19

I LOVE PLAY REHEARSAL

Words and Music by
School Time J = 120
CON

2 CHRISTINE:   
2         
  
 = 120

 
F C F F /C


Colla Voce

    
Csus

Part_1

2
2        
I love play re hear sal causeit’s the best be cause it is fun

      
 2    
2   
Part_2 

   
           
    
F
In Time C Dm F /C C

        
5
Csus

             
I love play re hear sad and I get de pressed as soon as it’s done but not de


      
     


                    
F C F F

 
9

            
pressed as in like kill your self de pressed no I’m not in to self harm dude Iswear herecheck my

   
   
  

  
             
    
12 C sus

           
I1 see, I just used the word to em pha size a point show the pas sion that I’Ve

      
  
   
3.

All Rights Reserved Used by Permission

     44   22
            
C /E

 
15 C sus

44 22
       
I am pas sion ate lot I have mad g1" gan tic feel ings

   
           
   44    22
       
3.



  22       
 43       

18

2 43 
  2  
3

       
rad and fran tic feel ings bout I1 ery thing like

          
 2     
43  


 2       

3.


       
   43          
20
D G7

    43        
    
gun con tro1 like spring like if I’m liv ll to all I meant to

        
     
   43  


 
43  44
CHRISTINE: Where

                  
was I.7 Oh, righfl
23
C
C sus G 7 C 7sus

     
34   44
                  
be I al so have a of A. D. D.

      
   
   

            
34   44
    

2 All Rights Reserved Used by Permission

    
  44            
     
F /C

     
29 C sus

4
  4              
I love play re hear sal you are e quipped with di tions and text Life

          
  44    
 
   
 

 

   
  

   
            
  42  43
F /C

    
33 C sus
3

              42    43
ea sy in re hear sal you fo1 1ow a script so you know what comes next

         
              
       42  43

3  22  
43
4       
Colla Voce - SUPER FAST

    
C /E


37

3  22  43
  4         
An y hoo the point that I’m get ting to is some times life cant

   

 
 3  22  
4   

  
  43


All Rights Reserved Used by Permission 3

   43                     
Gm
A Tempo F C D G7


39

3 43  
  4         
      
work out in the way it works out in the play like the 011 1y time I

        
  43         43  



  
      
42
G7

     
          
    
  
  
       

 


     
         

46


            
NGS

   
     
  
 
et or Blanche Du - Bois, 3. men - [ion and

 
49
G7 C
C sus

      

                
   
           
         
 

4 All Rights Reserved Used by Permission

     44  
             
53
G7 F /C
3 C7 rit.

44 
             
    
POS si ble to nar row down the Inan Y SOHS why

         
              44  
      

   
            
       
A Tempo
F /C


 ev er it starts
57


C sus

               
I love play re hear sal I pi ness cry It’s

          
    

     
 
 
   
   


22  42
       
    
Dm F /C

     
61

22  42
            
just SO ll get ting to try play ing so man y parts

     
    
       
  22   
 
42
3.

2  44    
4               

64 C sus B bmaj 7

2 44  













4   
most hu mans do one thing for all of their lives the

 
 
 2  44  
4  

All Rights Reserved Used by Permission 5

 3
      42    22  
    

 
Am7 Gm7


67 I1 a
3

    
       42   22
 
 
thought of that gives me hives I have so man y in te I

  
 
   

     42   
22    



 
                   
    
C


70 Fmaj 7/A



              
W311 113. P111‘ S116 and my te11 ing this to you? there’s a of me that wants to

    
 
   
   
         
    
 


CHRISYYNE: There S also a part of

      
me that wants to do this. [CRAZY

            
GOBLIN NOISE] So I did it/ F C F /C

    
74



      
Back to play my brain is like BZZ my heart is like wow

  
   
   
re - hear sal

    

            
78 C sus
3 3

          
be cause we’re here at play re hear sad and

     
  
  
   
 

6 All Rights Reserved Used by Permission

     
        
F /C F /C


81

             
   
ing we’re 11

       
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3.

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    42
84 C sus

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 43    42
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 
   43   42
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 

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2 44 
4   
87

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2  44
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 2  44    
4     
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     
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90
F
rit.
/C C7 F

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      
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
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