Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
978-0-262-51625-9
11:03 AM
Page 1
Spring 2011
The MIT Press
Spring 2011 Cover final:MIT 9/30/10 11:03 AM Page 2
BACKLIST HIGHLIGHTS
CONTENTS
architecture 5-6, 32-34, 41, 45, 53
art 2, 29-31, 35-41, 46, 51-52, 90
biography 26, 95
biology 75, 78, 83, 97
business 1, 17, 82
cognitive science 18, 60-61, 63, 75, 85, 91, 95, 97
computer science 61, 77, 79, 81-82, 88-89
cultural studies 45-47
current affairs 3-4, 8, 9, 13-14, 19, 22, 44
design 5, 7, 32 $21.00T/£15.95 cloth $12.95T/£9.95 cloth $42.95T/£31.95 cloth
978-0-262-13472-9 978-0-262-06266-4 978-0-262-13474-3
digital humanities 89-90
economics 14-16, 48, 64-69, 68-69, 73
environment 3, 8-10, 54, 56, 59, 72-74
finance 15-16, 64, 66
game studies 55, 87
gender studies 20, 55
higher education 24-25, 56-57
history 7, 57, 65, 84
history of science 62, 78
history of technology 61-62
information science 82, 84
international security 70-71
linguistics 26, 63, 79-80, 94
music 37, 43
neuroscience 58-59, 75-77, 91, 94
$45.00T/£29.95 cloth
philosophy 18, 28, 49, 55, 92-93, 95-98
978-0-262-01349-9
Front and inside front cover images photography 40
from Helvetica and the New York City $12.95T/£9.95 paper $26.95T/£19.95 paper
Subway System by Paul Shaw.
politics, political science 2, 13, 26, 47-48, 54, 63, 67, 70-73 978-1-58435-080-4 978-0-262-55042-0
psychology 3, 12, 27, 92-93, 94
regional 23-25
science 11, 21, 59
science, technology, and society 57, 61, 63, 84-85
technology 11, 12, 19-20, 22, 32, 34, 39, 50, 90
urban planning, urban studies 53, 56
BACKLIST HIGHLIGHTS
CONTENTS
architecture 5-6, 32-34, 41, 45, 53
art 2, 29-31, 35-41, 46, 51-52, 90
biography 26, 95
biology 75, 78, 83, 97
business 1, 17, 82
cognitive science 18, 60-61, 63, 75, 85, 91, 95, 97
computer science 61, 77, 79, 81-82, 88-89
cultural studies 45-47
current affairs 3-4, 8, 9, 13-14, 19, 22, 44
design 5, 7, 32 $21.00T/£15.95 cloth $12.95T/£9.95 cloth $42.95T/£31.95 cloth
978-0-262-13472-9 978-0-262-06266-4 978-0-262-13474-3
digital humanities 89-90
economics 14-16, 48, 64-69, 68-69, 73
environment 3, 8-10, 54, 56, 59, 72-74
finance 15-16, 64, 66
game studies 55, 87
gender studies 20, 55
higher education 24-25, 56-57
history 7, 57, 65, 84
history of science 62, 78
history of technology 61-62
information science 82, 84
international security 70-71
linguistics 26, 63, 79-80, 94
music 37, 43
neuroscience 58-59, 75-77, 91, 94
$45.00T/£29.95 cloth
philosophy 18, 28, 49, 55, 92-93, 95-98
978-0-262-01349-9
Front and inside front cover images photography 40
from Helvetica and the New York City $12.95T/£9.95 paper $26.95T/£19.95 paper
Subway System by Paul Shaw.
politics, political science 2, 13, 26, 47-48, 54, 63, 67, 70-73 978-1-58435-080-4 978-0-262-55042-0
psychology 3, 12, 27, 92-93, 94
regional 23-25
science 11, 21, 59
science, technology, and society 57, 61, 63, 84-85
technology 11, 12, 19-20, 22, 32, 34, 39, 50, 90
urban planning, urban studies 53, 56
business/leadership
REDESIGNING LEADERSHIP
John Maeda with Becky Bermont
When designer and computer scientist John Maeda was tapped to be president Lessons for a new generation of
of the celebrated Rhode Island School of Design in 2008, he had to learn how to leaders on teamwork, meetings,
be a leader quickly. He had to transform himself from a tenured professor — with conversations, free food,
a love of argument for argument’s sake and the freedom to experiment — into social media, apologizing,
and other topics.
the head of a hierarchical organization. The professor is free to speak his mind
against “the man.” The college president is “the man.” Maeda has had to teach
himself, through trial and error, about leadership. In Redesigning Leadership, he May
5 3/8 x 8, 104 pp.
shares his learning process.
Maeda, writing as an artist and designer, a technologist, and a professor, $20.00T/£14.95 cloth
978-0-262-01588-2
discusses intuition and risk-taking, “transparency,” and all the things that a
Simplicity: Design, Technology,
conversation can do that an email can’t. In his transition from MIT to RISD he
Business, Life series
finds that the most effective way to pull people together is not social networking
but free food. Leading a team? The best way for a leader to leverage the collective
power of a team is to reveal his or her own humanity. Also available in this series
Asked if he has stopped designing, Maeda replied (via Twitter) “I’m designing THE LAWS OF SIMPLICITY
how to talk about/with/for our #RISD community.” Maeda’s creative nature John Maeda
2006, 978-0-262-13472-9
makes him a different sort of leader — one who prizes experimentation, honest s$21.00T/£15.95 cloth
critique, and learning as you go. With Redesigning Leadership, he uses his experi-
ence to reveal a new model of leadership for the next generation of leaders.
John Maeda is President of Rhode Island School of Design and former
Associate Director of the MIT Media Lab. In 2008 Esquire magazine
named Maeda one of the 75 most influential people of the twenty-first
century. He is the author of the bestselling The Laws of Simplicity
(MIT Press, 2006) and other books. Becky Bermont is Vice President of
Media + Partners at RISD and has partnered with Maeda since his time
at the Media Lab in efforts to bridge design, academia, and business.
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politics/art
AI WEIWEI’S BLOG
Writings, Interviews, and Digital Rants, 2006–2009
Ai Weiwei
Manifestos and immodest proposals edited and translated by Lee Ambrozy
from China’s most famous artist
and activist, culled from his In 2006, even though he could barely type, China’s most famous artist started
popular blog, shut down by blogging. For more than three years, Ai Weiwei turned out a steady stream of
Chinese authorities in 2009.
scathing social commentary, criticism of government policy, thoughts on art
and architecture, and autobiographical writings. He wrote about the Sichuan
March earthquake (and posted a list of the schoolchildren who died because of the
7 x 9, 320 pp.
58 illus.
government’s “tofu-dregs engineering”), reminisced about Andy Warhol and
the East Village art scene, described the irony of being investigated for “fraud”
$24.95T/£18.95 paper
978-0-262-01521-9 by the Ministry of Public Security, made a modest proposal for tax collection.
Then, on June 1, 2009, Chinese authorities shut down the blog. This book
Writing Art series
offers a collection of Ai’s notorious online writings translated into English —
the most complete, public documentation of the original Chinese blog available
in any language.
The New York Times called Ai “a figure of Warholian celebrity.” He is a leading
figure on the international art scene, a regular in museums and biennials, but
in China he is a manifold and controversial presence: artist, architect, curator,
social critic, justice-seeker. He was a consultant on the design of the famous
“Bird’s Nest” stadium but called for an Olympic boycott; he
received a Chinese Contemporary Art “lifetime achievement
award” in 2008 but was beaten by the police in connection
with his “citizen investigation” of earthquake casualties in 2009.
Ai Weiwei’s Blog documents Ai’s passion, his genius, his hubris,
his righteous anger, and his vision for China.
Ai Weiwei (b. 1957), artist, architect, activist, and outspoken social
critic, is one of the most famous and controversial figures in China
today. His work has been exhibited in Europe, Asia, Australia, and
the United States, in venues ranging from the Venice Biennale to
the Guangzhou Triennial. Lee Ambrozy is a translator and scholar
of Chinese art history.
“GRIEF”
Throughout these days of mourning, people do not need to thank the Motherland and her supporters, for she was unable to offer any
better protection. Nor was it the Motherland, in the end, who allowed the luckier children to escape from their collapsing schoolhouses.
There is no need to praise government officials, for these fading lives need effective rescue measures far more than they need sympathetic
speeches and tears. There is even less need to thank the army, as doing so would be to say that in responding to this disaster, soldiers
offer something other than the fulfillment of their sworn duty.
Feel sad! Suffer! Feel it in the recesses of your heart, in the unpeopled night, in all those places without light. We mourn only because
death is a part of life, because those dead from the quake are a part of us. But the dead are gone. Only when the living go on living
with dignity can the departed rest with dignity.
current affairs/environment
death and destruction. Americans watched real-time video of the huge column
of oil and gas spewing from the obviously failed “blowout preventer.” The Available
evening news showed heart-rending images of pelicans, dolphins, and other 5 3/8 x 8, 272 pp.
Gulf wildlife covered in oil. What has been missing until now, though, is a book $18.95T/£14.95 cloth
978-0-262-01583-7
that tells the larger story of this disaster. In Blowout in the Gulf, energy experts
William Freudenburg and Robert Gramling explain both the disaster and the “Blowout in the Gulf is a
decisions that led up to it. They note that — both in the Gulf of Mexico and fast-paced, vivid account of the
elsewhere — we have been getting into increasingly dangerous waters over century-long rush to exploit that
recent decades, with some in the industry cutting corners and with most federal led to the BP disaster. As finite
regulators not even noticing. In the process, the actual owners of the oil — and remote oil and gas supplies
American taxpayers — have come to receive a lower fraction of the income dwindle, the risks, human and
from the oil than in almost any other nation on earth. enviromental, will only increase.
Freudenburg and Gramling argue that it is time for a new approach. BP’s As the age of oil approaches an
Oil Spill Response Plan was pure fantasy, claiming the company could handle end, the authors point us in other,
the equivalent of an Exxon Valdez spill every day, even though “cleaning up” sustainable, directions.”
an oil spill is essentially impossible. For the future, our emphasis needs to be — Bruce Babbitt, former
on true prevention, and our risk-management policies need to be based on governor of Arizona and
better understandings of humans as well as hardware. secretary of the Interior; board
Blowout in the Gulf weaves these failures, missteps, and bad decisions into of directors, Lincoln Institute
a fascinating narrative that explains why this oil spill was a disaster waiting of Land Policy
to happen — and how making better energy choices will help
prevent others like it.
William R. Freudenburg is Dehlsen Professor of Environmental Studies
at University of California, Santa Barbara. Robert Gramling is Professor
of Sociology at the University of Louisiana at Lafayette. Freudenburg
and Gramling are the authors of Oil in Troubled Waters: Perceptions,
Politics, and the Battle over Offshore Drilling.
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current affairs/psychology/military
FINAL
How the World’s Most Powerful Psychiatrists Decide Who’s Normal, and
eight other books. Her articles, essays, and op-eds have appeared in
both scholarly and popular publications.
COVER
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TO
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COME
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design/architecture
terracotta and cut stone. Over the years, enamel signs identifying stations and
warning riders not to spit, smoke, or cross the tracks were added to the mix. March
Efforts to untangle this visual mess began in the mid-1960s, when the city 11 x 9 1/2, 144 pp.
260 color illus.
transit authority hired the design firm Unimark International to create a clear
$39.95T/£29.95 cloth
and consistent sign system. We can see the results today in the white-on-black
978-0-262-01548-6
signs throughout the subway system, displaying station names, directions, and
instructions in crisp Helvetica. This book tells the story of how typographic
order triumphed over chaos.
The process didn’t go smoothly or quickly. At one point New York Times
architecture writer Paul Goldberger declared that the signs were so confusing
one almost wished that they weren’t there at all. Legend has it that Helvetica
came in and vanquished the competition. Paul Shaw shows that it didn’t happen
that way — that, in fact, for various reasons (expense,
the limitations of the transit authority sign shop), the
typeface overhaul of the 1960s began not with Helvetica
but with its forebear, Standard (aka Akzidenz Grotesk).
It wasn’t until the 1980s and 1990s that Helvetica
became ubiquitous. Shaw describes the slow typographic
changeover (supplementing his text with more than
250 images — photographs, sketches, type samples, and
documents). He places this signage evolution in the
context of the history of the New York City subway
system, of 1960s transportation signage, of Unimark
International, and of Helvetica itself.
Paul Shaw, an award-winning graphic designer, typographer,
and calligrapher in New York City, teaches at Parsons School
of Design and the School of Visual Arts. He is the coauthor
of Blackletter: Type and National Identity and writes about
letter design in the blog Blue Pencil.
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architecture/design
VOITURE MINIMUM
Le Corbusier and the Automobile
Antonio Amado
A colorful account of Le Corbusier’s
translated by Penelope Hierons and Barbara E. Duffus
love affair with the automobile, his
vision of the ideal vehicle, and his Le Corbusier, who famously called a house “a machine for living,” was fascinated
tireless promotion of a design that — even obsessed — by another kind of machine, the automobile. His writings
industry never embraced.
were strewn with references to autos: “If houses were built industrially, mass-
produced like chassis, an aesthetic would be formed with surprising precision,”
March he wrote in Toward an Architecture (1923). In his “white phase” of the twenties
9 x 9, 354 pp.
180 color illus., and thirties, he insisted that his buildings be photographed with a modern auto-
205 black & white illus. mobile in the foreground. Le Corbusier moved beyond the theoretical in 1936,
$49.95T/£36.95 cloth entering (with his cousin Pierre Jeanneret) an automobile design competition,
978-0-262-01536-3 submitting plans for “a minimalist vehicle for maximum functionality,” the
Voiture Minimum. Despite Le Corbusier’s energetic promotion of his design to
several important automakers, the Voiture Minimum was never mass-produced.
This book is the first to tell the full and true story of Le Corbusier’s adventure
in automobile design.
Architect Antonio Amado describes the project in detail, linking it to
Le Corbusier’s architectural work, to Modernist utopian urban visions, and to
the automobile design projects of other architects
including Walter Gropius and Frank Lloyd Wright.
He provides abundant images, including many pages
of Le Corbusier’s sketches and plans for the Voiture
Minimum, and reprints Le Corbusier’s letters seek-
ing a manufacturer. Le Corbusier’s design is often
said to have been the inspiration for Volkswagen’s
enduringly popular Beetle; the architect himself
implied as much, claiming that his design for
the 1936 competition originated in 1928, before
the Beetle. Amado, after extensive examination of
archival and source materials, disproves this; the
influence may have gone the other way.
Although many critics considered the Voiture
Minimum a footnote in Le Corbusier’s career,
Le Corbusier did not. This book, lavishly illustrated
and exhaustively documented, restores Le Corbusier’s
automobile to the main text.
Antonio Amado Lorenzo, an architect, is Professor in the Department of Architectonic
Representation and Theory at the University of Corunna, Spain.
design/history/space exploration
SPACESUIT
Fashioning Apollo
Nicholas de Monchaux
How the twenty-one-layer
When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July Apollo spacesuit, made by
of 1969, they wore spacesuits made by Playtex: twenty-one layers of fabric, each Playtex, was a triumph of
with a distinct yet interrelated function, custom-sewn for them by seamstresses intimacy over engineering.
whose usual work was fashioning bras and girdles. This book is the story of that
spacesuit. It is a story of the Playtex Corporation’s triumph over the military- March
industrial complex — a victory of elegant softness over engineered hardness, of 7 x 9, 368 pp.
140 color illus
adaptation over cybernetics.
$34.95T/£25.95 cloth
Playtex’s spacesuit went up against hard armor-like spacesuits designed by 978-0-262-01520-2
military contractors and favored by NASA’s engineers. It was only when those
attempts failed — when traditional engineering firms could not integrate the
body into mission requirements — that Playtex, with its intimate expertise, got
the job.
In Spacesuit, Nicholas de Monchaux tells the story of the twenty-one-layer
spacesuit in twenty-one chapters addressing twenty-one topics relevant to the
suit, the body, and the technology of the twentieth century. He touches, among
other things, on eighteenth-century androids, Christian Dior’s
New Look, Atlas missiles, cybernetics and cyborgs, latex, JFK’s
carefully cultivated image, the CBS lunar broadcast soundstage,
NASA’s Mission Control, and the applications of Apollo-style
engineering to city planning. The twenty-one-layer spacesuit,
de Monchaux argues, offers an object lesson. It tells us about
redundancy and interdependence and about the distinctions
between natural and man-made complexity; it teaches us to
know the virtues of adaptation and to see the future as a set
of possibilities rather than a scripted scenario.
Nicholas de Monchaux is Assistant Professor of Architecture at the
College of Environmental Design, University of California, Berkeley.
His work has appeared in the architectural journal Log, the New York
Times, the New York Times Magazine, Architectural Digest, and other
publications.
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current affairs/environment
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environment/nature
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environment/current affairs
technology/science
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psychology/technology/nature
TECHNOLOGICAL NATURE
Adaptation and the Future of Human Life
Peter H. Kahn, Jr.
Why it matters that our
relationship with nature is Our forebears may have had a close connection with the natural world, but
increasingly mediated and increasingly we experience technological nature. Children come of age watching
augmented by technology. nature programs on television. They inhabit virtual lands in digital games. And
they play with robotic animals, purchased at big box stores. Until a few years ago,
March hunters could “telehunt” — shoot and kill animals in Texas from a computer any-
6 x 9, 256 pp. where in the world via a Web interface. Does it matter that much of our experience
17 illus.
with nature is mediated and augmented by technology? In Technological Nature,
$24.95T/£18.95 cloth
978-0-262-11322-9
Peter Kahn argues that it does, and shows how it affects our well-being.
Kahn describes his investigations of children’s and adults’ experiences of
cutting-edge technological nature. He and his team installed “technological
Also available nature windows” (50-inch plasma screens showing high-definition broadcasts
THE HUMAN RELATIONSHIP of real-time local nature views) inside offices on his university campus and
WITH NATURE assessed the physiological and psychological effects on viewers. He studied
Development and Culture
Peter H. Kahn, Jr. children’s and adults’ relationships with the robotic dog AIBO (including
$32.00S/£23.95 paper possible benefits for children with autism). And he studied online “telegardening”
2001, 978-0-262-61170-1 (a pastoral alternative to “telehunting”).
CHILDREN AND NATURE Kahn’s studies show that in terms of human well-being technological nature
Psychological, Sociocultural,
is better than no nature, but not as good as actual nature. We should develop
and Evolutionary Investigations
edited by Peter H. Kahn, Jr., and use technological nature as a bonus on life, not as its substitute, and
and Stephen R. Kellert re-envision what is beautiful and fulfilling and often wild in essence in our
2002, 978-0-262-61175-6
relationship with the natural world.
$34.00S/£25.95 paper
Peter H. Kahn, Jr. is Associate Professor in the Department of
Psychology and Director of the Human Interaction with Nature and
Technological Systems Laboratory at the University of Washington.
He is the author of The Human Relationship with Nature: Development
and Culture (1999, 2001) and the coeditor of Children and Nature:
Psychological, Sociocultural, and Evolutionary Investigations (2002),
both published by the MIT Press.
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economics/finance
and as a consultant on monetary policy. With Inside the Fed, he offers his unique
perspective on the inner workings of the Federal Reserve System during the March
last fifty years — writing about personalities as much as policy — based on 6 x 9, 240 pp.
2 illus.
his knowledge and observations of every Fed chairman since 1951. This new,
$24.95T/£18.95 cloth
post-financial meltdown edition offers his assessment of the Fed’s action (and
978-0-262-01562-2
inaction) during the crisis and expanded coverage of the Fed in the Bernanke era.
In this edition, Axilrod gives an account of the Fed’s dramatic, even mind-
bending, experiences in the great credit crisis of 2007–2009. He assesses the
full range of the Fed’s unusual and innovative actions during the crisis and the
beginnings of its aftermath. He questions whether the Fed used its monetary
and regulatory powers to full effect to minimize and contain the disruption
of the nation’s — and the world’s — financial stability. And, in an entirely
new chapter, he evaluates Bernanke’s performance through his full first term
(as well as the early part of his second) in light of his actions during the crisis.
In later chapters he also reevaluates the image, stature, and structure of the
Fed in the aftermath of the crisis and the new comprehensive financial
legislation subsequently enacted.
Great leadership in monetary policy, Axilrod says, is deter-
mined not by pure economic sophistication but by the ability to
push through political and social barriers to achieve a paradigm
shift in policy — and by the courage and bureaucratic moxie to
pull it off.
Stephen H. Axilrod worked from 1952 to 1986 at the Board of
Governors of the Federal Reserve System in Washington, D.C., rising
to Staff Director for Monetary and Financial Policy and Staff Director
and Secretary of the Federal Open Market Committee, the Fed’s main
monetary policy arm. Since 1986 he has worked in private markets
and as a consultant on monetary policy with foreign monetary
authorities.
economics/finance
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business/management
OFFSHORING STRATEGIES
Evolving Captive Center Models
Ilan Oshri
The evolution of a rapidly
In today’s globalized economy, firms often consider offshoring when confronted growing mode of offshoring,
by rising costs and fierce competition. One mode of offshoring has continued captive centers: basic models,
to grow despite the current global economic turmoil: the captive center. Captive strategies, and case studies of
Fortune Global 250 firms.
centers are offshore subsidiaries or branch offices that provide the parent company
with services, usually in the form of back-office activities. In Offshoring Strategies,
Ilan Oshri examines the evolution of the captive center. He identifies basic captive March
5 3/8 x 8, 288 pp.
center models, examines the captive center strategies pursued by Fortune Global 53 illus.
250 firms, describes current captive center trends, and offers detailed individual
$27.95T/£20.95 cloth
case studies that illustrate each model. His analysis highlights the strategic paths 978-0-262-01560-8
available to firms that want to maximize the returns offered by captive centers.
Oshri outlines six models for captive centers that range from the basic wholly
owned branch office to hybrids and joint ventures and identifies evolutionary
paths along which the basic model develops. He analyzes firms’ strategies during
initial set-up, then tracks the changes as strategies evolve to meet different
business needs. The case studies, all based on the Fortune Global 250, include
the development of a basic captive unit into a complex hybrid structure; the
evolution of a captive center into a shared service center offering services to
other international firms; the divestment of a captive center to a private equity
firm; and the migration of a captive center to a location where costs were lower.
Ilan Oshri is Associate Professor of Strategy and Technology Management at Rotterdam
School of Management, Erasmus University. He is the coauthor of The Handbook of Global
Outsourcing and Offshoring and Outsourcing Global Services: Knowledge, Innovation and
Social Capital, and other books.
philosophy/cognitive science
INSIDE JOKES
Using Humor to Reverse-Engineer the Mind
Matthew M. Hurley, Daniel C. Dennett, and Reginald B. Adams, Jr.
An evolutionary and cognitive
account of the addictive mind Some things are funny — jokes, puns, sitcoms, Charlie Chaplin, The Far Side,
candy that is humor. Malvolio with his yellow garters crossed — but why? Why does humor exist
in the first place? Why do we spend so much of our time passing on amusing
May anecdotes, making wisecracks, watching The Simpsons? In Inside Jokes, Matthew
6 x 9, 344 pp. Hurley, Daniel Dennett, and Reginald Adams offer an evolutionary and cognitive
$29.95T/£22.95 cloth perspective. Humor, they propose, evolved out of a computational problem that
978-0-262-01582-0 arose when our long-ago ancestors were furnished with open-ended thinking.
Mother Nature — aka natural selection — cannot just order the brain to find
and fix all our time-pressured mis-leaps and near-misses. She has to bribe the
Also available
brain with pleasure. So we find them funny. This wired-in source of pleasure has
SWEET DREAMS
Philosophical Obstacles to been tickled relentlessly by humorists over the centuries, and we have become
a Science of Consciousness addicted to the endogenous mind candy that is humor.
Daniel C. Dennett
Hurley, Dennett, and Adams describe the evolutionary reasons for humor
2006, 978-0-262-54191-6
$17.95T/£13.95 paper and for laughter. They examine why humor is pleasurable and desirable, often
sharable, surprising, playful, nonsensical, and insightful. They give an “inside,”
mechanistic account of the cognitive and emotional apparatus that provides
the humor experience, and use it to explain the wide variety of things that are
found to be humorous. They also provide a preliminary sketch
of an emotional and computational model of humor, arguing
(Star Trek’s Data to the contrary) that any truly intelligent
computational agent could not be engineered without humor.
Matthew M. Hurley is researching emotions and creativity under Douglas
R. Hofstadter at the Center for Research on Concepts and Cognition at
Indiana University. Daniel C. Dennett is University Professor and Austin
B. Fletcher Professor of Philosophy at Tufts University. He is the author
of Sweet Dreams: Philosophical Obstacles to a Science of Consciousness
(MIT Press, 2005, 2006) and other books. Reginald B. Adams, Jr., is
Assistant Professor of Psychology at Penn State University.
current affairs/technology
technology/gender studies
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• National Print Attention
• National Print and Online Advertising Campaign:
New York Review of Books, The Atlantic, Harper’s,
Bookforum
science/film
Kubrick staged the 1969 moon landing using the same studios and techniques.
Kubrick’s scientific verisimilitude in 2001 came courtesy of his science consult- March
ants — including two former NASA scientists — and the more than sixty-five 6 x 9, 280 pp.
75 illus.
companies, research organizations, and government agencies that offered techni-
$27.95T/£20.95 cloth
cal advice. Although most filmmakers don’t consult experts as extensively as 978-0-262-01478-6
Kubrick, films ranging from A Beautiful Mind and Contact to Finding Nemo
and The Hulk have achieved some degree of scientific credibility because of
science consultants. In Lab Coats in Hollywood, David Kirby examines the
interaction of science and cinema: how science consultants make movie science
plausible, how filmmakers negotiate scientific accuracy within production
constraints, and how movies affect popular perceptions of science.
Of course, accurate science is only important to filmmakers if they believe
it generates entertainment value. Scientific expertise, Kirby points out, is most
valuable to filmmakers as a tool to help them utilize their own creative expertise.
Drawing on interviews and archival material, Kirby examines such science
consulting tasks as fact checking, shaping visual iconography,
advising actors, enhancing plausibility, creating dramatic
situations, and placing science in its cultural contexts. Kirby
finds that cinema can influence science as well: Depictions
of science in popular films can promote research agendas,
stimulate technological development, contribute to scientific
controversies, and even stir citizens into political action.
David A. Kirby is Lecturer in Science Communication Studies at the
Centre for History of Science, Technology, and Medicine at the
University of Manchester, England.
• Author Appearances
• National Print Attention
• National Broadcast Attention
• National Print and Online Advertising Campaign:
New York Review of Books, The Atlantic, Harper’s,
Bookforum
current affairs/technology
SURVEILLANCE OR SECURITY?
The Risks Posed by New Wiretapping Technologies
Susan Landau
How, in the name of greater
security, our current electronic Digital communications are the lifeblood of modern society. We “meet up”
surveillance policies are creating online, tweet our reactions millions of times a day, connect through social
major security risks. networking rather than in person. Large portions of business and commerce
have moved to the Web, and much of our critical infrastructure, including the
April electric power grid, is controlled online. This reliance on information systems
6 x 9, 360 pp. leaves us highly exposed and vulnerable to cyberattack. Despite this, U.S. law
9 illus.
enforcement and national security policy remain firmly focused on wiretapping
$29.95T/£22.95 cloth
978-0-262-01530-1
and surveillance. But, as cybersecurity expert Susan Landau argues in Surveillance
or Security?, the old surveillance paradigms do not easily fit the new technologies.
By embedding eavesdropping mechanisms into communication technology
Also available itself, we are building tools that could be turned against us.
PRIVACY ON THE LINE Such attacks have already happened. Law-enforcement wiretapping capabili-
The Politics of Wiretapping ties built into the Greek Vodafone network were subverted and used to listen
and Encryption
Updated and Expanded Edition in to communications at the highest levels of the Greek government; a system
Whitfield Diffie and Susan Landau built for wiretapping Internet-based communications was shown to have serious
2010, 978-0-262-51400-2 flaws that would allow a similar subversion. Landau argues that in embarking on
$15.95T/£11.95 paper
an unprecedented effort to build surveillance capabilities deeply into communi-
cations infrastructure, the U.S. government is opting for short-term security and
creating dangerous long-term risks.
Landau describes what makes communications security
hard, warrantless wiretapping and the role of electronic surveil-
lance in the war on terror, the economic threats posed by elec-
tronic spying, and the risks created by embedding wiretapping
into communications networks. How can we get communica-
tions security right? Landau offers a set of principles to govern
wiretap policy that will allow us to protect our national security
as well as our freedom.
Susan Landau is the coauthor (with Whitfield Diffie) of Privacy on the
Line: The Politics of Wiretapping and Encryption (MIT Press, updated
and expanded edition, 2007, 2010).
humor/regional
NIGHTWORK
A History of Hacks and Pranks at MIT
Updated Edition
Institute Historian T. F. Peterson A lively introduction to MIT hacks,
from the police car on the
with a new essay by Eric Bender Great Dome to the abduction
An MIT “hack” is an ingenious, benign, and anonymous prank or practical joke, of the Caltech cannon.
often requiring engineering or scientific expertise and often pulled off under
cover of darkness — instances of campus mischief sometimes coinciding with March
April Fool’s Day, final exams, or commencement. (It should not be confused with 8 x 9, 224 pp.
77 color illus.,
the sometimes nonbenign phenomenon of computer hacking.) Noteworthy MIT 65 black & white illus.
hacks over the years include the legendary Harvard-Yale Football Game Hack
$22.95T/£16.95 paper
(when a weather balloon emblazoned “MIT” popped out of the ground near the 978-0-262-51584-9
50-yard line), the campus police car found perched on the Great Dome, the
apparent disappearance of the Institute president’s office, and a faux cathedral
(complete with stained glass windows, organ, and wedding ceremony) in a lobby.
Hacks are by their nature ephemeral, although they live on in the memory of
both perpetrators and spectators. Nightwork, drawing on the MIT Museum’s
unique collection of hack-related photographs and other materials, describes
and documents the best of MIT’s hacks and hacking culture.
This generously illustrated updated edition has added coverage of such recent
hacks as the cross-country abduction of rival Caltech’s cannon (a prank requiring
months of planning, intricate choreography, and last-minute improvisation), a
fire truck on the Dome that marked the fifth anniversary of 9/11, and numerous
pokes at the celebrated Frank Gehry-designed Stata Center, and even a working
solar-powered Red Line subway car on the Great Dome.
Hacks have been said to express the essence of MIT, providing, as alumnus
André DeHon observes, “an opportunity to demonstrate creativity and know-how
in mastering the physical world.” What better way to mark the 150th anniversary
of MIT’s founding than to commemorate its native ingenuity with this new
edition of Nightwork?
Institute Historian T. F. Peterson continues to delight in the appearance
of each new hack. Peterson is grateful to Eric Bender, science writer
and former editor of MIT’s Technologyreview.com, who contributed
the new essay “Hacking in the New Millennium” to this edition.
higher education/regional
A WIDENING SPHERE
Evolving Cultures at MIT
Philip N. Alexander
How MIT’s first nine presidents
helped transform the Institute MIT was founded in 1861 as a polytechnic institute in Boston’s Back Bay, over-
from a small technical school shadowed by its neighbor across the Charles River, Harvard University. Harvard
into a major research university. offered a classical education to young men of America’s ruling class; the early
MIT trained men (and a few women) from all parts of society as engineers for
March the nation’s burgeoning industries. Over the years, MIT expanded its mission
6 x 9, 432 pp. and ventured into other fields — pure science, social science, the humanities —
45 illus.
and established itself in Cambridge as Harvard’s enduring rival. In A Widening
$29.95T/£22.95 cloth
978-0-262-01563-9
Sphere, Philip Alexander traces MIT’s evolution from polytechnic to major
research institution through the lives of its first nine presidents, exploring
how the ideas, outlook, approach, and personality of each shaped the school’s
Also available intellectual and social cultures.
MIND AND HAND Alexander describes, among other things, the political skill and entrepreneur-
The Birth of MIT ial spirit of founder and first president, William Rogers; institutional growing
Julius A. Stratton and
Loretta H. Mannix pains under John Runkle; Francis Walker’s campaign to broaden the curriculum,
2005, 978-0-262-19524-9 especially in the social sciences, and to recruit first-rate faculty; James Crafts,
$60.00S/£44.95 cloth whose heart lay in research, not administration; Henry Pritchett’s thwarted
effort to merge with Harvard (after which he decamped to the Carnegie
Foundation for the Advancement of Teaching); Richard Maclaurin’s successful
strategy to move the institute to Cambridge, after considering other sites
(including a golf club in Brighton); the brilliant, progressive
Ernest Nichols, who succumbed to chronic illness and barely
held office; Samuel Stratton’s push towards a global perspective;
and Karl Compton’s vision for a new kind of Institute —
a university polarized around science and technology.
Through these interlocking yet independent portraits,
Alexander reveals the inner workings of a complex and
dynamic community of innovators.
Philip N. Alexander is a Research Associate in the Program in Writing
and Humanistic Studies at MIT.
higher education/memoir/regional
MENS ET MANIA
The MIT Nobody Knows
Samuel Jay Keyser
A memoir of MIT life, from
foreword by Lawrence S. Bacow
being Noam Chomsky’s
When Jay Keyser arrived at MIT in 1977 to head the Department of Linguistics boss to negotiating with
and Philosophy, he writes, he “felt like a fish that had been introduced to water student protesters.
for the first time.” At MIT, a colleague grabbed him by the lapels to discuss dark
matter; Noam Chomsky called him “boss” (double SOB spelled backward?); and April
engaging in conflict resolution made him feel like “a marriage counselor trying 5 3/8 x 8, 264 pp.
to reconcile a union between a Jehovah’s witness and a vampire.” In Mens et $24.95T/£18.95 cloth
978-0-262-01594-3
Mania, Keyser recounts his academic and administrative adventures during a
career of more than thirty years.
Keyser describes the administrative side of his MIT life, not only as depart-
ment head but also as Associate Provost and Special Assistant to the Chancellor.
Keyser had to run a department (“budgets were like horoscopes”) and negotiate
student grievances — from the legality of showing Deep Throat in a dormitory
to the uproar caused by the arrests of students for anti-apartheid demonstrations.
Keyser also describes a visiting Japanese delegation horrified by the disrepair of
the Linguistics offices (Chomsky tells them “Our motto is: Physically shabby.
Intellectually first class.”); convincing a student not to jump off the roof of the
Green Building; and recent attempts to look at MIT through a corporate lens.
And he explains the special faculty-student bond at MIT: the
faculty sees the students as themselves thirty years earlier.
Keyser observes that MIT is hard to get into and even
harder to leave, for faculty as well as for students. Writing
about retirement, Keyser quotes the song Groucho Marx sang
in Animal Crackers as he was leaving a party — “Hello, I must
be going.” Students famously say “Tech is hell.” Keyser says,
“It’s been a helluva party.”
This entertaining and thought-provoking memoir will make
readers glad that Keyser hasn’t quite left.
Samuel Jay Keyser is Professor Emeritus in MIT’s Department of
Linguistics and Philosophy and Special Assistant to the Chancellor.
Head of the Department of Linguistics and Philosophy from 1977
to 1998, he also held the positions of Director of the Center for
Cognitive Science and Associate Provost.
biography/linguistics/politics
ZELLIG HARRIS
From American Linguistics to Socialist Zionism
Robert F. Barsky
The intersecting worlds of Zellig
Harris, Noam Chomsky’s intellectual In 1995, Robert Barsky met with Noam Chomsky to discuss his work-in-progress,
and political mentor. Noam Chomsky: A Life of Dissent (MIT Press, 1997). Chomsky told Barsky that
he should focus his attention instead on midcentury linguist and activist Zellig
April Harris, who was, Chomsky modestly insisted, more interesting than Chomsky
6 x 9, 328 pp. himself. Intrigued, Barsky began to research Harris (1909–1992) and discovered
$29.95T/£22.95 cloth the story of a major figure in American intellectual life “sitting in a corner in the
978-0-262-01526-4 middle of the room” — part of crucial twentieth-century conversations about
language, technology, labor, politics, and Zionism. The intersecting worlds of
Harris’s intellectual and political activities were populated by such figures as
Also available
Louis Brandeis, Albert Einstein, Franz Boas, Nathan Glazer, and Chomsky.
NOAM CHOMSKY
A Life of Dissent Barsky describes Harris’s work in language studies, and his pioneering ideas
Robert F. Barsky about discourse analysis, structural linguistics, and information representation.
1998, 978-0-262-52255-7
He also discusses Harris’s part in the pre-1948 Zionist movement — when
$21.95T/£16.95 paper
many Jews on the Left envisioned a socialist Palestine that would be a haven
THE CHOMSKY EFFECT
A Radical Works Beyond
not only for persecuted Jews but also for disenfranchised Arabs and anyone
the Ivory Tower seeking a sanctuary against oppression — and recounts Harris’s debates on the
Robert F. Barsky subject with Brandeis, Einstein, and a large group of students involved with
2009, 978-0-262-51316-6
$15.95T/£11.95 paper
a Zionist organization called Avukah. And Barsky describes Harris’s views on
capitalism, worker-owner relations, and worker self-management, the legacy of
which can be found in some of his students’ writings, notably those of Seymour
Melman. Barsky shows how Harris, as mentor, teacher, and
colleague, powerfully influenced figures who came to dominate
the twentieth century’s political discussion — thinkers as
different as Noam Chomsky and Nathan Glazer.
Robert F. Barsky is Professor of English, French, European, and Jewish
Studies at Vanderbilt University. He is the author of Noam Chomsky:
A Life of Dissent (1997, 1998) and The Chomsky Effect: A Radical Works
Beyond the Ivory Tower (2007, 2009), both published by the MIT Press.
memoir/psychology
DREAM LIFE
An Experimental Memoir
J. Allan Hobson
A pioneer in sleep and dream
J. Allan Hobson’s scientific experimentation began in childhod, with a soot-filled science surveys his life and work
investigation into the capacity of a chimney to admit Santa Claus. (He discovered through the lens of dreaming
that even with the damper open the chimney was far too narrow.) Hobson’s and consciousness.
after a stroke in 2001. Through it all, Hobson uses his life as the ultimate case
study for his theory that REM sleep provides a test pattern that allows the brain
to develop “offline.” Dreams — most intense in REM sleep, when the brain is
active — need no Freudian-style decoding, he says. Dreaming is a glorious
mental state, to be enjoyed and studied for what it tells us about consciousness.
J. Allan Hobson is Professor of Psychiatry, Emeritus, at Harvard Medical
School. He is the author of The Dreaming Brain: How the Brain Creates
Both the Sense and the Nonsense of Dreams, Dreaming as Delirium: How
the Brain Goes Out of Its Mind (MIT Press, 1999), The Dream Drugstore:
Chemically Altered States of Consciousness (MIT Press, 1999, 2001),
and other books.
philosophy
PERPLEXITIES OF CONSCIOUSNESS
Eric Schwitzgebel
A philosopher argues that
Do you dream in color? If you answer Yes, how can you be sure? Before you
we know little about our recount your vivid memory of a dream featuring all the colors of the rainbow,
own inner lives. consider that in the 1950s, researchers found that most people reported dream-
ing in black and white. In the 1960s — when most movies were in color and
March more people had color television sets — the vast majority of reported dreams
6 x 9, 240 pp. contained color. The most likely explanation for this, according to philosopher
6 illus.
Eric Schwitzgebel, is not that exposure to black-and-white media made people
$27.95T/£20.95 cloth misremember their dreams. It is that we simply don’t know whether or not we
978-0-262-01490-8
dream in color. In Perplexities of Consciousness, Schwitzgebel examines various
A Bradford Book aspects of inner life — dreams, mental imagery, emotions, and other subjective
phenomena — and argues that we know very little about our stream of conscious
experience. In fact, he contends, we are prone to gross error about our ongoing
Also available
DESCRIBING INNER EXPERIENCE?
emotional, visual, and cognitive experiences.
Proponent Meets Skeptic Western philosophical tradition is nearly unanimous on the accuracy of our
Russell T. Hurlburt and Eric knowledge or current conscious experience. Schwitzgebel is skeptical. Drawing
Schwitzgebel
2007, 978-0-262-08366-9
broadly from historical and recent philosophy and psychology to examine such
$36.00S/£26.95 cloth topics as visual perspective, human echolocation (about which he is doubtful),
and the unreliability of introspection even about emotional states (do we really
enjoy Christmas? a family dinner?), he finds us singularly inept in our judgments
about conscious experience.
Eric Schwitzgebel, Professor of Philosophy at the University of California,
Riverside, is the coauthor (with Russell T. Hurlburt) of Describing Inner
Experience? Proponent Meets Skeptic (MIT Press, 2007).
art
ARTISTS’ MAGAZINES
An Alternative Space for Art
Gwen Allen
How artists’ magazines, in all
Magazine publishing is an exercise in ephemerality and transience; each issue their ephemerality, materiality, and
goes out in the world only to be rendered obsolete by the next. To publish a temporary intensity, challenged
magazine is to enter into a heightened relationship with the present moment. mainstream art criticism
and the gallery system.
During the 1960s and 1970s, magazines became an important new site of artistic
practice, functioning as an alternative exhibition space for the dematerialized
practices of conceptual art. Artists created works expressly for these mass-produced, March
7 1/2 x 10, 376 pp.
hand-editioned pages, using the ephemerality and the materiality of the magazine 125 color illus.
to challenge the conventions of both artistic medium and gallery. In Artists’
$34.95T/£25.95 cloth
Magazines, Gwen Allen looks at the most important of these magazines in 978-0-262-01519-6
their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated
directory of hundreds of others. MAGAZINES EXAMINED
Among the magazines Allen examines are Aspen (1965–1971), a multimedia Aspen, 1965–1971
magazine in a box — issues included Super-8 films, flexi-disc records, critical 0 to 9, 1967–1969
writings, artists’ postage stamps, and collectible chapbooks; 0 to 9 (1967–1969), Avalanche, 1970–1976
a mimeographed poetry magazine founded by Vito Acconci and Bernadette Art-Rite, 1973–1978
Meyer; FILE (1972–1989), founded by the Canadian collective General Idea, FILE, 1972–1989
its cover design a sly parody of Life magazine; and Interfunktionen (1968–1975), Real Life, 1979–1994
founded to protest the conservative curatorial strategies of Documenta. These Interfunktionen, 1968–1975
and the other magazines Allen examines expressed their differences from main-
stream media in both form and content: they cast their homemade, DIY quality
against the slickness of an Artforum, and they created work that defied the
formalist orthodoxy of the day. (A work by John Baldessari from the late
1960s shows a photograph of Artforum, captioned “THIS IS
NOT TO BE LOOKED AT.”) Artists’ Magazines, featuring
abundant color illustrations of magazine covers and content,
offers an essential guide to a little-explored medium.
Gwen Allen is Assistant Professor of Art History at San Francisco State
University. Her writings have appeared in such publications as Artforum,
Art Journal, and Umbrella.
art
art
architecture/design/technology
SENTIENT CITY
Ubiquitous Computing, Architecture,
and the Future of Urban Space
Alternative ideas for a “smart” city, edited by Mark Shepard
from a park bench that enforces
time limits by ejecting the sitter Our cities are “smart” and getting smarter as information processing capability
to “electronically assisted” plants is embedded throughout more and more of our urban infrastructure. Few of us
that encourage conservation.
object to traffic light control systems that respond to the ebbs and flows of city
traffic; but we might be taken aback when discount coupons for our favorite
March espresso drink are beamed to our mobile phones as we walk past a Starbucks.
6 3/4 x 9 1/2, 200 pp.
80 color illus.
Sentient City explores the experience of living in a city that can remember,
20 black & white illus. correlate, and anticipate. Five teams of architects, artists, and technologists
$24.95T/£18.95 paper imagine a variety of future interactions that take place as computing leaves the
978-0-262-51586-3 desktop and spills out onto the sidewalks, streets, and public spaces of the city.
Copublished with the Architectural “Too Smart City” employs city furniture as enforcers: a bench ejects a sitter
League of New York who sits too long, a sign displays the latest legal codes and warns passersby
against transgression, and a trashcan throws back the wrong kind of trash.
ESSAYS BY “Amphibious Architecture” uses underwater sensors and lights to create a
Keller Easterling, Matthew Fuller, human-fish-environment feedback loop; “Natural Fuse” uses a network of
Anne Galloway, Dan Hill, Omar Khan,
Saskia Sassen, Trebor Scholz, “electronically assisted” plants to encourage energy conservation; “Trash Track”
Hadas Steiner, Kazys Varnelis, follows smart-tagged garbage on its journey through the city’s waste-management
Martijn de Waal, Mimi Zeiger system; and “Breakout” uses wireless technology and portable infrastructure to
make the entire city a collaborative workplace.
These projects are described, documented, and illustrated by 100 images,
most in color. Essays by prominent thinkers put the idea of the sentient city in
theoretical context.
Mark Shepard is Assistant Professor of Architecture and Media Study at
the University at Buffalo, University of New York, and an editor of the
Situated Technologies pamphlet series, published by the Architecture
League of New York.
architecture
architecture/technology
film/art
art
DAN GRAHAM
edited by Alex Kitnick
A collection of essays on a key
Since the 1960s, Dan Graham’s heterogeneous practice has touched on such
figure in postminimalist art, with disparate subjects as tract housing, the Shakers, punk music, and architectural
texts spanning thirty years. theory; he has made videos, architectural models, closed-circuit installations, and
glass pavilions. Graham, who came of age during the emergence of earth art,
March minimalism, and conceptualism, has situated his work on the borders between
6 x 9, 232 pp. these different strains of contemporary practice. Although varying widely in
28 illus.
subject and medium, Graham’s artwork and writings display a consistent interest
$19.95T/£14.95 paper in spectatorship, public-private relationships, and the constructed environment.
978-0-262-51577-1
Graham’s extensive writings on his own work (collected in Rock My Religion
$35.00S/£26.95 cloth and Two-Way Mirror Power, both published by the MIT Press) have made him,
978-0-262-01528-8
by default, the primary interpreter of his own art. This October Files volume
October Files series provides a counterweight, gathering
key texts by critics and theorists
that offer alternative accounts of
Also available Graham’s art.
TWO-WAY MIRROR POWER The essays span thirty years
Selected Writings by
Dan Graham on His Art and include hard-to-find texts
Dan Graham from exhibition catalogs and
edited by Alexander Alberro journals. The authors include such
1999, 978-0-262-57130-2
$25.00T/£18.95 paper distinguished theorists, critics, and
artists as Benjamin H. D. Buchloh,
DAN GRAHAM
Beyond Beatriz Colomina, Thierry de Duve,
edited by Bennett Simpson and Jeff Wall.
and Chrissie Iles
2009, 978-1-933-75112-2 Alex Kitnick, a PhD candidate in the
$44.95T/£28.95 paper Department of Art and Architecture at
Princeton University, has taught at the
School of Visual Arts and Vassar College.
CONTENTS
Benjamin H. D. Buchloh Moments of History in the Work of Dan Graham (1978)
Alexander Alberro Reductivism in Reverse (1994)
Birgit Pelzer Vision in Process (1979)
Thierry de Duve Dan Graham and the Critique of Artistic Autonomy (1983)
William Kaizen Steps to an Ecology of Communication (2008)
Jeff Wall Excerpt from “Dan Graham’s Kammerspiel” (1985)
John Miller Now Even the Pigs’re Groovin’ (2001)
Beatriz Colomina Double Exposure: Alteration to a Suburban House (2001)
Benjamin H. D. Buchloh Excerpt from “Documenta 7: A Dictionary of Received Ideas” (1982)
Alexander Alberro Specters of Utopia (1996)
Alex Kitnick What’s Your Type? (2009)
art/music
SOUND
edited by Caleb Kelly
The “sonic turn” in recent art reflects a wider cultural awareness that sight no A definitive guide to the rising
longer dominates our perception or understanding of contemporary reality. status of sound in art, through
The background buzz of myriad mechanically reproduced sounds increasingly original critical writings and
mediates our lives. Tuning into this incessant auditory stimulus, some of our artists’ statements.
most influential artists have investigated the corporeal, cultural, and political
resonance of sound. March
In tandem with recent experimental music and technology, art has opened 5 3/4 x 8 1/4, 240 pp.
up to hitherto excluded dimensions of noise, silence, and the act of listening. $24.95T paper
978-0-262-51568-9
Artists working with sound have engaged in new forms of aesthetic encounter
with the city and nature, the everyday and cultural otherness, technological Documents of Contemporary Art series
effects and psychological states. Copublished with Whitechapel Gallery,
New perspectives on sound have generated a wave of scholarship in musicol- London
ogy, cultural studies, and the social sciences. But the equally important rise of Not for sale in the
sound in the arts since 1960 has so far been sparsely documented. This volume United Kingdom or Europe
is the first sourcebook to provide, through original critical writings and artists’
statements, a genealogy of sonic pathways into the arts, philosophical reflections
Also available in this series
on the meanings of noise and silence, dialogues between art and music, investi- THE SUBLIME
gations of the role of listening and acoustic space, and a comprehensive survey edited by Simon Morley
of sound works by international artists from the avant-garde era to the present. 2010, 978-0-262-51391-3
$24.95T paper
Caleb Kelly is a New Zealand-born writer, curator, and producer in the fields of experimen-
tal music, sound arts, and performance. A lecturer at Sydney College of the Arts, University CHANCE
of Sydney, he is the author of Cracked Media: The Sound of Malfunction (MIT Press, 2009). edited by Margaret Iversen
2010, 978-0-262-51392-0
$24.95T paper
WRITERS INCLUDE
Jacques Attali, Ralph T. Coe, Christoph Cox, Suzanne Delehanty,
William Furlong, Liam Gillick, Paul Hegarty, Branden W. Joseph,
Douglas Kahn, Dan Lander, Micah Lexier, W. J. T. Mitchell, Michael Nyman,
Pierre Schaeffer, R. Murray Schafer, Michel Serres, David Toop, Paul Virilio
art
PAINTING
edited by Terry R. Myers
Essential writings that consider
The “death of painting” and its subsequent resurrection in transformed conditions
the diverse meanings of is a leitmotif of the modern era. Painting’s postconceptual resurgence at the start
contemporary painting since of the 1980s began a dramatic expansion of its field. If painting remains important
its postconceptual revival. today, it is because its contradictions have been acknowledged as artists have
radically diversified the components of its production and presentation.
March This first anthology to focus on painting’s multiple discourses over the
5 3/4 x 8 1/4, 240 pp. last three decades brings together key statements, dialogues, and debates that
$24.95T paper have moved the conversation beyond the modern/postmodern dialectic while
978-0-262-51567-2
redefining the conditions necessary for an artwork to be described as “painting.”
Documents of Contemporary Art series The diversity of contemporary painting’s meanings and practices encompasses
Copublished with Whitechapel Gallery, the randomness and eclecticism associated with Web-based creation. Although
London for many the presence of paint endures, others have argued for painting to be
Not for sale in the United Kingdom classed not as a material but as a philosophical category.
or Europe Compiled by a leading critic of painting who actively participated in these
conversations while also teaching young artists in the studio classroom, this
collection ranges widely, to reflect the diversity of ways in which painting
Also available in this series
FAILURE
continues to be investigated and evaluated in studios, exhibition spaces, and the
edited by Lisa Le Feuvre marketplace of ideas. These writings, statements, and interviews reflect ongoing
2010, 978-0-262-51477-4 debates and reignite questions for an as yet unimagined future of painting.
$24.95T paper
Terry R. Myers is a Chicago- and Los Angeles-based writer, educator, and independent
curator. A regular contributor since 1988 to numerous international journals, including Art
Review, The Brooklyn Rail, Parkett, and Modern Painters, he is the author of Mary Heilmann:
Save the Last Dance for Me (Afterall Books, 2007). He is Associate Professor of Painting
and Drawing at the School of the Art Institute of Chicago.
WRITERS INCLUDE
Svetlana Alpers, Daniel Birnbaum, Norman Bryson, Douglas Crimp,
Gilles Deleuze, Sebastian Egenhofer, Hal Foster, Jeremy Gilbert-Rolfe,
Isabelle Graw, David Joselit, Shirley Kaneda, Geeta Kapur, Thomas Lawson,
Jonathan Lethem, Midori Matsui, Lane Relyea, Rene Ricard, Jerry Saltz,
Mira Schor, Barry Schwabsky, Adrian Searle
art/technology
AFTERALL BOOKS
art/photography
JEFF WALL
Picture for Women
David Campany
Examining a work that marked
the emergence of photography Jeff Wall’s Picture for Women (1979) marks the transition of photography as an
as an art made for the gallery art form from the printed page to the gallery wall. Before this, photographs —
wall instead of the printed page. from the orthodox photographic work of Walker Evans to the Conceptual
photography of Dan Graham — seemed intended for the page even when hung
March in a gallery. In Picture for Women, a woman looks outward, as if at the viewer; a
6 x 8 1/2, 120 pp. camera occupies the center of the photograph; the photographer stands on the
30 color illus.
right. Modeled on Manet’s famous painting Un bar aux Folies-Bergère, in which
$16.00T/£9.95 paper
978-1-84638-071-6
a barmaid seems to look directly out of the painting, observed by a man on the
right, Picture for Women establishes its own art historical genealogy, claiming its
$35.00S/£19.95 cloth
978-1-84638-070-9
rightful position within the canon. Wall’s photograph is an ambitious attempt
to relate the artistic and spectatorial demands of the late 1970s to a modernist
One Work series
pictorial art that had been too hastily rejected by Conceptualism.
Distributed for Afterall Books In this illustrated study, David Campany offers an account of Wall’s move
from a Conceptual approach to a reengagement with the idea of a singular
(as opposed to serial) picture. He shows that Wall’s decision to present his
Also available in this series:
MARCEL DUCHAMP work as a large-scale back-lit transparency, together with his commitment to
Étant donnés a singular image, amounted to a radical departure. He contrasts Wall’s idea of
Julian Jason Haladyn the photograph as a tableau or “picture,” inherited from the history of painting,
2010, 978-1-84638-059-4
$16.00T/£9.95 paper with the works of the “Pictures Generation” — including Richard Prince,
Cindy Sherman, and Jack Goldstein — and argues that Picture for Women
RICHARD LONG
A Line Made by Walking is inseparable from the modern fate of the picture in general.
Dieter Roelstraete David Campany is a writer, curator, editor,
2010, 978-1-84638-058-7 and Reader in Photography at the University
$16.00T/£9.95 paper of Westminster, London. His books include
MICHAEL SNOW Art and Photography, The Cinematic
Wavelength (MIT Press, copublished with Whitechapel
Gallery, 2007), Photography and Cinema,
Elizabeth Legge
and Jeff Wall Speaks with David Campany.
2009, 978-1-84638-056-3
$16.00T/£9.95 paper
SARAH LUCAS
Au Naturel
Amna Malik
2009, 978-1-84638-054-9
$16.00T/£9.95 paper
AFTERALL BOOKS
art/architecture
GORDON MATTA-CLARK
Conical Intersect
Bruce Jenkins
A landmark work by Gordon
Gordon Matta-Clark’s Conical Intersect (1975) was a torqued, spiraling “cut” Matta-Clark, examined as an
into two derelict seventeenth-century Paris buildings adjacent to the construction “act of communication” about
site of the controversial Centre Pompidou. With this landmark work of “anarchi- sustainability and the
public role of art.
tecture,” Matta-Clark not only opened up these venerable residences to light
and air, he also began a dialogue about the nature of urban development and
the public role of art. Considered three and a half decades later, Conical Intersect March
6 x 8 1/2, 120 pp.
reveals the multivalent nature of the artist’s practice and his prescient focus on 30 illus. in color and black & white
sustainability and creative reuse of the built environment.
$16.00T/£9.95 paper
Conical Intersect and the two buildings were demolished as part of a large-scale 978-1-84638-073-0
urban renovation of the historic market district of Les Halles; today we can know $35.00S/£19.95 cloth
the work only from drawings, photographs, and a short Super 8 film. In this 978-1-84638-072-3
illustrated study, Bruce Jenkins examines Matta-Clark’s “non-u-ment,” looking One Work series
closely at the artist’s proposals, working process, various forms of documentation,
Distributed for Afterall Books
and the dialogue begun by Matta-Clark’s decision to transform two abandoned
buildings “into an act of communication.”
Bruce Jenkins is Professor of Film, Video, and New Media at the School of the Art Institute Also available in this series:
of Chicago. He is the editor of On the Camera Arts and Consecutive Matters: The Writings of CHRIS MARKER
Hollis Frampton (MIT Press, 2009). La Jetée
Janet Harbord
2009, 978-1-84638-048-8
$16.00T/£9.95 paper
GENERAL IDEA
Imagevirus
Gregg Bordowitz
2009, 978-1-84638-065-5
$16.00T/£9.95 paper
DARA BIRNBAUM
Technology/Transformation:
Wonder Woman
T. J. Demos
2009, 978-1-84638-067-9
$16.00T/£9.95 paper
ZONE BOOKS
European history/religion
CHRISTIAN MATERIALITY
An Essay on Religion in Late Medieval Europe
Caroline Walker Bynum
Late Medieval Christianity’s
encounter with miraculous materials In the period between 1150 and 1550, an increasing number of Christians in
viewed in the context of changing western Europe made pilgrimage to places where material objects — among
conceptions of matter itself. them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic
wafers — allegedly erupted into life by such activities as bleeding, weeping,
June and walking about. Challenging Christians both to seek ever more frequent
6 x 9, 432 pp. encounters with miraculous matter and to turn to an inward piety that rejected
50 illus.
material objects of devotion, such phenomena were by the fifteenth century at
$32.95T/£22.95 cloth
978-1-935408-10-9
the heart of religious practice and polemic. In Christian Materiality, Caroline
Walker Bynum describes the miracles themselves, discusses the problems they
Distributed for Zone Books
presented for both church authorities and the ordinary faithful, and probes the
basic scientific and religious assumptions about matter that lay behind them.
Also available from Zone Books She also analyzes the proliferation of religious art in the later Middle Ages
FRAGMENTATION AND REDEMPTION and argues that it called attention to its materiality in sophisticated ways that
Essays on Gender and the explain both the animation of images and the hostility to them on the part of
Human Body in Medieval Religion
iconoclasts.
Caroline Walker Bynum
1992, 978-0-942299-62-5 Seeing the Christian culture of the fourteenth and fifteenth centuries as a
$26.95T/£19.95 paper paradoxical affirmation of the glory and the threat of the natural world, Bynum’s
METAMORPHOSIS AND IDENTITY study suggests a new understanding of the background to the sixteenth-century
Caroline Walker Bynum reformations, both Protestant and Catholic. Moving beyond cultural study of
2005, 978-1-890951-23-8
$19.95T/£14.95 paper
“the body” — a field she helped to establish — Bynum argues that Western
attitudes toward body and person must be placed in the context of changing
conceptions of matter itself. Her study has broad theoretical implications, sug-
gesting a new approach to the study of material culture and religious practice.
Caroline Walker Bynum is Professor of Medieval European History, Institute
for Advanced Study, Princeton, New Jersey, and University Professor emerita
at Columbia University. She is the author of Fragmentation and Redemption:
Essays on Gender and the Human Body in Medieval Religion (Zone Books,
1990, 1992) and Metamorphosis and Identity (Zone Books, 2001, 2005).
Master Bertram, Separation of Light from Darkness and Fall of the Rebel Angels,
from the Grabow Altarpiece at St. PetriChurch, Hamburg, 1379–1383
(Bildarchiv Preussischer Kulturbesitz / Art Resource, NY).
ZONE BOOKS
music/opera
OPERATIC AFTERLIVES
Michal Grover-Friedlander
In Operatic Afterlives, Michal Grover-Friedlander examines the implications of An examination of the ultimate
opera’s founding myth — the story of Orpheus and Eurydice: Orpheus’s attempt power opera grants to singing:
to revive the dead Eurydice with the power of singing. Grover-Friedlander the reversal of death.
examines instances in which opera portrays an existence beyond death, a revival
of the dead, or a simultaneous presence of life and death. These portrayals — in February
operas by Puccini and other composers and performances by Maria Callas — 6 x 9, 272 pp.
25 musical examples, 8 illus.
are made possible, she argues, by the unique treatment of voice in the operas in
question: the occurrence of a breach in which singing itself takes on an afterlife $29.95T/£22.95 cloth
978-1-935408-06-2
in the face of the singer’s death. This may arise from the multiplication of singing
voices inhabiting the same body, from disembodied singing, from the merging Distributed for Zone Books
of singing voices, from the disconnection of voice and character. The instances
developed in the book take on added significance as they describe a reconfigura-
tion of operatic singing itself.
Singing reigns over text, musical language, and dramatic characterization.
The notion of the afterlife of singing reveals the singularity of the voice in
opera, and how much it differs categorically from any other elaboration of the
voice. Grover-Friedlander’s examples reflect on the meanings of the operatic
voice as well as on our sense of its resonating, unending, and haunting presence.
Traditionally, opera kills its protagonists, but Grover-Friedlander argues
that opera at times also represents the ways that the voice, singing, or song
acquire their own forms of aliveness and indestructibility. Operatic Afterlives
shows the ultimate power that opera grants to singing: the reversal of death.
Michal Grover-Friedlander is Professor of Musicology
at Tel Aviv University and the author of Vocal
Apparitions: The Attraction of Cinema to Opera.
The Yes Sayer by Kurt Weill and Bertolt Brecht, produced by the
Buchmann-Mehta School of Music, Tel Aviv University, 2010,
directed by Michal Grover-Friedlander (photo: Michal Shani).
architecture/cultural studies
UTOPIE
Texts and Projects, 1967–1978
edited by Craig Buckley and Jean-Louis Violeau
Key writings and projects
translated by Jean-Marie Clarke
from the group of architects,
preface by Sylvère Lotringer sociologists, and urbanists
known as Utopie.
“When the imagination reaches and oversteps the boundaries authorized by the
institution of culture, we speak of poetry, of utopia . . . . When the event reaches and
oversteps the boundaries authorized by judicial law and by the anomic rules, we speak April
7 x 9, 264 pp.
of revolution.” 250 illus.
— René Lourau
$24.95T/£18.95 cloth
978-1-58435-095-8
The short-lived grouping of architects, sociologists, and urbanists known as
Foreign Agents series
Utopie, active in Paris from 1967 to 1978, was the product of several factors:
Distributed for Semiotext(e)
the student protests for the reform of architectural education, the unprecedented
expansion and replanning of the Parisian urban fabric carried out by the govern-
ment of Charles de Gaulle, and the domestication of military and industrial Also available from Semiotext(e)
technologies by an emerging consumer society. The group’s collaborative publica- UTOPIA DEFERRED
tions included the work of Jean Aubert, Isabelle Auricoste, Jean Baudrillard, Writings from Utopie
Catherine Cot, Charles Goldblum, Jean-Paul Jungmann, Henri Lefebvre, René (1967–1978)
Jean Baudrillard
Lourau, Antoine Stinco, and Hubert Tonka. Offering a militant alternative to translated by Stuart Kendall
professional urban planning journals, these writers not only formulated a critique 2006, 978-1-58435-033-0
of the technocratic and administrative rule over a disabled and alienated urban $17.95T/£13.95 paper
art/cultural studies
Traditional lines of revolutionary struggle no longer hold. Rather, it is ubiquitous Intervention Series
cybernetics, surveillance, and terror that create the illusion of difference within Distributed for Semiotext(e)
hegemony. Configurations of dissent and the rhetoric of revolution are merely
the other face of capital, conforming identities to empty predicates, ensuring that
even “thieves,” “saboteurs,” and “terrorists” no longer exceed the totalizing space Also available from Semiotext(e)
THE COMING INSURRECTION
of Empire. This Is Not a Program offers two texts, both originally published in
The Invisible Committee
French by Tiqqun with Introduction to Civil War in 2001. In “This Is Not a 2009, 978-1-58435-080-4
Program,” Tiqqun outlines a new path for resistance and struggle in the age of $12.95T/£9.95 paper
Empire, one that eschews the worn-out example of France’s May ’68 in favor INTRODUCTION TO CIVIL WAR
of what they consider to be the still fruitful and contemporary insurrectionary Tiqqun
2010, 978-1-58435-086-6
movements in Italy of the 1970s. “As a Science of Apparatuses” examines the $12.95T/£9.95 paper
way Empire has enforced on the subject a veritable metaphysics of isolation
and pacification, “apparatuses” that include chairs, desks, computers; surveillance
(security guards, cameras); disease (depression); crutch (cell phone, lover, sedative);
and authority.
Tiqqun’s critique of the biopolitical subject and omnipresent
Empire is all the more urgent as we become inured to the per-
manent state of exception that is the War on Terror and to other,
no less intimate forms of pacification. But all is not lost. In its
unrelenting production of the Same, Empire itself creates the
conditions necessary for the insurrection to come.
Tiqqun is a French collective of authors and activists formed in 1999.
The group published two volumes of an eponymous journal in 1999
and 2001 (in which the collective author “The Invisible Committee”
first appeared). Tiqqun is the author of Introduction to Civil War
(Semiotext(e), 2010).
economics/political science
NOW IN PAPER
philosophy/religion
NOW IN PAPER
art/women’s studies dance/art
cloth 2008
978-0-262-12301-3
An October Book
NOW IN PAPER
art/cultural history art/race studies
cloth 2007
978-0-262-13477-4
An October Book
NOW IN PAPER
architecture architecture/urban planning/regional
NOW IN PAPER
food/environment environment/political science/anthropology
NOW IN PAPER
philosophy game studies/gender studies
“This is an account of a life devoted to the idea of love and “A much needed wake-up call to an industry that seems
the love of ideas.” determined to shoehorn girl gamers into an ever shrinking,
— Leslie Armour, Library Journal highly neglected demographic.”
“I found the style of the book charming — rather like listen- — Latoya Peterson, Women’s Review of Books
ing to a fireside chat from a wise master with fascinating
April — 7 x 9, 400 pp. — 36 color illus., 42 black & white illus.
things to say as he reflects upon his life-long thoughts.”
$14.95T/£11.95 paper
— Robert Scott Stewart, Philosophy Review 978-0-262-51606-8
cloth 2009
978-0-262-19574-4
The Irving Singer Library
NOW IN PAPER
urban studies/environment law/higher eduction
NOW IN PAPER
higher education science, technology, and society/history
cloth 2009
978-0-262-15119-1
Inside Technology series
NOW IN PAPER
neuroscience communications/scholarly publishing
NOW IN PAPER
environment/science neuroscience
NOW IN PAPER
cognitive science/philosophy cognitive science/history of psychology
cloth 2007
978-0-262-13475-0
NOW IN PAPER
computer science/history of science history of technology/science, technology, and society
NOW IN PAPER
history of science/Islamic studies history of technology/history of science
NOW IN PAPER
science, technology, and society/political science cognitive science/linguistics
Michel Callon, developer (with Bruno Latour and others) of “ The Harmonic Mind presents a unique synthetic vision
Actor Network Theory, is a Professor at the École des mines
de Paris and a researcher at the Centre de Sociologie de
of cognitive science, one that everyone interested in cogni-
l’innovation there. Yannick Barthe is a researcher at CNRS tion, language, mind, and brain will want to know and
(Centre national de la recherche scientifique) and a member understand.”
of the Centre de sociologie de l’innovation. Pierre Lascoumes
is Director of Research at CNRS. — James L. McClelland, Stanford University
PROFESSIONAL
economics/finance
PROFESSIONAL
economics/history economics
Volume 6
February — 6 x 9, 1,048 pp.
$90.00S/£66.95 cloth
978-0-262-01540-0
Volume 7
February — 6 x 9, 1,168 pp.
$90.00S/£66.95 cloth
978-0-262-01574-5
PROFESSIONAL
economics economics/finance
PROFESSIONAL
political science/economics economics/humanities
PROFESSIONAL
economics economics/sociology
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economics/econometrics
PROFESSIONAL
political science/international security
DEMOCRACY’S ARSENAL
Creating a Twenty-First-Century Defense Industry
Jacques S. Gansler
An expert explains why the
security needs of the twenty-first New geopolitical realities — including terrorism, pandemics, rogue nuclear
century require a transformation states, resource conflicts, insurgencies, mass migration, economic collapse, and
of the defense industry of the cyber attacks — have created a dramatically different national security environ-
twentieth century.
ment for America. Twentieth-century defense strategies, technologies, and indus-
trial practices will not meet the security requirements of a post-9/11 world. In
June Democracy’s Arsenal, Jacques Gansler describes the transformations needed in
7 x 9, 464 pp.
32 illus. government and industry to achieve a new, more effective system of national
defense. Drawing on his decades of experience in industry, government, and aca-
$45.00S/£33.95 cloth
978-0-262-07299-1 demia, Gansler argues that the old model of ever-increasing defense expenditures
Belfer Center Studies in
on largely outmoded weapons systems must be replaced by a strategy that com-
International Security bines a healthy economy, effective international relations, and a strong (but
affordable) national security posture. The defense industry must remake itself to
become responsive and relevant to the needs of twenty-first-century security.
Gansler discusses such topics as the globalization of defense business, consol-
idation and greatly reduced competition in the defense industry, the blemished
performance of the Defense Department and the dysfunctional behavior of
Congress, and the role of defense contractors and their employees in supporting
combat operations. He outlines clearly the changes that need to
be made in the industry and in Defense Department business
practices. He concludes that we can meet the new challenges
of national security — but only if we acknowledge that a total
transformation is necessary, and we find leaders with the vision,
the strategy, the set of actions, and the courage necessary to
overcome the expected resistance to change.
Jacques S. Gansler is the author of the influential books The Defense
Industry (1980), Affording Defense (1989), and Defense Conversion:
Transforming the Arsenal of Democracy. (1998), all published by the
MIT Press. He is currently Professor and Roger C. Lipitz Chair in Public
Policy and Private Enterprise in the School of Public Policy and Director
of the Sloan Center Biotechnology Industry Center at the University of
Maryland; he was Under Secretary of Defense for Acquisition, Technology,
and Logistics from 1997 to 2001.
PROFESSIONAL
political science/international security political science/international security
PROFESSIONAL
political science/law environment/public policy
PROFESSIONAL
environment/political science/economics environment/sociology/political science
PROFESSIONAL
environment/public policy environment/sociology
PROFESSIONAL
biology/cognitive science/environment neuroscience
PROFESSIONAL
neuroscience
CEREBRAL PLASTICITY
New Perspectives
edited by Leo M. Chalupa, Nicoletta Berardi, Matteo Caleo,
A survey of the latest research, Lucia Galli-Resta, and Tommaso Pizzorusso
covering such topics as plasticity
in the adult brain and the The notion that neurons in the living brain can change in response to experience
underlying mechanisms — a phenomenon known as “plasticity” — has become a major conceptual issue
of plasticity.
in neuroscience research as well as a practical focus for the fields of neural reha-
bilitation and neurodegenerative disease. Early work dealt with the plasticity of
May the developing brain and demonstrated the critical role played by sensory experi-
7 x 9, 432 pp.
13 color plates, 77 black & white illus.
ence in normal development. Two broader themes have emerged in recent stud-
ies: the plasticity of the adult brain (one of the most rapidly developing areas of
$60.00S/£44.95 cloth
978-0-262-01523-3 current research) and the search for the underlying mechanisms of plasticity —
explanations for the cellular, molecular, and epigenetic factors controlling plastic-
ity. Many scientists believe that achieving a fundamental understanding of what
Also available underlies neuronal plasticity could help us treat neurological disorders and even
THE VISUAL NEUROSCIENCES improve the learning capabilities of the human brain.
edited by Leo M. Chalupa and
John S. Werner
This volume offers contributions from leaders in the field that cover all three
2003, 978-0-262-03308-4 approaches to the study of cerebral plasticity. Chapters treat normal develop-
$205.00S/£151.95 cloth ment and the influences of environmental manipulations; cerebral plasticity in
EYE, RETINA, AND VISUAL SYSTEM adulthood; and underlying mechanisms of plasticity. Other chapters deal with
OF THE MOUSE plastic changes in neurological conditions and with the enhancement of plastic-
edited by Leo M. Chalupa and
Robert W. Williams
ity as a strategy for brain repair.
2008, 978-0-262-03381-7 Leo M. Chalupa is Vice President for Research and Professor of Pharmacology and
$135.00S/£84.95 cloth Physiology at the George Washington University in Washington, D.C. He is the coeditor
of two major reference works published by the MIT Press: The Visual Neurosciences (2003)
and Eye, Retina, and Visual System of the Mouse (2008). Nicoletta Berardi, Matteo Caleo,
Lucia Galli-Resta, and Tommaso Pizzorusso are members of the research staff at the CNR
Institute of Neuroscience, Pisa.
PROFESSIONAL
neuroscience neuroscience/vision/computer science
June — 7 x 9, 504 pp. — 31 color plates, 203 black & white illus.
$55.00S/£40.95 cloth
978-0-262-01537-0
Computational Neuroscience series
PROFESSIONAL
history of science/evolution evolution/biology
PROFESSIONAL
computer science/information systems linguistics
PROFESSIONAL
linguistics linguistics
PROFESSIONAL
computer science robotics
PROFESSIONAL
computer science/artificial intelligence business/information science
PROFESSIONAL
biology
NAKED GENES
Reinventing the Human in the Molecular Age
Helga Nowotny and Giuseppe Testa
The interaction between new
translated by Mitch Cohen
forms of biological life and
The molecular life sciences are making visible what was once invisible. Yet the new forms of social life in
more we learn about our own biology, the less we are able to fit this knowledge modern democracies.
into an integrated whole. Life is divided into new sub-units and reassembled into
new forms: from genes to clones, from embryonic stages to the building-blocks March
of synthetic biology. Extracted from their scientific and social contexts, these new 5 3/8 x 8, 160 pp.
entities become not only visible but indeed “naked”: ready to assume an essential $25.00S/£18.95 cloth
978-0-262-01493-9
status of their own and take on multiple values and meanings as they pass from
labs to courts, from patent offices to parliaments and back. In Naked Genes,
leading science scholar Helga Nowotny and molecular biologist Giuseppe Testa Also available
examine the interaction between these dramatic advances in the life sciences and INSATIABLE CURIOSITY
equally dramatic political reconfigurations of our societies. They bring wit and Innovation in a Fragile Future
freshness of perspective to ongoing debates over topics ranging from assisted Helga Nowotny
translated by Mitch Cohen
reproduction and personalized medicine to genetic sports doping, revealing both 2010, 978-0-262-51510-8
surprising continuities and radical discontinuities between the latest advances in $15.00S/£11.95 paper
the life sciences and long-standing human traditions. The task of institutions in
the molecular age, they argue, is to make a pluralistic society possible by carving
a legitimate free space that allows experimentation with new forms of biological
life as well as with new forms of social life.
Helga Nowotny is President of the European Research Council and
Professor Emerita of ETH Zurich, Chair of the Scientific Advisory Board,
University of Vienna, and author of Insatiable Curiosity: Innovation in a
Fragile Future (MIT Press, 2008, 2010) and other books. Giuseppe Testa
heads the Laboratory of Stem Cell Epigenetics at the European Institute
for Oncology (IEO) in Milan and is the cofounder of the interdisciplinary
PhD program FOLSATEC (Foundations of the Life Sciences and Their
Ethical Consequences) in Milan.
PROFESSIONAL
information science science, technology, and society/history
Copublished with the Association of College and Research Libraries $30.00S/£22.95 paper
978-0-262-51578-8
Inside Technology series
PROFESSIONAL
science, technology, and society/cognitive science Information technology
PROFESSIONAL
law/technology policy Internet studies/sociology
March — 6 x 9, 248 pp. — 1 illus. Jennifer Earl is Associate Professor of Sociology at the
University of California, Santa Barbara. Katrina Kimport is a
$30.00S/£22.95 cloth Research Sociologist with ANSIRH, part of the Bixby Center
978-0-262-01500-4 for Global Reproductive Health at the University of California,
San Francisco.
The Information Society series
March — 6 x 9, 272 pp. — 7 illus.
$32.00S/£23.95 cloth
978-0-262-01510-3
Acting with Technology series
PROFESSIONAL
game studies game studies/cinema studies
PROFESSIONAL
computer science
PROFESSIONAL
digital humanities computer science/computer music
PROFESSIONAL
art/technology digital humanities
SYNTHETICS CODE/SPACE
Aspects of Art and Technology in Australia, Software and Everyday Life
1956–1975 Rob Kitchin and Martin Dodge
Stephen Jones
After little more than half a century since its initial
New technologies continually arise, offering repeated development, computer code is extensively and inti-
opportunities to artists in search of the technologically mately woven into the fabric of our everyday lives.
novel. Stephen Jones calls this phenomenon the “rolling From the digital alarm clock that wakes us to the air
A critical and compre-
new,” and in Synthetics he An analysis of the ways traffic control system that
hensive account of the describes how artists in that software creates new guides our plane in for a
emergence of electronic Australia used new technolo- spatialities in everyday landing, software is shaping
arts in Australia. gies in their art, from the early life, from supermarket
our world: it creates new ways
checkout lines to airline
days of digital computing in the 1950s to a landmark flight paths. of undertaking tasks, speeds
exhibition in 1975. Jones looks at not only the artists up and automates existing
and the artworks they produced but also at the evolu- practices, transforms social and economic relations, and
tion of computing technologies and video displays as offers new forms of cultural activity, personal empower-
these new forms of media developed into tools that ment, and modes of play. In Code/Space, Rob Kitchin
artists could use. He also examines the collaborations and Martin Dodge examine software from a spatial
that sprang up between artists and the technologists perspective, analyzing the dyadic relationship of soft-
who taught them how to use these new devices. The ware and space. The production of space, they argue,
process, he finds, was reciprocal: the offerings of the is increasingly dependent on code, and code is written
engineer could inspire the artist as much as the needs to produce space.
of the artist could inspire the engineer. Kitchin and Dodge develop a set of conceptual
Jones discusses the constraints imposed by the tools for identifying and understanding the interrela-
limitations of new technologies as they developed tionship of software, space, and everyday life, and
and shows that different types of output and display illustrate their arguments with rich empirical material.
technologies made for the production of very different And, finally, they issue a manifesto, calling for critical
kinds of images. By 1975, the art and technology scholarship into the production and workings of code
movement in Australia reached something of a rather than simply the technologies it enables — a new
watershed. The work itself became established as kind of social science focused on explaining the social,
an art form just as funding dwindled and a popular economic, and spatial contours of software.
and supportive left-wing government left office. And
Rob Kitchin is Professor of Human Geography and Director
yet, Jones writes, the early electronic artists laid the of the National Institute of Regional and Spatial Analysis at
foundation for today’s burgeoning culture of new the National University of Maynooth, Ireland. Martin Dodge
is Senior Lecturer in Human Geography at the University of
media art in Australia. Manchester’s School of Environment and Development. Kitchin
and Dodge are the authors of Mapping Cyberspace and Atlas
Stephen Jones is an Australian video artist and electronic
of Cyberspace.
engineer.
PROFESSIONAL
education/technology neuroscience/cognitive science
PROFESSIONAL
philosophy/psychology
YUCK!
The Nature and Moral Significance of Disgust
Daniel Kelly
An exploration of the character and
evolution of disgust and the role People can be disgusted by the concrete and by the abstract — by an object they
this emotion plays in our social find physically repellent or by an ideology or value system they find morally
and moral lives. abhorrent. Different things will disgust different people, depending on individual
sensibilities or cultural backgrounds. In Yuck!, Daniel Kelly investigates the char-
July acter and evolution of disgust, with an emphasis on understanding the role this
6 x 9, 208 pp. emotion has come to play in our social and moral lives.
5 illus.
Disgust has recently been riding a swell of scholarly attention, especially
$30.00S/£22.95 cloth
978-0-262-01558-5
from those in the cognitive sciences and those in the humanities in the midst of
the “affective turn.” Kelly surveys the empirical literature and experimental
Life and Mind series
results relevant to disgust and proposes a cognitive model that can accommo-
date what we now know about it. He offers a new account of the evolution of
disgust that builds on the model and argues that expressions of disgust are part
of a sophisticated but largely automatic signaling system that humans use to
transmit information about what to avoid in the local environment. Drawing on
gene culture coevolutionary theory, Kelly argues that disgust was co-opted to
play certain roles in our moral psychology. He shows that many of the puzzling
features of moral repugnance tinged with disgust are by-prod-
ucts of the imperfect fit between a cognitive system that
evolved to protect against poisons and parasites and the social
and moral issues on which it has been brought to bear. Kelly’s
account of this emotion provides a powerful argument against
invoking disgust in the service of moral justification.
Daniel Kelly is Assistant Professor in the Department of Philosophy at
Purdue University.
PROFESSIONAL
psychology/bioethics philosophy/psychology
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neuroscience/cognitive science/vision linguistics/psychology
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REMARKS ON THE FOUNDATIONS
OF MATHEMATICS
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Ludwig Wittgenstein
edited by G. H. von Wright and R. Rhees
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MODES OF CREATIVITY
Philosophical Perspectives
Irving Singer
Philosophical reflections on
appendix by Moreland Perkins
creativity in science, humanities,
and human experience as a whole. In this philosophical exploration of creativity, Irving Singer describes the many
different types of creativity and their varied manifestations within and across
March all the arts and sciences. Singer’s approach is pluralistic rather than abstract or
6 x 9, 320 pp. dogmatic. His reflections amplify recent discoveries in cognitive science and neu-
$36.00S/£26.95 cloth robiology by aligning them with the aesthetic, affective, and phenomenological
978-0-262-01492-2 framework of experience and behavior that characterizes the human quest for
meaning.
Creativity has long fascinated Singer, and in Modes of Creativity he carries
forward investigations begun in earlier works. Marshaling a wealth of examples
and anecdotes ranging from antiquity to the present, about persons as diverse as
Einstein and Sherlock Holmes, Singer describes the interactions of the creative
and the imaginative, the inventive, the novel, and the original. He maintains
that our preoccupation with creativity devolves from biological, psychological,
and social bases of our material being; that creativity is not limited to any single
aspect of human existence but rather inheres not only in art and the aesthetic
but also in science, technology, moral practice, as well as ordinary daily experience.
Irving Singer is Professor of Philosophy at MIT. He is the author of
the trilogies The Nature of Love and Meaning in Life as well as Reality
Transformed: Film as Meaning and Technique (1998); Three Philosophical
Filmmakers: Hitchcock, Welles, Renoir (2004); Ingmar Bergman, Cinematic
Philosopher: Reflections on His Creativity (2007); Cinematic Mythmaking:
Philosophy in Film (2008); Philosophy of Love: A Partial Summing-Up
(2009); and Mozart and Beethoven: The Concept of Love in Their Operas
(2010), all published by the MIT Press, and many other books.
JOURNALS
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economics economics
JOURNALS
arts and humanities arts and humanities
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INDEX
America’s Environmental Report Card, second edition, Blatt 10 Conkling, The Fate of Greenland 9
Ashby, Statistical Analysis of fMRI Data 75 Dalkir, Knowledge Management in Theory and Practice,
second edition 82
Aspray, Everyday Information 85
Dan Graham, Kitnick 36
Atlas of New Librarianship, Lankes 84
de Monchaux, Spacesuit 7
Aureli, The Possibility of an Absolute Architecture 33
Decety, The Social Neuroscience of Empathy 59
Axilrod, Inside the Fed, revised edition 15
Democracy’s Arsenal, Gansler 70
Balinski, Majority Judgment 67
Dialogues with Davidson, Malpas 96
Band, Interfaces on Trial 2.0 86
Digital Dead End, Eubanks 20
Barsky, Zellig Harris 26
Digital Media and Technology in Afterschool Programs, Libraries,
Bayesian Brain, Doya 58 and Museums, Herr-Stephenson 91
Being Watched, Lambert-Beatty 51 Digitally Enabled Social Change, Earl 86
Beyond Barbie and Mortal Kombat, Kafai 55 Dinar, Beyond Resource Wars 72
Beyond Resource Wars, Dinar 72 Divining a Digital Future, Dourish 88
Bhabha, Children Without a State 72 Do Democracies Win Their Wars?, Brown 71
Biegler, The Ethical Treatment of Depression 93 Dourish, Divining a Digital Future 88
Blatt, America’s Environmental Report Card, second edition 10 Dowie, Conservation Refugees 54
Blatt, America’s Food 54 Doya, Bayesian Brain 58
Blind Vision, Cattaneo 94 Dream Life, Hobson 27
Blowout in the Gulf, Freudenburg 3 Earl, Digitally Enabled Social Change 86
Brams, Game Theory and the Humanities 67 Econometric Analysis of Cross Section and Panel Data,
Branigan, Provocative Syntax 79 second edition, Wooldridge 69
Brown, Do Democracies Win Their Wars? 71 Edge-Based Clausal Syntax, Postal 80
Buckley, Utopie 45 End of Energy, Graetz 8
Bynum, Christian Materiality 42 Entangled Geographies, Hecht 84
Calcott, The Major Transitions in Evolution Revisited 78 Environmental Inequalities Beyond Borders, Carmin 73
Calleja, In-Game 87 Ethical Treatment of Depression, Biegler 93
Callon, Acting in an Uncertain World 63 Eubanks, Digital Dead End 20
Campany, Jeff Wall 40 Everyday Information, Aspray 85
Caplan, When Johnny and Jane Come Marching Home 4 Fate of Greenland, Conkling 9
Carmin, Environmental Inequalities Beyond Borders 73 Fertility and Public Policy, Takayama 68
Carpo, The Alphabet and the Algorithm 34 Fighting Traffic, Norton 61
Cattaneo, Blind Vision 94 Filming of Modern Life, Turvey 35
Cerebral Plasticity, Chalupa 76
INDEX
Freudenburg, Blowout in the Gulf 3 Knowledge Management in Theory and Practice, second edition,
Game Theory and the Humanities, Brams 67 Dalkir 82
Gao, Total Modernity and the Avant-Garde in Twentieth-Century Kraus, Where Art Belongs 46
Chinese Art 30 Kroszner, Reforming U.S. Financial Markets 16
Gibson, The Processing and Acquisition of Reference 94 Lab Coats in Hollywood, Kirby 21
Gissis, Transformations of Lamarckism 78 Lambert-Beatty, Being Watched 51
González, Subject to Display 52 Landau, Surveillance or Security? 22
Gordon Matta-Clark, Jenkins 41 Language of Thought, Schneider 97
Government’s Place in the Market, Spitzer 14 Lankes, The Atlas of New Librarianship 84
Graetz, The End of Energy 8 Laws, Mind, and Free Will, Horst 95
Grover-Friedlander, Operatic Afterlives 43 Little-Known Story about a Movement, a Magazine, and the
Handling Digital Brains, Alac̆ 85 Computer’s Arrival in Art, Rosen 39
Helvetica and the New York City Subway System, Shaw 5 Lunenfeld, The Secret War Between Downloading and Uploading
19
Herr-Stephenson, Digital Media and Technology in Afterschool
Programs, Libraries, and Museums 91 Machinima Reader, Lowood 87
History of Modern Experimental Psychology, Mandler 60 Major Transitions in Evolution Revisited, Calcott 78
Horst, Laws, Mind, and Free Will 95 Malpas, The Place of Landscape 96
Hoy, Mathematics for Economics, third edition 66 Mandler, A History of Modern Experimental Psychology 60
Hoy, Student Solutions Manual for Mathematics for Economics, Marazzi, The Violence of Financial Capitalism, new edition 48
third edition 66 Margulis, Chimeras and Consciousness 75
Hughes, Systems, Experts, and Computers 61 Mathematics for Economics, third edition, Hoy 66
Hurley, Inside Jokes 18 McDonough, “The Beautiful Language of My Century” 52
Imagining MIT, Mitchell 53 Mens et Mania, Keyser 25
In-Game, Calleja 87 Metareasoning, Cox 82
Information and Living Systems, Terzis 97 Mitchell, Imagining MIT 53
Inside and Outside Liquidity, Holmstrom 64 Modeling Business Processes, Aalst 79
Inside Jokes, Hurley 18 Modes of Creativity, Singer 98
Inside the Fed, revised edition, Axilrod 15 Monstrosity of Christ, Žižek 49
Interfaces on Trial 2.0, Band 86 Myers, Painting 38
Introduction to Autonomous Mobile Robots, second edition, Naked Genes, Nowotny 83
Siegwart 81 Neural Control Engineering, Schiff 77
Islamic Science and the Making of the European Renaissance, New Directions in Financial Services Regulation, Porter 66
Saliba 62
New York for Sale, Angotti 56
Isozaki, Japan-ness in Architecture 53
Nightwork, updated edition, Peterson 23
Japan-ness in Architecture, Isozaki 53
Norgaard, Living in Denial 74
Jeff Wall, Campany 40
Norton, Fighting Traffic 61
Jenkins, Gordon Matta-Clark 41
Nowotny, Naked Genes 83
Jones, Synthetics 90
Off-Track Profs, Cross 57
Kafai, Beyond Barbie and Mortal Kombat 55
Offshoring Strategies, Oshri 17
Kahn, Technological Nature 12
Oldenziel, Cold War Kitchen 57
Kelly, Sound 37
Operatic Afterlives, Grover-Friedlander 43
Kelly, Yuck! 92
Oshri, Offshoring Strategies 17
Keyser, Mens et Mania 25
Our Own Worst Enemy?, Weiner 71
Kirby, Lab Coats in Hollywood 21
Painting, Myers 38
Kitchin, Code/Space 90
Paths to a Green World, second edition, Clapp 73
Kitnick, Dan Graham 36
Klagge, Wittgenstein in Exile 95
INDEX
MIT COGNET
The Brain Sciences Connection
MIT CogNet (http://cognet.mit.edu/) is the primary online location for the brain and cognitive science community’s
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