Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
c
c
c
c
cccA Fishbowl Discussion is a scholarly discussion of an essential question in which student
opinions are shared, proven, refuted, and refined through dialogue with other students.
ccccThe outer circle consists of the students who act as observers. The inner circle
(fish bowl) is for the students (Dzfishesdz) that are conducting the discussion.
ccc
The purpose of a fishbowl discussion is to improve student critical thinking,
reading, listening, and speaking skills.
Prior to the discussion, all students will be given the text and the question(s) that the
discussion will be based on. Mr. Moore will provide you with anc cccc focus on, based
on your fish-type. As you interact with the poem, á
á
j You will be running the discussion, and these questions are the Dzfish fooddz to get
the discussion moving. Prior to the discussion, you will need to do a complete interaction with the poem
via the reading process and begin thinking about the question you have been given, preparing some
ideas.
G
ccGc
c
c
ác May only participate in the discussion if they have read the selectionc
ác Must support their opinions with evidence from the text
ác May speak at any time during the seminar with respect for the other participants
ác May refer to other works the class has read
ác May write notes based on the content of the seminar for use in their paper
ác May ask cc questions of other participants, focusing on level 2 (L1 used to
scaffold, L3 used to expand).
c c
ác Listen actively and attentively to what the fish are talking about.
ác May not speak to other participants or viewers at any time
ác May write down ideas or thoughts that they would share if they were in the bowl
ác May take notes on the ideas generated in the seminar by any participants for use in their
paper
c c
ác Ñan only ask questions; cannot state his or her opinions or interpretations
ác Must require participants to support their opinions with evidence from the text
ác Must encourage participants to agree and disagree for substantial reasons
ác May record the number and quality of participant responses
ác Must determine when to conclude the seminar
ác Provides marks for the students based on quality of participation Ȃ this will be part of the
score for the paper, which is a summative.
c
c
cccccc!"cccc #$%cc&
cccc'c
!ccc!c!cccc&
c()c
ccc!c*
cc
c
Duestions can be classified in many ways including being:
Ȉc Ñcc
c(Does the question have a definite answer (closed) or is it open for interpretation and/or
more than one possible Dzrightdz answer (open)?
Ȉc
cc$& cc$ c(Does the question call for factual information about the
text, for analysis of the information, or for means of practical application?)
c
When discussing art, including poetry and literature, the best questions are Ȃ or are working toward analysis and
application'cFor our class, we will separate questions into three levels.
Ȉc %cc
Yc c cc1
!c
ccccc
Yc c ccccccccc2"ccc&cccc&c
cc
Ȉc %c(cc
Yc 1ccc c!cc
c!cc cc3
cc&c
cccc
c cccccc!cc&c&c/0cc
Yc ccc cc!!!cc cc4&ccc&c&5ccc2c1c
ccccc cccccc ccccc/1c
G 0c
Ȉc %ccc
Yc c!c&ccc
cc6&cc &c!c ccccc
7
&c!"cc c#c
cc cc cccccccc
c
cc&cc
Yc 1c!c#c
c ccc& c
cc&cc"c!ccccc
&cc"c8'c8
cc
c
ootice how each level BUILDS on the level(s) below it. You need to understand level 1 before bringing it on into
level 2, and must understand and analyze the effect (level 1 and level 2) before moving on into level 3. When you
want someone to answer a level 2 or 3 question, but you begin by asking a level 1 to give them the background
material and work your way up, this is called 7Ñ$
%#9:, and is an excellent discussion tactic.
ï
c
c
¢¢
ë c ð
c
!
" c
å
#
$% MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
&
%
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
% MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
'% MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
(%
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
)% MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
&)*
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
&
%
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
+'
% MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
,%
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
-
'
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
)$ð MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
G
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
á
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
á
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
The free bird leaps
on the back of the win MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
and floats downstream MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
till the current ends
and dips his wings MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
in the orange sun rays
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
and dares to claim the sky.
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
But a bird that stalks
down his narrow cage MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
can seldom see through
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
his bars of rage
his wings are clipped and MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
his feet are tied
so he opens his throat to sing. MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
The caged bird sings
with fearful trill MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
of the things unknown
but longed for still MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
and is tune is heard MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
on the distant hillfor the caged bird
sings of freedom MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
The free bird thinks of another breeze
an the trade winds soft through the sighing MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
trees
and the fat worms waiting on a dawn-bright MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
lawn
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
and he names the sky his own.
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
his wings are clipped and his feet are tied MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
so he opens his throat to sing
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
The caged bird sings
with a fearful trill MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
of things unknown MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
but longed for still
and his tune is heard MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
on the distant hill
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
for the caged bird
sings of freedom.
Ñ: Jinni, Ñhristopher, Stephen, Hye Lin, Anna, Min Woo
Ȉc Aspect: Symbolism
Ȉc Opening DzBig Duestiondz: What symbols does Angelou use in her poem and why are they effective?
D
c-c$ cc #c:cc
c c
c
c
cc
<cË
cc <c c
c
Participant's oame: _________________________________
Meaningful additions: ___________________________
References to specific places in the poem: _____________________
$c/(=>-(=>0c
The student demonstrates a deep understanding of the poem, showing evidence of thoughtful listening
and critical thinking in their interpretations. The student supports his or her opinions by quoting the
poem, citing stanza/line numbers, summarizing, and paraphrasing. The student includes others in the
discussion by respecting each participant as an individual, addressing the entire group, inviting others to
speak, listening, asking for clarification, challenging faulty reasoning, making eye contact, and supporting
a good answer.
$c/?>-(=>0c
The student demonstrates a clear understanding of the poem, showing evidence of having listened to
others and thought about his or her response. The student supports his or her opinions by quoting the
poem, summarizing, and paraphrasing. The student includes others in the discussion by respecting each
participant as an individual, listening, questioning other student's responses, and supporting a good
answer.
c
$ c/=>-(=>0c
The student demonstrates an understanding of the poem, showing evidence of some listening and
thought. The student supports his or her opinions by summarizing and paraphrasing. The student
includes others in the discussion by respecting each participant as an individual, listening, and
supporting a good answer.
c
$
c/?>-(=>0c
The student demonstrates a vague understanding of the poem, states but does not support his or her
opinions adequately, and does not include others in the discussion.