3

Note Melody
Composed August 2017, in the middle of a composer's block
Rebecca Yang

 44
      
(Composition No 14.5 since it's not worthy of being No. 15)

    
         
 4                         
4                         

                 
8

                    
This is pa the tic on ly three notes And you say

     
     
Mel o dic ran ges nar row ing down I'm just like

  

               
12

               
why? It's cause right now I am brain dead with com po ser's

       
why? And don't for get the au to tune It's just so crin

                 
15

                    
block wri ting this song But I'm not the on ly one who writes these crap py

        
gey so o ver done Same stuff re pea ting a gain and a gain un til

  

Copyright Rebecca Yang, August 2017

           
  
19

    
          
cringe songs with on ly three notes So man y pop art ists

    
my head's a bout to ex plode These are chara cter ist ics

   

                
22

                         
do this three note song thing I'm like are you ser i ous What the hell

           
of to day's pop mu sic I'm like are you ser i ous

  

          

27

                         
            
Why, just why This is dumb I don't un

    

        
     
             
32

                    
       
der stand. Here's some crap py E D M

   

2 Copyright Rebecca Yang, August 2017

      
       

                     
36

         
                   
           

                    
      
41

  
   


         
  
Lit tle var i e ty and way too re pe ti tive but some how pop art ists can get

  

             
    
   
44

               
       
a way with it it takes five se conds to make a song si mi lar to this

               
  
47

                    
       
how can a song like this make bil lions of dol lars What the hell

   

Copyright Rebecca Yang, August 2017 3

           

51

           
                
         
Why, just why This is dumb I don't un

    

     
                

56

               
       
der stand why pop songs are get ting worse.

        
     
                    
59

       
         
                  
        

 
     
64

      

  

4 Copyright Rebecca Yang, August 2017