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nature, the theme of death remains first of all an anthropological issue. It belongs to
practical philosophy, concerning human life and human behavior. The question of the
meaning of death is related to the question of what is human nature and "what" comes after
death. Such questions are strongly related to the fundamental question of philosophical
anthropology: what is the human being? The anthropological problem cannot be analyzed
thoroughly if we neglect the reality of mortality. Like all other living beings, the human being
aspires to self-preservation triggering biological defense mechanisms against death, but, at
the same time, he or she is the only living being "to be aware of death" as the inescapable
end hanging over one's own life. Human life is always planned and lived bearing death in
mind. Because of this, it is impossible to confront any anthropological problem without
taking death into account.
In biblical language, "immortality" does not refer mainly to a biological characteristic, but it
concerns mostly the dignity and uniqueness of the human being as the "image of God." In
such an image, there is something that makes "living for ever" as congenital to the human
person: immortality is God's gift received by human beings at the moment of their creation,
a kind of reflection of the imperishable divine image in them. As a consequence, sin
represents the dimming of such an image, to live no longer in accordance with it, to refuse
life and choose death. Sacred Scripture reveals a wide analogy and an explicit convergence
existing between life and divine law, between death and sin (cf. Dt 30,15-20; Prv 8,35-
36; Rom 6,21-23).
By interpreting the biblical accounts on creation, especially the one contained in the Book of
Genesis , the Church's teachings associated human death with original sin. After that sin,
men and women began to have a relationship with God that is different from the one they
had "in the beginning." The consequences of this sin they hand down to the all mankind (cf.
DH 1511-1512; Gaudium et spes, n. 13). Our ancestors, having been the subject of divine
promises, were invited to accept life as God's permanent gift and not to doubt the original
goodness of their Creator. Immunity to death depended on their behavior before God's
commandments. The first sin was an attempt to build their life in an autonomous way, trying
to behave independently from God, and forgetting that life was possible only by recognizing
it as God's gift. The price paid was the loss of immunity: "for dust thou art and unto dust
shalt thou return" (Gn 3,19). Human beings, who came from the earth, will return to the
earth with death. Death is the painful return, in the opposite direction from the act
of creation, to the earth. After original sin, all men and women are subject to the law of
death and no human effort can obtain a full victory over it. The metaphor, of Aristotelian
origin, where medicine is compared to a victorious strategist, means only its ability to heal
from certain diseases, thus putting off the moment of death. And yet, living awareness of
death (meditatio mortis) is the first step towards salvation.
However, there are contradictions and ambiguities in the concept of natural death, strictly
connected to those "naturalistic" visions of death, typical of modernity, in particular starting
from Spinoza, Schopenhauer, Hegel (cf. Sciacca 1959, pp. 51ff ) or, more recently,
commented by Heidegger and Sartre (cf. Polo 1991). The sociologist W. Fuchs (1969)
affirmed that the structures of industrial society pushed human beings to eliminate the
magic-archaic vision of death as an eternal constant factor - a vision which allowed us to
understand human mortality and the vanity of every worldly activity - by attributing more and
more importance to the concept of natural death. The latter should be considered as
"rational death," characterizing a period, such as ours, of in-depth knowledge of nature and
dominion over it. Fuchs' theory, which is very complex as regards the analysis of the social
factors that would make the image of natural death generally valid, highlights how, in the
industrial society, two kinds of instruments are at work: the instruments of dominion over
nature, which support the idea of natural death, and the instruments of violence, which
cause premature death, due to scientific as well as social progress. Because of the
preponderance of technological imperatives or of complicated research logic, the progress
of medicine, oriented towards the removal of every "non-natural" cause of death, will
produce forms of death that we cannot define as a serene decease. According to this
author, the concept of natural death represents an important acquisition of the
contemporary lay vision of human life, while Christianity, believing in the afterworld and
having an ethical resistance to develop a complete technical-biological control over nature,
would represent one of the main forces that could stop its success.
Since the technologies currently used to keep active the functions of the heart and lungs in
some patients in the "state of death" can be used also as an artificial support to those
patients who are seriously injured, this has led some people to think that death is a process
without net limits. Consequently, the declaration of death should be judged more as a
convention than as a clinical-biological fact. As if life, with methods that are still unknown,
could continue indefinitely artificially.
The uncertainties regarding the moment of death (and sometimes the skepticism about the
possibility of determining it) derive from the fact that we do not understand the difference
between clinical death and biological death, between death of the whole body, as a single
subject, and death of the body in all its parts. If "clinical death can be defined as an event
which marks the cessation of integrative action between all organ systems of the body"
(Lamb, 1985, p. 71, cf. also Collins, 1980, p. 3), by "biological death" we mean the
irreversible cessation of the "functions" of all the body organs: the latter is actually a
process that lasts in time, even after the most important organs have stopped working, and
it involves all the tissue cells and organs of the body, up until their decomposition. Since the
biomedical technology makes it now possible to prolong the functions that are typical of
certain vital organs, even in very serious clinical conditions, one might wonder: what are the
organs that are really "essential," i.e. if you lose them, the whole body will die? What is the
"moment" when it is correct to declare a patient "dead," if at the same time some individual
organs still work from a biological point of view, and they are potentially useful for
transplants? When is it morally and scientifically correct to extract organs to transplant them
in order to keep another person alive?