Toy

Pianos
Flute Trio


SharaX

      
 
 = 80

Flute

       
Flute  
                                     
    
      
Flute



  
          
8

Fl.

     



I don't have di rec tion when I start a

Fl.

     
                
        
       
Fl.




cresc.

          

13

Fl.

    

song. It starts so sim ple, then it takes off.

Fl.


                
              
Fl.
    

17

            
Fl.

        
Fl. 




    
How to write a song? It's as ea sy as it seems, you just place a sin gle note, and then

       
           
Fl.

  
       
20

Fl.

           
     
   
add the har mo ny. Lis ten.

Fl. 


    
add the har mo ny. Lis ten. I'm no mas ter of com po si tions, me lo dies. I just

       
           
Fl.

         
 
23

       
Fl.


              

      
Fl.


         
write what comes to mind. It might not have rea so ning, o kay?

       
Fl.

2
   
         


28

Fl.

             



left with

Fl.

 
              
If I'm left with

   
Fl.

 
             
34

Fl.

       
      
just a toy pi a no, I start to play a round. Fo cus

Fl. 

                
just a toy pi a no, I start to play a round. Fo cus

Fl.                 


                
38

Fl.

                
on the sound I hear out side, then what I can hear in my mind. Hey!

Fl. 

             
      
on the sound I hear out side, then what I can hear in my mind. Hey!

Fl.           

3
  
           
 
42

Fl.

       
      
Add the bass line now; let's try writing ly rics down. How a

Fl. 

                
Add the bass line now; let's try writing ly rics down. How a

Fl.                 

    
              
    
46

Fl.

               
      
bout, "It's me, my self, and I, and this o ther toy pi a no.

Fl.  
      
          
bout, "It's me, my self, and I, and this o ther toy pi a no.

Fl.
        
bout, "It's me, my self, and I, and this o ther toy pi a no.


                          
 
   
50

Fl.

                    
       
   
Fl.

        
Fl.            
   
  

4
                 
            
   
   
54
1. 2.
Fl.

               1.        2.     
If I'm

    
Fl.
    

                 
If I'm

                
1. 2.
Fl.


                     
58

Fl.

                    

left with just a toy pi a no, I start to play a round. Fo cus on the sound I hear out

Fl. 
      

left with just a toy pi a no, I start to play a round. Fo cus on the sound I hear out

Fl.


               
   
64

Fl.

        
         
side, then what I can hear, in my mind. Hey! Add the bass line now; let's try writing lyrics

Fl.  
      

side, then what I can hear, in my mind. Hey! Add the bass line now; let's try writing lyrics

Fl.

5
   
          
      
70

Fl.

      
        
down. How a bout, "It's me, my self, and I, and this o ther toy pi a no. I don't


Fl.    

        
down. How a bout, "It's me, my self, and I, and this o ther toy pi a no. I don't


   
Fl.


            
 
75

Fl.


            
have di rec tion when I start a song. It starts so sim ple,

Fl.
 
                    

have di rec tion when I start a song. It starts so sim ple,

Fl.
                   

   
      
         
80

Fl.

   
     
        
then it takes off. How to write a song? It's as ea sy as it seems, you just

Fl.
 

                

then it takes off. How to write a song? It's as ea sy as it seems, you just

Fl.               
cresc.

6
 
             
    
84

  
Fl.

     
        
place a sin gle note, and then add the har mo ny. Lis ten. I'm no mas ter of com po

Fl.
       
            
place a sin gle note, and then add the har mo ny. Lis ten. I'm no mas ter of com po

Fl.             



                    
87

Fl.


              
si tions, me lo dies. I just write what comes to mind. It might not have rea so ning, o kay?

Fl.
      

            
si tions, me lo dies. I just write what comes to mind. It might not have rea so ning, o kay?

Fl.             

                  
 

90

                    
Fl.

 


  
Fl.

       
         


Fl.



7
 
              
 
97

Fl.

      

If I'm left with just a toy pi a no, I start to play a

Fl.

                
                  
Fl.

 
                
102

Fl.

    

round. Fo cus on the sound I hear out side, then what I can hear, in my

Fl.

                
Fl.                 

     
 
106

           
Fl.

 
 
mind.

Fl.

                    
Hey! Add the bass line now; let's try writing lyrics down. How a

Fl.                     

8
     


111

             
Fl.

      

oh."

Fl.

              
bout,"There's fi re in the sky, and if the world ends, oh." Lis ten, some melo dieshaunt

      
       
Fl.

        
     
115

Fl.

          

I've learned to play them on pi a no;

Fl.

        

me, but it's en ter tai ning, no?

Fl.
       

  
            
117

       
Fl.

     

I don't need to fear,'cause they're my own.

Fl.

            

"You don't need an'one else, all you need is your

Fl.            

9
      
      
    
120



Fl.

     
  
Just fo cus on your work and


Fl.

      
 
self." Hah. "DO NOT IN TERRUPT ME!"

Fl.      

  
          

122

     
Fl.

           

The choi ces that you makeare cra zy;

Fl.

            

So, by chance the world isburning, find me toy pia no.

           
Fl.

 
         
 
125

Fl.

    
 
who're you tal king to? Aren't you a lone?

Fl.

        

"In my world,

Fl.        

10
   
   
127

 
      
Fl.

  
  
In your world,

Fl.

        
there's no si lence; there's no time for si lence, nope."

Fl.         

    
     
      
         
129

  

Fl.

  

there's no time for

   
Fl.

           
  
"A NY KIND OF SI LENCE!"

   
Fl.

  



   
    



    
        
    
     
132

              

         
Fl.

   

         
Fl.

                    
Fl.           

11
      
       
       
   

137

     
      
Fl.

       
  

         
Fl.

                    
Fl.           

     
  
              

142

     
   
Fl.

        
  
 
If I'm left with


       If I'm left
Fl.

      
         
with

   
   
Fl.

    
         
147

Fl.

      
      
just a toy pi a no, I start to play a round. Fo cus

Fl. 

        
just a toy pi a no, I start to play a round. Fo cus

       
               
Fl.

12
   
       
    
151

Fl.

      
       
on the sound I hear out side, then what I can hear, in my mind. Hey!

Fl. 


on the sound I hear out side, then what I can hear, in my mind. Hey!

               
               
Fl.

    
          
155

Fl.

       
      
Add the bass line now; let's try writing ly rics down. How a

Fl. 

        
Add the bass line now; let's try writing ly rics down. How a

       
               
Fl.

  
              
159

Fl.

           
    
bout, "It's me, my self, and I, and this o ther toy pi a no.

Fl.



bout, "It's me, my self, and I, and this o ther toy pi a no.

           
           
Fl.

13
  
                    
       
162

   
      
Fl.

     
Fl.       



  
 
 
  
               
               
Fl.

                
        
166

Fl.

   
    


Fl. 

        


       
               
Fl.

     
         
  
170

   

Fl.

      


Fl. 
  
            


   
               
Fl.



14