JOHN WAITE

RIDER
IMPORTANT!
ATTENTION BUYERS:
PLEASE SIGN WHERE INDICATED ON
PAGES 7 & 14
MANAGEMENT
TIM HOGAN
(323)-962-6413
timhbass69@AOL.com

BUSINESS MANAGER
Provident Financial Management
Bill Vuylsteke, Shelley Venemann
Provident Financial Management
2850 Ocean Park Blvd., Ste 300
Santa Monica, CA 90405
Bookkeeper
Kelly Amadore
Tel (310) 282-5116 Fax (310) 282-5102

Tour manager
Tim Hogan
timhbass69@aol.com
323-962-6413
The rider attached hereto and made part of the contract dated ____________ by and between
JOHN WAITE
f/s/o NO BRAKES TOURS, INC. (hereinafter referred to as "Producer") furnishing the services
of JOHN WAITE (hereinafter referred to as "Artist") and
_____________________________________________________________________________
(hereafter referred to as "Purchaser").
_____________________________________________________________________________

1. BILLING
Artist shall receive 100 % Sole Star Billing in any and all publicity releases and paid
advertisements, including but not limited to programs, fliers, signs, lobby boards and
marquees. Billing shall read, "JOHN WAITE”. No other name or photograph shall
appear in type with respect to size, thickness, boldness, and prominence of the type
accorded Artist and no other name or photograph shall appear on the same line or
above the name of the Artist.

2. CANCELLATION
Purchaser agrees that Artist may cancel the engagement hereunder, at Artist's sole
discretion, by giving Purchaser notice thereof at least thirty (30) days prior to the
commencement date of the engagement.

3. FORCE MAJEURE
Producer's obligation to furnish the entertainment unit referred to herein is subject to
the detention or prevention by sickness, inability to perform, accident, means of
transportation, Act of God, riots, strikes, labor difficulties, epidemics, and any act or
order of any public authority or any cause, similar or dissimilar, beyond Producer's
control.
Provided Artist is ready, willing and able to perform, Purchaser agrees to compensate
Producer in accordance with the terms hereof regardless of Act of God, fire, accident, riot,
strike or any events of any kind or character whatsoever, whether similar or dissimilar to the
foregoing events which would prevent or interfere with the presentation of the show
hereunder.

4. INCLEMENT WEATHER
Notwithstanding anything contained herein, inclement weather shall not be deemed to be a
force majeure occurrence and the Purchaser shall remain liable for payment of the full
contract price even if the performance(s) called for herein are prevented by such weather
conditions. Producer shall have the sole right to determine in good faith whether any such
weather conditions shall render the performance(s) impossible, hazardous or unsafe.

5. APPROVAL OF OTHER PERFORMERS

Producer reserves the approval right of any other persons to appear in conjunction with the
performance and the right to determine the length and nature of their performance(s). A
violation of the clause shall entitle Producer to refuse to furnish the performers described
herein but Purchaser shall remain obligated to make all payments herein set forth..
ALL OPENING ACTS MUST BE SOLO, DUO OR TRIO ACOUSTIC.
NO DRUM KITS.
We are trying to avoid change over problems with sound and equipment.
All opening acts MUST be approved by Tim Hogan.
6. CONTROL OF PRODUCTION
Producer shall have sole and exclusive control over the production, presentation and
performance of the entertainment unit in connection with the engagement, including but not
limited to, the sole right to select the songs, arrangements, material and routines used by the
Artist in their performances and to control the manner in which they are presented during the
engagement hereunder, the details, means and methods of the performance of the
entertainment unit and each member thereof, and the persons to be employed by Producer in
performing the provisions hereof on Artist's part to be performed. Producer shall have the
sole right, as the Producer may see fit, to designate and change the performing personnel
other than Artist. Should it be deemed that a change of personnel is required, the cost is
solely the responsibility of the Purchaser. It is specifically understood and agreed that a
representative of the Producer shall have sole and absolute authority in directing personnel
operating all lighting and sound equipment and any staging items during rehearsal and each
performance scheduled herein.

7. REPRODUCTION OF PERFORMANCE
TO BE PRINTED ON TICKETS AND POSTED AT ALL ENTRANCES
No portion of the performance rendered hereunder may be broadcast, photographed,
recorded, filmed, taped or embodied in any form for any purpose or reproducing such
performance without Producer's written consent. Purchaser will deny entrance to any
persons carrying cameras, audio or video recording devices without limiting in any way the
generality of the foregoing prohibition, it is understood to include members of the audience,
press and Purchaser's staff.

In the event that the Purchaser, his agents, servants, employees, contractors, etc., reproduce
or cause to be reproduced the Producer's performance in the form of films, tapes, or any
means of audio or video reproductions, upon demand by Artist, Purchaser shall deliver all of
the same (together with any and all masters, negatives and other means of reproductions
thereof) to Producer at Purchaser's sole cost and expense, in addition to all legal or equitable
remedies which Producer may have.

In the event that Artist or Artist’s Management agrees to reproduction or Broadcast of

Performance; then
Artist, Artist’s Production or Artist’s Management Representative has total access to
recording and broadcasting facilities and approval of the quality of the Performance being
recorded and/or transmitted. If it is deemed that the Performance being recorded and/or
transmitted is of inferior quality or may do damage to Artist’s Professional reputation,
permission for the Performance being recorded and/or transmitted may be immediately
revoked.

8. PURCHASER ASSUMES LIABILITY

Except a otherwise herein specifically provided, Purchaser hereby assumes full liability and
responsibility for the payment of any and all cost, charges, claims, losses, liabilities, and
damages related to or based upon the presentation or production of the show or shows in
which the Artist is to appear hereunder.

9. SPONSORSHIP
All forms of sponsorship, whether part of an ongoing series or specifically for Artist's show,
must be authorized by Producer before the day of Performance. Also, it is clearly understood
that under no circumstances are signs, logos, banners, backdrops, neon signs or any other
forms of Sponsorship identity to be placed on, across the front of, on the backdrop, or the
sound wings of the stage. UNDER NO CIRCUMSTANCES IS ARTISTS REQUIRED FOR
PHOTOS OR "MEET AND GREETS" OR TO PROVIDE ENDORSEMENT OF CONCERT
SPONSOR. All 'Meet and Greets," must be approved through the road manager day of show.

10. BOX OFFICE PROVISIONS

In cases where the Artist is being paid on a percentage basis, Purchaser agrees to deliver to
the Artist's representative, APA, Inc. 405 S. Beverly Dr. Beverly Hills, CA 90212, atleast two (2)
weeks prior to the date of the performance, a plot plan and printer's manifest of the house
(notarized, signed statement from the printer of the tickets, listing amount of tickets printed
at each price). Purchaser further agrees to have on hand at the place of performance the
night of the show, for counting and verification by a representative of the Producer, all unsold
tickets. Producer shall be compensated for the difference between the number of unsold
tickets on hand and shown to its representative and the number of tickets printed as shown
by the ticket manifest. If Purchaser shall violate any of the preceding provisions of the
paragraph, it shall be deemed that Purchaser has sold a ticket for each seat in the house (and
any permitted standing room) at the highest ticket price for which the house is scaled.
Purchaser further agrees to give said representative the right to enter the box-office at any
time (during and after the performance) and to examine and make extracts from the box-
office records of Purchaser relating to the gross receipts of the engagement. A written box-
office statement, certified and signed by the Purchaser, will be furnished to Artist within two
(2) hours following each performance. Purchaser may not sell tickets herein as part of a
subscription or other type of series of concerts, without written consent of Producer. All
tickets printed under the manifest shall be of the one stub, one price variety. There shall be
no multiple price tickets printed. Examples of tickets prohibited under the agreement are:
a) one price for students and a different price for general admissions of the same
ticket,
or
b) one price for tickets bought in advance and a different price for tickets bought at
the
gate on the same ticket.
Further, no tickets can be sold for seats located to the rear of the stage where the stage and
equipment on the stage is obstructing normal eye-level viewing of Artist's performance,
unless the
location of the seat is clearly indicated on the ticket. Tickets sold behind the bandstand must
be
marked "impaired vision" or "behind bandstand".

If Purchaser violates the above agreement, he shall be liable for the total amount of the
tickets
sold at the highest price paid on the ticket. A bonded ticket house shall print all tickets.
(Example : Globe Tickets, Arcus-Simplex) or, if the performance is at a college or university,
the
official printing department of the college or university. Purchaser agrees not to discount
tickets
or to offer tickets as a premium without first obtaining permission in writing from the
Producer.
If Purchaser does sell or distribute discount or complimentary tickets without prior approval,
or
in excess of the number printed, he shall be liable for the full ticket price of each such ticket
sold
or distributed.

11. COMPLIMENTARY TICKETS

Purchaser agrees to distribute no more than one percent (1%) of the official house seating as
complimentary tickets relative to the performance. Further Purchaser must supply a
representative of Producer with a statement detailing to whom each complimentary ticket
was
given. Each complimentary ticket will be issued only as a fully punched ticket. Purchaser
agrees
to supply proper radio, television and newspaper personnel and their families with
complimentary
tickets from the above-mentioned allotment.

Purchaser agrees that if NO ADMISSION is charged to any part of the audience for
engagement
hereunder, the condition must be so stated on the face of the attached contract. If, at the
engagement, there is evidence that admission was or is being subsequently charged for
Artist's
performance, Purchaser agrees that Producer must receive 100% of the admission receipts
collected.

In addition, Purchaser must provide Producer with 20 (20) complimentary tickets per show
within the highest price category, the unused portion of which may be placed on sale the day
of performance with the permission of Producer.

If place of performance is other than a theater and/or cabaret or nightclub, a booth and/or
tables comprising
of mini-cabaret of ten (10) seats to be called "Star's Booth (s)" or "Table (s)" must be
available for
each performance and if not to be used at said performance will be released by Producer or
their
Representative.

12. FAILURE TO FULFILL OBLIGATIONS

Each one of the terms and conditions of the contract is of the essence of the agreement and
necessary for
the Artist's full performance hereunder. In the event the Purchaser refuses or neglects to
provide any of the items herein stated, and/or fails to make any of the payments as provided
herein, Producer shall have the
right to refuse to perform the contract shall retain any amounts theretofore paid to Producer
by Purchaser,
and Purchaser shall remain liable to Producer for the agreed price herein set forth. In
addition, if, on or before the date of any scheduled concert, Purchaser has failed, neglected,
or refused to perform any contract with any other performer for any earlier engagement, or if
the financial standing or credit of Purchaser has been impaired or is in Producer's opinion
unsatisfactory, Producer shall have the right to demand the payment of the guaranteed
forthwith, Producer shall have the right the right to cancel the engagement by notices to
Purchaser to that effect, and in such event Producer shall retain any amount theretofore paid
to Producer by Purchaser.

13. MODIFICATION OF CONTRACT

It is understood and agreed that the contract may not be changed, modified, or altered,
except by an instrument in writing, signed in accordance with the laws of the State of
California. The contract may not be assigned, or changed, modified, or altered except by an
instrument in writing signed by the parties. Nothing in the agreement shall require the
performance of any act contrary to the law or to the rules or regulations of any union, guild,
or similar body having jurisdiction over services of Artist or over the performances
hereunder. Whenever there is any conflict between any provisions of the contract and any
law rule, or regulation shall prevail, and the contract shall be modified to the extent
necessary to eliminate such conflict. This is the sole and complete agreement between the
parties with respect to the engagement. Nothing in the contract shall be construed to
constitute the parties as a partnership or joint venture, and Producer shall not be liable in
whole or in part for any obligation that may be incurred by Purchaser in carrying out any
provisions hereof, or otherwise. Pictures of Artists and Purchaser or Sponsor are expressly
forbidden unless approved in writing through Left Bank Organization / Phillip Kovac/ 9255
Sunset Blvd., Second Floor, Los Angeles, Ca 90069
14. INDEMNIFICATION
A. Purchaser agrees to indemnify and hold harmless Producer/Artist and its employees,
contractors, and/or
agents from and against any claims, costs (including attorney's fees and court costs),
expenses, damages, liabilities, losses, or judgments arising out of or in connection with,
any claim, demand or action made by any third party, if such are sustained as a direct or
indirect consequence of the Engagement.
B. Purchaser also agrees to indemnify and hold harmless Producer/Artist and its employees,
contractors,
and/or agents from and against any and all loss, damage and/or destruction occurring to
its and/or its
employees', contractors', or agents' instruments and equipment at the place of the
Engagement, including
but not limited to, damage, loss or destruction caused by Act of God.

15. TAXES
Purchaser shall pay and hold harmless of and from any and all taxes, fees dues and the like
relating to the
engagement hereunder and the sums payable to Producer shall be free of such taxes, fees,
dues and the like.

16. CHOICE OF LAW FORUM

This agreement shall be deemed made and entered into in the State of California and shall be
governed by all the laws of such State applicable to agreements wholly to be performed
therein.

17. ANTICIPATORY BREACH

If on or before the date of any scheduled performance hereunder, the financial standing or
credit of Promoter has been impaired or is unsatisfactory, Producer shall have the right to
demand payment forthwith of the guaranteed compensation specified above, and if Promoter
fails or refuses to make such payment forthwith, Producer shall then have the right to cancel
the agreement. In the event of such cancellation, Producer shall have no further obligation to
Promoter hereunder, and shall retain any moneys therefore paid to Producer by Promoter.

18. INSURANCE
Purchaser agrees to provide comprehensive general liability insurance (including, without
limitation coverage to protect against any and all injury to persons or property as a
consequence of the installation and/or operation of the equipment and instruments provided
by Producer and/or its employees, contractors and agents). Such liability insurance shall be
in the amount required by venue, but in no event shall have a limit of less than TWO MILLION
DOLLARS ($2,000,000) combined single limit for bodily injury and property damage. Such
insurance shall be in full force and effect at all times Producer/Artist or any of the Producer's
agents, staff or independent contractors are in place of the performance. Producer/Agent, its
management for the Engagement, The Arnstein Organization and its agent for the
Engagement, APA Inc., shall be listed as additionally-named insureds under such insurance
and the shall be indicated on the pertinent certificate of insurance. Purchaser also agrees to
provide a policy of Workman's Compensation covering all Purchasers' employees or third
party contractors. Purchaser further agrees to provide full all-risks insurance coverage for all
equipment and instruments provided by Producer and/or its employees, contractors and
agents against fire, vandalizing, theft, riot, or any other type of act or event causing harm or
damage to, loss of, the instruments and equipment so provided. Certificates of Insurance
relating to the coverage listed above shall be furnished by Purchaser to Provider at least
fourteen (14) days prior to the Engagement. Producer's failure to request or review such
insurance certificates shall not affect Producer's rights or Purchaser's obligations hereunder.
The Purchaser warrants that he/she has complete and adequate public liability insurance.
The certificate must be produced to the Producer upon request.

20. MERCHANDISING
The Purchaser shall provide a well-lit secure place to erect a merchandising stall. This shall
be in a position as to be easily visible to the public using the main entrance. This will be at no
cost to the Artist. Purchaser agrees that its arrangement for presenting the engagement
provided for herein shall prohibit the sale of souvenir or similar merchandise on the premises
in connection with the engagement other than Producer's official merchandise furnished by
Producer.

21. PRESS AND PUBLICITY

Any and all requests for publicity (interviews, video magnification or taping, press coverage,
pictures etc.) must be taken care of with the Mike Nash at 216.965.4668 prior to the show.

22. AIR TRANSPORTATION

Purchaser shall reimburse Producer for, at Purchaser's sole cost and expense, all air
transportation as designated by Producer in Exhibit A. Said reimbursement shall be made in
the form of a cashiers check, money order or bank wire transfer not less than thirty (30) days
prior to the engagement.

23. SOUND, LIGHTING AND STAGING

Purchaser shall provide all Producers' backline, lighting, sound, and staging requirements
per Exhibit D.

24. RENTAL GEAR

Purchaser shall provide and pay for, at Purchaser's sole cost and expense, all musical and
video gear as designated by Producer in Exhibit D.

25. PARAGRAPH HEADINGS

Paragraph headings are inserted in the Rider for convenience only and are not to be used in
interpreting the Agreement.

AGREED AND ACCEPTED:

_________________________/_____/____ _____________________________/____/___
PURCHASER Dated JOHN WAITE
f/s/o NO BRAKES TOURS, INC.

JOHN WAITE
TECHNICAL RIDER
1. RIDER AGREEMENT
Rider ("Rider") to Agreement ("Concert Agreement") dated as of _________________
between John Waite, NO BRAKES TOURS, INC., a New York Corporation ("Producer"),
furnishing

the services of John Waite ("Group") and ___________________________ ("Purchaser")

The provisions of the Rider will be deemed incorporated in and a part of the Concert
Agreement for the performance ("Engagement") of the Group
at________________________________ in __________________________
on_____________________. In the event of any inconsistency on
between the provision of this rider and the provisions of the Concert Agreement, the
provisions of this Rider will control. The Concert Agreement as modified by this Rider is
referred to herein as the "Agreement".

2. Purchaser's Attendance: Controlling Decisions

A. Purchaser agrees to furnish at his/her own expense, his/her personal representative
capable of making any decisions pertaining to the engagement from the time of arrival of the
production equipment (including outside staging materials) through to the time of departure.
This representative must have copies of this entire agreement together with any rider(s),
copies of all mailgrams, facsimiles and letters pertaining to the engagement.

Purchaser's representative will remain in the immediate backstage area and must be
in constant contact with Producer's production manager. Production's production manager
will make all decisions relative to staging of Artist's shows. Purchaser's failure to comply
with reasonable requests may require the show to be canceled.

B. The Purchaser will provide Producer with telephone numbers (business and
residence). Purchaser's principal and representative may be contacted during the
fourteen days immediately prior to the engagement. The person signing this
agreement on behalf of Purchaser will be personally present at the place of the
engagement from two hours prior to show time.

C. The Artist shall have the first right to direct the set up for all instruments and
properties used in the presentation by stagehands, and the aforesaid instruments and
properties shall not be moved, relocated and/or used by, any person other than tour/
production managers of Producer without express permission of Producer's
production manager.

3. Dressing Rooms
Purchaser shall provide:
One (1) large carpeted dressing room for the exclusive use of John Waite
And band.
This dressing room must have a private bathroom, dressing area

All above dressing rooms:

1. Must have toilet and shower facilities, clean and ready for use with hot and
cold running water with paper towels and hand soap.

2. Must be equipped with:

a. Numerous working electrical outlets
b. Comfortable chairs and sofas sufficient for each entourage member
c. Total of twelve (12) bath towels, one (1) dozen dark hand towels per show,
and four (4) bars of unscented hand soap.
3. Must be capable of being locked and keys provided for the use of
John Waite's Production staff.
4. Located in an area with no public access.
5. Must be capable of being thermostatically controlled to a comfortable temperature.
4. Runner for Tour Manager / Production Manager
The Runner is a very important requirement for the Production. A Runner with a working
knowledge of normal show related necessities (Music, Equipment, Clothing Stores and
Restaurants etc.) must be provided by Purchaser, at Purchaser's sole cost and expense.
Runner should be at the venue to assist the Production Manager in any needs that may arise

The Runner must have a clean vehicle in good working order, which can comfortably carry at
least three additional passengers.

5. Performance
A. Opening Acts may not place equipment on stage before Artist's equipment & road
crew
arrive without prior notification to and approval of Production Manager
B. Purchaser agrees that the Tour Manager and Production Manager have the right to
control all aspects of the Performance. This right shall include set times and lengths,
house lights, sound, lights, doors opening, sound level, security positioning and man
power in stage area and backstage and stage positions.

6. Sound Check
The production requires a sound check that will last approximately sixty (60) minutes after
set up.
The Production Manager will not allow the audience or non-working Personnel to enter the
auditorium until such time as all technical set-up and sound check have been completed.

Artist will complete these requirements at least one (1) hour prior to concert start time. This
is a
closed sound check and the House will insure the Venue is clear of everyone except
those directly involved in the sound check. House agrees not open the Venue to the
audience until approval is given by Production Manager. Please inform the Production
Manager of your desired opening time and any special auditorium house door times
that may be in effect.

7. Security
Purchaser shall provide one (1) experienced security person who will report for duty
fifteen (15) minutes before the start of load-in, to be placed as per instructions of the
Production Manager. An additional security person is to report to the Production
Manager at 4:00 PM for assignment. From 4:00 PM until Artist departs the building,
there is to be a Security person on Artist's door. The hallway must be kept clear of
any non-essential personnel. If it is necessary for any of our cases to be stored
outside the building an additional security person will be required to remain with the
equipment from load-in to load-out. All security people are to provide security
exclusively until dismissed by the Production Manager. (Breaks will be negotiated in
consideration of both security staff and road crews. Also, beverages must be
provided for security personnel, especially on hot weather dates.) Additional security
is required during the performance and will be negotiated directly with the Production
Manager.
As of Sound Check all working and non-working personnel who will be involved with the
Production and are expecting access to the backstage, stage or dressing rooms areas will be
required to have passes or numbered T-shirts delineating the security or service company.
All pass request lists are to be submitted to the Production Manager for approval by the Tour
Manager. The pass requirement is to be strictly enforced from the time they are handed out
until load-out.
Purchaser is responsible for providing passes. Passes are non-transferable and misuse of
the pass will be cause for immediate dismissal for the day.
Under no circumstances is anyone not directly affiliated with the tour (wearing a laminated
pass) to disturb the Artist at any time!

JOHN WAITE CATERING REQUIRMENTS

LUNCH:
(Four Hours after Load-in)

Please arrange the lunch service with John Waite's Production crew will have total of 5 ( five)
eating plus local crew on call. It is normal procedure to furnish soft drinks, water and coffee
for the local crew during the afternoon (this is not to be included in the list below).

DINNER:
(TBA PM)
Dinner for 4 (four) or buyout of $20 per Member
Please be aware some of artist’s party may wish to eat after show. Production Manager will
advise if any meals are to be held later. Artist’s will have a total of 4 Members. Please advice
with road manager all catering needs.

John Waite Dressing Room Catering

HOSPITALITY RIDER
Revised 2012
Dressing room

Hot coffee with cups, sugar and half and half

(1) Case of water
(6) Bottles Gatorade ( Orange or Red)
(12) CANS Guinness draught beer
Hot meal for (4) or $80 buyout
Plastic Cups
(4) 9 volt batteries ( Duracell, Rayovac, Energizer)
(1) pack Bass Guitar strings gauge 110-50 ( GHS, Ernie Ball, Dean
Markley)
(1) Pack Guitar strings gauge 12 GHS DAVID GILMORE
(1) Pack Guitar strings Gauge 11 with wound 3rd string (GHS, Dean
Markley, Ernie Ball)
(1) Remo 14 inch white coated emporer snare drum head

(IF THERE ARE TO BE ANY CHANGES, CALL THE TOUR MANAGER)

Tim Hogan 323-962-6413

JOHN WAITE GROUND TRANSPORTATION REQUIREMENTS:

Purchaser shall provide and pay for, at no cost to Producer, transportation from airport to
hotel upon arrival, between hotel and place of engagement for load-in as well as prior to and
upon completion of Sound Check and engagement, and hotel to airport upon completion of
engagement hereunder, plus any other transportation requirements, i.e.: Promotional
activities (e.g.: to a local Radio Station) necessitated by agreement between Producer and
Promoter.
SAID TRANSPORTATION SHALL CONSIST OF THE FOLLOWING:

> ONE (1) 15 passenger van for all 4 people and luggage traveling in John Waite Pa

PRODUCTION REQUIRMENTS FOR JOHN WAITE:

Purchaser shall at sole expense and financial responsibility provide Producer all sound,
lighting, staging, equipment, and production needed to properly present the Performance at
the contracted Venue.
In addition, if additional video equipment or larger video screens are required, this will also
require that Producer inform the Artist’s Management and Production Representative
separately within 30 Days prior to Performance. If there are previously existing video
screens and cameras, which the Purchaser wants utilized, then the will also be made
available to Producer, at no additional cost to Producer.

Purchaser wants utilized, then the will also be made available to Producer, at no additional
cost to Producer.

JOHN WAITE GROUND TRANSPORTATION REQUIREMENTS:

Purchaser shall provide and pay for, at no cost to Producer, transportation from airport to
hotel upon arrival, between hotel and place of engagement for load-in as well as prior to and
upon completion of Sound Check and engagement, and hotel to airport upon completion of
engagement hereunder, plus any other transportation requirements, i.e.: Promotional
activities (e.g.: to a local Radio Station) necessitated by agreement between Producer and
Promoter.
SAID TRANSPORTATION SHALL CONSIST OF THE FOLLOWING:

> ONE (1) 15 passenger van for all 4 people and luggage traveling in John Waite Party

JOHN WAITE HOTEL ACCOMMODATION REQUIREMENTS:

Purchaser shall provide and pay for, at no cost to Producer;
at nothing less than a first class Hotel, with spa, gym facilities and 24 hour Room Service.

Four (4) king sized singles for Two (2) nights for John Waite's entourage at a first class hotel.

PRODUCTION REQUIRMENTS FOR JOHN WAITE:

Purchaser shall at sole expense and financial responsibility provide Producer all sound,
lighting, staging, equipment, and production needed to properly present the Performance at
the contracted Venue.
In addition, if additional video equipment or larger video screens are required, this will also
require that Producer inform the Artist’s Management and Production Representative
separately within 30 Days prior to Performance. If there are previously existing video
screens and cameras, which the Purchaser wants utilized, then the will also be made
available to Producer, at no additional cost to Producer.

JOHN WAITE LIGHTING REQUIREMENTS

Purchaser agrees to provide at sole expense for use by the Artist. At least 120 par 64 lighting
Purchaser agrees to provide one (1) experienced operator for this system.
Purchaser agrees to provide at sole expense for use by the Artist, two (1) spots lights.
Purchaser agrees to provide One (1) experienced operators. Operators must understand
English.
John Waite Sound Equipment Requirements
Artist will be using provided in house sound equipment or provided sound equipment.
Artist will also be using provided Sound Technicians for Front of House and Monitor
Positions. Artist will need 1 Professional quality CD player to play into cd.

Monitor System

John Waite band will need 5 separate mixes on stage. Each wedge mix should have Two
Bi-amped wedges. [Passive wedges are NOT acceptable]. Professional monitor console
with at least 32 input modules, 10 group outputs, Should be provided.

Dressing room

Hot coffee with cups, sugar and half and half

1 Case of water
12 CANS Guinness draught beer
Hot meal for 4 or $100 buyout
(4) 9 volt batteries ( Duracell, rayovac, energizer)
(1) pack Bass Guitar strings gauge 110-50 ( GHS, Ernie Ball, Dean M
arkley)
(1) Pack Guitar strings gauge 12 GHS electric strings
(1) Pack Guitar strings Gauge 11electric strings with wound 3rd string
(GHS, Dean Markley, Ernie Ball)
(1) Remo 14 inch white coated emperor snare drum head

JOHN WAITE RENTAL EQUIPMENT

We have changed our rider to better insure we are able to have a good show.
Our backline rider has 2 guitar amps and 2 bass amps on it because we are
basically a 3 piece band with a singer.( John has 1 Fender amp on rider for
himself.)
In the past we have had amps stop working in the middle of a show and there are
not only no replacements on site, but we have had to play the rest of the show with
no working bass or guitar on stage.
Advance with Tour Manager
Tim Hogan 323-962-6413

Drums
Drum Workshop Professional Drum Kit. *All drums must have new coated Emperor
heads*.
1x Bass Drum, 22"x18"
1x 13’’ Rack Tom with Separate Stand (Not Mounted on Kick Drum)
1x 16" Floor Tom with Legs
1x 18" Floor Tom with Legs
2x Snare Drum, 14"x5 2/1" with DW 9000 stand.
5x DW 9000 Cymbal Stands
1xDW 9000 Hi Hat Stand
1xDW Drum Stool
1x Set Of Cymbals A zildjian or AAX Sabian
(20'' Ride, 2-18''Crash Cymbals, 2-16'' Crash Cymbals, 14'' Hi Hats)
1x DW 9000 Double Kick Pedal
Rhythm Tech Studio Shaker (large)
Tambourine

Guitars/Stage Right
2x VOX AC30
6x Guitar Stands
1x 6 String Acoustic Guitar (Martin, Taylor, Gibson, Guild, Takamami)
1x Gibson Les Paul
Complete with all necessary cables.

Bass Stage Left

2x Ampeg 8x10 bass cabinet
2x Ampeg SVT classic
1x Fender jazz Bass
Complete with all necessary cables.
Complete with all necessary cables

Guitar Stage Center

1x Fender hot rod deluxe

++NOTE++ GUITAR AND BASS AMPS WILL BE LINKED WITH ¼ Cables

GUITAR STAGE RIGHT IS MAIN RIG
BASS STAGE LEFT IS MAIN RIG

NOTE: PLEASE CONNECT STAGE RIGHT AND LEFT AMPS WITH ¼ CABLE FROM PRE
OUT TO INPUT.STAGE RIGHT IS MAIN GUITAR RIG ...STAGE LEFT IS MAIN BASS RIG

PLEASE RUN OUT OF PRE ON MAIN RIG HEADS TO INPUT ON OTHER SIDE OF STAGE
straight stand
KICK (91)
KICK (58)
SNARE TOP
SNARE BOTTOM
HAT
RACK
FLOOR 1
FLOOR 2
RIDE
OH SR
OH SL
BASS DI
BASS MIC
GUITAR SL CHANNEL1
GUITAR SL CHANNEL2
GUITAR CENTER
VOCAL Sl
VOCAL CENTER
VOCAL DRUM
SPARE VOCAL CENTER
NOTE: PLEASE CONNECT STAGE RIGHT AND LEFT AMPS WITH ¼ CABLE FROM PRE
OUT TO INPUT.STAGE RIGHT IS MAIN GUITAR RIG ...STAGE LEFT IS MAIN BASS RIG
John Waite One Sheet
MANAGEMENT
Tim Hogan
6053 Bellingham Ave.
North Hollywood CA 91606
(323) 962-6413
AGENCY

BUSINESS MANAGER
Provident Financial Management
Bill Vuylsteke, Shelley Venemann
Provident Financial Management
2850 Ocean Park Blvd., Ste 300
Santa Monica, CA 90405
Dionah Kilgore-Bookkeeper
Tel (310) 282-5116 Fax (310) 282-5102

Band:
Four (4):
Guitar, ,
Bass,
Drums,

John
Waite
Staff:
One (1):
Tour
Manager
timhbass
69@aol.c
om
Hotel
Rooms:
Four (4):
Domestic
(2)nights
Flights:
Four (4):
Domestic
Two (2)
nights
Transport
ation:
One (1)
Fifteen
Passenge
r Van

4 people,
guitars,
luggage
Tour
Manager:
Tim
Hogan
323-962-6
413
timhbass
69@aol.c
om
FOH
Question
s / Tim
Hogan
323-962-6
413
 Promotio
n/
interview
s/
advance:
Tim
Hogan
323-962-6
413

AGREED AND ACCEPTED:

______________________________
____________________________________
PURCHASER JOHN WAITE f/s/o
NO BRAKES TOURS, INC.

page 30

page 15

JOHN WAITE STAGE PLOT

FENDER
AMP
 GUITAR

BASS

GUITAR

BASS

120 VOLT
60 Hz
POWER
DROP

8
FEET

(Boom Tripod)

120 VOLT
60 Hz
POWER
DROP

SIDE FILL
MIX 5

SIDE FILL
MIX 5
 MONITOR
(MIX 2)

MONITOR
(MIX 2)

DRUM
MONITOR
(MIX 4)

MONITOR
(MIX 1)

MONITOR
(MIX 1)

MONITOR
(MIX 3)

MONITOR
(MIX 3)

Boom/ Mic

DRUMS
NO RISER