yield-ing a song one day
to love the pain a- to
G-7 C7alt D.C. alCoaa . . A-7~5 £:~9 G-7 C9 C7~9 F Bb-6 Fil.7

I~I e I- fd Oil I r r rrl1"r["pl,J r I] dill II

•
way. Don't mis- un - der me some-time to hold my hand then I will un - der- stan.u..
d __
512
[8] Bb~7
CALL ME
B!,..7
Tony Hatch 1965
•I
~1~~~'I~el~~J~J~J~F§I~r'~p~i~i~J~~J~I~*~i~J~d~'~F~P§j~F"~p§,~j~J~I I
When
If

If
you're feel - ing sad and lone - ly;_
it seems your friends de - sen you,_
you call I'll be right with you,_
there's a ser- vice I
there'ssome- bo - dy think
you and I should be
can ren - der.
- ing of you.
to - getb - er,
I
Ab~7 A!,..7 Gb~7

I~ ~~ q J itil.J pdT' I.} f ] J I q H]l"J P' IT "J ~J J I oJ. Wl J I

Tell the one who loves you on - ly, I can be so warm and ten - der. Call me.-
I'm the one who'll nev
Take this love I long
- er hun you,
to give you,
may-be that's be- cause
I'll be at your side
I love you.
for - ev - er. I
E!,..7 Gb~7 E!,..7 Gb~7 ~7
I~~!. I.J JJ~1J) J I d, ~J I d J J ~LfJ J I ~J, JJl.J IdJJ~l.nJII
don't be a-!raid you can call me.- may-be it's late but just . cal) me.--- tel) me and 1'1) be a-
I
I~jl. ~~ /'[+7. j~F+: J J :~~7 p ,FJ J J Ii·707I~~ g C
J J J JI
round. FIne . Now don't for- get me, 'cause if you let me.-- I will ai-ways staywitbI
C-7 F7 C-7 F7 Bb6 C-7 F7 'I
I~ ~" J q JJ I r- p J J JI'
you. You got-ta trust me, that's how it
r-
must be,_
n I. U ; J JJ I"
there's so much that I can do
I rD.";,·'
I
YELLQWDAYS Carillo/Bernstein 1965

G-7 C7 F6
I
ij Jf]lJ. •een J I j J 13 3 J J.J J I P r t.a ~ I I
re - mem-ber the sun - light had a spe - cial kind of bright- ness, and the
She would hold me, and a smile would spread a - round us so com - plete - ly. and the
Ufe is
A-7~S
emp - ty,
D7~9
and the
G9
sun - light seems so harsh in - stead of
1. C9
ten - dCr,

F6 A -7~S D7~9
and the
,
II
-II
I 1 ..

... u
.., laugh - ter has a loy - er s lClno of light-ness, y~ow days, ye~low days._ _
soft- ness of a kiss would lin- ger sweet- ly. • yel-low .
laugh-ter's just an ec - ho I re- mem- ber from yel- low
. I2.C7 F6 C-7 F7
I~ j J t 0 I.. I J 'J J J I p r t J1] I ErE FEr Er I II
days, yel - Jow days Fine But then came thUD - der and I heard ber say good- bye tbru tears of
B~ B!,..7 97 Ab D-7~S G7~9 C7 D.C.al2ndEnd(Fine) II
I~~ ) J, q JIr rr r r r r rI J t ye~low
RJ I J n J J I OJ t 111
won-der, DOW I'm all ... Iooeand my heart wants to know, days, where'd you go Me is •

,~
;
 DINDI 513
Jobtm/Gilbert 1965

r-- 3 ---, ,-3--, D~~7

•
h J J J } J J JI"
Sky, so vast is the sky, with far a - way clouds just wan - der - ing by,

C~7 A-7 D-9 G13

ijr-
3 i

1*~I'b
I

~J J J I-r qJ J J ~J. J ~J. ~ II

where do they gio? Oh, I don't know, don't know;

E~~7 r-- 3- - , r - - 3- - . ,

1*~I'1. J. J speaks
J J JI
to the leaves,_ stor - ies that
l' J J J I
no - one be -
II

lieves,
Wind that tell - ing

A-9 D-9 G13

I-r qJ J J ijJ. J I ~J. ~ I

stor - ies of love:_ _ be - long to you and me.

181 Db~7 EJ,7~9

1* ~~"f r' Oh,

J
Din
I J.
-<ii,
J
if
)
I on - ly had words I would say all the beau - ti - ful
E2J J. j>eiJ I
Oh, Din -<ii, like the song of the wind in the trees, that's how my heart is
know Din -<ii, I'd be run- Ding and sealC&ing for you like a ri - ver that

things that I see, when you're with me, Oh my Din - di. Fme
sing - ing Din - di, hap - py Din- di, when you're with me.
can't find the sea, that would be me, with-out you, my Din - di.

G- E~-6 G- C7~9

:;) J J> I hi J) J

•
I love you more each day, _ _ do, . yes I do;

F- D~6 F-7
r - - 3- - - ,
I ,J J bJ ~J I j

.-
rd let you go a- way_ if you take me with you. Don't you
D.S..Fine

•
F
\
 I
514 CHEGA DE SAUDADE (NO MORE BLUES)
Jobim/Hendricks/cavanaugh 1962 I
[8] D- D-7/C E7/B E7~9 E-7~5 A 7~9 1 1. D- . I
I~ ~ n{ r J. fit Fir
No more blues,- I'm goin' back home,_ no
Ir' f I 1" r I f r Ip [ r'
no more blues.---
F: P Fg HI
I pro-mise nomorc:toJ
No more tears_ and no more sighs,_ and no more fears.- I'll
E-7~5 A 7~9 D- D-7/C B-7~5 E7 A- B~67
I~~ ~ ,-3-, r-'-'

roam. Home is where- the heart is.---- the fun - ny part is.--,_ my heart's been

I~~ F '0 E! Foil J f P FIp F I.E I r FIp F m r ~ I r FI •

right here all a-long. say no more good- byes.-- if trav- el beck - ons me.---- I
D- D-7/C B-7~5 E-7~5 A 7~9 D- A7 I
I~ ~ ~ Fm FI P r'p pFPD PN,J· I P ~F p-p F if I'" I - ~ ~II
rr:;fwear I'm gon-na re- fuse, I'm gon- na set
~ DA7 B 7/D' E-7 _
- tle down and there'll be no
A 7SU54
more blues
I A7

I~ '1 r FI [
Ev -'ry day
IF I PC 'H tit aJ Pr I
while I am far a-way,_ my thoughts
r p ~ r PH EppJ pj I
home- ward, for-ev- er hOme>
tum
I
1*"
D o7

xe
D67

I J.
ward.
rII r P
I
F#-7

p F 'PTPP
trav-elled'round the world
F o7

Tg H
_

in search of hap
m E-7

-
r p-r IrlU EI
pi - ness, but all my

*r
I 'I
E7

P P F. p- l-r U PE f I" I
hap - pi- ness I found-- was in my home,_-=---
E-7~5 A 7~9

r
town.
J I f J.
DA7

No
DA7/CI

more
B-7

p- I r FI
blues.---- I'm
E7 FI7 B-7 B~7 A -7 D7~9

~" r r' P- IT Elf fA. pJ r' FI P F P F EI E C:l~P t ~~

goin' back home,_ no, no more dues,_ I'm thru with all my wan_- drin', DOW I'll set-
GA7 G-7 FI-7 .B 7 . E7 A 7SU54

1*'11F VPr' l ~FdF'llr t; pA.llpt1n t PHO r FTlpp F n

tle down and live my life and build a home and find a wife. When we set-tle down there'll be no more blues,

E-7 A7 D E-7~5 A 7~9

r I ~r t]'*'P r pP I ~9' I~
DOth - iog but hap - pi - ness, when we set - tle down there' 11 be no more blues _ __

I
516 GOIN' OUT OF MY HEAD
Randazzo 1964
•.1
IA1 C~ c~ c~

JJ
Well I
f ~J J J J J J J 3~ IJo J ) I ~J J J J J J J 3d
think I'm gerin' out of my head.-- yes I think I'm go- in' out of my head
And I think I'm go- in' out of my head, 'cause I can't ex- plain the tears that I shed

CA7 P6 P-7 Bb7 aA7

I$J J r I F J Ij J rIr IzJ I J. W I I,J J is I

0- ver you, 0- ver you I want you to
0- ver you, 0- ver you I see you each
G-7 a A7 G-7 AbA7 BJ1
~J
I~ r ~r w I IzJ1
l l

J 0) P ~F J
JiI I can't think
Iz)1
~l J 3I
want me, I need you so bad - ly, of an - y - thing but
Dlorn - ing, but you just walk past me, you don't ev - en know that I e -
/1.
~. 2. D-
CA7 G7
If . you
IJ J
And
J
I
•
07
9:

xist
IJ J J r
Go - in' out
r
of
F I
my
1m CA7 ,--3----, 0-7/0 CA7 ,-3----, 0-7/G

I~ r rrr I p ro (J F I (' rrr I p ro (JF

head 0- ver you, out of my head, 0- ver you, out of my

C F C p C·p C P C

I~ E 'PLJ r I '1 F p. r F r r 1 f 'u ria!

head day and night, night and day and night, wrong or right, I must think of a
OIF# P-6 3 CIE a o7 3 I

I~
I
e:
[-r
F r F
II
Ir r r J
F
way in - to your heart, there's no rea - son
GID A-7~5 D7~9 G G 7sus4 G7
r-§ 3 I D.C. a!

I~ r F I J •~~ U
•
J is I 9: I_J J J II
why my be- ing shy should keep us a - part and I

vamp Out at End

1-
C-7 CA7 C-7 CA7
~J ~
• J J J J J J_ I J. J J ~J J J 3 JJ J JI - ~
think I'm go- in' out of my head yes I thinkl'm go- in' out of my head
 RECADO BOSSA NOVA 517
DJalma Ferreira 1959
A7 07

J'J i§j 1 l J )#U J)

G- E-7~5 A 7~9

II * J)r pI r p J }J
0- 110 0-7 E7 A7

I~~ J JiJ pJJ N JJD ijJ L1J '1 J JU J LJJ ; J ;]\~

1200 - C-7 A7 0- .. ~ ·07

I~~ JJ;/1J ~MJ F 1tJ )11 o j n I IE I J q I d JPJ 3lt

G- E7 .
I~~ J 131M ;p I II IJ t J I 3 J ,p J jkotJ sJ !;.t§ ,J hpj

LOOK TO THE SKY . Jobim 1967

EbA7 JSi,-7 A~7
i. I. ~ ~3~ ~3~ ~3~
li~ 1.( jJ\i l LFj\i :rum I. ~J. )u J J 1
,-3--,

e
 I
518 so MANY STARS Sergio Mendez! Bergman 1967

fA) FIG G7~9 G-7 C7~9 3 I

I~ Il Jf J=J J 3 il I J=JJ J il I J=J J J il I J J ij I I
The dawn..- is filled with
wind.-. is filled with
dIeamsr- so ma- ny
songs.-- so ma- ny
dreams,
songs, I
which one is
which one is
mine? One must be
mine?
FA7 Bb13 E- CIE E-6 E-7 E-7 E-(1.7)

I~ J. ji L!.J. J I L,D IJJ I J. j J ,3 JI J TN n J3 I

right for me_ Which ~ of all the dreamsr- when there's a dream for ev - 'ty star?_
song- songs.- song
G 7~9 I
C~I"'-1.""'7'A-=-7su--::s4;-:A~7T.';19--'~r:-2'C~6~F-A-7

lsi
A 7'9 ..--3--, 0-7

I~J J J J I J=JJ J il I LJJ 3 il I...

and there are ob-- so ma- ny stars.-- so JDa-ny stars
:J ~ J
The
,J ~ JI I
A-
F#-9 F7' 1l - E-9 A 7~9 0-9
I~ r-JJ J JI resH J JI j g
£3 J I J JiJ J I LD 3JI I J
lone- the coUD~less days.-- the end-less nights that I have searched, so ma-ny eyes, so IDa-ny I
G7~9 El3 E+7 A7sus4 A7~9 FIG G7~9

I~ L..D 3 JI a I U J J JI LJ J J JI J=JJ J JI
heartsr- so ma-ny smiles Which one to choose? Which way to go? How can I
E-9 A 0-9 G7~9 C~
! ...------,
3

Ii§l ,A J J J j I J J J J I Je..,] J J JI J=JJ 3 JI & II

tell?_ How can I know?-. Out of oh~ so ma-ny stars, so ma-ny stars _ _

'~ A MAN AND A WOMAN Lai!Keller 1966

l!lI CA7 B7

I~ JJ 'F Ilf rt FF F I rr FF FI'PF J Fr I! EEEF FlEE FF FI'PF J r r I

BbA7 E-7 A7 . OA7"

, !} J::9J I J! JB~7J II' J J J'F I J C~7 I J !7: J II" B~A~ J J 'r ~

I~.. I-r r' 'p I r- r I r ~r' 'I ~r' J IJ hJ J I.. La
E-7 A7 OA7 0-7 G7 CA7 D.C.a1Coda

I~ J t LJ r )lI,A J I J Ji;J n IJ J I J J J. ) I a I ~ J J ~r I
.. 0h.7 E-7 0h.7 ObA7 CA7 Dbh.7 ~Dh.7 17\

1_
I~ - ~J I J J I JJr F 'cwr Ilcwr Ilr~r'l emF I EfffF IFT j If' t n
 ESTATE Bruno Martino/Brighetti 1986
519
G-add9 G-7 C-7 F7sus4 F7~9

J J I J J) I £ J J J j r r r rI
Estai, you bathe me in the glow of your car - esses. You tum my tinrid's no's to eag-er
Estai, Oh howyourgold-en sun-lightbendsthe willow, your blo~somssendtheirpef-fume to my

l'
Estai, And whenyousleepbe-neath a snow-y cover, I'll keep you in my heart just like a

F-7 Bb9 9t.7 9-7 Ab7 A - 7 D719 .J 2A-7 D7

I~ " J JJ 't JlI ; il WJ r r E:J." :J r pIe Ir r f I
yes's You sweep a - way my sor-rowswithyour sighs. Al- ways feel you
pil-Iow Oh, who could know you half as well as 1.
lov-er, then wait un - til you come a - gain to me.
Gb.7 C#-7~5 F#7~9 B-7 E7~9
~ ~.
i PI lr r r F:t 'e err Fie r F
........ if - ....

near me, m ev - 'ry song the mom - ing breeze com - pos - es. H
C-7 F 7sus4 F7~9 Bb7sus4 Bb7~9 9t.9 r-c:=9 Ab 13 -. A -7 D 7~6
I~I~ U-cJJ Ef u:r I J Jj ¥;I J J ~ E E [jJ I" I
D.C. a/Fine
A all the ten-der won - ders of the Ros - es each time the set-ting sun smiles on the sea.
V G-7 C-7 D7 G-7 C-7 F7
I~ ~I, f .. " Z z I II II II Z Iz Z Z II I II Z II Z ~

ONLY TRUST YOUR HEART

Benny Carter/Sammy cahn 1964

Ft.7 B7· 9 E-7 A-7 D-7

J FF F
Nev- er trust the
r-c r r ·1 J J F J II
I J J J JI
look for hid - den
Nev- er trust the she knowa all the
Nev- er trust your for your dream will

signs be- fore you start to sigh___ Just wait\-_ _ _ for a

lines, and she knows how to lie _ __ •
quick - ly fall a- -
I.~~ D-7 FIC B-7IS E+7 A- AI.-7 G-7 C7
. _ Ie IJ J J j r ~r V' F IJ F F I &9 I
all bare, then if you

I II
paIt__ 0 if you'resmart, real-Iy smart__ on-Iy trust-- your hearr---:
520 NEVER LET ME GO LMngston/Evans 1956

FJ J I I
Nev - er let me go, love me much 100 much, if you let me go, life would lose its touch,

GbA7
world was ov- er - turned

l'oF7
at the ve - ry start, all my bridg-es burned
@7
by my flam-ing heart, .
@-7
I
I
rFj
r--- 3 ----,

I~ ~ 'I.~~ J J J J. op; J JJ ~ !f Ji I llJ l J lJ I ) J~) I [ V II

what would I be with - out you, there's no place for me with- out you. Nev- er let me go,
you'd nev- er leave me,

-l; A~7~9 D~-6 G~7'1l I

I! ~ '1)~
I .-3~
!f r r r r r I (""'( FJ r? Fr ¥
I
I'd be so lost if you went a- way,_ _ there's be a thou- sand hours in the day

I
r J. J
with - out you I Icnow._ Be - cause of one ca - ress my would you?_ _
I
Nev-er let me go,_ nev- er let me go, _ __
I
You could-n't hurt me, could you?_

IF YOU NEVER COME TO ME Jobim/GUbert 1966

I
E~A7 DA7 D~~7 C7~6 3----- I
I~~\@ tr Irs J J J
:::0
e he I)
-:::::

There's_ _
It
no
may
use
be
of a moon-light glow.-
you will nev er come,- -
I
F-9 ,-3-, A~7 D~9 r=---3----,
I~ ~bl. "" e
I r !iF J
~

J J J1
""

F
~
JEd> ~
LJ> r-
J J ]
or the peaks where the win - ter snows, what's
if you nev er - come to me, what's the
Q.L. C~~9 B~7'9 r - 3 - - ,
I~ ~I!I! J tJ rn I J
G+7

the use of waves that will

C9

break
in po I jJ tJJ)
in the cool of the
. F7. 9

eve- ning? What

J J JI
is the
use of my won - der- ful dreams and why would they need me, where would they

A~7sus4 E7' 1l

eve - ning?_
lead me?_ _
J. J. J)
with
with -
~h
out
out
J. J.
-
you _ _
you,
it's
to
))
nOth
]
J.
ing~:::=:::::'''
no - where._ _ _ __
]
7J
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-
....::-=====:-. * •
 WHERE DO YOU START 521
Johnny MandellAlan Bergman 1988

IA1 ~ A~A~~ ~~
I~ Ibb e F r r_: F
j
F r FI E r r r E r r rI F F r r I j

Where do you start? How do you sep - a - rate the pr&sent from the past? How do you
Which books are yours? Which tapes and dreams be-long to you and which are mine? our livesare
Where do you start? Do you al - low your-self a lit- tie time to cry or do you

B~7 EiM-7 A~A7 A~6 A~7 A~-6

1~~I'b e rrr he f r
deal with all the things you thought would last,
f I r r r f I iF
!j
that did - n't last?
j
J J 3I
with bits of
tan - gled like the bran- ches of a vine, that in - ter - twine. So rna - ny
close your eyes and kiss it all good - bye? I guess you try. And though I

J J J J J J J J I'EP~
G-7 C9 .. F9 B~7~9 @9

I~ Ibb r r r F r r r FI ........ 1
mem- 'ries scat- tered here and there. I look a- round and don't know where to start.
ba - bits that we'll have to break and yes- ter- days we'll have to take a -
don't know where and don't know when, I'll

(JI,A7 ~7

r r I ETr 'pi
Which books are part. One daythcre'll be a song or some-thing in the air a-gain to

C-7 F7alt »A~~ (Ji,-7 B~7sus4 B~o7 A~A~~ D.C.alCoda

t ~zll
'I:~'" C rrr ~
iii r r r I lr r 'D I (J r Y p I (£J r ¥ r r FI
catchme by SUl'-priseand you'll be there &egain. A mo-ment in what might have been. Wberedo you

• r rFrrrr ric [[.

I~ II'b
F-7 B~13 G-9 Cl3
FC [[rlcF [ r r [ [ FI
.
G-9 CI3

fmd my- self in love a- gain, I pro- mise there will aI- ways be a lit-tie place no one will see, a

I~ Ibl.
F 7sus4
rr r r rr r r r
FI3

tin- y part, deep in my heart, that

B~7sus4 B~7~fi

F r
stays in love with
F
~
It.....-

you.
F-7~
-
l-i t i l ,--
E)S
" «,
II

~ ..
 ~JI
522 SABORAMI Composer I

EJ,7 B~7 EJ,7 A~A7 G7 A~A7

, J J J IJ J_J ,J J J 11]_}!3 J7J_J 1j I J * J1 I

c- C-(~7) C-7 F7 F-7 B~7 ~:t;3-'

I~ ~~b DJ aJ In J n I J J J J J J J J IJ ¥ f! fn~n I
F-7 G-7 ~o7

JEJ tJ '}fa J J J1 I
F-7 B~7 E)6

I~ ~~I, J~J n £19 1J. Jl J i).Je_ LJ * - II

LUJON
Heruy Mancini 1960
BassUne
D-l
I?'fpf PC" ~1[FrJEFFFlpr

D-9 [§] 0-9 B~-7 A~A7

8=:___ .
,..-------:---r----

I~
~j~2. ~3_ ~
t_e
=
1.
== = J I t:r r rl .I rE-
U:E
• \,;.
IZ I. F-P
m
p-
F . I·
Fine

bA~ ~r-7-' ~A7

I~ ~r r I'E E I r r r::E: r IF ~F
FA7

I ,J
...-
V
-I E-7
Ii
A7
D.S. BlFine

II
 Samba
BRAZIL 535
Barroso/Russell 1939
-3~• Ab6
Verse
Ab6 .-3---, .-3---, Db7 r- 3-"

aI II I .. IJaJlaJal .. I .. IAa Ala j al .. I ..

Bra- z i l , _ - the Bra- zil that I knew, where I wan- dered with you _ _
Gb7 F7 Bb-7 Eb7 Bb-7 Eb7
I ~ ~!'I!~ J n I JJ rr I e
lives in my im- a- gi - na - tion.
I p - I' r p I r" n J.PI '1 r p r I f IT
Where the songs are pass- ion- ate, and the smile has flash in it,
n J.PI
Bb-7 @7 Bb-7 Eb7 Ab Bb-7 @7 Ab Bb-7 @7
I~ ~I!I!~ 'ED r I f nJ;ibr pEl r" n Jptil Jr J I.. ] j J I J r J I .. ] J J I II

and a kiss hasart in it, for you put your heart in i t , - and s o - I dream_ of old_ Bra-

I ~~~ ~ ;:\r r 'p I i\ ~ Uri ~ \~ ~" ~p I ~ Ir J~ ar ~ IB~;r Ir" pI ir 1m 'r t

zil, where hearts were en - ter-tain-ing June. _ _ _ _ _ __
~7 Bb-7 @7
I. jl,~~ 1,~ !~" ~ ~ I t'r 4t!'r ;b 11-" 1-'" I-F rn rn rIr F p J Pj
westoodbe - neath an am- ber moon. and soft-Iy mur-mured "some-day soon."
Ab Bb- @7~9 Ab Ab7 G 7 Gb7 [§) F7 ~7
I~ ~I'b~ II
Ir J I II IJ J I r r to -
I IT
geth - er
r I ..
then. _ __
"
We kissed and clung
F7 F7. Gb7 F7
"I~ ,hi,; rn rn rn IF I ;r pp r ~ I II
II

IFF F Me I ~r r Mp r D]
tom- mor- row was a - no- ther day, the mom- ing found me miles a- way
F7 Bb- IS 6 '5
I FF F hr I ~r r p r p- I e I-e- I-e- I-a I
with. still a mil-lion things to say. _ _ _ _ _ _ __
~9 Ab

Now,
I-e F F r IF; J) J pIe
when twi-light dims the sky a- bove. _ _ _ __
I-r J r r I
re- call- ing
P-7 Bb-7 99 Ab
I~ ~bl,~ r pJ )1jI.. I II I r F F I F P J pi" I r J I
thrills of our love. there's one thing I'm cer- tain of. _ __ re -
Bb-7 Eb7 Ab Bb-7 Eb7 Ab Uke Intrcrhyttwn

I~ ~I'I,~ .. I j J I" Ir J I .. I J J II" I" I" - - - I -

~
turn_ I will_ to old_ Bra - zil. _ __
 -----------~=-

I
536 QUANDO, QUANDO, QUANDO

B o7 IA1 C-7 F7 Yo Yo Yo
Renis/Boone 1962

B~ B~6
-
J J Ir F J J1f... I", IJ ~ F F IF F F Fie I eo 1
Tell me when will you be mine,____ tell me quan-do, quan-do, quan - d o _
When will you say yes to me.--,_ _ _ tell me quan- do, quan- do, quan - do._
I can't wait a mo-ment more,___ tell me quan-do,quan-do, quan - do_
B~~7 B o7 C-7 F7 Yo Yo Yo B~

I~ ~I, J * J J I r F J. i' I '" I ... U * r r I r r F J I'" i

We can share a love di - vine,,____ please don't make me wait a - gain_
You mean hap- pi- ness for m e , - - - - oh my love please tell me when_
Say it's me that you a - dore.-,- - - - and then dar~ tell me more_

l'· Bo7 ~'--2.-B"'-~- - ~ F-7 B~7 Yo

I~ ~~ ".. .JT * J J I r F J.
I,
-Jl' F t F r Ir r F I I
•
II

When will you say yes to Ev - try mo - ments a day,

•
Yo Yo E~ 0-7 C7
I~ ~I, F * F Fir r r I" I" I r *F Fir F F I " I
ev - 'ry day seems a lifetime, let me show you the way
Yo Yo Yo C-7 F7 Yo F7 B~ B o7 D.Soall.
I~ ~I, J IF F F I J I r F J. JlIl
r J F pare._ I__ I F * JI can't
•
I.
I * to a joy be-yond com-
II II

wait a mo - ment

SAMBA D'ORPHEU
Lu1z Bonfa 1959
•
 __ JAZZ SAMBA (So Danco Samba) 537
Jobim/Gtmbal 1963
B~7 E~ B~7

DD r pip r D rip r DD r pI Dr Dr' J) I

SO
A~7 G-7 C-7 F9 C-7 F7

J:-J J j) I } J }~J J I J ~l J~ J JlJ. j JI

r·
dan-ca sam - ba. so dan-ca sam - ba. vai, vai, vai, vai, vail SO
F-7 B~9 S,6 :> -$-1" B~9 EJ,.7
I~~b. Ji J J_J J J) I J J J_J J I ~ J ~: - ~ J ~ - I
1m dan-ca sam - ba. so
99
dan-ca sam - ba. vail
A~1>.7
So
A~6
B~-7

I~ ~I'I' J)'J J) J r I r' D p J ;b I" I"

Bos- sa No - . va came and took the town.
C-7 F9 F-7 B~9 D.C. a/Fine

I~ ~bh ); it; r IOU p- p J ~! I P r- > Jd @ aI 1 t·

Jet from Ri - 0 to New York and straighto Car- ne- gie Hall. So
-$- E~6 F9 F-7 B~9 S,6
I~~\- ~rlPF PDF plPF PDF" I~j 1)) ~IJ*- II
so danca sam - ba, so danca sam - ba, vai,vai, vai, vai, vai, vai I

I GO TO RIO
IAI - .1h..Take Coda on 2nd X
, C-7 F7 C-7 V F7 B~1>.7 B~6

1* &1. - [al-[ F- 1- FaIr [ FaIr FFaIr [- I- [an

1*~I,tti~t; EX- ~1 Bt~ i~6 Fr', 7
"([ EI r [ [ EIr r r F I

•
I
F7
Eb I>.7 ~7 A~7
l·

I* ,b FFr F ; IT F I'F ; J) F I ~~ - I r'

A-7~5 D7~9 G-7'
*.,.. ~2.G7sus4

C7fUs4
G7
1-" Fr * - I - I .
C7
@7

D.C aI Coda 2nd .

C7sus4

I* ,I, r r r r I IT IT I IT IT I r IT I IT r 1.- r lUI[ em t

C7 F7sus4 F7 F7sus4 F7 D.C. Last X go toC-7 B~ f.\

_ I*,b ~.I I , '1-n1i I]K I i r en I J F Jl:; II _e

 J
538 TICO TICO
IAJ A- E7/B E7/G#
Abreu/Drake

A-
1943
I
ain. Jl a J!!] IJJ I ;I1a ,l1] ,J J I D n ,a ) hJ I J
Oh, ~co - to-~tic, oh, ti-co - ti-co-tock, this ti - co - tko,he'sthe cu~koo in my clock, andwhenhe
1 J iJ JI I
I've got a heavydate a tet-a - tet at eight, so speakoh tko, tell me is it get-ting late? If I'm on
J
D- A-IE A- 11.B71F1 B7 E7
I~ ) J P JJ J]Il J fa E !' : J J,) 13 EFEr I .J 1 a I~ J~ I
says "cuck-oo'; he means it's
time,"cockoo", but if I'm
time to woo, it's ti - co - timefor a11 the 10Y-ers in the
late "woo woo" The one my
block. I've got a J
1 2oE7 A- ~ C G7
I, J J.J J F E F; I J y J hJ I J ] jJ i jJ PI J J ~ J U ~I •
heart has gone to may not want to wait. For just a bird-ie, and a bird-ie that goes no-where, he knows of •

I~ JJJ J j J J JI J 'r r r I FEE J - Jfu J I

J DrJ3 1l,JO J J I ;
ev- 'ry 10Y-er's lane and how to go there. For in af - fairs of the hean, my ti-co's ter- Ii- bly smart, he tells me

I~ J J J J J JJ J I J 117 J i.J I J] JJ jJ JPI(Y J d Q I • U

<4 gent-ly, sen- ti-ment-Iy at the start." Oh Oh I hear my lit-tie ti-co ti - co call-ing, be-cause the

C CIE F Flo C/O

I~ J JJ J j J J J I J J 1 r E 7I J ,) J J r r Er I r ~I
tikme is right and shades of night are fall-ing. I love that not so cuck-oo cock-oo in the. clock, ti-co-

D-7 G7 Jt
I~ E E F r J J 'f J ,3 J J J. II'"
ti - co - ti - co - ti - co - ti - co - tock!
~. .

~ _ Alo B-7 E7 B-7.E 7

I~'l#Fe lH r[j I [c FJL r rf I [011 r rJ I fc rrlr aI (((if Eg I

•# B-7 "E-7 ~ B-7 .-11-
.,.E7 A _
I~ I hEfCECt I [EGlUE[ I [crHEFf I [Ufferr I [e[J[EFf I
I~II moo I E!tEFPH I J]JJ_I utrmtflbiJJJI i*;J,JJII
# F#7 B-7 D E!,o AlE F#7 B-7 E7 A A D.C.BlFme
 ~--~-~~~-

MASQUENADA 539
Jorge Ben/Deane 1963

A-7 B-/A Yo
• I
1.

-t,J f E..J r I nr r"1

0000.--- when your eyes meet mine.,_ _ Pow! Pow! Powf ---."

tA-7
Ii
B-7~5 E7~9 A-

I J_J; J;;I l J J j J J I j J J
B-7~5 E7~9

J ) J 1> I
A-

]J J~J'J ;, I
Ii

Ow! It's --
a feel ing that be- gins to~ grow and grow and grow in- side - me. til I
B-7~5 E7~9 A- E7 A- (break)
~
I@ J n-
J J J J-LJ. l' J J I J
~
Pi] J J Jll ~
<<<C
~
L~' JI;'
~~
r prJ
feel like I'm gon - na ex - plode. Oh, this is what you do to me Are your. lips
D-7 G7 CIl7 C6 D-7 B-7~S

I~ l )!.Jl r p t J J :l J J! J iiI I .IL iJ a (rF j I F" H F=d

say - ing things that you feelin your heart? If yourheart is beaHng mad-Iy then
E7~9 A- B-7~S E7~9 A- B-7~S E7~9

I~-PJ ;b ;b J J] I d n I J)5J )J_} t} ;b I J J J J J J J J I

let the mus- ic start. Hold me, hold me, It's hea- yen 000 it's hea-ven when you
A- B-7~S E7~9 A- E7 . A- D.C..,stendingfigln

I~ Jl t).)1 J. }1 J. ;PI J J j I J O.;bJ ~~ I JL I) - I

hold me, I want you night and day, 000 I want you here to stay_ _ __

BIMBAMBUM Morales 1941

B~ F7 C-7 F7 ..-
,.-3--, ,.-3--, "-3~ \

1~~bfJ J r ~l)J Pr I J J r' ;lJd Pr' I ~ r r r r r I r F5J1J. I

B~ F7 B~ F-7 3 R~7 3 E~
~ ,.-- --, ~ --, r - 3- - ,

I~~b F J J. JlJ). ~ Jl J JI,~ r J I J J JJ

G-7 C7~9 F
"--3~ "--3~
IlPrr IJ -
 _I
540 MENINA FLOR. Louis Bonfa. Maria Toledo

•
.-

[8] Eb C+7 F9
I~ ~I!lzIl F P fr PF ;1 J J1 j '-I -& tJ i J :ttl .
F-9 IloBb7 D Eb Eb
I~ ~bl! J. J) J MJ_l3 Jllu I & II;d iJlJl J
F-7 GA.? E-7 A-7 D7
I~ ~"I' J illJ. I l 3 Il,;I\; Jtj 1m iPJ. I \J ,3 ~J Iptr- \J I
If ~I'I, ~;J
lsi F-9
l J )1 FlJ ;fJ,t)F P l:l3 p-I G~7
Db9 G-7
t 2

c- F-7
I:'7
2ndxate~
I

I~ ~bl' f 'r DDJ. I J. JJj I YF nJ I e I d PPJ.

IloB~7 G-7 C7 J20Bb7 Eb
I~ ~bl, oJ 3lJ p-I - I e J J J l3 M-e IJ - I
.. B~7 A -7~S Ab-7 Eb/G

I~ ~bl, j
Gb7
Jl J JI 9:
F-7
l l J tl!:3 J.
E~7 -
J J I!: l l J
Eb~9
l
I ~I'b
f :I- J. JJI 1: l l J l35J. J q~:
THEIR'S TEARS Claire Fischer

C7· 9
IJ.

Ab-7~S G7 C6 Gb7'1l~2oDb~7 Galt7 C7alt F-

I~ ~hlz\n ~J l ~Jr" P1~J pI r d. I II In
 BESAME MUCHO 551
Velazquez/Skylar 1941

[8] D-

I*~ Il J J J_LU J J J
G-61A D- r-- 3 - - ,

1
G-

J t
G-(A7)

IJ. J
Q:1-
I J J n ~t=J
J» I
Be - sa- me, be- sa - me much - 0, _ __ each time I cling to your
Dear-est one, if you should leave m e , - - - - each lit- tie dream would take

G-/F A~,..-----:-3--,
7fE D- A -/C G-
r FI
r-3-,

F F FE hE FI II j l 1
kiss I hear mus - ic di - vine., _ _ __ Be-e_----'-:..._ sa- me much - 0,-
wing and my life would be through,, _ __ be sa- me much - 0.-

*~ J.
1
E-7~5 A7~9

IBI
D-
~ I pm J
D~

hold me my dar-ling and

fa I 69
love me for - ev - er and
B~7 A7

g~~
say that you' U al - ways be
make all my dreams come
D- G-/D

(1
mine _ _ __
true_--
D-

I_J Fme
* II

G- D- E~~ A7~ D-

I*~ J n FrJI J J J 69 l;b J J J "

This joy is some>-thing new, my anus en- fold- ing you, nev- er knew this thrill be - fore,
G- r-- 3 - - , D- A7 D.C. a1 Ftne

an J J JI J J J e I
who ev-er thought I'd be hold- ing you close to me, whis-p'ring ""It's you I a - dore."

SPANISH EYES _ Kaempfert/Singleton 1965

• G D7
I* ..JJ J J I
Bluc- span- ish eyes,,___
* I jJ J ); J J I J
tear- drops are faII- ing
J J. ~ I" I r"
from your span- ish eyes, _ _
*I

fn
pret - ti - est eyes in all of Mex - i - CO'.--,_-
D7 . G

1*1 --0 J J I _~"IJ ~ I

Please._ please don't cry, this
J J I J J J.
is just a - di - os and not good- bye: _ _
&11 ..
True,-- span - ish eyes, please ~mile for me once more be- fore I go, _ _
G G7 C

1*' '" IJ J J I .. tJ * I j) J J; J J I qJ J J J I .. Ir-

SOOD__ I'll re - turn, _ _ bring-ing you all the love your heart can ho),u..d_ _
c- G D7 G

1*1 IZII
IF E r I e:= I-F· F I P
Please__ say sit si,_ _ say
r p J J I J J J. .pI
you and your span- ish eyes will wait for
Q;

me_ __
La II
552 BEGIN THE BEGUINE Cole Porter 1935

C C6 Cb.7 C6 C C,o D-7 G7

I~ Ilf fn ;. 11..~J;1
When they be- gin__ the Be> guine,_
a l J ~ J I TN ~ I f ~ HJ I J ill. ~~I
it brings back the sound of mus-ic so ten- der.- it
with youonce more_ un-der the stars,_ and down by the shore an or-chl>stra's play-ing,_ _ and

I~
D-7
En
ev - en the palms
r- 11 F En I r J J. JI f'D J. IE J. )1 OJ ~
brings back a night- of trop-i-cal splen-der,_
seem to be sway - ing_
j
07sus4 11.G7

it brings back a mem-- - o-ry ev-er gree.__

when they be- gin
C
J~
I'm

1 2. G7
I~ J_lJ ~I... IJ. J I
the Be guine._
C

To
C-
fjU ;.
live it a-gain_
F7
n
3

iJ J T I ~r j I J J I
Bb Bb-
s==:rw
is past all en deav-our.-- ex - cept when that tune
3

JI
Eb7 Abb.7 A-7~5 D7~9 G Ab G
! ..-3---, I ,-3--, I ,-3===l
I@J WJtJJ I " I r-
clutch-es my heart,- and
rI F F 'F I r F F r· pI IT
therewe are_ swear- ing love for- ev- er,_
F' I T F F ;fP I r WI
and pro-mis-ing nev- er,
F-7 ..-3-, G G7 C C6 3 Cb.7 C6 C 3 .-3~

I~ d J~J JI a I j. 'Jill fA J I J Jin I ... I J J I

nev - er to part What mo-ments di vine, what rap-ture 51> rene,--=-
fill J ~ JI
till clouds came a-long to dis-
C7 D- 07 F- D-7~5
3 3 ,,--3---, r- 3---, r---3::::::;::J

I~ ~r' J1 TfJ I J ill q I rB"J F Fit FE F P I r IJ I

perse the joys we had tast- ed.__ And now when I hearpeo-ple curse the chance that was wast- cd,

I~ J J I J J J l
I
G;sus\---,

know but too well_

iJ_'
G7
J ,I
what they mean.-
C
idJ F F~ t t U
~ ~3---, .-3---,

so don't let them be - gin

C6
U I FH ~ I
the Be -
let them be-gin the Be> guine, make them
C6 ~3----, C6 07

guine.
I r FE I
let the
r r r r-
love that was once a fire
DI r- D r
re- main an
p I F l LJ t ;fJ I
em - ber, let it
play, till the stars that were there be - fore re - tum a - hove you, till ou
F D- 3 E-7 A-7 D;L.3--, 1·07sus4

. when they be- ginl-_ _

sleep like the dead de - sire I on - ly re - mem - ber,-,_ _ the Be-
whis- per to me once more "Darl- ing, I love you"_"_ and we sud - den-ly know _ __

! C ~2.07 D-7~5
,---3--,
G7
I@ El: LW F F &j.. ;; IJ j J l I oS

guine. _ _ Db yes what hea - ven we're i n , _ _ _ when they be-gin_ _ __ the Be-
C

I~ guine,
....Jj.
__
* I ]73 l I r
D-7
LJ>w<J) J pi" I" I" I"
when they be- gin _ _ _ _ _ __
El:

the BI> guine _ _ _ _ __

D-7~5

e
G7 C
I
 fA) GREEN EYES Menendz/Rivera 1929
553
~ ~67 ~6

I'~I'I, I' !) j J il J ~ f" g r- I r- ~ E r F; I r" D--="'r r

Your green eyes with their soft lights, your eyes that pro- mise sweet nights..-,- -
Those cool and lim - pid green eyes, a pool where- in my love lies,-,- -
EJ,67 Eb E 07 11. F-7 Bb7
1'~llq J1 i J J1 I r Dr I r" p J J JJ I .. I r JJJ JJ I
bring to my soul a long - ing a thirst for love di - vine ~
In I seem to
so deep that in my search- ing, for hap- pi- ness I
F~ B0
I, ~1z11 f" D r I E' ~ r r F; I r" ~-r I~r DE IT F ¥
hold you..-,- - - to fmd you and en - fold you,.-,- - - - our lips meet, and our

C7 F7 Bb7 ~2" F-
I, ~1z11 J. ti 1 U to \J U I ... I F" ThJ)ose cooj 1anjd lim"d
il - pIJ '"
hearts too,.-,_ _ with a thrill so sub - lime _ __ &
leaI,-,__

Eb

that they will ev-er haunt me,.-,_ _ __

Dr r F 1 I F"
all tbru my life they'll taunt
p-r-
me,-,_ _
t
- F7 Bb7 £1,6
P .r J JJ I r" ~~F Fir F r r F I ..
true _ _ __
I" I
butwilltheyev-er want me, green eyes make my dreams come

MORE Ortolani/Newelll962

G67 E-7 A-7 07 E-7

J J J I J J J F I J. F I Ii I J. J J I J IJ J J I
More than the great- est love the world has known, this is the love I'll give to
More than the sim - pIe words I try to say, I· on - ly live to love you
Long - er than e - ver is a long, long time, but far be - yond for - e - ver,
A-7 07 E- E-(b.7) E-7 E-6 A-7"
I~I J. j I II ~ J. ;JIJJ.j JIJ. i1IJ jjJIJ.FJI
you a - lone. More than you'll e - ver know, my arms long to hold you so, my life will be
more each day.
you" be mine. I know I nev- er lived be - fore, and my heart is ver- y sure, no one

• A7 A-/D 07 D"c"NorepeatalC~" A-7 07 G6

I~ F F J j I J j j J I J j j ,0 I I J j j J I ~ 1-.. I
in your keep- ing, wak- ing, sleep- ing, laugh- ing, weep- ing. else could love you more _ __
554
lAJ C CA7 C6 C+
AMOR
C E-7
Ruiz/Skylar 1941

A-7
•
1~1l p~ r A- mor,
!f 1>1 J. '1:p1 :±JjJ !fJ
a - mor, a - mor,__
J)I
this word so sweet
J 'J UJI,J
that I re-peat,
If J
means I
U) I
a-

•
A- mor, a - mor, my love,_ when you're a- way there is no day and nights are
0-7 G7 D- 0-(1.7) 0-7 G7 0-7

I~ j l IJ , 'p I r !f PI J i) I" IJ !f f J JI J !fJ J W,

dore you._- A - mor, a - mor, my love, would you de - ny this heart that
lone - ly.__ A- mor, a -' mor, my love, make life di- vine, say you'll be
1 1'G7 Bo C6 B7~9 E- F#-7~S B7

. I~ J 1 J J J I j JJ..J * 1 41 1 F J?J EE E r I j J?J IS ¥ )1

Y

•
I have placed be- fore you__ can't find an-oth-er word WIth mean-ing so clear, my
F#-7~S B7 E- G E7 A-7 D7
I~ j In J J J JI J Jq;J J ~ j) I F U ECE; r 0 J ¥ j) I

I~
lips try to whis-per sweet-er things in your ear.
A-7

rn
D7

F r
this soft car - ess - lng word
F ~ IFF J
~
D-7

know
But some- how or otb-er noth- ing sounds quite so dear
G7

n j J 'J
12. G7

A - mine,
Bo C6

J J I j lJj - I
and love me on - l y _
as

•
• G7 C6 A~7 C6 A~7 C
I~ J ,J JJ I F" pr I r *r I a -
I r * ra - I"
II
mor_ _
I" I" I"
mor.,_ _ _ _ __
I
mine and love me on - ly_ __

POINCIANA
Simon/Bernier 1936

G7 C-6
IJ. qJ I ~J
Poin - ci - an - a.- your branch - es speak to me of love,-,_ __ The pale moon
Poin - ci - an - a.- some - how I feel the jun - gle heiU.at- - - with - in me
Poin - ci - an - a.- tho skies may tuID from blue to. gray'-l§b my love

I~' JjJJ qJ J ~J j
is cast - ing sha - dows from a -
J JI G::b ~7 p jj - I ~fqJ H ~F' )11
bove.__ Fine Poin - ci Love is ev- 'ry-where, its
there grows a rhyth- mic sav- age beat. _ __
will live for- ev - er and a day. _ __
07 C- A-7 D7 D.S. alFine
'

I~ • r' ~p J J JJ I" I"

mag-ic per-fume fills the air,__
I~nJ n ~r'~] r ~p j J J JI .,
to and fro you sway, my heart's in time,I've learned to care_
I-r r pll
Poitrci-
 m
SPEAK LOW
We1ll/Nash 1943
555
l&
t
I ~ I' J
Speak
Speak
t G-7
II

low__
low,__
C9
l;j J J J I
,--3---,

when you speak,

dar-ling speak
G-7
II

love,_-
low,__
C9
I J. )l
r-3~

J HI
our sum-mer
love is a
G- 7

day with-ers a-
spark lost in the
r - 3---,

;j J J J I
We're late,__ dar-ling we're late,-- the cur- tain de - scends, ev - 'ry-thing

It~ J J I
C9

way, too
dark too
A-7~5
r rI r
soon, too
soon, too
D7~9

soon. Speak
soon. I
JI
B~7
II

low__
feel__
E~7
I r' p rm
when you speak,
wher- ev - er I
-$-
I
B~-7
II
love,__
go,_
E~7
I r &:l
our
FE I
mo-ment is
that to- mor- row is
ends, too soon, too soon. I wait,-- dar-ling I

Cf2-,-, I'· F B~7 07~9 J2. F ~ ~,

It I
0-7 • qL,-,
J. ~
swift, like
j
G-7
J J I J. Ji J J J I J J I J
ships a - drift, we're swept a - part too
A-7
j
soon. Speak
J II
soon
I I
II ERr
TIme is so old
near, to- mor- row is here and al- ways too
A~(A7) A~6 @A7 D~7.n C7

Iti hr d
and love
J W
so
I "
brief,
GfSF r-
love is pure gold
I~ J
. and
J. J I J i II
time a thief. we're

•It~ A-7~5

Ii

wait,
IJ
D7
j
win
F
you
r rrr
speak
G7

low to me, speak

p
G-7

r rr
love to me
Cl3
pI
and
F6
It!"

soon
I-a II

PERFIDIA Dominguez/Leeds 1939

D-7 07 . C A- D-7 G7
j
To
I r- p r ferlRD
my heart cries out "Per - ti - di - a"..-._ __
J. P rr r FI
Y011Ju.._ _ _ for I found you, the
Your eyesi___ are ech - 0 - ing per - ti - di - a , , - - - - for - get - ful of our
And now___ I know my love was not for you1.-._ __ and so I'n take it
~--------------r-----
-$- Q.:L3 G7 E7
)'1 J iJ j WI
love of my life, in some- bo- dy el- se's arms.,_ _ __
pro- mise of love, your shar - ing an - oth- er'; charms _ _ __
[W back with a sigh, per
D- E7
I~ J J J J J J J ,) I J. .Ji J J J J I la
sad la- ment, my dreams have fad - ed like a brok - en mel - 0 - dy,,-------- while the
D~ E7 -$-D-7 G7 C
Iri
".

1 j rl II I
JOds of love look down andlaugh at what ro-man-tic fools we mor-tals be. And tid - i-a'sone good- bye.
556 ALWAYS IN MY HEART
B~
Lecuona/Gannon 1942
•
f1 r r r r I
You are aI- ways in my
't:
heart,- ev-en tho' you're far a- way_ _ 1 can hear the mus-ic
:&9 B~ID D~o7 C-7 F7 C-7 C-7~5

I~~~ J) J J J I J J F J I ell
of the song of love 1 sang with you.
n PE rr I elF fJ FE
You are ai-ways in my heart.- and when skies a-bove are
r rI
F7 C-7 F7 A7 B~ F 7sus4
I~~~ '.. l)niJJJI J)] J JI J J J J I u-.lJp FErrI!
gray,_ I ~me~berthat you care, and thenand there, the sun breaks through. Just be- fore I go to
B~ F+7 B~ D-7~5

I~ ~I' 'k I) ;J j J J JI e I J f1 i JJ 13 I d~J3 #3 J I

sleep,- there's a . ren-dc>vous I keep,_ and thedream I ai-ways meet, helps me for-

J r r I ,.
07~9 C- :&-6 A~9
I~ ~~ I,J r ir r rII r iJ I iJ f? E iF eJ I
get we're far a - part._ I don't know ex- act-Iy when dear, but I'm sure we'll meet a-
B~ B~ID. D~o7 C-7 F7

r t
gain dear,
I _J ;1 r r rrI
and my dar-ling, till we do,
«.
UiJU 01
you are aI- ways in my
e
hean

YOU BELONG TO MY HEART Lara/Gilbert 1943

, E~A7 E o7 F-7 B~9

I~~IIII
C1 F
You be-long to my
J J f E!

heart.-
I J. J> F" P I
now and for- ev - er,
r j.... I
- J E r F ~J J I
and our love had its
<Twas a ma-ment like this.- do you re- member?_ And your eyes threw a
F-7 B~9 E~A7 B~7sus4 E~
I~~~~
P{ ;z
II-

start,
I F
z::
r r P -I
not long a
E!

go.
W- e r I
We were
rrr F [J I
gath - cr- ing stars while a
kiss, when they met mine. ;, Now we own all the stars and a
0-7 C7~9 F-7 B~9 F-7
I~~IIL J j £J J J ]
F E1
mil-lion
F
gui - tars played our
I
r j....
love song,_ _ -j ~
EJ
when I
I
F
said "I love you" ev - 'ry
I-

mil-lion gui - tars are still play - ing, _ _ dar - ling you are the song and you'll

E~ B~7 12. B~7... 4 B~7 EIr_

beat
J JI
of my bean said it too.
e I~ c:r F J JJ J
<Twas a ma-ment like aI -
J J F eJl " I" I
ways be- long to my heart._ _
 SOFTLY, AS IN A MORNING SUNRISE 557
IAJ 0- E-7~5 A7 0- E-7~5
Romber~/Hammerste1n
A7 0-
1928 A
V

1£ ~ 06 r l

J2)
Soft - ly.-,_
oj
I 1 d J J J j I rJ~ j 113 J
as in a mom- ing sun-rise,-
JJ
the light of love comes
j I J. Jl~j
ste~ing
1

Flam- ing,_ _ with all the glow of sun- rise.-- a bum- ing kiss is seal-ing,
Soft - Iy.--,- - as in a eve- ning sun - set,- the light that gave you glo - ry
[§IF
:1 ..
''E-7~5 A7~9 _¥"
., * J J f J J ~> II'r J!J
in - to a new-born day'.-,- - - oh. For the pass-ions thatthrilI-- love,---
the vow that all be- tray'_ _ __
A-7~5 07 B-7~5 E7~9

I~ ~ 'r [ r F U' I<~It) 11 F r F r U-l

and lift you high to hea - ven.- are the pass-ions that kill love..--- and let you fall to hell,
A7 E-7~5' A7~9 .. E-7a"TB~7 A7 0-
I+cr ¥[ IPr fp [ I Ii J F L;
will take it all
1 e

a- way,_ _ _ _ __
II
so ends each sto - ry.

STRANGERS IN THE NIGHT Campfert/Singleton

F
JJJJJ 1 j J 3 J J J 3 J J J ,J-1,J J J J J J
I I
Stnmgers in the night.--- ex - chang- ing glaD- ces, wo... d'ring in the night.-- what are the chan- ces,
ev - er sincethat night.--- we've beeil to- geth - er, lov - ers at first sight.- in love for- ev - er,
• A10 G-7 C7
J J J, J J I JJ J J J J I
we'd be sbar-ing love--- be- fore the night was
e
throughl _ __
I r· *I
So~thing in your eyes-
it rumed out so right-
C7 G-7 C7 G-7
I~~) J JJ J J I J J J I JJ3JJJI 3 J J J ,J I
. C7
was so in- vi- ling,
F
j j
some-- thing in your smillc-e_
F7
was so ex-ci-ting, some- thing in my heart.- -
~I+b J J J j J J I .(' 1<" IrE E1 t 12C1?WO r -J r J I
told me I must have you s~- gelS m the night.--- lone-Iy peo- pIe,
A-7~S 07~9 G-7 B~6

~ gers m e night,...........: up to the mo-ment w en we said our firsthe~lo, lit- tie did we know,
F_ 0-7 G-7 C 7sus4 D.C.s/Coda .. G-7 C 7sus4 F
rl+~ EJJ
".,
n JHI EJj) J JJ
love wasjust a glance a-way, a warmembracingdancea-way. And
j I I J3 J J J J I
for stran- gers in the night.
II I-I
558 YOURS Roig/Gamse 1931

I" ?, CIE ~o7

I J - ~ ~ JlJ ~ I r' pF ~ I
Yours till the stars lose their glo - ry, yours till the birds fail to
Yours in the gray of De - cern - ber,_ _
07 D-7 07sus4 07 D-7 07 0-7
IJ. * I J. .l ~ J I r' PF J I r' 'p r I*J J J I
sing, _ _ __ yours till the end of life's sto - r y , - this pledge to

~7 .~7 ~r ~I
G7 0+7 0-7

I~ J. J) J I J ~ J IJ. J1J J lEt

you deal';::: - - I bring. here or on far dis - tant
0-7 A+7 D-7 E~07 CIE Al... 0-7
I~ 'L IJ- I J. 1M J I r' prJ I J ro In J I J J aI
shores,___ I've nev - er loved an - y - one the way I love you, how could

I* II
1?_ _
F-7 Bb7

I ~ J J J I ]i J be,-_
when I was
~t _
C

I) ~ J I.
born to
A7 0-7 07 C

------
y o u r s . - - - -_ _
•
AMAPOLA LaCalle/Gamse1924

B~ Fsu~ B~
, I~ ~I! J J f F ( I<r PEe 't Ef I d r I r .. 11 J ill J J I d J
A - rna - po - la. my pret- ty lit- tie pop - py.- you're like that ]ove-Iy flow'r so
A - ma - po - l a . - - the pret- ty lit- tie pop - py,_ must cop- y its eo - dear - iog
11'B~1D 0~o7 C-7 F7 F7 F7sus4 C-7 F7
I~ ~~ F' J I I] t U*J JI ;J r IF')) J 3 J
sweet and hea-ven-Iy, Since I found you, my heart is wrapped a -
C-7 F7 C-7 F+7 Bb
J J> I.), l ~ J J J I J J I J ,a I J J t I) * J J )
round you,_ and loy - iog you, it seems to beat a rhap- so- dy, _ _ A-rna

* r'
I ~I!
1 2'0-7

charm
07
F I
from
C-7

you,
It j-r * r
G7
F I J
A - rna -
C-7

po -
(""
la.---
~-

I---r * Fr I
A - ma -
BblD Ob o7 C-7 F7 Bb
I~ ~Iz;) r I r * r r I r J fa J I r FIE J Ir -
po - l a . - - how 1 long to hear you say "1 love-- you, "_ __
 TEA FOR TWO Vmcent Youmans/Caesar 1924
565
Bb-7 Eb7 Bb-7 Eb7 Aba7 Db7 C-7 B07 Bb-7 Eb7
1~ ~I!I!~ !If J. Jl J )1 J. iP J. Ji 1 J mJ. Ji 1 J. Ji J. m1 J.;il J )1
Pic- ture you up - on my knee, just tea for two and two for tea. just me for you and
Day will break and you'll a- wake, and start to bake a sug- ar cake for me to take for

BJ.7 j) ~7 ~ (;. B~
you for me a - lone _ __
1 ct * F:7
No- ~y near us to see us or hear us, no
all the boys to see _ __
Ca7 F7 E-7 Eb07 D-7 G7 D-7 G7
1~ ~I'I!~ IF lJ \J ;: 3 1IF U\J
friends or re - la-tions on weelE-end va - ca- tions, we
or: 3 1 F Ej" iF
won'thave It known dear, that
n 1 F
we own
E:5" IF F
ate-Ie -
1

0.7 B~7 Blz7 Y: 2'.~_7~51 ~7~9_ C-7~5 Q,7 F7

1~ ~I'b~ l" J -" •~ - r' r'
• t
phone..--
A 07 Bb-
F
dear,
-

Gb9
see
Ab/C B 07
I
We will
Bb-7 £1,7
raise
D I C' P
a fam - i - ly,
Ab6
DI
a

" I~ ~1z1,~ E?..

: Ii' .-
m
~
boy for you a
T. I F~' ~~ F~' ~.~:I ~j.
C'= lit:
girl for me, oh
J'~'
'::1
can't you see how
J)L I J
if· J1L::1~, D I
hap- py we would
I)

be?_ _
I I) II

" CHERRY PINK AND APPLE BLOSSOM WlUTE

"• (AI Louiguy!David 1950

1 ~ ~I!I" J jJ J J J 3
It's chef-ry pink and ap- pIe
t F-7
~ ;1
blos-som white,--,_
,J
Bb7
l!f ( c C J J J 3 I
when your true loy - er comes your way,
Eb
e

The sto- ry goes that once a cher- ry treec;,.,-- be - side an ap - pie tree did grow,
And that is why the po- ets al- wayswrite:.--._ _ if there's a new moon bright a - bove,
F-7 Bb7 E)
JJ J J 3JI ~ f J r J F ~ J1e Fine
I
it's cher- ry pink and ap - pIe bIos - som white.--- the po - ets say,
and there a boy once met his bride to be, long, long a - go.
it's cher- ry pink and ap - pIe

l~jl'I,Ir--l~-J-JJ-J--W-3-J-"~-2j-¥-r-r-rB~ tc r r
b~- som white,

!C CF1~ FF r
when you're in love

~E r F1
" The s~ry goes that once a The boy looked in - to hereyes, it was a sight to en-thrall,the breeces
And as they
1.
gent-Iy ca- ressed, the lov-ers lookedup to fmd, the branches
Eb J 2, £I, 17\ D.C. al Fine

J
1
J JJ 31 r rr , J J J J J J J JII
joined in their sighs, the bIos- soms start - ed to fall. And as they twined. And that is wby the t»ets
of the two trees were in - ter - twined,
 I
566 FRENESI
Dom1ngeuz/Charles 19391

B!,-7 Eb7 A~ B!,-7 Eb7 A~ I

Sf
• •
j j
J F BIJ)U}J Iii I tUlJ I
Som~time a- gu-o_ I wcurdered down in- to Mex - i-co. While I was there, J

1: *
~ ~lzll~
p .-
B~-7

Ii ~ ~ ~
Eb7
F 3
~ :3~ I

I felt r<>-mance ev-'ry where,

A~
«i IJ - I
~

moon was shin - ing bright

A7
J j J \4 I flU 13] if
0-7 G7

and I could hear laugh- ing

@ II
I
~ A7 0-7G7 ~ A7 0-7 G7 C £\,7
J j 3 \d I j - I 7J JJ IJ I J 13 gJ J if B Ir! ~ r I I
voi-ces in the night Ev- 'ry-one was gay.-- this was the start of their ho - Ii- day.

Eb7 I
F 'P r I E r F} r II
It was fi - es- ta down in Mex - i - coo- and so I stoppeda- while to see the show,
A love- Iy se- no - ri - ta
And now with- out a heart to
caught my eye..---
call my own..--
I stood en-chan.. ed as she wan-dered by,
a great- er hap- pi-ness I've nev - er known, t
Eb7 A~" B!,-7 Eb7 A~
I~ ~'b~ ErE J J J J J I J '~l r I l J J J F nI II I
I knew that Fre- ne- si meant "please love me".
and nev - er know-ing that it
be-cause her kiss- es are for
came from me,
me a - lone,
And I would say Fre- ne- si.
I gent - Iy sighed Fre- ne - si. t
I
A love-Iy se-no- ri- ta She stopped and raised her eyes to mineo- her lips just pl~ed to be

C Break C F-7 B~7

I
,
I~ ~I!hj e I 'f J J ijJ ~J J J J I e 'f J J J J J1 I I
kissed.-- her eyes were soft as can- <lie - shine, so how was I to re-

I~ ~I.,j
B!,-7 E)7 Break

]
D.S.a/Coda .B~-7 E)7 A~ ~
e
I JJJ E;.:t ~ II I Sf
F F F r cr I II
I II
II
sist?_ And now with-out a heart to who would- n't say Fre-ne - si.

>....: ...
 ....
~ ------------------~==~

NEVER ON SUNDAY 567

Hadjidakisrrowne 1960

~ B~7 E~
1'~j,IzI:lfJl£JHt F fflr air 0ffer l e
tJ Oh you can kiss me on a Mon - day, a Mon- day, a Mon-day is ve- ry, ve- ry good._
Or you can kiss me on a Wednes-day, a Thurs-day, a Fri - day, and Sat- ur- day is best....., _ _

E~

• e

•
Or you can kiss me on a Tues-day, a Tues-day, a Tues-day, in fact I wish you would._
but nev- er, nev- er on a Sun- day, a Sun- day, a Sun- day, 'cause that's my day of rest. _ _

E~/O 0~o7 Bb7/F

I F (J r FIEF t
Or you can kiss me 'on a Most an - y - day,, _ _ you can be my guest,-

B~7 P-7 B~7 I'.

I*~bq (F r FI" I r u FF
• an- y day you
Just name the
say.-
day,__
but my day of
that you like the
resL besL

DANSERO
• I*~~ [AI
Hayman 1953

•
0-7 C7 FA7 F~ FA7 F6

J Pta. ,l' I J rJ_J

liold me clos~
,))1 J p l_J
and hold me tight.- hold me now while my head seems light.--
If I dream- of new dc-lights._ it's a part of this night of nights.__
liere be - fore_ my ve - ry eyes.- I could swear this is pa - ra - dise.--
0-7 D7 09 C+7 F6

3. J
thrills like this_ lin - ger so,__
j I J J J J d J I J- AW
when I hear them play Dan - se _ ro_ FIIItI

o.
3

B '• .
~
and while 1--
this
A7
is all_
feel this glow,__
mine I know,_..
A+7

~1*~~~J~J~J~J~J~J~J~J~I§J~f]~~J~J~J~J~I~J~M~£~.gJ~~.~Je~I~~e~~
let them play and play Dan - se - ro_
when I hear them play Dan - se - ro_
D71U

B In my heart I know that if I've heard one tune, I've heard a thou - sand themes .
07 G+7 C7' 1l G-7 ~ C7
• I*~ d J J J JJ J I J J (JJ J JI J
but still and all I find there's on - ly one that thrills me to
i =a J I
ex-tremes,_-
'! fF r I
and so it seems.

•
D.C. aI F",.
568 MORNING Clare Fischer - Cal 'ijader

, J
£\,-7 A~7 D~~7 @7 C-7~5 F7~9
.
lB~-7 97 ,
.
~

12·B~7 £\,7 ~ 7
I I I

A~7 ~~7 ab7

".

F-7
I

B~7
- I

~ I I I ,. r
- I I I r -
A~7 C-7~5 F7~9 D.S.aJ

!j F P IF P 1- * t:: F I

CARAVAN Duke EIlington/TIZ011937

lightl.-_ _ _ _ that shines - pon our ca- ra - van . Fine

keep thismem'ry of our ca-ra- van _ _ _ _ _ _ __
true with- in our de-sert ca- ra - van _ _ _ _ _ _----'_
Swing IBI F7'
~.
C-7~5 F7~9 F-7~5
I •

,~
Inst. a1f. Thi~ is so ex ci - ting, yon are so In vi - ting,
"
~ uO""
, B~-7 G-7~~C ..
I

~
II I
rest - in8n my anns, as I ~l
L.::
to the ma- gJ.c chanm;.
- , ,... . of

I I
-.J
• BLUE TANGO 575
Anderson/Parish 1962

Eb Bb7 Eb
~
I&~1z11 B 'I
au r E ~f r I ( E r j
:I
J J J I )\ i i
D
~ i
P j
I j: J J I
~

Here I
While the

•
•
• ! I·
danc- ing

2
1 . Bb7
~
to the

..
tan- go we loved when

~
ftrst we met'--_ _

Eh
While the

I@n J1 ~ l F" Jlll J l ~ J I ~UU rr 'r r Ileu 0 J JI

love was a tune that we could- n't soon for - get As I
181 Ab Eh So just

t
I-~ ~I.I! - J- J
kiss your cheek~
d
d1U I; r ~[ t:! r OJ~ -J I ~
we don't
J :-ill I
.-=-.t -~
have to speak_
'r ~~
_ ] -J I.
the vi - 0 -
hold me tight- in your arms to- nigh~ and this Blue

Bb7 . 11. Eh EJ,7

I~ ~I'I! -) FP r- )l i r Fr r Jj J JI LJJ J JI \U 't J J ~
lins, like a choir, ex - press the dc>sire we used to know not long a - go. So just
Yan- go will be our

12. B~7 Eh • Bb7 . Eb

I~ ~bl, J J J J J J I ..., Y~EJ JJ d J E@ JJ £j J] I ~ " Jl Jl, Jl , Ij ! II
thrill- ing mem- 0 - ry of love _ _

ine

1-M
j
576 KISS OF FIRE
I-~

Villoldo/Allen 1952

I
JJ
I touchyour lips and all at once the sparks go fly-ing, those dev- il lips that know so well the art of

C7 I
I~ ~I'I,~ f a J. J J J I J J J ~J j J
r
J ~
coo
I P r· r !F j
rI I
ly- ing. And tho' I see the dan - ger, still the flame grows high - er, I know I

F- ~ F-
I
fJ_J 'J J J II i j J J
must sur-ren-der to your kiss of fi- reo Just like a
Give me your
torch, you set the soul with- in me
lips, the lips you on - ly let me
I
F7 Bb-
r· l ( rj I
~

r r r JeFrllDr 1 f ]JI 1
burn - ing,
bor- row,
I must go
love me to - I on a - long
night and let
this road of no re
the dev - il take to
- tum- ing.
- mor-row.
And tho' it
I know that
F- C7
,
J J • aI f J_J f a J I Ji ~J J; J J J JI I
F r '1

bums me and it turns me in - to ash - es, my whole world crash - es with- out your kiss of
I must have your kiss al- though it
F- Eb7 Ab
I dooms me, tho' it con - sumes me, your kiss of fi-

j j
Ftne
J qJ JI P r r F r yip r l J J J JI I
fire. I can't re - sist you, what good is there in try - ing, what good is there de-
reo
Ab C7
I
J) f J J qUI JJ_J , J I
J J J JI
I
ny- ing, you're all that I -
P J P F P
de si- reo Since first I kissed you, my heart was yours com-

F- Ob C7 Ob7 I,
I~ il,l,~ FJ J J J J I J J k<
!j
~J J J J a !3
.p
>
I V "E F FFI
plete - ly, if I'm a slave, then it's a slave I want to be, don't pi- ty

C7 Ob7 C7 D.S. alFIM

I~ ibl,~ ,.-
J ~
;;a ::::

V r F r r I-r j
J J
me, don't pi - ty me. Give me your
• 577

C7 _ F- C-
I*~I.I! fJ La JJ J I J j. I,. ED iH J I.. I Jd PEJ r 11d DEJ r I
c- ~
• * cry
I ~'I, ~
G7
1l J ijJll j) * r * I EiU; ; r pI r J. I iJ JJ r· ;I'll a J. I
* F- c-
n JJ r· i' I a J. H J J. 111 J. J1 J I
I ~bl! [IF rF ,. E p I r J. I
G7
Jl
• c- c-
I* * J J. JlI J. 1l lOJ I * J J. IJ. Jl {H I* J J P IJ * r
G7 F-G7 :>

• jbb J)

LA PALOMA
578 I JALOUSIE Gade/Bloom 1925
I
Jeal- ous - y , _ night
I
and day you tor - ture me,_ I some - times won - der;-- ,;':

B~- B~
F+7 F7
I! ~I'I,~~ J J J J J J I J (1) Jl J 13 J 13I r ;p It I) oJ iJ d ~ I
I r-- 3- - ,

'-' if this spell that I'm un - der_

I can on - ly be a mel- 0 - dy. _ _ For I know no

E~lBb Bb- DblF F- Gi7~53-, 9--3--, F-

I! ~"Ih J. -Ji JJ) i J U I J J I ~ f r f J IJ I IJ~ l)1 r J I I
one but me_ has won your hearL.- but, when the mus - ic starts.- my peace de -

F7 B~- B~ I
I! ~I'b~~ J J 3 I ;===yg
parts.

B~7
From the

I! ~I'b~~ J f J I J~a J J J I
E~-
j J J I J_A
mo - ment they

r--- 3 - - ,
play

e
that Ian - gour - ous

H
C-7~5
,!)
I..
strain

J J IJ d 1 I I
IF JJI
and

~~ ~
we sur-
•
ren - der to all_' its charm once a- gain, this jeal- ous - y

that tor-tures me is ec-sta-cy, mys-ter-y, pain _ _ We

[§] B~ BblD D!,o C-7 F9 C9 F9
I!,~b. J r j I J j J I e IJ ,a I J r r Ir rj I
dance to a
fear that the
tan - go of
mus - ic will
love,
end,
* your
and
heart beats with
shat - ter the
mine
spell
as we
it may

C-7 F7 C-7 F7
j .
sway. _ _
F I,Jd. J I r j JI
Your eyes gives the ans- wer I'm dream- ing of.-,_ that soft word your
lend, _ _

(;.=l3---, F7 B~ F+7
Fa F JJIJAJ)
cruel lips will nev - er say. I to make me be - Iieve, wheIfour
E~ E~ B~IF F7 Bb
I! ~I, r F r I f' r ~a Ij •I J IJ a j I e I-
eyes just de - ceive, and it's on - Jy the tan - go you love._·_-
,
• A CIULD IS BORN Thad Jones
601

• I~ ii, ~ ~ J
Bbl.7 Eb-lBb

IJ J F IJ
Bbl.7 Eb-lBb

IJ J
Bbl.7

r IJ
Eb-lBb

IJ J r
A -7~5

I r
• I~ ~h
D~

r"
G~

IJ
D~

IJ J r IJ
G~ D~

Ij J r IJ
G-7

I ~J
C9

J F

• I~ il.
F7sus4
F"
F 13
IJill
Bbl.7 Eb-lBb
Ij J F IJ
Bbl.7 Eb-lBb
IJ J r IJ

G7
II
D.C. aJ F"",

CHELSEA BRIDGE Billy Strayhorn 1941

b-(~7) Bb7

.. 1. C7 B7 r- 3' - '
2. Db6 B7
602
I
LAMENT J.J.Johnson

F- ~-7 A~7 0~A7 G-7 C7 F I

IfH!. * r ro ~ Ir n
A-7~5 07~9 G-7
I'd! I F"
E-7~5 A 7~9
~er I..
0-7 B~7 A-7
IJ J
0-7
F I
'"

If~ urn I J. J I.. u i1 J Fir F r F I ~

If ~ r
1"G7

l2.a- .:r-
r I"
7
E-7~5 A 7~9

I* r r r I Po ,. I* r r r I
3- , B~7
0-7

E~7
Pro ••
I
FA7 0-7
E~7 A~7

D~7'11 C7
0~A7

F6
ra
G-7~5 C7~9;

If~ r r L F I tpu r pI J r F I J J I" I ..

PASSION FLOWER

GA7

If' "
~7~9
I U3

I~ a

D.C.mFme

Horace Silver
C-7~5 F7.9 B~f.7

J J J I J.

Fine

Miles Davts 1959

A7· 9 D-7 D~7'1l C-7 F7~9 B~f.7 A 7tfi 0-7

FIr- ~F I J J I J F" IJ. Jl f1J DI ro J I J.

17\
JI
A-7 0-6 B~A7 A7 0-6

,J I r' J I ro 'F ~ r- F I VO
Last X OnIy-RiIartf
;r I «I
 ROUND MIDNIGHT 603
Williams/The1onius Monk 1944
Intro A -7~5 Dalt7 G-7~5 Calt7 F=f"~
!i~I.";~,, Il ~ fJ!mtlfEIf! FWfd !~ t5 mIQj!]! Frl JO J
F -7~5 Bb all7 Eb-9

!ij",h" ~ iJ J1 Fa £ a! c L J Ja\J
!ZZ

- II

.-!

--II
Ritan:t

~ Bb-71D r-- 3- ,
&-7
NAIMA
B71E~ •I
A7/E br - 3 - , A~t.7
Coltrane

!, ~I'II; ~ r"
[§] BA7/B~
Ctf I B~7~9
•• I~
Bt.7/B~
;W"-CW J J
Bb7~9
0
~
m J.
r-- 3- . , r-- 3- . ,

I'~~b~ T -i] I 1 J j j I r- I fJJ f

E7/Bb BA7/Bb r-- 3- . , F-7/B~ r - 3- . ,
Gb7. n D.C. al Coda last X
r-- 3- . ,

1'~llr T Ell I r~ -~ j J I J. WJ J I II

•
0
1"':"'\
A~t.7 Dbt.7 AbA7 D~t.7 AbA7 DbA7 AbA7

Ritan:t
604 YOU KNOW I CARE Duke Peaxson

[8] E-7 A7 C-7/F F7 E-7 A7 C-7/F F7 F-7 Bb7 •

I~;I. I! r,: r ~ Ir ~ Ir 'r I f cit I r ij I •

Eb~7 Ab7 D/F# G/F AlE E!'-7~5D7 C#-7 F#7 B-7E7 A G aJ 17

I~;" r F r p IFF f" 9p I ~F F f" Ip 19F' Ip J In JJ OJ E to •

[§]
I~;I. F' Ct
C-7/F
-
Bb~7~
,.. - ,

IUn
C-7/F

utr· p ijmo
F7
3 ,3-,
AIF Bb~7/F

iTE] IrE
C-7/F
A--:p.
£ •
I~;~
Bb~7/F A!,-7 Db7 Gb~7
an U lEE rltIt I r
F 7sus4

~ I
lei E-7
r
A7

~
C-7/F

Ir
F7

~
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E-7 A7 C-7/F F7 F-7 Bb7 Eb67 Ab7 D-7 Gal t7 C7 111F7 E-7~5 Eb7" •
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f
f,tL I
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.. D-7 G aJ t7 C7111F7 E-7~5

I~ ;1. F r r FI "
Eb7 D-7 G aJ t7 C7' 1l B67
•
IF F FFlo
•
I REMEMBER CLIFFORD
•
Benny Golson

Intro Bb~7 C 7sus4 C7~9 A 7~9 A 7/C# D-7 C-7 B!,-7 A!,-7 G-7 C7sus4 C7~9

I~! 'I j:Q fJ JJ I JlJ. ;J I' @' [ PI" I 'I tl JJ fJ I J!J. *F I •

~IAIF"7 A7 B~"7 B o7 C7 ~ D- D-7/C 1·B-715 E7 19 A- A-7/~"'=- •

F#-7~5 B 7~9 G-7 C7~9 2'B-7~5 E7~9 A-7~5 D7~9 G-7 C+7
•
[§] B-7~5 E7~9 A-7 D7~9 G-7 C7a]t F67 E-7~5 A 7~9 D- D-7/C

I~H FFEJI FI'm 7 fJ J I J j JJIzJ ~F I r" D I r· pfJ JJ I J , tEf I

B-7~5 E7~9 A-7 D7 G-7C7 .. B-7~5 E7~9 A-7~5 D7~9 G-7 C7aJt F
~
1=; F PZ r; I rrr
. ~
MIi ~
I IT , ca I 'F 1 = J
'is JI J j JJ
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LaotX D.C. ""'ro
I
 TURN OUT THE STARS 605
Bill Evans 1966
B-7~5 E7~9 A-7 A 7~9 0-7 G7 CA7 A-7 F-7 B~7 EbA7 C-7

I~ «'* J J J I e I* J J J I.. I- I,J JJ a IJ Jd T I

A-7 Dl GA7 E-7 C#-7 F#7 BA7 G#-7 C#-7 Bb-7~5 Eb7~9

I~ r q In I J F r f U F Pf I Ie IHJ Fir I Ie r I'm" \~ I

A~-7 F-7~5 Bb7~9 Eb-7 Eb-7/Db BA7 Eb-7/Bb A 7sus4 A 7~9 OA7/A

I~ ~r Pr ~F ~r I ~F iF ~r p I ,,8M, I nJ !iF ~e I 'F j!iF F I" r

A7sus4 A7 OA7/A G7sus4 G7~9 CA7/G G7sus4 G7 CA7/G C7

I~ * F r riff I FIr J. Pit Jd r I r r ~p I F' DFe Ff I r r F ., ~ I

B+7 E-7 Bb7' 1l A+7 0-7 Ab7 111 G+7 C-7 Eb9

I~ Ie r FIf I II I* r j ir I" I* ~t J F I F r r II
AbA7 C7~9 F-9 0-7~5 G7~9 C-7 Eb7sus4 AbA7 G7alt CA7

I~ !iF I,J J. J! I J ~J I J J ~F d I J d J. WI J J J J 1e
B-7~5 E7~9 A-7 G#7sus4 G#7~9 C#-7 (F#7)

I~ * J J J I .. 1* J J J 1e
Fme

QUINTESSENCE Quincy Jones 1961

F/C B-7~5 E7/B AA7 @7sus4 AbA7

I*~F' -,# , FF r· #p 1
Bb-6 F6

-
D-7~5 G9 C 7sus4 C7~9
D.C. aI Coda

I r· 6f D r DI '11
II
lact'
:J r."I
E+7 A7 07~9 C 7sus4 C13 F6
606 LUSH LIFE Billy Strayhorn 1949
•
* PJ
I ~I'I,~~
[8] D~6
J J J J J J JI
B9 Db~7

37fJ
B9
JJ J J JI •
•
E!
used to vis - it all the ve- ry gay pla- ces, thosecomewhat may pla-ces, where one re-
The girls I knew had sad and suI-len gray fa - ces with dis - tin - gue ~ces, that used to

* J JJ
I ~I'I,~~ J
Db~7 Eb-7
J
F-7
J
G~-7
§J J I 10
Ab-7 D7
r-J §3 J 0I n
Db~7 D.1
J £ J ~J JI
.

•
lax - es on the ax - is of the wheel of life,
be there, you could see where they'd been washed a- way
to get the feel of life
by too rna - ny thru the
from jazz and
day, twelve 0'-
•
Ob-6 D7t11 G-7~5 C7 F- F-6 F-7 F-6 F-

•
*
I ~bl,~~
cock-tails.
G- G~7
r ~r
e
F-
clock tales. Then
F-6
you came a - long with your sir-en song to
F-7 F-6 Db~7
tempt me to mad- ness,

rTF r r I
E o7
•
I
J J J ijJ.
thought for a - while that
)J 1 J J J J. j1
your poig - nant smile was tinged with the sad - ness
•
•
Eb-7 Ab7 B 7'11 B~9 Eb-7 A 7tll Eb-7 Ab7
1* ~'Ih RZl r fJ j i l l ~ J J Ii) 1 e 1~ J J £tl 1 Ii
Ij - II
Isl
1* ~bl,~~ 1.
of a great love for me.
Db~7 D7' 1l
TI3~ 14. Jl
Db~7
Ah yes!
D7' 11
J9jTI
I was

1J fll
wrong,
Db6
a-gain I was
C-7~5 B 7
wrong.
E~7 D7' 11
•
Life
jJ
is l~l;: - gain and on - ly~t year ev- 'ry- thing seemed so
J J 1d.
sfre.
=d
iw
1
•
Db~7 D7 Ut

I*,~I'I'~~ J Jl %'J11 4. jJ
~ful
D~~7 D7' 1l

Rq
fU10f
1 J f J J J §J I).
Db6 3-----' Db7 C7 F~7 A 7'11

JI •
b1e
Ab~7
is
Eb7. 9
a - gain
Ab~7
a trough -
E-7 A 7 D~7
hearts could on - ly be
D-7 G7 C~7
a bore.
A-liL3---,
A

•
in Par - is will ease the bite of
D~~7
it,
•
•
D7 U1 3
D7 fll
~3--,
F-7

•
while yet you brain. Ro-
A7 Ab7 Db~7 G~7 F-7 Bb7
f J I J J J J. :pI J. l' " J ;1 J J P~F' J) I
mance is mush sti- fling those who strive, I'll live a lush life in some small dive, and
Gb-7 B7 A7 Ab7 E~7 Eb6 D~7 G7 D~6 D7Db6
J. l J •r J J J J J. J) I qwI I J ijJ ,] II
there I'll be while I rot with the rest
1

of Ese
J J
whose lives are lone - Iy too.
 INFANT EYES 607
Wayne Shorter 1965

G-7 F-7 Ef,b.7 A 7~9

I~~blzlj j j I YJ~; J J J I J. J I d_J JJJ I ro J I

Ef,-7 Bb7sus4 Bb7

J I &J~J JJ J I u _ _ _- I) ~D I

Aj,..7 D7~9

J I ~J J II
G-7 F-7 e,b.7 A 7~9
I~ ~IIII t _J J J J I J. J I J<: _J J j J I F"
II

DJANGO John Lewis 1955

, F-7 Bj,..7 G-7~S C7~9 F-

I~ ~~II~ l j J I J. J J I r IJ J> J J t
* r
q}1
F7 Bj,..7 e,9 A~b.7
14r.~ l r F I F". p r r I r r I r· r J Mp
{jb.7 G-7~S *
G7 C7
14 ~.~~ l ,J
F I r·
...
9J)
r
J I i
Mr·
...
9J1 r J I r· Mp r r
F-9 Bj,..9 C+7 C7 F-
:1' !~lli l
1-
IT F I~ r r I~ r r Ir J l
B~-9 Bj,..6 C+7 C7 F-
 I
608 KIDS ARE PRETTY PEOPLE Thad Jones

I
D- A 7 ,3-, D- C-7 F7 B~7 A7 D- G7

I~ ~ if r -u11D-JJ JJ
Il ~ IlJ * -
B-7~5
I * EJ r· !j I fJ * - I
I
I~~ *TrEE1r-fij n J
FA.7/C A7 D-7/C E7 A7

2'D- B-7~5 F/C C7 F

1*
A7
1
D-
;OJ PH
BbA.7 G-7
,p. EO ~ I-
EbA.7 ~
,3-, ~3--, ~3--, r-- 3 - - , r - 3--, __

I~~ Ci 7
,d ~jl ;(J;;A7 E~7fJ~C ~:7~l A-LiB I II
F/C A 7. 9 D- A 7,3-, D- C-7 F7 Bb7 A7 •

I~~ fir 11[ [-4 i )llr lr J5 U] IlJ*- I*UT @I •

D-
,3,
G7 C-7
.
F7 Bb7
r- 3-,
Eb7
,3,
E-7~5
I..
A 7~9
;:3, ,3-,
D-
I
~~~~1j~PJ§i~P§I)~!J.~j~1~lz_~Dj~j~iJ~1~IJ~)F·~£i5~J~J3~Jl~o~~11 -
il

IF YOU COULD SEE ME NOW Tadd Dameron

•I
I E~A7 A~7 E~A7 A~7 II
I~~'l.f jJ JJ or [11 J\Jd J J I JJ JJ EF lJ I J§J~H J. II •
G-7 F#-7 B7 F-7 . Bb7 -$-1 10+7 C7 F-7 Bb7 2A-7~5Ab-G- G~7F7 EA.?
 DOLPHIN DANCE 611
Herbie Hancock

Ab7
;j)J }I J J
C-7 A-7 D7 GA7 Ab-7 Db7 F-7

I~ - dJJ JlJ j i J. iN I d· } hi J J&J;pu~

C-7 C-7/Bb A-7 D7 GA7 G 7sus4

I~ J. ~n I-r ~U EraI''' Fe II -
F r r I•f ..
G7fF F 7sus4 E-7 A7
1- &l J hi J J 1- &J1 JlJ .. I
B-7 E7 D-7 C#-7 F#7
I E1r ¥ JOr cJ IF IT I if· B r 1j)1 Ir
B-7 A-71B B-7 A-71B Bb-7 Bb7~9

I~A9 1-9" 1- 9 I-a 11- r ~r ' [ if' I 'a 1-

IN YOUR OWN SWEET WAY· Dave Brubeck

IAI -7~5 D7~9

A G-7 C7 C-7 F7 B~6 ~A7
Iif el,
:, p
~..
~ J ~ :r
, .
(J
I
'a 1"1 (r r F Qf# I'F C r?<r

• I~ ~I,
Ab-7 D~7
,leg r OfF ty-J m I
GbA7 BA7 C-7~5
;1.

• E-7
I ~ J 'F Fp I
A7 DA7 D-7·
rlflfl
G7 CA7

• A~7 G7
II I~ "f ij:b i J J J I J. ~fJ _I

•
D.C. a/Fine

~f 1--LJ (; I I I 8 Bars I
II

•
• 1
612 I
WHISPER NOT Benny Golson 1956

A I
C- C-/B A-7~5 D7~9
-"""
G-
r G-/F
- 1?-7 5 A7 9
- I
ti .. ~ ~-r
.. .
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1\ I r- 3 ""'j ~3.....,
.
I
.- yW i*. ,
4 .,j W
ti ...!'l .I 4" -"'"
~

D-7 1. E-7~5 A7~9 D-7 E-7 F-7 G7~9 2. E-7~5 A 7~9

, I ... I
t>
I I ..
.......,
.
- ..
"- - , .
r-~
4
··

··
"
II
r
t> ~ W·
~
•

STOLEN MOMENTS Oliver Nelson

C4 D4 E~ D4
I~ ~llb ¥ t J. I' IJ· J I' r- -r I' IJ· J ~
1~~~7( rJ q
P-7
p ,e; F1Jld.
G - 7 / F ' C-7
i;7( rJ r p ,p7~J.
.
¥
D-7/C
J
I~ II'!, , ( rj 'F DIP r· ;p J. I~ J jJ .qJ. I J g J. J jJ I
D- E~ E- F- G~- F- E- Eb-
I~ Il'b r R r r r Ft r1 r Ft r t r r r1r r t r t r Er1t FEr
D-7 E~07 CIE F- c- G+7
fJ JJJ
1~II'b J J J jJ J J Jld nJ JJ JqJ J I r 1m3 lEe )
Solo on Minor Blues
 SUGAR 613
Stanley Turrentine

DOXY Sonny Rollins

f ~'! ;P ~ EF U F di I r rf Td JylJ 3Q mnJ - *! P)

B~ A~7 G7 11'C7 F7 B~
I
I2.C7
If~' 1ft k
g
wn I - I
F7 B~7
r h~F1r JJr
'I
&7
pI ~F IT J r I -
E o7
*' jlll
D.C.aJFtnfI

HAUNTED BALLROOM

•
Victor Feldman 1977

I ,(8) Fb.7 D7~9 G-7 C9 A~7 D7~9 G-7 C9 Bb-7 @7 1U

If ~~ ,n ,. Dr- I ,n 1 JU I ,n 1 ~ ,. r I ,n 'f kJ I j sP PF
A~-7 D~7'1l ~b-7 D~b.7 &7~9
•
F#-7 B9 G-7" C7. 1l C-7 ._

If~ JO 1 rr I ifl_fiP 14 tol cJdTJ d. ~- 'I Jl dr I plJ 'r' I

A~b.7 Db-7 C-7 F7~9 Bb-7 C-7 -71 D~b.7 E~7~9 A~b.7 E~/G

If;~.. I - I- G ''F' I r lIt: J 1 J ~J I J ~rLJ._

F-7 D-7 E-7 G7~9 E-7 A 7~9
n I;
F-7fB, Fb.7

0
• If;] -
D-7
1-
G9
l J1 'I J. IJ_iS JOUA '! J

• If; J H m-I f

•
 ------------~-------------

I
614
-
Dave Brubeck 1965
Piano Rhythm
BassUne
C- G~ C- G~

I' ~'qf ' @' f' ~ f' I' r 'f' * f' _ J d

I A/ £-. L
G-7 C- G-7
r-3--.
C- G-7
~
11C- G-7
I
,,2.C-

-i,l
[§]
B .lA~
UJ-I- ,
0-7~5
I
- I I~ )

•
C-7 1F - 7 B~7 E~
I I - G-7
"
tJ r ~ ~ l' .. 11 11 I

I r2. F-7 B~7

•
~
D-7 G7 ~-....
i/z/;(/I;(/;(
G-7 C-
;(4
G-7

•
••
tJ D.S. toA

KU,LERJOE Benny Golson

t~:~5 it J I t7 I ~7 r I ~!7 I At IF IE2 i·~~9D.c··r.

07
r
G B~7
IF j. ;p±e
E~
GIANT STEPS
A-7 07 G B~7
I If AJ I F ~f I j 13. 1M" I j J.
Eb F#7 B
John Coltrane

F-7 B~7
l1
•
A-7 D7
I hF J. pTe
G C#-7 F#7
I IF IF" In! IF I r
B F-7 B~7 b ~
r nI I
1#-7
r
F#7
PIT I •
BERNIE'S TUNE •
•
BemieMiller1953

1~~-Jlj.M d1lllJd pHI ~t~ Ij - 1~7~ljlilJ '))1

A 7~9 D- E-7~5 A 7~9 ~6 G-7 C-7 F7

I' ~ 'IJl J JJ 3D I J. J2 U - JJ Fine

* fJ, JJ I J JU
B~6 G-7 C-7 F7 B~6 G-7 C-7 F7 B~6 E-7~5 A 7~9

I~ ~ J J f3';51 J. * IJ ~ fa )11 J JLJ IJ J J IJ 3 J J

'J jJ I
D.C.BlFme
 WORK SONG
Nat Adderly/Oscar Brown Jr. 1960
615
F-7
I, ~I,:, ~ r r I*J J r'
~ ~

I! i J J ;p po> I'F U F i I J. J J j
Break- in' up big rocks on the chain gang, break- in' rocks and serv - ing my time.
I com- mit the crime, Lawd 0' need- in', crime of be - in' hun - grey and poor.
Jjudge he say "five years hard la - bor, on the chain gang you goin' ta go",
Wan - na see my sweet hon- ey ba - by, wan- na break this chain off an run,
C-7 C7

r F gDIF E2J V I
on the chain gang 'cause I been con- vict - ed of crime.
man a bleed- in', when he caught me rob - bin' his store.
years of lab - or", heard my wom- an scream "Lawd- y no",
where it's sha - dy, Lawd, it sure is hot in the sun.

-~ ~ '~- F . -~ F
work - in'.
0
_"
an work-in' ,
- °
~!
j) -
__
but I still
- :oj_..
got so terr- ible long to go· _ __
::oJ

- c. * II

THINGS AIN'T WHAT THEY USED TO BE

Ellington
F7
'j
JE; I r+~~
"1 J1t r
~
~~J.

• ifa
B~6" F

§o I Wp WF aJ) DI
,3-, r- 3--; __F

j DIE 'F J EEJ F qEJ I e - 1 fJ'j II

F F7 B~7

I~~ ttl I §c r r F fJ J) I §E1-r o

• v
~3--, ,3,
#.
turnaround
F F7
F

B~
-
B~- F A~o7 G-7 C7
Ending
F F7
, ' , ,3,
C7
r:-r 3 - ,

B~
-
B~- F

, - - ." ,~"
. " - ... •- .~ .... .. -

•
 STROLLIN'
616 Horace Silver 1960

ObA7 E-7 A7 Eb-7 Ab7

I~ ~1'I.~p. ~ tJijIJ ~ij ~ I 'I U: U j I #9J:

Db~7
1 '!

Ab-7 Ob7
tQ!J G-7 C7
*

I~ ~~I,~~ ~ 'I J\IJ ~ij l ~ 11 U: j i I v1: tyJJ: ild

I
I
I
I

F-7 Bb7. 9 ~7
--.-
Ab7sus4 Ab7~9 Ob6 F-7
r
Ab7~9
I
1£ &"Ih; i ~: J J IJ j J 9l d: 13 ~ J I~ 3 3 3 i d: II

-$-' ob6 Gb7· 11 F-7 Bb7. 9 _ S-7 Ab7. 9 ClDb

I~ ~"Ih 3 FOI~~~y I ~
1 'I ~5 ~i,,!l ij I ~ 'i\!&J ft! II
 ANTHROPOLOGY Parker/Gillespie
625
[8] Bb6 G7 C-7 F7 Bb6 G-7 C7 F7 F-7 B~7
I'~II I.: F[F iF Pr EGI* 1 ~ , Q EI, Frr rraIfJ J3 * ptr nCJ ,l~ ] 1

I'~'I~~E ~:-~ IT /r:§p ~llip 'lr E1 a 4EOi~F ~iu IcrJY1:

1 lin

* 'r t
I ~!,
C7
D7

IF PE lEE I 'E! * * 1 Ip I EIF fit E Pu I* 1 P, g1 fi

G7

F7 D.C. aJ 2nd End (1="1118)

I~~b 1 IU-r r U * 1 UF U iFf LJ I r n * 1 Jill

OLEO Sonny Rollins
G-7 C-7 F7 B~6 G7 C-7 F7

Ar- PI J) r lr I' r lrFUIJJ.H1 F ill

SERPENT'S TOOTH Miles Davis

BbA7 B o7 C-7 C,07 D-7 G7 C-7 F7

'1~~'lfJjau 0jJ J I JJ jJ J\J JJ IJjJ J tr [J I JJ IJJ n * I

1~/;7 J;;7 Ij7JHE;7l* I';j~ ~17 IC~7 47 .:0;;' ~;~9, ~ i;7p d17 I
THE'FHEME Jazz Messengers
Miles DaVis

B~A7 C-7 D~o7 B~ID r- 3 - , B~A7 C-7 1. F7 B~ r- 3 - , 2. F7 B~

,..... P"""I"""'i ...... - ~ .....

, r
626 I
NARDIS Miles Davis

1*. II
I!
A-9
r
[8]
~:
E-7

II

FA7 1. E-7 2. E-7

I

FA7
L.-3--'
A-7
- I Fine I
r~ I-r J J J CA7
J I r'
0-7 G7 FA7 D.C. al2nd End (Fine)

I~' , E' F r Ir r I r' r- I-r r I

AlREGIN Sonny Rollins
F7~9

7 r 0 4 II
PI. - -,.D---:~-A7-- 0-7 G7 CA7
I~ e I r r F I 9"
B"-7
IV F
I ~e
0-7~5 G7~9 C-7~5 G~

•
JE 11 r I, J
E~7sus4

J) ~l I .. •
MOANIN' •
,
tJ
I
-
[8]5010$

• r
(F- A~7
F- B~

I
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G7
F-
C7 )
J

....... "~WI
",
F-

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•
I I
F-
,..,

LJ
B~ F-
- . F- ~~ --"
1. F-
-
•
, 2. C-7~5 F7~9

.
tJ """'-= I r I
C-7 F7
I ,J J J I
C7.9 D.C.a12ndEnd(Fne) •

p jr fj I' Jil Jl fJ JUII •

 627
Sir Charles Thompson

LAZY BIRD John Coltrane

A-7 D7 C-7 F7 F-7 B~7 E~t17

I.I~: r· J I IT r I ~.. 1 \.1 J l.iil lor J ~u j

A-7 D7 G~7 1';'.-7 7
D~ 12.GA7 B -7 E,.2.. 3---, ,--3---,
1. 1 r JEll" •~ f ,IT" Fm r I .. Ir F r r r r 1
B~7 E~7

1. A~7

1 I.. In
A-7
II
D.C. a12nd End (Fme)

MOMENT'S NOTICE John Coltrane

I.
• Yd a.tiB
d:
E-7

J: ,U q H
~bl'~: 1
D~a7
A7

Jl q S & MY
b~
D-7
F-7

G7
B~7 E~~7

C-7 B7~9
1
A~7

~~:
B~7
D~7

J
E~7
D-7

A~~7
07

1
~7

A~7
A~7

D~7
1

1~~bH r ~ I I.. 0 I" I J 1; J

• 11G-7 C7
I~ ~I\ J j
lU-7 A~7 D~7 G~a7
IF if I ~r p~£j dlJ J , J ; I J. 12
f3
. F-7 B~7 C7. 9 F-7 B~7
JJ 1
• I~~"'!J.
E~6 F-7 G-7 F-7 E~6 F-7 G-7 F-7 E~
-
• Jld. JIJ rl.l. JIJ J I; J IJ*-

~ ..----------------------------
628 MILESTONES Old Miles? JOM Lewis?

QUASIMODO
 WITCH HUNT 629
C-7 C -7 Wayne Shorter

I~ ~I'ldl~: j B j f ff f I Er Ur J I - - I j JJ j f [ [ r I [fffr ~ I
E~-7
- - IljnjrffrlErur r I - ·1

SPEAK NO EVIL Wayne Shorter

D~A,7 C-7

I I, I (I 1M I. l

SERENITY Joe Henderson

D-7~5 G7~9 AbA.7 GbA,7 E-7 A7 F-7 3~b7

I~~I'I, IW@ lC nr lEllIF" elF 'plpl J IJ§JH,}l1
I~~I'II
E~A.7

r rU I
D-7~5 G7 C-7
II
A"-7
I~ 1 Pr
Db7
eu I " G+7 GbA,7 F7
IF * E ~] "I

EA.7 F-7 B~7 ~. E~A,7 D-7~5 G7~9 • ~ 2.EbA,7 D-7~7~9

:1~lbq I> I
== -:: : : f r
'EJ$ F I~ r tJ 9 FE * 'fit tJ = ~ LII) -
630 ORNITHOLOGY Charlie Parker / Benny Harris

IAI G~7 G-7 C7 F~7

1,'1l J~Dntrrrllh * ¥JllfJmHhPTI[jtYF" PlpJ\;p~tiVJI .

P-7 B~7 - &7 D7 I'· G - -
1" - *l~J)gJ 40113)1 \J~iJ* ,~pn E±rJJJJI J n* ¥J1 nJO\!JdOI
D7 2. G

•
FOUR Miles DaVis
•
E~~7 B~7 E~7

I~ ~I!b 1
A~~7
f Jl f J J J JJ J JJlJ JJ JJ J J ~Jl..
A~7 D~7

I!~I!I!J JJ JJ J JJIH JJ J JJ dI.. La * hJJ @I r JJ PI

B~7 11EJ,~7

•
P#-7 B7 P-7 P#-7 B7

I, ~I!f, IF ijhLJ I-q- F aD J JJ ~ : r JJ jJ I iF ijJ ~JJ

I~ ~bf,
P-7

r- F S,D
B~7 J G-7 G~7
2·

:lD JF r:hhJ
p-7 B~7 @~7

pi F J p F ~ I - •
¥ 1

SOLAR
-

Miles DaVis
•
c- G-7 C7 F~7· P-7 B~7

1* 'F FC! Id:J. obi ~F E1 J e:rh I,J-IJ~iJ I'J J iJ I oJ nJl'iJ to) '1 it
Eb~7 E~7 Db~7
-
*
Ab7 D-7~5 G7~9

I J Jd ob J ~J2 I J J d ~jl J iJl I II

Ij i) ~j j j IJ F
 A NIGHT IN TUNESIA 631
Dizzy Gillespie

D- " 2. D-

If* "-'" ;J.~.

D7~9 G- G-7 C7
, I is 'll~r I ~ r ~ JJ J IJ
G-7~5 E -7~5 A 7~9 D.S. aJ Coda

. I~~ r J. ) ; J tlJ * 1 Ji I
.. D- E -7~5 Eb7. n
I~I J. )ld JUJ;')J lJlJJJJt dnJ ttjJ iJlJJdh dg
D- G 7,n . G-(1.7)

I~ ~ J Jl J fJ I J j JJ * ';)4 J fQ J J) I J j dJ * ,Ju J iJ) J iJ I

G-7 Gb7. 9 Fll7 E-7~5 A 7~9
I~H J] h ,oPJ J mJ fJ I J Jdh cJ I - - I - I - I
WELL YOU NEEDN'T TheJon1us Monk

F7 ... GI;L
-
Ir"
1. 2.

"
,.. , -... ~I • ._ I:fW' * * tpf *
Fme
G7 A~

P J 'J J J I J t t· Jl I If S ; i J) I I; t *. 11 I
I~, "1

. A7 Bb7 B7 Bb7 A7 A~7 G7 C7 D.C.aJFme

. If~ IN JJ J J JJ I IJ!J d J\j ~J JdI \3 J JJ SP Jj I ~jJ JJJ ! #-11

632 DAAHOUD Cl1fford Brown 1952
•
A~-7 Gb7 F7 1.
No Chord

~r -r qp-r· -r
~~ ~ ~
I~ ~I I! :s ~ ~ i~ f I* l l , E ~p I Q. 0 B~~ - ,~:j ija
Ab-7

I~ ~bll ~; ~ r Itt I* Db7

1 \g ~ ~F ip I ~r
Gb7

n d J Iq
No Chord

J Pc rr iJ •
D.C.s1Coda

.. Drum Fill

I~~I!I! .. }' }' }' I* of] 1 ~.r;J

Ab-7 Db7
,# r~ JiJ,iij: t' r..l.:f
Gb67
hJJjfJ ~
Eb-7 A~7 C-7~5 B7 B~7
iW 3JI •
I
I~ ~ 'I.
Solo Break D.C.

-
Use Solo Changes MBA

I
.
..

I
Drum F i l l ·

lSI.. 11 j#J P\3 ,3 i h 4

r:::I
Eb67
e I. •

YARDBIRD SUITE Charlie Parker

•
•
•
D-7 G7 D.C.afCoda

I~J flJ ';1 RH1- I -

---------------~~ ~~-

LADYBIRD HALF NELSON 633

Tadd Dameron
Miles DaVis
Lady Bird C f:,.7 F-7

Shout Chorus

HaH Nelson

B~9
3

B,--3--"1
-7 E7 _
r--3- .

A-7 07

D-7
-
t ...
""" If* -
tJ
r- 3 - , ,--3--, - ~

t
- ~. - n -,,-
.- G7 C6 F9 E-7 E~7 0-7 0~7 F#7· 9 17\

I~ J J I) J7j F r r r J ;r I #J 1 J.1 J
634

A-7 A~711l c;13, A~7 D~7 G~A7

mfin nI Jd J1-
G-7 FA7 ,.-3,

I'~ pJ. J. ~I 'I Id'lhJ dOH I r~tpJ5J SI .'"

A~7 D~7 G~A7 ,3.., B-7 E7 ,.-3-, B~7 A 7111 A~-7 D~3.
I'~ IJ ~- I,~jlB~ij ~JjJJ I ;r;J jpiD JJJll~J. J. 151 ~dpg ma iO I •
G~A7 A-7 D7 ~ GA7/ 4. G-7 / / C7 / FA7 /. -/-, F-7
.. _ I=l ~ ~ r- 3...., ~
I' ~ ddI.; J- I 'Up ~J ;:110011 p~ JJJJ ~F1h iJ £ rEE! I r J1 jJjJiJA
,.- ....,

/ / B~7 / E~A7 3 A~7 D~7 G~A1-3--, G-7 C7

I' ~ ~(J nP aD IF ijJ :.e I ctr~kJ JJ I TQjJ p'II in j] ~~"I

'1 'l
D.C.aJFme

DIG Miles Davis

 GROOVIN' mGH 635
Dizzy Gillespie
E~

I ! ~i!l, !It 0 *- I 0 *-
E~ G-7 C7 G-7 C7
I £~lllz 1) ~ I 1) ~ - I) J J J IJ J ~J 3 Ii] \] J r n I
F7 r-3-, F-7 B~7 F-7 B~7

I! ~I'I! III * - I1 m J1 ¥ - I ¥ iJJ j J \3 J I J ;J P-r &#11

I /1"E~~7 J~-7 G~7 F-7 E7

I!~!I! Cf ft f 0 I t±F * - I cr rj r 0 I tJ * * E;[ 6 t )

/2. F-7 . A~7 D~7 E~6

I!~b~ ~ ;::J f 3 ~ I J n (j J IE * - -

TUNE UP Miles Davis

E-7 A7 D~7 D-7

I! J. j I ~J ijJ I #" I II I J. J J II

C-7 F7 B~~7 E-7 F7 B~~7 A7

.I! II. I J ~J J J I" FE Frill IJ· bU OI " I ..

BILLIE'S BOUNCE
Charlie Parker
F7 . B~7 F7

I!~ JII:PJJJJJdZlliJJ ';.)IJ 'ltjJ I.J);JJjJJJJI

B~7

I~~ ~-7 1 ~ P J I.~ I :r It E n I [f/ *

F G-7

!
A-7

\~ H f1
A~7

1[1 B I
I~~ F I ~ tel 1) Ihp I I PEE r Fir 1 J1 fj J I J Ii J * 11
J
636 SMATI'ER KennyWbeeler
I
'c.,

E117 Eb7sus4 Ab-7 Bb-7 I

I, I! ~r· ~p, IT ~p ~r- I F" ~p I,J J d Did ~rn J I- J. I,; I ..
B117 Yo Bb-7 Gb117 C-7

aI J.
'c.'

I' ~r· ~; J I J. ,; d J J JI is d· I~ "l'J ~fJ J ~ I ~

A 7alt Ab117 D7alt ~. G-7 CIF I
I' ~ d) E ~r r tr I r P r II t PI" I~ ! per u I -
D-7 E-7 F117' 1l I
Bb117 A-7 Ab117 G-7 Gb117 F7 Bb-7
I' e I~ ! J1 fJ J J II J. J. iJ. ,.. I r· It" II! r ~ ,.. 1 )
~ I
li:':~"1 /:/~f;:~~I . :.... i::h'l L:~ . i~7/:-/, . ":,,,,.
I'
:== e
C-7

"~r r""I
AeoIiaD

r : r"~~
r e T"I
Yo.. Ab117 111

" " ""I r"r"r"r"I: "~c r"r"I: c"r"~

: rccc: e r"I
: r
Yo G-7

"r"r"r "I: c" ,~C "'

z
Dorian Yo D-7 Dorian
z
Yo
Z :
•
Bb117 A -7 Ab117 G-7

I' r" r"r"r"I r"~r r"r"I c" r"r"r"I " • " , ~

Gb117 F7 Bb-7
•
•,
yz rz

BOLIVIA Cedar Walton 1975

Bass&Piano (N.C.) (G7)

l~gEfcJrrffF IgffciUffr IrffcJUffr ,gffcJrrffr j•

If: "H!AI,"7 ~r· ,)1£1.3 J I ~r"7.p J i~t' ~ ;1
G117 (Latin ...,) F#7. 9 B-7 C117' 11
! I . ~ -l .. ..
Ii§ - .J J J) J iJ)J J1 .J Jt J J J I ~ .J J }1 J .flU J1 IJ
* EJ J J I
B-7 B-7/A Ab-7~5 G-7 (Swing) C7 F117

I' Jin J1 J J& }1 J kfJ LL. I J. 1 ji I H JJ ill n I

B7~9
I' E1 r
Bb117

Ir· J)@ nil

A7alt IBI G7
I
lastXvampli'c:ue~ G7 E117
9kiI.... , , _ , Ir r r I'; Eb117
 Latin NIeA'S DREAM 637
Horace Silver
Ab-(A7) Bb-(A7)

p-f] I (I IJ
~3~

J IF FAr

1~~I'lh r m Frs C-7~S

Ab-7

I
D~7

LJ) J I ...
Ab-7 D~7

If JJJI
..-3--,
G~117 D~7

r
e
C7. 9

i.2._
.Q _. J ~ 'E7 II
1"
[§] Ab7sus4 Ab7~9 Db~7 Bb7 E~7 Ab7

I~ '!I~~~~: * J J. )5 I J J J I J J J E)1f '~r I qJ 1'J )5 IJ J FJ

1
•
Obl17 1 1.

1~~!'lr~~ ~e • ,3 qJ \33 J
E-7

Gb~7
A7

,q2.

C-7~S
C-7~S F7~9
\JJ r'§ijl -I J
. .uI~(A7)

! iJ J0 I \Y·J:
B~(A7)
Bb-(A7)

in
Ab-(A7) F7 1n SoIoBreak

I~~blh ifflJ, IOJ I I W: * 1* FJJ J n IJ * - I - I

FALLING GRACE Steve Swallow
638 TIUSISNEW Kurt Weil ( a la Chick Corea)

G+7 C-6 Yo B~6 F+7

1f J~J bJ_J' j 1'1 J J. 1 *rJ 1 il 7 ~fbJ ala bJ ~J I --

E~7'9 E~6 Yo E~-7 Ab7 0-7 G7
I ~J J. J'd J. 7;) I J &J ~J ~F 1 ~r v I f' F· pi
Gb7 tll B7 111 B~7 G7~9 C-6 G+7
dp 1FiF FIe I r IF IF IF I ~r I,d I J JJ d ~Jlj J ~D I

I'
C-6

JJ

THE NIGHT HAS A THOUSAND EYES

Brainin/Berner 1948 (a la J. Coltrane)

[8J G~71D 07sus4 G~71D

J ~ J t:~ J J) J) ~
l l

1 J F 1'1
1 1 7
II e

ID7 0-7 G7 C~7

J%gj. J II tt
1 J l1JJ 41 1
XX
2.
07sus4 GID 07sus4 G~7

F7 Bb~7 B~7

n r- I 1 F~r y-P r" I ,II

* ~ I,J 1 JEd ~J
A-7
II J
E-7 G~71D 07sus4 G~71D

I r rF1 j J. ;iEJ J J J)?J 121 At

-
 SEVEN STEPS TO HEAVEN 639
Intro
Victor Feldman/Miles Davis 1963

tosotos

- II

I§] Cb,7 0-7 G7 Cb,7 F-7 B~7 @b,7

- I d $:
A~7 0~7 G~b,7
II
C7
- ,
I*~ p"JnnDOiJij lfe I J dlh e I r ,MFe I d I
IAI Fb,7 B~b,7 E-7 A7 0-(67)A~7 G7 Drum Fill
D.C. to Imro

1*1 ~ *P I a*3 * I J J: $1 - I - - Id$:~1 - I

FormAABBA IMPRESSIONS Miles Davis

rA1 G-7

I'lf J*J*I J,;,tJ-1 J*Jll J,Ji-1 JrJ*1 J't;Jl*JE!!

~ A~ .

I'lf IF r Ir r IIF r I r r IIF r I r Irrffi''" D.C. alRne

FonnAABA
SO WHAT Miles Davis

IAJ 07 - 4.

....
I ~ I 1.2.3.

..,
·· ·
.... .

-
Fme2X
.. · .......

.
I

. ·
I
·
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r . ..
I , ~ .... 1. 2.
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11 •
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t.I
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- D.C. aI F1/7e

.. ~ -r
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 640 JOSHUA
Victor Feldman 1963

Intro

p II: F r F P 4 r tJ F J I r r F fO J r 0 F J :11 •
..

. •
-:.- ..

t>
D-7 D7sus4
~
L.J
D-E- D-7 D7sus4
t:::=.J ~
D-7 D 7sus4
~
LJD-E-
•
;:;1

1
·
I VI

.. Jo..
I I I I VI

I . .'" t-"
1.
I VI

................
I I I

.
•
t> t:=-I ~ I
....,.
D-9 D7sus4 D-9 C-9 Bb-9 C-91"""l D-9
· "" .
I VI I I I ...
12. B
I .~. I I
. .
.., 4' I I I
D-9 G-7 C7 FA7 F-7 Bb7· 9 9 A7 Eb-7 Ab7' S DbA7 G7
·
I

-
D.S. alCoda
. I W

•
Last X go to End
I n- -~

t> ..
, 11.., I
Break CA9 B~-9 FA7/E A7~9 D-9
· '"

•
~
". I I
I I I I

~7
nd
D-9 G-7 }!-; D-9
Ei>7
-I Ukelntro 1":\

I~i F J I ~F: \~lJ] -: 1 -

It

- - -
'U"
I"
U-
I ';0 f" .);0-

U-
I, C'

U-
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--
I"
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I-u I n
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II
 EPISTROPHY 641
T.Monk

C#7 D7 Yo Yo :/.

I~ Il * r.f11 ~1 r' !.1 a In r * I * r.f1 ;~ J I l J d 13 * I

I iJ J a J * I
D#7 E7 :/. :/. :/.

I~ * liJ 'Ii IF' I If J,3 i3 F * I* liJ P12.

DP E7 Yo Yo :/.

I~ * ,nlli !F' I ,f j ,3 jg F * I * In PBJ. I If] J ~ J *

CP D7:/. Yo :/.

I~ *
F~
r.f1 IJ r' J
I J J !S J=r * I * (.f1 ;p J.
F~
I I-J d 1J *I
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B7 D~7 D7

• I~ J ,I ,1 IJ #S.3 I f fJ J #J I r Ir IT If DF' I Ie r Fj DF' I

DP E7 Yo Yo Yo

I~ * 1!3 Iii IF" I if] 13!J F * I * 1 mPBU, I ,f] J SJ * I

C#7 D7 Yo Yo" Yo

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• C#7 D7 ';"ll
<JI, ' #
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• I
I MEAN YOU T. Monk
 CONFIRMATION Charlie Parker
643
F6

I~~ e ~d J'r Jd'J £1;3 i JJ J] },) 1[JlJ. * Y)I j Jjj

F-7 Bb7 -$- A-7~5
E-7~5

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nr
F7

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I~;)d JjiJ'lr' lid PAJ * I ;ahJJ f] J 31- 'If I

C-7 C-(I.m C-7 F7~9 B~ll7

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• Eb-7

I~~ ~{J.Jil'(;ir
A~7

I ;P ), ;Q, ~JW
D~3

jfh; ru r
G-7 C7~9

fjJl,tJdJII
•
1 1 'I
D.C. alCoda

CON ALMA DizZy Gillespie

[AI Ell7 G#71D# C#-7 B7 B~7 E7' 11 E),A7 A~7

• 1-I
i
.~
I)I,ll7
I~
F7/C B~7
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A~7
3
G7~9
I
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D~7'1l
;EJj F
1· Cll7
F d1 J
B7 2· CA7
* d ,3

-- rille
1m C-7~5 F7~9 F#-7~5 B7~9

1* ;)) J IJ ~;i J ;] 13 I )) Ij ;10 J I J * i;J iJ 93 I

- F-7 B~7 D.S. al Fine

Ir i J ,3 J I ~e I e
644 JEANINE Duke Pearson 1960

fA] A~-7 Yo Yo Yo
1~ ~I'I.~ Ilf ~ i1 ~ J i l!l i1 i J U 1 ~J U UJ:: 14 - I
A~-7
Yo Yo Yo.
1~ ~I'I.; 'I i1 i Ji 1OJ d' i J U ·1 ~J Utif I J 1 @P Fl I
F#-7 B7 Ell7 A7 •

B~-7
,-3---,

_._-- •
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r-- 3 --,
G-7 C7
r;----3

II

BEBOP Dizzy Gillespie 1944

Intro .. C_ No Chord

!
J OJ I r dlr ,)1 !l4ijJ il.4J I tJJgJ. fi iji i 'J JJJjJJ~
I r-3~ ~ - f!!!!l
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1£ ~I.I. !j J 13 19 I
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 SOLID 655

Eb7 Bb7

~ J
P 1't ,3 Pr GJ 1 I,J r -
TENOR MADNESS Sonny Rollins
Bb7 Eb7 Bb7 r--_

1, ;" p~:; r ]r '1 ~p

r ] r p 1 r ] f,J J] 1FE rr * ,op 1
1'1 't '1

Eb7 Bb7 - G 7~9

1*;1. r ] r ,~p 1 r ] f
1 P 1:1 f ] fJ JJ 1 E E E r * P 1
'1 'I 'I
C-7 F7 Bb7

I' ;1, Y J P !J J J J1 J J I,S \3 * Y P 1¥ r ] n JJ 1E E E f * , p,

IS'OTOPE Joe Henderson
C7 Eb r-- 3 ----, nb7 C7 E7

II I' j\. ,) J P 'I j\ * 1* J I,J J ,; r rU- 1 .1- 'I ;fjJ J1

•..
F7 Eb7 B7 C7 A 7sus4
! S I .~
t@ IzJ@ J ~F F I '[1 * EJ ~F I -§ * * !f Jilo

NOW'S THE TIME Charlie Parker

F7 Bb7 F7

1*; j\. J JJ J 3 Y j\ IJJ J J ; j\ £J JJ IJJ J £J JJJ 'I j\ I

1 1 1

Bb7 B o7 F G-7 A-7 D7

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1

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656 BYRDLIKE Freddie Hubbard

A-7~S D7~9 A-7~S D7~9 A-7~S D7~9 A-7~S D7~9 G-7~5 C7~9

I~~(j d[JJ. Ji1dJjJJ ij1d J JJ3JIhijJ J I~ pd. )1 c

G-7~S C7· 9 G-7~SC7'9 G-7~S C7~9 _ n.

iJ JJE dj J~iJ I tJ JJJJJ I ~ nw ~
Ft.7 (N.C.) Drum Fill --

I' ~ ~iJ Ja.W lJ ~J ~J 1 't 1 • I

B~7

E8' J J] IFer J
F7 F7
I~ ~.. ! p. 't j pJp J nJ iJll is 1 ~ '~p ~ I 't

B~7 A-7 D7 A~7 D~7

I~~E 'JlJ J Id HufjlEccrr rTJ[lrE~r'rE Pc );1

G-7 C7 F7 D7 G7 C7
I~ ~ ~ ! P~F r r I ~F E c r 0 1 ,P.j J J J J J J I· *! P•
 C Blues
SPEEDBALL 657
Stanley Turrentine
I loI • 1\ I I
1\ " "

tJ I , -
Cl F,,7 C7
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GINGERBREAD BOY Jimmy Heath

Tacit
B,.2. G7 C-7 F7 B 7!9
1\ I E7 E7
-
.
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1\
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A~-7 / / DJ1--/--~ 1\ 1\

A A A ~ A 1\ A

C 7~9 / / F7. 9 / / 1\ AB~7f9 Tacit B~7t9 Tacit Solos = Bb Blues

I ..
• v·. l1.v.'~~~
M~ A 1\ A A A A
· I

._v " " :> > :> 1\ 1\

.
It...I I'" I r L..I I L..I 7 T 7 L.;l- ~
 Coltrane
I
'I
lJ I (1 ~ ~ i DI
F~ , c~ I
1~*~r~\~p§r~7~1~F"~~D~J~I~f'~F'~p~F~'~l~I~(b~-~~~-~I. 7

Ab7. n 07~9 C-7

1*" P ~ r p Ir p bo r I" I II

BESSIE'S BLUES
A~7 E)7

A~7
I F FsJ;;;pJ. "I in J J) J
E~7

I*~I!H r ~0 ~ I( )1 nJ )1 in J ;, J JaW J J ~J ,J ~"I

B~7 A~7 E~7 B~7

1*~lzb J J J ;1 In J ad I, J J1- 1-
BLUETRANE

* F-7 B~7

I ~bb * ' l Er H • "

F-7 F-7
C-7

B~7
F-7

I r ! l EIT jJ 1
B~7

C-7
C-7

Ii
B~7 E~7

IF' Pr r r Fl
t dl_
I:~!:::
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FjU
3

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I II
1
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 STRAIGHT NO CHASER Thelonius Monk
F7 B~7 F7
I~ ~) I i J ,3 JJ j Jg3 I ,1 J 3 d J. j\ I ; J ,3 ] J j J§3 I
B~7 F7

I~ ~ ,£ JJ 1moJ
A-7 D7 G-7
I' J n 11 n .J I
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II

F7
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BLUE MONK Thelonius Monk

AUPRIVAVE Charlie Parker

F B~7 F F7

I~~ JJ 5J * £fd I q qt;_fJ J3I J JJ J IJJ Q I' r '~r JlI

B~7 F D7

i I~ ~ !r- ~,~ ~F I* , I,Jb FJ J ] I r Jl 'I F ,Jl I r r '( er I

G-7 C7 F C7

I~ ~ n JJ J 1 ~ IF; p-r EF r I* 1 ~ r ,Jl I ~ J J ~ Jl J. I

 2Q

660 SOME OTHER BLUES I

John Coltrane 1977 I
F7 Bb7 F7 B7

I~~ II pf F EfI'F E[ fJ I ~tr [§« U lr I r -fJ J01-)* - •

I~~ '([ U I,U
C13
Bb7

rJl
£1,7

'F
Bbl3
Pc; ~r FIf (1'( ~JJ d 0
F7
Ab7

C7.
•
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I~ J
C7

n is J1 I PJ
PERHAPS Charlie Parker 1948

•
F7
jl £J J J I fJ 3 J fJ 31 I -
C7 E-7 A 7~9 •
I~ F 'I liS J S3 I d Jn r )1 I J ~ I,J~} E ~ I J J J d- r- .~ I
•
•
D-7 G7~9 C7 D-7 G7

I~ J 1 pEr F;; I fJ SjJ JJ ~IJ 'lJ l)ll£J5.nJJJJII

BITTERSWEET •
•
Intro and B Sam Jones

lsi,B 7sus#4 -
Bb7sus4
-
I~ IT f F!f: 0 r1 I r ElF 1'[ f F; 1'0 rJ I r bE:; I,d
A 7sus4

~ E~[ r:; cr rjlE CJ J

j I
Ab7sus4

I ~ ~a t& d
G7sus4

I IT r [;} J
•
U1 •
I" ~r 8 c r Fr I FOE HI -
F7, " e ~ ~ C
*0 I tr rr j- ~I•
r:J [ E~ n I
A719 •

I~ f f t I i [ U I "E [ f-J ~r § I - , P'I p' I'r

D-9 013 C

I'~F 0 E Err IL 0 f U I I- * F E~ •

•
*
674 IT'S A RAGGY WALTZ Dave Brubeck
I

WEST COAST BLUES Wes Montgomery 1960

r-::3~
I~~'rf<r 'r a lirA F J51 fF'F Irq I d.J JiJ J I-r <r a I d F '/ #p I
Bb7 --. Ab7 Bb7 -

3~ 3~

J JJ l.ir <F lJ II,A F no IJr·-r Jj I d F no I

B-7 E7 Eb7
I~ ~I, \e 'F rr 'If I 'lIp y k
Bb7 F7 .
I~ ~b r 'r a I d F l1h r'-r of) I d F q I EE rr '/ I cE fj FJ I
3.-"1

• Ijl
Eb7 Bb7 3-1 • •

I~ ~I, H F~ '/ ij) I fU J3 [Hr ~r of) I d F uhr <f of) I .J r~ _ •

, Bb7 Ab7 Bb7 B-7 E7
I~ ~".-c• • r• I r•e•z I r• r~ r~ I r• r•r• I r• r•r• I r•r•T• I c
z
I ~ r• r• I r~ T•I~ I
•
•
Eb7 Eb-7 Ab7 D-7 G7 Db-7 Gb7
I~ ~Ir r• r•r• I r• r r I r r r I r• r r I r r r I r
> > > ~ r r I • r• r I r
> • ~CI I> 7 > > > > > I > > >

C-7 C-7 F7 Bb6 Db7 Gb7 F7

1~~lr II>
T r r Ir
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r r Ir r ;t IT
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 WALTZ FOR DEBBY 675
Bill Evans

~ Fb.7 D-7 G-7 C7 A 7/G D7/F# G7/F C7/E

I~ ~ ~ ~ r r' i J. I J. I J. I * J J I J J J I
I J. I
F7/Eb Bb6/D -$- G-7~mb C7 ClBb A-7 D-7 G-7 C7
I~ ~ j J I J J J I r J I J J F ! r I g' J J I 0' J J I p' J FI
Fb.7 D-7 G-7 C7 A 7/C# D7/C G7/B C7IBb
I* ~ r- I J. I r' I J. I J I J I * J J I J J J I
A7 D-7 B7 E7 Ab.7/C# Ab.7/B Ab.7 A/G#
I~;j J I J J J I if J I ,J J iF I Ir' I r' I I I w' w'

~ G-7 C9 A~7 D7 G-7 A7 D-7 C-7

I*~ r IT r
r I [ r F I J. I J J I [ r F I
I. C I IT
Bbb.7 A7 D-7 G Abb.7 Dbb.7 G-7
13 C7
I~ ~ j F I d J I J J r I r [ [ I F' I &' J J I 0' J J I p' J F J
~ .. G-7~IDb C7 C/Bb A-7 D7 B-7 E7 A-7 F7

II I* ~ F J J I J F r I r I 1 I * r [I r[rI F' I r'

Bbb.7 A7alt D-7 G9 G#o7 A-7/C Ab o7/C

• I~ ~ * r Fir F rid. I J. I J. I
G-7/C C7
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• VALSE HOT SonnyRoWns

676 HOW MY HEART SINGS
I
Earl Zinders

IAI ,
E-7 A-7 D-7 G7 C~7 F~7
~, 4 I

I~ ! IcJ €r Fir r::r I IT ~ I r (F I r F I J F F r

B-7~5 E7 I" A-7 Gl o7 A-7/G F#-7~5
I~ IT F I IJ J. J F r IFF' .Ji I J. Pol F'
B7~9 I If 10 I§]II tf'E I,. AIi71E #~
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.
A-7/G D71F' E-7 A-7

,l I J. P (j I r 'E I [ Ir ~d

Ab7 G7 C6 G-7 F#-7~5 Balt7

I~ f' IF" I r' I r' I F' I V"

WINDOWS Chick Corea

G-7~5 C7

I ~r ~r PI J J I ~F F IJ J"
F-7 Db7sus4

I'J 11_: _Irt_1tl: I ~r 'zEY r I 1- I F" I'r ~r d I

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IFF I J IJ Il I ~F F IJ IJ FI

I'
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FF
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i fr- I-r r~F If r I E- ,-r ,-E- 1-[" . · r r r Tr l

. Last x- Vamp/Fade
 SIMONE Frank Foster
677
E~67 D-7 A 7sus4 D~ ~~ D~

I~q J J J .: r· .p tJ I J IJ Jt FJ I j) ~J J Ji I J. J. I
A 7sus4 D 7sus4 D7alt ,--3---' G-7 A -7 Bb-7

I~ ~ j. u. u ira Ji,J J I 0 1 ~rjr Ir

tiJl
B~7 E-7 Aalt7 D-7 A 7sus4 D-7 E~67

I~q 1 if I J. Aip I ;Jl d J ;P I J IJ. IJ. IJ J J •

JU-JU Wayne Shorter

JJ. r J f3 IJ J GJ I J,
B+7

I~
Bb+7 A7

I~ i I J. I Tr r I ~F F F I 'F Dl_ I J.
A~67 E-7 FA.7

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B7· 9 FA.7 B7· 9

I' J IJ IJ
NIGHT DREAMER
J IJ J J IJ IJ
•
Wayne Shorter

G67 B~7 &7 D7 GA.7 Bb7 E~7 D7 GA.7 B~7

1~I'r F F IF r ;F ,J ~~;Jl r' fir

E~7 D7 Eb-7 A~7 E 7sus4
1,1 F r ~r I IIJilj j)r- I-F- Ilhr r- Ip
F 7sus4

I~I IJ # MJ IS nI r r r n
GA.7 Bb7 E~7 D7 GA.7

U I filb r' IT·

B~7 E~7 D7
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 -}
678
FA7 g,A7
SOMETIME AGO
FA7 g,A7 FA7
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 -------~~~--------~-~~-

RECORDAME 685
Joe Henderson

I~!l * q~ D J].;t d:U I F!lD J] I ~Jd J r p11 ill lkJ J I J

I~ c r
Bb~7
1 ~E E r i r U",,J
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Ab~7
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fJ J
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Gb~7 G-7 C7 F~7 1 1. E7· 9 J E7· 9
2.

I~ .u I *;J J IJ ;;tJ J i J )l n J1, e

SILVER'S SERENADE Horace Silver

F-9 E-9 Bb-9
I:P~: ~ 1 ;0 I" In
Bb-9 A -9 Eb-9
1;:1 Iz~: 12 , &J bQ_ I_II
A-9 C-9
r· "
I~ I 1 Jl 'i )l ¥ I A 'i )l J I¥ r
Bb~7 C-7 D-7 Eb~7 A-7 D7~9

, ~t.§~e~~~~~~~~~~~
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SONG FOR STRAYHORN Gerry Mulligan

F-lEb Eb F-ffib
F I V· r Ir Jj J jJ jJ J J I

G-7 Gb~7tll F-7

Fir Fir Efl ErJ Ir ;r I r· ;P E[ r] I
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... ~.-------------------- .~ ..
686 I TOLD YOU SO George Cables

DblF F6 DblF F A7/E

JYI! 17 J )1 J J1] .. 17 J •t) J

I" D- D-7/C B-7~5 E7~9 A-7 B-7 E7 A-7

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I~~ ,j P fits j, fH~: Ji I i: i9~i a&d ~N: •
Bb-7 A-7 Ab-7 D~7 G-7 A-7 B~~7 C7 G~~7 RepeatsLastxonF6

I~, ;i: ad: I~It~ ljl,j li: M ~I~' fJY: • ';i'JUi ill * - t·
Latin/Rock TBINKONME George Cables
•
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.
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 --------

Calypso
ST. THOMAS 687
Sonny Rollins
C E-7 A7 D-7 G7 C G+7 C
I~ef d nr ;P I J j J j I J r r rJ F * - Id PDr ;P I
E-7 A7 D-7 G7 C G+7 C B~7 A7
I!~ J J J J I J r r Fir * * J I r- p- r m-I;Z
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D-7 Ab+7 G7 C7 C7/E F Fl 7 C/G G7 C o

1$ r H HC * - I, F IT 1F" N 1J Fr r1 r * -
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Latin Rock
LITTLE SUNFLOWER Freddie Hubbard

pfp r PV I r * pr
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II
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Bossa
LUCKY SOUTHERN Keith Jarrett

! II.
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D~ D+ D6 D+
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I~'I \pg
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688
I
MANTECA Dizzy Gillispie/GU Fuller

W~1. Il~: h.NJJJt)J,J BJ

[8] B~7
Montuna

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FOREST- FLOWER Charles lLoyd

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 GREGORY IS HERE 691
Horace Silver 1972

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Clare Fischer

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MY LITTLE SUEDE SHOES Charlie Parker

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 696 MERCY, MERCY, MERCY Joe Zawenul

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GROOVE MERCHANT Jerome Richardson

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