UNTIL THEN, FAREWELL

For Jazz Band

Composed and Arranged by Ryan P. Cullen

ƒ Time: circa 5:00

ƒ Solos: alto saxophone
ƒ Metronome:  = 70 b.p.m.

ƒ Orchestration: 5,4,4

R Y C U N
Music Company

www.rycunmusic.com

Copyright © 2004 by RYCUN Music Company/ASCAP

Unauthorized Duplication is a Violation of all Applicable Laws.
All Rights Reserved. International Copyright Secured.
 UNTIL THEN, FAREWELL Ryan Cullen
Ballad

  
Lead Solo
q=70 Rubato w/piano

          
(Rhythms are guidelines)
Alto Sax (Solo) 
mp


  Flute        
       
Reed 2     
f
  Flute
            
Reed 3        
 


   
   
f


  Flute        
       
Reed 4     
f
  Bass              
         
Clarinet
Reed 5
    
mf

   Cup Mute 

     
 
          
Trumpet 1  


mf
   
   Cup Mute         
Trumpet 2        
mf
  Cup Mute
                 

   
         
Trumpet 3
 
mf
  Cup Mute  
Trumpet 4           
            
          
mf
      
   Play    
     
in Stand

Trombone 1

            
mf

        
       
Play in Stand

Trombone 2 
     
mf

               
       
Play in Stand
Trombone 3  
mf

   Play in Stand
Bass Trombone
              
        
         
       
mf
     
         
Guitar      
mf mf


          
       

          
       
Piano mf
            
  
        
     
      
Bass            
mf

  
 
 
         
Ballad
q=70 Wooden Tips of Mallets on Bells

   l.v.  l.v.  
            
Mallets Light Tom Fills Light Tom Fills (Gong)

Drums     
mf
Roll (Soft Side)
2 3 4 5 6 7

Copyright © 2004 by RYCUN Music Company/ASCAP

All Rights Reserved.
www.rycunmusic.com
SCORE / UNTIL THEN, FAREWELL
2
8

              
         
                   
              
Trombones Enter On Cue

Alto (Solo)         
mf

Rd. 2         

 
        
To Clarinet
Rd. 3


Rd. 4         



Rd. 5        

  OPEN
       
Tpt. 1 
 
        
OPEN

Tpt. 2


         
OPEN

Tpt. 3


         
OPEN
Tpt. 4

  
Tbn. 1
        
Conducted on CUE

p

       
       
Conducted on CUE

Tbn. 2
p

  
Tbn. 3
       
Conducted on CUE

p

 
        
Conducted on CUE

B. Tbn.
 
p


Gtr.         

 
        
  
 
Alto Cues
                    
                        
  
mp

                               
Pno.
  D^9 Gm^%/D D^% D9sus4 Ab7(#5) G^7(#4) Gb('9)/Bb Bm7 E9(#11) Em9 F#m7 B7(§9-b9) Em11 A7sus4(b9)

RUBATO SOLO PIANO W/ALTO Trombones Enter On Cue


  
Bass         
mf
8
 l.v.
         
To Brushes Light Fills and SET TEMPO

Dr. 
RUBATO
8 9 10 11 12 13 14 15 mf
SCORE / UNTIL THEN, FAREWELL
3
16

               
          
    
In Time/Band Enters

       
Continue liberties w/melody

               
Strict

Alto (Solo)      
3 f

          
      

           
Rd. 2

mf f
 
3

                        
Clarinet
Rd. 3  

mf f

      
    
Rd. 4                   
mf
  
f
      Clarinet 
             
3


     
To Clarinet
Rd. 5
mf mp f

            

Tpt. 1 
mp
     
Tpt. 2         
mp

Tpt. 3              
mp

Tpt. 4              
              
mp
   
Tbn. 1
                         
Out of Stand
 
fp mp

          

                    
Out of Stand

Tbn. 2
fp mp

   
    
    
        
   
Out of Stand
Tbn. 3       
mp

  
     
     
Out of Stand

    
       
B. Tbn.

mp

 
Gtr.            
mp
 
                            

 Bm9 Bm7(b6) Bm% Bm7 Bm^7 Bm9 E9(#11)

    
mf
           
D^9 Gm^%/D D^% D9sus4
  
Pno.
         
        
   
  
 
  
    
                 
D^9 Gm^%/D D^% D9sus4 Em9 A13sus4 Eb9(#11) D^9 C#m7 F#7(b9)
 Relaxed       
Bass
 
16
  
                                
"Soup"       
Dr.   Trombone Pad mp
16 17 18 19 20 21 22 23
SCORE / UNTIL THEN, FAREWELL
4
24
           
                

          
Strict


                     

3
Alto (Solo)     

mf 3 mp

3
             

Rd. 2            
mp 3 mf

        
      
3

Rd. 3                        
mp

  
mf
  
Pyramid from Reed 2,4
3

   
3
          

Rd. 4             
Pyramid from Reed 2 mp 3 mf

    
    Bass 
                      
To Bass Clarinet Clarinet
Rd. 5 
Pyramid from Reed 2,4,3

   
mp

     
Tpt. 1                 
mf mf

           
Tpt. 2    

       
mf mf


                           
Tpt. 3

mf mp

 
                        
Tpt. 4
    
mf
mp
              
                  
Tbn. 1
mf p mp
         
fp

        
Tbn. 2
              
      
mf p mp
         
fp

                    
Tbn. 3
  
p fp mp
mf


         

        
    
B. Tbn.
 

p mp
  
      
mf
 
Gtr.          
mf mp

              
Gb7 Gb7(#5) B^9 E9 Ebm9 Ab9sus4 Em11 Bb^% A13sus4 Eb7åÅ
       
Pno.

mp

  
                           
B^9 F7åÁ E^9 A13sus4 A13 Ebm7 Ab9sus4 Ab13(b9) Db^7 Dbm9 Gb7 Gb7(#5) B^9 E9 Ebm9 Ab9sus4

Bass
  
mp
24 

                               
    
Dr. 
mf 24 25 26 27 Trombone Pad
28 29 30 31
mp
SCORE / UNTIL THEN, FAREWELL
5
32 40

            
 
                           
      
Strict C#m7 C7 B^9

                 
SOLO
Alto (Solo)  
   
f

 
       
To Alto Sax
Rd. 2 
f

      
               
To Tenor Sax

Rd. 3
f   
     

mf

        
To Tenor Sax
Rd. 4
f

 
 
         

         
Rd. 5
mf

f fp

             
      
Tpt. 1 
f mf fp

       
Tpt. 2              
mf fp


f
 

                 

Tpt. 3
f mf fp
  
                  

Tpt. 4

          
mf
 
f fp
        
  
              
Lead

Tbn. 1
mf fp mf

f
                 
            
Tbn. 2
f mf fp mf

                   
             
Tbn. 3
f mf fp mf

          

                
B. Tbn.
        
f mf    fp mf

        Bm% Bm7 Bm^7 Bm9 E9(#11)

                         
A Phrgy§6 (b6) D^%/A Ab9å G^9 Gdim^7/Bb Bm9 Bm7(b6) Em7 Eb7 D^7
Gtr.   
f mf fp Alto SOLO

   
 
D^9/A µ G^9 Gdim^7/Bb
              
          
 
Pno.

mf    fp
f

       
  
        
Bm% Bm7 Bm^7 Bm9 E9(#11) Em11 A13sus4 Eb9(#11) D^9

                   
Bm9 Bm7(b6)
   
D^9
       
Bass    
f mf fp Alto SOLO

32
 
                                   
   Fill into Solo 40 Alto SOLO
Dr. 
f 32 mf 33 34 35 fp 36 37 38 39 40
SCORE / UNTIL THEN, FAREWELL
6

 
                            
Em^%/B B^% B9sus4 F7(#11) E^7(#4) Eb('9)/G G#m7 C#9(#11) C#m9 D#m7 G#7(b9) C#m11 F#7sus4(b9)

Alto (Solo)


Rd. 2        

 
Rd. 3        


Rd. 4        


Rd. 5
       

 
Tpt. 1        

 
Tpt. 2        


Tpt. 3         


Tpt. 4         

Tbn. 1
        

Tbn. 2
        

Tbn. 3
        

 
B. Tbn.
       


                           
Gm^%/D D^% D9sus4 Ab7(#11) G^7(#4) Gb('9)/Bb Bm7 E9(#11) Em9 F#m7 B7(b9) Em11 A7sus4(b9)

Gtr. 

                           
Gm^%/D D^% D9sus4 Ab7(#11) G^7(#4) Gb('9)/Bb Bm7 E9(#11) Em9 F#m7 B7(b9) Em11 A7sus4(b9)

Bass
 

Dr.                             
41 42 43 44 45 46 47