3

30 ETUDES SPECIALES

Exercise in Crescendo and Diminuendo

Transcribed by LOVIS PAGELS

F. MAZAS, Op. 36, Book I

Largo. sos tenu to 4 --=------
r Ir IE f#CfE Ir ~Ft p<> ,, 1r r 1
o ?--_ .• - ~---- o
l. lBe
-u-__
1
'»
1Jcrescendo f
1º 1-=:::-:::::-crescentlo
P<:::.:::::,.
P<-rf>r --.,>.r .

4
1 º º .!. b-&

p o -==:::::
p ~== f u
#rr
4
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8

-========f ======- f fi
8 1 ~ª

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Published by International Music Company, New York City

4
Development of the Bow

Moderato.
Whole bow
4
> > >
o
;::,..> i• M 4 4
2

1091
 5
Firmness of the Bow

Firmly wich che upper half of che bow, wichouc leaving the string
6

Development of the Bow

.
;;...· > > fo fo >

1 p,tsrf#L[f
> fo >
t.tffi
Iffetf[Ftffl]1'a,trfr: J1S
fz > fz
1
> II fz
1

2 1 1 4 3
1091
8

Detached No tes

Allegro non ~roppo. . . . • . . t ..

._

s.IRtte tt t rt Ett f t tf t rrt 1[ t t ttf Ct [t t fC rr 1

mp
1 • • • segue

11n tÉftff ttc Ufter1, u ¡r ,1

4

en, tlQ r1;l ; te • r-1rr ro P-Pr~-1

= ~===== = =-===~

1091
 9

-,- 11@ ~ef qff r Cf f E~r

r~rbc r e~r
err 1~ef EEEt~c rLe[ pr 1 1[

111 1 •rr[rj qJ~JJ_jJJJ J.~JJ JJJJJJJJj J JJJSJJ

I 1
dimin.

111 1Ecacrrr
cresc.
rcrtrfi#tf1
T JJ#Ef#f tftft r r~fr rf r rref r rf recri
f#Efrqt~f

111[rrftfFrfcrfrfifJ'.1tff[fCErttf-!f
1

tcfttr:a 1, EUccble.EE1,eu 1
111c.rfftrr+
~==== ----
11# ,ewern:;;euseº'1j:iti rrerf f rurhe@1
111 JJ JJJj Jj j-JJor [ a ¡.Fj j5 r EJ EEEi EELf
O 4

11#rfererrt r rrf cfr:F If rrrrrcf rfr[¡6t cr crescendo

1

f I cC e;,r cfrftt ,ter eCE?

j remain in position
c:;51sbtr,Jr1
I
·
1

1091
10

Detached No tes

,. Allegro non troppo.

~fi ,.__ -º
I J~#cf
6. IRe ftfiJ;.Q#zjr FfCíktFI
,.
.
--r•,5l
4 --~

fz--- - fo fz

1fz urrredrtff
se
f Ifffrtfrrb)7tlrIrrrerrrrrrrrr
fz

1091
10

Detached No tes

Allegro non troppo. ,. --~

6.1 °fz--- ;,,nnP-~r

-
iFEFfEEFd'.
;,~@guUUr 1
.fo
I
fi

1fz crrrcrréttff
segue
Irrrrcrrrrrrrr
E Irtertrrrru:tlr fz fi
1

1 effrrfrtttrf rrcrc; 1av~utnJni

r1
1 Wli®%rrrr 1rrmaW1ff IrnrcafffffE 1

11frrrtrrrtrr
rJJ
> >
¡frrrtttctrEtf
> > > > > > > >
>

Mfffr 1bfr
11¡tPdf IñttÜf
qtlrctrrftrEqlibr[¡g-bJ
1
fz fz

1 fjJ=rrrtrlftr
Jz
1aNr€ftr-w -E 1
1&}1!f
> d>
IE:JJ.P~r ~b> ~q> -· ff#gr~
pr IFS r -g; r 1.FCEGs tJ;yl
1 ~-#fftttg¡JJJ.JJfflJJJJJJJ)
Jffl~JJJJJJJJ 1

4 4 4

1 PbDcfUEHrj IJJJ9P3afift! 1 1

U;"EtEÍ!J! 1¡1J:,g"UclL
t~
U_,P(f rJefEt&A+;
4~ •4 • ,_ 4 o~ •4
JH bE 1
1091
10

Detached No tes

Allegro non troppo. > --~

6. 1°fz---J'nP-»-P4:r I iurarusP
I P~ªctu@ur 1
. fz .fo

1 rrrcrErfrfff
fz segue
Irrcrrrrrrr
f Ifzetertrrrürtr 1
fi
 11

....,..

- ff•~GJJJíJJJ.l]JJJpJJJJJIJUJJJJJJJJJ
- 11

Cantabile 4
Andante. . ~o
IV -3 - .-.
2
2- -. - • • ~É t{= ,. 1
12

Division of the bow in the Cantilene playing

1091
 13

-l

=-- -=== dimin. e ritard.

11#
f
a,dt* ,nt~#uc,
tFF1u 3
,rF#El&
r •,
s

1091
14

Vigorously with the point of the bow

Crossing the Strings without lifting the Bow

1091
 15

...,..

1091
16

The first note to be firmly accentuated

Allegro moderato.

12.E ,,~
2 JI ,. ; 1JJ ,. ,. -Jer: c:Cr 1
3r-'. r----. •- • •- • • • •~· • 1 1 ----

fz fi .fo fo fo .fo segue

2-,,.------:-------,

1 b~ Ji •,,,--.._
. •,,--, • -; JJ- - -J I cJJer: r:er
• •

1
• • • • • • 1

1
fz .fo fi segue

12----------~

1-----------------

11 fuf f LZ U e[f I e:(I r U ( U I EEt c.U eCl 1

2 •

1091
 17

-,.

1091
18

Preparatory exercise f or t he T rill

Allegro.

nº Ef-rc-rrr-r:r-rrr-rfü~Doomr5t1
13.11p
4----
IHn •fficcrEErftri ¡fcfrCCtff
CErffrl'-1 1
OOfffftfmftr
1rCCfrttgcrcrgg-Q.r
1rrP'st~1rftrrccrrrrr@1
11n •ruifur
mré?t
1rf rrcrrrrcrr@
~wrotrrá&r
1
.•J # qfrirr~ttarrrfWiWdttfFEfi¡mm

tirrcrrrrtttfrfr
4~

31ttnfrcrrrrrtr:ftmt
1
ff#cfffrFg
, 1 1

q~1----- qf1m~~~
1ettrrrrorrr~wrJ1JJJ1i;\?J®Q¿
u:===
ErFrr
9rFr 1 1

11#fff 9
rrrcrrrrm
IEtrrrrcrccrrffiEF1@r 1

2---- -- 1
1 @rca:rrrrrUg,
#9 &:,rrr
1rrrrrrcrrccrr
rrr1
11# nrrcrrrf:Wro:u
1rrtrsWrrfila¡ 1rcrrrrrrAJ.J
crrr1
1n rrrrrrcrtrcrrrrt1crrrcrrrtrrnrcr,1mrcrctrrrQ
¡;#ffCrrrfh
1 1he~d?tJJJJJJJJlbWJJJJJJ 1

1091
¡ - fi
r
·-----~19

>~
,r~cruo-c~~~
rfrrcrEFJJJJJJJJlfkrrcrrrrIDJ
--- fo fz
1

1 # ürrrrrrcrirtf
1 ft 1
tf#rfrfEhWrrMffr:
FITfffff
1
fz
n 2 _4

i4@JJJ3tí¡jfltiw!;ri#@JJ@I
1# @JJJJJJ¡Jjsf
p . 4

1 # f-- r 1 1
, 1
mp
rrrm?r
ir&ctrr r--ierrrt ,
,-, ,-, i~.
f.---:;ff;-f
I
4~

1 # r•rrtrrro 1
ffffff#tfr, 1
p
fmnnj3:ü]JS11
1 # [ill1ffl ttEPffi
JJJJJ}JJI Jffl;jj i.--#p__!_f?==_Fd
1

4------~ ----- -
1 n rrrrrrrrrcrrrrm•OOoocurEJo/
1acrrrrrcrrrrr
1

IR# •Hmrai
1qfrrrrrrffffrfri¡M€Vrttriq
¡
11# rffftf#~f;¡;rfif1filifül3 * , [gcrrrccrnn~
dolce

10rracrr#crmi1r,
1tt _wJn~J~J~JJJ
~----
@JJJJJJJ¿J1
4

8 2 1 4 g
1 n J]E.JJJJJJJJJJj_!JIJjJJJJJJJJJJ
_o;iJIJ
t * 1J - 11
1091
20

The Trill

Allegro
14.il~~ 1
====-
11¡f
moderato.
t1.):!49
trfijf
===-
1
cr rrrr~rjr~

1f r.t
====-
t
==-
)TI,;_.
i:.frr---&
1 1
~fr fi
1

19 ®§JI 1rfrqrf
rffitffrrr@ §rrbr JJ
J§J 1t tm1
M ::::::-:
jrfr ~fr
L_. 1'~ .n
-
1r_ ,

f
1091
 21
The Mordent

1091
22

Various Bowings
Allegretto.

16.I :YITT tt,átWd1rtffltt1fftfüff1Hffiff1

p grazioso
'

r;:r~122trPl\fftr@IO c-=a1@ctff
r~tj

-
====- ====-
24

Various Bowings

Allegretto. 4
1
V .! 2

.uI t 0 w J :oI r 0 e rJ {fJJ e r 1

4 s ,. ---
1
17.1 2---
J; 1 1
p

1 (D '"•!-
CE I P2 ~rFr 1(O b[ EE 1~m ½±] 1
-

mJ. q@ .gI QJ d@ 1 f:~ Ej I q(fJ"O) 1

V • • o

1091
 25

¡
¡~
·, ,

8
n

1091
.
p
-
26

Romance

Andante grazioso.
!- _/!"~ 2 i~ •·
3 -
-
o
4 1
-- 3 8 li!
o

1091
:WüUli
1idUrW
3&J
,.¿ffijlfiiu
- 1
 •
27

llh@t'jyq_§o 2@Jld.1).
lªQll!J@ J¡f:R
f[j 11
- tt1•
! f)~· -,!
ji t_~

-
.9!"'?
1

1
1

. 1

. 1
28

Finger-Exercise

Allegro moderato. g
1Jij;~p:eff
y;JJ]JjJffi]ijJ
19.1911
p
l~J?J? 1
11JJJJdrnnnEcrI tfi rr~ 1mf rrttfErjr¡j
1

1 tmrcri;¡¡1tr0
¼PiJj!rrftta?r
1~J 1
º____ -===~
i

11JOffJJJJJJJJJJJJJJ
ifijjJw.PJ§& 1

1 JmbFrfcrrrrfCrIJ:Urrt[of
üdtr~Et
Cert rrrcrrfrf
1 rf#ffrfd
[ffrfrr 1rfrtrrrrttffrñ
•rrrrrttrfrfffríl'IT 1

. .
Efcf
1 rttqrrrFrErf
/! i &f!#Q
=<rcff1@~ ;;;:ccffl
1rc:rr=r11 •

1 r&Ufrrf CErF prif

IwééCrJ.JJ=Jij31&JJOJ 4 3
#ier® 1

4 1 2) 4

1 •lffl
[tf[\t¡JJJJ JjJJJJJUJ4JJJJ
1,Jf jjJJJ~JJJJJJJ
1

1 ~rfi@1~
---========
=======--..:::. _ ====~
¡~dt¡t crescendo fi
t 1

1091
 29

IjFJj&si
JI J]!~FJj.QJJqJJ J3qJJJJ
IJ8}~rA{Mfl.t

JI ~i{t Ictrorrfff
Ecrrs~3Jq3i3]3dijbWrrJ
rrr.urrt ITTfJ
1
:a-

11 drrCcrr crfr 1

11rfrtcrtrtfrl!
1j@JgJJPJ ,efi@fiee
u8rfEr IT 1

1tct!Jttt,r
rldeilit,frrrtrrr~trtttr
=11

JI @cct•o:Q-ilbJµJ~Jj
i)hJJJJjJJJJJ_§P Ü1
gij]ftJJJ9J
,mifrITS
11Wctr1Crcrrfrr
11é1if
~; 1.íffl
Uf Q;fJ.JJ;J cfrttrtrfff f 1
l;J;iSJ
r,------~- =====--r
--====== O
crescendo

11&Yrrd
btirJJJ! IJ:i33DJ
l@J~:JJJJJJJry 1
p

11]j•3rrfrrrftrit-== =-- :¡i4 1t4ff -:;J.

1
t o O
p-------
1JIJI.P.i1Jidfrrrftrr?fj~I
~- t
1~
--= tSi ===~
_,J3 1 O O O O2

11f:Ji@J'2&44@J!«
3~f:fWJ:l:1: .P p ===-
........:::::=:
1
1091
30
r
1
i
Shifting

1091
 31
IV III III

1 # n] J ffl {9 ífIJffl Er~rfil Ip-iiffl--===--~-r

:r--Jt:J 1

<> <> <> <> dimin. ~:e

Flexibility of the Wrist

i
Allegretto.
V • • •

l#t~00 l@rl, 141f&1(i(ID

1f¡fá.1Wf
mli
ffl 000013Ji.PJ11 1á•+I
U-Off~ 1-'P.
lPJl@ri& 1
d!i . ,

1091
32

The same Study in Triplets

.1rnID 1c
22
p
& eti btt Rtt'fu Ctttu Ctt
ta i,w IfJj@ Qjbg IQf filWWI
JE~W tfil-
t ·$· .

1091
 33

l]O ffl@
IR% Jjj Irj; ffi J]; {JjIffi W W iH
i
o
3
2

1t;C;b-t;1tfu.WwU 1
1

1%ci-t&ÍUErr
fi p fi p

1¾Ww.aa rn1{ñ9h.irn•w1•;J}•nw m 1
4 4 t >-~ 0 2~ 0~

l
00-, fflffl Irnin rnmInammffl
11#¡
poco cresc.
1

~nrnw@lb}UJffiJJj l
11~}~ffiiJtiG}
1@qmrnm
,~ ;JJw-!nrnffi 1éQOJJoff
;] ¡nfñ mtñnow
Ja rnffl rn-00na 1
poco cresc.
I 1

11~JJJZ.0ww1wwrnna1;lOFJJ-lJ 1

11 4]).Jjj1Jjfi}fj IJn -jj #JjfflIJjj&Jjji¡j fiÍ]jj

p

B~ ,m1jj#JJ•tj)1JjJQ ffl i]a Ilb @JJT-

fi

i ¡. . i
crescendo

, i Aº º 1·
1091
34

Short detached strokes and octaves

35
36

The Mordent

•
f
l

1091
 37

At the nut
38

Polonaise

•
r
39
-
1

40

Cantabile passages and double stopping

1091
 41

con forza e sostenuto

1091
42

Ease in bowing

Allegretto.

&~u
2s.11 fsttfCtttfPbtt&Tf
tétt1ftrttñcrttf
tétt
1ErdTf 1

11&nttt1úttr1it
1 'Ir

_,@JJn@JJ~J
113 l~ttüqfr 1------,--r-=---
•

•
 43

1091
44

The Chatterbox
SR
1

r-

..JL,, .:::-,,
Allegro non troppo.
Spiccato

•
1

l
!

1091
 45

1n ttrRfttti
EH;lffit11Mff
;ttttrt1 o

•••••
. . .. ... .
cr'és"cendo
4
, dim.

.. ..

1 n ttttttttltfffP,.{fff ,_ 1 ,cttrtf
•ffHif
FF 1

1091
46
Pizzicato with the left hand

Allegro non troppo. 3

-- > -- >

,..

------
pizz. Tarnbourin

....
. -
-~
pluck with 4th finger
e

-. - - -
.IL
- -
.J ...J
.
1
- .
o =-----
·- - - - -- - ..... 1
1.1

- - - .-
3
1 Pi,
- --
-.
....
-
1
-
. -
l
--.--
J
-..... -- 1

- -
-'

- - .- - - - .
--'.
" <> .., 1 1
11•• •

r
------
1 - -

. .
.... -
..'. - - - - - - -FFF . - ,_
-
- -
- - -
----
- 1
. o,
- 1

- --
.... 8-!
-.....--
,~ _J _J 1
,_ 1

....-- - - - . - - - - - ·-
- .
- --
. ----
. - .. .. ... - 1 -
1

·-- -
r
• • • • 1 ---.

r
1 --

k'
. .
•
.
- ---------=
-------===:::::
- - -..... - -
1
3
- . - - .J 1 1

- - ---
. -- - - - - -
1 1
'. ,,_ - - -- ·- - --.

- - - -- - . ·~
--=

'. ,. -- -
-' 1 -'

- - - - - • - - ·- - - - -
1 v-
1 1

t
-------
' J - •
4

..
pizz~

.
.,.,..
.,~
----------
- - 1

-
1

- - - -..... -...
- 1

-
...
-
1 1
.. _J
---....
-
o
-...J -,. - --= --- -- .~ .......
- ... . --· ----- -... ...
1
1 1

.. - - - - - -- - - - -- - - - .- - -
1
1 1
--.

1091
r r r. r. .D.G.alFi:n6.