5

MOZART'S
 MILLARD'S JMA!S!S.

favor with which this,Mass has been received in Churches where it has been .performed,
The
has induced the Publisher to issue it in the same style as his Excelsior Edition of Popular Masses.
Attention is invited to a few of the Testimonials received from parties who have performed
it from the manuscript.
Copies send by Mail, postage free, for $1.00; or bound in Muslin $1.25.

S. T. GORDON, 706 Broadway.

From Dr.Wm. Berge, late Organist of St. Francis Xavier s Church, Extract fromN. Y. Tribune.
16th St., N. Y. (H. C. Watson Musical Critic)
Dear Sir. Mr. Millard has adopted the modern style of church music,
I take pleasure in testifying to you the gratification I had, on and has produced a Mass which will probably be popular, as it is
learning that your " Mass in " was to be published, and espe-
G full of pleasing melodies, and makes no approach to strict style or
within the reach of all. I have repeatedly express-
cially at a price scientific elaboration. One or two of the solos are earnestly pas-
ed privately, what I now say to you publicly, viz.: "that the work sionate only in their opening phrases, though they arc melodious
will surely become popular, and the property of every Catholic and effective throughout. The concerted music is well voiced, but
church choir." presents the same excellences and defects as the solos.
Your success has been very marked throughout the entire work, The thoroughly educated musician carries out his chain of
and I heartily recommend it to every Catholic choir, knowing that thought, producing the requisite contrasts without destroying tho
they will not be disappointed in it, and that in doing so, I am ren- unity of idea. He gives thus a harmonious whole, while the inex-
'
deriug them a service and you simply justice. perienced composer crowds into the same Bpace only disconnected
Yours truly thought with a feeble result.
WM. BERGE, Organist.
The Mass was well sung throughout, saving a few imperfections
necessarily attending tho performance of a new work. Tho
first
New Yoek, September 20th, 1865. organ accompaniment, which is sometimes quite brilliant, was well
To Mr. II. MILLARD,
played by Mr Berge, displaying great skill in the management
Director of music, St, Stephen's Church, 28th St., N.'Y.
and an ample control of the resources of the instrument.
Dear Sir :

Permit me to congratulate you on the success of your Mass, which

We s ung for the first time last Sunday morning.
H. MILLARD, Esq.

The music is easy, and my solos, without being elaborate, are Ihave had your Mass sung on three occasions at my church, and
agreeable to sing, particularly the Qui Tollis, in which any good it affords me great pleasure in acknowledging to you my sincero
singer can throw a deep heart-felt expression. thanks for favoring me with the Score. Why do you not have it

I have no doubt that your work will be popular, at least with published ? I would advise y oa strongly to do so, as in my opinion
singers. it would meet with immense success.

Trusting that your *' Vespers in D" (which I have as yet only Wishing you every prosperity in the undertaking.
tried over by myself,) will prove successful, as they are even more Believe me.
showy and brilliant, Yours truly
I am, Dear Sir, H. GONZALEZ,
Very respectfully your's Musical Director of St. Columbia's Church.
E. de LUSSAN, New York, April 10th, 1866.
Soprano Soloist of St. btephens.
Mr. GORDON:
Mr. H. MILLARD. Dear Sir.
Dear Sir. I have examined the Mass in G, with Latin and English words,
I have with my choir performed both your pretty Mass and Ves- composed by II. Millard, and think it well adapted for use in
pers three times in succession at the Church of St. Charles Boro- Churches of all denominations that require good and brilliant
meo, Brooklyn, where I have charge of the Music. music for opening pieces, &c.
This, in itself, is more than words can express how much satis- G. W. COLBY,
faction they gave to all. Organist and Prof, of Music.
They are full of beautiful melodies and effects, and withal are New Yoek, May 15th, 1866.

easy to perform.
I am glad to learn that the Mass is already in press, and will Mr. MILLARD.
shortly appear. hope the Vespers will soon follow ; as there are
I Dear Sir:

no Vespers published in this country that can compare, and answer
our requirements; your Vespers:, therefore, I am sure will) be most
welcome to all churches and lovers of that style of music.
Your's respectfully
W. DRESSLER,
Organist of the Church of Ft. Charles Boromeo,
Brooklyn, L. I.
I take great pleasure in offering you my testimony in favor of
—
your beautiful " Mass in G." The several pieces are all uscfnl
for choirs, and your work will prove a very valuable acquisition
to all lovers of brilliant and pleasing melody.
Please send me a copy of your Vespers and Magnificat.
EDWARD HOWE, Jr.,
Organist of the Church of the Messiah, N. Y.

New Yoke, March 10th, 1866. [Extract from the Evening Post.]
MT Deap. MILLARD,
We had your Mass last Sunday. The artists and the Congre- "Among the most admired of our native composers Mr. Harrison

gation were very much pleased, the artists to sing and the Congre-
Millard deserves a permanent place. He has composed some songs
gation to listen to such fine music.
which have become popular all over the Union, whilo to church
j

musio he has contributed some of the most available additions

I do not doubt, in case you publish this Mass, it will become a /

great success, because nearly every Choir in the U. S. will be able

which can be found in the modern repertoire of American choirs.
to produce it : not too difficult and still very effective.
He recently attempted a higher range of art, and produced a grand
Mass a few Sundays ago at St. Stephen's Roman Catholic Churc5
Send me your set of Vespers, I would like them as soon as pos-
in Twenty-eighth Etreet,whero he is the tenor singer. It was a wor'
sible.
Very respectfully your's of decided merit, and rich in melody. The concerted pieces we /
LOUIS DACHA tJEP, also highly praised by competent judges, and tho Mass shoul d /
Organist & Director of St. Ann's Church, N» Y. heard outside of the church for which it was written.
 « g k . r .

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 r

THE LIBRARY OF THE

UNIVERSITY OF
NORTH CAROLINA
AT CHAPEL HILL

PRESENTED BY

Henry L. Woodward
 Digitized by the Internet Archive
in 2014

http://archive.org/details/mozartscelebrateOOrf[oza_0
 DITSON'S UNIFORM EDITION OF HAYDN'S, MOZART'S, AND BEETHOVEN'S MASSES.

MOZART'S
CELEBRATED

REQUIEM,
IN VOCAL SCORE;

WITH AN ACCOMPANIMENT FOR THE ORGAN OR PIANO-FORTE.

BY

VINCENT NOVELLO.

WITH LATIN AND ENGLISH TEXT.

BOSTON:
PUBLISHED BY OLIVER DITSON & CO.
277 WASHINGTON STREET.
 — — 1

MOZART'S REQUIEM. (MASS No. 15.)

ADAGIO.
Met. 76 -/*

r r=r =

F=3~l J JjJ
Re - - - qui-em
J'
sb -
m
tcr - nam Do-na e - is
Give un-to the meek of heart peace and rest, for

Re - - qui-em se - ter - nam Do-na e - is Do

Give un - to the mee!: of heart peace and rest for ever, give-
-K K k-
tLLLT-
7"r
17
Ml
Re qui - em 33 - ter nam Do - na e - is Do mine
bass. Give. un - to the meek of heart, give peace and rest for e ver,

—
IUTTI.

mm
-I
» • •-

Re - qui - em ae ter nam, ae ter - nam Do - na e - is do na

Give. . un-to the meek of heart, give peace and rest for e - ver - more, give

^3=
75

TP ¥ f=r=f

Do -
u
mi-ne
—— U
Re
i2=g
qui
— -
U
em 83
U
-
I
I

ter nam do - na e - js Do - mi - ne
Give un
ver, . - to the meek of heart
—
peace and
-N in
rest
S
for e - ver - more,
1
T
i
mi ne - do-na e is Do - mi - ne do - na e - is Do - mi - nc
tm ttc meek. peace and
p—irr
- to cf heart, give rest for ver-more,

m m
r * —
-#-!
i

*
n.
*
h
#
* ' ' * * ^
Y- ^ ]/ 1

Re - qui - em 33 - ter - nstm do - na e - is Do - ni-ne e - is Do - mi - no

do-na e - is Do-mine Re - qui - em as - ter - nam do - na e - is Do mi - - ne

peace and rest for e - ver-more, give peace and rest, give peace and rest for e - ver-more,
 — s V — E .

4 MOZART'S REQUIEM.

1 1-
bj p p I
4 7 ;_L_L_
g \> V- t
*J at In
et lux per-pe tu - a, et lux per-pe tu - a lu - ce - at, lu - ce - at e - -
ana" Zet per-pe -
and let per-pe shine on them, chosen peo -

ts^rf* —— Is

et lux per-pe
i
tu - a, et lux per-pe tu - a lu - ce - at, lu - ce - at e -

and let per-pe tual light, and let per-pe tual light shine on them. thy cho-sen peo
h —h K —N~
9-4-
— S
W — *—b-
et lux per-pe tu - a, et lux per-pe tu - a lu - ce - at, lu - ce - at e -

and let per-pe tual light, and let per-pe tual light shine on them, thy cho-sen peo

^0-
et lux per-pe - tu - a, et lux per-pe - tu - a lu - ce - at, lu - ce - at e - -
and letper-pe - tual light, and Zei per-pe sMne on them, thy cho-sen peo

m jjjLt \ • e
P
# 0— — —0-0-f-0—0~-— f » * — »— —— 4-bJ — 1-
jL

IS Te - de - cet hyra
Thou, T/iou, God,

is

is
pie.

IS
pZe.

jet
ft
-7— I
 —
MOZART'S REQUIEM. 5

s vo -

form-ed
turn, in
in
Je
Je
-

-
ru
ru
sa
sa
-

-
lem,
lem,
Ex
who
an
hear
di

Ex au - - di ex - au - di, ex au - cu o -

n :
jaggto —who
Ex-au - di,
who hear-est,
n j —
hear-est,
B-

ex - au - di,
who hear-est,
who hear-est,

ex - au
who hear
who

di
est
m
hearest our

o
our

S-1
Ex-au - di, ex-au - di, ex - au di ex
who hear-est, who hear-est, !t'/io hear es£, who

0— - n
g^Zp "
-V
o - ra o - nem
- ti - me ad Te om - nis
our pray'r and sup -pli - ca - tion, un to thee' shall

- ra ti • o - nem me - am Te ad Te om nis
pray'r and sup -pli - ca - tion, to thee, un-to thee, un to

9—0-
- ra
-v<—
ti
pray'r and
-
V-
- o - nem me am ad Te
-9-«

ad Te om
m ms
sup - pli - ca tion, un - to thee, un to

3
au - di o - ra - ti - o - nem me - am ad Te ad Te ad Te om - nis om-nis
hear-est our pray'r and sup - pli - ca - tion, un-to thee, un - to thee, un - to thee shall all flesh
f

-Q-,— — ^ — K- — zi
come.
^ g ^
J d-M 1

T
j

?
¥ * |
;

om -"nis ea-ro ve - ni - et Do - na
thee, shnll all, shall all flesh come. Give

fe -0
om-nis ca-ro ve ni - et
thee shall all, sliall all flesh come.

-V—¥
ca - ro ve - ni - et Re - qui-em » -
come, shall all flesh come. Give un - to the
 N —
MOZART'S REQUIEM.

Do - na, do na e
Give un - to. the

do na e is Do
JDo-mi-ne
- mi-: do na, do - na e is Re
un meek of heart peace and

m
- to the rest for e - ver give.
-N—

Re - - qui-em se - ter nam

Crt'ye un - to the meek of heart,

ter nam, do - na do - - na
meek. of heart peace and rest for

Do - mi-ne do na do - - na e - is Re qui - em a? - ter

meek of heart peace and rest for e - ver, give «n - to the meek of

-0
5^3 £3E
S3 CT
qui-em ae - ter nam do - na e - is Do - mi-ne do na
un-to the m eek f
o heart, give.,., peace
piwe.... and rest for e - vermore,
vet rest /or

\Z 0' ? 'U.0-
i—P-v— -
nam se - ter - - - nam ae - ter - - nam et lux per-pc - tn - a et lux per-pe - tu - a
heart peace and rest for e - ver and e - ver - more, and let per-pet-ual light, and let per-pet-ual light

-K —Sr -TJ-H N- — —N- N N

fat
do - na e - is do - na et lux per-pe-tu -a et lux per-
rest for e - ver-more, e - ver-more, a«d fci per-pet-ual light, «;/<i 7rf per-

do - - na, do - - na et
i
lux per-pe-tu - a et lux per
peace a nd rest e ver - more, and let per-petual light, and let pcr-

0~±&£, Sfi

e is do - na e - - is do
ao - - na et lux per-pe - tu-a et lux
rax pet-
pcr-
meek. of heart peace and rest for e - ver-more, and let per -pertual light, and let per-

33
,
„ g • gfff j-0 00™ •
 s

ilOZART'S REQUIEM.

lu -
shine
ce
on
- at
thy
e
peo
-
- pie,
is
ggget
and
lux
let
J
per
per
1

-
JWW-J^
pe
pe
-
-
tu - a
lu - ce
tual light shine on
-
1
at
thy
1
jZ r
e
peo
j g
pie
h '4>-

* -V -J
i
- pe - tu - a lu - cc - at e - is et lux per - pe - tu a
- lu ce - - at e - - - - is
- pe- tual light shine on thy peo -pie, and let per - pe - tual light shine on thy peo - - - pie.

pe - tu - a lu - ce - at e
m et . lux per - pe - tu - a lu - ce - at e - - - is
13
- pe - tual light shine on thy peo -pie, and let per - pe - tual light shine on thy peo - - - pie

- pe - tu - a lu - ce - at e - is et lux per - pe - tu - a
lu - cc - at e IS
I
- pe - tual light shine on thy peo - pie, and let per - pe - tual light shine on thy peo pie.

# — °
-0 — =#s t—r. -S
— • — —^^-«e-cW-^S^
ss-ff-
rff?
1

3fc

ALLEGBO. ISO

WE
i Ky
Shew
- - - ri
thy
-

Ky - ri - e e -
a le - i - son e - le
to us. O shew thy

§1 FUIi, WITHOUT TRUMPET.

7
8 MOZART'S REQUIEM.

— —— -
-

i
•

- son
*
e -
&
le
*j
x * — son
Lord, to us thy mer-cy, Lord, to us.

son c - lei - son Chris-te e - lc

us, Lord, to us O shew thy rner

-N #— =*=?=
son c - lc le - i son e - le
Lard,

tt
«VI.
»
• -
i

'
J —
tj* i i

s 1 ' 4JLL
MOZART'S REQUIEM
 —
10 MOZART'S REQUIEM.

Ky
Shew
- - ri
thy
- -

mer
e
- -
e--le---i
cy Lord to

son e - lei
k —-
k *f<
-^son e - le
cy Lord to us O s/ieiw mer - cy
-7

1 - son Christe e
to us O s?teu> tfiy

SOE e - le le
US thy mer cy -Lord O s?i€uj $0

-
Christe e - le
O shew thy mer

Ki
shew
—

ri
thy
- e
mer
e - le
Lord
- i
to
- son,
us,
e -
thy
le
mer
-
m
m
§5 1 3

-» —« 0-

son e le - son e - le
mer-cy Lord us,

s shew thy
e
mer cy
'le
Lord
- son,
us,

N—.-*-
-S
-0 — 0-
i - - son, e - le - i - son, Chris - te e
cy Lord to us, O shew thy
 MOZART'S REQUIEM.

*3

i- son, e - le •
1 - son, e - lei - son,
cy io? rf to
-
!<s, thy mef-cy Lord to us,

-V—V-
ri - e e - le
4
- i - son, Ky - ri - c c - le - - i
-

Shew thy mer-cy Lord to us, shew thy mer - cy Lord to

*
*^ n-lp
c - le -1-
- i - Cf\tl
son, eA -- le
In - _ _ _ _ i_-
i crtn
son, e _
- lni
lei _ _ son, o
ccin e lot
-_ lei _
- -
.
son, c-Ie
cy Lord to us, thy mer cy, thy jner - cy Lord to us, thy mer -

m-

le - - i - son, Christe e -
cy Lord to us, O shew thy
 I

MOZART'S REQUIEM

son e -
e - lei - - lei -

thy ttier - • - cy Lord to

son e - lei - son e - lei - son

- cy Lord thy mer - - - cy Lord to us
s , !
I
I i
|
I
; ; i
j \
I

Ky -ri-e e-le-i - son.

Grant us thy sal • va - - tion.

le l - - son e - le - i - son e - le - i - son Ky - ri-e e-le-i-- son.

shew thy merry thy mer - - cy Lord to us Grant us thy sal - va - - tion.
ADAGIO.

£3 4^
~ag —

DIES IR^].

ALLEGRO
ASSAI.

ALLEGRO
ASSAI. .m 1

rrTl , i

3£
 —
MOZART'S REQUIEM. 13

saeclum
Sybil's
in fa - villa Tes - te David
word con -firming heav'n and earth to
cum Sy - bil - la
ashes turning
Quan -
mm
tns tremor est fu
how great the tri-bu
•

saeclum ia fa villa Teste

• David cum Sy - bil - la Quan - tus tremor est fu •

Sybil's word con firming heav'n and earth to ashes turning how great the tri-bu-
—
PI sasclum
Sybil's
ft

in fa - villa
ft

Teste David cum Sy -bil - la

word con -firming heav'n and earth to ashes turning
Quan
O
- tus
how
quan
great how
tus

1
Tr t£ — —#
P
David cum Sy - bil - la Quan

^
saeclum in fa villa Teste
- - tus tremor est fu
Sybil's word con firming heav'n and earth to ashes turning O 7iow great the tri - bu
! m i i

1 — 1
0-0- -0 — —* 0-

rus quan do ju - dex est ven tu rus cunc ta stric - te

m
- -

tion when the judge shall take his sta tion Judg ing strict - - ly

- tu - rus quan do ju - dex est ven - tu - - rus cunc ta stric - - te

- - Zo tion when ffte jii^ge shall take his sta - - tion Judg ing strict - - - ly

f *3£ tremor est fu tu rus quan - - - do judex est ven •

tu - rus cunc - ta stricte stricte
tri - ba la tion when the judge shall take his station Judg - ing strictly _ strictly

tu rns quan
wAen
- do
rte
ju dex est ven
-

judge shall take his

3fe
- tu
sta
-

-
^3 mstric
strict
-
-
§
te
ly
I

discus - su - - rus Di - es i - ra?

man's proba - tion -Day vengeance

3
discus su - - -rus Di es l - rse
man's proba - tion Bay of vengeance

I 1 I

discus su * - - rus Di • es i - rse

man's proba - tion Day of vengeance

discus - su - rus
man's proba tion
 s
MOZART'S REQUIEM.

i Di
day
il - la
burn-ing,
solvet sseclum
day of vengeance,
in fa - vil -

day of burn-ing, heav'n

la tes
a«d
te Da-vid
eart/i to
cum
ash
Sy-
- es

turn-ing, ?10 great - few - la Hot I,

— — « 1 »— • #— —& o
turn-ing,
 — u
MOZART'S REQUIEM.
15
lis

dis su - rus Di di - es
man's
—
— 1
1

— —*
-1
d 1) -

1 M m -l
-
pro feci - ft'on, Itay o/ ven-geance, day of

dis
mcus su - rus Di - es i - rse di - es
man's pro 6a - fo'on, Z>ay o/ ven-geance, day of
-» *
^~~ ^~
L \te

dis - cus su - rus Quan-tus tre - mor est fu - tu - rus

man's pro 6a - tion, O how great the tri - bu - la - lion,

-' fir i ii i— —

i 51 - la Di - es i - rro di - es il - la
f>wra - ing day of vengeance, day of burn - ing,
rl— 1-

il - la Di - es "i - raj di - es il - la
burn - ing, day of vengeance, day of bum - ing,

m
il - la Di - es i - ras di - es il - la
day of vengeance, day of burn - ing,

Quan-tus tre - mor est fu tu - rus quan-tus

O how great the tri - bu la - tion,

quan-tus tre - mor est fu tu - rus

=V
quan-do
/- IIH ju - dex est veil
O fiojy greai ffle fri - 6w la - tion, judge, shall ttike, his

£55 3t
quan-tus tre - mor est fu tu - rus quan-do ju - dex est ven
O ftotf great ffie fri - bu la - tion, when the judge shall take his
* a »-

quan-tus tre - mor est fu tu - rus quan-do ju - dex est veil -

O how great the tri - bu la - tion, when the judge shall take his

ft e f-

tre - mor est fu

bu
tu - rus quan-tus
O how
tre - mor est fu tu rus quan-do
m ju - dex est ven •

great the tri - la - tion, great the tri - bu la tion, when the judge shall take his
 K ..

16 MOZART'S REQUIEM.

tu
sta
-

-
rus
tion,
cuncta
when the
stric - te
judge shall take
dis - cus
his
- su
sta
-
-
rus Cunc
Judg
ta
m
stric - te

— I
j h — tion, ing strict - ly

tu - rus cuncta stric - te dis - cus - su - rus Cunc ta stric - te

sta - tion, when the judge shall take his sta - tion, Judg ing strict - ly

r
-v—v-
tu - rus cuncta stric - te dis - cus - su - rus Cunc ta
sta - tion, when the judge shall take his sta - tion, Judg ing

H P 1
h- T*fi 1 1 1—

tu - rus cuncta stric - te dis - cus - su - rus Cunc ta

sta - tion, when the judge shall take his sta - tion, Judg ing

stric - te dis - cus - su rus Cunc ta stric - te stric - te

strict - ly man's pro - ha tion , Judg ing strict - ly, strict - ly

— -• -

^1
stric - te dis - cus - su rus Cunc ta stric - te stric - te
strict - ly man's pro - ba. lion, Judg ing strict - ly, strict - ly

ii=E=£ £3
•j ,1.
stric - te stric - te dis - cus - su rus Cunc ta strict -te stric - te
strict - ly, strict - ly man's pro - ba tion, Judg ing strict - ly, strict - ly

stric - te stric - te dis - cus - su - rus Cunc ta strict - te stric - te

strict - ly, strict - ly man's pro - ba - tion, Judg ing strict - ly, strict - ly

J £J J— !

IP
mn
Hi.
dis - cus su rus.
i
man's pro ba tion.

dis - cus su rus.

i
man's pro ba tion

dis - cus su rus.

man's 'pij> ba tion

dis - cus su rus.

man's pro ba tion.

r* 1

j
 — — .

TUBA MIRUM. 17
80L0. BASS.
ANDANTE. 72= J
QUAETETTO. -

Tu - ba mi - rum spar-gens so -

Hark! the an - gel trum-pet sound

GT. OPEN DIAP.

77
ANDANTE. TRUMPET AND 2 MAPS

r CH. STOP DIAP. AND DTJLC.

— num,

3p
Tu
ffarfc .'
ba
f/ie
mi
an
-
-
rum
peZ

si
spar
trum
- gens
- pet

3=£
f
-0^

re - gi - o - num co-get om-nes an - te thro-num, co-get

realms re - bounding, See the dead the throne sur^rovnd-ing , See the

7 *7 g E

-? —?
f-

TENOR SOLO.

Mors stupebit et na - tu - ra, cumre - sur - get ere - a-

Death and nature view affright- ed, Dust and spir - it re - u-

hi=lafc
om-nes an - te thro 3
num,
dead the throne sur - round ing,

. rr. «.« «/•77 ,

..t- si

3S I PFPpf
SWELL 2 DIAPS.

^ ^
3
tu
ni
-
-
ra
ted,
ju
man
- di
a
-

-
can
ris'n
- ti

to
res
judg ment
-
pon - su
ci -
- ra,
ted,
Li
Then
ber
mm
scriptus
sheivn the
pro
book
- fe
con
-

mf
 ! - -

MOZART'S REQUIEM.
18

am re -

tain-ing,
tur in quo
written
to
deeds
- turn con
the world
- ti -tur
ar-raign-ing,
ne - un
O
de
pen
mun
guilt,
m
dus
and

ALTO. SULO.

i 3=t
Ju
TFTien
dex
the
er
judge
- go
supreme
cum

§ mun dus
guil
di
«3/
ce
feign
tur
mgr,

— « _— . . . CEES.

life?
f=±3t
i ?=FFF

IE

Hp de
seat
-

-
bit
ed,
quid quid la
closed
tet
i/iat's
ap
now
- pa
se -
- re -bit nil in-ul turn re-ma
cre-ted,ev'ry wrong's redress com-

— crjn
I 1
5^
fctt r r i f I

SOPRANO. SOLO.

=(* —
Quid sum mi - ser tunc die - tu - rus quern pa - tro - num ro - ga - tu - rus
Tremb - ling at his in - dig - na - tion, where shall J make sup - pli - ca - tion

ne-bit,
ple-ted,
i I I

r r=r—
 MOZART'S REQUIEM. 19

i cum
scarce
vix jus-tus
the righteous,
jus -

righteous
tus Sit se
find sal
-
-
3*
cu
va
-
-
rus
tion,
Cum
Scarce
m
vix
the

Cum vix
Scarce the
-soLi.a

m Cum
Scarce
vix
the
-ft- -p-

1
Cum vix
I — i
iSca rce </ie

3=5 »,

jus - tus jus - tus Sit se - cu rus

righteous, righteous find
- 1 J_

P jus -

righteous,
tus jus - tus

righteous find
Sit se - cn rus
tion.

jus - tus jus - tus Sit se - cu rus

righteous, righteous find

jus - tus jus - tus Sit se - cu rus

righteous, righteous find tion,

4r
if r f r

/ 7>

Cum vix jus - tus vix jus - tus sit se cu rus.

scarce the righteous, the righteous find sal va tion.

Cum vix jus - tus vix jus - tus sit se cu rus.

scarce the righteous, the righteous find sal tion.

Cum vix jus - tus VIX jus - tus sit se

s rus.
scarce the righteous, the righteous find sal

Cum vix jus - tus vix jus - tus sit se rus.

scarce the righteous, the righteous find sal tion.

fm at
ORES.
V I
 — .

20 Chorus. 72=/
REX TREMENDiE
GRAVE.

Rex!
GRAVE. King!

Rex!
King!

i Rex!
King !

Rex!
King !

GRAVE.

—
- ta - tis, Rex trc men - das Ma - jes ta tis, Rex tre
see-in g. King men see ing, King tre

ta - tis, Rex tre - men - else Ma - jes - ta - tis, Rex tre - men
see-ing King, tre - men - dous judge all see ing, King tre - men

bkW SB "^2S»<

i I
 MOZART'S REQUIEM.

men dae Ma jes - tatis Rex tremen-daeMa-jes-ta-tis qm

m
men dous judge all seeing, King tremendous judge all seeing yet

das Ma - jes - ta tis Rex tremen-dae Ma-jes - {a

ta - tis
King tremendous judge all seeing

5^
dous judge all see ing,

van dos
- sal - vas gra tis Rex tremen-dae Ma-jes - ta - tis Rex tremen
mercy sinners free ing, King tremendousjudge all seeing, King tremen
i r^—*-

- vas gra - tis

^3
Rex tremen-daeMa-jes-ta-tis Rex tre -

- ners free ing, King tremendous, judge all seeing, King tre -

f tT-t
vandos sal - vas gratis Rex tremen d» Rex tremen - das Ma - jes
mercy sin - ners freeing UYng <re - men - - do«s King tremen - dous judge all

qui
yet
sal
by
- van - dos
mer - cy
m sal
sin
-

-
vas gra-tiS
ners freeing,
Rex
King
tre
tre
-

-
men
men
- das Ma - jes

-dous, judge aU
•

das Ma - jes - ta tis Rex tremen dae Rex tre - men -dae Ma - jes

• dous judge all see ing King tre-men dous, King tre -men - dous, judge aU

3r±
tis Rex tre - men - dae Rex tre - men - das Ma - jes -
ing, King tre - men-dous, King tre - men - dous, judge aU

ta-tis qui sal-van-dos sal-vas gra-tis

seeing, yet by m^r
jregr -- cy sinners fi&eing,

ta-tis qui sal-van-dos sal-vas gra-tis

seeing, yet by mer - cy sinners freeing,

7L
mr
 MOZART'S REQUIEM.

Sal
Save
- - va
fee*
me fons pi
me, great and ho
-
-
e
ly
-
I
ta
be
tis.
ing.
m
-0—0-
«2=
Sal - - va me fons pi ta
Sare me, great and ho
— — - ly be ing.
—
an
Sal-va me,
?*

Sal
-.

- -
e:.::p
¥—V-
va me fons
, f ~ »
i

pi
—
- e - ta
-0

tis.
31
Save me, great and ho - ly be ing.

=P=P= V—0
$4
Sal-va me, Sal - - va me fons pi tis.
Save me, Save me, great and ho ly. ing.

J—J-
-0 IS-
HI
—S * —
2^ f
 — — — —

Se - dis - - ti las
p=
- sus
—
i
T/iy pas - -

* -90-
SIOM bought me
—
Se - dis^^- ti las - sus
• Thy pas - - sion bought me

=E==—
=¥ 1 f
—«
[ :
1.

—
1

Qua? - - rens me re ~*mm de -

M
.

pain - - Long thy

-f
Qua? - rens me
pain - fill - *y
s N
-e > •> I
(-1
-«
1

0— i= 1 !

— *-T * *
i

a«-
lb as *

—
-#a * » •
-J 1 JL. 11
~ \*p^
V
— f-i-
*
1

* —
'
#-

(« , «
—y— r

—
cr a - cem
y-4
pas sus
^ tan
r
tus
'- <*

la
i

bor

—
- - - -

Spirit s Thro' such suf - fring

_!
*•
* * =*—d —
-1 ? 1
- 1 1

i=
« —i ^ ::

, -

cru - cem pas - sus tan - tus la - - bor

me suj f ring
Spirit sought Thro'

r
siwh

. v
-
'
1— -

tiffin—l * .
1

*
.

r
mJ- tan tus la - - bor
- mis - ti -

wea - ried Thro' such suf fring

-f-
rv P * — J f y
E— » ? ?
f
t*t=

re - - de - mis - ti tan - - tus la - - bor

Long thy weariec I Thro' such ««/ - " fring

-Ti • !
=— ==T
-J-

t—f ,

- — |*-J
 MOZART'S REQUIEM. 25

non sit cas - sus tan tus la - bor non sit cas - - sus
hope is brought me thro' such suff'ring hope is brought me

non sit cas •

sus tan tus la - bor non sit cas - - sus
hope is brought me thro' suff'ring hope is brought me
* ,
f- 0^,

non sit cas - sus _ tan - tus la - bor non sit cas - - sus
hope is brought me thro' such suff'ring hope is brought me
» ^ 0-

non cas • sus tan tus la - bor non sit cas - - sus
hope brought me thro' such suff'ring hope is brought me
tr
1,0 * * _5f
MOZART'S REQUIEM.
 —— MOZART'S REQUIEM.
» T — —
£
27
1 g
f
Z

De - us qui Ma - ri - am ab - sol - vis - ti Mi - hi quo - que spem de -

—— — j 1
? —— 1

* J hi —
rt^-f , M
w~~*
87
.De - us Mi - hi quo - que
*
mi -
%i
hi
bruising Even me with hope re -

1 ? '
—= ——— = p '
-f=H* h*—? —Mr= :

*J
De - us
i
u
Et la
1/_
- tronem ex - au - SH
ois - ti
U
Mi - hi
bruising

^rr-r^ — \
and * </ie - ircg </ue/ re- cei'y - e<is< e - ve«

De - us
bruising

5 I— i

dis - ti mi - hi quo que spem de - dis ti,

lievedst even me wiWi Tiope re - liev - edst,

quo que spem de dis - ti spem de - dis - ti Pre

liev edst even me with hope re - - lievedst Tho'.

quo que mi - hi quo -

-
que spem de - dis - ti

me with hope re lievedst with hope re - liev - edst

§
Mi - hi quo - - - que spem de - dis - ti

even me with hope re - liev - - edst

Sed
Lord

I
jg —
ces me as non sunt dig -

my pray'r. un - wor - - thy grieve. me

i
9^ pre
j
ces me
1

- -
*
1

SB
1e -f O
non
[
-/1

sunt dig
*

- - - -
P
4=
nse
— f ?

Xfto' my pray'r ifty grieve

 ^ — < — —

$H=? ne
me,
—•
r m

ne
Lest
»—

per
e
-1
-
-
*

>n
<

t er -
-
*
t
ne
n al
- =*-4- ir
ere
fire
- mei
re
^=T
-
ig
ceu'e
-
me,
ne

—?m sjp
\nH —^ — 1
"

*
, ?
"

-j
*
*
.

£ :

ne per - en - n ere - mer ig - ne

Lest e - ter - na I fire re ceive me,

• ne
me,
-^^H-
*/

ne
Zesi
r
—
'
b-F£
r~

per
e
- i

t er
sn -
-
~J

n
ne
i

?
ere
fire
- mer
re
—r
-

-
i

ig
ceive
-
•
1

ne
me.
T

- »- -0-
—¥ 1
k- i
? j
'

1
J t
ne per - e n - ne ere - mer ig - ne
Zest e t rr - nt a jftre re cei'ue me, .

—*h — S
W": !
—
'

#_T r
r # 4? 1
V H U- -

S
<
/J
'> : :. ? .
i/ - =3? qp -
-j

t-f=£fe* *
L-r 1
 —
MOZART'S REQUIEM.
29

et
Keep
ab
me
hoe
from
- dis
the
me
Goat's
.
3^ se
con
-

-
ques
di - - -
tra
Hon,
sta tu - ens
thy right com
in
-

-m-
33
et ab hoe - dis me se ques - tra sta - - tu-ens in
Keep . me from the Goat's con di - - tion, on thy right com-

-V—V-
ab hoe - dis me se -v - ques tra sta tu-ens in
from the Goat's con - - di - tion, on thy right com-

hoe - dis ab hoe - dis me se - - ques

Keep .... me from the Goat's con - - di

tu - ens in par - - te dex tra sta '-

- - tu - ens in par -

thy right com- plete fru - i tion, thy right com - plete-

IN fru
to
-
dex
i -
-
-
tra.
tion.
i
r i
tc dex tra.
fru - i - tion.

=1*
-7
te
y
dex tra.
r r
1
fru - i -
tion.

te dex
/»« - t •
 .

30 MOZART'S REQUIEM.

ANDANTE.

ANDANTE.

TUTTI. SOTTO VOCE.

i Vo
with
ca,
the
vo
just
ca
the
me,
just
vo
icith
ca me cum be-ne -
the just my name be
TUITI,-

Vo ca, vo ca me, vo ca mc cum be-ne

with the just the just with the just my name be

i -
die
round
-

-
tis
ed

die - tis
round - ed

£=afc:t=ifcafc=:

^£ EL |2
 MOZART'S REQUIEM. 31

"* flam mis a - cribus ad - die - tis con - fu-ta - tis ma le - die - tia flam - mis a cribus ad-
with a - ven ' gingfire surround - ed when the cur - sed are eon-found - ed with a-ven gingfire sur-

mm a - cri-bus ad-dic -
4
tiscon - fu - ta tis ma - ledic - tis
w*
—
ma -
-0
:

le -
-y>-

die - tis flam - mis a -

-P-V-

cribus ad -

ven - gingfire sur-roun - ded when the cur sed are con-foun • ded with a-ven - gingfire, a-ven gingfire sur-

SOTTO VOCE.

- die - tis
- roun - ded

- die - tis
I
- roun - ded
 — . —
32 MOZART'S REQUIEM.

111
«3 ST,
die - - tis cum be ne - - die - - - tis vo ca me
- sound - ed my name be - - sound ----- ed with... the just
±.

vo ca me cum be - ne - die •
vo ca
the justmy name be - sound with the

-# —* 0-m~i « 1
"
J J ^i-X-

vo ca me vo - - - ca me cum be - ne -
f-
die
f r
with with the just my name be - sound

i vo ca me cum be ne die
just with the just my be sound

tis O - ro sup plex et

hear me pray ing low

tis ro sup plex et ac

ed hear me pray ing low

3e
- ro sup plex et ac
hear me pray ing low

o ro sup plex et
hear me pray ing low
SWELL. 2 DIAP8. AND PRIX.

V'

9
m DOUBLE DIAP. ONLY.
 — —
MOZART'S REQUIEM.
—' ——

Ge - re
ing, Guard me, guard me

1 ^ eJ
—

k-^
^ ci
— -
=tf
-
n is

*
nis
—
in 9,

1
r • "
Ge - re
Guard me,

£
\
Gc - re
Guard me,
—0
-i -
cu -
guard

bp
i

cu
guard
- -

-
ram
me

ram
—t

5* • FT #
i
— T -
m
1
—

1- 1 /T\ .O ,

q?*
1
«
,

fa
i

* —e j
—* ? ? ?~ I
£C - re cu - ram me fl
thro' the sol - emn, sol end
=j = =t=
«
=1
— =i="
=j <^5 " -
!

— —?—?—r —
?
/T\ /T\ ,

cu ram me - - l fi nis.
so lemn, so lemn end ing.

[5]
:ss:

-ss-
t5
r "SF —
- - r
I
3EGUE " LACRTHOBA.''
 r —A
34
LACRYMOS A.
L " - 1/-4— S==*
La - - cry-rao-sa
Day of mourning,
LARGHETTO. r^===^==jl_|
. .

^— 3

La - - - cry-mo-sa
Da y . . . of mourning,
i — 1
144
_i
La
IS
-
~, j
-
»
cry-mo-sa
Day . .
of mourning,

,
—^ La - - cry-mo-sa
&»- i^ay . of mourning,
^ -j*-

LARGHETTO. / swell
SWELL 2 diaps.
DIAPS. ^
f*

5-J
1
ri
r
^ r
E^^j-j=z^±-^j--"^^ ^^^^^^^ 8VI.

-0 —B—i
5=2:
» * 1
V U- U —
Di es il - la qua re -
sur get ex fa vil la
of weeping, when from ash rise sleep
-fr-
5=2: 2-2 h7 7 s 7 7 7 7 ._5_T 5=2:

Di
.Day .
es il

of weep-ing,
- la
3—
qua
when /rom
re - - sur
asTi
-
-
-

-
get
es
ex
rise the
vil la
mg,

^k-J^-j==j^^=I7z
Di es il - la
^fr 7^77^77*
qua re - - sur get
7-?-| ^
ex
7 7^7
fa
7 &^=ft£f
la
Day .
of weep-ing, when from . . ash es rise sleep

^^^^^
7TI 5=2: 7 7 f 7 =
7 -f^i M7- =t^7-7-
Di - - es il - la qua re - - sur - get ex fa vil - - la
Day . . of weep-ing, when from ash - - es rise the deep - - ing,

-
7 7 g 7 -7-
^77
5=5:
7 rm 5=5:

1
^==rt^^ ^=H^
_ , ,
ORES. 11 _ J+_ SOTTO VOCE.

f
W ju
guil
-

-
di
ty
- can
man
- dus
to
ho
hear
- mo
his
I

re
sen -
- us
J'

tence.
La
Day
cry
of
1110
mourn
^
sa
1

-O 1
hCREB. 1
r 1 :
n -r SOTTO- VOCE
—N- —K —

di - can - dus ho mo re - us La crv mo sa

guil ty man to hear his sen - tence. Day . of mourn ing,
SOTTO VOCE.
CRES.- .

5=53
ju di - can - dus ho mo re - us La cry • mo sa
guil ty man to hear ./lis sera - tence. Day 0/ mourn
SOTTO VOCE.

=7=7=
di - can - dus ho mo re - us La - cry mo - sa
guil ty man to hear fa's sen • tence. Day of mourn - ing,

-0 - .-

17 i'jfy
^ k
I FULL, TO 15th. |
:

IF-
-k-
rr r r^c -

-J
. .
3J. .
 — — " ' —
MOZART'S "REQUIEM.

»— —P-i, — ——
w— —
•

,N fri
' ' *
r
•-

x- t
•
h
*^ '
U-
0— -j-? r 1- ^

J V ar - cc De - us pi - o re - su.... Je - - su
1

Do - mi ne,

:3z=?=5:
-0-

^—
par - cc De - us pi - e Je su Je - - su Do - mi - ne,

tr~ —
?
-
e - pen - tance Ho - ly Je sus, hear.... O hear.... our prayer,
-0-
—
-
MOZART'S REQUIEM.

» i

—s=^=—
Do
V— - na
1

e -
U
is
J !
J
—
Re
.
.
T.
-
—r r^%44-
em
qui
V
-
1

iei .... the wick - ed cease .... from troubling

i n — I

Do - na e - is Re - qui - em

m-^ Let ed
• • • • the wiclc ~ C&Q.S& • • • • fvoiii tvoublinQ

- Kt — 1

^srsr

Do - na e - is Re - qui - em
£ei .... rte wick - ed cease.... from troubling

Let . ... the wick - ed cease.... from troubling

 ; .

OFFERTORIUM.

ANDANTE.

96

ANDANTE.

m Li
where
be
may we
- ra a -

turn, but to
ni-mas om
thee,
ni
who for
- um
our
fi - de - li -

sins art most just

um de -
-
-

-
-

-
func-to
ly dis

Li - be - ra a - ni-mas om - ni - um fi - de li - um de - func - to -

where may we turn, but to thee, who for our sins art most just - ly dis -

—-tr

om um um

m
Li be - ra a - ni-mas - - ni - fi - de - li - de - func -to -

where may we turn, but to thee, who for our sins art most just - ly dis -

— . .

Li - be - ra a - ni-mas om - ni - um fi - de - - - li - um de - func - to
where may we turn, but to thee, who for our sins art most just - ly dis

9
*

m rum
pleas'd
de
de -
poe
li -
nis in - fer
ver thy peo
ni
pie,
de
de -
pee
li
3©
- nis in
ver thy
- fer
peo

rum de po3 - nis in - fer - - - ni de pos nis in fer -

m
pleas'd de - li - ver thy peo - - - pie, de - li ver thy peo -

5=£ ESS
rum de poa nis in - fer - ni de poe nis in fer
pleas'd de - li de - li

— 1- f ^ f- =t= =

CRES.-*- ^
r tfr CRES. 1

- • » l.i
-nf—
j V1
1
mi !— i «
38 MOZART'S REQUIEM.

m et de pro - fun do la cu
pie out of the low est dark ness,

3?
ni et de pro - fun do la cu
.pZe out of the low est dark ness,

et de pro - fun do la cn
out of the loiv est dark ness,

ni et de pro fun
oui 0/ the
- 1

*^
1/—U- -V—i/-
T.i
Li -
- Via
be -- ra
ra li
li - be - ra e as de o - re Le - o - nis Li - be - ra li - be - ra
res - cue, res - cue thy ser vanls from the mouth of the Li - on, res - cue, O res - cue thy

Li - be - ra e as de o - re Le - o - nis Li be-ra
res - cue thy ser - vants from the mouth of the Li - on, res cue thy

2fe
Li - be - ra e as de- o re
- Le - o - nis Li - be - ra
res - cue thy ser - vants from the mouth of the Li - on, res - cue thy

m e
ser
\r-~\
-

f j
-

-
as de o - re Le

H—
vants from the mouth of the
J ~f1' m
zK-rN—
-

Li
o
.
-
-
nis.
on.
N~

e as de o - re Le - o - nis
ser - vants from the mouth ' of the Li - on.
X?7^~T N—N— S

p
I

e as de o - re Le - - nis. Ne ab - sor-be-at e - as tar - ta-rus ne ca-dant in ob -

ser vants from the mouth of the Li - on. Lord redeem us from the grave, and ransom us from death for

3fe
e - as de o - re Le - o - nis.
ser - vants from the mouth of the Li -on.
 ; ^

MOZART'S REQUIEM. 39

i ne -

Lord redeem
absor be-at e
us from
- as
the
"T* —N V
I
V * -0-
Ne ab-sor beat e - as tar tarus ne cadant in ob - scurum ne cadant
iorri redeem ?/s /rom the grave and ransom us from death for e - ver re - deem us

-# -

ne cadant ne cadant in ob - scu - - rum ne cadant

re - deem us ind ransom us O Lord from death for e - ver

tar - tarus ne cadant in ob - scurum ne ca - dant ne cadant in ob - scu

grave

and
and ransom

ne cadant
ransom
in
us
us from death for

ob
O
-
e - ver

scu - rum ne
Lord from death for
Lot
m cadant
e - ver
redeem us

,
ne
re
N-

-
ca - dant,
deem us,
and ransom
-N

ne
us
*r

ca -dant
and ran-som us
for
"
e

in ob
for

-h7-
ca - dant ne
ca - dant in ob - scu - rum ne ca - dant ne ca - dant ne ca - dant in ob -

deem us and ran -som tis for - ev - er,

-W-
re
-F—
- deem us, re
N-K- »- -*
- deem

h
us

f
and ran

T s
-

m ~—
som us

T
for

ne ab - sor - be-at e - as tar - ta - rus ne ca - dant in ob

Lord redeem US from, th e gr ave and ransom us from death for-

Sab

rum ne ca - dant ne cadant in ob - scu rum Scd

ver redeem us, re - deem us Lord for - e ver: Our
K-
J! -

scu-rum ne ca - dant no cadant in ob - scu - rum;

c - rer re - deem us, redeem us Lord for - e - ver;

scu-rum, ne ca - dant in ob - scu - - - rum;

-
e ver, re - deem us Lord for - e - - ver;
/^SWELL 2 DIAPS.
 ;; ;

40 MOZART'S REQUIEM.

Sig - ni-fer sane - tus, Mi - - cha-el - prassentet e - as

trust is in thine out - stretch ed arm give us peace and bring. us

60LO.
mp Sed
Our
Sig
trust
ni-fer sanctus
is in thine out
Mi
stretch
- cha-el
ed arm
m re
give.

it -solo.^
nip Sed
—
Our

I
9— — r^-

In sane tarn;
-I
re -
1

prse -
#—
sen-tet re -
ter naZ ; Give us peace O give •

— =str p
-
proesentet e as lu sane tarn re - prse
US peace and bring us life - ter - ntzZ, piVe us
-N-

pros-sen-tet e lu - com sane tam

us peace and bring us 7;/e c - Zer nal;

sen - - tet rcprae - sentet e - as in lucem sai tam;

peace, give us pea ce a nd bring us to life e - ter nal

sentet e - .as re pras-sentet e as in lucem sane - tam; Quam olim Abrahse

peace and bring us give j/speace, and Ms <o Zt/fe e - ter - nal . As thou to Abraham
-i - - ••^^r- ;
 I ; —
MOZART'S REQUIEM. 41

TUTTI.

7 » #
Quam o-lim Abrahae
as Mow to Abraham

-' i/ — V-
iuam o-Iim A - brahaj pro - mi - sis - ti quam olim Abrahre et semini
«s /7iom to A - braham and " his chil - dren, as rtoit to Abraham, i didst promise for

_7_

pro - mi-sis - ti - -
et semini e - jus quam o-lim A - brahse pro mi-sis - ti
a/ia' 7u's c7it7 - dren, didst promise for e - ver as un-to A - braham thou didst pro - mise

rn u — < I
1

—fa 1

,'
ta
r-^
4L rzzxz^zr asfc
** ,0 r* f

TUTTI.

^0—0-
3^
«

Quam o-lim A - brans pro - mi - sis - ti quam o-lim A-braha; pro - mi -

as un - to A - braham thou didst prom - ise as un - to A-braham thou didst

-# 0-
-i/— y-v—v-
promi - sis - ti et sem-i -ni e - jus quam o - lim A - brahae pro - mi - sis - ti
and his chil - dren, didst promisefor e - ver as un - to A-braham thou didst promise,

1
jus pro - mi - sis - ti pro - mi - sis-ti;
ver thou didst pro - mise thou didst promise;

pro - mi - sis - ti;

Ttiou didst promise;

^zz^
pro - mi-sis - ti
prom - ise thou didst prom - ise
£ :
— ^r-N
3a:
et semini e jus quam o - lim A - brahse ct semi-ni -e - jus
didst promise for - e ver as thou to Abraham, didst promise for e - ver,
K-
A P
* p
1 B
1

pro -
b,

mi-sis
n
- ti
P
L
'
—^b—ub—
quam o -
hr-
J-J
lim
*^0—0
Abrahae
%-

pro - mi -

as u>i/o A-braham rtou didst prom - ise as unto Abraham thou didst

<>?
7 =^
et semini e - jus
didst promise for e - ver

P -0-WT0 —
MOZART'S REQUIEM.
 H » —
MOZART'S REQUIEM.

#^zr- _ -> -X ::: ±=q:i±=i :

—@
1
|

Sn2=_l^ p p U S== 1 -# * s>

""""^
ho , r *
. A - brahEE pro - mi - sis ti et se n ii - n e • - jns.
4 - braham thou didst pro n lise, didst pro mi se /o r e - - uer.

S K
j ^ * I
—C3
J"
A - bralias pro mi- - sis ti et se -mi-ni, se - mi - ni e - - jus.
A braham thou pro - mise for and
pro
—
-
- didst n e - ver - re? .

-S -ft * • * ' *=>

r
-w- tei—ir— *— -f
§£="z?=b=^-t:
^ f Hf-
A brahcE pro mi
- - - sis ti et se - mi-ni, se - m !
- ni e - • jus.
A braham m
- thou didst pro - - pro - mise for e - ve- •
—
and e . uer.

Wp'fr
- sis - ti,
Tl P pro - mi - sis
i
i"—9
ti
\
9
— *~

et
=£=83=1^m
se mi-ni,
- se -
V

i -
*n
0—
ni e - - ^ -
—<S JUS.
1
1—
pro -mise, thou didst pro - - m ise, didst pro -mise for e - ve r and e - - - uer.

J=
-# *
*
&
**•
T-
1

r — —e-r-
» -^J-je—e—
•

r
: s 1

r
=¥= d '
o
If
*
 —
44 HOSTIAS
LARGHETTO.

LARGHETTO.
f Hos
Off -
- as
ti - et pre -
'ring of pray V and
1 h
ti
praise
bi
we
De
bring to
- mi - ne
thee,

Hos - ti - as et pre - ti bi Do - mi - ne
Off - 'ring of pray'r and praise we bring to thee,

Hos - ti - as et pre -
35 ti bi Do - mi - ne
Off - 'ring of pray'r and praise we bring to thee
CC -0-' —K H

Hos - ti - as et pre - ti bi Do - mi - ne
Off - 'ring of pray'r and praise we bring to thee,
SW : 2 DIAPS. AND PRIM.
_ I

=3^ -fc-

LARGHETTO-
'
/I

IS
-f-=^-
ti - - bi Do - mi - ne lau - (lis of - fe •
n - mus tu sus ci pe
God of Is - ra - el, Fa - ther most mer ci -
fid, we ren (to- thee

i ti - • bi Do - mi - ne lau
Fa
- dis of - fe ri - mus
r r
tu sus pe
God of Is - ra - el, - ther most mer

=t
ci - ful,

-f
— r-
we ren der thee

ti
-
bi Do - mi - ne lau dis of - fe ri - mus tu' sus ci pe
of Is - ra - el, Fa ther
- *
most mer ci - ful, we ren der

1 f
ti - - bi Do - mi - ne lau - dis of - fe M - mus tu sus ci - pe
God of Is - ra - el, Fa - ther most mer ci - ful, we ren der thee

I i i

-# ^
ipg=i

pro a - ni - ma -
bus il - • lis qua - rum ho - di - e me - mo - ri - am
thanks for thy saints de part ed, who have ft nish ed, ifteir course in
1 *u

pro a - in - ma - bus il - lis qua - rum ho di - e ho di - e me .

thanks for thy saints de part ed, who have fi nish - ed, ftaye ./? nish -ed tftei'r

BEE
pro a - m - ma - bus il •
lis qua . rum ho di e ho - di - e me -

thanks for thy saints de part ed, who have fi nish e'd, ftai-e _/J - ?ii's7i ed then
-0- U_ .

# 0-

5-V-
pro a - m - ma - bus il - lis qua - rum ho di - e ho - di - e me •

thanks for thy saints de part ed, who have fi nish ed Tiaue ,/? - nish - ed t/ief'r

I
I

-Ti—

is;
 I ^
MOZART'S REQUIEM. 45

fa - ei - mus Hos - ti as et
/at% and /ear, Pray'r and praise we

mo -• n - am. fa - ci - mus Hos - ti as et

course

mo
course
-
in

ri -
in
thy.

am..
thy.
/afth

HI 1
fa
faith
-
and

ci
and
1

-
/ear,

r-^
mus
fear.
^ Pray'r.

Hos
Pray'r.
-
and

and
ti
praise

as
praise
we

et
we

mo - am,, fa - ci - mus Hos - - ti as et

course thy faith and fear, Pray'r... and praise we
I
—— f,4
J:
HE
i
FULL TO

sab
as j bl T

2£
-? E
pre - ces ti -
bi Do mi ne
bring to thee; Lord God, of heav'n,

I m 3
ti bi Do - - mi ne
Lord God, King .. o/ heav'n,
jP I
N--K-
BE
pre -
ces ti bi Do - mi ne
bring thee; Lord God, King o/ heav'n,
9
EE
pre
bring
-

thee; Lord
ti - bi
God,
mDo
2£i'n</
-

.
mi
33
ne
Zieaw'n,

£E3 j i n
r ^ # —
r T

lau dis of fe - mus tu sus - ci - pe pro a - ni

Fa fTier most mer -
ful, we ren - der rtee thanks for thy

-#-
lau dis of fe mus tu sus ci - pe pro a - ni
Fa ther mos£ mer - we der thee thanks for thy

2^
!«e r<era

lau dis of - fe - - ri - mus tu sus ci - pe pro a - ni

Fa ther most mer - - ci - ful, we ren der thee thanks for thy
f V f 'P
. ,

m
lau -
dis of fe - - ri - mus tu sus ci - pe pro a - ni -

Fa -
ther most mer - - ci - ful, we ren der thee thanks for thy

urn.
i 7> 5»
—*-
-#

EH
_sL_ I
 #

46 MOZART'S REQUIEM.
-0 0-
\, I , L
bus il lis qua - rum ho di - e ho - di - e me - mo - ri •
am
de - part who have fi nish - ed, fi
- nish-ed their course in thy
3=
ma - bus il - - lis qua - rum ho di - e me - mo - ri - am fa
saints de - part - - ed, who have fi nish - ed their course in thy faith
• » r—^ hr-

ma - bus il lis qua - rum ho di - e me - mo - ri - am fa

saints de - part ed, ivho have nish-ed their course in thy faith
-0 0-
4=t=t
EE
ma - bus il - lis qua - rum ho - di - e ho - di - e me - mo
saints de - part - ed, who have fi - nish - ed, fi - nish - ed their course

I fa
faith
ci
and
- mus
fear,
Fac
Grant
m e
us
as
to
Do
have
- mi ne
our per -feet
de

ci - mus Fac e as Do - mi ne de
and fear, Grant us to have our per feet

V- —zJvi
ci - mus Fac e as Do - mi ne de
and fear, Grant us to have our per feet
St
—
ri - am
fa ci - mus Fac e as Do - mi ne de
in thy faith and fear, Grant us to have our per

REPEAT CHORUS
LAST BAR, PAGE 40.
 47
SANCTUS.

ADAGIO.
 . —
48 MOZART'S REQUIEM
ALLEGRO. JOS - 4

Is
ry.
f
=3
EE. Ho
ry. ffo

9*3
ee. Ho sail na ex - eel
ry. fib san na the high

—
ALLEGRO.

~x
3=

i
i Ho san - na
Ho san - na

1*3 Ho

mm —
san - na ex - eel sis
san - na the high est, Ho

r
i i.

SIS Ho - san - - na in.. ex eel

esf, na tn. high

,
1
r

» i*-
i=t=
 MOZART'S REQUIEM

* -» 9
f * i r j
• -v t-
i —*~
i

m
 — ——

p—
_ SOLO.
i
- r
Be - -
1
ne - die - tus qui ve - nit
bles - sed that com-eth
in

J
Be - ne - die - tus qui ve - nit in no - mi-ne Do - - mi-m.
He is bles-sed that com - eth Lord in thy flb ly name.
fck= - —=i
v- '

ar- - 1

^ == ESS "tij"
q
yT —r—3-#-»- -0-

i
:
-1-
1

T~ t- j J

fcfc

no - mi ne Do - mi
- - ni, in no - mi - ne Do -
33
mi - ni
5
n--
bene - die - tus qui
Zord in thy Ho - ly name O Lord in thy Ho - ly name He is bles - sed that

-# #- -#- — 1"
benedictus qui ven it in nomine Do - mi
His is blessed that cometh O Zoivf in thy Ho-ly
— SOLO.) &
bene dictus qui
/fe i's blessed that

§5^ fee

benedic - tus qui ve - nit

-_i ^ b

» F It* li. -
MOZART'S REQUIEM
 MOZART'S REQUIEM.

*
m
^3=
no - - mi - ne Do mi - m
£or<2 in thy IIo ly name.

no mi ne Do mi

m
- - - - ni.
Lord in thy Ho - ly name.

-2=
no - - mi - ne Do mi - ni.
Lord in thy Ho ly name.

3=t
Do mi - ni. Be - ne - die - tus qui
ho ly name. He is bles - sed that

"1 kr-W i"";" H

±z£~Jt

Be ne
33S
dic-tns qui ve -nit
h?
in
He i's 6te - sed that com -eth O
ir
1
w~ I
1
r —m~ jm-

ve - nit in no - mi - ne Do mi m.-

com - eth O Lord in thy Ho ly name.

Zlt*Z

E3t I

J
 -

MOZART'S REQUIEM. 53

Be-ne-dic -tus qui ve - nit in

O
He is bles - sed

Be-ne-dic tus
that com - eth

qui
m ve njtT
He is bles sed . that com - eth

no - mi - ne Do mi - ni Bene -die -tus qui

Lord in thy ho ly name He is bles -sed that

7— ~m :

<4

in no mi - ne Do mi-ni qui ve - - nit in no - mi-ne Do mi

O Lord in thy ho ly name, that c om - eth Lord in thy ho ly

ve - - nit in no - mi - ne Do - mi - ni qui ve - nit in no mi-ne Do mi

com - - eth O Lord in thy ho - ly name, that com eth O Lord

S g
iSfc
die - - tus qui ve nit, qui ve - - nit in no mi-ne Do - - mi
bles - - sed that com eth, that com - eth O Lord in thy ho - - ly

£5
1
1 /T JT> r . * r
£1

m name.
Be-ne
He is
- die
bles
tus qui
that
ve
com
nit Bene
He is

ii Be-ne-dic - tus qui ve - - nit in no-mi-ne Do - mi

name, He is bles - sed that com - eth O Lord in thy ho ly

Bene -die - tus qui - ve - - nit in no-mi-ne Do

name, He is bles - sed that com - eth Lord in thy ho - ly

SHE
Be-ne - die - tus qui ye -nit in no - mi-ne
iie is fetes - sed that com -eth O Lord in thy

ES
p.* C #

i
54 MOZART'S REQUIEM.

r\in
die -
- hie
tus nni
qui tra
ve -
- nit
nit in nr\ _ -ml
mi -
«a
ne Do mi - ni Be - ne-dic - tus
6Zess - e(Z <Aat com - eth, O Lord,. thy ho ly name, He 15 bless - ed

qui ve - nit in no mi - ne Do mi - ni Be-n'e

name, that com - ei/i, O Lord, in f/iy /10 ly name, His is

m Be ne - (lie - tus qui ve - nit in no - mi - ne Do mi - ni Be

m
name, He is bless - ed that com - eth, Lord, in thy ho ly name, He

fiii^illiil^ig
Do mi - - ni Be -ne-dic - tus qui ve - nit in no - mi - ne Do mi - ni Be -ne-dic -tus
ho - ly name, lie is bless - ed that com - eth, O Lord, in_ thy ho ly name, lie is bless - ed

A.
 — *
MOZART'S REQUIEM. 55

i m.
1
name.

-4-

ni.
name.

si I
;
ff

—* — j jj »
~— #-4
1
—•
I

'
m-0-0 ——
/ •
T^--
» {
-

J34 0—0
m —m-m- m-*~
IV 1
ALLEGRO.

Ho - san-na in ex-cel sis, Ho - san - na in ex eel

Ho - san - na in the high est, Ho - san - na in the high

_•-«• f f * ,
,
3^ t

fc*L_ 333 . »
MOZART'S REQUIEM
 MOZART'S REQUIEM.

em sem - pi - ter nam.

peace e - ver - last ing.
. CRES.
==|zp=p:
em sem - pi - ter nam.
1
peace e - ver - last

— o-
-Mf— p-

3=

LUX iETERNA
ADAGIO.

ADAGIO.

ADAGIO.

ee
Jo
- at
all
e - is
them that trust
Do - mi
in
- ne
thee,
m
Cum
Let
-V— —V—V—
</
sane-tis tu - is
V-
in
them be number' d with
a?
thy
-
 MOZART'S REQUIEM.
61

ter-num qui
saints in ne -
-

ver
a pi
end
m
us
ing
es
joy,
Lux
shew
ae
thy
-
9=&
fa
na
ter -
- vor
lu
un

Lux se - ter - na, ae - ter - na, se - ter - na

Shew thy fa - vor, thy fa - vor, thy fa - vor
-TOITI.
7 N-
|
p

Lux ae - ter - na, ae - ter - na, ae - ter na

Shew
-TUTTI.—m
thy
m
fa • vor,
&
thy fa - vor,

3^ thy fa vor

Lux !E - ter - na, 03 - ter - na, ae - ter na

Shew thy fa - vor, thy fa - vor, thy fa vor

ce - at e - is Do - mi - ne cum Sanctis tu - is in » -

to all them that trust in thee, let them be number'd with thy

# — *-
lu ce - at e - is Do - mi - ne cum sanc-tis, cum Sanctis tu - is in
un

lu -ce
un- to
- at
all
- to

e
them that
-
all

is
them that

Do
trust
-
trust

- -
in

mi
in
-
thee,

ne
thee,
cum
O
Sanctis,
let
O

them,
let them,

cum
let
Sanctis tu
them be num.
let them be

m
number'd with

- is in ae -
ber'd with thy
thy

lu -ce - at e - is
un- to all them that
Do
trust
- - - mi
in
- ne
thee,
cum
O
Sanctis,
let them,
cum
let
m Sanctis
them be num
tu -
-
-

ber'd
wm
is in
with thy

ter - num qui - a pi us es.

saints in nev - er end ing joy
h N
f
-
- ter - num qui - a pi - us es. Do
saints in nev - er end Give

tcr-num qui - a pi us es.

saints in nev er end
± —N-
- ing joy.

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- ter-num qui - a pi us es. Re - - qui em e

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 PUBLISHED BY OUVEB DITSON & CO., BOSTON,

THE CHORALIST:
A Collection of Standard Chorusses, Anthems, Trios, Quartettes, &c, With an
Accompaniment for Organ or Piano-forte.
O how lovely is Zion, Romberg. 'Tis Music that whispers
ii i Rossini s 'Moses."
Where are thy Bowers Rossini. Almighty Lord, before thy Throne, "Modern Harp."
Glory be to God on high Mozart. I was glad when they said,
12 J. E. Gould.
Hallelujah Chorus, Handel's "Messiah." tswcll the full Chorus, t Handel.
Child of Mortality, John Bray. Father, thv word is past, )
13 Kings ,

Then round about the starry throne, Handel's " Samoson."

.
The multitude of Angels, )
"Intercession."
When winds breathe soft, Webbc.
S. 14 Exulting Angels, E. L. White.
Daughters of Israel, Neukomm's "David." 15 From concave Skies,. .
! J. e. Gould.
Achieved is the glorious work, Haydn's "Creation." Hail to Thee, let every nation
16 fj. B. Biery.
Let their Celestial Concerts, Handel's "Sampson." Lord, in thee I have trusted,
j (
Romberg!
( Go forth to the Mount, Stevenson. IT Jehovah's Praise, E. L. Whit*.
. ( Thanks be to God Mendelssohn's "Elijah." 18 Let every Heart and Voice, Rossini's "Moses."-
( The Great Jehovah, Handel. 19 Sound an Alarm,.... Handel's "Judas Maccabeus."
9 To God in Heaven, Rossini's " Moses." The Lord our enemy has slain,
20 Handel.
10 O Lord, our Governor, Sir John Stevens. The Lord will comfort Zion, "Church Melodist."
21 The Pilgrims at the Holy Sepulchre, Naumin
. . .

Price of each Number 12 cents. Per Hundred, $10.

A
THE OPERA:
Collection of Trios, Quartettes, and Chorusses, from favorite Operas. Particclaei.t
ADAPTED TO THE USE OF SOCIETIES, MUSICAL CONVENTIONS, GLEE ClUBS, ADVANCED
Schools, and the Social Circle.
1 Joy, joy, Freedom to-day "Gipsey's Warning." 7 The Fox jumped over the Parson's gate,. ." Guy Mannering."
„ ( Away, away,
Morning freshly breaking, ..." Massaniello."
the (These moments entrancing, " L'EIsire d'Amore."
(A rosy crown we twine for thee, " Der Freischutz." I
The Night is advancing, "II Turco in Italia."
3 Crowned with the Tempest, "Ernani." . ( How bright and fair, "William Tell."
" Semiramide." In light, tripping measure, " Cinderella."
4 Hail to thee, Liberty, I

5 Like a fairy creature, " H Turco in Italia." 10 Hail us, ye Free, "Ernani."
. ( Softly treading, silence keep, "II Crociato in Egitto." 11 When the morning sweetly breaking, .." LTtaliana Algieri."
j
Threatening death to traitor slare,. . .
." Seige of Rochelle." 12 When life in its beauty, "La Donna dell L«go."
Price of each Number 25 cents.

A
THE LYRIC
Collection of Caorasses and Concerted Pieces from the Principal Operas.
I )Tv AMA :

1. LA SOMNAMBULA. 4. LTJCIA DI LAMMEEMOOE.

2. NORMA. 5. ERNANI.
3. LTJCREZIA BORGIA 0. IL TROVATORE.
Price of each Number 50 cents.

IN

ROSSINI'S STABAT MATER.

1 Chorus — Stabat Mater, Dolorosa. See the weeping Mother 25 4 Air and Chores —Inflammatus. To 'hy holy care, . 25

> Chorus — Eia Mater. Come, sweet Mother,

! 15 5 — Qnando Corpus. When the
Quartett in earth,. . 15

3 Quartctt — Sancta Mater. Holy Mother, ii 6 Chorus— Finale. Amen, . as

 MILLARD'S MASS.
The favor with which this Mass has been received in Churches where it has been performed,
has induced the Publisher to issue it in the same style as his Excelsior Edition of Popular Masses.
Attention is invited to a few of the Testimonials received from parties who have performed
it from the manuscript.
Copies send by Mail, postage free, for $1.00; or bound in Muslin 81.25.
S. T. GORDON, 706 Broadway-
From Dr.Wm. Bergfe, late Organist of St. Francis Xavier s Church, Extract from N. Y. Tribune.
16th SU, N. Y. (H. C. Watson Musical Critic.)
Dear Sir. Mr. Millard has adopted the modern style of church music,
I take pleasure in testifying to you the gratification I had, on and has produced a Mass which will probably be popular, as it is
learning that your " Mass in G"
was to bo published, and espe- full of pleasing melodies, and makes no approach to strict style or
cially at a price within the reach of all, I have repeatedly express- scientific elaboration. One or two of the solos are earnestly pas-
ed privately, what I now say to you publicly, viz.: "that the work sionate only in their opening phrases, though they are melodious
will surely become popular, and the property of every Catholic and effective throughout. The concerted music is well voiced, but
church choir." presents the same excellences and defects as the solos.
Your success has been very marked throughout the entire work, The thoroughly educated musician carries out his chain of
and I heartily recommend it to every Catholic choir, knowing that thought, producing the requisite contrasts without destroying the
they will not be disappointed in it, and that in doing so, I am ren- unity of idea. He gives thus a harmonious whole, while the inex-
dering them a service and you simply juslicc. perienced composer crowds into the same space only disconnected
Yours truly thought with a feeble result.
WM. BERGE, Organist.
The Mass was well sung throughout, saving a few imperfections
necessarily attending tho performance of a new work. The
first
New York, September 20th, 1865. organ accompaniment, which is sometimes quite brilliant, was well
To Mr. H. MILLARD, played by Mr Berge, displaying great skill in the management
Director of music, St, Stephen's Church, 2Sth st., N.Y.
and an ample control of the resources of the instrument.
Dear Sir ;

Permit me to congratulate you on the success of your Mass, which

H. MILLARD, Esq.
we Fung for the first time last Sunday morning.
The music is my
without being elaborate, are
easy, and solos, I havo had your Mass sung on three occasions at my church, and
agreeable to sing, particularly the Qui Tollis, in which any good it affords me great pleasure in acknowledging to you my smcero

singer can throw a deep heart-felt expression. thanks for favoring me with the Score. Why do you not havo it
I have no doubt that your work will be popular, at least with publisr#d? I would advise yovi strongly to do so, a3 in my opinion,
singers. it would meet with immense success.

Trusting that your " Vespers in D " (which I have as yet only Wishing you every prosperity in the undertaking.
tried overby myself,) will prove successful, as they are even more Believe me.
showy and brilliant, Yours truly
I am, Dear Sir, H. GONZALEZ,
Very respectfully your"s Musical Director of St. Columbia's Church.
E. de LUISSAN, New York, April 10th, 1866.
Soprano fcoloist of St. btephene.
Mr. GORDON:
Mr. H. MILLARD. Dear Sir.
Dear Sir. I have examined the Mass in G, with Latin and English words,
I have with my choir performed both your pretty Mass and Ves- composed by H. Millard, and think it well adapted for use iu
pers three times in succession at the Church of St. Charles Boro- Churches of all denominations that require good and brilliant
meo, Brooklyn, where I have charge of the Music. music for opening pieces, &c.
This, in itself, is more than words can express how much satis- G. W. COLBY,
faction they gave to all. Organist and Prof, of Music.
They are full of beautiful melodies and effects, and withal are New York, May 15th, 1866.

easy to perform.
I am glad to learn that the Mass is already in press, and will Mr. MILLARD.
Bhortly appear. I hope the Vespers will soon follow ; as there are Dear Sir:

no Vespers published in this country that can compare, and answer I take great pleasure in offering yon my testimony in favor of
our requirements; your Vespers, therefore, I am sure willj be most your beautiful —
Mass in G.'' Tho several pieces are all useful
'

welcome to all churches and lovers of that style of music. for choirs, and your work will prove a very valuable acquisition
Your'8 respectfully to all lovers of brilliant and pleasing melody.
. W. DRESSLER, Please send me a copy of your Vespers and Magnificat.
Organist of the Church of St. Charles Boromeo, EDWARD HOWE, Jr.,
Brooklyn, L. I. Organist of the Church of the Messiah, N. Y.

New York, March 10th, 1866. [Extract from the Evening Post.]
My Deaf. MILLARD,
We
had your Moss last Sunday. The artists and the Congre- Among the most admired of our native composers
Mr. Harrison
gation Were very much pleased, the artists to sing and the Congre-
Millard deserves a permanent place. He
has composed some songs
gation to listen to such fine music.
which have become popular all over the Union, while to church
music he has contributed some of the most available additions
. I do not doubt, in case you publish this Mass, it will become a
great success, because nearly every Choir in the
which can be found in the modern repertoire of American choirs.
TJ. S. will be able
to produce it : not too-difficult and still very effective.
He recently attempted a higher range of art, and produced a grand
Mass a few Sundays ago at St. Stephen's Roman Catholic Church
Send me your set of Vespers, I would like them as soon as pos-
sible. t
in Twenty -eighth street,whero he is the tenor singer.
It was a work
Very respectfully your's of decided merit, and rich in melody. The concerted pieces wero
LOUIS DACHAUET?, also highly praised by competent judges, and the Mass should be
Organist & Director ol St. Ann e Church, N. Y. heard outside of the church for which it was written.