Virginia Woolf’s Mr.

Dalloway and Stream

of Consciousness
Introduction:
Virginia Woolf named; Adeline Virginia Stephen, was born in London in 1882, to Sir Leslie
Stephen and Julia Prinsep Stephen. She had a place with a bigger family, and to the Stephen family, she
thought about the youngest girl in her house. Virginia's dad named Leslie Stephen, was a scholarly man, a
recognized, pundit, biographer, and thinker. Furthermore, he was a most significant figure in the scholarly
society, recently Victorian England. He was viewed as the originator of the ‘Dictionary of National
Biography’.
Moreover, Virginia Woolf was probably, one of the most significant figures of the Bloomsbury
Group with those, for example, Lytton Strachey, Clive Bell, Rupert Brooke, Saxon Sydney-Turner,
DUNCAN Grant, Leonard Woolf, John Maynard Keynes, and Roger Fry. This group turned out to be most
renowned group in 1910. On 10th, August, 1912 Virginia Stephen wedded with the incredible essayist
Leonard Woolf, when he was locked in, Virginia called him "a penniless Jew."
Subsequent to completing her last novel "Between the Acts", Virginia had a mentalist meltdown
for her homeland, London, the war and the cool gathering given to her life story of her late companion
Roger Fry, till she got incapable to work.
On March 1941, Virginia committed suicide, not because of her husband, or her sister, suffocated
herself in a close by stream. She was cheerful in all her senses, for her suicide, since she will take a rest
from the frenzy that was returning and she can't keep composing and she would like to save her dear ones.
In a nut shell, Virginia Woolf was an extraordinary English author and writer, viewed as one of the premier
pioneer figures of the twentieth century.
Stream of Consciousness:
'The Stream of Consciousness Novel' is the unconventional result of the twentieth century. The
ascent of this fine art on the eve of the World War I, denotes an age throughout the entire existence of the
English novel. This specific sort of novel is likewise called the novel of subjectivity or the psychological
novel. This term, 'stream of consciousness’, was first utilized by William James in his ‘Principle of
Psychology’, (1890), to signify the confused progression of impressions and sensations through the human
awareness. Dorothy Richardson in England, James Joyce in Ireland, and proust of accepted in France are
the main constructers of the novel of subjectivity, and Virginia Woolf is the writer who bestowed frame
and order to it and in this manner, made it a prominently acknowledged fine art.
 The ascent of, “The Stream of Consciousness Novel” in the mid-twenties is nevertheless an
impression of the expanding internal quality of life resulting upon the breakdown of acknowledged qualities
with the turn of the century, a procedure which was quickened by the episode of the universal war.

Definition:
The stream of consciousness has been differently characterized by different authors. In this manner,
H.J Muller is of the view that the new novel is, "a withdrawal from outer marvels into the glimmering half-
shades of the creator's private world". This definition stresses the internal quality of the novel of
subjectivity. E. Bowling subscribes a similar view by depicting it as, "an immediate citation of the brain _
not only of the language zone yet of the entire consciousness." Regarding to this idea, the Stream of
Consciousness Novel deals with the pre-discourse level of incongruity in human consciousness, so as to
dissect human instinct.
The psychological or Stream of Consciousness Novel, speaks to a response against the well-made
novel of the 19th century. Its inclination, as indicated by J.W Beach, is towards twisting. Both plot and
character in the customary sense have rotted in the novel of subjectivity; there is a move from the external
to the internal identity of the different personages. In the expressions of Mrs. Woolf, in the novel of
subjectivity there is no plot, no character, no disaster, no satire, and no adoration enthusiasm as in the
conventional novel.

Stream of Consciousness in Mrs. Dalloway:

Mrs. Dalloway is a scholarly work by Virginia Woolf, published in June 1923 narrates a story of a
solitary day; and it is Woolf's fourth novel. Woolf concentrates more on the utilization of her ideas, feeling,
and sensation through her characters.
So, from the earliest starting point the stream of consciousness is utilized in the novel by Woolf
through the utilization of time from the past to the present and till the near future, this psychological time
manages the interior and the outer subjectivity of each character's idea and feelings so as to exhibit the
stream of consciousness, hindered by the clock.
Woolf in her novel Mrs. Dalloway utilizes the stream of consciousness procedure by the utilization
of free indirect style at the principal purposes of this novel when she needed to portray Clarissa's party to
every one of her companions. This circuitous discourse permits nothing important to make reference to who
is Clarissa Dalloway and for what reason is need to purchase the blooms .When we read the following
sentence, we comprehend that every peruser goes into the center of the coming life wherein the introduction
of the stream of consciousness as a flood of thought, as the accompanying statements when Virginia stated:
“Mrs. Dalloway said she buy the flowers herself”.
 In this novel, more of the concentration of Woolf is on communicating her considerations and
sentiments through her characters particularly when she moves profoundly into the account of the psyche
of the character without utilizing the meddlesome authorial label, for example, in "Mrs. Dalloway reflected"
particularly through Clarissa's idea, and Woolf said that: "For Lucy had her work cut out for her". Likewise,
she moves into the analysis of Mrs. Dalloway's feelings with a scrutinizing and outcry path as an interior
monologue in: What a lark! What a plunge!
SO, Woolf displayed her life as a clichés or "bromides." as characteristic of indirect speech, so as
to show the Character's subjectivity inside portrayal. The conjunction "for" is depicted as a further such
marker.
Likewise, she presented Clarissa Dalloway as a high society lady who lives in post-World War I
London, she made an extraordinary party in order to meet every one of her companions from various social
classes, one of them Septimus Warren Smith who has an incredible effect during the World War I at the
point when his closest companion was passed on .Sometimes, he became not typical uniquely when he
recollected him and he wanted to execute himself, Woolf stated:
“And he would not kill himself”. And it was cowardly for a man to say he would kill himself, but
Septimus had fought; he was brave; he was not Septimus now. She put on her lace collar .She put on her
new hat and never noticed; and he was happy without her.”
Inside this novel, Woolf exhibited a love-story between Clarissa Dalloway with Peter from the past
till the present when she wedded Richard, she left him and talks about her inward emotions in the
Sentimental book, Woolf narrated:
“Yes, after all, how much she owed to him later. Always when thought of him she thought of their
quarrels for some reason-because she wanted his good opinion so much perhaps. She owed him words:
‘sentimental’, ‘civilized’; they started up every day of her life as if he guarded her.”
Furthermore, stream of consciousness, by Virginia Woolf, has been utilized in this novel in order
to elaborate feelings, thoughts, and emotions of her characters, especially Clarissa, as Woolf narrated:
“But then these astonishing into tears this morning, what was all that about? What could Clarissa
have thought of him? Thought him a fool presumably, not for the first time.”
There are additionally such statements, which manage the utilization of consciousness stream 'style
of writing in which Woolf moves from one character 's thought, thoughts, feeling and vibe that implies
from the internal life to the genuine as Peter Walsh in the following:
“But the stare Peter Walsh did not want for himself in the least; though he could respect it in others.
He could respect it in boys.”
 It implies that his view isn't for him however for those young men, this articulation allude to that
there is no unity, each sentence is distant from everyone else with the regard of the linguistic standards
through the characters genuine thought yet there is a novel sense. Also, it manages Gordon character's
thought from the inward life to the reality. Likewise, she stated:
“And down his mind went flat as a marsh, and the three great emotions bowled over him;
understanding; a vast philanthropy; finally as if the result of the others, an irrepressible, exquisite delight;
as if inside his brain by another hand strings pulled.”
Moreover, Woolf clarifies the stream of consciousness in Mrs. Dalloway through the person's brain
and she presents such representative voices or sounds which alludes to the stone and the breeze as a surge
of various letters in the accompanying:
“ee um fah um so
foo swee too eem oo--- and rocks and creaks and moans in the eternal breeze.”
Additionally, an attempt to go into the inner feelings of Richard about people’s sensation has also
been judged in the novel, when she said:
“Hugh proposed modifications in deference to people’s feelings, which, he said tartly when
Richard laughed,” had to be considered” and read out “how, therefore, we are of opinion that the times
are ripe....the superfluous youth of our ever-increasing population .....What we are owe to the
dead.....”Which Richard thought out stuffing and Burkum, but no harm in it”.
Furthermore, Woolf clarifies along these lines, philosophy of identity when Richard Dalloway and
Hugh Whitbread pull back from Millicent Bruton:
“And they went further and further from her, being attached to her by a thin thread (since they had
lunched with her) which would stretch and stretch, get thinner and thinner as they walked across London.”
This implies a psychological thought that depicts an image of oneself, which is resolute from the
improvement of one's individual man and woman. . On the other hand, she uses the singular pronoun "I" to
imply the certified stream of thought of her character's mind consolidate Clarissa:
“Clarissa stopped beside them.” And in: “But I can’t stay», she said.” I shall come later. Wait,
«she said, looking to Peter and Sally. They must wait, she meant, until all these people had gone. “I shall
come back.
Thus, Woolf utilized the stream of consciousness strategy in her novel "Mrs. Dalloway" in various
ways. Now and again, she tends to her inside consciousness through her characters, and different cases
review the peruser in this novel by her discussion to him for the purpose getting attention by him.
Conclusion:
We have appeared all through above given discussion, how the stream of consciousness is utilized
with all its developed grace and beauty, in Mrs. Dalloway. This new style has two significant methods in
which it is exhibited, for example, free aberrant style and the Interior monologue. First manages the
utilization of third personal to pronoun, however in the second one, the creator utilizes first personal
pronoun "I" as James Joyce characterized it as comparable as stream of consciousness strategy.
Besides, it is a strategy that was progressed by such huge numbers of authors like Virginia Woolf
as an incredible writer thus renowned by the utilization of this anecdotal style of composing inside her most
significant novel "Mrs. Dalloway" in which she gives the portrayal of one day through the arrangement of
a pleasant gathering by Clarissa Dalloway to every one of her companions, for example, Peter, Septimus
and others. This story completed in awful consummation which is the suicide of Septimus.
Mrs. Dalloway is a renowned, complex, and convincing innovator .It is a superb investigation of
the brains of its chief characters .This epic goes into the awareness of the characters, turning into its topic,
making a ground-breaking, and mentally legitimate impact talk more about the stream of consciousness
strategy in the novel.

References:
 Woolf, Virginia. Mrs. Dalloway. London: Penguin books, 1996.
 Woolf, Virginia and Rania Kivan. Mrs. Dalloway. London: Penguin Books, 2009.
 -Woolf, Virginia. To The Lighthouse. New York: Harcourt, Inc., 2001.
 -Bousbia, A. The use of Stream of Consciousness in Narratology of Virginia
Woolf. Case of study Jacob’s Room Novel. License Dissertation: Ouargla
University.2008.
 Cuddon , J.A and C. E. Preston. The Benguin Dictionary Of Literary Terms.
London: Penguin Books, 1977.
 Dr.Isam M. Shihada. A Feminist Perspective of Virginia Woolf’s: Selected
Novels: Mrs. Dalloway and To the Lighthouse .2009.
 -G. C . Thornley and Gwyneth Roberts. An Outline of English Literature.
England: London: Penguin Books, 1968.
 Woolf Virginia, "Mrs. Dalloway.” Oxford University Press, 2009 Print.
 2. Dowling David, “Mrs. Dalloway: Mapping stream of consciousness”. Twayne
Publishers, 1991 Print
 “Stream of Consciousness.” The Columbia Encyclopedia, 6th ed. New York:
Columbia University Press, 2001–04. 11 May 2005.
 “Mrs. Dalloway (1925)” Literary Encyclopedia Online. 25 May 2005