ODILIA

(Jacob de Haan)
Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the
department of Doubs in Franche-Comté, Eastern France. The title is derived
from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the
daughter of the Duke of Alsace. She was born blind, and literally saw the light
at the age of twelve at the convent of Baume-les-Dames. From this miraculous
occurrence, she was dubbed Odilia — child of light.
Jacob de Haan was inspired by medieval dance music for the opening of this
composition. In the slow movement that follows, a lyrical minor theme builds
to a dramatic climax, which is followed by a calm passage featuring the
repeated lyrical theme. Finally, the medieval motif returns, this time
presented in a festive gospel version.
 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA
(Cover of Clarinets, Aragón, S.XXI)
Jacob de Haan
Arr. by Gino Gonçals
Pop Overture for Band

 
Tempo Moderato ()
                             
     
Clarinet in B  1  

              
Clarinet in B  2     

 
Clarinet in B  3                

     
  
                 
Tubular Bells

Clarinet in B  4
        
 
 
                 
    
Clarinet in B  5
   
    
 
               

Bass Clarinet

  

                    
7
     

   
Cl. 1

       
          
Cl. 2 
   

         
Cl. 3             

   
Cl. 4                   


                
  
Cl. 5
 


                 
B.Cl.
 
©Gino Gonçals
 Odilia 2
12


                  
Cl. 1


Cl. 2 
                   
                          
Cl. 3      
         
Cl. 4                     


Cl. 5                     

  
               
B.Cl.
 


 19
                       
17

   
   
Cl. 1

                      
   
      
Cl. 2


     
Cl. 3               

              
Cl. 4         


                    
Cl. 5
      



                  
B.Cl.


 Odilia 3
                      
22
          
Cl. 1 

                   
Cl. 2             


Cl. 3               


                                  
Cl. 4


           
Cl. 5
                 

    
             
B.Cl.


           
27
  
Cl. 1      
 
          
Cl. 2          
 

     
Cl. 3             
 

   
    
 
Cl. 4

  
  
 
     
    
Cl. 5

  
 
     
         
B.Cl.

  
 Odilia 4

   
                         
35
    
32

Cl. 1 

                   
Cl. 2     
    
    


            
                          
 
Cl. 3



                       
Cl. 4
       


         
Cl. 5
                    

 
B.Cl.         
             


                     
37
                
Cl. 1 

             
Cl. 2                       

                     
Cl. 3                            
       
 


Cl. 4                    

             
Cl. 5                   

          
        
B.Cl.

 Odilia 5

         
              
42

Cl. 1 


Rit...
                  
Cl. 2       

   
         
Cl. 3
      
 

  
          
       
 
Cl. 4

 
     
Cl. 5
         
 
 
        
B.Cl.


47 Andante ()
Cl. 1             

Cl. 2          

Cl. 3        


   
Cl. 4


   

    

 
    
Cl. 5

   

  
       
B.Cl.


 Odilia 6

            
52

Cl. 1     

Cl. 2           

 
     
Cl. 3

 
  
Cl. 4

  
 

      
   
Cl. 5
 

 
        
B.Cl.

59
  
           
57

Cl. 1
   
  
Cl. 2             

    
   
Cl. 3

   
    
Cl. 4


   
                 
     
Cl. 5

   
    
   
B.Cl.
 Odilia 7


                 
62

Cl. 1
    

         
Cl. 2             

Cl. 3                     

Cl. 4           

      
               
Cl. 5

 
      
B.Cl.
   

   
                       
67

Cl. 1


      
Cl. 2

                
  

        
Cl. 3  

      
    
Cl. 4


                     
     
Cl. 5



   
B.Cl.
     

 Odilia 8

        

              
72

Cl. 1

 33
  
3 3

           

3 3

  

Cl. 2


3  3  3 

           
  
Cl. 3


Cl. 4       
 
 
       
 
 
       

        
         
Cl. 5

        

       
        
B.Cl.
   
       



A tempo
    
                     
77 Rit...
Cl. 1  
 
                 
Cl. 2  
          

 
 
     
       
          
Cl. 3
 
       
                

3

 
Cl. 4
       
3 3

 
           
3

        
Cl. 5

       
3 3

       
3 3
B.Cl.
  
         
  

 Odilia 9
     
          
84

            
82 3

Cl. 1
 
      
    
                
3
Cl. 2

 
   
   
                
3
Cl. 3

 

      
3

    
         
Cl. 4
 

      
3

                
Cl. 5

       


           
B.Cl.
   
   

              

87

Cl. 1     

  
Cl. 2                  


Cl. 3         


  
 
Cl. 4

  
       
    
Cl. 5


       
  
B.Cl.
 Odilia 10

 Rit...
 
     
92 Rock 
Cl. 1          

        
Cl. 2          
 
Cl. 3        
 
     

Cl. 4
 
   
          
 

    
Cl. 5

          
 
 
          
   
B.Cl.

       


 
        
97

Cl. 1

 
Cl. 2         

        
Cl. 3  


Cl. 4         


                              
 
Cl. 5

               

                              
 
B.Cl.

               
 Odilia 11

     
103

    
102


 
Cl. 1

 
        
  
Cl. 2



      
   
Cl. 3

  

     
Cl. 4
   

  

                              
   
Cl. 5

            

                              
          
B.Cl.

     

  
                 
            
107

Cl. 1
 
 
                 
                   

Cl. 2
 
        
                      
  

Cl. 3
 
  
     
  
Cl. 4

 

                              
 
Cl. 5

              

                              
 
B.Cl.

              
 Odilia 12

     
       
112

 
  
Cl. 1

  
              
   
Cl. 2

   
          
    
Cl. 3
  
  
     
Cl. 4
    

  
        
                   
 
Cl. 5

               
 
                           
 
B.Cl.

               

         
               
117

Cl. 1    
 
                
  
Cl. 2            
 
             
               
 
Cl. 3
 

      
  
Cl. 4



                     
            
Cl. 5

      

                     
            
B.Cl.

      
 Odilia 13

                  
         
122

Cl. 1  

    
 
         
        
 

       
  
Cl. 2

 
    
                   
        
Cl. 3


 
      
 
Cl. 4


                        
    
Cl. 5

               
 
                        
    
B.Cl.

               


               
  
127

Cl. 1  
 
              
     
Cl. 2
 
 
    
           
   
Cl. 3


  
       
   
Cl. 4



                    
                
Cl. 5

  

                    
                
B.Cl.

  
 Odilia 14

         
 
135

      
132

Cl. 1  

         
  
Cl. 2        
  

        
                    
  
Cl. 3
       

   
            
Cl. 4



             
   
         
Cl. 5

  

                              
   
B.Cl.

            

    
  
137

Cl. 1    


    
Cl. 2
     
                     
Cl. 3                 


       
 
 
           
           
Cl. 4


  

    
Cl. 5
 

                              
               
B.Cl.
 Odilia 15

                  
  
142

Cl. 1       


Cl. 2           

                  
       
Cl. 3
   

                  
Cl. 4
          



       
Cl. 5


                        
         
   
B.Cl.


                     
   
147

Cl. 1           


Cl. 2                   

            
Cl. 3                       


                         
Cl. 4
    


           
           
Cl. 5


 
                 
   
  
    
B.Cl.


 Odilia 16


 
                   
152

Cl. 1
       


Cl. 2                   

 
    
Cl. 3           


Cl. 4                  

                
         
Cl. 5
        

                              
           
B.Cl.

 
     
                         
157

Cl. 1        

Cl. 2           

    
                           
Cl. 3
   

        

Cl. 4


      
          
Cl. 5



                              
                 
B.Cl.
 Odilia 17

                     
     
162

Cl. 1      


Cl. 2          

                  
         
Cl. 3


Cl. 4         


       
Cl. 5

  
                
    
B.Cl.

          
167

     
Cl. 1
  

  
             
Cl. 2
  

   
Cl. 3           
  



            
      
Cl. 4

   
   
              
       
Cl. 5

 
       

B.Cl.      
        
  
 Odilia 18

                  
           
172

Cl. 1      
 
                  
Cl. 2                  
 
               
             
Cl. 3
     
 

    

       
      
  
Cl. 4



            
          
Cl. 5



                    
        
B.Cl.

    
 

                      
                     
177

Cl. 1
  
                             
Cl. 2                     
                  
Cl. 3                               

          
Cl. 4                               


                    
                   
Cl. 5


                              
             
B.Cl.

   
 Odilia 19

            
         
182

Cl. 1        

                  
Cl. 2            

   
               

Cl. 3


    
                  
  
Cl. 4


  
                     
         
Cl. 5

    
 
                           
        
      
B.Cl.

   
    
                 
187

Cl. 1           
                          
Cl. 2                     

      
        
Cl. 3
 

               
 
Cl. 4
 

                          
                
Cl. 5

    
      
B.Cl.                               
 
 Odilia 20


    
                           

192

Cl. 1     

                     
Cl. 2                  


  
           
Cl. 3  


                 
 
Cl. 4
 

                  
          
     
Cl. 5

  
                           
        
B.Cl.


            
      
197 199
Cl. 1

      
          
Cl. 2
 


        
 
Cl. 3


       
 
Cl. 4

 

                  
      
Cl. 5

           
 
               
 
B.Cl.

           

 Odilia 21


   
 
              
           
202

 
  
Cl. 1

              
                       
  
Cl. 2

       
                     
Cl. 3
   
   
  
     
    
     
Cl. 4

   

                              
   
Cl. 5

            

                              
                
B.Cl.

       
      
207

 
  
Cl. 1

  
          
   
Cl. 2


  
      
     
Cl. 3
  
  
     
 
  

Cl. 4


 

                         
   
 
Cl. 5

              

                              
           
B.Cl.

    
 Odilia 22

         
  
   
     
212

Cl. 1       
 
    
             
Cl. 2       
        
 
     
        
    
           
Cl. 3    
 
  
   
          
     
Cl. 4
 


                       
        
Cl. 5

          

                       
        
B.Cl.

          

                 
        
217

Cl. 1  

      
 
         
        

     

Cl. 2

 
          
         
            

Cl. 3


        
                
   
Cl. 4
     

                    
            
Cl. 5

      

                    
            
B.Cl.

      
 Odilia 23

              

222

Cl. 1  

            

   
 
Cl. 2


  
          
     
Cl. 3

  
         
 
        
Cl. 4
 

                     
                   
Cl. 5



                     
                   
B.Cl.

             
                 
227 231
Cl. 1
   
 
             
          
            
    
Cl. 2

 
            
      
          
  
 

Cl. 3

 
       
                 
   
Cl. 4

          

Cl. 5                          
                 

                     
                    
B.Cl.


 Odilia 24
232
                              
Cl. 1                               


                              
         
Cl. 2

             
Cl. 3 

         
Cl. 4    

 
     
     
Cl. 5


                    
                   
B.Cl.

                              
                             
237

Cl. 1 


                              
                 
Cl. 2

             
Cl. 3  

             
Cl. 4  

 
        
     
Cl. 5


                    
                   
B.Cl.
 Odilia 25

               
                      
         
242

Cl. 1
 
  
                         
Cl. 2
      
 
     
Cl. 3         
 
              
             
  
Cl. 4

 
            
                  
     
     
Cl. 5


  
         

B.Cl.

 

 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

ODILIA Jacob de Haan

Clarinet 1ºB  (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
Pop Overture for Band

  
Tempo Moderato ()
                       
  
 

                        
           




                       


 19
                      
   
    
                               
     


       
      
   
27

 
 

      
                 35
      
    

      
                   


         
          
           


©Gino Gonçals
 Odilia 2

Andante ()
  
               
47

Rit... 

                          

         
59

           

    
                      
         

       
  
               
 3 3 3

         
A tempo
        
          
    
Rit...

 
 
  
              
            
3 84

  
 
              
Rit...
        

  Rock        
         

103
   
   
                   
  
        
   
 Odilia 3

  
            
                 
  
 
 
                    
           
 
                
                   
135

 
               
     

                       
             

           
                  
 
 

                             
                   

                            
         
167
  

 
                  
           
   
 
                               
                 
                    
       
         
    
  
 Odilia 4

                           
              

                          
        
199


   
                        
     
    
  
   
 
                 
   
    

                        
           

                        
            
 
                              
231

                              

                              
                              

      
                  
                  
   
 
 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

Clarinet 2ºB 
ODILIA
(Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Pop Overture for Band
Arr. by Gino Gonçals

  
Tempo Moderato ()
                 
 


                   

       



                      

 
                                           
19


27
        
                 


              
                 


    
                                    
35


      
                  
       

     
           
47 Andante ()
        
Rit... 
©Gino Gonçals
 Odilia 2

                  

         
59

           

             
         
     
     

  
                    
3 3 3

    


    
A tempo
              
 
              
Rit...

 
 84
   
  
                      
3


  
 
                    
Rit...
 

 Rock   
   
        


   
103
    

                     
             
    

 Odilia 3

 
                            

    
 
                        
        
       

  
 
             
           
135
         
 

  
                  


                                



                  

  
                  
167

       
 
                          
                       


                           
                
 Odilia 4

                           

              

                  
     
199
        

       

                        
  
   

       

                            

  
  
                        
        
       

   

            
                        
231

         
 

                              
         


                              
           

                      
      
   
 
 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

Clarinet 3ºB 
ODILIA
(Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Pop Overture for Band
Arr. by Gino Gonçals

Tempo Moderato ()
                     
 

     
                        

             
                   
   

    

     
19


 
                        
27

 

            
  
              

                                
       
35

             
 
                     
               

   Andante ()
    
47
            
Rit... 
©Gino Gonçals
 Odilia 2


59

            

                       

   
        
3

  
 
 
  Rit...
                
A tempo
              
3 3

    
     84 
            
        
 
3

   
  


             

 
  
 
Rock 
 
Rit... 103
    
    

  
 
                  
             



 
   

  
 
                     
           
      

 Odilia 3

             
           
             

            
         
             

                       
       
135
        
 
                            
                 

               
      
               
       
  

    
                             
    

   

               
                    
167

           
                                 
 

                     
                        


 Odilia 4

          
             
   


      
     
199
    

 

                
                 
  
   

         
               
  



 
 

    
                  
   

         
                  
         

                   
          
231

       
 
                         
  

 
        
 
 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

Clarinet 4ºB 
ODILIA
(Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Pop Overture for Band Arr. by Gino Gonçals

         
Tempo Moderato ()

                   
Tubular Bells 
   
                

 
                                         

          
19
 
          


                                       

   
 
27

         
 


                              
35

 

     


                   
      
Rit...

 47  Andante ()

   
      

©Gino Gonçals
 Odilia
2


59

         
    

              


        
 
   
 
      
     
A tempo      
                   
Rit...

  
    3 3

        
84

  
3 3

   
                
      

      
   

 
    
Rock 

Rit... 103

    
   

   
       
      
  
   
        
       
   
   
       
  

 Odilia 3

 
         
         
135
       
 
      
                    
      

                
         
            

      
                             


                 
167
  
                
           
 
            
                         

    
                        
 


                       
    

                    
   
 Odilia
4

   
  
199
   
 
     
  
   
        
    
  
     
   
             
              
      
 
  

     
               
           
   
 
     
                
        
 
       
      
231

    

 
            


     
   


                
           
         

 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

Clarinet 5ºB 
ODILIA
(Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Pop Overture for Band Arr. by Gino Gonçals

  Tubular
Tempo Moderato ()
     
            
Bells

       
    

        
               


                          

 19
          
              


                         
27

 
   

  
   
                     

 35
          
          
  


        
   
 47   Andante

()

               
Rit...   

   
      

 

 
   

©Gino Gonçals
 Odilia 2

  
59

            
     
     

        
      
                 

                    
       
 
 
A tempo    
            
Rit...

       
         3
   
           
3 3

   
              
        
3


84

     
             
 

 Rit...
      
  
Rock 
        
          


                                   
 
                 

                             
103

                
 
                             
 
              
 Odilia 3


                                   
                    

                        
                       

 
                      
                    

                                 
                     
135
  

             


     
                
       


                     
                   
   


    
           
167
  
                
           
 

                                    
                 

 Odilia 4


                         
             
    

  
                              
                    
              
         
199

           
      
  
                                  
                    
 
                             
                
 
                         
                      
 
                    
                   

                      
                    
 
       
231
                       
               

 
              
         

           
 
                   
     
        


 Commissioned by Harmonie Municipale de Baume les Dames (France) on occasión of its 150th anniversary

Clarinet Bass
ODILIA
(Cover of Clarinets, Aragón, S.XXI) Jacob de Haan
Pop Overture for Band Arr. by Gino Gonçals

 Tempo

Moderato ()

                   
  


   
                   


       
               


19

      
                  

 27

        
        
  
  
           
35
           
 
 

     
             
    

 
    
     
Rit...
47 Andante ()

 
           


 
59

      
      
©Gino Gonçals
 Odilia 2

  
          
  

     
                
      

         
Rit... A tempo 3 3

      
     
   
     

      
84

         
  
   
        Rit... Rock 
  
          


                                   
                   


                                 
103

                  


                                   
                   


                                   
                     
 Odilia
3


                           
                       


                          
                       


                                   
135

                 

                                    
              

                              
         
              
             
           
     


                  
              
     

               
       
167
 
   
    
 

                        
                  
  
   
                                   
                
 Odilia 4

                                    
           

                  
                    
  
                       
199


             


                                   
                  

                                   
                    

                         
                       

                                   
                      

                      
                    


                            
231

               

 
                            
                   

 
                 

 
