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  • Ballade No. 1 in C-Sharp Major

    Caricato da

    Pablo Nieva
    35 visualizzazioni4 pagine
    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Descrizione originale:

    Titolo originale

    Ballade_No._1_in_C-Sharp_Major

    Copyright

    © © All Rights Reserved

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    PDF, TXT o leggi online da Scribd

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    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Copyright:

    © All Rights Reserved
    Scarica in formato PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    35 visualizzazioni4 pagine

    Ballade No. 1 in C-Sharp Major

    Caricato da

    Pablo Nieva
    The document is a musical score for a ballade in C-sharp major composed by Jack B. Holt. It contains musical notation across 32 lines, including time signatures, key signatures, notes, dynamics, and other musical markings. The piece seems to have an introduction followed by several verses set to music.

    Copyright:

    © All Rights Reserved
    Scarica in formato PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    di 4

    Ballade

    No. 1 in C-Sharp Major


    Opus 6 No. 3

       
    Jack B. Holt

           
        
      
         
    Adagio

                     
     
                  
      

     
                          
     
    11

                          



    ()

        
               
                
            
    17

           


                                   
    

      
    ()


    

        
            
                
    27

                      
            
    

               

    ()

        
     
                
                 
    32

     
      
      
                        
          
        
    

    Jack B. Holt - All Rights Reserved



       Accel. 

     
           
        
    40 Moderato

                


                   

                      

    
       
      
       
    46

                   
           
                          

    ()

                
      
    55

     
                                              
     
    ()

      
            
        
    62


        
                     
     

    ()

    

          
     
       
                        

    68

    ()   
                   
                
      

    2 Jack B. Holt - All Rights Reserved


                    
       
               
    75

                     
                         

                     
      
              
                
             
      
        
    78

                    


                      
              

                  

          

      
         
       


    85

           


                  

      

                     

    
         
       
    92 

             

                                   
       

    ()


             
      
    101 

    
     
                         
    ()

     

    Jack B. Holt - All Rights Reserved 3


         
     

           
        
        

    
    108

       
        
                    
    ()

       
       

    

         
         
    115 

          


    
    ()

    

    4 Jack B. Holt - All Rights Reserved

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