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Conservatory of Music
Music Composition Lessons & Seminar
Required Text:
None, spring 2020
Recommended Text/Material:
Blatter, Alfred. Instrumentation & Orchestration, 2nd ed. (required for Intro & Orchestration)
Sibelius or Finale Music Notation Software (I strongly recommend Sibelius)
Manuscript paper
Logic Software (Logic Pro X)
Grading:
Attendance, creativity, & thoughtful steady progress – 50%
Completion of work(s)/polished performance at New Music Series Recital(s) – 25%
Listening quizzes – 25%
Composing: A substantial and consistent amount of time should be devoted to composing each week.
It is recommended that you spend at least 15 hours (basement floor minimum) a week devoted solely
to composition. You should be able to show some progress at every lesson meeting. For Seminar,
you may be required to produce a certain amount of music from week to week.
Listening: You MUST actively listen to music on a regular basis with score in hand if possible. This
will likely provide you with good ideas, and help you find new ways to work on your piece. In addition
to assigned listening, you should seek out other music that interests you. Please talk to me if you
would like guidance about repertoire to study – feel free to look through my collection of CD/Scores,
online resources, and explore our library. There is no greater teacher than the music itself.
Additional Required Meeting Times: In addition to lessons (individual and group), we will meet as a studio
once a week for a seminar class. We will discuss a variety of works and composition related topics, meet
with guest composers/artists, and you will have the opportunity to present works/topics. We will also have
a number of listening requirements and drop-the-needle style listening quizzes.
Attendance Policy: Come to class… you will learn something. Your seminar grade WILL be factored into
your final composition lessons grade.
Composer Recital Policy: All composition majors must have at least one performances of their work
during each semester of study. Depending on time and requirements, students may have more than one
work performed during the semester. Composition majors MUST attend all composition recitals/events
including all composition concerts (New Music Series), Focus Festival/Guest composer/performer concerts
and lectures, and senior recitals. Attendance at additional concerts and lectures may be required or
requested throughout the semester.
Senior Recital: Recitals must include at least three works for acoustic performance that demonstrate
effective writing for a variety of ensembles. It is expected that pieces will be presented in a manner that is
“performance ready”, meaning that performance is clear of major technical errors. Composers must also
participate as a performer or conductor on at least one piece on the program.
Seminar Dates/Topics:
1/15 – X 3/4 – Class, Topic Voice/Form
1/22 – Class, Topic Voice/Form 3/11 – Spring Break
1/29 – Meeting time moved to 2/6 with the 5th 3/18 – Class, Topic Voice/Form
House Ensemble, time TBD) 3/25 – No Seminar
2/5 – Guest, Dan Visconti 4/1 – Class, Topic Voice/Form
2/6 – 5th House reading session 4/8 – Class, Topic Voice/Form
2/12 – Class, Topic Voice/Form 4/15 – Class, Topic Voice/Form
2/19 – Class, Topic Voice/Form 4/22 – Guest, James Primosch (pos move to 4/23)
2/26 – No Seminar 4/29 – Class, Topic Voice/Form
Foundational Musical Skills & Knowledge Students will develop a foundation of knowledge and skills
in music theory (written and aural), technology, keyboard, and music history through their study of music
from various historical periods, cultural contexts, and genres.
Performance Students will perform solo and ensemble repertoire with appropriate technical and
interpretive proficiency.
Musical Leadership and Civic Engagement Students will identify and pursue entrepreneurial
opportunities, demonstrate leadership, and advocate on behalf of music, as contributing members of the
artistic community.
To report Sexual Misconduct or other forms of discrimination directly and seek University resources and
response (including interim measures) please contact Nancy Gussett, Equity Resolution Coordinator at 440-
826-2122 or complete the online report form by Clicking HERE or by entering the following link into your
browser: bw.edu/incident-report-form
To seek Confidential advising and resources are also available through the following resources:
• BW Counseling and Health Services can be accessed by calling (440) 826-2180 or visiting the BW
Health Center, 207 Beech St.
• The University Chaplain can be reached by calling (440) 826-2175 or visiting the Lindsay Crossman
Chapel, 56 Seminary St.
• For on-campus Licensed Professional Athletic Trainers (please note that student trainers are
mandated to report allegations of discrimination including sexual misconduct to their licensed
supervisor) call the Head Athletic Trainer at 440- 826-8570 or visit
https://www.bwyellowjackets.com/athletics/athletic_training/staff for more information.
• The Cleveland Rape Crisis Center (CRCC) can be reached by calling or texting the Crisis and
Support Hotline at (216) 619-6192 or (440) 423-2020. For information about CRCC services on
campus Click Here or enter the following link into your
browser: https://clevelandrapecrisis.org/services/campus-services/baldwin-wallace/
Baldwin Wallace is committed to providing all students equal access to learning opportunities. Students
who have, or think they may have a disability (e.g. mental health, attentional, learning, vision, hearing,
physical or systemic) and would like to determine if they are eligible for reasonable accommodations should
contact Disability Services for Students at (440) 826-2147 or disability@bw.edu