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Nel profondo cieco mondo

Orlando Furioso
Acte I, scène 5

 = 115       
Antonio Vivaldi

                     

  
                  
   
Piano

                    
    

5

      
           
   
Pia.

                                

7

            
  
  

Pia.

              
 
   
9

   
           
          
Pia.


  
 
      
       


12 ORLANDO

Or.

    

              
Nel pro fon do cie co mon do si pre

   
 
    
                    
 
Pia.

Rémy Bres Feuillet


                  
         
16

   
Or.

                    


   
ci pi ti la sor te già spie ta

     
   
            
    

Pia.

         
                          
19

            
Or.

                      


ta

        
              
Pia.

                        
           

22

Or.

                       
         
già spie ta

                   
           
Pia.

    
   
   
25

Or.

            
        
ta a ques to cor Nel pro fon

           


         
    
Pia.

2 Rémy Bres Feuillet


     
                

28

Or.

         
        
do cie co mon do si pre ci pi

    

                  
       

Pia.

         
       
       
31

Or.

               


      
ti la sor te si pre ci pi ti la sor te già spie


           
                   

Pia.

     


                   
34

                        


Or.

                   
ta

                
       
Pia.

 
                                        
37

Or.

               
                  
ta già spie ta

              
                         
Pia.

Rémy Bres Feuillet 3


             
         
41

Or.

           
         
ta,a ques to cor.

        

 
                                

Pia.

 
                              

44

           
   
  
Pia.

                           
 
46

                 
  

Pia.

     
            

48

   
              

Pia.

  
            

51

Or.

          
                    
Vin cer ra l'a mor più for te col l'a

                         
Pia.

4 Rémy Bres Feuillet


  
         
54

                 
Or.

       



i ta del va lor

 
                       
Pia.

   
                       
 
57

Or.

                      


          
col l'a i ta del va lor vin ce ra l'a mor più


                          
Pia.

  
        
                          
60

Or.

   
        
         
for te col l'a i ra del va lor col l'a i ta del va lor.

 
   
           
              
Pia.

Rémy Bres Feuillet 5