Aerials

Words and Music by Daron Malakian and Serj Tankian

Drop D tuning, down 1 step:

(low to high) C-G-C-F

Intro C Verse


Free time Moderately fast q = 162 Half-time feel

B 5 5 5
G  
(Strings) 9 sec. Bb5

1., 2. Life is a wa -


  9 sec.

 B 5 5 5

 f

¤ 8 8 8 8

5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G
-
- ter - fall, we’re one in the riv - er and one a - gain af - ter the fall.
we drink from the riv - er, then we turn a - round and put up our walls.


 5 5 5 5 5 5 5 B 5 5 5 5 5 5 5 5 5 5

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

5 :
D5 G5 D5 F5 D5 E5 D5

G  5 ? 0 0 0

/
 B B B B

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

10 8 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Copyright © 2001 Sony/ATV Music Publishing LLC and Ddevil Music

All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
 5 5 5 5 5 5 = 5
Bb5
5 5 5 5 5 5 5 5 5 5 5 5 5
G 
Swim - ming through the void we hear the word, we lose our - selves but we

 B 5 5 5 5 5 5 5 5 5 5 B 5 5 5

8 8 8 8 8 8 8 8 8 8 8 8 8 8

: 5
D5 G5 D5 F5
5 5 5 5  B
G ? 0
find it all.

 5 5 5 B B
5 5 5 5
5 5 5 5 5 5 5 5

10 8
8 8 8 8 8 8 8 0 0 0 0 0 0 0 0

D5 E5 D5 Bb5
5 5 5 5 5 5 5
G 0 ? 4 =   
’Cause we are the ones that wan -

 B B B 5 5 5
5 5 5 5 5 5 5 5

7 5
0 0 0 0 0 0 0 0 8 8 8 8

5 5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G
- na play, al - ways wan - na go but you nev - er wan - na stay.

 5 5 5 5 5 5 5 B 5 5 5 5 5 5 5 5 5 5

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

2
 D5 G5 D5 F5 D5 E5 D5

G B ? 0 0 ? 4 = 5
And

 B B B B

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

10 8 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

To Coda ;
555 5 5 54 5 5 5 5 5 5 5 5 55 5 555 5
Bb5
5 5 5 5 5 5
G  
we are the ones that wan - na choose, al - ways wan - na play but you nev - er wan - na lose.


B 5 5 5 555 5 555 B 5 5 5 5 55 555 5

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Interlude
D5/F D5/E D5 D5/G D5/F D5/E

G ' 5 4 ? 0 0

 5: 5 5 5 5 5: 5: 5 5: 5 5 5 5 5: 5: 5
     

3 2 0 0 0 0 5 3 2 2 2 2

 5: 5 5: 5: 5 5: 5:
D5/F D5/G D5/A D5/Bb D5/A D5/G D5/F D5/E D5
5 5 5 5 5 5 5 5 5
     

3 5 7 8 7 5 3 2 0 0 0 0

3
 Chorus

5:
D5/F D5/E D5 D5/G D5/F D5/E

B:
G  5:  4  4
5 5 5 5 B: 5 5 5

 5:
Aer - i - als in the sky.

5 5 5 5 5: 5: 5 5: 5 5
 5 5 5: 5: 5
    

3 2 0 0 0 0 5 3 2 2 2 2

D.S. al Coda

 
D5/F D5/G D5/A D5/Bb D5/A D5/G D5/F D5/E D5

G  5: 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B:
4

 5: 5:
When you lose small mind, you free your life.

5 5: 5:
5 5 5 5 5: 5 5 5 5
    5 5
 

3 5 7 8 7 5 3 2 0 0 0 0

; Coda A5

5 5 5 5 5 5 5 ' ' '

G  
nev - er wan - na lose. Oh!

_
 5 5 5 5 5 5 5 5

5
5 5
5 5
5 5
5 5
5 5

8 8 8 8 8 8 8 7 7 7 7 7 7 7 7 7 7 7 7

Interlude
F5 E5 D5 G5 F5 E5
5 B: 5
G 4 ? 0 0

5:
  

5 5
5 5 5: 5 5 5 ' 5 5 5

7 7 7 7 3 2 0 5 3 2

4
 5 5:
F5 G5 A5 Bb5 A5 G5 F5 E5 D5
   
' 5: 5 5 5 5 5 5: 5 5 5 '

2 3 5 7 8 7 5 3 2 0

5:
Chorus

: B:
F5 E5 D5 G5 F5 E5
5:
:
 5 5 5 5 4 5 5 5 B: 4
G  
Aer - i - als in the sky.

  ::
Aer - i - als so up high.

5:

5 5 5 ' 5: 
5 5 5 '
:
: 3 2 0 5 3 2

5:
F5 G5 A5 Bb5 A5 G5 F5 E5 D5


5 5

5 5 5

5 5
 5 5 5 5 5 5 5 B: 4 ::
G
When you lose small mind, you free your life.
When you free your eyes, e - ter - nal prize.

  5 5 5:

5  ::
5: 5 5 5 5: 5 5 5 '
:
3 5 7 8 7 5 3 2 0
:

G  :: 5: 5:
D5/F D5/E D5 D5/G D5/F D5/E

B:
 4  4
5 5 5 5 B: 5 5 5
Aer - i - als in the sky.
Aer - i - als so up high.

  :: 5 : 5 5 5 5 5: 5: 5 5: 5 5 5 5 5: 5: 5
     

:
: 3 2 0 0 0 0 5 3 2 2 2 2

5
   ::
D5/F D5/G D5/A D5/Bb D5/A D5/G D5/F D5/E D5

G  5: 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B:
4
When you lose small mind, you free your life.

 5: 5:
When you free your eyes, e - ter - nal prize.

5 5

5 5 5:

5 5 5 5
 5 5 5: 5: 5 ::
 
:
3 5 7 8 7 5 3 2 0 0 0 0
:

Outro

G  :: 5: 5:
D5/F D5/E D5 D5/G D5/F D5/E
 4 
5 5 5 B: 5 5 5

5:
Ah, ah.

 :: 5: 5:
 5 5 5 5 5 5: 5 5 5
   
:
: 3 2 0 0 0 0 5 3 2

D5/F D5/G D5/A D5/Bb D5/A D5/G

5:
 
G B: 4 5: 5 5 5 5 5 5
Ah.

 5 5: 5: 5 5: 5

5 5 5

5: 5 5
 

2 2 2 2 3 5 7 8 7 5

1. 2.
D5/F D5/E D5 D5/F D5/E D5

G  5:  4 :: 5:  4

?
5 5 5 B: 5 5 5 5

 5: 5 5 5 5 5: 5: 5 :: 5 : 5 5 5

'
   
:
3 2 0 0 0 0
: 3 2 0

6
 Duality
Words and Music by M. Shawn Crahan, Paul Gray, Nathan Jordison, Corey Taylor, James Root and Sid Wilson

Drop D tuning, down 1 1/2 steps:

(low to high) B-F#-B-E

Pre-Chorus Chorus
Moderately fast q = 146

2: 2 2 2 2
Bass tacet
µ D5 F5

G   2 2 2 2 5 5: B B = 5 5 5
Whispered: I push my fin - gers in - to my eyes. It’s the on -

Ab5 Eb5 F5 Eb5 D5 F5

G   5 5 5 5 = 5 5 5  
5 5 5 5 5 B: 5 5 4 = 5 5 5
- ly thing that slow - ly stops the ache, but it’s made

Ab5 Eb5 D5 F5
 
G  5 5 5 5 = 5 5 5 5 5 5 5 5 B: 5 5 4 5 5 5 5
of all the things I have to take. Je - sus, it nev -

 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5
f

¤ 5 5 5 5 5 5 5 5 5 5 5 5 3
6 3

Ab5 Eb5 F5 Eb5 D5 F5

G 5 55 5 =  5 5 
5 5 5 5 5 B: 5 5 4 = 5 5 5
5
- er ends, it works it’s way in - side. If the pain


5 5 5 5 5 5 5 5 5  5 5 5 5 5 5 5 5 5 5 5k 5 5 5 5
555
555 55555 5

0 3 5 3 5 5 5 5 0 8
3 3 3 3 3 3 3 6 6 1 1 1 1 3 1 0 0 0 0 0 0 0 0 0 3 0

© 2004 EMI APRIL MUSIC INC. and MUSIC THAT MUSIC

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 Interlude
Ab5 Eb5 D5
2 2 2
G 5 5 5 5 5 =
2: :: 4 ? 0

^
 5=
goes on, ah.

  5 5 5 5 5 5 5 5 5 5 5 5 5 5k :: =  3 $ =  = =   = = $ 3 3 $ =  =
5 5 5 5 5 5 5 5

8 8 8 8 8 8 8 11 11 6 6 6 6 6
k11 = ::
0 0 0 0 0 0 0 0

::
Eb5 D5 F5 C5 D5 Eb5 D5 Ab5 Eb5

=
 = 5 E5 3 3 $=  = =   = = $3 3 $=  = =
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5  5 5

:
1/2

0 1 0 3
3
0 0 0 0 0 0 0 0 0 1 0 6
= 1
:

Verse
Ab5/D C5 G5 A5 F5 G5 Eb5 D5 A5/D A5 C5 G5 A5

G 0 ? 4 2 2 2 2 2 2 2 2 2 2 2
Spoken: 1. I have screamed un - til my veins col - lapsed. I’ve

  = 4 ? 0 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5

3 3 3
0 0 0 0 0 7 5 5 5 5 5 7

2 2 2 2 2 2:
F5 G5 Eb5 D5 A5 C5 G5 A5 F5 G5 Eb5 D5
G 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 = 2

wait - ed as my time’s e - lapsed. Now all I do is live with so much fate. I’ve


 5: 5 5  5 5 5 5 5 5 5: 5 5 5 5 55555 5: 5 5  5 5 5 5 5 5 5 5

5 3
3 5 1 0 0 0 7 0 7 5 5 5 5 7 3 5 1 0 0 0 0 0 0

2
 A5 C5 G5 A5 F5 G5 Eb5 D5
G 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
wished for this, I’ve bitched at that, I’ve left be - hind this lit - tle fact: You

 5 5
 5: 5 5 5 5 5 5 5: 5 5 5
5 5 5 5 5 5 5 5

3
7 0 7 5 5 5 5 7 3 5 1 0 0 0 0 0 0

G 2 2: 2 2:
A5 C5 G5 A5 F5 G5 Eb5 D5
2 2 2 2 2 4 4 = 2

can - not kill what you did not cre - ate. I’ve

 5 5
5: 5 5 5 5 5 5 5: 5 5 5 5
5 5 5 5 5 5 5

3
7 0 7 5 5 5 5 7 3 5 1 0 0 0 0 0 0

2 2:
A5 C5/F G/B Am/C F5/G G5/A Ebsus2 Dsus2

G 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
got - ta say what I’ve got - ta say, and then I swear, I’ll go a - way. But I

5 5 5 5 5 5 !5 5 5 5 5 5 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5


9 9 9 10 10 10
7 7 7 9 9 9 9 10 10 10 5 5 5 7 7 7
6 6 6 5 5 5 5 5 5 5

G 2 2: 2:
A5 C5/F G/B Am/C F5/G G5/A Ebsus2 Dsus2
2 2 2 2 2 2 2 = 4 = 2

can’t prom - ise you’ll en - joy the noise. I
5 5 5 5 5 5 !5 5 5 5 5 5 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

9 9 9 10 10 10
7 7 7 9 9 9 9 10 10 10 5 5 5 7 7 7
6 6 6 5 5 5 5 5 5 5

3
 A5 C5/F G/B Am/C F5/G G5/A Ebsus2 Dsus2
G 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

5 5 5 5 5 5 !5 5 5 5 5 5 5
guess I’ll save the best for last, my fu -ture seems like one big past. You’re

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5


9 9 9 10 10 10
7 7 7 9 9 9 9 10 10 10 5 5 5 7 7 7
6 6 6 5 5 5 5 5 5 5

2: 2:
A5 C5/F G/B Am/C F5/G G5/A Ebsus2 Dsus2

G 2 2 2 2 2 2 2 2 2 2

=

5 5 5 5 5 5 !5 5 5 5 5 5 5
left with me ’cause you leave me no choice.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

9 9 9 10 10 10
7 7 7 9 9 9 9 10 10 10 5 5 5 7 7 7
6 6 6 5 5 5 5 5 5 5

Pre-Chorus Chorus

5: 5 5 5 5
F5 E5 Eb5 D5
2 '
G ? = 5 5 5
I push my fin - gers in - to my eyes.

  55 55 55 55 55 55 55 55 55 55 55 55 55 55 55 !5 5 5 5
5 5 5 5 5 555
5 5 5 5 5

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 8 8
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 6 6 5 0 3 5
0 0 0 0 0

F5 Ab5 Eb5 F5 Eb5 D5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G = = 5   
^

It’s the on - ly thing that slow - ly stops the ache.

5=  5 5 5 5 5 5

5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
5 5 5

0
0 3 5
0
5 3
6 3 3 3 3 3 3 3 6 6
= 1 1 1 1 3 1 0

4
 2 2:
F5 Ab5 Eb5 F5 Eb5 D5
' 5 5 5 5 5 5 5 2 2 2 2 2:
G ? = =  
If the pain goes on. I’m not gon - na make it.

5 5 5 5 5 5 5 5 5 5 =  5 5 5 5 5 5 5
 5 555
 555 5 5 5
55 555 5 5

0 0
5 0 3 5
0 0 0 0
0 3 5
0
5 3
6 3 3 3 3 3 3 3 6 6
= 1 1 1 1 3 1 0

Interlude
D5 C5 G5 A5 F5 G5 Eb5 D5 A5 C5 G5 A5 F5 G5 Eb5 D5
  = ? 5
:
5 5  5 5 5 :
0 0 4
5 5 5 5 5

0 0 0 0 0 3 5 1 0

Verse

2 2 2 2:
A5 C5 G5 A5 F5 G5 Eb5 D5
G 2 2 2 = 2

2 2 2 2 2 2 2 2
Spoken: 2. Put me back to - geth - er, or sep - a - rate the skin from bone.

 5 5
 5: 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5

3
7 0 7 5 5 5 5 7 3 5 1 0 0 0 0 0 0

A5 C5 G5 A5 F5 G5 Eb5 D5

G 2 2 2 2 2 2 2 4 2 2 2 2 2 2 2 2 2
Leave me all the piec - es, then you can leave me a - lone.

 5 5
5: 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5

3
7 0 7 5 5 5 5 7 3 5 1 0 0 0 0 0 0

5
 2 2:
A5 C5/F G/B Am/C F5/G G5/A Ebsus2 Dsus2

G 2 2 2 2 2 2 2 2 2 2 2 2 2 = 2 2
Tell me the re - al - i - ty is bet - ter than the dream. But I

5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

9 9 9 10 10 10
7 7 7 9 9 9 9 10 10 10 5 5 5 7 7 7
6 6 6 5 5 5 5 5 5 5

2:
A5 C5/F G/B Am/C F5/G G5/A Ebsus2 Dsus2

G 2 2 2 2 2 2

2 = 2 2 2 2 2

found out the hard way: Shouted: Noth - ing is what it seems!

5 5 5 5 5 5 !5 5 5 5 5 5 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5


9 9 9 10 10 10
7 7 7 9 9 9 9 10 10 10 5 5 5 7 7 7
6 6 6 5 5 5 5 5 5 5

Pre-Chorus

5: 5 5 5 5
Chorus
F5 E5
2
Eb5 D5
'
G ? = 5 5 5
I push my fin - gers in - to my eyes.

5 5 55 55 5 55 5 5 5 5 5 5 !5 5 5 5
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 555
5 5 5 5 5

10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 9 9 8 8
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 7 7 6 6 5 0 3 5
0 0 0 0 0

F5 Ab5 Eb5 F5 Eb5 D5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G = = 5   
^


It’s the on - ly thing that slow - ly stops the ache,

5=  5 5 5 5 5 5

5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
5 5 5

0
0 3 5
0
5 3
6 3 3 3 3 3 3 3 6 6
= 1 1 1 1 3 1 0

6
 F5
' 5 5 5 5
G 4 =

^
but it’s made

 5
5 5 5 5 5 5 5 5
5 5 5 5 5
5
5 5 5

5 0 3 5 5 0 3 5 5
0 0 0 0 0 0 0 6 3

5 5 B:
Ab5 Eb5 F5 Eb5 D5
5 5 5 5 5 5 5 5 5 5
G = 5   

^
of all the things I have to take.

5=  5 5 5 5 5 5 5
 5 5 5 5
 5 5 5 5 5 5 5 5
5 5 5 5 5

3 3 3 3 3 3 3 6 6
= 1 1 1 1 3 1 0 0
5 0 3 5
0 0 0

F5 Ab5 Eb5 F5 Eb5 D5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G ? = 5   
Je - sus, it nev - er ends, it works its way in - side.

 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3
5 0 3 5 5 3
6 3 3 3 3 3 3 3 6 6 1 1 1 1 3 1 0

F5 Ab5
' 5 5 5 5 5 5 5 5
G 4 = = 5
^

²²²²²²²²
If the pain goes on, I’m

 k5 5 k5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
²²²²²²²²
0 0 0 0 0
k8 8 k 10 10 12 12 14 12
0 3 3 3 3 3 3 3 6

7
 2: 2 2
Interlude

2 2 2
Eb5 F5 Eb5 D5 D5
5:
G 0 0
not gon - na make it.

 =
 5 5 5 5 5 5 5 5  3 $=  = =   = = $3 3 $=  =
5 5 5 5 5 5 5 5

6 1 1 1 1 3 1 0 0 0 0 0 0 0 0 0

Eb5 D5 F5 C5 D5 Eb5 D5 Ab5 Eb5

=
 = 5:E5 !5 3 3 $ =  = =   = = $ 3 3 $ =  = =
5 5 5 5 5 5 5 5 5 5 5 5 5  5 5 5  5
1/2

0 1 0 3
3 3
0 0 0 0 0 0 0 0 0 1 0 6
= 1

Bridge
Half-time feel
D5
G ? = 2 2

2 4 4 = 2

Spoken: All I’ve got, all

 =  3 $ =  = =   = = $ 3 3 $ =  =
5 5 5 5 5 5 5 5

0 0 0 0 0 0 0 0

Eb5 D5 F5 C5 D5
G 2 2 2 2 2 2 2 =

4 = 2 2

2 4 4 = 2

I’ve got is in - sane. All I’ve got, all

 = 5 E5 3 3 $=  = =   = = $3 3 $=  =
5 5 5 5 5 5 5 5 5 5 5 5
1/2

3
0 1 0 3 0 0 0 0 0 0 0 0

8
 Eb5 D5 Ab5 F5 Ab5 Eb5
G 2 2 2 2 2 2 2

= 4 = 2 2

I’ve got is in - sane. Shouted: All I’ve

 = 3 $ =  = = 
 
3

5 5 5 5 5 5 5 5  5
3

5 5 5 5 5

0 1 0 6 6 6 3 3 3 6 1 1 1 1

F5 Eb5 F5 C5 Eb5
G 2 4 4 = 2

2 2 2 2 2 2 2 =

4 = 2 2

got, all I’ve got is in - sane. All I’ve

  = = $ 3 3 $ =  = = 5 5 3 3 $=  = = 
5 5 5 5 5 5 5 5 5 5 5 5
1

3
1 1 1 1 1 3 1 3 1 1 1 1

F5 Eb5 Ab5 D5 Eb5

G 2 4 4 = 2

2 2 2 2 2 2 2 = 4

= 2 2

got, all I’ve got is in - sane. All I’ve


  5 = = 5$ 3 3 5$ = 5 = =
 5 5 5 5
=
5
 3 $=  = = 
5 5 5
5

1 1 1 1 1 3 1 6 0 1 1 1 1

F5 Eb5 F5 C5 Eb5
G 2 4 4 = 2

2 2 2 2 2 2 2 =

4 = 2 2

got, all I’ve got is in - sane. All I’ve

  = = $ 3 3 $ =  = = 5 5 3 3 $=  = = 
5 5 5 5 5 5 5 5 5 5 5 5
1

3
1 1 1 1 1 3 1 3 1 1 1 1

9
 F5 Eb5 Ab5 D5
G 2 4 4 = 2

2 2 2 2 2 2
got, all I’ve got is in - sane.

  = = $ 3 3 $ =  = =
5 5 5 5 5 5 5 5 5

1 1 1 1 1 3 1 6 0

Pre-Chorus
F5 E5 Eb5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2 2 1 1

2:
D5 F5 Eb5 G5 F5 A5 D5 A5 C5 G/B G5 A5 µ

G ? = 2 2 2 2 2 2 2 2 2 2 2 2
I push my fin - gers in - to my

 5555 55555555555 ? 4 5=
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 0 0 3 3 3 1 1 1 5 5 5 3 3
0 0 5 5 5 0 0 0 3 3 3
5 5 5 5 5
0
10
=

Chorus
D5 F5 Ab5 Eb5 F5 Eb5 D5
' 5 5 5 5 5 5 55 5 5 5 5 55 55
G = = 5   
^

eyes. It’s the on - ly thing that slow - ly stops the ache.

5 5 5 5 5 =  5 5 5 5 5 5 5
 5 555 55 5 5 5

55 555 55 5 5 5555

0 0
5 0 3 5
0 0 0 0
0 3 5
0
5 3
6 3 3 3 3 3 3 3 6 6
= 1 1 1 1 3 1 0

10
 5 55
F5 Ab5 Eb5 F5 Eb5 D5
' 5 5 5 5 5 55 5 5 5 55
G 4 = = 5   

^
But it’s made of all the things I have to take.

 5 555 5 5 5 5 5 5 5 5
55 555 5 5 5 5 5 5 5 5 5 5  5 5 5 5 5 5 5
3
5 0 3 5 5 0 3 5 5 3
0 0 0 0 0 6 3 3 3 3 3 3 3 6 6 1 1 1 1 3 1 0

B:
F5 Ab5 Eb5 F5 Eb5 D5
5 5 5 5 5 5 55 5 5 5 5 55 55
G ? = 5   
^


Je - sus, it nev - er ends, it works its way in - side.

 5 555 5 5 5 5 5 5 5 5
 5 5 5 5 5 5 5 5 5 5  5 5 5 5 5 5 5
55 5 5 5
3
5 0 3 5 5 5 0 3 5 3
0 0 0 0 0 6 3 3 3 3 3 3 3 6 6 1 1 1 1 3 1 0

F5 Ab5 Eb5
' 5 5 5 5 5 5 2 2 2 2 2 2
3
5 5 5
3

G 4 = = 
^

5 ²²²²²²
If the pain goes on, I’m not gon - na make it.

 k k
5 5 5 5 5 5 5
5 5  5 5 5 5 5 5 =
5 5 5 5 5 5 5 5 5 5 5 5 5 5
²²²²²²
0 0 0 0 0
k8 8 k10 10 12 12 14 12
0 3 3 3 3 3 3 3 6 6 1 1 1 1 3 6
=

Interlude
D5 Eb5 D5 F5 C5
 = $3 3 $=  = = = = $3 3 $=  = = 5: E5
5 5 5 55 55 5 5 5 5 5 5 5
1/2

3
0 0 0 0 0 0 0 0 0 0 0 1 0 3

D5 Eb5 D5 Ab5 F5
  !5 3 3 $=  = = = = $3 3 $=  = =  

3
 5 5 5
3

5 5 5 55 55 5 5 5 5 5 5 555

3
0 0 0 0 0 0 0 0 0 0 0 1 3 6 6 6 3 3 3

11
 Outro
Half-time feel
Eb5 D5
G   0  ? = 2 2

2 4 4 = 2

All I’ve got, all
  5
  5: 5 5 5 
5 5 5: 5: 5 5 5 5: 5 5 5 5: 5

1 1 1 12 0 0 0 0 0 0 0 0 0 0

Eb5 D5 F5 C5 D5
G 2 2 2 2 2 2 2 4 = 2 2

2 4 4 = 2

²²²²²²²²²²²²²
I’ve got is in - sane. All I’ve got, all

 5 5

5 5 5 5 5 5 5 5: 5: 5 5 5 5: 5 5 5 5: 5
²²²²²²²²²²²²²
3
0 0 1 0 3 0 0 0 0 0 0 0 0 0 0

End half-time feel

Eb5 D5 Ab5 F5 D5
G 2 2 2 2 2 2 2 =

4 = 2 2

2 4 4 = 2

I’ve got is in - sane. Shouted: All I’ve got, all

 = $3 3 $=  = = = = $3 3 $=  =
3
 5 5 5
3

5 5 5 5 5 5 5 5 5 5 55 55 5 5 5

0 0 1 0 6 6 6 3 3 3 0 0 0 0 0 0 0 0 0 0

Eb5 D5 F5 C5 D5 Eb5 D5 Ab5 Eb5

G 2 2 2 2 2 2 2 = 4

= 2 2

2 4 4 = 2 22 2 2 2 2

I’ve got is in - sane. All I’ve got, all I’ve got is in - sane.

 = 5:E5 !5 3 3 $ =  = = = = $33 $=  = =
5  5 5 5 5 5 5 55 55 5 5 5 5  5 5 5  5
1/2

3 3
0 1 0 3 0 0 0 0 0 0 0 0 0 0 0 1 0 6 1

12
 Here to Stay
Words and Music by Jonathan Davis, James Shaffer, Brian Welch, Reginald Arvizu and David Silveria

5-string bass, tune down 1 step:

(low to high) A-D-G-C-F

Intro
Moderately q = 102


:: :: ::
µ
 EE 
(Guitar) Play 8 times

5
5 !5 5 5 E5 !5 5 5 E5 5 !5 5 5 E5 !5 5 5

:: :: ::
f

¤ 0 1 0 3 2 1 0 1 2 5 6 5 8 7 6 5 6
7

Verse

:: :: = 5
E E5 5 5 5
µ
5 5 = 5 = 5 5 5 5
GE 0 5
1. This time I’m tak - ing it a - way, I’ve got a prob - lem
2. See additional lyrics

EE  5 :: ::
5 !5 5 5 E5 !5 5 5 5 !5 5 5 E5 !5 5 5 !5 5 !5 5 5 E5 !5 5 5 5

:: ::
6 7 6
5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6

E E5 5 E5 !5
G E = 5 5 = 5 5 5 5 5 =  5 5 = 5  = 5 5 5
with me get - ting in the way, my vi - ’lent side. So, I take my face and

EE
5 !5 5 5 E5 !5 5 5 !5 5 !5 5 5 E5 !5 5 5 5 5 !5 5 5 E5 !5 5 5 !5

7 6 7
5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6

Copyright © 2002 by Stratosphericyoness Music, Musik Munk Publishing, Gintoe Music, Fieldysnuttz Music and Evileria Music
All Rights in the U.S. Administered by Universal Music - Z Songs
International Copyright Secured All Rights Reserved 1
 E 5 5 = 5 5 5 5 5
G E 5 = 5 3 5 5 5 5 5 = 5 5 = 5 5 5

bash it in - to a mir - ror, I won’t have to see the pain a - wait - ing for me.

EE 5 !5 5
5 !5 5 5 E5 !5 5 5 5 !5 5 5 E5 !5 5 5 5 !5 5 5 E5 !5 5 5

6 7 6
5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6

C Pre-Chorus

E
µ

GE = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
This pain is el - e - vat - ing as the hurt turns in - to hat - ing,

EE 
5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 3
2 0 2 3 2 0 2 0 2 2 0 2 3 2 0 2 0 2

E 5 5 5 5
5 5 5 5 5 5 5
GE = = = 5 5
an - tic - i - pat - ing all the fucked - up feel - ings a - gain.

EE 
5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 3
2 0 2 3 2 0 2 0 2 2 0 2 3 2 0 2

Chorus

E 5 5 5 5 5 5 5 C5
5 = 5 5 5 5 5 5 5
B5 D5 G5 E5 D5 B5 D5
5
GE = 5 5 = 5 5
The hurt in - side is fad - ing, this shit’s gone way too far. All this time I’ve been wait - ing.

EE
B 5 5 5 B
B !5 B

3
0 3 3 5 1 0 3

2
 E 5 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 = 5 5 = 5 5 5 E5
G5 D5 E5 C5 B5 D5 G5 D5 E5 C5

GE
Oh, I can - not grieve an - y - more. For once in - side a - wak - ing, I’m done, I’m not a whore!

EE
5 5 5 !5 B 5 5 5 !5
B

3 3
3 5 1 0 3 3 5 1

To Coda ;
Interlude

5 5 5 5 5 5 !5 5 : : ::
: :
E E5 5 5 5 5 5
B5 D5 G5 D5 E5 C5 B5

GE = 5
Play 4 times
0 0
You’ve tak - en ev -’ry - thing and, oh, I can - not give an - y- more.

EE :: :: ::
B 5 5 5 !5 B 5 5 5 !5
B B
:: :: ::
mf

3 3
0 3 3 5 1 0 3 3 5 1

Bridge

5 B
µ
E = 5 E5
GE ? = 5 5 5
EB
= 5 5
5
I’m here to stay, bring it down. I’m here to

EE 3 3 $= 3
2 2 2 22 2222 222 2 2 2 2222 222 2 22 2222
P P P P P P P P P P P P P P P P P P P P P P P P P P P P P

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

E 5 B 5
GE = 5 E5 = 5 5 5 = 5 E5
EB EB
stay, bring it down. I’m here to stay, bring it down.

EE 3 $=
222 2 2 2 2222 2222222222222222 2222222222222222
P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P P

X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X

3
 EE B 
5 5 5 5
5 E5 :
G = 5 5 5 5
I’m here to stay. Bring it down.

EE 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
P P P P P P P P P P P P P P P P P P P P P P P P P P P

X X X X X X X X X X X X X X X X X X X X X X X X X X X

EE B 5
 =
5 5 5 B 5
 =
5 5 5
G
^

^
Bring it down. Bring it down.

EE 5 3 5 =
5 5 5 5 5 5 5 5 !5 E5 5 5 5 5 5 5 5 5 !5 E5
f
P P P P P P P P P P P P P P P

7 7
0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 1 2

EE B 5
 =
5 5 5 B 5
4
G
^

^
Bring it down.

EE 5 3 5 =
5 5 5 5 5 5 5 5 !5 E5 5 5 5 5 5 5 5 5 !5 E5
P P P P P P P P P P P P P P P

7 7
0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 1 2

EE = 5 5 5 55 5 5 5 5 55 5 5 5 5 55 5 5 5 5 55
G
Gon - na break it down, gon - na break it down, gon - na break it down, gon - na break it down,

EE 5 3 5 =
5 5 5 5 555 5 !5 E5 5 5 5 5 555 5 !5 E5
P P P P P P P P P P P P P P P

7 7
0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 1 2

4
 E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2
GE
gon - na break it down, gon - na break it down, gon - na break it down, gon - na break it!

EE 5 3 5 =
5 5 5 5 5 5 5 5 !5 E5 5 5 5 5 5 5 5 5 !5 E5
P P P P P P P P P P P P P P P

7 7
0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 1 2

D.S. al Coda

EE
5 !5 5 5 E5 !5 5 5 5 5 !5 5 5 E5 !5 5 5 5

7 6
5 6 5 8 7 6 5 6 5 6 5 8 7 6 5 6

; Coda
Outro

G E :: ::
µ
E 0 ? 5 5 5 5
Play 4 times

Give an - y - more.

 EE :: ::
5 !5 5 5 E5 !5 5 5 E5 5 !5 5 5 E5 !5 5 5 E5
:: ::
0 1 0 3 2 1 0 1 2 0 1 0 3 2 1 0 1 2

EE :: ::

1., 2., 3. 4.

5 3 4 5 = 4 5 = 4
5 5 5 5 5 5 5M 5 5 5 5 5 5M 5 5 5 5 5 5M

:: ::
P P P P P P P P P P P P P P P P P P P P P P

7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Additional Lyrics

2. My mind’s done with this. Okay, I’ve got a question.

Can I throw it all away? Take back what’s mine.
So I take my time, guiding the blade down the line. 5
Each cut closer to the vein. Bleed! Bleed!
 I Stand Alone
Words and Music by Sully Erna

Drop D tuning, down 1 step:

(low to high) C-G-C-F

Intro
Moderately slow q = 84
µ

  
' B: 5
f

¤ 0 2

  :: ::
Play 3 times
=   = = =   = 5
5 5 5M 5 5M 5 5 5 5 5M 5 5M 5 5
: :
: 0 0 0 0 0 0 0
: 0 0 0 0 0 0 0 10

C Verse
D5 Ab5 D5 G5 F5
5 5 5 5 5 5 5 5 5 5 5 5 5
G = =  =
1. I’ve told you this one be - fore, can’t con - trol me.
2. See additional lyrics

 3 3 3 3
5 5 5
5: 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5

0 0 0 0 0 0 6 6 6 0 0 0 0 0 0 5 3 3 3

D5 Ab5 D5 µ
5 5 5 5 5 5 5 5 5 5 5 5 5
G = =
If you try to take me down you’re gon - na break.

 3 3 3 = 4

5: 5 5 5 5 5 5 5 5 5 5: 5 5 5 5 5

0 0 0 0 0 0 6 6 6 0 0 0 0 0

Copyright © 2002 UNIVERSAL MUSIC CORP. and MEEENGYA MUSIC

All Rights Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved Used by Permission 1
 To Coda ;
D5 Ab5 D5 G5 F5
5 5 5 5 5 5 5 5 5 5
G 3 5 =  5 5 5 5
And I feel your ev - ’ry noth - ing that you’re do - ing for me.

 3 3 3 3
5 5 5
5: 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5

0 0 0 0 0 0 6 6 6 0 0 0 0 0 0 5 3 3 3

Chorus

5 55
D5 Ab5 Absus2 µ
5 5 5 5 5 !5 5 5 5 5 5 B 5 5
G 3 5  = 4

^
And I’m think - ing you ought to make your own way. I stand a - lone

 3 3  5 5 B 5 =   = =
5
µ
5: 5 55 55 5 5 5 5 5M 5 5M 55
let ring

6
0 0 0 0 0 0 6 6 0 6 6 0 0 0 0 0 0 0

D.S. al Coda
5 5 5 5 5 5 5 55 5
G 4  = 4 4 ?
^

in - side. I stand a - lone.

 =   = = =   = = =   = 5
5 5 5M 5 5M 55 5 5 5M 5 5M 55 5 5 5M 5 5M 55

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 10

; Coda

5 5:
D5 Ab5 D5 G5 F5
5 5 5 5 5 5 5 5 5 5 5 5 5 5
G 3 =
And I’ll nev - er rest un - til I can make my own

 3 3 3 3

5: 5 5 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5

0 0 0 0 0 0 6 6 6 0 0 0 0 0 0 5 3 3 3

2
 : 5: 5 5
G5 Bbsus2 Eb5
5 5 5 5 5 5 5 5 5 5
G 5  
way. I’m not a - fraid of fad - ing.

5:
5 5 5
5:
 5 5 5 5 5 5 5 5
5 5 5 5 5 5
let ring µ
5 5
1 1 1 1 1 1
5 5 5 5 1 1 1

5: 5 5 5:
Chorus

5 5 5
µ
5 5 5
G  = 4 4
^

I stand a - lone. Feel - ing your

 =
   = = =   = 5
5 5 5M 5 5M 5 5 5 5 5M 5 5M 5 5

0 0 0 0 0 0 0 0 0 0 0 0 0 0 10

5: 5 5 5 5 5 5 5:
G5 Bb5
5: 5 5 5 5 5
G
sting down in - side me, I’m not dy - ing for it.


 5: 5 5 5 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5 5

1 1 1 1 1 1 1 1 1 1
5 5 5 5 5 5 5 5 5

5:
5 5 5
µ
5 5 5 5 5 5:
G  = 4 4
^

I stand a - lone. Ev - er - y -

 =   = = =   = 5
5 5 5M 5 5M 5 5 5 5 5M 5 5M 5 5

0 0 0 0 0 0 0 0 0 0 0 0 0 0 10

3
 5: 5: 5 5
G5 Bb5 Eb5
5 5 5 5 5 5 5 5
G   
thing that I be - lieve is fad - ing.

 5: 5:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

1 1 1 1 1 1
5 5 5 5 5 5 5 5 5 1 1 1 1

µ
5 5 5 5 5 5 5 5 5
G  = 4 4
^

I stand a - lone in - side.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 0 0 19 19 0 0 20 20 0 0 20 20 0 0 0 19 19 0 0 20 20 0 0 20 20

5 5 5 5 5 5 5
G  = 4  = ?
I stand a - lone.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 0 0 19 19 0 0 20 20 0 0 20 20 0 0 0 19 19 0 0 20 20 0 0 20 20

Bridge
Dsus2 Fsus2
0 5:
G 0 4 = 5: 5 5 5
4 =
5
 5 5 5
5 5 5 5 5 ?

And now it’s my time,
(And now it’s my

 5 B
 5: 
5: 5 5 5 B 5: 5 5 5 5 5 5
mf let ring

3
0 0 0 0 0 0 0 0 3

4
 µ Dsus2

G  54 5 5 5 ? 4 =  5: 5 5 5 '
= 5: 5 5 5 5 5: 5 5 ? ? 5: 5 5 5
5

it’s my time to dream, dream of the
time. it’s my time to dream,
5: 5 5
 5 5 5  5 5
5: 5 5 5 5 5 5  5 5 5 5: 5 5 5 5: 
let ring µ let ring µ
3 3 12 12 0 2
3 3 0 3 3 3 0 1 1 1 0 0 0

5:
Fsus2 µ Dsus2

5? :
5 5 5 5
G  ?5 5
 :
5:
? ? 5 5 5 5: 5 5 5 5: 5 5 E 5
skies. Make me be - lieve that this place is - n’t

 5:
dream of the skies.)

 5 5 5 5
 5 B 5: 5 5 5 5 5 5  5 5 5 5: 5 5
µ
5 5
let ring let ring

3 3 7
3 3 3 0 3 3 3 0 1 1 1 0 0 0 0

Fsus2 µ

G  5: 5 5 5 5 : 5 5 5 = 5 5 B: ? 5: 5 5 5
plagued by the poi - son in me. Help me de -

 5 5 5 B 5 5
5:  5: 5 5 5 5 5 5 5 5 5
µ µ
5: 5 5 5 5
let ring let ring

7 3 3
0 0 0 0 3 3 3 0 3 3 3 0 1 1 1

Dsus2

G  5: 5 5 5 5: 5 5 5 5: 5 5 5 5: 5 5 5 5
cide if my fire will burn out be - fore you can

5 5 5 5 5 5
 3
5: 5 5 5 5 5 5: 5 5
let ring µ
7
7 7 7
0 0 0 0 0 0 0

5
 5:
Fsus2 µ
5 5 5
G 5 5 5 B: ?
breathe, breathe in - to

 5: 5 B 5 5
 5 5 5: 5 5 5 5 5 5 5 5 5
let ring µf
3 3 3
3 3 3 0 3 3 3 0 1 1 1

Guitar Solo

B:
D5 Ab5 D5 G5 F5

5 B
G ?
me.

 3 3 3 3
5: 5 5 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5

0 0 0 0 0 0 6 6 6 0 0 0 0 0 0 5 3 3 3

D5 Ab5 Absus2
 5
3 3
5 5 5 5 B 5
µ
5: 5 5 5 5 5
let ring

6
0 0 0 0 0 0 6 6 0 6 6

Chorus

5 5 5
µ
5 5 5 5 5 5
G  = 4 4
^

I stand a - lone in - side.

 =   = = =   = =
5 5 5M 5 5M 5 5 5 5 5M 5 5M 5 5

0 0 0 0 0 0 0 0 0 0 0 0 0 0

6
 5 5 5 5 5 5 5: 5 5 5:
G  = 4 4

^
I stand a - lone. Feel - ing your

 =
   = = =   = =
5 5 5M 5 5M 5 5 5 5 5M 5 5M 5 5

0 0 0 0 0 0 0 0 0 0 0 0 0 0

5:
G5
5 5 5 5 5 5:
Bb5
5 5 5 5 5 5 5:
G
sting down in - side me, I’m not dy - ing for it.


5: 5 5 5 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5 5

1 1 1 1 1 1 1 1 1 1
5 5 5 5 5 5 5 5 5

5:
5 5 5
µ
5 5 5 5 5 5:
G  = 4 4
^

I stand a - lone. Ev - er - y -

 =   = = =   = =
5 5 5M 5 5M 5 5 5 5 5M 5 5M 5 5

0 0 0 0 0 0 0 0 0 0 0 0 0 0

: 5: 5 5
G5 Bb5 Eb5
5 5 5 5 5 5 5 5:
G 5   
thing that I be - lieve is fad - ing.

 5: 5:

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

1 1 1 1 1 1
5 5 5 5 5 5 5 5 5 1 1 1 1

7
 µ
5 5 5 5 5 5 5 5 5
G  = 4 4
I stand a - lone in - side.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 0 0 19 19 0 0 20 20 0 0 20 20 0 0 0 19 19 0 0 20 20 0 0 20 20

5 5 5 5 5 5 5 5 5
G  = 4 4
I stand a - lone in - side.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 0 0 19 19 0 0 20 20 0 0 20 20 0 0 0 19 19 0 0 20 20 0 0 20 20

5 5 5 5 5 5 5 5 5
G  = 4 4
^

I stand a - lone in - side.

 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 0 0 7 7 0 0 8 8 0 0 8 8 0 0 0 7 7 0 0 8 8 0 0 8 8

5 5 5 55 5
D5

 5 5 
G = 4 4 0
^

I stand a - lone in - side.

 
5 55 5 5 55 5 55 5 5 55 0
555 5 5 55 555 5 5 55

0 0 0 7 7 0 0 8 8 0 0 8 8 0 0 0 7 7 0 0 8 8 0 0 8 8
Additional Lyrics

2. You’re always hiding behind your so-called goddess.

So what? You don’t think that we can see your face?
Resurrected back before the final falling.
And I’ll never rest until I can make my own way.
I’m not afraid of fading.
8
 Judith
Words and Music by Maynard James Keenan and Billy Howerdel

Tune down 1 1/2 steps:

(low to high) C#-F#-B-E

Intro
Moderately fast Rock q. = 55

 E  4 : :: 5 5 5 5 3 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 ::
µ

: :
mf

¤ : 5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5
:

E :: 5 5 5 5 :
5 5 :
1.

5 5 !5 5 5 5 5 5 5 5 5 5
5 5 5 5

: :
: 5 7 7 7
0 0
5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5
:


4:
2.
E 0 =
G 2 2:

1. You’re

E 5 5 5 5 5 5 0
5 5 5

5 7 7 7 7 5
3 3 3

Verse
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
E E5
G 3 5 5 5 5 5 5 5 E5 5 !5 5 5 5 5
such an in - spi - ra - tion for the ways that I will

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

© 2000 EMI APRIL MUSIC INC., HARRY MERKIN MUSIC and TRANSFIXED MUSIC
All Rights for HARRY MERKIN MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 4:
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
E
G 5 5 5 5 5 5 5 5 5 5: =
nev - er, ev - er choose to be.

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5
5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
E
G 5 E5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5
Oh, so man - y ways for me to show you how your

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
E 2 2 2
G 5 E5 3 5 5 5 5 5 5 5 =
saint has a - ban - doned you. Fuck your god!

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5

E 2 3 5 5 5 5 5 5 5 = =
2 2 2
G 
You’re a - lone in your Christ, he did this.

E 5 5 5 5 3 5 !5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

2
 D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5

E 2 3 5 = 5 3 3 5 5 5 5 2 2 2
G 
Took all you had and left you this

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

2:
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
2 2 2
A5

E 5 5 5 5 5 5 5 5 5 5
^

G
way. Still you pray, nev - er stray, nev - er taste of the

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
E 2 5 5 5 5 5 5 5 5 5: 5 4 3 5
G
fruit. Nev - er thought to ques - tion why.
^ It’s

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 0

C Chorus
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
5 5
E 5 5 5 5 5 5 4: 5
4

G 4 
not like you killed some - one. It’s
See additional lyrics

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5
5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

3
 2nd time, substitute Fill 1
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
5 5
E 5 5 5
5 5 5 5 5
4
5 5 5
4

G =

^
not like you drove a hate - ful spear in - to his side.

E 5 5 5 5 3
5 5 5
!5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5 10 10 10

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
E 5 5 5 5 5 5 5 5 5 5 5 5 5 3 5
G
Praise the one who left you bro - ken down and par - a - lyzed. He

E 5 5 5 5 3 !5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3 5

To Coda ;
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
E 5 5 5 E5 5 5 B:
G 
did it all for you, oh.

E 5 5 5 5 3 5 !5 5 5 5 5 5 5 5 5 5
5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5
3 3 3

E 5 5 5 5 5 5
Fill 1

5 5 5 5

5 7 7 7 7 5
3 3 3 5

4
 E ^B:
C5 A5 C5
B: B:
G

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5

8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8 8

4:
5 5 5
A5 C5 G5
E B: E5
G 0
Did it all for

E 5 5 5 5 5 5 E5 5 5 5
5: 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 8 8 8 8 8 8 9 9 9 9 3 3 3 3 3 2 2 2 2 2

E E5 :
E
5 5 B:
G 
you, oh.

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5

5 7 7 7 5 7 7 7 5 7 7 7 5 7 7 7
0 0 0 0 0 0

Interlude
E5
E B: B:
G

E 5 5 5 5 5 5 3 3 5 5 5 5 5 5 3 3
5 5 5 5 5 5 5 5

5 7 5 5 5 7 5 5
7 7 0 0 0 0 7 7 0 0 0 0

5
 D5

E :: 5 5 5 5 5 5 :: B : B: B: B:
Play 4 times

3 3
5 5 5 5

: :
: 5 7 5
7
5
7 0 0 0 0
: 5

Verse
E5
E E5
G 3 5 5 5 5 5 5 5 E5 5 5 5 5 5 5
2. Oh, so man - y ways for me to show you how your

E 3 3 5 5 5 5 5 5 3 3 5 5 5 5 5 5
5 5 5 5 5 5 5 5

5 7 5 5 5 7 5 5
0 0 0 0 7 7 0 0 0 0 7 7

5 5 5: 4:
D5 E5 A5 B5
E
G 5 5 3 5 5 5 5: =
dog - ma has a - ban - doned you.

E 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5

5 7 5 5 5 5 5 5 5 7
0 0 0 0 7 7 5 5 5 5 5 7

2:
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
2 2 2
E 5 5 5: 5 5 5: 5 5
^

G
Pray to your Christ, to your god. Nev - er taste of the

E 5 5 5 5 3
5 5 5
!5 5 5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5 10 10 10

6
 D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5

E 2 2 5 5: 5 5 5 5 5 5 2 2 2 2
G 5
fruit. Nev - er strain, nev - er break, nev - er. They choke on a

E 5 5 5 5 3 !5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5

5 7 7 7 0 5 7 8 7 5 7 5 7 7 7 7 5 10 10 10

D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5 A5
E 2 5 5 5: 5 5 5 5 5 5
2 2 2
G
^

lie, e - ven though he’s the one who did this to

E 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5

5 7 7 7 5 7 8 7 5 7 5 7 7 7 7 5
0 0 3 3 3 5

D.S. al Coda
D5 E5 D5 E5 F5 E5 D5 E5 D5 E5 D5 G5
2
G
E 2 5 5 5 5 5 5 5 5: 5 4:
^
you. Nev - er thought to ques - tion why.

E 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5
5 5 5 5 5

5 7 7 7 5 7 8 7 5 7 5 7 7 7 7 5
0 0 3 3 0

; Coda

E ^B:
C5 A5 C5
B: B:
G

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5

8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8

7
 4:
E B:
A5 C5 G5
5 5 5 E5
G 0
Did it all for

E 5 5 5 5 5 5 E5 5 5 5
5: 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 8 8 8 8 8 8 9 9 9 9 3 3 3 3 3 2 2 2

E E5 :
E C5
5 5 B: B:
G 
you, oh.

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5

5 7 7 7 5 7 7 7 5 7 7 7 5 7 7 7
0 0 0 0 0 3 8 8 8 8 8 8 8 8

A5 C5 A5
E B:
G 0 0

E 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5

C5 G5 E

5 5 B:
4:
E 5 5
G 0
Did it all for you,

E 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 5 7 7 7
8 8 8 8 8 8 9 9 9 9 3 3 3 3 3 2 2 2 0 0 0

8
 C5 A5

E B: B: B:
G

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5

5 7 7 7 5 7 7 7
0 0 3 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5

C5 A5 C5

E B: 5: 5 5 B:
G 
oh.

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5
5 5 5 5 5 5 5 5 5

8 8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 5 8 8 8 8 8 8 9 9 9 9

Outro
G5 E Em7

4: :: ::
E 5:
Play 7 times

0 0
rit.

E :: 5 5 5 5 5 5 5 5 :: 5 5 5 
5 5 5 5 5 5 5 5 5 5 5 5:
: :
: :
rit.

5 7 7 7 5 7 7 7 7 7 7
3 3 3 3 3 2 2 2 0 0 0 0

Additional Lyrics

Chorus Not like you killed someone.

It’s not like you drove a spiteful spear into his side.
Talk to Jesus Christ as if he knows the reasons why.
He did it all for you, oh. Did it all for you, oh.

9
 Nice to Know You
Words and Music by Brandon Boyd, Michael Einziger, Alex Katunich, Jose Pasillas II and Chris Kilmore

Intro
Moderately slow q = 78

z :: 5
Double-time feel

 EEE  z
(Guitar)
µ
13 sec.
5 5 5 5 5 5 5 5 5 3 
mf

::
g
*

12 14 14 12 14 14
15 15 15 15
*5-string bass.

 ::  5 5 5 5 5
1., 2., 3. 4.

EEE  5 5 5 5 5 5 5 4 5 5 4 4 

::
12 14 14 12 14 14
15 15 15 15 15 15 15 15

E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5

EEE  :: 3   :: 
Play 4 times

 5 5 5 5 5 5 5 5 5 5 5 5 5 5  
5 5 5 5 5 5 5 5 5 5 5
:: ::
f

0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

EEE  : D6
Verse

G  : = 5 5 5 5 5 5 5 5  5 5 5 5 5: ? 

1. Bet - ter than watch - ing Gel - ler bend - ing sil - ver spoons.

EEE  :: 5 5 5 5 5
2. See additional lyrics

 5 5 5 5 5 3  5 5 5 5 5 5 5 4 

mf

::
12 14 14 12 14 14 12 14 14
15 15 15 15 15 15 15 15

© 2001 EMI APRIL MUSIC INC. and HUNGLIKEYORA MUSIC

All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 1
 E E 5 5  5 5 5 5 5 5 5 
GE  = 5 5 5 5 5 5 5 4 
Bet - ter than wit - ness - ing new - born neb - u - laes in bloom.

EEE  5 5 5 5 5 5 5 5 5 5 3  5 5 5 5 5 5 5 4 

12 14 14 12 14 14 12 14 14
15 15 15 15 15 15 15 15

EEE  = 5 5 5: 5 5 5  5 5 5 5 5 5 5 = 4 
G    
She who sees from ‘up high’ smiles and sure - ly sings.

EEE  5 5 5 5 5 5 5 5 5 5 3  5 5 5 5 5 5 5 4 

12 14 14 12 14 14 12 14 14
15 15 15 15 15 15 15 15

5 5  5 :
End double-time feel

E E
GE 3 5 5 5 5 5 5 5 5 5 5 3 5: 5 5 5:
Per - spec - tive pries your once weight - y eyes and it gives you wings.

EEE  5 5 5 5 5 5 5 5 5 5 3  5 5 5 5 5 5 ?

12 14 14 12 14 14 12 14 14
15 15 15 15 15 15 15

C Pre-Chorus

=: =:
Asus2 Amaj7sus2
EEE ? $ 5 5 5 5 5 5 = $ 5 5 5
G 5 5
I have - n’t felt the way I feel to - day

EEE 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 7
5 5 5 5 7 5 5 5 5 5 5 0 2

2
 G6 F#7add4 D5 E5
EEE 5 = =  5 5 5
G 
5 5 5 E5 5 5 5 E5 5 5 5 !5 !5 5
in so long it’s hard for me to spec - i - fy.

EEE
!5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

3 3 3 3 2 2 2 2 0 0 0 0
3 3

Asus2 Amaj7sus2
EE !5
G E !5 5 = 4 3 5 5 5 5 5 5 5 5 = = 5

5 5 5:
I’m be - gin - ning to no - tice how much this feels like

EEE 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5
7 7 7 7 7
5 7
5 5 5 5 7 0 2

G6 F#7add4
E E 5 !5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5
GE  = 3 3 5 5̄ 
^

a wak - ing limb... pins and need - les, nice to know you, good - bye!

EEE 

!5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
f

3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2

Chorus
Double-time feel

E E °
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5
 5 5 5 5 5: 5 
GE B 5̄

= 4 5̄ 
^

Nice to know you, good - bye!

EEE  3  

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5

0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

3
 To Coda ;

EEE  °B
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5

G  5̄ =  5 5 5 5 5: 4 5 3 5̄ 


^
EEE 
Nice to know you, good - bye!

3  

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

1.

E E °
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5
 5 5 5 5 5: 5

GE B 5̄
 = 4 5̄

^
Nice to know you, good - bye!

EEE  3  
 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 
5 5 5

0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

E E °
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5

3 5  :: 
 5 5 5 5 5: 5
GE B 5̄
 = 3 5 5 5

 :: 
Nice to know you, to know you.
EEE  3  
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

::
0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

2.
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5

E E 5k 5̄

5̄ ! 5̄  5 5 5 5 5: 5

G E  5̄ 5 5̄ 5̄
 = 4 5̄
^

Nice to know you, good - bye!

EEE  3  

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

4
 End double-time feel

E E °
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5

 5 5 5 5 5: 5
GE B 5̄ =  3 5 5 5 =

Nice to know you, to know

EEE  3  5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0
0 3 0
0 2 2 0 0 2 2 0 2 2 0 0 2 2 2
3 3 3 3 3 3

Bridge

EEE =:
D6add4 Cmaj7 µ

G 5 5 B 0


EEE 5 :
you.

5 3 2 !5 5 5 5: !5 : 5 3 2 5 5 5 5 3 5 3 2

5 5 X 3 3 3 3 3 X 3 3 3 3 X

D6add4 Cmaj7 D/C Asus2

EEE 5 : 5 3 2 !5 5 5 5: !5 : 5 3 5
5 5 5 5 5 5 5 5

7 7 7 7 7 7 7
5 5 X 3 3 3 3 3 3

EEE 5 :
D6add4 Cmaj7 µ

5 3 2 !5 5 5 5: !5 : 5 3 2 5 5 5 5 3 5 3 2

5 5 X 3 3 3 3 3 X 3 3 3 3 X

D6add4 Cmaj7 D/C Asus2

EEE 5 : 5 3 2 !5 5 5 5: !5 : 5 3 5
5 5 5 5 5 5 5 5

7 7 7 7 7 7 7
5 5 X 3 3 3 3 3 3

5
 =:
D6add4 Cmaj7 Cadd9 Cmaj7 µ
EE $ 5 5 5
GE ? 5 5 5 5 !5 5 5 5 5 5 5 5 5
So could it be that it has been there all a - long?

EEE 5 : 5 3 2 !5 5 5 5: !5 : 5 3 2 5 5 5 5 3 5 3 2

5 5 X 3 3 3 3 3 X 3 3 3 3 X

D.S. al Coda
D6add4 Cmaj7 D/C Asus2
EEE 5 : 5 5 !5 5 5 5k 5 5 5 5 : !5 5 5k 5

G  5 5: 4
Yeah.

EEE 5 : 5 3 2 !5 5 5 5: !5 : 5 3 5
5 5 5 5 5 5 5 5

7 7 7 7 7 7 7
5 5 X 3 3 3 3 3 3

; Coda

EE ^
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 A5
! 5̄ 5k 5̄
G E _5̄  5 5 5 5 5: 5
5̄ 5 5̄ 5̄
 = 4 5̄ 

^
Nice to know you, good - bye!

 EEE  3  
 5 55 5 5 
55 55 555 5 555 5 55555555

0 2 2 0 0 2 2 0 2 2 0 0 2 2 2 2 2 5 5
3 3 3 3 3 3

EE °
E5 F#5 D5 E5 F#5 E5 F#5 D5 E5 F#5 E5 B5 Asus2 µ

G E  B 5̄ =  5 5 5 5 5: 3555 5 35 5 = 4 ?
 
Nice to know you, to know you.

EEE 3 
5 5555 555 55 5 55 5 5 5 5 5 5 5 5555 55= 4 ?
5
2 2 2 0 0 0
0 2 2 0 0 2 2 0 2 2 0 0 2 2 0
3 3 3 3 3 3

Additional Lyrics

2. Deeper than the deepest Cousteau would ever go.

And higher than the heights of what we often think we know.
Blessed she who clearly sees the wood for the trees.
6 To obtain a “bird’s eye” is to turn a blizzard to a breeze.
 Nookie
Words and Music by Fred Durst, Wesley Borland, Sam Rivers, John Otto and Leor Dimant

Tune down 1 1/2 steps:

(low to high) C#-F#-B-E

Intro
Moderate Rock q = 98


:: 2 2 2 2 ::
µ
 
Play 5 times

5 3 5 5 5 5
5 5

: :
f

¤ : 3 5 5
3
5 3 5 X X X X
:

G ? 4 2 ? = 2 = 2 = 2 4 4 =: 2
 
Check, one, one, two. 1. I

 3 3 3
5 5 5555 5 2 22 2 5 5 5555 5 2 22 2 5 5 5555 5 22 22

3 3 3
3 5 5 5 3 5 X X X X 3 5 5 5 3 5 X X X X 3 5 5 5 3 5 X X X X

C Verse

G :: 2 2 2 2 2 2 2 2 2
µ
? 4 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 =

Size of the...
came in - to this world as a re - ject. Look in - to these eyes, then you’ll see the size of the flames.

5 5 5 5 5 5 5 5
2., 3. See additional lyrics

 :: 3 5
4
5 5M
3
5
4
5 5M

:
mf

:
14 14 14 14
13 13 13 13
12 12 12 12 12 12

Copyright © 1999 by Universal Music - Z Tunes LLC, Big Bizkit Music and Lethal Dose Music
All Rights for Big Bizkit Music in the U.S. Administered by Universal Music - Z Tunes LLC
All Rights for Lethal Dose Music in the U.S. Administered by Universal Music - Z Songs
International Copyright Secured All Rights Reserved 1
 4 =  4 =  4 = 
2 2 2 2 2 2 2 2 =
G 2 2 2 2 2 3 2 2 2 2 2 2 = 2 2 2 2 2 2 2 2 2 2 2
 
Past. Hot. Has to learn from the pain.
Dwell - in’ on the past, it’s burn - in’ up my brain. Ev - ’ry - one that burns has to learn from the pain.
5 5 5 5 5 5 5 5
 3 5 5 5M 5 5 5M
4 3 4

14 14 14 14
13 13 13 13
12 12 12 12 12 12

 4 4 
2 2 2 =
=:
G = ? 4
2 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 2 2 2 2 2
 
Hey. Days. Pay.
Hey, I think a - bout the day my girl - ie ran a - way with my pay when fel - las came to

5 5 5 5 5 5 5 5
 3 5 4 5 5M 3 5 4 5 5M

14 14 14 14
13 13 13 13
12 12 12 12 12 12

To Coda 1 ;

2 4 ? = 2 4 ?
G = 2 = 2 2 2 2 2 2 2 2 2 2 3 2 2 2 2 2 2 2 2 2 2 2

Play. Ooh.
play. Now she’s stuck with my hom ies that she fucked, and I’m just a suck - er with a lump in my

5 5 5 5 5 5 5 5
 3 5 5 5M 5 5 5M
4 3 4

14 14 14 14
13 13 13 13
12 12 12 12 12 12

1.
Bass tacet

5: 5: 5: 5:
G =2
= = =
= = 2 2 2 = = 2 2 2 = = 2 2 2 = = 2 2
   
Hey, hey, hey, hey,
throat like a chump, like a chump, like a chump, like a

2
 :
= 3 2 2 2 :
5: 5: 5: 5:
G =2 = =
=
2 2 2 = = 2 2
=
2 = =
=
2 2 2
   
hey, hey, hey, hey.
chump, like a chump, like a chump, like a chump. 2. Should I be

2.
C C Chorus

G :: 3 2 2 2 2 2 2 2 2: 2 2:
µ

2 2 2 2 2 2 2 2 2 2 2 2 2

 ::
I did it all for the nook - ie, come on, the nook - ie, come on. So you can take that cook - ie and

5 5 3 5 5 5 5 5 2 2 2 2 5 5 3 5 5 5 5 5 2 2 2 2

:
f

: 3 5 5
3
5 3 5 X X X X 3 5 5
3
5 3 5 X X X X

2nd time, D.S. al Coda 1

4th time, To Coda 2 ;

::
6th time, To Coda 3 ;

G 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4
stick it up your... Yeah. Stick it up your... Yeah. Stick it up your... Yeah. Stick it up your...

2 2 2 2 ::
 3 5555 3 5555
5 5 5 2 2 2 2 5 5 5

:
3 5 5
3
5 3 5 X X X X 3 5 5
3
5 3 5 X X X X
:

; Coda 1
Bass tacet

= 5: = 5: = 5: = 5:
G 4 = 2 2 2 = = 2 2 2 = = 2 2 2 = = 2 2
  
Hey, hey, hey, hey,
like a chump, like a chump, like a chump, like a

D.S.S. al Coda 2
(take repeat)
= 5: = 5: = 5: ?
G 2 = = 2 2 2 = = 2 2 2 = = 2 2 2 = 4
   
hey, hey, hey.
chump, like a chump, like a chump, like a chump.

3
 ; Coda 2
Bridge
µ(A5)

5: B:

G ? = 5 5 5 5 5

5: 5:
I’m on - ly hu - man.

 5 B 5 B
 5: B  5: B
mf

5 7 5 7
0 0

=:
G5 C5 Bb5
$
G 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

 5 5 :
It’s so eas - y for your friends to give you their ad - vice.

B
5: B 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 7
0
3 3 3 3 3 3 3 3 8 8 8 8 8 6 6 6

µ(A5)

4 4 5 5 = 
G 5 5  5: 5 5 5 5

5: 5:
They’ll tell you, “Just let it go.”

 5 B 5 B
5: B  5: B

5 7 5 7
0 0

G5 C5 Bb5
 5 5 
G 5 4 4 = 5 5 5 5 5  5

5:
It’s eas - i - er said than done.

 5 B
5: B 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 7
0
3 3 3 3 3 3 3 3 8 8 8 8 8 6 6 6

4
 µ(A5)

G 5 4 4 5 5 5 5 5 5 5 B
I ap - pre - ci - ate it.

 5 5 5: B
 5: B  5: B

5 5 7
0 0

G5 C5 Bb5
 
G 5 5 5 5: 5 4 = 5 5 5 5 5
I do, but just leave me a - lone.

 5 5: B
5: B 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 7
0
3 3 3 3 3 3 3 3 8 8 8 8 8 6 6 6

µ(A5)

? ? = 
G B 5 5 5 5

5:
Leave me a - lone.

 5 5 B
5: B  5: B

5 5 7
0 0

G5 C5 Bb5

G 5 5: B: 4 5 5 5 5 5

5:
Just leave me a - lone.

 5 B
5: B 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 7
0
3 3 3 3 3 3 3 3 8 8 8 8 8 6 6 6

5
 A5 C5

4 5 5 5 5 5 5 4 5 5 5 5 5
G 5
Noth - ing gon - na change. You can go a - way.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
f

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

D5 Bb5 A5
5 4 5 5 5 5 5 5 5 5 5 5 5 5 5
G
I’m just gon - na stay here and al - ways be the same.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0

=: =:
C5
5 5 5 5 5 5 5 5 5 5 5 5 5 5
G  
Ain’t noth - ing gon - na change, ’cause you can go a - way

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

=:
D5 Bb5 A5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G 
and I’m just gon - na stay here and al - ways be the same.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0

6
 =: =:
5 5 5 5 5 5 5
C5
5 5 5 5 5 5 5
G  
Ain’t noth - ing gon - na change, ’cause you can go a - way

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

D.S.S. al Coda 3
(take repeat)
D5 E5 G5
5 5 5
=:
5 5 5 5 5 5 5 5 5 5 5 5
G 
and I’m just gon - na stay here and al - ways be the same.

 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10

; Coda 3
Outro

:: 5 5 4 ::
µ
 5 5 4
5 5 4 ? 5 5 4 ? ? ?

: :
3 5 3 5
: 5 7 5 7
:

3 5 :: 5 5 4 ::
5 M 5 M
 5 5 4 5 5 4 3 5 5 5 4
Repeat and fade

? 4 4 ?

: :
: :
5 5
5 7 5 7 7 5 7 7 5 7

Additional Lyrics

2. Should I be feelin’ bad? (No.) Should I be feelin’ good? (No.) 3. Why did it take so long?
It’s kinda sad, I’m the laughin’ stock of the neighborhood. Why did I wait so long, huh, to figure it out?
And you would think that I’d be movin’ on, (Movin’.) But I didn’t and I’m the only one underneath the sun who didn’t get it.
But I’m a sucker like I said, fucked up in the head. (Not.) I can’t believe that I could be deceived (But you were.)
And maybe she just made a mistake and I should give her a break. By my so-called girl, but in reality had a hidden agenda.
My heart’ll ache either way. She put my tender heart in a blender, and still I surrendered.
Hey, what the hell. What you want me to say? (Hey,) like a chump, (hey,) like a chump,
I won’t lie, that I can’t deny. (Hey,) like a chump, (hey,) like a chump,
(Hey,) like a chump, (hey,) like a chump,
(Hey,) like a chump.
7
 One Step Closer
Words and Music by Rob Bourdon, Brad Delson, Joe Hahn, Mike Shinoda and Charles Bennington

Drop D tuning, down 1/2 step:

(low to high) Db-Ab-Db-Gb

Intro
Moderate Rock q = 95


µ(Dm) D5 Bb5 A5 F5

   :: 3 5: 3  ::
Play 4 times

 5 5 5:
5 5
: :
f

¤ : 0 0
7
8 7 3
:

Verse

G  :: 4
D5 Bb5 A5 D5 Bb5 A5

5 5 5 5 5 E5 5 E'
1. I can - not take this an - y - more.
2. See additional lyrics

  :: 4 5 4 4 5 4
5 5 5 5 5 5

:
: 0 0 8 7 0 0 8 7

D5 Bb5 A5 D5 Bb5 A5

G 4 5 5 5 5 5 5 E5 5 5 '
Say - ing ev - ’ry - thing I’ve said be - fore.

 4 5 4 4 5 4
5 5 5 5 5 5

0 0 8 7 0 0 8 7

Copyright © 2000 by Universal Music - Z Songs, Rob Bourdon Music, Nondisclosure Agreement Music,
Big Bad Mr. Hahn Music, Kenji Kobayashi Music and Universal Music - Z Tunes LLC
All Rights for Rob Bourdon Music, Nondisclosure Agreement Music,
Big Bad Mr. Hahn Music and Kenji Kobayashi Music in the U.S. Administered by Universal Music - Z Songs
International Copyright Secured All Rights Reserved 1
 D5 Bb5 A5 F5 D5 Bb5 A5 F5

G 5 5 5 5 5 5 E5 = 5 5 5 5 5 5 5 5 5 3 2
All these words, they make no sense; I find bliss in ig - no - rance. The

 3 5: 3  3 5: 3 
  5 5 5:  5 5 5:
5 5 5 5

7 7
0 0 8 7 3 0 0 8 7 3

D5 Bb5 A5 F5 D5 Bb5 A5 F5 G5

G 5 5 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5: 5 5 5: 
less I hear, the less you say; you’ll find that out an - y - way. Just like be -

 3 5: 3 5: 
  5 5 3 5:  5 5 3 5: 0 
5 5 5 5

7 7
0 0 8 7 3 0 0 8 7 3
Chorus
D5 C5 A5 Bbsus2 G5 A5 Ebsus2
4
G   5: =  = 5 5 5 5 5 5 5 5: 2 2 B:
2 2 2 2 2 2 2 3 2 2 2 2 2
? 4 =
fore... Ev-’ry - thing you say to me...

3 5:
...takes me one step clos - er to the edge and I’m a - bout to

  5 5 3 5:
 5 5 3 5:
5:
 0 5 5 3 
5 5 

5 3 3
0 0 7 8 8 5 7 7 1

1.
D5 C5 A5 Bbsus2 G5 A5 Ebsus2

=:
$ 4
2 2 2 2 ::
5 5 5 5 5 5 5 5 5: B:
G 2 4 4 = 2 2 2 2 2 2 2 2 2
 =
I need a lit - tle room to breathe...

3 5: ::
break. ...’cause I’m one step clos - er to the edge. I’m a - bout to...


 5 5 3 5: 5 5 3 5: 5 5 3  5:
5 5
:
0 0
5 3 3
7 8 8 5 7 7 1
:
2
 2.
Bbsus2 G5 A5 Ebsus2 D5 C5 A5

^B: 4 4 5 5 5 5 5 5 5 5:
G 2 2
 2 2 2 2 2
 =
2 2 2 2 2
4 4 = 2 2
Ev - ’ry - thing you say to me...
one step clos - er to the edge. I’m a - bout to break. ...takes me

 3 5: 3 5: 3 5:
5:
 5 5 5 5 3  5 5
5 5 

5 3 3
8 8 5 7 7 1 0 0 7

Bbsus2 G5 A5 Ebsus2 D5 C5 A5

=:
4 $
B: 5 5 5 5 5 5 5 5 5:
G 2 2 2 2 2 2 2 3 2 2 2 2 2 2 4 4 = 2 2
I need a lit - tle room to breathe...
one step clos - er to the edge and I’m a - bout to break. ...’cause I’m

5:
 5 5 3  3 5: 5 5 3 5:
5 :
5 5 3 
5 5 

5 3 3
8 8 5 7 7 1 0 0 7

Bbsus2 G5 A5 Ebsus2

B: 4
G 2 2 2 2 2 2 2 3 2 2 2 2 2 0

one step clos - er to the edge and I’m a - bout to

 5 3 5:
5:
5 5 5 3 
5 5 5 5 5 5 5 5

8 8 5 7 7 1 1 1 1 1 1 1 1 1

Interlude

2 2 2 2 2 2 2 2 2
Bass tacet
µ(Dm)

 
G 2 4 ? = =
break. Shut up when I’m talk - in’ to you.
3
 Bridge
Eb5
2 2:D5 F5 Eb5 D5 Ab5 D5 F5 Eb5
2 2:D5 F5 Eb5 D5 Ab5 D5 F5

G  :: 4 ? 4 ?

 ::
Shut up. Shut up.

 5 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
:
: 1 0 0 3 1 0 6 0 3 1 0 0 3 1 0 6 0 3

1.
Eb5
2 2: D5 F5 Eb5 D5 Ab5 D5 F5 Eb5 D5
2 2 2 2 2 F5
2 Eb5
2 D5
2 2
G 4 ? =   = ::

::
Shut up. Shut up when I’m talk - in’ to you.

 4 4
 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5
3
5 5 5
:
1 0 0 3 1 0 6 0 3 1 0 0 3 1 0 0 0 0
:
2. Outro-Chorus
Eb5 D5 F5 Eb5 D5 D5 C5 A5
2 2 2 2 2 2 2 5 5 5 5 5 5
 2= 5 5: 2 2
G =
4 4 =
Ev - ’ry - thing you say to me...

3 5:
Shut up. I’m a - bout to break. ...takes me

 4 5 5 3 5:
5 5 5 5 5 5 5 5 5 5 5 5 

5 3 3
1 0 0 3 1 0 0 0 0 0 0 0 7

Bbsus2 G5 A5 Ebsus2 D5 C5 A5

=:
4 $
B: 5 5 5 5 5 5 5 5 5:
G 2 2 2 2 2 2 2 3 2 2 2 2 2 2 4 4 = 2 2
I need a lit - tle room to breathe...

3 5:
one step clos - er to the edge and I’m a - bout to break. ...’cause I’m

 5 5 3 5:
 5 5 3 5:
5:
5 5 3 
5 5 

5 3 3
8 8 5 7 7 1 0 0 7

4
 Bbsus2 G5 A5 Ebsus2 D5 C5 A5

B: 4 = 5 5 5 5 5 5 5 5: 2 2
G 2 2
 2 2 2 2 2
 = 2 2 2 2 2 4 4 =
Ev - ’ry - thing you say to me...
one step clos - er to the edge. I’m a - bout to break. ...takes me

3 5:
5:
  3 5:
5:
 5 5 3 5 5 3  5 5
5 5 

5 3 3
8 8 5 7 7 1 0 0 7

Bbsus2 G5 A5 Ebsus2 D5 C5 A5

=2:
4 $
B: 5 5 5 5 5 5 5 5 5:
G 2 2
 2 2 2 2 2 3 2 2 2 2 2 4 4 =
2 2
I need a lit - tle room to breathe...
one step clos - er to the edge and I’m a - bout to break. ...’cause I’m

3 5:
5:
 5 5 3  5 5 3 5:
5:
5 5 3 
5 5 

5 3 3
8 8 5 7 7 1 0 0 7

Bbsus2 G5 A5 Ebsus2 µ

B: 4
G 2 2 2 2 2 2 2 3 2 2 2 2 2 0 2 4 ?
^

one step clos-er to the edge and I’m a - bout to break.

 5 5 3 5:

5:
5 5 3  0
5 5 5 5 5 5 5 5

8 8 5 7 7 1 1 1 1 1 1 1 1 1

Additional Lyrics

2. I find the answers aren’t so clear.

Wish I could find a way to disappear.
All these thoughts, they make no sense;
I find bliss in ignorance.
Nothing seems to go away; over and over again.
Just like before...