Title Composer Arranger Publisher Publ Date Publ ID Voicing Accompaniment Solos Language Occasion

Spiritual, Voice Ranges Concepts

poco rit. and a tempo; Skills
syncopation; dynamic Potential Problems Source
Inscription of Hope Stroope, Z. Randall N/A Heritage Music Press 1993 15/1085 2 Equal Piano N/A English Memorial I: Bb3-Eb5 II:Bb3-Eb5 melisma; no breath marks contrast leaps of 4th; rhythmic integrity; unison singing Swingle
Musica Dei Donum Optimi De Lassus, Rolande Rao, Doreen Boosey & Hawks Inc 1988 OCTB6449 2 Part Cannon, Opt 4 part A cappella N/A Latin General I-A3 to E5 All Latin, Canon Independent singing Latin diction, Vertical rythmic alignment, Road map nCunningham
America,
Ding of Thee
Dong! MerrilyI Sing
On Donelly, Mary and George L.O. Strid Strid, George L.O. Alfred Publishing Co. 1993 5808 2-Part Piano N/A English Patriotic c4-d5 (f5 opt) Partner
long songs; hemiola
melismas, breath Hemiola; voice crossing Voice crossing Fields
High 16th Century French Tune Snyder, Audrey STUDIO 224 1987 SV8721 2-part Piano N/A English Holiday I: d4-d5; II: b3-b4 support,ad
speech; dynamic contrast
lib.; divisi; part independence
reading accidentals; unison, phrasing
changing meter; solidifying new key; changing tempo; Lundy
Fifty Nifty United States Charles, Ray N/A Shawnee Press, Inc. 1962 18327 2-Part Piano
Claves/Tambourine, Guiro, N/A English Patriotic
Christmas, I: C4-E5; II: B3-D5 tenuto;
and secondfermata; modulation
endings; del triplets
contrast; singing on "la"; singing together ad
putting clapping lib.;
with rhythmic
singing; integrity
song "roadmap"; vowel Swingle
A la Media Noche Traditional Puerto Rican Gilpin, Greg Warner Bros. 1998 SV98103 2-Part Conga, Bongo) N/A Spanish
Spanish, Winter
Spring/Cultural I: E4-E5; II: D#4-E5 segno, sign symbol
Modulation, Syncopated reading accidentals
Rhythm, Dynamic uniformity onboth
Combini-ng "la"parts, learning text, proper vocal Swingle
Alegria! Jerry Estes Estes, Jerry Mary Lynn Lightfoot 2019 CGE354 2-Part Piano N/A English appreciation Part
S: D4I: to
C4E5,
to D5, Part
A: D4 to II:
E5,C4
T:to
D3B4to E4. B: Changes
Rhythms such as Crescendo Changesand Coda,
Repeat technique with
syncopation song, key change
at beginning. Key Change. Tempo Mueller
Bidi Bom David Eddleman Eddleman, David Carl Fischer
Alfred Music 2003 CM8799 2-Part Piano N/A English Holiday E3 to E4. and Decrescendo
Modulation, Call - Response Accelerando,
major key center,Minor Mode
Pitch is change at the end, Accelerando Mueller
Calico Cat Andy Beck Beck, Andy Publishing
Santa Co.
Barbra Music 2019 47653 2-Part Piano N/A English General
Cultural Part 1&2: C4 to D5 part singing Dynamic
Choreography, easy to modelindependent
Syncopation, Getting into the minor mode, Latin Text Mueller
HandsDong!
Ding Are Knockin'
Merrily On Kyle Pederson Pederson, Kyle Publishing Co. 2018 SBMP 1551-18 2-Part Djembe,
and Alto Piano, SATB or
Glockenspiel Soprano, Alto, Tenor, English/Arabic appreciation S&A: d4 to A5, T: e3 to F4. B: D3 to D4. emotion,
Shifts phrasing, decresc. part singing.
melismas, stagger Arabic Text, Body Percussion, Mueller
High Traditional French Carol Gray, Ruth Morris Shawnee Press 2012 35028215 2-part Handbells N/A English Holiday
General, I/II: D4-D5 poco
fp, a poco,
tenuto, decrescendo,
staccato, breathing *matin chine, *rime, part independence, Lundy
Elijah and Joshua Traditional Spiritual Albrecht, Sally K. Alfred Publishing Co. 2003 21739 2-part Piano N/A English and
English Spiritual
General, I: C4-C5; II: C4-F5 syncopation
Spanish, minor, fi, dynamics
singing in minor, quick slides, syncopations, chromatic notes DeRuby
Oye laa Música
With Banjo on My Knee Althouse, Jay N/A
Spevacek, Alfred Publishing
Linda Jenson Co. 2002
Publications, 21139 2-Part Piano N/A Spanish Cultural I: C4-G5; II: C4-D5 syncopation
Medley, anacrusis, fermata, tempo back and forth,
singing syncopated
part entrances,
independence, Spanish
wanting pronunciation
to sing the familiar Swingle
(Medley) Foster, Stephen Steen Inc. 1986 437230 2-Part Piano N/A English General I: A3-D5; II: D4-D5 mixed meter steady tempo melody Swingle
Over the Rainbow Arlen, Harold Beck, Andy Alfred Music 2013 39695 2-Part Piano, maybe ukulele 2 optional solos English General P1: A3-F5, P2: A3-C5 syncopation dynamic contrast rhythmic accurracy Reed
J'entendsno
Hamabe LeUta
Moulin
(Song of French Candian Folk Song Crocker, Emily Hal Leonard
Hal Leonard 2007 NA 2-Part Piano Descant French/ English
Japanese or General P1: C4-C5, P2: B3-A4 tadimi
DS rhythm
al coda, fermata, singing in canon rhythmic accurracy Reed
the Beach)
Nobody Knows the Trouble Tamezo, Narita Crocker, Dean Corporation 2004 8744092 2-part Piano N/A English General I: C4-D5; II: C4-A4 ritardando,
first and secondculture
endings; chromaticism,
unison singing;fermata
part Road map navigation, japanese diction, 16th notes DeRuby
I've Seen Traditional Spiritual Cherwien, David The Evangle Press 1994 3013 2-part Piano; optional clarinet N/A English Spiritual I: b4-f5; II: c#4-b5 12/8 time independence
reading in triple meter; breath control; vowel uniformity Webb
Between God and the Soul Julian of Norwich Ferrari, Carlotta CPDL 2016 41979 2-Part Equal Voice A cappella N/A Englsih Sacred I: D4-D5 II: A3-F4 ties; fermatas elongating beats diphthongs Webb
Lo, here another love Morley, Thomas Gibb, James CPDL 2017 43083 2-Part SS A cappella N/A English General F#4-G5 (BOTH) hockett;
Minor legato
key; v. marcatto
repeats; part indepence
Hebrew diction; part lots of grouped eighth notes (emmulating malismas) Webb
Hine ma Tov Rao, Doreen Naplan, Allan E. Boosey & Hawkes 1995 OCTB6782 2-Part Treble Piano N/A Hebrew Sacred I d4-d5 II d4-a4 ostinato/descant
tempo; rit. vs. molto rit.; indepedence tempo
independence; Hebrew pronunciation Calfee
Al Shlosha D'Varim Naplan, Allan E. N/A Boosey & Hawkes 1995 OCTB6783 2-Part Treble Piano Glockenspiel, Finger
Piano, Optional mm. 5-12 Hebrew General I: Eb4-E5; II: Eb4-Eb5 diminuendo
fermata, slurs, poco piu changes unison vowels; intonation when singing softly Swingle
All the Pretty Little Horses Appalachian Folk Song Artman, Ruth Studio 224 1980 SV7932 2-part treble cymbals
Piano, glockenspiel, finger N/A English General I: D4-D5; II: B3-B4 mosso, staccato dynamic
breath contrast,
control; legato
quick part independence - rhythms DeRuby
All the Pretty Little Horses Folk-Song Artman, Ruth STUDIO 224 1980 SV7932 2-part treble cymblas N/A English General
General, I: e4-d5; II: b4-d5 ceasura;
3/8 time;fermata
dotted eighth- breathsuniformity; part
vowel legato lines; N.B. markings for young singers Webb
Circles Goetze, Mary N/A Boosey & Hawkes
Alfred Music 1990 OCTB6634 2-Part Treble Piano
Piano; optional C N/A English Convention I: e4-e5; II: e4-e5 sixteenth rhythmsPartner
Descant; canon; independence
part independence; tempo round
Phrasing; vowel uniformity; remaining on the correct Webb
form; 3/8 time
A Distant Shore Donnelly, Mary Strid, George L.O. Publishing 1995 11562 2-Part w/optional descant instrument N/A English General I: d4-d5; II: d4-d5; optional descant: d4-d5 Song; rit. and a tempo alterations; unison singing part Swingle
My Lord Folk Song Eilers, Joyce ElaineHal Leonard Publishin 1975 8545500 3 part mixed Piano, Guitar N/A English General I, II-G3 to Bb4, III-F3 to D4 subito, glissando unison&part singing roadmap errors Cunningham

30-Second
A beauteousMerry Christmas Moore, Donald
fair has N/A Alfred Music 2019 47559 3-Part A cappella N/A English Holiday P1: G4-E5, P2: D4-A4, P3: G3-D4 sub. piano clear diction tendency to get slow and heavy Reed
pierced my heart Callcott, John Wall Warren, Thomas
Spevacek, Linda N/A N/A N/A 3-Part A cappella N/A English General P1: D4-A5, P2: C4-A5 text painting
Imitation; dotted rhythms; grace notes
Dotted rhythms; range Reed
Danny Boy Traditional Irish Steen Hal Leonard 1991 08756897 3-Part Mixed Piano mm. 4-20 English General I:b3-f5; II: a3-c5; III: f3-c4 modulation
Tied rhythms; Latin; modulation
Latin diction; syncopation; Fields
Gloria Deo! Lightfoot, Mary Lynn N/A Heritage
Hal Music Press
Leonard 1995 15/1167H 3-Part Mixed Piano N/A Latin Sacred I: d4-g5; II: c4-d5; III: f3-d4 changing
dotted meter; syncopation
eighth-sixteenth vs changing
Latin meter
pronunciation; 3-part Fields
Kyrie Eleison Schubert, Franz Eilers, Joyce Publishing Corp 1993 8551022 3-Part Mixed Piano opt @ mm. 32 Latin Sacred I: e4-f5; II: c4-a4; III: f3-d4 straight eighths singing modal shifts throughout piece Webb

Didn't My Lord Deliver Jenson Publication driving rock, systematic

Daniel Traditional Spiritual Emerson, Roger Inc. 1992 40326168 3-Part Mixed Piano Hand Drum,
Djembe, N/A English Folk
Zambian General I: e4-f5;
Part I: C4II:tob3-c5; III:II:f3-d4
F5. Part C4 to Bb4, Part oppression
in tempo change learning, Coda, cluster chords, divisi more than 3-parts
regards to repear signs and Call-Response Lundy
Bonse
Let MyAba
People Go (Go Traditional Folk Song Johnson, Victor C. Heritage Music Press 2010 15/2689H - 3 3-Part Mixed Shaker, Acapella. N/A Song General
General, III: D3 to D4 codas. Percussion
part Parts internal 2/4 Bar and text's speed. Performance Tempo,
independence, Mueller
Down, Moses) Traditional Spiritual Emerson, Roger Hal Leonard Inc. 2000 8551423 3-part mixed Piano N/A English Spiritual
General, I: D4-G5; II: D4-D5; III: G3-E4 subito, harmonic
accent, f-p, Allegro,minor, counting pitches, breath terraced
terraced chromatic 5 part split at the end
dynamics, keeping tempo steady between DeRuby
Sing We and Chant It Morley, Thomas Robinson, Linda
Spevacek, Russell Jenson
Alfred Publishing Co.
Publications, 1993 5809 3-Part Mixed A cappella N/A English Renaissance I: G4-Eb5; II: C4-A4; III: F3-C4 dynamics minor, rit., a
anacrusis, control, in
singing dynamics
minor, long sections Swingle
The Turtle Dove Folk Song Steen
Spevacek, Linda Inc. 1986 43720070 3-Part Mixed Piano and optional flute N/A English General I: Bb3-D5;
Part I: C4-F5 II:Part
A3-D5; III: F3-D4
II: C4-D5 Part III: F3- tempo, molto
adjunct rit., fermata
movement; body phrases note rhythms; This
Sixteenth intonation
piece on long notes,
contains tempo after
three different fermata
songs, being able to Swingle
American Folk Rhapsody American Fols songs Steen Heritage Music Press 1995 15/1212H-3 3-part Mixed Piano N/A English General D4
Part I: Db4-Eb5 Part II: C4-Eb5 Part III: percussion body
Jazz; Chromatic movement; execution of jazz percussion This is a very chromatic heavy piece, tuning could be Hutchinson
sing all three in the appropriate style could be difficult
Route 66 Troup, Bobby Emerson, Roger
Spevacek, Linda Londontown Music 2004 8551734 3-Part Mixed Piano
Piano (Op. Kazoo or N/A
Optional Soprano English General
Patriotic, C3-D4 Swing;
note Scat (takadimi and diction,
rhythms harmonies strong breath breath support, good tone production in higher Hutchinson
an issue
good
Yankee Spectacular (ASCAP) Steen Jenson Publications 1990 43725025 3-Part Mixed whistle)
Optional Solo English America, Finale P. I: C4-F5; P. II: D4-F5; P. III: E3-D4 ta-mi), ties support register, chromatic notes Relue
Christ lag in Todebanden Schein, Johann Hermann Jallo, Ross
Tucker, Judith CPDL 2014 33311 3-Part Mixed continuo/accompaniment N/A German General, Sacred I: D4-D5 II: D4-D5 III: F3-F4 figured
Descant;bass; bassoculture;
ostinato; continuo German pronunciaton accidentals; malismas after first page Webb
Yonder Come Day Traditional CookWaller, Judith World Music Press
and 1985 WMP-0101 3-Part Treble Unaccompanied N/A English General I: g3-g4; II: g3-e4; III: g3-c4 dotted eighth-sixteenth Part indepndence Rhythmic integrity Fields
Shake the Papaya Down Leck, Henry M Plymouth Music Co. 1994 HL-222 3-Part Treble Piano N/A English General I c4-c5 Repeats, ostinato/descant
Mixolydian; Part independence;
eighth-sixteenth Part independence singing Could be "boring" Calfee
Old Joe
Two Clark
Native American Traditional American Goetze, Mary Boosey & Hawkes 1984 OCTB6125 3-Part Treble Unaccompanied N/A English General
General; I: f4-f5;
Song 2 -II: f4-c5; III:II:c4-a4
I: Bb3-C5; Bb3-A4; III: Bb3- rhythms different dynamics over
fermata; sixteenth notebreath
a drone; rhythms Rhythmic
vowel integrityin unison sections; coutning in cut Fields
uniformity
Songs Traditional Native American Sletto, Barbara Plymouth Music 1995 HLCC-200 3-Part Treble Recorder and Percussion N/A English Cultural F4
S1:D4-G5, S2:D4-G5, A1:C4-C5, A2:A3- at repeat; cut time; drone control
light sound in upper time then in 4/4 Swingle
Reel áCan
How Bouche
I Keep From Folk song, Canadian N/A Ooolitic Music 1993 HL-205 3-part Treble Hammer dulcimer One treble solo Syllables only General C5 dissonance adjustment many tight dissonances throughout Reed
Singing Lowry, Robert Hugh, Robert Boosey & Hawkes 1997 6859 3-part treble A cappella one treble solo English General p1:D4-E5, p2:D4-E5, p3: C4-E5 homophony dynamic contrast exposed solo Reed
Jubilate Deo Praetorius, Michael Rao, Doreen Boosey & Hawks Inc 1987 N/A 4 Part Cannon A cappella N/A Latin General
General; All C4 to E5 Latin diction Independent singing
time only; repeat with first independence; contrasting Staying Independent Cunningham
A Zing-a Za Brazilian Folk Song Goetze, Mary Boosey & Hawkes 1986 OCTB6276 4-Part Treble Percussion and Keyboard N/A English Cultural
General, 1: D4-F5;
I: C4-F5; II:
2: C4-F5;
D4-Eb5:3:III: B3-E5; 4: B3-E5
D4-Db5; IV: and second
fanfare ending
rhythm, dynamics complexity, key rhythmic integrity; diction with quick tempo
anacrusis, rhythmic Swingle
I'm Goin' Up a Yonder Sirvatka, Martin Hawkins, Walter Boosey
Budjohn,&Inc.
Hawkes, 1988 OCTB6451 4-Part Treble Piano mm. 5-13 English Spiritual
General, D4-Db5
I: E4-F#5; II: C#4-F#5; III: C#4-F#5; IV: grace note tie, syncopation, production
crescendo, change, long inphrases
higher Divisi, keyrhythmic
language, change accuracy, accents (articulation) in Swingle
Mbiri Kuna Mwari Kesselman, Lee R. N/A Inc. 1995 OCTB6792 4-Part Treble Percussion N/A Shona Cultural D4-F#5 Shona language and culture register higher register Relue
Li'l 'Liza Jane Folk Song Swenson, Harry Hal Cambiata Press
Leonard 1979 u979134 CCB Piano N/A English General Movie C1: A3-B4; C2: A3-F#4; B: E3-D4
Disney; tempo Sigma;
Coda; changesRitardando; A Lengthy
melody&harmony intercha repeat/roadmap
Value; Dotted Cunningham
Colors of the Wind Alan Menken Huff, Mac Corporation
Transcontinental 1995 8740414 II Part Piano N/A English Music
Holiday; PI: A3-D5 PII: A3-C5 Tempo Language; Ladino Rhythmic
Ladino Rhythms; Phrasing
Performance; Form; Rhythmic Accuracy; Tempo Relue
Ocho Kandelikas Flory Jogoda Jacobson, Joshua Music Publications 1997 982070 SA Guitar Soprano Solo Ladino Cultural S: B3-D#5 A: B3-C5 Origin; Glissando,
Percussive phonation,Fermata Dynamic Contrast
phrase sustaining long notes, Divisi; Chromaticism; Complicated Rhythm Relue
The Little Drummer Boy Simeone, Harry; Davis, Katherine K; OnoratSimone, Harry Shawnee Press, Inc. 1958 D-47 SAB Piano N/A English Holiday
Christmas, S: a4-Gb; A: c4-d5; B: e3-a3 structure
key change/modulation, breath support chromatic notes, triplets with percussive phonation, Lundy
Silent Night
Celebrate This Day Mohr, Joseph and Gruber, Franz Robinson, Russell
Liebergen, Patrick Warner Bros 1998 SV9877 SAB Piano N/A English holiday, winter S: C4-F5; A: C4-D4; B: D3-D4
General, caesura dynamic contrast legato, wanting to sing the melody they know already DeRuby
Together Clereua, Pierre M Hal Leonard 1997 8551183 SAB N/A N/A English Holiday
General, S: c4-bb4; A: b3-g4; B: eb3-d4 Minor
first andkey, unison
second cadences A capella singing
endings; higher range for baritones Calfee
As deadly serpents lurking Weelkes, Thoams Gibb, James CPDL 2012 25271 SAB A cappella N/A English Madrigal
General, S: B3-E4 A:D4-B4 B:C3-C4 legato
staccato singing
articulation; grace reading in 3 parts accidentals; Webb
Due pupille amabili Mozart, Wolfgang Amadeus Sanz, Toni CPDL 2018 48624 SAB Piano N/A Italian Secular
Holiday, S: F4-A5 A: A3-Bb4 B: C3-C4 notesa tempo, crescendo,
rit., Italian grace notes; quick breaths Webb
Pie Jesu Traditional Latin Blake, Shayla L. Shawnee Press 2013 35029284 SAB Piano, optional violin N/A Latin/English Spiritural S: C4-F5; A: A4-Bb3; B: E3-D4 decrescendo, basicfermata beat unison, part
rhythms, independence
16th notes, range for sop. Lundy
Brand New You Brown, Jason Robert Emerson, Roger Hal Leonard Inc. 2009 8621650 SAB Piano, optional guitar N/A English General, Pop S: C4-F5; A: C4-C5; B: D3-F4 boxing
polyphony, ties, word stress, unison, internal level of difficulty, range, leaps in parts,
stagger breathing
part independence, Lundy
All Ye Who Music Love Donato, Baldassare Greyson, Norman Bourne Co. 1980 368105 SAB A cappella N/A
optional treble voice English General S: E4-D5; A: B3-G4; B: B2-D4 strophic
syncopation, counting part
subito, tutti, cut melisma, polyphony, vowels, 3/4 bar, balance, dynamic contrast DeRuby
¡Cantar! Althouse, Jay N/A Alfred Publishing Co. 2000 19310 SAB Piano m.57-58 Spanish General
Spiritual, S: C4-E5; A: C4-C5; B: C3-C4 time
ad independence
lib., tutti, dotted rhythms, Gospel swing, key spanish diction, chromaticism, rhythms, spoken part DeRuby
River in Judea Feldman, Jack Leavitt, John Shawnee
Alfred Press
Music 1989 D0449 SAB Piano mm. 9-24 English General S: D4-G5; A: Bb3-Eb5; B: C3-D4 breath
first andmark
second ending, changes,
breath chromatic
control, pitches first and second ending, support on high notes,
dynamics, Swingle
Liza Jane American Folk Song Althouse, Jay Publishing Co. 1996 16213 SAB Piano N/A English General S: C4-E5; A: B3-C5; B: C3-C4 swung rhythms,
Hebrew language, syncopation triplets,
solfege Part chormatic pitches
independence, rhythms, syncopated
breath consonant sounds thatentrances,
will need chromatic pitches
to be different from Swingle
Bashana Haba'ah Manor, Ehud Hirsch, Nurit Leavitt, John Hal Leonard Inc. 1970 8602184 SAB Piano, opt. violin N/A Hebrew General Sop: C4-G5 Alto: A3-B4 Baritone: E3-E4 "fi", key change
Modulation; control, dynamics
dotted eighth- German diction; chromatic one another from the audience Calfee
Erlkönig Loewe, Carl N/A N/A 1818 N/A SAB Piano N/A German General S: A3-G5; A: A3-Bb4; B: A2-D4 sixteenthmotion;
adjunct rhythms word notes
dynamic Baritone
contrast; dotted drastic part needs
dynamic to becould
changes modified for low notes
be problematic if not Fields
Praise the Lord
Hush! Somebody's Callin Handel, G.F. Hopson, Hal
Dennard, Brazeal Shawnee Press 1974 D5225 SAB Piano N/A
rehearsal C to English General S: C4 - G5 A: C4 - C5 B: C3 - D4 painting
dotted rhythms; chromatic rhythms dotted rhythms; sixteenth taught well Hutchinson
My Name Traditional Spiritual W. Shawnee Press 1986 D0436 SAB Unaccompanied rehearsal D English General S: E4-D5 A: C4-D5 B: F3-D4 movement notes rhythmic accuracy can be difficult Hutchinson

Flying Free Besig, Don N/A Shawnee Press Inc. 1980 d266 SAB Piano, Flute N/A English General S-C4 to E5, A-Bb3 to D5, B-C3 to E4 stagger breathing long tones long phrases, divisi Cunningham
A capella singing; German;
dotted eighth-sixteenth vs. A capella singing; German
O Tannenbaum Traditional Göring, Sebastian Sebastian Göring 2004 N/A SAB A cappella N/A German Holiday S: C4-D5; A: A3-A4; B: A2-C4 dotted quarter-eighth diction Baritone part: A2 needs to be altered to A3 Fields

Viva La Vida Coldplay Brymen, Mark Hal Leonard 2008 8202307 SAB Piano N/A English General S:Bb3-Eb5, A:Bb3-Eb5, B:C3-E4 tied notes rhythmic accurracy syncopated rhythms Reed

Blow, blow thou winter sixteenth + dotted eighth

wind Arne, Thomas Augustine N/A N/A N/A N/A SAB A cappella N/A English General S: F4-Bb5, A: B3-E5, B: G3-D4 notes vowel unification range Reed

Come Unto Him Dougall, Hugh W. Martin Green LDS Sheet Music 2019 N/A SAB Piano N/A English Secular I: C4- E5 II: A3-A4 III: C3-B3 chroma-tic notation, rhythmic styling accidental notation, independ-ent part trouble Mueller

Modulat-ion, Syncopa-ted modulat-ion issues for new ensembl-es, chromatic

America the Beautiful Musicas, Thesauras Linda Pratt LDS Sheet Music 2015 N/A SAB Piano N/A English Patriotic I: E4-E5 II: A3-B4 III: C3-E4 Rhythms pitch accuracy, Alto Part Mueller

Pickerty third; hemiola;

Cantate Domino Pitoni, Guiseppe Greyson, Norman Bourne Co. 1954 018716 SATB Unaccompanied N/A Latin Sacred S: f#4-d5; A: d4-g4; T: a3-e4; B: g3-bb4 Latin; minor Latin diction; melisma [in] Fields
 Syncopation; Spanish; Spanish diction; part
La Enter
I'd CabañaYour Garden from Murillo, Emilio Orzco, Efrain CPDL B. Marks
Edward 1880 N/A SATB Unaccompanied N/A Spanish General S: e4-d5; A: c#4-f4; T: e3-e4; B: a3-bb4 A elision;
capella; culture
rounded binary independence Rhythmic integrity Fields
Six Folk
The Songs
Fiddler from Six Folk Brahms, Johannes Zipper, Herbert Music Company
Edward B. Marks 1948 00007913 SATB Unaccompanied N/A English General S: c4-e5; A: c4-c5; T: g3-g4; B: f2-a3 form singing
A capella singing; F2 in m. 16 may be raised an octave Fields
SongsSad Flow the Streams Brahms, Johannes
How Zipper, Herbert Music Company
Edward B. Marks 1948 00007913 SATB Unaccompanied N/A English General S: e4-e5; A: b3-a4; T: e3-f4; B: a2-b3 A capella; syncopation syncopatedaentrances
Anacrusis; capella A2 may need to be raised an octave Fields
from Six Folk Songs
At Night from Six Folk Brahms, Johannes Zipper, Herbert Music
EdwardCompany
B. Marks 1948 00007913 SATB Unaccompanied N/A English General S: d4-c#5; A: b3-a4; T: g#3-e4; B: b2-c#4 A capella; anacrusis
Secondary dominants; a singing
Sixteenth note rhythms; a Fields
Songs Awake! from Six Brahms, Johannes
Awake, Zipper, Herbert Music Company
Edward B. Marks 1948 00007913 SATB Unaccompanied N/A English General e4-e5; A:A:c4-c5;
S: eb4-g5: g3-c5;T:T:f#3-e4; B: B:
eb3-ab4; a2-a3 capella
ab2- Secondary dominants; a capella singing Fields
Folk Songs
Willows' Shade from Six Brahms, Johannes Zipper, Herbert Music Company
Edward B. Marks 1948 00007913 SATB Unaccompanied N/A English General eb4 capella form; staccatos in Staccato
Strophic A capellasinging;
singinga capella Wide range for young tenors and basses Fields
Folk Songs Brahms, Johannes Zipper, Herbert Music Company 1948 00007913 SATB Unaccompanied N/A English General S: d4-g5; A: d4-b4; T: d3-f4; B: g2-d4 vocal music; a capella Balance and blend; Latin Wide range for young tenors and basses
singing Fields
Et in Terra Pax Gilpin, Greg N/A Alfred Publishing Co. 2004 3300870 SATB Piano N/A Latin Sacred S: e4-c5; A: c4-bb4; T: f3-d4; B: c3-c4 Latin; imitation
accidentals; jazz; 6 part diction in more than 4-part [in]
singing Fields
Christmas Time is Here Guaraldi, Vince Zegree, Steve Hal Leonard 2002 HL087432234 SATB Piano N/A English Holiday S: e5-db4 A: b3-a5 T: e4-d3 B: e4-g2 harmonySong; compound
Partner harmony wide ranges for all parts, particularly bass and alto Hutchinson
Bell Carol of the Kings Hopkins Jr., J.H. / Leontovych, M Kern, Phillip Shawnee Press A1817 SATB Piano (optional handbells) mm:
N/A 16-24 mm: 34- English Holiday S: d4-e5
S: d4-g5;A:A:a3-a4
b3-d5T:T:d3-e4
b3-f4B:B:(d2
b3-d4 time rhythms; Chromatic part
dotted Dynamic rangeChromatic Its
harmony; wide ranges
a very for lower
stylistic piece,voices
adapting it into a choir will Hutchinson
And So It Goes Joel, Billy Chilcott, Bob Hal Leonard 1992 HL08758501 SATB Unaccompianied 40 English General optional) g2-d4 Chords
Chromatic Chords and Movement
part harmony; Chromatic take time Hutchinson
A Boy and a Girl Whitacre, Eric N/A 2004 HL08744627 SATB Unaccompianied N/A English General S: b3-g5 A: g3-d5 T: c3-g4 B: f2- c4 movements; Mixed Meter Movement complex rhythmic Another
When very stylistic
rehearsing, piece, could
the basses will take
losetime to die
focus master
to Hutchinson
Underneath the Stars Rusby, Kate Clements, Jim Alfred Music 2017 EP73139 SATB Unaccompianied mm: 5-15 mm: 45-60 English
English, General S: d4-d5 A: a3-a4 T: d3-e4 B: b3-c4 Mixed Meter; Syncopation singing movement in > 4 parts; little written music for them in the score Hutchinson
Two Asian Folk Songs Folk-Song Gray, Ruth Publishing
Hal Leonard 2019 47604 SATB A cappella N/A Chinese General S: g4-e5 A:b3-C5
Bb3-Eb5; T: d3-f4
A: Bb3-C5; T:B:g2-d4
e3-eb4; B: e3- ostinato; Chinese
repeats; first language parallel
and second reading fourths and fifths
accidentals; part some lower notes for T; vocal accompanitment Webb
Alexander's
We Wish You Ragtime
a MerryBand Berlin, Irving Shaw, Kirby Publishing Corp 1983 8655394 SATB Piano, Bass,
clarient, Drum
basoon, kit
percussion N/A English Jazz, General c4 endings vs legato
staccato indepence
hocket/staggered full band accompaniment; extened S range Webb
Christmas Traditional Carol Rutter, John Hinshaw Music Inc. 1985 HMC-998 SATB and strings
Instrumental N/A
Soprano/Children or English Holiday g4-d5;A:
S: f4-f5; A:Bb3-c5;
b4-c5; T:
T:d4-e5
e3-e4;B:
B:g2-c4 articulation
g2-e4; changes, dynamic contrast, switching entrances; from solo to staggered entrances; Webb
InDon't
It the Bleak
MeanMidwinter
A Thing If It Holst, Gustav Christopher, Keith Carl Fischer Music 1999 CM8931 SATB Accompaniment Boychoir English Holiday Solo: e4-e5 melismas entrances,
staggered choir
chromatic scale, divisi in alto part, key change Lundy
Ain'tTell
Go, GotItThat Swing
On The Ellington, Duke Huff, Mac
Schram, Ruth Mills Music,
Warner Bros. Inc. 1960 6684IC1X SATB Piano optional guitar, bass N/A
Piano; English, Scat Jazz
General, S: f4- g5; A: d4-Db5; T: f3-e4; B: Bb2-d4 Chromaticism,
syncopation, slides, mixed scat syncopation,
unison key change, chromaticism,
singing, staggered complicated rhythms, swingrhythmic
rhythms speech
to straight Lundy
Mountain Afro-American Spiritual Elaine Publications 1997 SV9810 SATB and drums N/A English Holiday S: D4-A5;
S: c4-d5; A:A:c4-Bb4;
C4-C5; T:T: f3-e4;
C3-E4;B:B:f2-d4
C3- rhythms enterances eighth-notes,
divisi, unisoncoda, divisi,uniformity
and vowel unison, part independence Lundy
AmericaFitthe
Joshua theBeautiful
Battle of Ward, Samuel A (words by Katherine Bates Berry, Cindy Shawnee Press Music
Lawson-Gould 1997 A 2058 SATB Piano, A cappella N/A English Patriotic D4` rubato, ritardando,
Percussion (Finger aSnaps);
tempo Strong
unison Part-Singing
to part-singing DeRuby
Jericho Spiritual Henry, David Paul Publishers,
McElfresh, Clair Musical ComedyInc. 1991 52474 SATB Piano N/A English Spiritual S: B3-A5 A: A3-E5 T:A2-F4 B:
S: Bb3-F5; A: Bb3-Bb4; T: Db3-F4; B:G#2-D4 Glissando; Caesura
triplets, caesura, simile, Independency
rhythms, changing time Chromaticism; Glissando in Parts; Divisi Relue
Jenny
O HolyRebecca
Night (with "Jesu, Hall, Carol T. Productions
Hal Leonard 1964 1035 SATB A cappellaChoir
Chamber N/A English General
Holiday; G2-Bb3
S: A3-d5 (Op. F5) A: A3-Bb4 T: C#3-Eb4 Dynamicrubato Contrast; signatures Phrasing;
Rhythms; Divisi, rhythms, chromatics DeRuby
Joy of Man's Desiring") Adolph Adam; J.S. Bach Christopher, Keith Corporation 1996 8740733 SATB Accompaniment N/A English Seasonal
holiday; B: F2-C4 Crescendo Dynamic Contrast Key Change; Meter Change; Unified Vowels Relue
The Bells Ahrold, Frank NA Belwin Mills 1967 930 SATB Piano N/A English Seasonal S:C4-G5, A:D4-D5, T:G3-F4, B:D3-D4
S: E4-Db5, A:Ab3-Bb4, T:F3-F4, B:F2- staccato diction and articulation syncopation Reed
Nun Fanget An! Hassler, Hans-Leo NA van
Andre Stockholm Music 1997 7001 SATB A cappella N/A German General C4 text painting
spiritual diction, dotted consonat
Vowel clusters code- consonat clusters
uniformity; Reed
Nobody Knows the Trouble Anonymous Ryckeghem CPDL 2000 1191 SATB A cappella as desired Engliish Spiritual C4-G4 A:
S: F#4-E5 A:A3-G4
C#4-A4T:G3-E4
T:C#5-A4B:D2-Eb4
B: D2- 3/4quarter
time;note, fermata,
dotted eighth- triplet 4switching,
part singing; reading in acloselongharmonies;
piece; somediphthongs
voices split occasionally into 2 Webb
Adoration Billings, William Kelecom, Joachim
Wilhousky, Peter CPDL 2017 47878 SATB A cappella N/A English Sacred A3D4-G5; A: D4-Bb4; T: Bb2-Bb3: B:G2- dim.
S: sixteenth
senzanote
rit.,combinatinos
chromatic 3/2
breathing, parts
1st ending/2nd chromatic notes, sounding like bells, sudden dynamic Webb
Carol of the Bells Leontovich, Mykola J. Carl Fischer
Alfred MusicMusic 1936 CM4604 SATB A cappella N/A English Holiday C4D4-G5; A: D4-B4; T: D3-E#4; B: A2- fermata,
S: notes accel. e cresc., ending, within each part, complicated
rhythms changes, partrhythms,
independence
unison, syncopation, part Lundy
Fruitcake Hagemann, Philip and Penny Leka N/A Publishing 2015 43387 SATB Piano optional instrumental N/A
Piano, English Holiday C4 chromaticsm
Crescendo/Decrescendo, unison independence Lundy
Sing We Now of Christmas Althouse, Jay Althouse, Jay Alfred
Neil A.Publishing
Kjos MusicCo. 1993 5827 SATB packet and CD N/A English Holiday S: C4-B5; A: C4-B5; T: F3-D4; B: C3-D4 baroquephrasing,era, accidentals
homophony vs Accidentals Tempo changes Crouse
All Ye Who Music
Bill Bailey, Won't You Love Donato, Baldassare N/A Company 1992 8745 SATB A cappella N/A English General S: E4-D5; A: B3-A4; T: G3-E4; B: G2-B3 polyphony, ties, word stress
S: Bb3-G5; A: A3-C5; T: E3-E4; B: F2- syncopation, swung rhythms, rhythmic complexity, internal counting, balance polyphony,
chromatic pitches, divisi,bar,
vowels, 3/4 keybalance
change, rhyhtmic DeRuby
Please Come Home? Cannon, Hughie Gilpin, Greg Hal Leonard Inc. 2011 35027795 SATB A cappella N/A English Jazz, General B3 2/2, Tempo
rit., chromatic I, te,pitches,
le, rit. al dynamics
tempo changes, chromatic someaccuracy,
range,part independence
remembering all dynamics, tempo Swingle
Peace Flows Into Me Nix, Brad N/A Hal Leonard Inc. 2011 35027702 SATB Piano
(tambourine and tabor), N/A English General S: C4-F5; A: A3-C4; T: C3-F4; B: F3-C4 allargando,
fine a tempo, mixed chromaticpitches pitches, stagger changing
changes time signatures, irregular time signatures, Swingle
Come to the Music Martin, Joseph M. N/A Shawnee Press 2001 A2138 SATB Piano, opt. tambourine, opt. N/A
piccolo English
English, General S: B3-A5; A: B3-E5; T: B3-F4; B: B3-D4 meter breathing, dynamics
half note triplet, triplet, slurs, rolled "r," chromatic notes, key changes DeRuby
Danza! Linda Spevacek N/A Heritage Music Press 1995 15/1181H SATB castanet N/A Spanish General S: E4-G5; A: B3-C5; T: G#3-E4; B: B3-C4ties quick breaths changing time signatures, tempo DeRuby
Mixed meter; ritard; Complex harmonies;
Southern Music chromatic chords; More than mixed meter; drastic This is a very dense piece note wise. Getting the
O Magnum Mysterium Lauridsen, Morten N/A Publishing Co. 1995 2227209 SATB Unaccompanied N/A Latin Sacred S: C4-F5,
S: A3-G5 A:A: C4-D5,
G3-D5 T: D3-G4 B:B:
T:Eb3-Eb4, D2-D4 4 part split meter, key
Ab2- Compound dynamic range
chromatic notes, unison chords
The to lock
tempo in could
could be anfrequent
slow with issue anacrusis in Hutchinson
Caroling!
The Lord Bless You and Grier, Gene Everson, Lowell Grier,(transcribed
N/A Gene HeritagePublic
Choral MusicDomain
Press 1993 15/1034 SATB Piano N/A English Holiday
Anthem, D4 change, anacrusis
grouping (ta-mi), legato, singing independence, Ryhtmic
rhythmic compound meter Melismatic/polyphonic sections,
integrity, Calfee
Keep You Lutkin, Peter C. by Ornes, Rafael) Library 1999 N/A SATB Organ N/A English General, Sacred S:
S: Eb4-Ab5
C4-G5; A:A:B3-A4;
Bb3-Bb4T: E3-E4; B: F2-C4
T :F3-Eb4 melisma,
B: F2- and polyphony
dynamics, African stong part independence vowel unification Relue
My Lord, What a Mornin' Spiritual Burleigh,
N/A (edited Harry
by T. Belwin Mills,
Walton Music Inc. 1924 N/A SATB Acapella N/A English General
Holiday; Ab3
S: G4-E5; A: D4-A4; T: F#3-F#4; B: A2- dynamicAmericancontrast,
Spirituals Unaccompanied
phrasing, pronunciation, singing Monothongs/unified
part Unaccompanied singing and good
vowels, divisitone production in Calfee
Gloria in Excelsis Vivaldi, Antonio Martens, Mason) Corporation 1961 W2043 SATB Piano N/A
soprano and tenor Latin Seasonal B3 ties/elongated
dotted eighth notebeat+ independency
diction and rhythmic higher register, phrasing, syllabic stress/prosody Relue
Wangol N/A Källman, Sten Walton Music 2001 HL00118887 SATB Piano and percussion solos Haitian General S: D4-D5, A:Bb 3-C5, T:F3-A4, B: F2-D4 giant sixteenth note dynamics homory-thmic
crescen-do, accuracy texture, dotted eighth notes Reed
In Silence Klimek, Jens N/A CPDL 2016 41404 SATB A cappella N/A English Folk S: F4-B5 A:D4-D5 T: A3-G4 B: E2-B3 emotion-al effect rhythm in
themes and variations legato tempo call and response general soprano and alto split, express-ion of piece Mueller
Blessed be the man Steggall, Charles Charles Steggall CPDL 1905 22855 SATB Piano N/A English Secular S: F4-G5 A: A3-G4 T: C3-D4 B: F2-G3 dynamic shapping techniq-ues dependen-ce on conductor Mueller
Warner Bros. syncopation;
Part singin/partgospel
Hymn to Freedom Peterson, Oscar Hovi, Seppo Publications 1963 VG360 SSA Piano N/A English Gospel SI: c4-e5; SII: c4-d5; A: g3-d5 swung style/rhythm,
Swing eighths diction
independence, strong extended A range Webb
Alfred Music General; music borrowed meter, sycopation, expressive and stylistic
You're the Top Porter, Cole Hayed, Mark Publishing Co., Inc. 2010 33187 SSA Piano N/A English from musicals S I:C4-A5; S II: Bb3-F5; A: G3-C5 crescendo performance, good diction Style, rhythmic accuracey, part independency Relue

S1:D4-G5, S2:D4-G5, A1:C4-C5, A2:A3- light sound in upper

I Shall Not Live In Vain Scroggins, Debra N/A Alliance Music 1977 930 SSAA Flute and Piano N/A English General C5 dissonances register dissonances throughout entire piece Reed
accident-als, individual
Some
Lovely"Musical"
Venus Catches Holst, Gustav Jan Wilke CPDL 1932 55127 Three Part Mixed A cappella N/A English Mythical I: G4-G5 II: E4-E5 III: C4-C5 rhythm in parts dynamic markings be individual with parts, crisp consona-nts with text Mueller
(The Catch Club or Merry text, melody vs. harmony
Compan-ion) Emphasis on I: G4-C5 II: E4-C5 III: C3-C4 (down the with melodic lines, express- sixteenth notes, rhythm accident-als that come in too fast for the students, the
the third and
Dreamer, Thefinal song
Developing Anonym-ous; Purcell, Henry Anders Stenberg CPDL 1731 10299 Three Part Mixed A cappella N/A English Folk octave written) ion, blend that is
Part advaced
independence, unison cut time Mueller
Part Singer Eilers, Joyce Eilers, Joyce Jenson Publications 1984 40225076 Three Part Mixed Piano N/A English Any I: B3-D5 II:B3-F#B4 III: B3-D4 Singing in parts, ritardando singing
reading bass cleff; part Clear consonant pronunciation Calfee
Barechu Rossi, Salomone N/A
Lightfoot, Mary CPDL N/A 57384 Three Part Mixed A cappella N/A Hebrew General
General, S: D4-D5 A: D4/G4 repeated sections;
snapping), rounds
syncopation, independence
snapping, clapping, mixed accidentals;
motor skills, uneven durations tied
snapping/clapping together
while singing, unison Webb
Ezekiel Saw the Wheel Traditional Spiritual Lynn Chorister's Guild 2017 CGE146 Three-Part Mixed Piano N/A English Spiritual
General, I: C4-F5; II: C4-C5; III: F3-D4 sudden dynamic
staggered changes
dynamics, enterancesnotes rhythms,
sixteenth singing
complicated rhythms, holding own part that's different Lundy
Ain't That Good News Traditional Spiritual Hogan, Moses Hal Leonard Inc. 1997 8749730 Three-Part Mixed Piano N/A English Spiritual
General, I: D4-F5;
T1: II:T2:
E4-G5; C4-Bb4;
E4-D5;III:
B1:F3-D4
D3-B3; B2: syncopation,
crescendo, fermatapartly
fermata, phrasing
homophony, polyphony, a from other parts, repetition within voice parts Lundy
Bound For Jubilee Eilers, Joyce N/A Studio 244 1979 V 7904 TTBB A cappella N/A English Spiritural C3-B3 unison, cut time cappella, canon unison vowels, "Hal-le-lu" vowels, half-note = 96 Lundy
Show Me Compassion St. Clair, Gabirel Gabriel StClair CPDL 2017 46516 Two Part A cappella N/A English Religious I: Ab3-Db4 II: C3-Db4 Fermata, Cannon dynamic
watch markings
conductor for Melody vs. harmony, memoriz-ation issues Mueller
Cannon A 2 Pasino, Stefano Stefano Pasino CPDL 1677 51452 Two Part A cappella N/A Latin Secular I: D4-D5 II: C4-C3 counter-point, text meaning shaping of text part memoriz-ation, latin text Mueller
All Shall Be Well Ferrari, Carlotta N/A CPDL 2016 N/A Two-Part Treble A cappella N/A English General I: F4-C5; II: F4-Bb3 Melisma, a capella
Latin, dotted eighth-singing Melisma, tone quality Melisma, part independence Fields
Agnus Dei Webbe, Samuel N/A CPDL
Hal Leonard N/A N/A Two-Part Treble Organ N/A Latin Spiritual S: E4-F5; A: Ab3-Bb4 sixteenth rhythmnote
eighth-sixteenth Latin diction, head voice, Leaps in soprano Fields
I Bought Me a Cat Steen Spevacek, Linda N/A Publishing Corp 1989 8720815 Unison Piano N/A English General I: f4-d5 combos vowel uniformity;
Syncopation; Dynamic animal sounds; mixed meter Webb
Ching-A-Ring Chaw Minstrel Copeland, Aaron Boosey & Hawkes 1954 OCTB6609 Unison Piano (Oboe, Flute, or
Piano, NA English General D4 (Op. A3) - A5 Minstrel Song
accidentals, dynamics, pick- Contrast Language; Sensitivity to Race Relue
Who Has Seen the Wind Victoria Ebel-Sabo N/A Boosey & Hawkes 1995 OCTB6773 Unison Violin) N/A English General D4-D5 up notes, minor key dotted uniformity;
vowel rhythms unison Vowel unification, rhythm changes DeRuby
A SongCelebrate
Come, of Hope God's Gift Villiers Stanford, Charles N/A CPDL 1900 29809 Unison Piano or
Piano, Organ flute, finger N/A
optional: English Sacred D4-D5 mixed meter;D.S.
syncopation, anacrusis
al Coda, singing notes, head
chromatic frequently changing harmonic theme Webb
of Music Patterson, Mark Patterson, Mark Choirster's Guild 2010 CGA1199 Unison cymbals, claves N/A English General D4-E5 repeats
decrescendo, eighth rests, voice, modulation
Sixteenth note rhythms, unison, chromatic notes, D.S. al Coda Lundy
The Night Piece Allan, Geoff N/A J. G Allan, Yenston 1996 N/A Unison Piano N/A English General A4-E5 phrasing
Staccato, syncopation, eighth rests Rhythmic accuracy, chromaticism Fields
My Black Cat Allan, Geoff N/A J. G Allan, Yenston 1997 N/A Unison Piano N/A English General D4-C5 anacrusis
directions, accidentals, Staccato,dynamics,
solfege, syncopation Rhythmic accuracy Fields
Galop Berg, Ken N/A Pavane Publishing
Boosey & Hawkes, 2007 P1307 Unison Piano N/A Solfege General C4-G5 accents
vs. compound meter, accidentals
changes, roadmap (first solfege, key change, tempo changes DeRuby
Dormi, Dormi Italian Carol Goetze, Mary Inc. 1984 48003968 Unison Piano or Harp N/A Italian General E3-D5 dynamics and second endings) steady tempo and meter changes Swingle
O Music Mason, Lowell Rao, Doreen Boosey &
Hebrew Hawks Inc
Publishing 1997 N/A Unison Piano N/A English General B3 to E5 Anacrusis, repeats Singingquarter
dotted melody w/ acc.
+ eighth Road map navigation Cunningham
My America Russotto, Henry A. Rosenfeld, Morris Company 1917 N/A Unison Piano N/A English General D4-E5 fermatas
dotted eighth + sixteenth note
comfortable with low sol triplet Reed
The America
My Poet's Song
(Our New H. Parry, Hubert C. N/A M.
Stanley N/A
Hebrew Publishi-ng N/A N/A Unison Piano N/A English General B3-E5 notes
Dynamics, Fermata, Tempo --> do rhythmic accurracy Reed
Hymn) Russotto, Henry A. Hoffman
Sir Authur Co.///// CPDL 1917 CPDL 22071 Unison Piano N/A English Patriotic D4-G5 Changes. Grandioso,
Fermata, Triplet, rit. poco crescen-do
Balance anddecresce-ndo
Blend, triplet at end of piece, dynamic consistantcy. Mueller
The Lost
Come, LetChord
Us Sing To The Proctor, Adelaide A. Sullivan
Congretation of CPDL 1917 CPDL 21526 Unison A cappella N/A English Secular G4-E5 rall, dim intoning
vowel on correctquick
uniformity; vowel homorhy-thmic structure Mueller
Lord (Act of Praise) McVey, Ron Newtown UMC CPDL 2007 50169 Unison A cappella N/A English Chant C4-D5 slur v. tie;
Canon; dottedharmonic
culture; half note breaths range (high) Webb
Haida Traditional Chassidic Leck, Henry Plymouth Music Co. 1994 HL-516 Unison Canon Piano N/A Hebrew General d4-d5 minor Harmonic minor;
Pitch matching, part canon Syncopation; tempo Fields
Hashivenu Folk Song, Israili Rao, Doreen Boosey & Hawkes 1987 OCTB6430 Unison Canon Piano N/A Hebrew General c4-eb5 Hebrew diction independence Pure vowels Calfee

Pitch matching, part

Marienwürmchen Brahms, Johannes Goetze, Mary Boosey & Hawkes 1989 OCUB6521 Unison Treble Piano Recorder and
Soprano N/A German General d4-d5 German diction
crescendo/decrescendo; independence
Singing in minor; vowel Mixed vowels Calfee
Wind on the Hill Ebel-Sabo, Victoria N/A Boosey & Hawkes 1989 OCTB6519 Unison Treble Piano
Piano, opt. burden for Orff N/A English General D#4-D5 anacrusis uniformity unison vowels; diphthongs creeping in on long notes Swingle
Good Night
Joshua Fought the Battle Of Kabalevsky, Dmitri Rao, Doreen Hal Leonard LLC 1987 OCUB6441 Unison, (Opt. 2 part) instruments N/A English General
General, I: D4-E5; (II): D4-D5 Russian Folkdown),
tum-buh-lin' Song jazz Dynamics finger snaps,
dynamics, Tempo Fluxuation
syncopation, chromatic notes, biblical connection, Crouse
Jericho African American Spiritual Curry, Craig Chorister's Guild 2008 CGA1148 Unison/2-part optional Piano N/A English Spiritual C#4-D4 (optional E4 in Part II) swing, rit., chromatic notes finger snaps, repeats, Lundy
 Piano w/ opt. Bodhran English w/ Secular, General, nonsense words; syncopation; complex rhythms; key change; spoken notation; fermata; alternate Pronunciation of nonsense words; rhythmic octave leaps; pronunciation; rhythm; part
Stand Together Papoulis, Jim N/A Boosey & Hawkes, Inc. 2006 48019165 3-Part Treble Drum NA nonsense words Unity Solo
Contest I: A3-F#5; II: A3-D5; III: G3-C5 ending; chosen
octave, 1st andspecifically
2nd ending;forechothe adolescent boy's voice. The complete range of the book falls independence; part independence; leaps; range independence; range Swingle Sp20
The Boy's Changing Voice VariousLinda Miller and
Shaw, Richard Walters Hal Leonard Corporation 2013 HL 00121394 Cambiata Voice Piano All English Collection Various betweendiction;
French the F below
mixedmiddle
vowels;C grace
to the notes;
G above middlecaesura;
fermata; C. molto legato; dotted line; poco rit.; French diction; part independence; dyamics; French diction; grace note timing; leaps; chromatic Latta Spring 2020
Petit Enfant Thompson, Dana N/A Santa Barbara Music Publishing 1997 SBMP 199 SA Piano w/ opt. flute N/A Solo or Small
Opt. French Secular S: F4-F5; A: C4-Eb5 key change; slur ensemble work with flute; key change pitches; phrasing Swingle Sp20
Red, Red Rose Stacy, Kara N/A Excelcia Music Publishing LLC 2020 UTP2002 SA Piano, and Tambourine Group English General, Love P1: Bb3-Eb5; P2: Bb3-C5 Unison singing, part singing, dynamics, Part singing, Breth Support, Stagger Breathing Not letting the tambourine rhythms be a distraction Crouse Spring 2020
O Wind John Tratta, Michael N/A Alfred Music 2020 48322 SA Piano N/A English General P1: D4-D5; P2: C4-C5 DS al CODA, Part singing, dynamics, cresc. dcresc., ties Part singing, breath support, stagger breathing A Possibly rhythms
capella singing, repeat signs, first and second Crouse Spring 2020
Cuckoo
Soon Ah Will Be Done (With Morton, Debra N/A Brilee Music 2017 BL951 SA A capella, Opt. Piano N/A English General, comical P1: F#4-D5; P2: C4-B4
African American A capella singing, repeat signs, first and second endings, staccato A capella singing endings Crouse Spring 2020
Wayfarin' Stranger) Smith, D Farrel; Smith Shelly J N/A Brilee Music 2018 BL1001 SA Piano N/A English Spiritual P1: Db4-Gb5; P2: Db4-F5 Cromatic, Swing, Syncopation, African American cultural background, ties Cromatic singing, breath control
part independence, dissonancem breath support in Breath control, swing feel, syncopation, rhythms Crouse Spring 2020
I Shall Not Live in Vain Scroggins, Debra NA Alliance Music Publication 2013 AMP 0930 SA Piano with flute NAmm. 1-9, ad lib @
S: English General S: D4-G5, A3-C5 T: G3-A4, B:
C4-G5, A: A3-D5, Fermatas, crescendo, decrescendo, imitation, form upper register, breath support in long phrases part independence, dissonance, breath support inReed Spring 2020
The Star-Spangled Banner Smith, Stafford John Whitacre, Eric Hal Leonard Corporation 2016 198264 SATB a capella end English Patriotic D2-D4
S: F4-D5, A: C4-A4, T: G4-F4, B: F3- dotted rhythms, timbre, rit. tonal interdependence, cluster chords, rhythmic vocabulary Webb Spring '20
Sisi Ni Moja Narverud, Jacob N/A Santa Barbara Music Publishing 2017 SBMP1439 SATB djembe, piano N/A Swahili, English Celebration, Secular S:
Spiritual, D4D4-C5, A: D4--A4, T: C4-E4, B: 8th--16th combos, scoops/glides pop scoops, aspriate onset rhythm + tempo, ranges are a bit unusual in notation Webb Spring '20
I Sing Because I'm Happy Gabriel, Charles H. Dilworth, Rollo Hal Leonard Corporation 2014 124479 SATB bass guitar, drum set, keys SATB throughout English Celebration C3-C4
S: C4-F5, A: D4-D5, T: E3-F4, B: G2- syncopation, singing with combo/band accomp catch-breaths, vowel modification combo-ensemble balance, Webb Spring '20
Lunar Lullaby Narverud, Jacob N/A Santa Barbara Music Publishing 2015 SBMP1431 SATB piano N/A English Lullaby, Ballad
Empowerment; D4B3-E5; A: B3-B4; T: E3-E4; B: B2- ta-mi);
S: hemiola, paired duets
Crescendo; Decrescendo; Subito; Meter Change; Pedel Tones; Voiced vs Unvoiced stagger breathing,
Performance vibrantContrast
of Dynamic ppp breath control,
(ex. Crescendo Execution blend ofDynamic
of Indicated [a] vowel Changes; Keeping Webb Spring '20
Be the Change Narverud, Jacob NA Santa Barbara Music Publishing 2019 SBMP 1571 SATB Piano NAm. 8-24 (mixed
& English Showstopper; Unity S:C#4C4-G5, A: C4-C5, T: E3-E4, B: C3- Consonants; Accents & Descrescendo) pitch for Sustained Pitched Consonants (ex. Mmmh) Relue S2
Why We Sing Greg Gilpin N/A Shawnee Press, Inc 2005 A 2239 SATB Piano voices) English General E4
S: D4-G5, A: Bb3-D5, T: C3-G4, B: Descant, accents, suspensions, cut time, ties, modulation, imitation part-indepence
Good breath control through long phrases, quality longmodulation,
phrases vowel
in one unification
breath, part independance, DeRuby Spring '20
In Remembrance Ames, Jeffery NA Walton Music 2005 HL08501547 SATB Piano and Horn in F NA Latin/English remembrance F2-D4 pure vowels vs. diphthongs, modified vowels in upper register, crescendo, decrescendo tone during
long, piano
sustained dynamics
breathing though short and dissonance Reed Spring 2020
E Pluribus Cantus Brunner, David L. NA Boosey & Hawkes, Inc. 2011 48021223 SATB Piano NA Latin/ English Gather
Empowerment; S: D4-E5, A: B3-D5 pure vowels
ta-mi); vs. diphthongs,
Crescendo; Decrescendo;modified vowels
Subito; MeterinChange;
upper register, triplets
Pedel Tones; Voiced vs Unvoiced choppy phrases
Performance sloppy triplet
of Dynamic Contrast (ex. Crescendo Execution rhythms Dynamic Changes; Keeping Reed
of Indicated Spring 2020
Be the Change Narverud, Jacob NA Santa Barbara Music Publishing 2019 SBMP 1572 SSA Piano NA English Showstopper; Unity S: B3-E5; S: D34-E5; A: A3-B4 Consonants; Accents & Descrescendo)
non-diatonic pitch for Sustained
solfege; Latin diction; wide range; dipthongs creeping Pitched Consonants
in; low ranges, (ex. Mmmh) Relue
alto especially; S2
In Praise
O Virtutethe
Tua
Lord with Heart and Traditional Latin Gilpin, Greg Heritage Music Press 2012 15/2908H SSA Piano NA Latin
English (or Sacred S1: Db4-F5; S2: Db4-Db5; A: Ab3-C5 Homorhythmic
Latin; pure vowels; "hairpin"; rit.,
vs. polyphonic; a tempo;
imitation; dotted rhythms;
melisma; chromaticcaesura;
pitches;Tempo
staccatoI vs. tenuto; dynamics andrhythm;
articulation; expression long, heldarticulation;
phrasing; part independence unifying F5 part independence; high range; Swingle Sp20
Voice Haydn Narverud, Jacob Santa Barbara Music Publishing 2014 SBMP 1186 SSA Keyboard N/A German) Sacred S1: A4-G5; S2: D4-Eb5; A: C4-C5 anacrusis; dotted rhythms in imitative
vowel passages;
unification, higher-set
breath supportmelody
in quiet chromatic
legato line pitches
(especially in the sopranos), scooping on Swingle Sp20
Lullaby Daniel Elder N/A GIA Publications 2012 G-8368 SSA Piano N/A English General Group 1; S1: C4-G5, S2: C4-F5, A: A3-F5
Contest: mesa di voce,
Monothong vsmeno mosso,Accidentals;
Diphthong; anacrusis, fermata, rallantando
Latin Diction; Dotted Rhythms (Dotted Quarter & Eighth Tall sections,
& Purelegato singing
Vowels; Strong Upper Range for leaps, balance,Breath
Diphthongs); vowelControl;
unification
Clear and Consistant DeRuby Spring '20
Suscepit Israel (The Lord is Merciful) Bach; Johann Sebastian Don Craig Plymouth Music Co., Inc. 1987 55-48253 SSA Piano or Organ N/A Latin or English Sacred; General S: C#4-g5;
S1&2: S: D4-F#5;
D4-A5; A2: D4-F4; Noted Rhythm Patter); Phrasing; Melissma; Syllabic; Neumatic; Melissmatic; Texture
A: G3-B4
A1: D4-F5; Sopranos;
tempo; Good Phrasing
rhythmic integrity; part independence; Tonetend
may in Upper
to go Register;
flat; may Consistant
tend to slow Phrasing
down; Relue S2
Hark, I Hear the Harps Eternal Traditional Parker, Alice Lawson-Gould Music Pulbishing 1967 LG51331 SSAATBB a cappella opt. S: mm. 33-41 English Sacred T: C4-Eb5,
S: D2-F4; B1: C3-F4; B2:
A: B4-D5, C3-F3B:
T: F3-F4, 3/2; anacrusis; syncopation; poco marcato vs. poco legato; poco rit. al fine; fermata vocal agility syncopated/complicated rhythms; wide vocal ranges Swingle Sp20
The Conversion of Saul Stroope, Randall Z. N/A Alliance Music Publishing, Inc. 2004 AMP0530 SSAATTBB a capella N/A Latin, English Sacred F2-F4 mixed meter, vocal shout, pedal tone/suspensions vocal "shout",
Stagger stomps,
breathing, other
English sonic effects
diction, polyphonic pedal tone, chromaticism Webb Spring '20
All Star (As an English Madrigal) Greg Camp Nathan Howe Shawnee Press, Inc 2018 35032390 TB A capella N/A English General, Humor B:A2-D4, T: E3-E4 English madrigals, polyphony, homophony singing Polyphonic singing, accidentals Latta Spring 2020
Purple People Eater Sheb Wooley Greg Gilpin Shawnee Press, Inc 2012 35028537 TB Piano, kazoos 2, spoken English Halloween B: C3-C4, T: F3-D4
T: A3-F4, B: (B2)D3-C#4 (split at Syncopation, anacrusis, binary form Falsetto, english diction Vowel unification
accidentals, dotted 8th-16th rhythm, dynamic Latta Spring 2020
Laudate Dominum (Psalm 117) Dan Davison N/A Walton Music 2009 WW1425 TB Piano, opt. string quartet N/A Latin Sacred, General end) classical style, neapolitan chords, staccato vs legato, accents, mesa di voce, latin diction articulation, diction changes, pp DeRuby Spring '20
Kyrie Schram, Ruth Elaine N/A Brilee Music 2004 BL419 TB Piano N/A Latin General T: G4-G5; B: C3-C4 Molto Rit, a tempo, dynamics, rall., dim. breath control, stagger breathing, language breath control, language, rit, dim, Crouse Spring 2020
Her Voice Laura Farnell NA Hal Leonard Corporation 2009 10064535E TB Piano NA English Adoration T: F4- B3, B: D3-B4 ties, crescendo, decrescendo Proper
tied breath notes,
sixteenth support in upper
breath register
control in upper Breath Control, Part independance Reed Spring 2020
Will the Rain Fall Down Braeden Ayres NA Carl Fischer 2018 CM9536 TB Piano NA English hope T: F3-F4,
T1: D3-G4,B:T2:
D3-D3-E4,
D4 B1: G2-E4, diphthongs, 16th notes register reading accidentals, strong part
Falsetto, tied sixteenth
rhythm insteadnotes, breatheighths
of straight control(color),
in upper register Reed
tempo Spring 2020
Black is the Color Connor J Koppin N/A Mark Foster Music 2016 35031146 TTBB Piano T: mm. 3-9, 56-57 English General, Ballad B2: A3-A4,
T1: G2-E4 T2: E3-E4, B1: E3-D4, imitation, fermata, tenuto, suspension notes independence change, singing
rhythms: triplet, expressively
16ths, sudden dynamic changes, DeRuby Spring '20
Ad Amore Lee Kesselman N/A Boosey & Hawkes, Inc. 2015 10609877 TTBB non-pitched bells N/A Latin General B2: A2-C4 rhythms, marcato, ties, accents, tenuto, Latin Diction rhythmic skill, experience
Sesotho/isiZulu with dissonance
diction; a capella singing; mm. of
Lots 18-21
partdissonance,
independence; last keeping
page meter
the changes
key and DeRuby Spring '20
Modimo Traditional Sesotho/isiZulu Barrett, Michael Walton Music 2019 11200553 TTBB Djembe N/A Sesotho/isiZulu Sacred; General T1: G3-Bb4; T2: Eb3-Eb4; B1: C3- Sesotho/isiZulu diction; syncopation; South African culture; djembe; a capella singing; anacrusis Syncopation; syncopation; djembe keeping
Latin diction; tone quality; a capella have up tempotone quality; B2 part has a wide
exceptional Fields Spring 2020
Northern Lights Ola Gjeilo N/A Walton Music 2010 TTBB (Solo Collection for
Various A capella N/A Latin Sacred; General
Contest Solo Bb3; B2: G2-C4 Latin diction; syncopation; a capella; changing meters singing; phrasing and expression range Fields Spring 2020
Anthology for the Developing Singer Various Gregory Pysh Galicia Music 2014 MSGP01-23 Medium (Solo
Various Voice)
Collection for Piano All Various Collection
Contest Solo Various A collection
CD). Inspire of solo
your songs
next wave from the Baroquesolo
of outstanding to modern stylesthis
singers with forindispensable
the beginningcollection
singer. of pieces Latta Spring 2020
Solo Songs
Finding for Young
Middle Ground;Singers
Soprano, Various Andy Beck Alfred Music 2018 46840 MediumSopranos
Young Voice) and Mezzo- Piano All Various Collection
Contest Solo Various that theyeventual
singer’s will lovevocal
to sing!
classification. Historical information, range, teaching tips, and translations Latta Spring 2020
Mezzo-Soprano
Finding Solo Collection
Middle Ground; Tenor, Various; Author: Lynn Eustis NA GIA Publications 2005 G-6957 SopranosSolo Collection for
Various: N/A Various Collection
Contest Solo Various of the classification.
vocal foreign-language pieces expertly
Historical guide
information, the teacher
range, andtips,
teaching student through each
and translations ofpiece.
the foreign- Relue S2
Baritone Solo Collection Various; Author: Lynn Eustis NA GIA Publications 2009 G-7335 Young Tenors and Baritones N/A Various Collection Various language pieces expertly guide the teacher and student through each piece. Relue S2
Title Composer Arranger Publisher Publ Date Publ ID Voicing Accompaniment Solos Language OccasionGroup 1; Voice Ranges
Contest: Concepts Skills
Passagio; Breath support in long phrases; leaps; Potential Problems Source Semester
Bonjour, Suzon! Delibes, Léo N/A G. Schirmer, Inc. 1939 4908091 Young Man's Voice Piano N/A French General Group 1; C3-F4
Contest: French diction; grace notes; staccato and legato; form French and
Legato diction; staccato
staccato and legato;
singing; phrasing
phrasing; breath Lots ofrange;
Large leaps;many
spends a lot ofwill
students time above
need C4; French
to change the Fields Spring 2020
The Vagabond Vaughan Williams, Ralph N/A Boosey & Hawkes, Inc. 1905 10507258E Young Man's Voice: Bass Piano N/A English General Group 1; C3-Eb4 or C2-Eb3
Contest: Legato and staccato; pesante; animando; robustamente supportturns;
Trills; in upper
Germanregister
diction; melisma; breath key Fields Spring 2020
Ave Maria Schubert, Franz N/A G. Schirmer, Inc. N/A 978-
HL.50327490 Young Women's
Man's Voice: Unchanged
Voice; Mezzo- Piano N/A Latin Sacred; General
Contest Solo; F4-F5 German diction; monothongs and diphthongs; ornamentation; melisma control
Foreign Language (Italian); Phrasing; Crescendo; Ritardando; Fermata: Glides; Dynamic Contrast; Transition through Passagio; Good Breath Control for Longer Phrases; Strong Diction for Quick Fields
Melisma; German; Breath support Spring 2020
Se tu m'ami Pergolesi; Giovanni Battista NA; Edited by Paton; John Glenn Alfred Music 1991 0882849362 soprano
Young Women's Voice; Mezzo- Piano NA Italian ISSMA
Contest Solo; A3-E5 Diction
Recitative; Old English; Poetry; Legato; Crescendo; Decrescendo; Phrasing; Mixed Meter Control Section; Foreign Language
Double Vocal Line; Maintaining Strong Support sustained high note; Borrowed meter; Transition Relue S2
Silent Noon (House of Life ) Vaughan Williams, Ralph NA G. Schirmer, Inc. 1991 9.780794E+12 soprano
Young Women's Voice; Mezzo- Piano NA English ISSMA
Contest Solo; C4-Eb5 (Triplets); Tempo Changes; Form; Fermata and
ChestTone in Sustained
Voice High Notes
to Head Voice; Strong Ear from Chest to Head
accompaniment Voiceinclude vocal line;
doensn't Relue S2
Wie Melodien zieht es mir Brahms, Johannes NA G. Schirmer, Inc. 1991 9.780794E+12 soprano Piano NA German ISSMA Ab3-Eb5 Accidentals; Foreign Language (German); Umlaut; Schwa; Legato; Phrasing; Cut-Time; Poetry Training/Part-independance Accidentals; Foreign Language (German) Relue S2