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MB: Shawn and I have been friends since we were kids. Here we
are on the same soccer team! (I’m the spindly one who looks
like he’s bad at soccer.) Shawn is one of the few people I’ll
show a story I haven’t finished yet. There’s not a book I’ve
written that he hasn’t opined on, meaningfully, at some early
stage. We have a particular rhythm when we’re trying to
crack an idea—things start off pretty slow, but we start
egging each other on, and wild digressions feed back into
breakthroughs, and pretty soon we’re talking loud and fast. It
was like that with this book.
SH: I brought proofs for my first picture book, Her Right Foot, over to Mac’s house. It was
breakfast time. He was reading the newspaper and drinking coffee. My illustrations in
that book are all cut-paper collages—I used construction paper of various hues, but
there’s one picture where I put white construction paper on a white background and
the shape is defined only by shadows. I was getting excited about the possibility of
making a book of collages made only with white paper.
MB: My ears perked up. It was a cool idea, but I was also reading a good article about
Justin Bieber. Shawn said, “Like, you could make a picture of a polar bear in the snow.”
I looked up from the newspaper and said, “That’s a good title.” Then Shawn said, “It
could go like this,” and I said, “Wait, what if it went like this?” And then Shawn said,
“Do you want to write it?” And I had to set down my coffee and go take a shower,
which is where I like to do my thinking. I came back to the kitchen and said yes.
SH: Each sheet of paper is unique; every brand, style, and era has a specific texture. I
tried to collect as many as I could. The original art is smaller than it appears in the
book (about 50 percent), so the nooks and crannies are magnified and give even the
blank pages the atmosphere of falling snow. Even when the illustrations become blue,
you’re still looking at collages made with just white paper. I used blue stage-lighting
gels to tint the lights while I took the photos of the artwork you see in the book.
Mac, how did you decide on the question/answer, call-and-response format for this
book?
MB: This book is a mystery story, animated by a single question: Where is the polar bear
going? That question, I hope, immediately generates suspense—it makes you want to
turn the pages. The page turn is the most important formal aspect of a picture book,
and every page turn is an opportunity to surprise. This book especially is structured
as a series of surprises.
Which writer and/or illustrator has had the biggest impact on you creatively?
MB: It’s hard to say what goes into making a book when you’re the one who made it, but
now that this one is finished I can see Margaret Wise Brown’s influence, and David
Attenborough’s, too.
SH: For this book, I was thinking a lot about Eric Carle. He introduced me to my first bear,
my first collage, to the Helvetica font (my hand-cut titles are an homage), and to how
much can be communicated through minimalism.