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GENERAL INTEREST
While studies show the ineffectiveness of direct grammar instruction to produce better writers, h
school teacher Susan Losee Nunan finds that explaining grammar rules provides students with too
for building complex thoughts and expressing themselves more elaborately.
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Susan Losee Nunan
andwrit-
cussion, grammar means the syntactical choices reading. Weaver reports a more modest, infor-
ers and speakers make, including the punctuation
mal study by Finlay McQuade in 1980 that found
necessary for written clarity. that, after taking an Editorial Skills class developed
In the '50s, Noam Chomsky suggestedtothat"enhance students' performance on the College
Entrance
linguistic systems are hardwired. Baugh and CableExamination Board's Achievement Test in
Composition
reinforced this idea in the '90s: "knowledge of lin- ... .t.he class average on the pre-test
was
guistic universals is part of the innate structure ofactually
the higher than the average on the post-
test"
human brain... [and] study of language [is] (22-23). McQuade further concluded that be-
ulti-
cause of the utter self-consciousness of the second set
mately rooted in the biology of the speaking animal"
(327-28). While we may not be born with theof
gram-
essays in an effort to avoid grammatical errors, the
matical patterns of our native language, earlypost-Editorial
expo- Skills class essays were "miserable"
(qtd. in Weaver 23).
sure to spoken language, combined with the plasticity
With the results of these studies ringing in
of the young brain, makes acquiring language as nat-
ural and intuitive as learning to walk or ride teachers'
a bike. heads, the temptation to desert teaching
As such, most speech is correct and natural. We un- altogether is great. Many have. OK, I con-
grammar
fess.
derstand that a "big red house" is different from I have tried that, too. Teaching grammar, how-
a "red
big house" and that, barring a jailhouse colloquial-
ever, is necessary for many reasons.
ism, the first one sounds more natural and says what
we mean. We know this without learning rules about
Grammatical Correctness
order of adjectives. Native speakers learn their lan-
guage through making generalizations and applying
We should teach grammar for the traditional reason:
them. I remember my son as he learned to Grammar
talk: rules are fixed and must be learned be-
"Mommy, Mommy, I runned faster than Daddy,"
causehe'd
patterns of speech reflect education, class, even
say, applying the -ed rule from "walked" and morality.
"talked" Prescriptivist grammarians came onto the
to all past-tense verbs. Stephen Pinker English
states, scene in the eighteenth century, compelled
to determine
"[njeuroimaging techniques suggest that regular and for the rest of the English-speaking
world
irregular forms [of verbs] may trigger different what was correct and incorrect in spoken and
parts
of the brain" (86), suggesting that our physical brainslanguage. At the same time, because of the
written
are, at least to some degree, hardwired. rigid nature of their approach as well as prevalent so-
Firmly imprinted in our brains, grammar cial attitudes of the time, these grammarians equated
correctness
comes naturally, and if written expression defies writ- (adherence to es-
ing conventions, what is an English teachertablished
to do? rules) with morality. Syntax, word choice, and
Studies show that there is little transfer fromThomas
gram-Sheridan wrote in
punctuation affect how
1756, "'a revival of the art of
mar exercises to writing. One 1962 study by Roland
readers of students'
Harris took place in London with junior high stu- and the study of our
speaking,
writing perceive the
dents (Weaver 175). The second study, by Elleylanguage,
et al., might contribute, in
students themselves.
explored grammar learning in thirteen-year-olds in measure,' to the cure of
a great
New Zealand in 1976 (20-21). Both studies demon-
'the evils of immorality, igno-
strate that students who are taught grammar through
rance and false taste' " (qtd. in Baugh and Cable 270).
a direct, traditional approach (i.e., worksheet,Grammatical
gram- correctness provided a legitimate mea-
mar textbook exercises, and so forth) do not sure
showof aa person's character. Lest you were worried
and missing the good old days, prescriptivists are
significant difference in their ability to construct
compositions. Don't these formal studies only
alivecon-
and well, terrorizing first-year teachers in the
firm what we, as English teachers, already know? teachers lounge. Indeed, I can tell which of my stu-
Indeed, from the results of these studies,dents
someare products of their classrooms. These stu-
educators have concluded that traditional instruc- dents don't write with any fewer errors than the
tion is detrimental because it takes time away from others, but they're convinced they are terrible at
activities that appear to be useful, such as writing "grammar," and they all hate English.
English Journal 71
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Forgiving Ourselves and Forging Ahead: Teaching Grammar in a New Millennium
Attitudes have not changed. Syntax, word tool is what it does; its purpose is what makes it
choice, and punctuation affect how readers of stu- exist in the first place. Ultimately grammar is a tool
dents' writing perceive the students themselves. A used by writers to accomplish specific purposes.
1981 study by Maxine Hairston demonstrated that Only after using the block plane-watching perfect
this attitude continued for another two hundred strips of walnut curl up in long, graceful spirals and
years; we see evidence that it persists today. Hairstonfeeling the precise, square, smooth surface left
behind-can I understand and use a block plane ef-
took sixty-five sentences with various errors and
asked professional people to rate the mistakes basedfectively. Until then, it is a useless tool, taking up
on their perception of the "seriousness" of the error
space in my shop.
(Noguchi 24-30). Her results support what our brief Whether used self-consciously or intuitively,
history of grammar reveals: We different techniques accomplish different objec-
Like any other device to still view grammar and its tives. Harry R. Noden explains the idea that gram-
rules with the same sense of in- mar is an artist's tool: "writing is not constructed
help with cooking or
violability that those in the merely from experiences, information, characters or
cleaning, or a tool for a
eighteenth century did. This plots, but from fundamental artistic elements of
professional trade,
suggests an important, albeit grammar" (1). When we give students the stylistic
grammatical tools will be superficial, reason to study tool of different kinds of grammatical construc-
used more effectively if grammar. When Amber says, tions, we enable them to express ideas in artful
we use them frequently "Miss, I ain't got no pencil," I ways. Martha Kolln, a strong proponent of tradi-
and purposefully. don't correct her or cringe be- tional grammar, also advocates teaching rhetorical
cause I don't understand what grammar "as a tool that enables the writer to make
she means. I reveal the prevalent attitude when I ac- effective choices" (29).
knowledge that she sounds uneducated to my lin- Students deserve to learn these purposes and
guistic ear (and secretly I wonder how her parentsput grammar in their writing toolbox to make their
talk at home). Nor do we mistake the meaning ofwritten communication as effective as possible. Like
ain't. Social convention and status, equivalent to any other device to help with cooking or cleaning,
choosing to burp or not to burp at a formal dinner, or a tool for a professional trade, grammatical tools
dictate that we dare not send students into a world will be used more effectively if we use them fre-
that views grammar and proper speech in this way quently and purposefully.
without the necessary tools to succeed.
72 March 2005
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Susan Losee Nunan
not merely a reproducing instrument for voicing adept at carpentry, and eventually those same abili-
ideas but rather is itself the shaper of ideas, the pro- ties began to translate into creating real furniture:
gram and guide for the individual's mental activity, sleigh beds, dining-room tables, entertainment cen-
for his analysis of impressions, for his synthesis of his ters. The first time fixing up my home I did more
mental stock in trade" (212). wrong than right. I am on my second round of
As teachers we can draw two conclusions from restorations now, but this time the remodels are
this staggering information. The first is that if home, something I am proud of.
English Journal 73
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Forgiving Ourselves and Forging Ahead: Teaching Grammar in a New Millennium
Grammar can be acquired in much the same vising any writing); collect student samples as well
way. Teachers expose students to different gram- as those of published writers on butcher-paper wall
matical techniques, determining lessons based on banners. Students can explore how professional writ-
needs they observe in student writing and making ers use specific techniques in literature and compare
lessons memorable so that a skill becomes a part of them to their own. Awareness of a grammatical tech-
the students' repertoire. While students might not nique in a variety of contexts wears that particular
be able to completely diagram a sentence from this brain pathway a little more deeply, making the writ-
exposure, or identify parts of speech on a worksheet, ing tool easier to retrieve the next time the writer
they become aware of the possibilities and store up wishes to accomplish that specific stylistic purpose.
tactics in their personal writing files, pulling them Before teachers of grammar can teach grammar
out more frequently as they become adept at in- differently, they must think differently and approach
creasingly complex thinking. the subject analytically and pragmatically. Think
Brain research shows us how to make a stylis- through the function of a specific grammatical tech-
tic grammar lesson striking and easier to recall. First nique or objective. Remember that written and spo-
the introduction must be novel, something that will ken language reflect experience, and think of what
impress itself on malleable brains. Change location. that experience or event is. What could a student do
Use different materials. In addition, it should be fun or witness that would allow for a natural use of your
because when a lesson involves the emotions, it en- objective?
gages the mind. Finally, and most important, it I must give you a final warning. The human
should be something that brain can only hold and act on so much at one time.
Awareness of a
shows meaning rather than Noguchi writes that "the surge or grip of ideas some-
grammatical technique merely form. Remember, y'all times proves strong enough to override the con-
won out over the comma and straints of form" (73). Expect that as your students
in a variety of contexts
wears that particular dependent clause. My students take risks and try new techniques, they will also
needed a plural form for second make mistakes. Mina Shaughnessy in Errors and Ex-
brain pathway a little
person; commas for introduc- pectations reports, "it is not unusual for people ac-
more deeply, making the
tory dependent clauses had not quiring a skill to get 'worse' before they get better
writing tool easier to yet registered. and for writers to err more as they venture more"
retrieve the next time the Instead of stopping at the (119). I noticed for years that middle school students
writer wishes to minilesson on verbals, let stu- seemed to leave dependent clauses as fragments in
accomplish that specific dents act out the possibilities their writing, never realizing that it was because they
of a participial phrase. After had begun to have the complicated thoughts that re-
stylistic purpose.
all, a participial phrase is per- quire complex sentences but had not yet grown into
fect for showing that one actor can accomplish two the structure's conventional punctuation. Chelsea
actions at one time. It layers information. One stu- demonstrated this perfectly. I conferenced with her
dent acting out two things at once demonstrates thefor a second time on a short story on which she had
potential. Then, can the students' writing accom-been working. It was her third draft, and I noticed
modate more action? that she had more punctuation mistakes, not fewer,
This is not to say that technique should be in- in her writing.
troduced and then tucked away. Anyone who once Chelsea wanted to point out something else
received a food processor or waffle iron as a gift and entirely. "Look, Miss. Look at all the participial
then put it away knows how seldom the tool makes phrases I fit into my story. I really like this one," she
it back out to the countertop. Rhetorical grammar said proudly, pointing to a sentence that had a teen-
must reappear in the classroom frequently in vary- age girl screaming and running simultaneously.
ing contexts: apply the technique in warmups as After a lesson on participial phrases and an adventure
writing at the beginning of class; revise a prior entry in a parking lot with sidewalk chalk and physical
in their journal with the new tool; require exit slips dramatization, she had certainly learned layering ac-
(tickets out of the classroom that use the grammat- tion using participial phrases; however, her sentence
ical tool); practice revising (which can include re- structure errors had increased dramatically. In fact,
74 March 2005
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Susan Losee Nunan
Works Cited Shaughnessy, Mina P. Errors and Expectations: A Guide for the
Teacher of Basic Writing. New York: Oxford UP, 1977.
Baugh, Albert C., and Thomas Cable. A History of the English
Vygotsky, Lev. Thought and Language. Trans. and ed. Alex
Language. 4th ed. Englewood Cliffs: Prentice, 1993.
Kozulin. Cambridge: MIT, 1989.
Kolln, Martha. "Rhetorical Grammar: A Modification Les-
Weaver, Constance. Teaching Grammar in Context. Ports-
son." English Journal 85.7 (1996): 25-31.
mouth: Boynton/Cook, 1996.
Noden, Harry R. Image Grammar: Using Grammatical Structures
Whorf, Benjamin Lee. "Science and Linguistics." Language,
to Teach Writing. Portsmouth: Boynton/Cook, 1999.
Thought, and Reality: Selected Writings of Benjamin Lee
Noguchi, Rei R. Grammar and the Teaching of Writing: Limits
Whorf Ed. John B. Carroll. Cambridge: MIT P, 1956.
and Possibilities. Urbana: NCTE, 1991. 207-19.
Pinker, Steven. "Horton Heared a Who! What the Slips of
Children Tell Us about Language, History and the
Human Mind." Time 154.18 (1 Nov. 1999): 86.
Susan Losee Nunan has taught middle school, high school, and college in San Antonio, Texas. She currently teaches high
school in Northside Independent School District. email: susanstre@aol.com.
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English Journal 75
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