cece 1:20. A pee ae »_ gut . collec’ on p PeJOURNEY the guitar collection ANY WAY YOU WANT IT 2... cere eee r cece eee 2 BE GOOD TO YOURSELF .....-.. 2 cece eeeeecee ee IG DON'T STOP BELIEVIN’ .....-...0cceesescese ee 36 ESCAPE 20... cece eee e cere cece eee r eee s nee AB FAITHFULLY ....- 2... cee ee cece cere cence eens 62 GIRL CAN'T HELP IT 2.0... cece cece erence eee BF LIGHTS . 0... cece ccc c weer eee r ec e ee sceen cess B2 LOVIN’, TOUCHIN’, SQUEEZIN’ -90 ONLY THE YOUNG 00 OPEN ARMS ...... eee TB SEND HER MY LOVE ........- 222 ceecees serene WIO SEPARATE WAYS (WORLDS APART) ........-.-.-+ STILL THEY RIDE «22... 2... cc ceccsecercceece STONE IN LOVE ......0. 2c cece eee neeecceens ; ‘WHEEL IN THE SKY ......... 0c cseereecesenees _ WHO'S CRYING NOW ...... 2... ec ceeseceneeee 160 Project Manager: Colgan Bryan ‘Cover Design: Joseph Klucar Transcribed by Dale Turner and Colgan Bryan 1 1096 WARNER BROS. PUBLICATIONS ‘AI ights sowed ‘Any dupleation, adaptation or arrangement ofthe compositions contained inthis calacton requires the writen consent of the Publish. 'No par ofthis book may be photocoped or reorsiced in any Wey suthoutparmission. UUnaltherized uses ae an intingement of U.S. Copyright Act and are unisnabl by LaveGUITAR TAB GLOSSARY ** | ARTICULATIONS TABLATURE EXPLANATION READING TABLATURE: Tablature ilustates the six sings ofthe guitar. Notes and chords are indicated by the placement of ret numbers on a given stings) ° HAMMER ON: = Play lower note, = & ‘then “hammer & (on” to higher ° note with anther finger Only the ; first notes 4 anacked 4B — nnn ~—)-~PULL OFF: a ? Play higher note, then “pul off 10 BENDING NOTES lower note with another finger Ah ‘Only the first note 4, # is atacked 9 Be HALF STEP; Play the note and bend string one Sa, LEGATO po tan SS irae I ° Play not + | PREBEND ano |,-————_ asst RELEASE: Bend =a the string, pay it fh 9 7 following then loa nate. (Ory baie ust note is T$ a) ] he orginal note oe WHOLE STEP. 8 Play the note and =] PALM MUTE: bend string one Jeez | Thenawo woe step F notes are muted by the palm of the pick hand ‘by lightly touching the stringls) near the bridge. RHYTHM SLASHES ACCENT: Notes or 6 strum chords are inDica- tobe played 2 Sd. Tons: 2 99 @O© oIcaTING with added é 7 ‘Strum with 7 Weta omGLE. ‘emphasis. indicates a NOTES ‘nyt 2 2257) sine ‘The chord voicings are found on = RHYTHM the fist page ofthe transcription ——| stasnes: ny v pOWN underneath the song tite Very often 9. a single notes are incorporated into sf sTmones a rhythm part. The note name is ; indicated above the rhythm slash eee *A all step isthe smatlest interval in witha fret number and a string Sees Western music; tis equal to one fret indieation. be played with ‘Avwhole stop equals two frets are “By Kenn Chin and Aaron Stang downstoke (n-) or upstroke ( v_) of the pick. © 1990 Boar Me Up Music i OPP ew, ne Mar Fyide 39014 Imatonal Copyiam Secured" Maden USA. Al‘ighs ResewesANY WAY YOU WANT IT ‘Words and Music by STEVE PERRY and NEAL SCHON ics” at! , 1B” No Chord An = y way you want it, That's = = oy way you want it She loves to sing She dose ev = *ry-thing © Copy 172 108 WEEDHGH-AIGHTUARE MUSK, lo Haring Mare re Caton Set, 80 Flom, San Franco, cA Seton ‘i igs Reserveda She loves to move. She loves to groove. She loves the lov in’ things. — ight ight by, holdway you want it That's the way you need — y way you want it {Spe} sid TanSaray Ss Bm) ta == i=) to trepie fee —— == woe Gy — ot See ae # ee * re, | isk 1)She said "Hold,= DFE dd 7 y En 'y way you want it That's the way you nocd it An —a -— & “pre | | : =——— y way you want it, That's the way you need y way you2 Em) oa want the wayyou need it An = yway you EL Gi prt Em y Way you want it That's13 com cep ote y way you want — it way you want it, That's the way you need ity way you want it That's — the way you need it An - -y way you want it!"Adina tries CRB vacate, never knew ‘What good love can do, Ooh, then we touched, ‘Then we sang, ‘About the things. ‘Ooh, all night, all night, ‘Oh, every night. So hold tight, hold tight, ‘Oh, baby. hold tightBE GOOD TO YOURSELF Words and Music by qe STEVE PERRY, JONATHAN CAIN and NEAL SCHON: ee a ant (Cet een one 6 8 = + Si e = ss = A © PB Runnion of set con - woh a (©1906, 1904 by STREET TALK TUNES, FRISCO KID MUSICA ROCK DOD ees Gettin’ close 10 anUp av gaint Shoul-der to shoul ders push‘eee ee of ~ mo otl l ne i You're walk-in’ igh wire, Caught in a You're walk = in’ a high wire, Caught ina cross = fre. = Bs) va De - Oh, be good — to your - When you can’t give no more, {you want it all, but you got-ta say no, — Tmturn-in’ off the noise— that makes me cra_ Emay7(n0 3rd) Saye /Atadd BY ol A A> AST i To forgive is wo : = : as py oo, ‘i aa Twant a little piece of mind 10 turn Wien ie, = doi di hb Be good to your - self__ when (olantefoe good wo your ‘self when doau ad fire, os _, roils ae Caught in Caught in across ‘You're walk-in in’ a high — You're walk ~ psy SSS to your - self, ______ be good — Oh, rl sO —.J.to yourself — when —_GIRL CAN'T HELP IT ‘Words and Music by STEVE PERRY, JONATHAN CAIN and NEAL SCHON ce’ qv ——asimmortacrnn TEI te cool bolt rr © cle nhs (©1906, 1904 by STREET TALK TUNES, FRISCO KID MUSIC & ROCK DOG ‘AU ights Raserved= for- got_— ‘cnt — a ob. they'll nev - er stopcan't help its she naade more, he has-n’t foundwhat he's looking for — ‘They're still standing Seceyy help it eae he can't and she’s just that way. — ‘Andwhen he calls a7 “ad cy Gy —_ her, she tells him that she ‘sill caresUn-der the — moon Why? ey? wins ——31— Why do they go on3 when they're miss - ing each. wy mB Gink can't help it; she needs more, the has.n't found what he's look-ing for, Son ie ‘They're still stand-ing inthe ain, — hhecan’t help it and she's just that way. she's jut that ay. —32 a rns emay (Cis Bb Wy ow we Don't you know she still, there's a fire in his. eyes Fee pm: don't you know she stlll__ criesati or chewy oo = t don't you know she_ stillms s— ~ ing stands between loveDON'T STOP BELIEVIN' Just a small town gir, livin’ ina lone - ly world. — Justa cit-y Boy, ‘bom and raised in South De-roit, ‘© con 0, 904 WEEDHOH IGHTMARE MUI a Haring Mean 680 Galeria Svoe, Yh x, San Eranico, CA. O08 “Figs Reservedshew Seth midnight tins go am whee F ttt — ti t38 Qs fee ee meg no ‘The smellof wine and cheap pes Game, —__ te ea Bor omy a smile. they ean cee =~ share the night;a a ad = wy > Ww @ w up and downthe boul — ¢- vard. — Their aD | With distortion © as esi pretest played yea »o me *z» » @ ? search = ing — in the nightBvery-bod-y wants a thrill ___ fan yethingto roll the dice —ew we es) eas chs: As) — (Some wit win — some will tose, — somewer tom ee ®. ORS Bs oF ces —— sing the blues. Oh, the movie nev a ends: it goes _ S_ ao wa on on and on, and on and = SB eo 8 we: Sesecccnneeecccnnaeeeeseeetnnesseccceccscseed — (EDDMSS) oococco cceccsnceengenonneseenteneeecenad 4 5 wait ing . upand down the boul - ¢ - vard,— ‘Theira 22.5. in the night. ing — eh = shad -45 ple! uw 4. al a46 sGis as ee 8 8s ___*—*47 ights, people, Living just to find emotion. Hiding somewhere in the night,Words and Music by STEVE PERRY, NEAL SCHON and JONATHAN CAIN % just a young boy out of schools livin’ his world ike be oo moms se wy wo a 9 wow wants ©. ‘They're mak- in? laws, but they don’t un = der - stand; seo eeoiarustMae Must, clo HEWMING MORSE ING, C00 et, 18th Foor, San Franco, CA 94108 ‘Airis Reseed.49get tin’ out from this mas - quer - ade,g Sina REA) BAY A NAIK AY Bimanae meme a + > Kak BARR oN BK (308 (Bm ently om inthe clr and Tm frei uh (ve got. dreams T'm liv - ~_—s | @ 2008 Vm moy- in’ on where they'll nev = er find me a) (Roll -| tll nanan nant Nip 12) — Just when you think you had it all fig- ured out —_ on” em ax MR nin’ scared can change your_—-mind.)56 Toney = er knew Thad so much tw givessta ww > age eh sae — ‘Yeah. — “ee. A 4 £X = a yess rm Cm ‘gone, rm roll = in’ and PHL on__________ the + way, ba7 re fill Fwy t 4 on tags tm yess I'm roll == in’ and break a way, em on . my feet and‘No one could tell him what to do; ‘Oh, I'm okay, I'm alright; Had to learn everything the hard way, $esling good out on your own, Yeah, Fl He's on theses, breakin al theres. H break away, 1 ren away tonight ‘Y'm ilia’ you that he’s nobody's fool, 0. ase = HosFAITHFULLY Words and Music by JONATHAN CAIN ES. GIS BS. FHS DIS chs, BIE ibe fe fldbe FA] le Fee 1982, 1989 Twist and SHOUT MUSIC, adv of WEEDHIGH-NIGHTMARE MUSIC, © lo HERING HORE INC, 650 Calioma Steck, 1th Flo, San Frandisco, CA O4108 ‘at Fights Reservedwheels go ‘round_and ‘round; you'reon my — mind. bearerow = a Gin? > ‘say that the road ain't no place to start__a fam right_down the line i’s been you and me.vat o al sman_ ain't a) - ways-what itsfaith - fully 26 ~ big top_ world;___ we all need_the clowns to make us smile. ‘Through space and time, al-ways an - oth - er show, ‘won d'ring where* om be-ing a- part ain't eas - yon this love af fair two T get the joy of re—<_ ; Bie ef ee fore 8: = Ey - er yours, aA. B.AB Words and Music by ‘STEVE PERRY and JONATHAN CAIN : = mH ~ cecal (© oprah 1961, 1994 WEEDHGH-ANGHTARE MUSIC, cf Hemming Mere fc, dee (650 Gattoria Sued, 18h Foor, San Froelo, CA 64108, - *f "Ad Rights Reserves4 Bmiadd CP) AG G Died E) D AICe cB Bmiada CH) A Ga 1liv = ing - tone, This emp - ty house seems so__Be = lieve what 1 say, —___ So_here 1am wh pens es Go ; 2 Fay os hop = ing youll. see What your love means tomes fo-pen atsLIGHTS Words and Music by STEVE PERRY and NEAL SCHON anne a © 1978 WEEDHIGH.NIGHTMARE MUSIC, fone mun worse NC, Galeria Flu Sen France, CA 4108D> Bm oe St ie Se 6 i =e =# ¥ $ 1 want to go BARKL, oe ee ne - — —— ay 32 SS Z A : = Z| — = 7 aa Ten ay ee ao petee z t = > = stat _______, ay (ety. et SS dopa re = ie | FE = é x — =e se = AS GS” psy f pee greet ote fe pete = “ a e o Bimemo> Tie Ey 86S AY (| paieneey t | | bd ere rr rT ia eep ppp = 7 Soe oP +3 3 £ — 386 Ly 2 @ ssDo Bm! wo 8 dh g i tl oe ll mit Dai H tt {ll y + a’ aa.89,LOVIN’, TOUCHIN’, SQUEEZIN’ Words and Music by STEVE PERRY you said we'd ty (© 1970 WEEDHIGH NIGHTMARE MUSIC clo HeMmaNa MORSE Ni 80 Gatton Bet, fm fon, San Franco, CA e408 ‘At Fights Rsorved91 touch: in’, al by omy ~ self, __‘with some-one else.98 aan Ht You're tear - ow at os Ber von be tong, yestill you're a - tone________ when your > ae a a be ‘oh, he has- n't come home. "Cause he’s lov-in’, ‘ooh, he’s touch = in’,95 eS op & ees ® aes He's tear- in’ you a ~ part_— »— gil, what can you say? *Couse he's Now its96 i ol your tum, git to ery_- Na, hha, na, na, na, Na, na, na, ma, ma, na, ma, na, na, nana, Na, na, ma, na, nay, Fs Gs AS pa, ona, ma, ma, na, Na, na, na, na, na, na, mana, ona, ma, Ma,ONLY THE YOUNG Words and Music by STEVE PERRY, NEAL SCHON ind JONATHAN CAIN eal eee aan Gross) go) or \# l |101 weer se Ste 6 peer Sh eo 2 = Se Another night ia any town, You can hear the thon = der of thie.oo few ap f=) =» >109 (66) »w os oD ‘oy py Ga 2 et ee On = ly the young con say, Only the young (VRB? tate sndows ofa golden ge, ‘A generaton wats for dawn Brave cary on Bold and te song, ‘promis ‘And all the les they dare to tell. Isitheaven or hell? ‘They know very well110 SEND HER MY LOVE Words and Music by ‘STEVE PERRY and JONATHAN CAIN ‘© cop 182, 094 TWST an SHOUT MUS ho WEEDHIGH NIGHTMARE MUSIC co Haring Moree. 5 Catton Seot 5 Fs, anrransacn, oA 4108ul SE “42 +. 7S a tS113 eS Vis $4 + == —_— =ns ‘Additional Lyries Verse 2: (To Chorus)16 SEPARATE WAYS (WORLDS APART) ‘Words and Music by STEVE Pl ERRY and JONATHAN CAIN: = Bnd Rim Figure 1 (ee et? e ‘ta ‘lone - Gs: we stand, . World's a = part, hearts bro = ken in I se norte peur wen nace emmnonenmmupe non enn Nr at Stet Ss mh ox, gen FrnT ee er —_ Sleep-less nights, — Jos ing ground, I'm reach = ing for cc Feel-in'thatit'sSome - day love will find you.peers re Ape gp te eee — that bind. you. One night ——will__ re mind you how we touched_and__ went — our sep "rate ways: he a er hurts. you me love won't ——_—— ——— = de = set you. You know = [still ove you though we touched_and— wem —15 anmiey Wee! roadie ines, Caught between confusion and pain. ‘istant eyes, Promises we made were ia vain, in vain, in vain Ifyou must go, I wish you lave, You'll never walk alone. ‘Take cart my lve. Miss you love.126 STILL THEY RIDE Words and Music by STEVE PERRY, NEAL SCHON and JONATHAN CAIN + 6 (oa) z 3 ss <= 4 WB ooemt 5 es CB {981 WEEDUIGH AIGHTIARE MUSIC, ‘lo HEMMING MORSEING., 620 Calloma Steet. 18th Foo, San Francisco, CA S410 ‘Ai Rights Reserved@ Tt * 5 17 eae aa, Grr Cl enn mm “through the —night______128 ? | =r he — fF any SS $F ae == WF tes = zi Eb oe —s Sr —p #129 : | 4 | al allie gee wr ll) fate GL T| 5 a I A ] a ay J dalle I He al | il ! — Ha De By 4 HE “ h dy UE VE RE EP Du ad) HUG hee) kes nH ng nee " Ce ecoPam compre ot tah a TBE Tot Bae | (94I132 l i me i Hy Hid] Ay ai all aa a: Wl # [ oy 4 hd fh He ay. rsa By. iaSTONE IN LOVE Words and Music by ‘STEVE PERRY, NEAL SCHON and JONATHAN CAIN we mee a te oe gS = f= SSS 2 = (ike) aan me = la eS 3 FE feed = — a= == ; ce > 12 1981 WEEDHIGH NIGHTMARE MUSIC, ee HEMMING MORSE INE. 659 Calla St. 1m Heo, San Franco, CA 9108,Cous2, 136 fie # » » — Et — =: a ee ei ae in eee | a im a ian i, dh hg137 me —138= Lad Bl | Bhmaj7141145 roads led to the river; runnin’ slow. She pulled me down, 000, and in clover, we'd go ‘round, {In the heat with a bluejean girl Burnin’ love come a once in a lifetime, ‘Oh, the memories never fade away, oie Be TIL keep you forever.WHEEL IN THE SKY Moderate rock # = 106 oriiand Muto NEAL SCHON, ROBERT FLEISCHMAN a el et P| a ‘© conv 87,004 WEED MHTUAREMUSC oe Hann Mone ora Suet ah foc, San Franco, CA. Seb ‘Al Figs Reserved147= z =e EE —, “Ds” ES FS ppt — 3 = igs cs) tee ee = 2s ieee ee156 on) cae ws ay =187 ee a a oe . > aa wy (oe Ae se fees g pepe tt 3 Lj UL —_— = ‘Ds ae (sy =f a =—— iz SS Ree MY 9 | Bees == @ = Es! ors! re a ite et % z £ & ff & cm == = ? a -” - = jn “J158 % BS RS” cs159 | Additonal ries (WORF ven yn’ tomate tone Got to make it before too long. {can't take this very much longer. | Were 4 Wm stranded in the sleet and rain, Don't think I'm ever gonna make it home again “The mornin’ sun isis’. Is isin’ the day. (To chorus)WHO'S CRYING NOW Worde and Musi by ‘STEVE PERRY and JONATHAN CAIN camT) GIA Fai, GIR e—T— — 3 "Pn angst for Gata “RD md) es) ios) am iA am | PMA Fe © conrom 1,190 WEEDHOH MKT MUS. of Haig More bo atta Ste, 3th oor, San Fence, CA S408.161 EE Ore ea = ee i = fot feo) Emo! Pes? Eaton? te SS + ts 1—t $ ets 7 i163,ISBN 1-87625-368-5 ANY WAY YOU WANT IT BE GOOD TO YOURSELF DON’T STOP BELIEVIN’ ESCAPE Phila 8 GIRL CAN’T HELP IT pate) be LOVIN’, TOUCHIN’, SQUEEZIN’ ONLY THE YOUNG OPEN ARMS RSS a me ee Bia UU Ae a Ua Peele aii a STONE IN LOVE Adal Mt 8 WHO’S CRYING NOW BN: 1-87 57623-368-5 im 1 ae é o Maat 5¢