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Professor
Improv
15 April 2020
The first scene after the Pattern Game did not establish a base reality right away. Starting
only with the lawyer’s name and their location in a prison. The action they were taking being that
of discussing the case at hand and establishing the acquainted relationship. Afterward the lawyer
finally names the accused. I feel like they could have explored more into the “literally slimy
lawyer.” Most of the focus was on the accused and there was really only a scratching-the-surface
level of depth into the “slimy lawyer,” which made me unsure on who exactly the unusual person
was. It was also a pretty static scene, which was the nature of a convict-lawyer relationship.
The second scene did a better job in establishing the base reality. I think it was on how
potent the character Tabitha was, who was an expressive character from the start. One thing I
noted was a tendency of asking the other character in establishing the world. Like, “You think
Betty is putting the third cat in?” and “Is this a workout bar?”. They led to entertaining moments,
The conspiracy board-game scene didn’t exactly establish the relationship. It could easily
be a father-son, friends, or even lovers’ relationship. The conversation kept their relationship
vague and they could have built on that aspect, there may have been an inkling with the line,
“You’re so young Tim,” but it is not acknowledged much after that. It had a great closer,
however, taking the themes of money and the irritation toward the rich and bringing to a concise
statement, “You’re gonna get another job.” This could be explored deeper into the next acts.
The muffin-man scene was great! The building of the base reality was quick and the
game of playing out the trope was set into motion right away. The trope being the “That was
your dream Dad!” The walk-ons added great character interactions that built the characters. Like
the customer which made the muffin-man put on his… muffin-man persona. As well as the art
director, allowing for a more in-depth exploration of the son and his dreams and how the muffin-
The first scene of Act 2 was probably the weakest scene, it felt like it was not really
going anywhere. I could see the potential in the exploration of the “slimy lawyer,” but again, it
did not really go anywhere. The iffy-ness of the scene was probably felt by the accused as he
blurted out a substantial line that could either end it or bring it somewhere different than the
direction it was going. The second scene of Act 2 started great, especially with the callback to
Betty who was only a mentioned character in Act 1. The only critique I would say was that it was
a static scene, but it was lifted by the entertaining dialogue that it brought.
The third scene of Act 2 had a great line of, “He believes everything that I believe.” Not
only is this good to establish the character by overtly stating it, but also brings it to a “two-peas-
in-a-pod” relationship. I’m not sure what makes it funny, but I chuckle every time I re-watch it, it
might be how blunt it is stated. There was also the acknowledgement of the fact that Dan had
interacted with two types of curtains on the same wall next to each other.
The fourth scene of Act 2 was good in the dialogue department. One of my main
criticisms were the use of the r-slur, which is unfortunate, but understandable given that this was
performed in 2013, where there was not much awareness on the connotations of the word. My
other one was that the table just disappeared. The performers most likely stopped acknowledging
it due to the chair being thrown through the area of the table.
Act 3 did a good job of tying the entertaining bits from the scenes, like the two types of
curtains, the relationship between the muffin-man and his son, and the bluntness of the
conspiracy theorist. It tied the themes together well, my main criticism being that it started with a
pop culture reference, Ally McBeal. From context clues, I could tell it was a TV show, but the