Jazz Exercises/Patterns

dominant cycle, diminished progression (F-Ab-B-D), diatonic exercise (C), interval exercise (4ths)

4  B7     E7
      A7
       D7
       G7
      B7
   
4  E7
    A7
 
               D7
   G7
 C7
    F7 B A7
      D7
  

G7 C7 F7 B7 E7 A7 D7 G7
9
                                
13
B7
  E7
            A
F
    F7#9
      F7#11,b9 F13b9
            F
     
18
  F     
F13b9
      
F7#11,b9
      F7#9
 F
                diatonic exercise

22
CMaj
 
                                  
27
                                 

32   
        
37
4ths, half-steps
   
                      etc.             
                            
42
etc. whole-steps etc.

      
                      
47
etc. minor 3rds

     
 
    
51  etc.                   etc.
    