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collana di musiche per chitarra a cura di Marco Pisoni

Vincenzo
Bellini

Arie e Romanze per canto e chitarra


trascrizione e diteggiatura di
Andrea Massimo Fantozzi e Marco Pisoni

1820

casa musicale eco


Vincenzo

Arie e Romanze
Bellini

per canto e chitarra


trascrizione e diteggiatura di
Andrea Massimo Fantozzi e Marco Pisoni

Indice

Presentazione pag. 3

Ah! Non pensar che pieno (da Beatrice di Tenda) 5


Ah, non credea mirarti (da La sonnambula) 8
Casta Diva, che inargenti (da Norma) 12
Oh! Quante volte (da I Capuleti e i Montecchi) 18
Almen se non poss’io 22
Bella Nice, che d’amore 24
Dolente immagine 27
Il fervido desiderio 30
Ma rendi pur contento 32
Malinconia, Ninfa gentile 34
Per pietà, bell’idol mio 38
Vaga luna che inargenti 42
Vanne, o rosa fortunata 46

1820
casa musicale eco
ISBN 978-88-6053-425-5

© 2012 by Casa Musicale Eco s.a.s.


Proprietà Casa Musicale Eco s.a.s. - Monza - Via R. Bracco 5
Tutti i diritti riservati - All rights reserved

composizione, grafica e impaginazione, stampa: Casa Musicale Eco - via R. Bracco 5 - 20900 Monza MB - 039 / 200 34 29
www.casamusicaleeco.com
Quattro arie d’opera e nove romanze da camera per canto e pianoforte di Vin-
cenzo Bellini (Catania, 1801 – Puteaux, Parigi, 1835) trascritte per canto e chitarra
da Andrea Massimo Fantozzi e Marco Pisoni. Un’operazione che, relazionata ad altri
compositori d’opera, vede illustri precedenti in compositori quali Ferdinando Carulli
(Napoli, 1770 – Parigi, 1841) e Mauro Giuliani (Bisceglie, 1781 – Napoli, 1829) i
quali hanno fatto della chitarra lo strumento principe della loro attività compositiva.
Di Carulli ci rimangono oltre 300 pezzi per lo strumento a sei corde fra concerti con
orchestra, sonate, notturni, ouvertures, piccoli pezzi, marce e variazioni. Note in
particolare le sue trascrizioni di arie dal Barbiere di Siviglia (“Tornate sereni” da
un’idea melodica della Sinfonia dell’opera; “Amo te solo” che parafrasa “Ah! Che
d’amore” dal duetto Almaviva-Figaro) e dalla Donna del lago (“Amene selve, ami-
che piante” che parafrasa “Oh quante lagrime finor versai” cantata dal personaggio
“en travesti” Malcolm Groeme) facenti parte di alcune raccolte delle quali è assai
nota quella che ha per titolo Douze Ariettes Italiennes sur motifs de Rossini. Altret-
tanto apprezzato il Giuliani, anch’egli autore di concerti con orchestra, trii, quartetti
e quintetti per chitarra e/o chitarrre ed altri strumenti, serenate, pot-pourris, Walzer,
Laendler, Lieder (Abschied, Lied aus der Ferne, Staendchen et al. per voce e chitarra)
ouvertures, dances. Famosissime la Giulianata op. 148 e le Rossiniane (op. 119-121;
124-125): ricorrono titoli quali La gazza ladra, L’assedio di Corinto, Elisabetta regina
d’Inghilterra, La cenerentola. Non mancano tuttavia le ouverture da La clemenza di
Tito di Mozart, La vestale di Spontini, Il pirata di Bellini. Nel caso del lavoro compiu-
to da Fantozzi e Pisoni non si tratta di parafrasi o pot-pourri d’opere del catanese,
bensì la fedele riproduzione dell’accompagnamento alla chitarra di alcune pagine
vocali concepite per pianoforte o, se espunte da opere, per grande orchestra.

Al di fuori del modesto rilievo che il catanese dedica alla musica strumentale e
religiosa, relegate per lo più agli anni di apprendistato, l’unico genere al di fuori del
melodramma che viene coltivato con convinzione è proprio quello della lirica vocale
da camera. “Dolente immagine di Fille mia” viene pubblicata nel 1824, composta
l’anno precedente e in ogni caso relazionata al giovanile amore per Maddalena Fu-
maroli. La parte consistente della produzione va dal 1826 al 1829, dedicata in teoria
al mezzosoprano Marianna Pollini, buona amica del musicista, ma intenzionalmente
ed intimamente relazionata a Giuditta Cantù Turina, l’amante milanese di Bellini.
I titoli sono “Malinconia, ninfa gentile”, “Vanne, o rosa fortunata”, “Bella Nice, che
d’amore”, “Per pietà, bell’idol mio”, “Almen se non poss’io”, “Ma rendi pur contento”.
Ha scritto Bruno Gallotta: “Un autentico piccolo tesoro di sentimenti lindi e sponta-
nei, espressi con melodie incantevoli attraverso strutture nelle quali la semplicità
sia del disegno formale che dell’impianto armonico è elevata a sistema estetico”
(Mursia, Milano 1997). Le ultime romanze presenti nell’attuale compilazione di Mar-
co Pisoni sono “Il fervido desiderio” e, forse la più eseguita di tutte, “Vaga luna che
inargenti”, strofica, tonalmente statica, avara di modulazioni ma dalla spettacolare
lirica cantabilità.

L’accompagnamento chitarristico in qualche modo assimila le pagine operistiche


alle sunnominate romanze da camera: il canto – né può essere differentemente in
quanto trattasi di pagine scritte per una vocalista eccelsa del tempo quale Giuditta
Pasta, o per interpreti comunque di primissima sfera quali Rosalbina Carradori Allan
e Annetta del Sere – emerge protagonistico sopra un accompagnamento che vica-
ria con sensibilità la parte orchestrale spesso sostenuta da più strumenti. Fantozzi
ha scelto “Ah! Non pensar che pieno”, mesta invocazione amorosa di Agnese del
Maino dalla Beatrice di Tenda (Venezia, 1833); “Ah, non credea mirarti”, dolente
riflessione sulla caducità dell’amore e della vita di Amina dalla Sonnambula (Mila-
no, 1831); “Casta diva”, preghiera che la sacerdotessa druidica Norma eleva alla
“Luna” nell’omonima partitura scritta per la Scala di Milano per il Carnevale del
1832; “Oh! Quante volte”, trepido ed insieme appassionato invito all’amore che Giu-
lietta rivolge a Romeo nei Capuleti e Montecchi, opera andata in scena alla Fenice
di Venezia l’11 marzo 1830.

GIORGIO APPOLONIA
5

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da Beatrice di Tenda

Tonalità originale: Si D maggiore Vincenzo Bellini (1801 - 1835)


Trascrizione e diteggiatura di
Romanza (Andantino, n.d.R.) Andrea Massimo Fantozzi

 
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8

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Bella Nice, che d'amore

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Trascrizione e diteggiatura di Marco Pisoni
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© 2012 by Casa Musicale Eco s.a.s. - Italy - Tutti i diritti riservati - All rights reserved - eco 1820
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© 2012 by Casa Musicale Eco s.a.s. - Italy - Tutti i diritti riservati - All rights reserved - eco 1820
42

Vaga luna che inargenti

Tonalità originale: La b maggiore


Vincenzo Bellini (1801 - 1835)
Trascrizione e diteggiatura di Marco Pisoni
Andante cantabile a
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© 2012 by Casa Musicale Eco s.a.s. - Italy - Tutti i diritti riservati - All rights reserved - eco 1820
43

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© 2012 by Casa Musicale Eco s.a.s. - Italy - Tutti i diritti riservati - All rights reserved - eco 1820
44

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45

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© 2012 by Casa Musicale Eco s.a.s. - Italy - Tutti i diritti riservati - All rights reserved - eco 1820
46

Vanne, o rosa fortunata


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© 2012 by Casa Musicale Eco s.a.s. - Italy - Tutti i diritti riservati - All rights reserved - eco 1820
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