Piano Germination

Composer: Ryuichi Sakamoto

Call Me By Your Name

 4
Transcriber: Alex Patience

      
 4
 = 165
Patetico, Rubato

            
  44              


    

            
   
  
8

       
                   
poco rit. a tempo

             
          
   
        
 
14

           
               

                   
              
20

  cresc.   
                   


          
            
                  
26

     
                      
      

          
   
              
32

    dim.     
 
              

        *Rush right hand

            
                
Affrettando, Impetuoso

       

38

      
  
                    
      


  

                               
           

45

      
                     
 
       

 
                       
         
52

       

                
 
    

   


                         
    
          
58

        

    

         
  

   
   
 
   
 
 
                              
          
65

       
                    
        

2
  
         
           

   

   

   
   
71

     
       
       
        

  

    

   
                  
          
  
   
      
78

    
          
            
        
 
 


           
 
Sforzando
85

  
     
    


 