18258 B, CLARINETBL CLARINET BOOK 2 John O'Reilly Mark Williams Dear Band Student: Congratulations on completing the first book of ACCENT ON ACHIEVEMENT. You have already leamed a great deal and are well on your way to becoming an accomplished musician: Book 2 will take you even furthe: You will on this jour play more great music by compos 15 you've already studied, plus 14 new composers. In addition, you'll play rock, jazz, Latin and ragtime pic , along with fantastic folk songs from around the world. Pra p diligently, and you are sure to do great things in the fascinating world of music John O'Reilly Mark Williams it mt patos (cover ond poge 1) axe courtesy of Yomahe Gorporation of America, Copyright © MCNXCVI Atfed Publishing Co. ne All ight reserved. Printed in USA.Wrote Note Wnote Rest ° ~- Hace Note Hate Rest Quarter Note Quarter Rest J x Breath Mark 9 oooloos: Rerear Siow :f] Tempo Markincs Moderato Allegro Time Sicnatures Key SIGNATURE fended = Oars, Peas, BEANs = Allegro Traditional = e * Go Tett Aunt RHopy (Duet) Moderato Amexican Folk Song Some Forks Do Stephen Foster Allegro (1826-1864) 2 Stumeer Sonc Moderato Belgian Folk Song { soto BAND solo BANDAccent > Stur Ritarvanpo rit, Divist 1st and 2np Enoincs Fermata > co ooolcobe Time Sionature Key Sicnatures 3 4 Echo Duet Andante Yankee Doopte Allegro ap THe MAN ON THE FLYING TRAPEZE Moderato Se o Merrity We Rott Atonc Moderato ie P Dynamic Markincs Tempo Marxinc as Je P Andante 1 2 Dorteo Hatr Note V2. EicutH Notes Pick-up Note Jl d English Folk Song a American Folk Song Traditional Se TraditionalAlccent on review Sincte EichtH Nore Eich Rest d ’ Dotteo Quarter Muttipte Measure Note Rest a SYNCOPATION dd. STACCATO / Dynamic Markincs Tempo Marxinc nf mp Vivace BARCAROLLE from “TALes oF HOFFMAN” (Duet) Soces enna (1819-1880) Moderato if [=o =o ae See Deck THE Hatts Vivace Traditional Garol Bitty Boy Allegro ‘American Folk SongAlccenr ON REVIEW More Sywcoration dL d Key Sicnature = Time SiGnaTuRE c D.C. (Da Caro) at Fine D.S. (Dat Secno) at Fine Crescenno = Diminuenpo = Tempo MarkiNnc Largo Att THRouGH THE NicuT Welsh Folk Song tage ne DC. al Fine nf rit Otp Dan Tucker (Duet) American Folk Song Fine DS. al Fine Allegro “hy Erie CANAL American Folk Song Moderato 1 Ve. 4 mp Sf Lae F mp America, THE BeautiFut Samuel Ward (1848-1903) eae Kop RN, down = === = é 15 P Keep RH. down: 5Marco Onward Allegro ataUse when going 1 oF rom F Hater Note Gets tHe Beat Moderato 16 mf Cont! 82 8 Tare Sino Noet (Round) 7 Tempo Markinc Allegretto Moderately fast tempo Time Sionature G Cut Timesame as 8 2 = 2 beats in each measure 2 = hall note receives | beat Liberian Folk Song ScarBorouGH Fair Andante Hich ScHoot Capets Allegro fra Accent ON CLARINET English Folk Song i John Philip Sousa (1854-1932)Hatr Ster/Weote Step On a piano keyboard, the Ato Bb distance between any two | fd fad M | vwe adjacent keys is called a ve * Ewe half step. Two half steps ae equal one whol Bb to C = whole step DirFerent Steps Hat Whole Halt Whol Moderato Ae 21 mp Up on THE Housetop Vivace Traditional Carol 22 of o- Zum Gat Gatt (Duet) Allegretto Israeli Folk Song 23]|~ as a Accent ON THEORY: Identifying Half Steps and Whole Steps Label oll half steps with ~\. Label all whole steps with — 24alternate | C8 = Use when going 10 oF hom E>. Tenuto Hold the note for its full value. Tempo MaRrkinc Maestoso A TEMPO. In-a majestic style. Return to the previous tempo. STRETCHING HIGHER Andante 25 2 se ap Ze eS Aovance, Austratia Fair ‘a ine ‘Australian National Anthem: Down Home Buues (duet) Allegro alt Accent ON CREATIVITY: Free Rhythmic Improvisation 28 Improvise about eight measures of thythms using any combination of hand claps, finger snaps and foot stomps. Try to maintain a steady tempo while varying the rhythms and sounds.‘Sixteenth Notes Receive 1/4 beat in J. ¢ ITtd JT2d Fond f time Metra Four To THE Beat Moderato 29 of Cotte ko 2 8 3b THE THUNDERER John Philip Sousa Allegro (1854-1932) 30 af Harvest Sona Allegretto See: Estonian Folk Song > ee 2 31 ° mp mf mp of t ; aS Simpte Girts $< ae s American Folk Song Moderato Accent on ciariner Keep RM. down — == -- 5 if Keep RH, down 33 mpell eee Accent on perrormance Houipay Fantasy Allegro Arranged by John O'Reilly and Mark Williams 2: a “ 5(AFTER-BEATS trdsd a2 8 Key SionaTurE All F's and C’s should be played as FE and CB throughout. Rewriting a melody beginning on a diferent starting pitch, maintaining the same pattern of half steps and whole steps. ‘TRANSPOSING Minor Episope Moderato mp America/Gop Save THE QUEEN Andante Traditional THE Otp Brass Wacon (duet) Allegro American Falk Song. 36 » f THeme From “A Mipsummer Nicut's Dream” Felix ae Allegretto = —— = x ett Ssh Ve > a 37 £ z T Come ka? & e Alccent on theory Transpose the first 6 measures of #35 America/God Save the Queen) into these two keys, then play.Dynamic MARKING AN EicHtH Note ano Two SP Play J the first time, 2 TBSB | iste Tek © 20)K @ ‘SIXTEENTHS Hick Note HapPeninc Moderato 39 mf ‘SixTEENTH AveNuE Allegretto 40 e mp uf Et FLoron (puet) Mexican Folk Song Allegro t_-- _ = nl nf THe Pawpaw Patcu American Folk Song Moderato fi “4 42 2. f B Antonio Vivaldi SPRING from “THE Four Seasons” (1678-1741) Allegretto 7 2. 43 o Sea F Sf fp P f-P) tae Accent ON CREATIVITY: Passing Tones and Neighbor Tones Write your own variation on this theme by adding passing tones (notes between pitches a third apart) ‘and neighbor tones (above or below repeated pitches).Te een z i mr Eicn Nore Te be ke) More SixteeNTHS Moderato 45 mf Allegretto ~ La f-2 es I Est NE French-Canadian Folk Son Moderato 2 DC.al Fine mf S-mf Pat-a-PAN French Folk Son Allegretto 5 3 Accent on ciariner 49 ft For more individual technique practice. see page 42, #3 & 4.Dorteo EicutH Note Receives 9/4 beat in 4. Fond J time. Dottep EicHTHs Andante mp ——f —~ mp Bripat Corus from “LOHENGRIN” Richard Wegner (1813-1883) Maestoso. CE Se 51 are —=—f THEME from “UNFINISHED SYMPHONY” Franz Schubert Moderato (1797-1828) P Itauian Street Sonc Victor Herbert Allegro (1859-1924) 53 ye Accent ON THEORY MAJOR SCALE CONSTRUCTION: All major scales contain the same pattern of whole steps and half steps. Study this pattern in the example below. Now build your own major scale beginning on the note given, adding any sharps or flats as necessary. le vile hat ale ble nle Note names must be in alphabetical order. "seAlccent ow rerrormance Cyeerspace OverTURE Allegro = DE al Fine 51 (vith repeats) 5 6Looxinc SHARP Largo mp O Canapa Maestoso Canadian National Anthem Aria from “THE Marriace OF Ficaro’ Wotgong A: Mozait Allegretto (1756-1791) 57 © mp ——————— mp Accent ON CREATIVITY: Improvisation on Chord Changes Improvise your own melody using the notes contained in each triad (three-note chord), You may also use passing or neighbor tones as long as they are of short duration. c Am bm 6 c am bm 6 ©D.C. (Da Capo) at Copa Go back to the beginning; then skip to the coda. Rance Buiwoer Moderato 59 o mf Frower Drum Sonc Andante Chinese Folk Song Nu Ar bet Jut icen Moderato Swedish Folk Song af 3 N23 ILONEL BoGEY ea Kenneth Alford Allegro. ‘To Coda® (1881-1945) a = 62 Rar ys: © Accent ON CLARINET 63 mf Use altomate fingering idual technique practice, see page 42, #5 and page 43, #6. [Ennarmonics =D o a Any two notes that are written differently, but sound the same. Curomatic Crawt Moderato 64 o mf Use alternate fingering. THEME from “Piano Concerto No. 2” ao v ci Rachmaninof (1873-1943) Andante 65 mp Edvard Grieg (1843-1907) i... = ea In THE Hatt oF THE Mountain Kinc Moderato OVERTURE from “THE BARBER OF SEVILLE” Giosechiat) Rossini (1792-1868) Vivace > a 2 2 —— 67 Ee (Accent ON THEORY — Rewrite each of these notes as its enharmonic equivalent.Time Sicnature 3 beats in each measure jighth note receives 1 beat EicHtH Note Gets tHe Beat Moderato con) 2 3 Taeanreiia oven SSSR Italian Folk Song Allegro 70 vo mp— Battie Hymn oF THE RepusLic Maestoso Traditional Accent ON CREATIVITY: Composition Based on a Rhythmic Pattern Write your own short composition, using the rhythmic pattern ¢& @¢ in different ways. Be sure to include: 1) clef sign 2) key signature 3) time signature. Play your composition, R 4Accent on Water Music George F. Handel (1685-1759) audente F Arr. by John O'Reilly and Mark Williams 1y both times 3 “ 5 6 ks 4 lay 2nd time only 9] play both timesalternate } Time Sicnature ¢ = 6 beats in each measure D.S. (Dat Secno) at Copa = _ = ighth note receives | beat Ga beck va the tig then skip to the coda Use when going, to oF from B. (Phy the B without Six To THE Bar the sight ile finger) Andante B © my Count: Poa 456 123 456 Row, Row, Row Your Boat (Round) Moderato ® @ ® American Folk Song 74 6 = mf I's THE B'y (Duet) Canadian Folk Song Allegretto (Newfoundland) 22 he 75 Xa BS Tue ENTERTAINER p Z Scat Joplin Allegro 1) Poem = (1808-1917 76 mf of SSS (Alccent on ciarinet 7 mp i es WinansTempo Markinc Andantino Slightly faster than Andante. Sti HIGHER 78 mf oe mp Phe Catypso Ciime (Duet) Moderato = | = 1 Saw Turee Snips Allegretto Traditional Carol 80 rey 23456 a4 5 THe Star-Spanctep BANNER Maestoso U.S. National Anthem 81 F mf Accent ON THEORY — Rewrite the following example in cut time.Motro rit. Dramatically slow down the tempo. SmooTH StuRRING ares Andantino pS 83 e mp Hasaiiera from “Carmen” Georges Bizet (1838-1875) Moderato 84 mp **Use alternate fingering Yooetnc Sonc Austrian Folk Song Allegretto Viz. a == 4 === 85 + 3 ae; Gl peopl » 5 th I) 21 THEME from “Viotin Concerto in D” Ludwig van Beethoven (1770-1827) Allegretto a a nf - P molto rit. Alccent on creariviry: improvisation on a Blues Scale Using the pitches shown, improvise your own melody using any thythms you know. You may play these notes in any order, repeat notes, or use rests, 87Tempo Markinc testes eho ne when scion . | SeoRZANDO gf (Phy the E without Adagio lightly slower than Andante. A strong accent. Cioc Dance Moderato pte of Hopak from “THE Fair aT SOROCHINSK” Allegretto Modest Mussorgsky diy, (1839-1881) 89 mp fe div. S fe O TANNENBAUM Adagio ae German Folk Song © mf Biow Away THE Morninc Dew English Folk Song Allegro PS 1 Pain ae Accent on cariner 92 f “Use alternate fingering For more individual technique practice, see page 43, #8.Alccenr on perrormance Fiesta Mexicati John O'Reilly and Mork Williams Allegro) 7) div. DS. al CodaDynamic Markincs Beal Pp St MING OVER A REST Pianissimo—very soft Fortissimo—very loud § ae) vy 129456 Beam Me Up Allegretto 93 THe Sorcerer's APPRENTICE Vivace Paul Dukas (1865-1935) Country Garpens (Duet) Moderato English Folk Song mf : Se Alccenr on theory Draw the correct bar lines, then write in the counting and clap. PEON) > DOL eeKey SicnaTurE AIL B's, E's and A's should f= be played as Bb, Eb, and Ab throughout. Muttipte Fiats Adagio [ieee i an 7 mp Over THE River AND THROUGH THE Woops ‘American Folk Song Allegretto an Marcu OF THE TOREADORS Moderato Georges Bizet (1898-1875) Fum, Fum, Fum Allegro Traditional Spanish Carol ee 100 eae. ——— sf Accent ON CREATIVITY: Extended Composition 101 Write your own composition of any length, using a separate sheet of music paper. Use some repeated rhythmic and/or melodic patterns to create unity. Use some contrasting material to create variety. Play your composition.Eicutn Note Triptets inl 1 tip-let 2 tip-bt Grace Note sr A uick note, SSZ= usually played just Pe before the beat. Use for sealewise pasages Use fo scalewise possages imvling For Fi lite finger) inohing Cor C8 title ge ‘nd ght ate age. ‘and Df ght ite fing, THREE TO THE Beat Moderato 1 a 102 af Triptet Sonc Andantino French Folk Song R LR 2 3 3 % = 103 FINALE from “New Wortp SYMPHONY” Antonin rota (1841-1904) Allegro 2 104 © it Procession oF THE NoBLes Maestoso Nicolai Rimsky-Korsakov (1844~1908) 105 © ae v Alccenr on ctarinerTue Outer Limits Moderato 107 e mf Now Is THE MontH OF Mayinc (duet) Thomas Morley Allegretto ' ’ (1559-1602) 108 mp e — La Donna € Mosite Moderato Giuseppe Verdi (1813-1901) mp crese So.pier’s CHORUS from “Faust” Moderato Charles Gounod (1818-1893), 110 Seay Sf 5 53 Peotor lich Tohaikovsy Marcu from “NuTcrackeR’ ani Allegro 1 z 22 ae For more individual technique practice, see page 43, #10 ‘Gas Alccenr on peRFormance Sousa ON PARADE John Philip Sousa (1854-1992) Arr. by John O'Reilly ‘and Mark Willi Allegro 5 fp 25] play 2nd time only ont af 33] play both times 3 e : mf(Coramner sou Tue Rakes of Mattow Irish Folk Song Allegretto Clarinet Pianox 2 B 4 6 x DS. al Codaas Alccent on scates € Masor Scate ‘concert Bb) A Harmonic Minor ScaLe (concert G) e A Metopic Minor SCALE (concert G) og G Maisor SCALE (concert F) e - E Harmonic Minor SCALE (concert D) R book | * toR eu E Metopic Minor SCALE (concert D) ra 1 e * T oR Sae0 F Masor ScaLe (concert E>) . D Harmonic Minor SCALE (concert c) fen D Metopic Minor SCALE (concert ©) 4 byell Bb Masor Scate (concert ab) G Harmonic Minor Scate (concert F) e G Metopic Minor Scate (concert F) - i | D Masor Scate (concert c) | eres ier: e - B Metopic Minor SCALE (Concert A) neirK I te 2 7 e a T E} Masor Scate (concert >») © C Harmonic Minor SCALE (Concert 6) 2 e € Metopic Minor Scate (concert 8») by ‘CHromatic SCALE (Clarinets only) i * ie ‘ wtte 0 t abe she ahs Je Fue aead=—_— sa == fF — Ce ee ee fe = S =mr . se A beeen 6 ce eee sees five cee a ee = =. eee S feces cee cece ceee foe ceeee seccee ced aN = ee _ 6 foe ce cece t fice cece ee cee ee 4 weer erc -—~— r= = ? t eee ee ee ee eeeoee fe O06 ccc lccce on Ss) Ame mm -—=_ FOAM H MIN y ONDPJ OTOL ginny AL fl meee J i a ee a Jodi Dy TO) ge pe Ld gp LN Ty sg 1) bl dy UL by «6 @ OTL TL yl by. oy w ain Lay MM OUT SyAlccent on ciariner "Use alternate Fingering ——— PEEKeep RH, down: Use alterate fingering, ee Tae Gondn & te 2 StarL | Accent on cHoraues 3 We Gartner TocetHER Andante Netherlands Folk Song mp af : Raa Now Tuank We Att Our Goo Johan Sait = a (1685-1750) e e ig Ma-oz Tsur (Rock oF Aces) Moderato Traditional Hanukkah Song 3 ep Att THroucH THE NicHT Andante _ Men lk ig 4 3 = © Ec? =p ——— xf. —— a ° mp —— = EterNat FatHer, STRONG TO SAVE Adagio Navy Hyman 5 mp nf —— mp pp ————— sles etharnota fingsrng.9001000 29001000 Sdoolo 8 _2001000 @001000 [001000 9001000 = e001000 — 0) gi! oh a