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Viola aus der "Suite española" Isaac Albéniz


AIl egro pBZ. Bearb.: Werner Thomas-Mifune
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@ 1995 Albert J. Kunzelmann GmbH, D 79807 Lottstetten
Edition Kunzelmann GmbH, CH 8134 Adliswil/ZH
Viola 3

~~1 . . . . . . . '
..

76 1 1

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mf -< f unimaruioc> dim, p =====~-JljJ

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}antando sempre rubato poco rito
1
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tempo
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( poco rit.)
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q. tempo .

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93 .~ al;mpo~

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poco rín/~ a tempo poco rito rit.

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p pp pp

CODA
119 molto rall., mon,}1J:do larga
Lento 123

- pp
D. C. al~epoiCODA
, ppp zz>
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.; rhll. Tranquillo accel. _ _ _ _ _ _ _ _ _ _ _ _ rito _ _ _ _ _ pIZZ.

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4 Viola

2~Cadiz
(Serenata)
IsaacAlbéniz
aus der "Suite española" Bearb.: Werner Thomas-Mifune
a tempo
AIl egre tt o, ma non troppo poco rito cantando

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14
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marcato

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18

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23

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Viola 5

39

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morendo

if W = =

49 a tempo

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54

-
59
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rito
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63 . rito molto - - - - - - - - - - - - -
~ --- a tempo > >

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rito molto a tempo

68 .\, 1 ~
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7T!I' sonore mf .1h.
D. C. al 'Ve poi la CODA
6 Viola

I
3. Córdoba
\~
,
aus "Chants d'Espagne", op. 232 Nr. 4 I saac, Albéemz o

Andantino" Bearb.: Werner Thomas-Mifune


4, \1
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pp - = =====- -===== = - pp--====
15 .~ ..'
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o
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o

====- -====== =====- p =.' .'-'" pp


29 .....a lempo ~ ,. rit, o." ,átempo

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. dir~. .::¿ pp' ppp --. ~ . ._;

53

60

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66

73
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mg~ I P I [ij)j
f = - p- = ======-
Viola 7

143 . . ~'.~ ~ ~ ."', rito

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p = = -=-
167 . rit: molto a ,.'e,~ .. .

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- =:::=:=- ----

j74 •. ,~

~IBb Y~r~ o - o o

W = = W
8 Viola

4. Mallorca
(Barcarola)
Isaac Albéniz
op.202 Bearb.: Werner Thomas-Mifune

Jl ~ttt
pp
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cresc.

mJtt·=L
11 , "poco~,to
: ~~;'
-~ poco rubato_, '
F -.: ,
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, -===== mf -=== -===-=:::::

17 rito a tempo
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p
qp r I ta·-==== ~ I~
P
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cresc.

23

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30 -$- POCO piü mosso


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pp
trf cantando dolce

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=~===- - = -=-- dim. mp _

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Viola 9

43 molto rubato

.~
= p

-~
48 molto riten. a tempo

~ cresc.
JPesant:===-~

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mp

58 a tempo

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mf cantando dolce
= =

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67 molto rubato

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= = p

dim.
D. C. al~epoiCODA

76
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CODA. rtt: poco a poco 1
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pp
23
pp
10 Viola

.'W1l
5•.S""eVlua
(Sevillanas) I
i
Isaac Albéniz
Bearb.: Wemer Thomas-Mifune
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Viola 11

90

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104 Meno rnosso :::::- ..', .

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