Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Alphabetical Structures
Joannes Richter
Abstract
The alphabets of Sanskrit and Old-Persian have their own categorizing system, which sorts the
bundled categories in a linear row.
The perfect architecture of the Old-Persian alphabet is founded on a well-designed set of triads. The
ternary coding system is the optimized code for perfect communication.
In contrast the alphabets of western languages (such as Phoenician, Greek, and Italian alphabets)
distribute their letters in a repetitive pattern of the letters vowel, labial, guttural, and dental, to be
extended to (1) vowels, (2) labials, (3) gutturals, (4) dentals, (5) liquids1, and (6) sibilants”. These
extensions may have been performed completely or (in a number of alphabets) partly:
There are slight differences in the categorizing definitions between the structures of the Semitic
alphabets (such as Hebrew) and the Indo-European alphabets (such as Sanskrit and Old-Persian,
Greek, Latin...). The letter “D” may be categorized as a dental or as a labial.
The document A Periodic Table for PIE-Alphabets describes a Periodic Table for the Ugaritic
alphabet, which correlates with Flinders Petrie's periodic tables of the Greek alphabet (and other
PIE-alphabetical sequences).
1 The letters L, M, N.
Alphabets
In the Old Persian alphabet the categorization of the letters strictly follows the phonetic
regions in the Respiratory tract: Gutturals, Linguals, Palatals, Dentals, and Labials. The
structure of the alphabet (25 letters) contains 7 triads named (1) Vowels, (2) Gutturals, (3)
Palatals, (4) Dentals, (5) Labials and (6) Semi-vocals and (7) Sibilants. Additionally the
alphabet contains 2 Nasals, 1 Glottal and 1 inherited consonant L.
The Old-Persian has been composed for an imperial state and imperial documents. The
usage of cuneiform is applied to use a solid foundation for the symbols. In an imperial
environment easy learning may have been irrelevant.
What has however been ignored is that this system is extended a whole series further in
the Greek than in the Phoenician alphabet, forming a fifth row and the beginning of a
sixth. The liquids (L, M, N) and sibilants (Ś, Ṣ, S) were added later and form no part of
such a scheme. If we follow the Greek alphabet we may put the original series in
capitals, and the additions in minuscules, thus :5
The reason that the signs of the last row soon fell into abeyance may well be that they
were so much alike that they seemed confusing ; and as alphabets tend to diminish by
careless approximations of the sounds, so the last row was dropped from most
alphabets, and the last but one, or fifth, row was also dropped out of the Phoenician.
The previous and the following tables have been composed by Flinders Petrie in 1912. His amazing
concept allows us to understand the composition of the Ugaritic signary and the Greek alphabet.
4 The letters L, M, N.
5 The formation of the alphabet : Petrie, W. M. Flinders (William ...,) 1912.
Completing the Repeated sequence of letters in the Greek alphabet
The further letters that were inserted in the alphabet were R and the sibilants Ś, Ṣ, S. It is
likely that R had been omitted at first as equivalent to L, and that it was afterwards
inserted next to the cognate forms of p and q, so as to be readily distinguished.
In the same way we see that similar forms are grouped together in the modern Arabic
alphabet reconstructed in medieval times (see Appendix 2 - Flinder Petrie's “Note on the
Arabic Alphabet”).
We have now reviewed the various evidences of the wide diffusion of the signary, from
which the alphabets were selected, and the antiquity of the beginning of that system.
The knowledge of the fuller form of the alphabet has enabled us to reconstruct the first
arrangement, most of which still remains embedded in our own alphabet. That in turn
has led us to see in Northern Syria the source of this systematic arrangement.
6 See the appendix 2. (titled: Flinder Petrie's “Note on the Arabic Alphabet”)
The numerical system of letters
The numerical system of letters stabilizes the alphabetical structure by avoiding inserts. Only
appended letters may be accepted without disturbing the numerical system of letters.
At this stage another system came into play, namely, the use of the letters for numerals.
These ran A to Θ 1 to 9, I to Ϙʹ (Koppa), 10 to 90, P to Ω 100 to 8007. This system was
quite foreign to the Greek mind ; all the earlier Greek inscriptions state numbers either
in words or in a numerical notation apart from the order of letters. The region where this
numerical system of letters belonged is indicated by the use of it for recording dates on
coins from fixed eras.
All this has long been recognized, and it is granted that this order belongs to a stage
long before the separation of Phoenician and Greek, as the losses and gains are found
alike in both. The old order was already therefore lost to sight when the Greek parted
from the Phoenician. Now the point as yet ignored is that the Greek has the whole of a
fifth series, and the beginning of a sixth, υ, φ, χ, ψ, ω. . . . The sign ψ is of varying
values, ks, ps, and tz in different countries ; it seems to have been a sibilant dental form,
which might well be at first. Further, on recognizing these six rows of values of the
same construction, we see that the liquids L, M, N, are put in at the middle in a neutral
position, as I further suggest probably on the handle of the primitive hornbook.
Now it is always granted that the Greek had broken up this old order, before it parted
from the Phoenician ; and yet, nevertheless it has a further form of the old order, in the 5
th and 6th series. Therefore it is apparent that the 5th and 6th series cannot have been
composed later, but must be a primitive feature which the Phoenician has lost.
It is true that the Greek may not have had these signs in use at first, but if so the Greek
must have taken them over from some more complete form of the alphabet, from which
it supplemented and made good the losses of its Phoenician source. However this detail
may be, the Greek maintenance of a piece of the old order, which was not in Phoenician,
shows that the Phoenician was a reduced form of a fuller original.
7 Greek numerals
The Vowels and the Labials
The order adopted here for all those signs with known values, which can be compared in
many lands, is to group them in the primitive order of the alphabet—
“(1) vowels, (2) Labials, (3) Gutturals, (4) Dentals, (5) liquids8, and (6) sibilants”.
This order has the advantage that the cognate sounds which are interchangeable are kept
together.
The aspirates and gutturals are so blended that they can only be treated as one class ;
8 The letters L, M, N,
The Hornbook
The Hornbook originated in England as long ago as 1450,[1] or earlier.[2] 9. Examples are found in
the web.
Probably the concept of the Hornbook had been inherited from the wise men, who recorded human
“inventions”:
HORN-BOOK, a name originally applied to a sheet containing the letters of the
alphabet, which formed a primer for the use of children. It was mounted on wood and
protected with transparent horn. Sometimes the leaf was simply pasted against the slice
of horn. The wooden frame had a handle, and it was usually hung at the child’s girdle.
The sheet, which in ancient times was of vellum and latterly of paper, contained first a
large cross—the criss-crosse—from which the horn-book was called the Christ Cross
Row, or criss-cross-row. The alphabet in large and small letters followed. The vowels
then formed a line, and their combinations with the consonants were given in a tabular
form. The usual exorcism—“in the name of the Father and of the Sonne and of the Holy
Ghost, Amen”—followed, then the Lord’s Prayer, the whole concluding with the Roman
numerals. The horn-book is mentioned in Shakespeare’s Love’s Labour’s Lost, v. 1,
where the ba, the a, e, i, o, u, and the horn, are alluded to by Moth. It is also described
by Ben Jonson—
The vowels A,E,I,O,U, which normally form a (horizontal!) line in the Hornbooks, match the basic
structure of the periodic tables found in Wadell's “The Aryan Origin of the Alphabet”.
However Wadell's description positions the vowels in a (vertical!) row. I never saw a vertical
column of vowels in the depiction of the historical Hornbooks, which always contain horizontal
lines of vowels.
9 Chisholm, Hugh, ed. (1911). "Horn-book". Encyclopædia Britannica (11th ed.). Cambridge University Press.
10 Hornbook quoting 1911 Encyclopædia Britannica, Volume 13
Wadell's notes to the Hornbooks
The vowels A, E, I, O, Y, Ω, which are forming a (horizontal!) line in the Hornbooks, match the
basic structure of the periodic tables found in Wadell's “The Aryan Origin of the Alphabet”.
However Wadell's description positions the vowels in a (vertical!) row. I never saw a vertical
column of vowels in the depictions of the historical Hornbook. Usually the Hornbook is based on
horizontal lines of vowels.
Therefore I prefer to name the tables “periodic tables” in analogy to the equivalents in chemistry.
The earliest alphabet in Wadell's “The Aryan Origin of the Alphabet” is the Early Etruscan Formello
alphabet (ca. 700 BCE)
11 The letters L, M, N.
Appendices
Appendix 1 - Overview of Sanskrit, Persian, Latin, Hebrew and Runic alphabets
The following overview of the Sanskrit, Persian, Latin, Hebrew and Runic alphabets illustrates
where categorizations of the alphabetical symbols are correlating:12
Sanskrit Old Persian Latin (& Hebrew Staveless
Derivations) runes
Symbols 8 + 25 + 7 = 40 6 + 22 25 (except "X") 22 15
Vowels 1 Velar A, Ā, A, Ā A A,E,H,O A, H
Gutturals
2 Palatals I, Ī, E, Ai, I, Ī E, I I I
3 Retroflex RRi, RR i,
Cerebrale
Linguals
4 Dentals LRRi, LRR i,
5 Labials U, Ū, O, Au, U, Ū O, U U U
Conso- 1 Velar K, Kh, G, Gh, Ṅ K, X, G
nants Gutturals
2 Palatals C, Ch, J, Jh, Ñ C, Ç, J C,K,Q,G,J Ch,K,G K
3 Retroflex Ṭ, Ṭh, Ḍ, Ḍh, Ṇ D,L,N,T D,L,N,T, Th, N, T, L
Cerebrale Th
Linguals
4 Dentals T, Th, D, Dh, N T, Θ, D, N Z,R,S Z,R,S, Ts, R,S, (R)
Sh
5 Labials P, Ph, B, Bh, M P, F, B, M B,M,P, B,V,M,Ph F,M,B
F (→ V,W,Y)
Semi- Y, R, L Y, V, R, L
vocals
Sibilants Ś, Ṣ, S S, Z, Ś (?)
Glottal H H
Reference DYAUS DIĀŪṢ ḌIAVS IHV FIThAR
Table 4 Overview of the Sanskrit, Persian, Latin, Hebrew and Runic alphabets
The letters in original order are : 1 Alef, 2 Be, 5 Gim, 8 Dal, 11 Ze, 16 Te, 21 Kaf, 23
Lam, 24 Mim, 25 Nun, corresponding to Alef, Beth, Gimel, Daleth, Zayn, Teth, Kaph,
Lamed, Mem, Nun, of the usual Semitic order.
Owing to the desperate corruption of forms in the Cufic, different numbers of dots were
added above and below certain forms to distinguish the letters.
• It was then desirable to group these similar forms together in order to distinguish them
readily. Hence after 2 Be, were put in 3 Ta and 4 Tha ;
• 10 Re was put before 11 Ze, because as the commoner letter it was not dotted.
Another principle here comes in, that of grouping the sibilants ; as 11 Ze begins the
sibilants, then follow 12 Sin, 13 Shin, 14 Sad, 15 Dad.
18 Eyn and 19 Gheyn were perhaps brought in here owing to a similarity to the next
signs.
20 Fe is like 21 Qaf, but having one dot it precedes Kaf with two dots. 21 Qaf is brought
in owing to the sound being like 23 Kaf, which is in its old order, succeeded by 23 Lam,
24 Mim, 25 Nun.
Lastly the three semivowels 26 He, 27 Wau and 28 Ye were banished to the end with a
truly Semitic hatred of vowels.
Thus the similarity of form has guided most of the rearrangement, and the similarity of
sound has also had influence. If ever the Arabic alphabet is to survive it must go back to
good distinctive Aramaean forms ; perhaps if such were introduced as " the Quran
alphabet" the present disgraceful writing might be amended.
Fig. 9: A Periodic Table for the Ugaritic alphabet (transliterated in Latin letters).
This appears to indicate that originally the letters were arranged for learners in
perpendicular rows, according to their phonetic class qualities, and that later on they
were read transversely across the board, which gave them the apparently capricious and
irregular order in the modern alphabet. The old letters, the sibilant S and the liquid/
guttural R were presumably too few to form separate groups. The position of the R
immediately after the Q suggests that the sound of that letter was guttural-the guttural
R. The concluding letter Z, the sibilant, appears to have been perhaps regarded by the
Romans as a dental, and significantly the Z sign is often rendered by the dental D by
Egyptologists16 and Tch by others.17
This fixed alphabetic order was, no doubt, conduced to by the early practice of giving
numeral values to the letters according to their relative position in the alphabet, thus A =
1, B = 2 and so on; and this practice was adopted from the Phoenicians along with the
Sumerian letters by the Semites, as seen, for instance, in the order of the books of the
Old Testament, and especially in the 119th Psalm.
Here it is noteworthy that the Sumerian A sign possessed the value of " One" 18 in the Sumerian, long
anterior to the formation of the Cadmean and "Semitic" Phoenician alphabets; and similarly A had
also this numeral value in Egyptian.19
15 The formation of the alphabet : Petrie, W. M. Flinders (William ..., 1912. - quoted in Wadell, L.A. 1927, in his
documentation “The Aryan Origin of the Alphabet (1927)”
16 Hieroglyphs. F. L. Griffith, 1898. xi.
17 An Egyptian Hieroglyphic Dictionary. E. A. W. Budge, 1920.. 893 f.
18 See Diet, (WSAD.), and Br. 6542, 6549. It presumably derived this value as a contraction for As, " one" or " ace,"
but it is given the equivalency of the Water-sign A, i,e., the source of the letter A. (Etymological Lexicon of the
English and other Aryan Languages ancient and modern and the Sumerian Origin of Egyptian and its Hieroglyphs.
1927.) quoted in The Aryan Origin of the Alphabet (1927)
19 See Diet, (WSAD.), and BD. I05a; and it is by the same Hand-sign as in the Sumerian, Sumer-Aryan Dictionary:
(Etymological Lexicon of the English and other Aryan Languages ancient and modern and the Sumerian Origin of
Egyptian and its Hieroglyphs. 1927.) quoted in The Aryan Origin of the Alphabet (1927)
Contents
Abstract.................................................................................................................................................1
Alphabets..............................................................................................................................................2
The Old-Persian alphabet.................................................................................................................2
The Ugaritic alphabet.......................................................................................................................2
Notes to The formation of the alphabet by Flinders Petrie...................................................................3
The Repeated sequence of letters in the Greek alphabet.................................................................3
Completing the Repeated sequence of letters in the Greek alphabet...............................................4
Comparing the Ugaritic Table with Flinders Petrie's tables.................................................................5
The insertion of the sibilants................................................................................................................6
The numerical system of letters.......................................................................................................7
The reconstruction of the first arrangement.....................................................................................7
The Order of the Alphabet...............................................................................................................7
The Vowels and the Labials........................................................................................................8
The Hornbook.......................................................................................................................................9
Wadell's notes to the Hornbooks....................................................................................................10
Conclusion..........................................................................................................................................11
Appendices.........................................................................................................................................12
Appendix 1 - Overview of Sanskrit, Persian, Latin, Hebrew and Runic alphabets ......................12
Appendix 2 – Flinder Petrie's “Note on the Arabic Alphabet”......................................................13
Appendix 3 - Notes to the Ugaritic alphabet.................................................................................14
Appendix 4 - Laurence Waddell's “scientific order of Alphabetic Letters”...................................15