MATRIX OF DECEPTION 

The Controversial Original Blueprint on the Creation 
Of a Socialist One World Government! 

                      THE INTRODUCTION

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 THE MATRIX OF DECEPTION ‐ INTRODUCTION 
 

This report is the property of Rema Marketing and is considered to be strictly for reading only.
With receipt of this report, the recipient acknowledges and agrees that written permissions must
be secured from the publisher to use or reproduce any part of this report, except for brief
quotations in critical reviews or articles. Content in report is licensed by Robin De Ruiter. A
publication of Rema Marketing. ©2013, All rights reserved.

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 THE MATRIX OF DECEPTION ‐ INTRODUCTION 
 

1. INTRODUCTION

Until September 2012, much of the world especially in the UK did not know who Kalen Ockerman
was. But then a BBC report changed all of that in the last few weeks.
 
 
Karl Ockerman is a street graffiti artist who very recently produced a mural in Brick Lane,
London, titled “Freedom for Humanity”. The mural depicts a group of businessmen and bankers
counting money around a Monopoly-style board balanced on the backs of men with dark
complexions. It was reportedly spray-painted on private property. The Los Angeles-based artist,
Kalen Ockerman, acknowledged that some of the bankers were Jewish but said the mural was not
anti-Semitic.
 
 
“My mural is about class and privilege,” he wrote on his Facebook page. “The banker group is made up of
Jewish and white Anglos. For some reason they are saying I am anti-Semitic. This I am most definitely not…
What I am against is class.”
 
 

 
 
The London Jewish Chronicle reported that the council of the London borough of Tower Hamlets
had said it was talking with police to have the image removed following complaints that it has anti-
Semitic undertones.
 
 
Tower Hamlets Tory group leader Peter Golds fired off a letter to the council’s most senior director
Stephen Halsey in which he said,
 
 
“I am horrified at this mural which has appeared on Hanbury Street. It bears an awful similarity to anti semitic
propaganda produced in pre-war Germany. As well as the anti Jewish overtones, there is even the quasi
 
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 THE MATRIX OF DECEPTION ‐ INTRODUCTION 
 

Masonic (and dollar bill) aspect to encourage conspiracy theory. What will be done about the person or
persons who has produced this and when will it be removed? The fact it has appeared over Rosh
Hoshanah/Yom Kippur gives added menace.”
 
 
Lutfur Rahman, the Tower Hamlets mayor, said he “shares concerns” that the mural is anti-Semitic,
and that it “perpetuated anti-Semitic propaganda about conspiratorial Jewish domination of
financial and political institutions,” the Chronicle reported. Tower Hamlets Council has now ordered
that it be painted over.
 
The wall that the mural was painted over is owned by Amzal Hussain known as the “Brick Lane
Curry King” because of his famous curry restaurant. Hussain was also the previous chairman of
the UK political party called “Respect”. The Respect Party is also famously known for being
associated with George Galloway, a controversial member of the UK Parliament (MP) for Bradford
West.
 
 

 
 
But more of Kalen Ockerman seen above in the midst of developing the mural. Also known as
“Mear One”, Ockerman began his career in 1986 as a graffiti artist living in Los Angeles. Ockerman
has been labeled as "The Michelangelo of Graffiti" and "The Salvador Dali of Hip-Hop." He is
considered by many to be Los Angeles' most prolific graffiti artist because of the way he
revolutionized graffiti with his fine-art realism, breaking out of traditional 2D letter forms, and
using perspective to develop complex characters with dynamic backgrounds in epic scale.
 
 
By the early 1990's, he had established a large fan base through his notorious work on the
 
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 THE MATRIX OF DECEPTION ‐ INTRODUCTION 
 

streets, underground hip-hop album covers featuring his iconic imagery, and his involvement in
pioneering early street wear clothing and graffiti culture. In 1993, Ockerman was the first graffiti
artists from Los Angeles to travel to Tokyo and paint graffiti in front of a live public audience. In
the mid 90's, hip hop imagery and cultural icons in his work were replaced with a deeper, more
introspective conversation based around a politically disillusioned reality that he felt hip-hop had
ceased to address. At this point he began his transition from street graffiti to canvas paintings, and
began his first body of acrylic and airbrushed paintings.
 
 
In 1996 Ockerman began performing at live events, and coined the term "Live Art" to describe the
spontaneous, performative, and interactive act of painting in front of a live audience, which he
considered akin to freestyle poetry and music. In 1998, Ockerman was given the back editorial
page of Urb Magazine, "The Final Exam," which served as his vehicle for social commentary for a
span of 33 issues over 3 years. In 1999, Ockerman was acknowledged for his contribution to
graffiti art by the Rock and Roll Hall of Fame, during their exhibition, Roots, Rhyme, + Rage: The
Hip-Hop Story, commemorating 20 years of hip-hop history. In 2000, Ockerman was selected
among the world's most accomplished graffiti artists for Guernseys Graffiti Art: The Auction, in
conjunction with the Bronx Museum's first major exhibition on graffiti art in the United State. In
2010, Ockerman joined with Kofie, Mac and Retna to form Vox Humana, a Live Art painting
installation, which performed at The Los Angeles Art Show, and Volta 6 Art Fair in Basel,
Switzerland. In 2010, Ockerman painted Live Art at the Coachella Valley Music Festival in front of
90,000 people and was voted one of the "Most Interesting People To See at Coachella" by LA
Weekly. In 2011, Ockerman was selected to be showcased in two critically acclaimed museum
exhibitions of street art and graffiti, Art in the Streets at the Museum of Contemporary Art, Los
Angeles, and Street Cred at the Padadena Museum of California Art.
 
 
Ockerman's work is inspired by ancient technology, science, philosophy, mythology and
mysticism, along with political and cultural revolution, and notions of the apocalypse. Ockerman
creates his own mythology from pop culture icons and important historic persons that have shaped
our structured reality. He uses art as a tool to express his feelings of frustration with what he feels
is a broken system. Ockerman uses visual language to provide a critical viewpoint that exposes
the history of corruption in America and the world at large.
 
 

 
 
 
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The diversity in his work often depicts an experience of transcendence in sharp contrast with
depictions of the horrors of humanity, war, and oppression. His current body of work can be
described as a series of allegorical oil paintings that draw upon history, mythology, political theory,
conspiracy theory, modern myths, and current events. Stylistically he has been described as "urban
psychedelic surreal," and is perhaps best known for his climactic battle scenes taking place under
broad expansive cityscapes with billowing cumulous clouds.
 
 
Selected recent exhibitions include: Art in the Streets, Museum of Contemporary Art, Los Angeles
(2011), Street Cred, Pasadena Museum of California Art (2011), Scope Art Fair, Basel, Switzerland
(2010), Volta 6 Art Fair, Basel, Switzerland (2010), Los Angeles Art Show (2010), Vox Humana: El
Mac, Kofie, Mear One, and Retna, Rivera & Rivera Gallery, Los Angeles, CA (2010)
Ockermans murals convey his belief in a political conspiracy, one which we are overly familiar with.
That the world is actually run by a secret group of families who have been controlling the destiny of
mankind for the last several hundred years.
 

However what has sparked the recent controversy is whether his art work is also conveying his
belief that the conspiracy is largely a Jewish conspiracy based on the physical characteristics of
the men as seen below. Whenever one starts talking about a Jewish conspiracy behind the new
world order the same old constant argument about “anti-semitism” comes to the fore. Considering
that brick lane and tower hamlets has a strong Muslim presence, one could easily see how local
Jewish groups would see the graphics as an overt and public attack on the Jewish community by
the Muslim community which in recent years has seen a surge of interest amongst its youth in the
view that the world is moving towards a masonic and Zionist new world order.

The question of the Jewish role in the New World Order is a pretty explosive topic. Some believe
that apostate Jewish families such as the Rothschild’s amongst others, are very much at the top of
the financial pyramid. Others believe that the Jews are Gods chosen people and so one should not
criticize them regardless of whether they are Godly or apostate. It certainly provides for some
stirring debate. However the idea of linking the Jews to this end time global government is familiar
 
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 THE MATRIX OF DECEPTION ‐ INTRODUCTION 
 

in the writing of many respected Christian Authors. For instance Arthur Pink in his monumental
work “The Antichrist” states
 
 

   
 
“The Antichrist will be a Jew, though his connections, his governmental position, his sphere of
dominion, will by no means confine him to the Israelitish people. It should, however, be pointed out
that there is no express declaration of Scripture which says in so many words that this daring
Rebel will be "a Jew;" nevertheless, the hints given are so plain, the conclusions which must be
drawn from certain statements of Holy Writ are so obvious, and the requirements of the case are
so inevitable, that we are forced to believe he must be a Jew.”
 
Some of the world’s leading conspiracy researchers such as Henry Makow, Robin De Ruiter, Tex
Marrs, Doc Marquis, John Coleman and Fritz Springmeier also share the same opinion. This is
why movies such as “The Da Vinci Code” are of great interest because it attempts to position the
idea that there are specific family bloodlines today which trace their ancestry back to the time of
Christ and believe they are of Jewish stock. Still others prefer to believe that the definition of
the new world order goes beyond simply associating it with a race of people. Ultimately it has
nothing to do with promoting any religion although historically their may strong be overtones of
Jewish influence. Instead of a Jewish conspiracy, Muslim conspiracy or Christian Conspiracy,
ultimately the conspiracy is a Luciferian one, which has captured apostate men and women
from all religions, nationalities, creeds and colors. The ultimate objective is the destruction of all
three monotheistic faiths that trace their roots to Abraham (Christianity, Judaism and Islam)
and replacing the vacuum with a Luciferian religion.
 
 
"The Third World War must be fomented by taking advantage of the differences caused by the "agentur"
of the "Illuminati" between the political Zionists and the leaders of Islamic World. The war must be
conducted in such a way that Islam (the Moslem Arabic World) and political Zionism (the State of Israel)
mutually destroy each other. Meanwhile the other nations, once more divided on this issue will be
constrained to fight to the point of complete physical, moral, spiritual and economical exhaustion…We
 
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 THE MATRIX OF DECEPTION ‐ INTRODUCTION 
 

shall unleash the Nihilists and the atheists, and we shall provoke a formidable social cataclysm which in all
its horror will show clearly to the nations the effect of absolute atheism, origin of savagery and of the most
bloody turmoil. Then everywhere, the citizens, obliged to defend themselves against the world minority of
revolutionaries, will exterminate those destroyers of civilization, and the multitude, disillusioned with
Christianity, whose deistic spirits will from that moment be without compass or direction, anxious for an ideal,
but without knowing where to render its adoration, will receive the true light through the universal
manifestation of the pure doctrine of Lucifer, brought finally out in the public view. This manifestation will
result from the general reactionary movement which will follow the destruction of Christianity and
atheism, both conquered and exterminated at the same time."
 
 
Albert Pike, Grand Master of the Order of the Palladium (or Sovereign Council of Wisdom) and Grand
Commander of North American Freemasonry

 
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2. ABOUT THE AUTHOR

Robin de Ruiter has been publishing since the Eighties and is one of the most translated Dutch
authors. He is well-known internationally, for years, for his exceptional research ability. He has an
unequalled understanding of geopolitics and an exceptional intellectual library of factual knowledge.
His direct international connections and knowledge of languages, he speaks seven foreign languages
fluently, give him access to an unprecedented number of informational sources.
De Ruiter writes all of his books in Spanish. His publications are especially exceptional because they
demonstrate a clear and unprejudiced vision. Books that show such extraordinary factual knowledge,
insight, and coherence, have become almost inconceivable in many countries.
De Ruiter was born in the Netherlands, where he spent most of his adolescence. As a young boy he
relocated with his parents to Spain, where he studied (among other things) theology, history and
Spanish, graduating in 1974 and 1975. Presently he leads a secluded life in Ecuador.
De Ruiter started his career as a freelance writer for Spanish magazines in the field of politics and
religion. As a result of these publications, he made a name for himself both in Latin America and
Europe.
The author has been the recipient of awards for his books, including the 2005 annual Frontier Award
in the Netherlands for his book The Hidden Power behind the Terrorist Attacks of September 11,
2001. This book was included in the first US edition of his book Worldwide Evil and Misery - The
Legacy of the 13 Satanic Bloodlines.
This report is part of "The 13 Illuminati Bloodlines Book Series". The first volume, Worldwide Evil and
Misery was written over a decade ago. This book did not claim to be into futurism. However, a
retrospective view of the events of the last twenty years shows that practically all topics mentioned in
the book have come to fruition, often in an awesome manner.
In 2006 the French edition of Worldwide Evil and Misery was banned in France.
This report serves to give us an idea of what's in store for the near future, so we can better prepare
for what's coming our way. It is a very unique report and reading it will undoubtedly change the way
you look at both history and the world today.
Reading this report may be shocking at first, but the shock will pass once you have finished reading
it.
This publication has been created with the greatest care and in collaboration with Rema Marketing.
However, neither the maker nor the publisher is responsible for possible damage caused by any
errors and/or incompleteness in this edition.
For indemnification of the publisher, the author declares himself completely responsible for the text
and content of this report.

 
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