Sei sulla pagina 1di 65

Dario

Marcia Caratteristica Mo. Alessandro Indiana


                    
          
1 2. volta 1.

       
Ottavino

               
        
2 volta

           
Flauto

           
       
2 volta

    
 
Oboe

              
  
 
     
           
Clarinetto in Mi♭

    
Clarinetto in Si♭    
  
                   
 

         
Clarinetto in Si♭

            
     
2 volta

      
Sassofono soprano

           
               
               

                
       
Sassofono contralto

                 
               
               

           

Sassofono contralto

       
                    
               

    

   
     
Sassofono tenore

                                                                   
                    
           
Corno in Mi♭

 
Tromba in Si♭                         

                                                        



Tromba in Si♭

                     


Cornetta in Mi♭   

 
        


                 

2 volta


Flicorno soprano

             
                              
      
   

      
                            
Eufonio

       
                   
               
                    
Eufonio

                         
   

              
Trombone tenore

   
            


    
Trombone tenore

                                        


 
Tuba in Mi♭

    
                                        


 
 
      
Tuba in Si♭

                                                  


         

                                 
Tamburo rullante

  

                                        
Piatto

         
 
                   
Grancassa da concerto

   
   
                                               
 
Piano



Mo. Alessandro Indiana


   
  
        

      

  
14

 
   
Ott.

    
           
 
   
     
Fl.

             
         
                  
     
     
Ob.

                          


 
     
Cl. Mi♭

       
       

                  
   
   
Cl. Si♭

      
       
                
           
  
Cl. Si♭

          


Sax. s.         
                
     
              
Sax. a.

   
                
Sax. a.

  
Sax. t.             
    

Cor. Mi♭                                                  

    
Tr. Si♭                 
    
          
    
Tr. Si♭

    
Cor. Mi♭                 

     
           
           
Flic. s.

     
 

Euf.

                 
 

Euf.

            


    

        
Trb. t.

                                 
  

Trb. t.

   
     
         
tba-a

   
  
              

tba-b

                         
 

         
                  
Tamb. rull.

          

                          
Cim.


            
                            
   
Gr. conc.

 
                            
 
Pf.

2 Mo. Alessandro Indiana


 
            
      
25

Ott.

 
            
Fl.     
 

  
                                                     
                               
     
Ob.

             


 

                          
Cl. Mi♭

                   


Cl. Si♭   

 
Cl. Si♭                                                    

 
            
                                       
 
       
Sax. s.

  
                       
 
       
Sax. a.

  
                       
Sax. a.
 
      
Sax. t.       

                
 
 
                                                                 
 
Cor. Mi♭
        
     
                     
Tr. Si♭
 
         
  

                
 
  
Tr. Si♭



                  
Cor. Mi♭
 
             
             
  
                  
Flic. s.

            
  
  
  
Euf.

                                  
  
  
Euf.

                                    
  
 
Trb. t.

           
           
                           

 
Trb. t.

    

                             

 
tba-a

    

                              

 
                       
tba-b

 
 
                               
Tamb. rull.

     

                                    
Cim.

     
                          
Gr. conc.

                    


   

                                        
  
Pf.

Mo. Alessandro Indiana 3


       
          
39

Ott.

            




Fl.    

    


 


        


Ob.     

           


 

Cl. Mi♭                     

      




 


Cl. Si♭                      

    







Cl. Si♭                          

                              


 

Sax. s.

               


    
 

Sax. a.

                


   
 

Sax. a.

                



 

Sax. t.
  

                   




Cor. Mi♭

              


 

Tr. Si♭

                 




Tr. Si♭
  

             




Cor. Mi♭ 

                





Flic. s.
  

                                                 


Euf.
  
                  
        
 

Euf.  

                   


       


Trb. t.  

          
         
 

Trb. t.

 
                         
 

   
tba-a

 
                         
 

   
tba-b

             
 

                          
Tamb. rull.

   
Cim.

                   
 

       


Gr. conc.

   
 
 

 



                   


       


 
Pf.

 

4 Mo. Alessandro Indiana


             
     
     

52

            
Ott.

      
     

 
Fl.

              


                                                       
 
Ob.

                  


                                   
            


 
Cl. Mi♭

                               


                                   


 
Cl. Si♭

                               


                                   


 
Cl. Si♭

    
                                                         


 
Sax. s.

         
   


   

          
Sax. a.

      
 
 
     
Sax. a.

           
Sax. t.

     
         
Cor. Mi♭     
             
Tr. Si♭  

            
Tr. Si♭  
 
             
 


Cor. Mi♭

            
 
 
   
Flic. s.

                        
  

          
Euf.

                       
   
            
Euf.

              
 

Trb. t.

              
   

Trb. t.

  
                          

tba-a

  
                          

                
tba-b

 

              

Tamb. rull.


              

Cim.

 
Gr. conc.


                                   
                     
    
                           
 
Pf. 

Mo. Alessandro Indiana 5


       
  
                      
65

Ott.

                
             
 
                       
    
Fl.

  
                   
      


  
         
                         
            
Ob.

   
                  

  
 
      
   
         
Cl. Mi♭

                                  


     
           
      
           
Cl. Si♭

                      
 


   
                    
Cl. Si♭

                              
   
         
                                                   
Sax. s.

                 

                       
                      
Sax. a.

                                    

    
        
  
                                    
    
   
                   
Sax. a.

Sax. t.     

                                                        
Cor. Mi♭
            

Tr. Si♭                  

       
 
     
 
Tr. Si♭

Cor. Mi♭                  

       
       
                       

   
   
     
                                                 
Flic. s.

        

                          


Euf.

     


                          


Euf.

     

  
Trb. t.

Trb. t.
  
                                

 
tba-a                                
       
                         
                                                                  
tba-b

      
                     
Tamb. rull.

 
                                     
Cim.


   
                                                           
Gr. conc.

 
                
 
                                                 

Pf.

6 Mo. Alessandro Indiana


                                
                                

  
                       
  
  
  
   
 
82

                    


Ott.

     
                                                
            
       

       

       
                       
Fl.


   
                                    
      
Ob.

                     
       
                              

                                                 
Cl. Mi♭

                                             
                     
                                              
Cl. Si♭

  

                                                              
Cl. Si♭

                            

                        
Sax. s.

       

                        
Sax. a.

       

                                
Sax. a.


         
Sax. t.

                                       
       
Cor. Mi♭

            
Tr. Si♭ 

            
Tr. Si♭ 

            
Cor. Mi♭ 

Flic. s.              

                                 

                        
Euf.

         

                        
Euf.

         

  
Trb. t.

  
                               
Trb. t.
   
          
tba-a                         

          
                        
                                                  
tba-b


                                       
Tamb. rull.

            
                                               
Cim.


                                                  
Gr. conc.

                                            

                                  

Pf.

Mo. Alessandro Indiana 7


                
                       

95

      
Ott.

                          

     
Fl.

                              


                
Ob.

                     

  
Cl. Mi♭

                            

    
Cl. Si♭

                               

  
Cl. Si♭

                            

   
Sax. s.

        
                                                           


   
Sax. a.

              
          


            
Sax. a.

      
                                                       

      


Sax. t.

                              
   


   
Cor. Mi♭

                            

Tr. Si♭

              


Tr. Si♭

                                

Cor. Mi♭

     
        

                             
Flic. s.

                                             
         
                                                          
Euf.




     
Euf.

        
                                                       


      
Trb. t.

                    



Trb. t.

     
                
                                        
tba-a

      
             
      


                                     
tba-b

                          


                                     
Tamb. rull.

             
                                        
Cim.

                 
       
Gr. conc.

                           


              
                                                       
Pf. 



8 Mo. Alessandro Indiana


              
      
         
105

Ott.

        
                          
 
    

               
Fl.

        
      
  
                     
Ob.

         



               
Cl. Mi♭

                       
 
            
Cl. Si♭

                      


  

Cl. Si♭

                   
                  
   

   
              
Sax. s.

     
           
      
Sax. a.

           
        
  
3 3
3 3

            



Sax. a.


                       
  
3 3
3 3

   
Sax. t.


                                      
            
      
Cor. Mi♭


                         
Tr. Si♭
     
    
             
Tr. Si♭
              
     
                        
 
      
Cor. Mi♭

        
              
 
   
     
     
          
Flic. s.

   
    

      
3 3

      


3 3

                   
Euf.

              
   
       
                      
Euf.

        
           
3 3


3 3

             
Trb. t.

                

3 3


3 3

    
Trb. t.

 
       
      
                
     
3 3 3 3

    
tba-a

 
                            
 
      
    
3 3 3 3


                                 
tba-b



                                        
Tamb. rull.

          

                                        
Cim.

              
                
Gr. conc.

                       


                                                          
      
Pf.

3 3
3 3

Mo. Alessandro Indiana 9


        1.
                    
    
     

117

   
Ott.



                       
   
      

       
            
Fl.

       
      
    
      
                      
Ob.

    
    
      
            
Cl. Mi♭

       
      
     
               
Cl. Si♭

  
                 

  
      
            
Cl. Si♭

       
           

          
    
Sax. s.

            3 
      
          
3 3

          
    
Sax. a.

           3 
              
3 3 3 3 3


3 3
3 3


Sax. a.

             3          3 
                 
3 3 3 3

  
3

 3
3 3

             
Sax. t.

   
        


     
  
3

 
3 3 3 3

     
      
            
Cor. Mi♭

        3 
      
             

    
3 3 3 3
Tr. Si♭

 3


                                   
            
3 3 3

        
3 3 3 3 3 3 3

            
Tr. Si♭

     
                            

  



            
Cor. Mi♭

        3 
      
                 

 3     
3 3 3 3

   
                            
Flic. s.

     
      
 
3 3

 3
3 3 3 3

  
                  3
Euf.

     
                
3


3 3 3 3

 3 
3 3

                   3
Euf.

                  
     
3 3 3


3

 3 
3 3
3 3


        
Trb. t.

                       
3 3 3


3

  
3 3

  3
Trb. t.

               
         
       
3 3 3 3 3 3 3 3

  

tba-a

                   
    
3

            
        
3 3 3 3 3 3 3 3 3

   
                            
tba-b


3

 
                         
Tamb. rull.

      

                                          
Cim.

  
     
Gr. conc.

                      
                


         
                3
      
 3            

Pf.
3 3

3 3 3 3
3 3

10 Mo. Alessandro Indiana


    
 
     
133

    
Ott.

 
Fl.      

        
   
    
Ob.

     
Cl. Mi♭ 

       
Cl. Si♭    

       
Cl. Si♭    

       
   
    
Sax. s.

     
Sax. a. 

          

Sax. a.

     
     

Sax. t.

          
    
Cor. Mi♭

     
Tr. Si♭      

 
Tr. Si♭          

          

Cor. Mi♭

 
     
      
Flic. s.


   
    
Euf.

       
Euf. 

           
Trb. t.  
           
Trb. t.  
       
tba-a      
       
     
          
tba-b


     
Tamb. rull.

          
Cim.


        
Gr. conc.

   

           
 
Pf.

Mo. Alessandro Indiana 11


cassa e piatti Dario
Marcia Caratteristica


                                    
Mo. Alessandro Indiana

    
1

 
1.

                                          
Piatto

Grancassa da concerto
         
 
                              
         
15

 
                                            
Cim.

Gr. conc.
 


                                      
       
31

Cim.


                                  
  
 

 

          
Gr. conc.

      
       



  
48


                                       
Cim.

Gr. conc.
  
Mo. Alessandro Indiana
                               
           
83

             
Cim.

Gr. conc.

                                 


                   
96

                          
Cim.

                         
Gr. conc.




                                   
     
109

                                                  
Cim.

      
Gr. conc.

 
                        
      
125

 
1.

                       
Cim.

Gr. conc.
   

2 Mo. Alessandro Indiana


Ottavino Dario
Marcia Caratteristica

                           1.
      
Mo. Alessandro Indiana

    
  
1 2. volta

              
         
      
  
16

 
                   
   
27

                 
       
  
43


Mo. Alessandro Indiana
                            
                                    
                
64

    
              
                   
                   

89

           
     
            

100

                                      
     
 
112

         1.       


     
      
 
123

2 Mo. Alessandro Indiana


Flauto Dario


Marcia Caratteristica

 
                      
  
Mo. Alessandro Indiana

           
   
1 2 volta 1.

     
                      
   
  
20

             


     
41

                


               
              
58

        
                      


       
                
84

Mo. Alessandro Indiana


                                 
            
91



                   
                    
       
102

                                   1.        
    
117

     
      

132

2 Mo. Alessandro Indiana


Oboe Dario

                            1. 
Marcia Caratteristica

  
Mo. Alessandro Indiana


    
    
1 2 volta

          

       
                       
16

  
   
                                     
 
                 
24

     


               
37




                                               
 
47

        


 
     
                                         
  
 
57


Mo. Alessandro Indiana
       
                            
      
      
68


    
    
         
      
              

                                           
     
82

                                                

96

                                                       1.   
      
111


                

127

2 Mo. Alessandro Indiana


Clarinetto in Mi♭ Dario

  
Marcia Caratteristica

    
      
Mo. Alessandro Indiana

  
           
 
        
1
1.

            
                              
  
16

                                    
                         
 
25

                   


 
38

 

                   


            
 
49

     
               
       
                           
58


Mo. Alessandro Indiana
     

                    
                     
          
 
68

                                        
                                             
                 
82

      
                
                
94

                                      
   
       


108

           1.        
    
     
123

2 Mo. Alessandro Indiana



Dario
 
Clarinetto in Si♭ 1

                        
Mo. Alessandro Indiana

 
   
Marcia Caratteristica

     
1
1.

       


             
       
  
 
 

16

                                          


 
23

                   


 

34

    


                   
 
42

 

 
                                           
52

Mo. Alessandro Indiana


 
         
               
   
                    
   
 
61

     
           


       
                      

73

                          


   
         
                      
83

                  


                   
91

                  


                           
    
 
103

                   1.        
         
         
119

2 Mo. Alessandro Indiana


 
Dario
 
Clarinetto in Si♭ 2

         
Mo. Alessandro Indiana

             
    
Marcia Caratteristica


1 1.

 
                                      
                    

21

  
  
                                
 
32

   


                     
42

 

                                      


51

Mo. Alessandro Indiana


     
              
  
                               

60

           
              
             


            
  
70

                                        
                     
82

       
                                        
94

                             
 
                          
    
107

              
         
 
126 1.

2 Mo. Alessandro Indiana


Sassofono soprano Dario

                     
    
Mo. Alessandro Indiana

      
    
Marcia Caratteristica

    
1 2 volta 1.

   
        

         
                 
16


  
  
                                        
23

  
                        
       
35




                        


              
46

         
                                  




57


Mo. Alessandro Indiana
       
               
            
     
67

            

          
                              
80

                  




               
87

  
                                                   
 
95

                                


                

112

        
   
        
126
1.

2 Mo. Alessandro Indiana


Sassofono contralto Dario

                                                   
Mo. Alessandro Indiana
Marcia Caratteristica

       
     
1

                                  
    
12 1.

             
        
   
   


31

         
         
43

    
                     
                 
 

             
  
62

Mo. Alessandro Indiana


                                            
     

  
74

                  
          
              
89

                           


                       
99

                    
            

106

             
            
3 3

      
 3
1.
116
3

     
3 3 3

        
3

     
3 3 3 3


130
3 3

2 Mo. Alessandro Indiana


Sassofono tenore Dario

       
Mo. Alessandro Indiana

                                 
    
Marcia Caratteristica

         
1

      
     
              
 
      
10
1.

        
     
                             

27

           
     
                                   
 
   
41

                                       


                 
     
68

Mo. Alessandro Indiana


            

80

  
                     
                      
93

                 
             
     
    
  

101

               
                     
   
 
 
108 3 3
3 3

      3   3 


        
      
 3
118
3 3 1.

  
3 3 3 3 3

   
132

2 Mo. Alessandro Indiana


Corno in Mi♭ Dario

 
                                                 
Marcia Caratteristica Mo. Alessandro Indiana

          

     
1

     
   
                                             
      
10
1.

     
                                             
                                      
20

         
         
                                          

30

Mo. Alessandro Indiana



                      

41

                               
 

                
                    
62

               



                                                    
   
 
78

                   




                                                    
       
 
94

             1. 
                 
                        
           
110

2 Mo. Alessandro Indiana


          
      
  
127

Mo. Alessandro Indiana 3


Tromba in Si♭ 1 Dario

 
Marcia Caratteristica Mo. Alessandro Indiana

                     


1

    


                                    


13
1.

                            

31

     

              

42

 
Mo. Alessandro Indiana
                    
   
  
99

                      


           
 
    
     
110

                    1.            3
     
121
3 3

3 3 3

      
   
     
130
3 3

2 Mo. Alessandro Indiana


Tromba in Si♭ 2 Dario

 
Marcia Caratteristica Mo. Alessandro Indiana

                                           
1


                                       

9
1.

     
   
    
                   
 
21

 
         
 
40

 
Mo. Alessandro Indiana
  
      
 
   
   
65

                   
            


99

  
 
             

           
112

 3 3
                                     
  
122
1. 3 3 3 3 3 3

   
          
131

2 Mo. Alessandro Indiana


Flicornino in Mi♭ Dario

                 


Marcia Caratteristica Mo. Alessandro Indiana

   
1

  
   


                              

13
1.

               


  

29

                   
              
43

 
Mo. Alessandro Indiana
                              
100

               
      
                
 
110

       1.     
               
           


121


         

132

2 Mo. Alessandro Indiana


Flicorno soprano Dario


    
Marcia Caratteristica Mo. Alessandro Indiana

 
        
         

1 2 volta 1.

    

    
                   
      
16


        
40

   
 


      
     
 
64


Mo. Alessandro Indiana
                    

97

                               
     
109

         
     
                 

119
1.


3

    
   
     
128
3 3 3 3 3

2 Mo. Alessandro Indiana


Flicorno Tenore Dario

              
Mo. Alessandro Indiana

                      

Marcia Caratteristica

           
1

                     
      
       
11 1.

               
                             
   
29

  
               
           
42

                          
                  
 


56

      
                             
            
71

Mo. Alessandro Indiana


              

                  
         
85



        
                   
   

       
    
      
98

                                          
            

105

      3
                  
  3
114 3 3 3 3 1.
3 3

3 3

              
             
129
3

3 3 3

2 Mo. Alessandro Indiana


Eufonio Dario

                                                
Mo. Alessandro Indiana
Marcia Caratteristica

             
1

            
                   

      
11
1.

                                                       
   
29

    
       
       

42

  
                                              


  
56

                              


   

73

Mo. Alessandro Indiana


                                          
   

89

   




                        
       

99

          
          
      
       

105

 
                  
     

111

3 3

          
3 3 3 3


              3  3 3   
     
 3
126 1.

3 3 3 3

2 Mo. Alessandro Indiana


Tuba in Mi♭ Dario

   
Mo. Alessandro Indiana
Marcia Caratteristica

             
                             
1

 
  


   
                       
13
1.

   
  


                                     
       
24

      
            
  
40

  
 


                             
51

 
                            
69

Mo. Alessandro Indiana


   
             
 
87

        


    

              
98


                 

    
       
   
                    
104

    
      
 
 
            

  

 
111


3 3 3 3 3 3 1.


        
 
           
127
3 3 3 3 3 3 3

3
  
2 Mo. Alessandro Indiana
Tuba in Si♭ Dario

   
Mo. Alessandro Indiana
Marcia Caratteristica

             
                             
1


  
 


                                       

12
1.


   
     
    
                              
23

 
  
          
   
38

           


 

          


47

   
                           
64

Mo. Alessandro Indiana


 
                      
81

     
  
        
      
96


      
     

    
    


               
101

     

     
                      

     
107
3 3

  
                     
 
    
116


3 3 3 3 1. 3 3 3


3

        
   
              
129
3 3 3 3

2 Mo. Alessandro Indiana


Tamburo rullante Dario

 
                                       
Marcia Caratteristica Mo. Alessandro Indiana

      
1

1. 
                     
   
8

  
                                   
 
18

                
          
    
29

             


   
67

Mo. Alessandro Indiana


                                   
 
76

                                      
84

                       


92


                        

102

                       


113

       
                 
  
122
1.

2 Mo. Alessandro Indiana


Piatto Dario
Marcia Caratteristica


                                               
Mo. Alessandro Indiana

          
1
1.

  
                                                    
         
19


                                                   
               
44

                                   


 

                   
93

 
                                               
         
108
1.

             
   
128

Mo. Alessandro Indiana


Grancassa da concerto Dario
Marcia Caratteristica


                                                   
Mo. Alessandro Indiana

         
1
1.

  
                                                      
      
20


                                         

39

                     


 
77

                           


                       
93


                                             
        
108 

 
                       
   
125
1.

Mo. Alessandro Indiana


2 Trombone Dario

          1.       
     
Mo. Alessandro Indiana
Marcia Caratteristica

            
1

                                            


  
15

             
                                  
26


  
                        
37

        
                         
 


54

Mo. Alessandro Indiana


                                                  
   
71

   
                            
            
87

     

          
 
 
              

102

       
     
                      
   
116
1.

          
 
134

2 Mo. Alessandro Indiana


2 Sax contralto Dario

                                               
Mo. Alessandro Indiana
Marcia Caratteristica

       
     
1

             
               
11 1.

                  


  
  
27

       


       
41

            
   

 

                
  
     
54

Mo. Alessandro Indiana


  
                          
                            
  
69

     
        
                     

81

          
               
          
      
95

            

      


        
 3
1.
111

  3 
3

         


 
128
3 3

3 3 3

2 Mo. Alessandro Indiana


1 trombone Dario

                                 
Mo. Alessandro Indiana

       
Marcia Caratteristica

      
1




            
                         

13
1.

                                         
      
 
26

                                     
      
 
40

                          


 

 
51

Mo. Alessandro Indiana


                                       
 

67

                                      
 

82

                        
                      
96

            
              
                   


   
102

                 
           
     

110

         
                 
3 3

      
3 3

  
3 3

  3  
1.


124
3 3 3

3 3 3 3

2 Mo. Alessandro Indiana



Dario
  
PIANOFORTE

            
    
Mo. Alessandro Indiana
Marcia Caratteristica

  
1

                                          
   




      
               
              
 
13 1.

              


        
                     

  
20

                
  
Mo. Alessandro Indiana
                                   
  
29

                         
 

            


 

38

                                             

                        
      
  
44

                       
   


 
 
2 Mo. Alessandro Indiana

                                       
54

                 

            
               
                      
   
62

                         

 


    
                      
      
        
         
  
74

                        
 

Mo. Alessandro Indiana 3


            
        
  
        
    
   
   
      

84

                     
 

                             
          
92

          
       
                    




    
                
100

                             
                      

4 Mo. Alessandro Indiana



                                 

108


                                  
   
   
3 3
3 3

                        1.  
     
   

118

             
            
    
 3 3 3 3
3 3


               
 
129


       
                  

3 3 3

Mo. Alessandro Indiana 5

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