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Berkeley, Calif. (January 21, 2020)—Arthur Szyk’s compelling political cartoons placed Nazi
genocide, tyranny and racism on the covers of America’s most popular magazines during
World War II. Today, his pioneering examples of graphic storytelling have renewed relevance
as a new exhibition and University of California, Berkeley students bring Szyk’s works to
contemporary audiences.
In Real Times. Arthur Szyk: Art & Human Rights (1926-1951) will be open to the public
January 28—May 29 and September 1—December 18, 2020 at The Magnes Collection of
Jewish Art and Life at UC Berkeley. Uniquely through art, Szyk was one of the first public
figures to take immediate, direct action in bringing attention to the Holocaust as it was being
perpetrated. The miniature size of his artwork stands in striking juxtaposition to the magnitude
of the themes it confronted and the human rights violations it exposed.
Made possible by a generous gift of the Szyk collection from Bay Area-based Taube
Philanthropies, the new exhibition includes more than 50 original artworks by Szyk and
features two interactive workstations created by UC Berkeley students and Francesco
Spagnolo, The Magnes curator.
Spagnolo has supervised nearly 100 students working at The Magnes over the past three
years through UC Berkeley’s Undergraduate Research Apprentice Program. “It’s a diverse
group of students—some with Jewish backgrounds and some with no connection to Judaism.
Szyk’s work speaks to their shared concerns about human rights.”
For the “Arthur Szyk, Remixed” workstation, students deconstructed more than 50 of Szyk’s
works to encourage visitors to examine the characters and motifs individually and then
recombine them to make their own political cartoons. New creations can be saved and
instantly published online, giving Szyk’s compelling art an even wider audience. The screens
of both workstation tablets are projected onto the walls of the gallery for all to see.
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“Sharing Szyk’s art with younger generations and inspiring them to defend personal dignity,
identity and freedom is an important part of Taube Philanthropies’ work to effect positive
change in our world,” said Tad Taube, chairman of Taube Philanthropies.
• Human Rights and their Collapse is an introduction to Szyk’s world with a timeline
showing his life in the context of the progressive failure of European democracies and
the human rights and national rights movements, beginning with the American
Revolution. Here, a selection of Syzk’s works begin to show his lifelong focus on
freedom and the dangers of tyranny and totalitarianism.
• The Rights of Global Refugees shows Szyk’s deep concern for refugees like himself
and their lack of the legal protections of citizenship. This section features depictions of
refugees in many contexts, from cartoons of innocent children declared enemies of
Third Reich to biblical narratives and a self-portrait included in Szyk’s ode to Canada.
• The Right to Resist highlights the role of resistance in preserving human rights with
Szyk’s paintings of the Warsaw Ghetto uprising and his internationally acclaimed
illustration of “The Statute of Kalisz.” The statute, which granted Jews legal rights and
liberties in Poland in medieval times, was displayed in London in 1933 to denounce
antisemitism in Nazi Germany.
• The Rights of Nationhood further explores Szyk’s belief that human rights are
inextricably tied to citizenship, featuring designs he created for countries and
organizations. These detailed illustrations became letterheads and stamps and often
found their way into his political cartoons.
• The Right to Expose: Executioners at Work displays many of Szyk’s most powerful
pieces, which depicted the crimes of Axis leaders and Nazis during the Holocaust.
This portion of the exhibition also explores an interesting parallel to Charlie Chaplin’s
characters in his 1940 movie, The Great Dictator.
• The Right to America highlights Szyk’s appreciation of his new home country and the
multi-ethnic fabric of the U.S. Army, positioning it in direct contrast to Nazi Aryan
supremacy. The work in this section reflects Szyk’s objection to racial discrimination
and the organizations that perpetuate it, such as the Ku Klux Klan.
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More than 450 pieces of Szyk’s work were moved from a private collection to The Magnes at
UC Berkeley in 2017 as a result of a $10.1 million gift from Taube Philanthropies, becoming
The Taube Family Arthur Szyk Collection. The gift was the largest single monetary gift to
acquire art in the history of the university. An appropriate home for Szyk’s work, The Magnes
holds the third-largest Jewish museum collection in the U.S., and the only one of such size in
the world housed at a research university.
“Working in the arts, I know what a tremendous rarity it is that the canon of an artist’s work be
maintained and protected for future generations,” said Szyk’s great-granddaughter Danielle
Mosse, a vice president at Christie’s, the famed art auction house in New York. “Thanks to
Taube Philanthropies and The Magnes, Szyk’s legacy as an artist, champion of Polish and
Jewish life, and soldier against injustice is secured for generations to come.”
High resolution images of Szyk’s artwork presented in In Real Times. Arthur Szyk: Art &
Human Rights (1926-1951) are available for use by the media, with captions, here:
https://bit.ly/2FxFwtD
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