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The Barber of Seville


Cavatina
I "U* voce poco fa"
Eaglish traaslatioa by John BrigBS Gioacchino R ossini
Act I, Scsne 2 (usually call€d Act II)- Rosina. has bson setsnadod by Ltndoro, Sha slts ln her dravlng room and reslnlscesaboul
the "voloo latoly hsard" whlch so fllls her *lth lovo.

mi ri- suo - ab il tnio fe-d - to d gi:,, e_


ptdb towbrouqfttie lou, tTuas-
uith.ln ,nI heatt, Cu

r) fiis arid is otten etig lr tr'


copyright1951by TheodorePresserCo.
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dor- fu ch€ i1 pia - gd. Sl, Lin - do m10_ sa - ra, lo- g1u -
dnr- uhothreu the d,art. Vith Lin - d.o ulll_ I- go, hcte I

ro_ mto_ sa
ro- uill- I-

ro giu 1a- viE- ce - 16.


udll neo, et part.

lo giu - ra- I, 1a: ce - ro.


Itere I- suear it, dLl- neo ef- paft.

Il tu-tor ri- crj-se - re, io fin-ge - gno a-quz , ze -


My old,men,tor uiLI say rrot then ILI iin "n-fi ittt
ny

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al - la fin srac- dhe - te rn,
gft' Then at lcst.. hdl, brd. me so,
+
+rd- al- Ia fin e'ac-cbe- te - ri, con-ten -ta io re - ste-
atfl. Th.en at list hev bid, me 8a, Ltn-ao - fo ILI de -

si, i-in - d.o - ro mio s3, -


part... uith Lin - do

- alo lo--:- gui -


Lin - do -l
Ilere-

ro- mio- sa -
uith _ tLo ro- ilt I-

ra- I, si, Lilr - do ro_ m10_sa


&Deaf it, rDith Lin - do ro- uill-I_

Moderato (J=ror)
so- - !ro- alo - ci-le, son_.fl - spet - to 6a:
om- so- lov - a-ble, .so: 6en - ti - men t4l,

nqjb - be - die! - Ea,mi la-scio


lle, tr atia a -

t*,. ,i-;" :" *

la-scio req - - Ma se mi
req - ge-re,mi
-*.:bt", '7-tte, mi fo gui-dar'
.{e-re, mi- fo- gui dar.
^io - a^ a - .^ei - I con be led, I- can- be- led But if lou

i:t
er-heai

toc - ci - do dovt d il mio de bo- le, sa-ro u-na vi - Pe - rar- 6a'>-'---z-


tna}e- me sad,yotlitshyou er had,youl, uish you'd, neo er- heard,- of-

?o - le pd- taa. di de- re rd gro -


U I nr fldr I'L ndke lou the day, 80

qen - to po - le pri$a di de-re fa- rd gio -


If I caft ny uay, Illmake you the dayd,on't go too

e oen ' 1o trap po - re pri - ma di


fa\- don't- go- too- If I cant ha* nr uar, I'll nake rox

car,- fa - rd- gid'--:-; e cen-to trap po-le pri-ma di


dorft- go- too- If I cait haue nV Lay, I'l,l noheyou
fa4-

the dd,
& ptacere

qe de-re fa-rd qio - car',- fa - rd- gio- - car. cen- to-


fTte the &tydorflgo Ioo far,- dant- go- {oo- fa4 If_ I- cait

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178

di_
a ItiLcere

-
trap po-le pri - ma de - re, e ceo-to trap - po - le fa -
hate my uay, P maheyou fue the dayy'otl go too fa4_ dntt_

rd, fa ao-no
I a m s o

do - ci-le, so-no -dien-te, - sclo


loo - able, I a m o - be-dienl, I A i t a -

dar Ma Ma se rri
led.. ah But if you

fo gui - dar, Ma ae mi
can be led,. But if you

i1l
177

le sa- reg - na ?e
e. hod.Jou:lt wtsh you'd .r_ heqd_ of_

ca- do dovte il eio de bo - le, sa-rQj-!.a vi pe - rar_


me sa(r. Iouututsn J,ou 4el.t et had]totUtuishJ,out net) et- heard,- of-

trap - po ' le pri-ma di de- r€ fa- gio -


rd
V I ha*- mx *ay III make you the daJ,donl Ba too

cell-to trap po - le pri-ma di ce - de-re fa- rd gio-


I catt haue- nV uay,Pll mo,heyou fue- the dnydorft go {oo

car,- fa - rd- . po - te pri - ma di


-t.up
If. I cant ' haue my ua! I,Il nake you
a pzacere

car,- fa - rd- gio' ca':, e cen-tol traP po-le pri-ma di


ilott- go- (oo f? I catt haue my urd!, nl mohelou
fa4- for'

de - re fa- rd gio - oat- -to


the d.aldoit Eo too f",,- I_

ce de-re fa-rd Rio - car,- fa


:
e- cen- to
tue the daydoitgo loo J?r' d:?dt . go---:-L I- cail
p o-le-
-ny fa -
uay,- dodt

po-le pri - ma- di- c e - ale- rc, e ced+o trap-po - l e f a


n!, ntay, IU m4he J.ou fue the daydottgo too iloit-

rd, fa l- 16 gio - ca\ e ceD{o tralH;ole fa--rd gio-car, cen-to trappo-le fa - rd gio-
go-too - far, Just let me havenyuaylottt goioo f91.z lpt ne howmwayrdot{t go too

car- fq - rd- qio car,- fa - rd- gio . catfarogiocar.Ah


for,- don't- so- 1"o- for,- dott- 8o- too- I@lt, sotoofsrAh

car, fa - rd gio - ca\ fa - rd 81o


- Cai, f a - r d gio
Ja4 dait go too for, d,ottt g too fsr, dortt go too

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