Rudiment Ritual Thom Hannum

Version 2.2
  
              
SINGLE PARADIDDLE

Percussion
   
R L R R L R L L R L R R
L R L L R L R R L R L L
ff/mp

  
             
     
DOUBLE PARADIDDLE


6
Perc.
R L R L R R L R L R L L
    R L R R
L R L R L L R L R L R R L R L L
ff/mp

  
                 
     
TRIPLE PARADIDDLE


11
Perc.
R L R L R L R R L R L R L R L L
    R L R R
L R L R L R L L R L R L R L R R L R L L
ff/mp

  
             
     
SINGLE PARADIDDLE-DIDDLE


16
Perc.
R L R R L L R L R R L L
    R L R R
L R L L R R L R L L R R L R L L
ff/mp

                                 
SINGLE STROKE ROLL


21
Perc.
R L R L R L R L R R L R L R L R L R
 R L R L R L R L R L R L R L R L R L
L R L R L R L R L L R L R L R L R L
ff

            
SINGLE STROKE FOUR


24 3 3 3 3

Perc.         
R L R L R L R L R L R L L R L R
L R L R L R L R
ff

                                
SINGLE STROKE SEVEN


27 6 6 6 6

Perc.
R L R L R L R R L R L R L R
 R L R L R L R L R L R L R R
L
L R L R L R L L R L R L R L
ff


  
     
MULTIPLE BOUNCE ROLL

 
30
Perc.       R L R R
R R L
L R L L
mp L L R


               
     
TRIPLE STROKE ROLL


35 6 6

Perc.
R R R L L L R R R L L L R L
    R L R R
L R L L
f L L L R R R L L L R R R L R
2

 
 

  
DOUBLE STROKE OPEN ROLL
 
40
Perc.     
R R L R R
L L R L L
ff

 

FIVE STROKE ROLL


42
Perc.   R R
 
L L
  
ff/mp

  
      
               
SIX STROKE ROLL


46
Perc.
R L R L
  R L R L R R
L R L R L R L R L L
ff/mp

  
   
       
SEVEN STROKE ROLL


50
Perc.        
R L R L R L R L R R
L R L R L R L R L L
ff/mp

  
  
NINE STROKE ROLL


54
Perc.     
R R L L

ff/mp

         
          
TEN STROKE ROLL

       

58
Perc.
R R L R R L
  R R L R L R L R R
L L R L L R L L R L R L R L L
ff/mp

         
           
ELEVEN STROKE ROLL


62
Perc.        
R R L R R L R R L R L R L R R
L L R L L R L L R L R L R L L
ff/mp

 
  


THIRTEEN STROKE ROLL


66
Perc.       
R R L L

ff/mp

 
  
  
 
              
FIFTEEN STROKE ROLL


68
Perc.     
R L R L R L R L R L R L R R
L R L R L R L R L R L R L L
ff/mp

 
 
SEVENTEEN STROKE ROLL
 

70
Perc.    
R R L L

ff/mp
 3

      
FLAM

                      

72
Perc.

 
 
 
 
 
 
R R R R R L R L R L R L R L R L
ff L L L L

 3  3 
        
      
FLAM ACCENT

 
75

Perc.
R L R L R L
    R L R R
L R L R L R L R L L
ff/mp

    

                  
FLAM TAP

  
80
    
Perc.
R R L L R R L L
   R L R R
L L R R L L R R L R L L
ff/mp

  

               
      
FLAMACUE

   
85
 
Perc.
R L R L R L R L R L
    R L R R
L R L L
ff/mp

  
                
FLAM PARADIDDLE

   
90
  
Perc.
R L R R L R L L
   R L R R
L R L L R L R R L R L L
ff/mp

  
                
SINGLE FLAMMED MILL

   
95
  
Perc.
R R L R L L R L
   R L R R
L L R L R R L R L R L L
ff/mp

  
       
FLAM PARADIDDLE-DIDDLE

               
  
100
 
Perc.
R L R R L L L R L L R R
    R L R R
L R L L R R R L R R L L L R L L
ff/mp

    

                  
PATAFLAFLA

     
105
  
Perc.
R L R L R L R L
   R L R R
L R L R L R L R L R L L
ff/mp

 6  6    6  6  
SWISS ARMY TRIPLET

                                 
 
110
          
Perc.
R R L R R L R R L R R L R L
  R R L R R L R R L R R L R R
L L R L L R L L R L L R L R L L R L L R L L R L L R L L
f/mp

    
                  
INVERTED FLAM TAP

  
114
    
Perc.
R L L R R L L R
   R L R R
L R R L L R R L L R L L
f/mp

         
 3  3  3  3  3  3  3   3    
                                       
FLAM DRAG

         
119
    
Perc.
R L R L R L R L R L R L R L R L R L R L R L L L R L
L R L R L R L R L R L R L R L R L R L R L R R R
ff/mp
4
play the following 4 rudiments with closed drag interpretation...

          
DRAG


122
Perc.            
R R R R R L R L
L L L L
mp

SINGLE DRAG TAP

 

124
Perc.         
R L L R
ff/mp


DOUBLE DRAG TAP


128
Perc.            
R R L L L R
ff/mp

  

                  
LESSON 25


132
Perc.
R L R R L R
   R L R R
L R L L R L L R L L
ff/mp
play the following 3 rudiments with 32nd-note drag interpretation...

 
 

              
SINGLE DRAGADIDDLE


137
Perc.
R L R R L R L L
   R L R R
L R L L R L R R L R L L
ff/mp

  

               
     
DRAG PARADIDDLE #1


142
Perc.
R R L R R L L R L L
    R L R R
L L R L L R R L R R L R L L
ff/mp

  
                     
     
DRAG PARADIDDLE #2


147
Perc.
R R R L R R L L L R L L
    R L R R
L L L R L L R R R L R R L R L L
ff/mp
play the following 3 rudiments with 16th-note triplet drag interpretation...


SINGLE RATAMACUE


152 3 3

Perc.            

R R L R L L R L
f/mp

 
DOUBLE RATAMACUE


156 3 3

Perc.             

R R R L R L L L R L
f/mp

   
   
TRIPLE RATAMACUE


160 3 3

Perc.             

R R L R L R
R R R R L R L L L L R L
f/mp ff