CAM - N2 - Texto Curso Nivel 2

Curso de Armonía Moderna
Nivel 2
daniel fedele
Editado en 2015
©2015 daniel fedele
www.cuadernodeejerciciosdearmoniamoderna.com
Nivel 2
©danielfedele2015
Plan de estudio
o Introducción
1.Plan de estudio nivel 2
o Conceptos de Armonía Funcional
2.Acordes diatónicos y sus inversiones

3.El modo menor
o Escalas
4.Escalas menores
5.Escalas pentatónicas
o Familias de Acordes
6.Acordes dominantes secundarios

7.Acordes dominantes por extensión
8.II-V-I menor
9.Patrones Armónicos
o Formas
10. Formas: Rhythm Changes

11. Formas: Blues Menor
o Análisis de Temas
12. In A Sentimental Mood
o Recursos
13. Test nivel 2

14. Temas a analizar nivel 2
15. Texto completo curso nivel 2
16. Listados Play-A-Long
17. Bibliografía
Mail de consultas:
info@cuadernodeejerciciosdearmoniamoderna.com
Curso de Armonía Moderna www.cuadernodeejerciciosdearmoniamoderna.com
Nivel 1 Nivel 2 Nivel 3 Nivel 4
Teoría de Armonía Funcional Armonía Funcional Armonía Modal Armonía

Armonía Modo Mayor Modo Menor Tonal - Modal
Escalas • Escala mayor • Escalas menores • Escalas Bebop • Escalas

• Escalas • Patrones simétricas
pentatónicas Melódicos
Familias • Diatónicos • Dominantes • Dominantes • Disminuidos

Secundarios Sustitutos
de Acordes • Dominantes por • Intercambio
Extensión Modal
Formas • Blues • Rhythm • 16 Compases • Tonal-Modal
Changes • Variaciones de
• Blues menor AABA
Análisis de • All The Things • In A Sentimental • All Of Me • Samba de Uma
You Are Mood • Temas con Nota So
Temas • Temas con • Temas con acordes de nivel • Temas con
acordes de nivel acordes de nivel 1-3 acordes de nivel
1 1-2 1-4
Recursos • Test • Test • Test • Test
• Bibliografía
copyright©danielfedele2014
www.cuadernodeejerciciosdearmoniamoderna.com Lenguaje del Jazz
Improvisación
T
é
Interpretación
c
n
i Fraseo
c F
a
Articulación o
I
n
Patrones Melódicos Progresiones Armónicas Patrones Rítmicos
r
s
t m
r
u
Escalas Acordes Ritmos Sincopados a
m
e
s
Notas Intervalos Figuras
n
t
a
l Melodía Armonía Ritmo
Bibliografía
Educación del Oído
Swing
www.cuadernodeejerciciosdearmoniamoderna.com Lenguaje del Jazz – Armonía
Análisis de Temas
Acordes Disminuidos
Intercambio Modal
M F
Dominantes Sustitutos
e Dominantes por Extensión o
l Dominantes Secundarios r
o Acordes Diatónicos
m
d Progresiones Armónicas
í Acordes a
a
Intervalos s
Escalas
Notas
Bibliografía
Educación del Oído
Lenguaje Musical
Introducción a la Armonía Moderna
Curso de Armonía Moderna - Nivel 1
Audio 1
X Una escala musical es un conjunto de sonidos ordenados de una manera específica.
   
    
X La escala mayor es la más utilizada en música occidental.
    
   
X Las escalas generan acordes.

    
        
  
X Los acordes están compuestos por intervalos.

Segunda Menor Cuarta Aumentada ("Tritono") Sexta Menor Séptima Mayor
     
  
1 semitono 3 tonos 4 tonos 5 tonos + 1 semitono
X Los intervalos tienen distintas sonoridades, desde la consonancia a la disonancia.

Quinta Séptima
Justa Cuarta Aumentada ("Tritono") Segunda Menor

Menor
 
  
  
consonancia abierta disonancia suave inestable disonancia fuerte
X La cantidad y calidad de intervalos contenidos en un acorde determinan

su sonoridad, desde mucha inestabilidad, a reposo, desde claridad, a oscuridad.
disonante, muy inestable disonante, inestable consonante, menos estable consonante, estable
 
brillante oscuro claro
  
 
 
 

 2 tritonos  1 tritono  
Copyright©DanielFedele2014
X Acordes sucesivos generan progresiones de acordes

 









 



X Los acordes se designan con un código llamado cifrado y se analizan con números romanos,
las relaciones entre sí, con corchetes y flechas.
III-7 II-7 V7 Imaj7
E-7 D-7 G7 Cmaj7
  

 

 



 



X La alternancia entre acordes estables e inestables hace que el oído perciba movimiento y pida
llegar al acorde de tónica.
E-7 D-7 semiestable G7 C

estable
 

inestable estable
 

 
 
 

 
X Los acordes dominantes contienen un intervalo de cuarta aumentada, llamado tritono, que genera tensión e inestabilidad.
X Los acordes de tónica, que contienen la triada 1-3-5, generan estabilidad y reposo.
X El movimento dominante-tónica, con su resolución de tritono, es la célula fundamental en armonía funcional.
V7 I
G7 tritono C
 
Resolución
 
Resolución

tritono
    
de tritono de tritono
 
disonancia consonancia inestable estable
X La armonía funcional clasifica los acordes con funciones tonales.

X El movimento subdominante-dominante-tónica es la expresión total del viaje sonoro.
II-7 V7 I
D-7 G7 C
  









oscuro brillante claro
semiestable inestable estable
Función tonal: subdominante dominante tónica
X La relación Escala-Acorde analiza la escala origen más consonante con cada acorde.
II-7 V7 I

D-7 dórica G7 mixolidia C mayor
        
      
X La familia de Acordes Diatónicos está compuesta exclusivamente por acordes de la escala original.
tónica subdominante tónica subdominante dominante tónica dominante
Imaj7 II-7 III-7 IVmaj7 V7 VI-7 VII-7 b5
Cmaj7 D-7 E-7

Fmaj7

G7

 
A-7
 
B-7b5


 
 

 
 

 
 
 

  
X Para ampliar la paleta de colores sonoros se utilizan familias de acordes relacionados

en mayor o menor medida con la tonalidad original.
X La familia de Acordes Dominantes Secundarios resuelve en acordes diatónicos.
V7/II-7 II-7


A7 dominante secundario D-7


G7

 
C
 
   
 

Resolución de tritono
X La familia de Acordes Dominantes por Extensión resuelve a su vez en otros acordes dominantes.
V7/V V7/V


A7 D7
 
 

G7 C

 
   
 

Resolución de tritono Resolución de tritono
X La familia de Acordes Dominantes Sustitutos , de resolución cromática descendente, contienen
el tritono del acorde al que sustituyen.
sub V7/II sub V7/I
 
Eb7 (A7) D-7 Db7 (G7) C
 
  
    
  
 

X La familia de Acordes de Intercambio Modal se toma prestada de modos paralelos.

ÏIImaj7 II-7 b5 V7#9
 
Ebmaj7 D-7b5 G7#9 C
   
 
  
  
 

Menor Natural (eólico) / Dórico Menor melódico Mayor
X La familia de Acordes Disminuidos , construidos con dos tritonos, se utilizan como

dominantes o disminuidos de paso.
ÏIº7
D-7 Dbº7 C
 
  
 

tritonos
   
X Las Progresiones Armónicas , compuestas por las diferentes Familias de Acordes , se

agrupan en números determinados de compases llamados Formas.
Formas
X Analizar un tema significa determinar qué Familias de Acordes conforman las

Progresiones Armónicas contenidas en su Forma.
Forma
Acordes Triada Diatónicos y sus Inversiones
Inverted Diatonic Triads
I 1 inv 2 inv II- III- IV V VI- VII º
  
  
C C C/E C/G D- D-/F D-/A E- E-/G E-/B F F/A F/C G G/B G/D A- A-/C A-/E Bº Bº/D Bº/F
       
         
  

  

           


Db Db Db/F Db/Ab Eb- Eb-/Gb
Eb-/Bb F- F-/Ab F-/C Gb Gb/Bb Gb/Db Ab Ab/C Ab/Eb Bb- Bb-/Db Bb-/F Cº Cº/Eb Cº/Gb
            
 
                 
  
       
     
D D D/F# D/A
   
   
 
E- E-/G E-/B F#- F#-/A F#-/C# G G/B G/D  A A/C# A/E B- B-/D B-/F# C#º C#º/E C#º/G

     
            
  
         

F- F-/Ab F-/C G- G-/Bb G-/D

Eb

Eb Eb/G Eb/Bb
  

            Ab Ab/C Ab/Eb Bb Bb/D Bb/F C- C-/Eb C-/G Dº Dº/F Dº/Ab
    
 
     
     
   
          
      
E

  
E E/G# E/B
   

F#- F#-/A F#-/C# G#-G#-/BG#-/D#
  
A A/C# A/E B B/D# B/F# C#- C#-/EC#-/G# D#ºD#º/F# D#º/A
 
                       
     
F F F/A F/C G- G-/Bb  G-/D
     A- A-/C A-/E Bb Bb/D Bb/F        
C C/E C/G D- D-/F D-/A Eº Eº/G Eº/Bb

            
               
Gb
    
Gb Gb/Bb Gb/Db Ab- Ab-/Cb Ab-/Eb Bb- Bb-/Db Bb-/F B B/Eb B/Gb
            
Db Db/F Db/Ab Eb- Eb-/Gb Eb-/Bb Fº Fº/Ab Fº/B
 
     
 
                         
     
G
   A- A-/C A-/E B- B-/D B-/F#
G G/B G/D

C C/E C/G
  
  
D D/F# D/A E- E-/G E-/B F#º F#º/A F#º/C
   
               
              
Eb Eb/G Eb/Bb F- F-/Ab F-/C Gº Gº/Bb Gº/Db
Ab Ab Ab/C Ab/Eb Bb- Bb-/Db Bb-/F C- C-/Eb C-/G Db Db/F Db/Ab
      
          
                             
    
A A A/C# A/E B- B-/D B-/F# C#- C#-/E C#-/G# D D/F# D/A
    
        
E E/G# E/B F#- F#-/A F#-/C# G#ºG#º/B G#º/D
                      

     
Bb Bb Bb/D Bb/F C- C-/Eb C-/G D- D-/F D-/A Eb Eb/G Eb/Bb F F/A F/C G- G-/Bb G-/D
 Aº Aº/C Aº/Eb
     
  
 
                          
   
B
     
B B/D# B/F# C#- C#-/E C#-/G# D#- D#-/F# D#-/A# E E/G# E/B
      A#º A#º/C# A#º/E
F# F#/A# F#/C# G#- G#-/B G#-/D#
  
                      
     
Acordes Triada Diatónicos y sus Inversiones
I 1 inv 2 inv II- III- IV V VI- VII º
  
  
C
   
C C/E C/G D- D-/F D-/A E- E-/G E-/B F F/A F/C G G/B G/D A- A-/C A-/E Bº Bº/D Bº/F
       
      
     

Db

D

Eb

E

F

Gb

G

Ab

A

Bb

B

Progresiones Armónicas Diatónicas con Acordes Triada En Distintas Inversiones
Diatonic Harmonic Progressions with Inverted Triads
IV VIIº III- VI- II- V I
f: posición fundamental - 1a: primera inversión - 2a: segunda inversión
F Bº E- A- D- G C
C

f
  
  
2a 1a f
2a 1a f 1a f 2a 1a f 2a 1a 2a 1a f 2a 1a

f 2a

       
                
    
Gb Cº F- Bb- Eb-  Ab
 Db
         
Db
      
       
      
     
              
D G C#º F#- B- E- 
A 
      
D

  

              
   
    
Eb Ab Dº G- C- F- Bb Eb
       
               
       
 
     
      
    
E A D#º G#- C#- F#- B E
  
 
     

             
     
   
F Bb Eº A- D- G- C F

                       
   
       
F# B Fº A#- D#-G#- C# F#
          

                    
 
G C F#º B- E- A- D G
         
   
                      
     
 
Ab Db Gº C- F- Bb- Eb Ab
         
    
              
                         
 
A D G#º C#- F#- B- E A
        

                        
      
 
Bb Eb Aº D- G- C- F Bb
     
    
     
                  
     
     
B E A#º D#- G#- C#- F# B
          
   
                    
      
 
Progresiones Armónicas Diatónicas con Acordes Triada en Distintas Inversiones
IV VIIº III- VI- II- V I f: posición fundamental - 1a: primera inversión - 2a: segunda inversión
F Bº E- A- D- G C
C
      
f 2a 1a f 2a 1a f 1a f 2a 1a f 2a 1a 2a 1a f 2a 1a f 2a


                 
    
Db

D

Eb

E

F

F#

G

Ab

A

Bb

B

Armonización De Notas Con Acordes Triada Diatónicos
Harmonization Of Notes with Diatonic Triads
1 C mayor I VI- IV II- VIIº
        
C


A-


F

 
D-
 
Bº

    
V III- I VI- IV II- VII º V
G

E-

C


A-

 
F
 
D-

Bº

 
G


 
      
III- I VI- IV II- VII º V III-

E- C A- F D- Bº G E-

 
 
 
 
 
 
 


      
I VI- IV II- VIIº
      D#-
2 F# Mayor F# B G#- Fº
 
       
 
  
  
  

C# A#- F# D#- B G#- Fº C#
       
 
 
 
 
 
  
A#- F# D#- B G#- Fº 
C# 
A#-


 

 







 
  
  

I VI- IV II- VII º
3 B Mayor B G#- E C#- A#º
     
 
 
 

     

    
   
F# D#- B G#- E C#- A#º F#


 




 

 
 
 
 


  
D#-
 
B G#- E C#- A#º F# D#-
    
 




  

 
 
 

I VI- IV II- VII º
4 Db Mayor
          
Db Bb- Gb Eb- Cº
        
 
 
 
 

       Cº

Ab F- Db Bb- Gb Eb- Ab
 

 
  
 
 
  
 

 


III- I VI- IV II- VIIº V III-
F- Db Bb- Gb Eb- Cº Ab F-
    
     

 
 
  
  
  
 

Armonización De Notas Con Acordes Triada Diatónicos
1 C mayor I VI- IV II- VII º
     
C

A-

F

D-

Bº
   
V III- I VI- IV II- VII V

G

E-

C A-
 
F

D-

Bº 
G

  
E- C A- F D- Bº G E-
    
        
2 F# Mayor
        
       
       
3 B Mayor
           
    
       
       
4 Db Mayor
     
       
      

       
Acordes Cuatriada Diatónicos y sus Inversiones 1/2
Inverted Seventh Chords
Imaj7 1ª 2ª 3ª II-7 III-7 IVmaj7
C
   
    
Cmaj7 Cmaj7/E Cmaj7/G Cmaj7/B D-7 D-7/F D-7/A D-7/C E-7 E-7/G E-7/B E-7/D Fmaj7 Fmaj7/A Fmaj7/C Fmaj7/E
      

 
   

    
V7 VI-7 VII- 7(b5)
    

G7 G7/B G7/D G7/F A-7 A-7/C A-7/E A-7/G B-7(b5) B-7(b5)/D B-7(b5)/F B-7(b5)/A
 

     
    

Db
              
Dbmaj7 Dbmaj7/F Dbmaj7/Ab Dbmaj7/C Eb-7 Eb-7/Gb Eb-7/Bb Eb-7/Db F-7 F-7/Ab F-7/C F-7/Eb Gbmaj7 Gbmaj7/Bb Gbmaj7/Db
Gbmaj7/F
  

               

V7 VI-7 VII- 7(b5)
          


Ab7 Ab7/C Ab7/Eb Ab7/Gb Bb-7 Bb-7/Db Bb-7/F Bb-7/Ab C-7(b5) C-7(b5)/Eb C-7(b5)/Gb C-7(b5)/Bb
   

           
1ª 2ª 3ª
 
Imaj7 II-7 III-7 IVmaj7
D
 
          
Dmaj7 Dmaj7/F# Dmaj7/A Dmaj7/C# E-7 E-7/G E-7/B E-7/D F#-7 F#-7/A F#-7/C# F#-7/E Gmaj7 Gmaj7/B Gmaj7/D Gmaj7/F#
    

   
  
V7 VI-7 VII- 7(b5)
A7

A7/C# A7/E
 
A7/G B-7 B-7/D
  
B-7/F# B-7/A C#-7(b5) C#-7(b5)/E C#-7(b5)/G C#-7(b5)/B
  
          
 
Eb
         
Ebmaj7 Ebmaj7/G Ebmaj7/Bb Ebmaj7/D F-7 F-7/Ab F-7/C F-7/Eb G-7 G-7/Bb G-7/D G-7/F Abmaj7 Abmaj7/C Abmaj7/Eb Abmaj7/G
     
   


 



    
V7 VI-7 VII- 7(b5)
Bb7 Bb7/D
 
Bb7/F Bb7/Ab C-7 C-7/Eb C-7/G
   C-7/Bb
 
D-7(b5) D-7(b5)/F D-7(b5)/Ab D-7(b5)/C
             

  
E
             
Emaj7 Emaj7/G# Emaj7/B Emaj7/D# F#-7 F#-7/A F#-7/C# F#-7/E G#-7 G#-7/B G#-7/D# G#-7/F# Amaj7 Amaj7/C# Amaj7/E Amaj7/G#
   
                
V7 VI-7 VII-7(b5)

        
B7 B7/D# B7/F# B7/A C#-7 C#-7/E C#-7/G# C#-7/B D#-7(b5) D#-7(b5)/F# D#-7(b5)/A D#-7(b5)/C#
          

   
F
   
   
Fmaj7 Fmaj7/A Fmaj7/C Fmaj7/E G-7 G-7/Bb G-7/D G-7/F A-7 A-7/C A-7/E A-7/G Bbmaj7 Bbmaj7/D Bbmaj7/F Bbmaj7/A
   
    
 
       
   
V7 VI-7 VII-7(b5)
   
  
C7 C7/E C7/G C7/Bb D-7 D-7/F D-7/A D-7/C E-7(b5) E-7(b5)/G E-7(b5)/Bb E-7(b5)/D
      

    
  
F#
               
F#maj7 F#maj7/A# F#maj7/C# F#maj7/F G#-7 G#-7/B G#-7/D# G#-7/F# A#-7 A#-7/C# A#-7/F A#-7/G# Bmaj7 Bmaj7/D# Bmaj7/F# Bmaj7/A#
             

     
VII-7(b5)
 D#-7/C# F-7(b5) F-7(b5)/G# F-7(b5)/B F-7(b5)/D#
V7 VI-7
             

C#7 C#7/F C#7/G# C#7/B D#-7 D#-7/F# D#-7/A#
      

    

G

Gmaj7

Gmaj7/B Gmaj7/D Gmaj7/F#

A-7

A-7/C A-7/E
 
A-7/G B-7 B-7/D
  
B-7/F# B-7/A Cmaj7 Cmaj7/E Cmaj7/G
Cmaj7/B
  

          
 
VII-7(b5)

V7 VI-7
    
      
D7 D7/F# D7/A D7/C E-7 E-7/G E-7/B E-7/D F#-7(b5) F#-7(b5)/A F#-7(b5)/C F#-7(b5)/E
 
       
Ab Abmaj7 Abmaj7/C Abmaj7/Eb Abmaj7/G Bb-7 Bb-7/Db Bb-7/F

Bb-7/Ab C-7 C-7/Eb
C-7/G C-7/Bb
  Dbmaj7/C
Dbmaj7 Dbmaj7/F Dbmaj7/Ab
        

  
  
 
   


 
 

 

 
V7 VI-7 VII-7(b5)
      

Eb7 Eb7/G Eb7/Bb Eb7/Db F-7 F-7/Ab F-7/C F-7/Eb G-7(b5) G-7(b5)/Bb G-7(b5)/Db G-7(b5)/F
   
    
 

 

 

 
A
    
Amaj7 Amaj7/C# Amaj7/E Amaj7/G# B-7 B-7/D B-7/F# B-7/A C#-7 C#-7/E C#-7/G# C#-7/B Dmaj7 Dmaj7/F# Dmaj7/A Dmaj7/C#
     
           
         
V7 VI-7 VII-7(b5)
        

E7 E7/G# E7/B E7/D F#-7 F#-7/A F#-7/C# F#-7/E G#-7(b5) G#-7(b5)/B G#-7(b5)/D G#-7(b5)/F#
  


         


 

Bb
    
  
Bbmaj7 Bbmaj7/D Bbmaj7/F Bbmaj7/A C-7 C-7/Eb C-7/G C-7/Bb D-7 D-7/F D-7/A D-7/C Ebmaj7 Ebmaj7/G Ebmaj7/Bb Ebmaj7/D
              

   
   
V7 VI-7 VII-7(b5)
      

G-7 G-7/Bb G-7/D G-7/F A-7(b5) A-7(b5)/C A-7(b5)/Eb A-7(b5)/G
  
F7 F7/A F7/C F7/Eb
  
      
 
 

B
               
Bmaj7 Bmaj7/D# Bmaj7/F# Bmaj7/A# C#-7 C#-7/E C#-7/G# C#-7/B D#-7 D#-7/F# D#-7/A# D#-7/C# Emaj7 Emaj7/G# Emaj7/B
Emaj7/D#
    
          

V7 VI-7 VII-7(b5)
       
G#-7 G#-7/B G#-7/D# G#-7/F# A#-7(b5) A#-7(b5)/C# A#-7(b5)/E A#-7(b5)/G#
  

F#7 F#7/A# F#7/C# F#7/E

     
     

  


C Cmaj7 Cmaj7/E Cmaj7/G
 Cmaj7/B D-7 D-7/F D-7/A D-7/C E-7 E-7/G E-7/B E-7/D Fmaj7 Fmaj7/A Fmaj7/C Fmaj7/E

 
   
 
V7 VI-7 VII- 7(b5)
G7 G7/B G7/D G7/F A-7 A-7/C A-7/E A-7/G B-7(b5) B-7(b5)/D B-7(b5)/F B-7(b5)/A
Db

Eb

E

F

F#

Ab

A
Bb

B


Armonización De Notas Con Acordes Cuatriada Diatónicos
Harmonization Of Notes with Diatonic Seventh Chords
1 C mayor
Análisis: I6 VI-7 IVmaj7 II-7
C6 A-7 Fmaj7 D-7
            
Cifrado:

 
 
 


II-7 VIIØ V7 III-7 III-7 Imaj7 VI-7 IVmaj7

D-7
 
BØ

G7

E-7
 
E-7 
Cmaj7
 
A-7 
Fmaj7

 
 
 

   
 


IV6 II-7 VIIØ V7 V7 III-7 Imaj7 VI-7

F6

D-7

BØ

G7

G7 
E-7
 
Cmaj7 
A-7

 
 
 

   
 


VI-7 IVmaj7 II-7 VIIØ VIIØ V7 III-7 Imaj7
A-7 Fmaj7 D-7 BØ BØ G7 E-7 Cmaj7
       

 
 
 

 
 
 
 


I6 VI-7 IVmaj7 II-7
2 Eb mayor
  
  
C-7
 
Abmaj7

F-7
       
Eb6
 
 
 


       
  
F-7 DØ Bb7 G-7 G-7 Ebmaj7 C-7 Abmaj7
    
  
 

   
  
 


Ab6 F-7 DØ Bb7 Bb7 G-7 Ebmaj7 C-7
        
 
  


 
 
 

 
   

C-7

Abmaj7
 
F-7

DØ
DØ
 
Bb7

G-7

Ebmaj7

  
 
 

 
 
 
 


I6 VI-7 IVmaj7
     
3 A mayor II-7
      A6

F#-7 Dmaj7

B-7
 
  
  
 



   

B-7 G#Ø E7 C#-7 C#-7 Amaj7 F#-7 Dmaj7
      

 
 
  

 
   

      
  
D6 B-7 G#Ø E7 E7 C#-7 Amaj7 F#-7

 
 
 

   
  
 


 
F#-7
 

Dmaj7
  B-7

 G#Ø
  G#Ø
 
E7
  
 
C#-7


Amaj7

  
 
 
   

Armonización De Notas Con Acordes Cuatriada Diatónicos
1 C mayor Análisis:
            
Cifrado:
       
       
       
2 Eb mayor
    
       
       
       
       
      
3 A mayor
   
  
  
    
       
       
Progresiones Armónicas Diatónicas Con Acordes Cuatriada 1/2
Diatonic Harmonic Progressions With Seventh Chords
Función Tonal: Subdominante Dominante Tónica Tónica subdominante Dominante Tónica
Análisis: IVmaj7 VII-7b5 III-7 VI-7 II-7 V7 Imaj7
Cifrado: Fmaj7 B-7b5 E-7 A-7 D-7 G7 Cmaj7
C       
     

 


     
 
IVmaj7 VII-7b5 III-7 VI-7 II-7 V7 Imaj7
Db Gbmaj7 C-7b5 F-7 Bb-7 Eb-7 Ab7 Dbmaj7
  
        
    



 
D

IVmaj7 VII-7b5

III-7


VI-7 II-7
 
V7

Imaj7
Gmaj7 C#-7b5 F#-7 B-7 E-7 A7 Dmaj7
     
     
 



 
Eb

IVmaj7

VII-7b5

III-7 VI-7
 
II-7

V7

Imaj7

Abmaj7 D-7b5 G-7 C-7 F-7 Bb7 Ebmaj7

    
       
  


  
E
IVmaj7

VII-7b5

III-7

VI-7

II-7

V7

Imaj7
Amaj7 D#-7b5 G#-7 C#-7 F#-7 B7 Emaj7
    
 
      


  
 
F

IVmaj7

VII-7b5

III-7

VI-7

II-7

V7

Imaj7
 Bbmaj7 E-7b5

A-7

D-7 G-7 C7 Fmaj7
 
   
   



     

 
Progresiones Armónicas Diatónicas con acordes cuatriada 2/2

Gb
        
Bmaj7 F-7b5 Bb-7 Eb-7 Ab-7 Db7 Gbmaj7
       


 
 
IVmaj7

VII-7b5

III-7

VI-7

II-7

V7

Imaj7
G

Cmaj7
  
F#-7b5
 
B-7 E-7 A-7 D7 Gmaj7
  
  




 


IVmaj7

VII-7b5 III-7

VI-7
 
II-7

V7

Imaj7
Ab Dbmaj7 G-7b5 C-7 F-7 Bb-7 Eb7 Abmaj7
    


   
    


 

   
   
A
Dmaj7 G#-7b5 C#-7 F#-7 B-7 E7 Amaj7
   
         


  

   
   
Bb Ebmaj7 A-7b5 D-7 G-7 C-7 F7 Bbmaj7
  
    
 


   



 
   
   
B Emaj7 A#-7b5 D#-7 G#-7 C#-7 F#7 Bmaj7
   
      



  
   
   
Progresiones Armónicas Diatónicas Con Acordes Cuatriada 1/2
función tonal:
análisis: IVmaj7 Imaj7
C cifrado:
 
  



    
  
Db
 
 
Eb
 
 
 
Progresiones Armónicas Diatónicas con acordes cuatriada 2/2
Gb




Ab




Bb




El Modo Menor
Minor Key Harmony
 Escala Mayor
 Modo Eólico - Escala Menor Natural
1 2 b3 4 5 b6 b7 8
   
  
        

C 
A
1 2 3 4 5 6 7 8
 C Mayor A Menor Natural (Eólica)

 

         
     
C Mayor  C Menor Natural (Eólica)
   

        
       
1 2 3 4 5 6 7 8 1 2 b3 4 5 b6 b7 8
color claro color oscuro
 C Mayor
Análisis: Imaj7 II-7 III-7 IVmaj7 V7 VI-7 VII-7 b5
Cifrado: Cmaj7 D-7 E-7

Fmaj7

G7
 
A-7

B-7(b5)

        
 
 C Menor Natural (Eólica)
Análisis: I-7 II-7b5 bIIImaj7 IV-7 V-7 bVImaj7 bVII7
Cifrado: C-7 D-7b5 Ebmaj7 F-7 G-7
 
Abmaj7  Bb7

       
      
  
Escalas Artificiales
 C Menor Armónica  C Menor Melódica
 
            
     
1 2 b3 4 5 b6 7 8 1 2 b3 4 5 6 7 8
1t+1st
El Modo Menor
Minor Key Harmony
 Escala Mayor
 Modo Eólico - Escala Menor Natural
1 2 b3 4 5 b6 b7 8
   
  
        

C 
A
1 2 3 4 5 6 7 8
 C Mayor A Menor Natural (Eólica)

 

     
  
C Mayor  C Menor Natural (Eólica)
 

    
    
Fórmula: 1 2 3 4 5 6 7 8
color claro color oscuro
 C Mayor
Análisis: Imaj7 II-7 III-7 IVmaj7 V7 VI-7 VII-7 b5
Cifrado: Cmaj7 D-7 E-7

Fmaj7

G7
 
A-7

B-7(b5)

        
 
 C Menor Natural (Eólica)
Análisis:
Cifrado: C-7 D-7b5 Ebmaj7 F-7 G-7 Abmaj7 Bb7
 
Escalas Artificiales
 C Menor Armónica  C Menor Melódica
    

Fórmula:
1t+1st
Acordes y Modos de las Escalas Menores
Chords and Modes of the Minor Scales
I II III IV V VI VII
Dórica I-7/I-6 II-7 bIIImaj7 IV7 V-7 VI-7b5 bVIImaj7

Dórica Frigia Lidia Mixolidia Eolia Locria Jónica
Intercambio Lidia b7 Lidia
Modal
Frigia I-7 bIImaj7 bIII7 IV-7 V-7b5 bVImaj7 bVII-7

Frigia Lidia Mixolidia Eolia Locria Jónica Dórica
Intercambio Lidia
Modal
Eólica
(menor natural)
I-7 II-7b5 bIIImaj7 IV-7/IV-6 V-7 bVImaj7 bVII7
Eolia Locria Jónica Dórica Frigia Lidia Mixolidia
Intercambio Eolia Locria ª2 Lidia Dórica/M.Mel. dórica Lidia Lidia b7
Modal
Menor I-maj7 II-7b5 bIIImaj7#5 IV-7 V7b9b13 bVImaj7 VII0

Armónica
Menor Armónica Locria ª6 Jónica#5 Dórica#4 Mixolidiab9b13 Lidia #2 Alteradabb7
Intercambio Menor Armónica Locria ª2 Mixolidiab9b13
Modal
Menor I-maj7 / I-6 II-7 bIIImaj7#5 IV7#11 V7b13 VI-7b5 VII-7b5

Melódica
Menor melódica Frigia ª6 Lidia Lidia b7 Mixolidiab13 Locriaª2 Alterada
Aumentada ( Dórica Alterada )
Intercambio Menor melódica Lidia Locria ª2

Modal Aumentada ( Dórica Alterada)
Opciones de Menor Armónica Menor Armónica Dórica Menor melódica

Menor melódica Menor melódica Eólica Dórica
Escalas
Dórica
Menores Eólica
Acorde I- I-maj7 I-7 I-6
©Danielfedele2013
Dórica
Intercambio
Modal
Frigia
Intercambio
Modal
Eólica
(menor natural)
Intercambio
Modal
Menor
Armónica
Intercambio
Modal
Menor
Melódica
Intercambio
Modal
Opciones de
Escalas
Menores
Tónica
©Danielfedele2013
I-
I Maj7 I-
I- V7/IV
IV- II-7b5 V7/I-
I- I- II- V7/ I maj7
I Maj7 II-7b5 V7/I- I- V7/I-

II-7 V7
Imaj7 IVmaj7
II-7b5 V7 I-
II- V7/II II-7 V7/IV
V7
IVmaj7
I-
I-
Imaj7
I-
I- IV-
II-7b5 V7/I I-
II- V7 Imaj7
II-7b5 V7/I-
I-7
Imaj7
I-7b6
I-7
IMaj7
IMaj7
I-7
I-7
I-7 II-7 V7 I Maj7 II-7b5V7/I-7 I-7
V7/I-7 I-7b6
II-7 V7 I Maj7 II-7 V7/I- I-7

I Maj7
IV-7
IV-7 bVI Maj7 V-7 IV-7 V7 I-7
I-7 II-7 V7/I I Maj7 II-7b5 V7/I- I-7 V7/I-
II-7 V7/I I Maj7 II-7 V7/I-

I-7b6 Eolica (menor natural) I Maj7
I-7 IV-7
IV-7 bVI Maj7 V-7 IV-7 V7/I- I-7

I-6
I-6
II-7b5 V7/I- I-
II-7b5 V7/I- I-
II-7b5 V7
I Maj7 II-7b5 V7/I-

Modo Menor - Escalas Menores
Curso de Armonía Moderna - nivel 2 Minor Harmony - Minor Scales
Escala dórica
1 Escala menor melódica 2 (Modo II de bb Mayor)

             
  
    
3 Escala menor natural (eólica)

(Modo VI de eb Mayor) 4 Escala menor armónica
        
       
  
   
5 Escala Frigia (Modo III de Ab Mayor) 6 Escala pentatónica menor ("de blues")
       
           
    
a evitar
Escalas Menores Minor Scales
Escala mayor Escalas Menores
C 2 3 6 C- 2 Tetracordo Distinto

        
1 Tetracordo Comun
genera tres modos menores Escala dórica

(Modo II de bb Mayor)
2 D dórico 1
         
C- C-6 C-7
    
   
a evitar

a evitar
Tetracordo Menor Tetracordo Menor
3

E Frigio
       
1 2 b3 4 5 6 b7 8
Escala menor natural (eólica)
6 A eólico
(Modo VI de eb Mayor)
2

C- C-7
          
        
Tetracordo Menor Tetracordo Frigio
1 2 b3 4 5 b6 b7 8
Escala menor armónica

C- C-maj7
3
        

  
1 tono y medio
Tetracordo Menor Tetracordo Armónico
1 2 b3 4 5 b6 7 8
Escala menor melódica

C- C-6 C-maj7 4
  
       
Tetracordo Menor Tetracordo Mayor
1 2 b3 4 5 6 7 8
C- C-6 C-7 C-maj7
       

 Otras escalas menores

Escala Frigia (Modo III de Ab Mayor)
C- C-7
      
 
a evitar
Escala pentatónica menor ("de blues")

C- C-6 C-7 C-maj7
   
   

Cliché
C- C-maj7 C-7 C-6
        


Modo Menor - Opciones de Escalas para Acordes Menores
Scale Options for Minor Chords
Curso de Armonía Moderna - nivel 2
Opciones de Escalas
Escala pentatónica menor ("de blues") Escala pentatónica menor ("de blues") Escala pentatónica menor ("de blues") Escala pentatónica menor ("de blues")
       
6         
      
      
  
Escala Frigia (Modo III de Ab Mayor) Escala Frigia (Modo III de Ab Mayor)
5       
       
a evitar a evitar
Escala menor melódica Escala menor melódica Escala menor melódica

4              
       
Escala menor armónica Escala menor armónica
3      
   
  
  
Escala menor natural (eólica) Escala menor natural (eólica)
(Modo VI de eb Mayor) (Modo VI de eb Mayor)
2      
     
 
  
Escala dórica Escala dórica Escala dórica
(Modo II de bb Mayor) (Modo II de bb Mayor) (Modo II de bb Mayor)
1     
     
    

        
Acordes Menores
C- C-maj7 C-7 C-6

  

 


  


 



Chords and Modes of the Minor Scales
Dórica I-7/I-6 II-7 bIIImaj7 IV7 V-7 VI-7b5 bVIImaj7

Dórica Frigia Lidia Mixolidia Eolia Locria Jónica
Intercambio Lidia b7 Lidia
Modal
Frigia I-7 bIImaj7 bIII7 IV-7 V-7b5 bVImaj7 bVII-7

Frigia Lidia Mixolidia Eolia Locria Jónica Dórica
Intercambio Lidia
Modal
Eólica
(menor natural)
I-7 II-7b5 bIIImaj7 IV-7/IV-6 V-7 bVImaj7 bVII7
Eolia Locria Jónica Dórica Frigia Lidia Mixolidia
Intercambio Eolia Locria ª2 Lidia Dórica/M.Mel. dórica Lidia Lidia b7
Modal
Menor I-maj7 II-7b5 bIIImaj7#5 IV-7 V7b9b13 bVImaj7 VII0

Armónica
Menor Armónica Locria ª6 Jónica#5 Dórica#4 Mixolidiab9b13 Lidia #2 Alteradabb7
Intercambio Menor Armónica Locria ª2 Mixolidiab9b13
Modal
Menor I-maj7 / I-6 II-7 bIIImaj7#5 IV7#11 V7b13 VI-7b5 VII-7b5

Melódica
Menor melódica Frigia ª6 Lidia Lidia b7 Mixolidiab13 Locriaª2 Alterada
Aumentada ( Dórica Alterada )
Intercambio Menor melódica Lidia Locria ª2

Modal Aumentada ( Dórica Alterada)
Opciones de Menor Armónica Menor Armónica Dórica Menor melódica

Menor melódica Menor melódica Eólica Dórica
Escalas
Dórica
Menores Eólica
©Danielfedele2013
Los Modos De La Escala Menor Melódica en C
The Modes of the Melodic Minor Scale In C
Audio Escala
C Menor Melódica I
    
   

C-maj7
 


C Menor Melódica II
      
 
C-6
  


C Frigia §6
      
 
C-7
  



C Lidia Aumentada
      
 
Cmaj7(#5)
 



2
C Lidia b7
      
 
 
C7(#11)



C Mixolidia b13
     
  
C7b13
 



C Locria §2 (Dórica Alterada)

     
  
C-7b5
  



C Alterada (Diminished Whole Tone)

    
     
C7alt
  



Escalas Menores Melódicas Melodic Minor Scales

Escala C-maj7 Acorde cuatriada Tensiones
 
        
C
  
   
t s t t t t s

1 b3 5 7 T9 T11 T13
 
1 2 b3 4 5 6 7 8
F
       F-maj7
  
      
Bb Bb-maj7
  
          
      


  
Eb-maj7
 
  
      
Eb
  
  
Ab
         
Ab-maj7
 
        
   
Db-maj7
   
        
Db
 
  
    
Gb-maj7
   
   
Gb
         
 
B B-maj7
              
 

E-maj7
  
          
E
  
  
A-maj7
     
A
    
     
D-maj7
  
         
D
   
G-maj7
  
  
    
G
      
Escalas Menores Melódicas
C Escala C-maj7 Acorde cuatriada Tensiones

1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
F

Bb

Eb

Ab

Db

Gb

B

E

A

D

G

Los Modos de la Escala Menor Melódica
The Modes of the Melodic Minor Scale
Escala Acorde Cuatriada Tensiones
C Menor Melódica I C-maj7
  
              
1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
 C-6
 
               
1 2 b3 4 5 6 7 8 1 b3 5 6 T7 T9 T11
D Frigia §6 D-7
  
         
    
1 b2 b3 4 5 6 b7 8 1 b3 5 b7 db2 T11 d6
Eb Lidia Aumentada Ebmaj7(#5)
 
    
          
1 2 3 #4 #5 6 7 8 1 3 #5 7 T9 T#11 d6
F Lidia b7  
    
F7(#11)
   
       
1 2 3 #4 5 6 b7 8 1 3 5 b7 T9 T#11 T13
G Mixolidia b13 G7b13

  
           
   
1 2 3 4 5 b6 b7 8 1 3 5 b7 T9 d4 Tb13
A Locria §2 [dorica alterada]
  
 
A-7b5
         
   
1 2 b3 4 b5 b6 b7 8 1 b3 b5 b7 T9 T11 Tb13
B Alterada
    B7 alt  
  
        
1 b2 #2 3 #4 #5(b13 b7 8 1 3 #5 b7 Tb9 T#9 T#11 Tb13
Los Modos de la Escala Menor Melódica
C Menor Melódica I C-maj7

1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
 C Menor Melódica II C-6

D Frigia §6
Eb Lidia Aumentada
F Lidia b7

G Mixolidia b13
A Locria §2 [dorica alterada]
B Alterada

Los Modos De La Escala Menor Melódica en C
The Modes of the Melodic Minor Scale In C
C-maj7
 

C Menor Melódica I
       
        
1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
 C-6
 
              
  
1 2 b3 4 5 6 7 8 1 b3 5 6 T7 T9 T11
C Frigia §6 C-7
 

               
1 b2 b3 4 5 6 b7 8 1 b3 5 b7 db2 T11 d6
C Lidia Aumentada Cmaj7(#5)

  
              
  
1 2 3 #4 #5 6 7 8 1 3 #5 7 T9 T#11 d6
C Lidia b7
C7(#11)
  
           
    
1 2 3 #4 5 6 b7 8 1 3 5 b7 T9 T#11 T13
C Mixolidia b13
 
C7b13

                
1 2 3 4 5 b6 b7 8 1 3 5 b7 T9 d4 Tb13
C Locria §2 [dorica alterada]

 
C-7b5
          
    
     
1 2 b3 4 b5 b6 b7 8 1 b3 b5 b7 T9 T11 Tb13
    
C Alterada C7 alt
                 
 
1 b2 #2 3 b5 #5-b13 b7 8 1 3 #5 b7 Tb9 T#9 T#11 Tb13
Los Modos de la Escala Menor Melódica en C
ESCALA ACORDE CUATRIADA TENSIONES
C menor melódica I

 C menor melódica II
C frigia §6
C lidia aumentada
C lidia b7
C mixolidia b13
C locria §2 [dorica alterada]
C alterada

Escalas Lidias aumentadas Lydian Augmented Scales

Escala Cmaj7(#11) Acorde cuatriada Tensiones
 
C
              
t t t t s t s #5

1 3 7 T9 T#11 T13
#4 #5

1 2 3 6 7 8
F
   
Fmaj7(#11)
 
         

Bb Bbmaj7(#11)
 
            
      
 
Eb
   
Ebmaj7(#11)
  
        
 
  
Ab
      
Abmaj7(#11)
 
     
Db

Dbmaj7(#11)
  
        
     
F#
  
F#maj7(#11)    
             

B Bmaj7(#11)
  
             
 
E
 
Emaj7(#11)
    
             
A       
Amaj7(#11)
    
        
D Dmaj7(#11)
  
  
                

G
   
Gmaj7(#11)
  
           
Escalas Lidias Aumentadas Lydian Augmented Scales
Tensiones
 
C Escala Cmaj7(#11) Acorde cuatriada
          
 
 t  t t t s t s  
1 2 3 #4 #5 6 7 8 1 3 #5 7 T9 T#11 T13
F

Bb

Eb

Ab

Db

F#

B

E

A

D

G

Escalas Lidias b7 Lydian Dominant Scales

Escala C7(#11) Acorde cuatriada Tensiones
 
C
            

t t t s t s t  
#4 b7 8 1 3 5 b7

1 2 3 5 6 T9 T#11 T13
   F7(#11)
   
 
F

        
Bb Bb7(#11)
 
            
      
 
Eb
     Eb7(#11)
        
      

 
      Ab7(#11)
     
 

Ab
      
Db
   
Db7(#11)
  
              
  

F#
      
F#7(#11)
   
       

 
B B7(#11)
              
 
E
 
E7(#11)
    
              

    
A7(#11)
  
A
          
 
D7(#11)
  
 
D
            

G
   
G7(#11)
  
          
Escalas Lidias b7
Escala Acorde cuatriada

Tensiones
 
C C7(#11)
               
 
t t t s t s t
1 2 3 #4 5 6 b7 8 1 3 5 b7 T9 T#11 T13
F

Bb

Eb

Ab

Db

F#

B

E

A

D

G

Escalas Locrias §2 Locrian §2 Scales
C
 
Escala C-7(b5) Acorde cuatriada Tensiones

                 
t s t s t t t 1 b3 b5 b7 T9 T11 Tb13
  
1 2 b3 4 b5 b6 b7 8
       
F-7(b5)
F

          

 
Bb Bb-7(b5)
                 
  
   
Eb-7(b5)
      
Eb
              
    
Ab Ab-7(b5)
        
    
       
   
Db-7(b5)
Db
 
               
  Gb-7(b5)    
     
Gb
           
B B-7(b5)
  
           
  
 
 
E-7(b5)

   
E
        
 
A A-7(b5)
 
           
     
D
  
D-7(b5)
  
            
  
      
G G-7(b5)
           
Escalas Locrias §2
 
C Locrio §2 Escala C-7(b5) Acorde cuatriada Tensiones

                 
t s t s t t t 1 b3 b5 b7 t9 T11 Tb13
1 2 b3 4 b5 b6 b7 8
F

Bb

Eb

Ab

Db

Gb

B

E

A

D

G

Escalas Alteradas
Escala Acorde cuatriada Tensiones
C (disminuida s-t + tonos enteros) C7alt

s t s t t t t
1 3 #5 b7 Tb9 T#9 T#11 Tb13
1 b2 #2 3 #4 #5(b13) b7 8
F

Bb

Eb

Ab

Db

G

D

A

E

B

F#

Escalas Alteradas Diminished Whole Tone Scales

    
C (disminuida s-t + tonos enteros) C7alt
              

 
s t s t t t t 1 3 #5 b7 Tb9 T#9 T#11 Tb13
1 b2 #2 3 #4 #5(b13) b7 8
F7alt
    
    
F
        
    
Bb Bb7alt
   

                
 
Eb7alt
   
Eb
   
              
 
  Ab7alt    
Ab
      
        
Db Db7alt
  
  
           
 
G
  
G7alt
    
          
  
D D7alt
    
             
  
   A7alt
  
  
A
       
 
  
E
  
E7alt
 
         
B B7alt
  
        
       
  
F#
     
F#7alt
  
      
 
Escalas Pentatónicas
www.cuadernodeejerciciosdearmoniamoderna.com Pentatonic Scales
Escala mayor
1 Para formar una escala pentatónica, o de 5 sonidos, eliminamos de la escala mayor las dos
notas más inestables de la escala, que a su vez, forman un tritono.
     
    
Tritono
1 2 3 4 5 6 7 8
2 Escala pentatónica mayor

La cuarta es una nota conflictiva porque está a semitono de la tercera y esto provoca disonancia, la
séptima es una nota que requiere conducción hacia la tónica, al eliminarlas facilitamos la elaboración de melodías.
     
   
4 7
Fórmula: 1 2 3 5 6 8
3 Escala Pentatónica Mayor "De Blues" (Escala pentatónica Mayor con b3 Añadida)
Añadiendo la tercera menor (blue note) introducimos la sonoridad blues con el juego mayor-menor
   
  
 
Fórmula: 1 2 b3 3 5 6 8
Blue Note
4 Escala Eólica (Menor Natural)

Para formar una escala pentatónica menor eliminamos de la escala eólica las dos notas que forman un tritono
   
  
  

Tritono
1 2 b3 4 5 b6 b7 8
5 Escala Pentatónica Menor

La 2 y la b6, nota conflictiva al estar a semitono de nota del acorde y provocar disonancia, quedan eliminadas
       
  
2 b6
Fórmula: 1 b3 4 5 b7 8
www.cuadernodeejerciciosdearmoniamoderna.com Escalas Pentatónicas 2/2
6 Escala (Pentatónica Menor) "De Blues"

(Escala pentatónica menor con #4 Añadida)
Añadiendo la cuarta aumentada (blue note) introducimos una nueva sonoridad blues
    
  

Fórmula: 1 b3 4 #4 5 b7 8
Blue Note
7 C mayor y A eólica son la misma escala con distinto centro tonal

 
  
C mayor
 
   
      


A Eólica (Menor Natural)
C pentatónica mayor y A pentatónica menor son la misma escala con distinto centro tonal
8
C pentatónica mayor
  
     

   



A Pentatónica Menor
C pentatónica mayor "de blues" y A pentatónica menor "de blues" son la misma escala con distinto centro tonal
9
C Pentatónica Mayor "De Blues"
b3   
 
 
1 2 3 5 6 8 Blue Note
     
   
Blue Note
1 b3 4 #4 5 b7 8
La blue note b3 de la pentatónica mayor se
transforma en la blue note #4 de la pentatónica menor A Pentatónica Menor "De Blues"
C Pentatónica Mayor "De Blues" se puede utilizar sobre acordes de tercera mayor
10
C Pentatónica Menor "De Blues" se puede utilizar sobre acordes de tercera mayor y menor
         
     
C Cmaj7 C7 C- C- C Cmaj7 C7
     
         
El juego mayor-menor es el que genera el sonido "Blues"
Escalas Pentatónicas Mayores y Menores ("de blues")
Major and Minor (blues) Pentatonic Scales
Escala Pentatónica Mayor ("De Blues") www.cuadernodeejerciciosdearmoniamoderna.com
Escala Pentatónica Menor ("De Blues")
1 b3 4 #4  5 b7 8
  
C blue note

A
      
       
 b3  3
blue note
1 2 5 6 8
  
     
D Pentatónica Menor ("De Blues")
F Pentatónica Mayor ("De Blues")
  
      
G
        
 
B¨
 
     
         
 
E¨ C
       
A¨ F
      
   
        

      
 
D¨ B¨
       
G¨ E¨
    
 
        
        
G©
       
 
B
      
 
       
 
E C©


     

A F©
     
     
   

 
  
D
   
B   
  

    
G E
  
       


       Copyright©DanielFedele2014
1/3
Escalas Pentatónicas - Cómo estudiar

C pentatónica mayor y menor (de blues)

Tocar sobre Jamey Aebersold Vol 24 CD 1, Vol 84 o Vol 42. tono de C piano (bb Saxo Tenor, Eb saxo alto)
    
1 Pentatónica Mayor en todo el registro del instrumento
 
           
  

        
2 Pentatónica Mayor con cambio de ritmo y articulación
 
                
      
3 Pentatónica Menor en todo el registro del instrumento
          
         
 

4 Pentatónica Menor con cambio de ritmo y articulación
             
            
   

5 Pentatónica Mayor + Pentatónica menor en todo el registro del instrumento
Mayor + Menor + Mayor + Menor
    
 
 
    
   
   

 
6 Pentatónica Mayor + Menor con cambio de ritmo y articulación
   
Mayor + Menor + Mayor + Menor + Mayor
     
    
                
  
Escalas Pentatónicas - Cómo estudiar 2/3

7 Mayor en grupos de 4 con articulación
       

     
                  
8 Mayor en grupos de 4 con desplazamiento en el compás (movimiento hacia adelante) y articulación

    
  
                   

9 Mayor en grupos de 4 con cambio de ritmo y articulación

       
        
 
             


    
10 Menor en grupos de 4 con articulación
                  
         

11 Menor en grupos de 4 con desplazamiento en el compás (movimiento hacia adelante) y articulación

           
         
 
12 Menor en grupos de 4 con cambio de ritmo y articulación

            
      
       

13 Mayor por terceras

   
Menor por terceras
           
      
Escalas Pentatónicas - Cómo estudiar 3/3
14 Escalas pentatónicas de blues www.cuadernodeejerciciosdearmoniamoderna.com
Mayor de Blues
        
+ Menor de Blues

+ Menor de Blues + Mayor de Blues
   
                 
  
Blue Note Blue Note Blue Note Blue Note
15 Cromatismos sobre la pentatónica mayor
                 
     

   
cr cr cr cr cr cr
16 Cromatismos sobre la pentatónica menor

         
                  
  
cr cr cr cr cr cr
17 Ejemplo de combinaciónes de pentatónica mayor y menor (de blues) con ritmo y articulación
 
Cmaj7 (C7)
Pentatónica mayor

+ Menor de blues + mayor en grupos de 4
    

 
  
               
3 
+ menor en grupos de 4 + mayor por terceras + menor por terceras
        
          
   


       
   

 + mayor de blues

+ cromatismos sobre la pentatónica mayor + cromatismos sobre la


              
            


+Menor en grupos de 4
     
pentatónica menor + menor de blues
        
       

       
Escala Pentatónica Mayor ("De Blues")
1 b3 4 #4  5 b7 8
  

C blue note
 
A
      

      blue note
1 2 b3  3 5 6 8
  
     
F Pentatónica Mayor ("De Blues")
  
      
G
        
 
B¨
     
 
         
 
E¨ C
       
A¨ F
      
   
        

D¨
 
B¨
       
      
G¨
      E¨
 
    
 

      

    
B G©
     
    

     
   
     
 
E C©


      
A F©
      
   

  

 

 
    
   
D B
       

G E
  
       


        Copyright©DanielFedele2013
Escala Pentatónica Mayor ("De Blues")
1 b3 4 #4  5 b7 8
  

C blue note
 
A
      

      blue note
1 2 b3  3 5 6 8
F Pentatónica Mayor ("De Blues")  
   
B¨ G
  
  
E¨ C 


  
A¨ F
  
  
D¨ B¨

 
  
G¨ E¨
  
  
B G©
   
 
E C©  
   
A F©
 
 
 
D B

 
  
G E
  
   Copyright©DanielFedele2013
Escalas Pentatónicas Mayores
Major Pentatonic Scales
A Escala pentatónica mayor Escala Pentatónica Mayor "De Blues"
Major Pentatonic Scale
B Major Pentatonic "Blues Scale"
Escala pentatónica Mayor con b3 Añadida
C
 
(A Pentatónica Menor "De Blues": b3 #4 b7

4 5 1)
      
   
 
1 2 3 5 6 8 1 2 b3 3 5 6 8
F
     
       
 
      
 
 
Bb
    
Eb
           
   
Ab
       
       

Db
             
  
    
F#
         
      
    
B
            
      
E
      
        

A
     
        

D
      
       

G
     
       
 
Escalas Pentatónicas Mayores
A Escala Pentatónica Mayor B Escala Pentatónica Mayor "De Blues"
C (A Pentatónica Menor "De Blues": b3 #4 b7
 
4 5 1)
      
    
 
1 2 3 5 6 8 1 2 b3 3 5 6 8
F

Bb

Eb

Ab

Db

F#

B

E

A

D

G

Escalas Pentatónicas Menores
Minor Pentatonic Scales
Escala Pentatónica Menor Escala (Pentatónica Menor) "De Blues"
A Minor Pentatonic Scale
B Minor Pentatonic "Blues Scale"
C Escala pentatónica menor con #4 Añadida
(Eb pentatónica mayor: 1 2 3 5 6) (Eb Pentatónica Mayor De Blues: 1 b3 §3
 
2 5 6)
       
 
   
1 b3 4 5 b7 8 1 b3 4 #4 5 b7 8
 
F (Ab pentatónica mayor)
         
    
Bb
          
(Db pentatónica mayor)
 
    
Eb
   
(Gb pentatónica mayor)
           
  
Ab
      
(B pentatónica mayor)
  
   

     
Db (E pentatónica mayor)
           
     
    
       
F# (A pentatónica mayor)
       
B
 
(D pentatónica mayor)
     
 
 
   
E
 
(G pentatónica mayor)
         
  

A
    
  
 
(C pentatónica mayor)
     
D (F pentatónica mayor)
        
   
  
G

(Bb pentatónica mayor)
    
   
     
Escalas Pentatónicas Menores
A Escala Pentatónica menor B Escala (Pentatónica Menor) "De Blues"
C
(Eb Pentatónica mayor: 1 2 3 5 6) (Eb Pentatónica Mayor De Blues: 1 b3 §3
 
2 5 6)
      
    
 
1 b3 4 5 b7 8 1 b3 4 #4 5 b7 8
F

Bb

Eb

Ab

Db

F#

B

E

A

D

G

Escalas Pentatonicas en el II-V-I Mayor
Pentatonic Scales in Major II-V-I
C-7 C7 Cmaj7
Opciones de Escalas
Escala pentatonica menor (de Blues) Escala pentatonica menor (de Blues) Escala pentatonica menor (de Blues)

                        
  
Escala pentatonica mayor (de blues) Escala pentatonica mayor (de blues)
             
       
C Dórica C mixolidia C mayor
     
             
     
C-7 C7 Cmaj7
  

 

 



  
   
II-7 V7 Imaj7
Progresión II-V-I: D-7 G7 Cmaj7
 

              
        

 
Escala pentatonica mayor (de blues)

Escala pentatonica mayor (de blues)
  
   
      
 
D Dórica
   C mayor G mixolidia
         
           
D-7 G7 Cmaj7
 





 




  

Escalas Pentatonicas en el II-V-I Mayor
C-7 C7 Cmaj7
Opciones de Escalas


Escala pentatonica mayor (de blues) Escala pentatonica mayor (de blues)
 
C Dórica C mixolidia C mayor

 
Imaj7
Progresión II-V-I: Cmaj7



D Dórica G mixolidia C Mayor

 
Escalas para Dominantes Secundarios
Scales for Secondary Dominant Chords
C: Escala Acorde cuatriada Tensiones


 A7
A mixolidia b13 (D menor melódico)  
   [D-7]
 
       
1 2 3 4 5 b6 b7 8 1 3 5 b7 T9 d4 Tb13
V7 / II-7
  
  
A mixolidia b9 b13 (D menor armónico)

A7 [D-7]
  
   
     
1 b2 3 4 5 b6 b7 8 1 3 5 b7 Tb9 T#9 d4 Tb13
V7 / III-7
B mixolidia b9 b13 (E menor armónico)
 
B7 [E-7]
 
             
  
1 b2 3 4 5 b6 b7 8 1 3 5 b7 Tb9 T#9 d4 Tb13
V7 / IVmaj7
C mixolidia C7 [Fmaj7]
  
          
    
1 2 3 4 5 6 b7 8 1 3 5 b7 T9 d4 T13
V7 / V7
D mixolidia D7 [G7]
 

         
    
1 2 3 4 5 6 b7 8 1 3 5 b7 T9 d4 T13
V7 / VI-7
E mixolidia b9 b13 (A menor armónico) E7 [A-7]
   
   
         
1 b2 3 4 5 b6 b7 8 1 3 5 b7 Tb9 T#9 d4 Tb13
 compatible e intercambiable con Tb9
Escalas para Dominantes Secundarios
Escala Acorde cuatriada Tensiones
C:

V7 / II-7
V7 / III-7
V7 / IVmaj7
V7 / V7
V7 / VI-7

Progresiones Armónicas Con Dominantes Secundarios
Secondary Dominant Chord Progressions
Imaj7 II-7 V7/IV IVmaj7 II-7 V7/III III-7 II-7 V7/VI
C Cmaj7 G-7 C7 Fmaj7 F#-7 B7 E-7 B-7 E7
            

      

  
      
  
VI-7 II-7 V7/II II-7 II-7 V7/V II-7 V7 Imaj7

A-7 E-7 A7 D-7 A-7 D7 D-7 G7 Cmaj7
   

        





 
     
   

F Fmaj7 C-7 F7 Bbmaj7 B-7 E7 A-7 E-7 A7
      
     






 

  
   

D-7 A-7 D7 G-7 D-7 G7 G-7 C7 Fmaj7
  
 
         




  
      

Bb Bbmaj7 F-7 Bb7 Ebmaj7 E-7 A7 D-7 A-7 D7
     
 
        

 


 

  
   

G-7 D-7 G7 C-7 G-7 C7 C-7 F7 Bbmaj7
    
      

      


 

   
  
Progresiones Armónicas Con Dominantes Secundarios
Análisis: Imaj7 II-7 V7/IV IVmaj7 II-7 V7/III III-7 II-7 V7/VI
C Cifrado: Cmaj7



Cmaj7



F Fmaj7



Fmaj7



Bb Bbmaj7



Bbmaj7


II-7
Imaj7
VI-7 II-7 V7
( )
Imaj7 II-7
( )
IVmaj7 Imaj7 V7 I II-7 V7
II-7 V7 I6
Imaj7 II-7
VI-7 II-7 V7
Imaj7 II-7
II-7
IVmaj7 Imaj7 V7 I V7
II-7 V7 I6
V7/II
Imaj7 II-7
V7/V
V7/VI VI-7 II-7 V7
V7/II
Imaj7 II-7
V7/II II-7
IVmaj7 Imaj7 V7/V V7 I V7
V7/II II-7 V7 I6
I6
IV6 I6
II-7 V7 III-7 VI-7 II-7 V7

I6
IV6 I6

I6 V7/VI VI-7 V7/IV
IV6 I6

I6 IVmaj7
IVmaj7 I6
II-7 V7
II-7 V7 I6
II-7 V7 Imaj7 II-7 V7
Imaj7 II-7 V7 Imaj7

I6 IVmaj7
IVmaj7 I6
II-7 V7
II-7 V7 I6
I6 V7/IV IVmaj7
IVmaj7 I6
V7/V V7/II II-7 V7
II-7 V7 I6
Imaj7 II-7 V7 Imaj7

I
A
II-7 V7 I
II-7 V7 II-7 V7
B (G) (C)
II-7 V7 II-7 V7
(F)
I VI-7 II-7 V7
I IV6 III-7 VI-7 II-7 V7 I
II-7 V7
V7/II
I G7 II-7 V7/I
A
I V7/IV IV III-7VI-7 II-7 V7 I
II-7 V7/V II-7 V7/V

B (G) (C)
II-7 V7/V II-7 V7/I Bb

(F)
V7 Imaj7
IVmaj7
I II-
V7 IVmaj7 Imaj7
V7 I
V7 Imaj7
IVmaj7
I II-
V7 IVmaj7 Imaj7
V7 I
V7/V V7 Imaj7
V7/IV IVmaj7
I V7/V II-
V7 IVmaj7 Imaj7
V7/V V7 I
I II-
A
V7 I II- V7 I II- V7
I
B
II- II- V7
I II-
V7 I II- V7 I
II- II- V7
V7/V II-
I
V7 I II- V7 I
V7/V II- II- V7

Imaj7
VI-7
IVmaj7 Imaj7 VI-7
II-7 V7
Imaj7
VI-7
IVmaj7 Imaj7 VI-7
II-7 V7
Imaj7
V7/VI
VI-7 V7/IV
IVmaj7 Imaj7 VI-7
V7/V II-7 V7
V7/II II-7
Familias de Acordes
Curso de Armonía Moderna - Nivel 2
Audio 1
X La familia de Acordes Diatónicos está compuesta exclusivamente de acordes de la escala original.

tónica subdominante tónica subdominante dominante tónica dominante
1 Imaj7 II-7 III-7 IVmaj7 V7 VI-7 VII-7 b5
Cmaj7 D-7

E-7 Fmaj7

G7

 
A-7
 
B-7b5


 
 

 
 

 
 
 

  
X Para ampliar la paleta de colores sonoros se utilizan familias de acordes relacionados en mayor
o menor medida con la tonalidad original.
X La familia de Acordes Dominantes Secundarios resulven en acordes diatónicos.
2 V7/II-7 II-7


A7 dominante secundario

D-7
 
G7

C

 
   
 

X La familia de Acordes Dominantes por Extensión resuelven a su vez en otros acordes dominantes.
V7/V V7/V
3

A7
  
D7
 

G7

C
 
  
 

X La familia de Acordes Dominantes Sustitutos , de resolución cromática descendente,
contienen el tritono del acorde al que sustituyen.
4 sub V7/II sub V7/I
  

Eb7


D-7

Db7 C

     
  
 

(A7) (G7)
X La familia de Acordes de Intercambio Modal se toma prestada de modos paralelos.
5 ÏIImaj7 II-7 b5 V7¨9
   
Ebmaj7 D-7b5 G7b9 C
  
   

 
   
X La familia de Acordes Disminuídos , construidos con dos tritonos, se utilizan en el movimiento

cromático.
6 ÏIº7
Audio 1

D-7 Dbº7 C
  
  





Acordes Dominantes por Extensión
Extended Dominant Chords
II-7 V7/V II-7 V7/V
1 B-7 E7 E-7 A7

                 
   
          
 
  

Dórica




Mixolidia




Dórica



Mixolidia
II-7 V7/V II-7 V7 Imaj7

A-7 D7 D-7 G7 Cmaj7
            
            
       

 
Dórica




Mixolidia




Dórica



Mixolidia

 
II-7 V7/V II-7 V7/V

2 A-7 D7 D-7 G7
                      
         

 


Dórica




Mixolidia




Dórica



Mixolidia

G-7 C7 C-7 F7 B¨maj7
            

              
     

  


Dórica




Mixolidia




Dórica

 

Mixolidia

 
II-7 V7/V II-7 V7/V

3 E-7 A7 A-7 D7

            
     
        

     
Dórica Mixolidia Dórica Mixolidia
 
 
 
 
 
 
 

D-7 G7 G-7 C7 Fmaj7
                         


   Mixolidia 
    Dórica
Dórica Mixolidia
   

 

 

 

 


Acordes Dominantes por Extensión
II-7
1 B-7
 
 
  

Dórica
Imaj7
Cmaj7

 



 
II-7
2 A-7
 
 

Dórica
Imaj7
B¨maj7

  



 
II-7
3 E-7

 


Imaj7
Fmaj7




 


V7/V V7/II
Imaj7 II-7
V7/V
V7/VI VI-7 II-7 V7
V7/II
Imaj7 V7/V II-7
V7/II II-7
IVmaj7 Imaj7 V7/V V7/V V7 I V7
V7/II II-7 V7 I6
V7/II
Imaj7 II-7
V7/V
V7/VI VI-7 II-7 V7
V7/II
Imaj7 II-7
V7/II II-7
IVmaj7 Imaj7 V7/V V7 I V7
V7/II II-7 V7 I6
Imaj7 II-7
VI-7 II-7 V7
Imaj7 II-7
II-7
IVmaj7 Imaj7 V7 I V7
II-7 V7 I6
II-7
Imaj7
VI-7 II-7 V7
( )
Imaj7 II-7
( )
IVmaj7 Imaj7 V7 I II-7 V7
II-7 V7 I6
I6 V7/IV IVmaj7
IVmaj7 I6 V7/V
V7/V V7/II II-7 V7/I
II-7 V7 I6
Imaj7 II-7 V7 Imaj7

I6 V7/IV IVmaj7
IVmaj7 I6
V7/V V7/II II-7 V7
II-7 V7 I6
Imaj7 II-7 V7 Imaj7

I6 IVmaj7
IVmaj7 I6
II-7 V7
II-7 V7 I6
I6 IVmaj7
IVmaj7 I6
II-7 V7
II-7 V7 I6
Imaj7 II-7 V7 Imaj7

V7/II
I G7 II-7 V7/I
A
II-7 V7/V II-7 V7/V

B (G) (C)

(F)
V7/II
I G7 II-7 V7/I
A
II-7 V7/V II-7 V7/V

B (G) (C)

(F)
I VI-7 II-7 V7
II-7 V7
I
A
II-7 V7 I
II-7 V7 II-7 V7
B (G) (C)
II-7 V7 II-7 V7
(F)
V7 Imaj7
IVmaj7
I II-
V7 IVmaj7 Imaj7
V7 I
V7/V V7 Imaj7
V7/IV IVmaj7
I V7 V7/V II-
V7 IVmaj7 Imaj7
V7 V7/V V7 I V7
V7/V V7 Imaj7
V7/IV IVmaj7
I V7/V II-
V7 IVmaj7 Imaj7
V7/V V7 I
V7 Imaj7
IVmaj7
I II-
V7 IVmaj7 Imaj7
V7 I
V7/V II-
I
V7 I II- V7 I
V7/V II- II- V7

Imaj7
VI-7
IVmaj7 Imaj7 VI-7
II-7 V7
Imaj7
V7/VI
VI-7
V7/IV
IVmaj7 Imaj7 VI-7
II-7 V7
V7/II II-7
Imaj7
V7/VI
VI-7 V7/IV
IVmaj7 Imaj7 VI-7
V7/V II-7 V7
V7/II II-7
Imaj7
VI-7
IVmaj7 Imaj7 VI-7
II-7 V7
II-V-I Menor Minor II-V-I
C-7b5 C7+9 (C7b9) C-

4 C-maj7 C-6 Escala menor melódica
 Opciones de Escalas
     
    
2 Escala Locria §2 (Modo VI de Eb Menor Melódica) 2
C7b9 Escala Disminuida 3 C-maj7 Escala menor armónica
        
C-7b5
                  
   a evitar
2 C-7 Escala menor natural (eólica)(Modo VI de eb Mayor)
         
Escala Alterada(Modo VII de Db menor melódica)  
Escala Locria (Modo VII de Db Mayor)
1
C-7b5 1 C7+9 1 C-7 C-6 Escala dórica (Modo II de bb Mayor)
       
             

    
C-7b5 C7+9 C7b9 C- C-maj7 C-7 C-6
 

    
    

  
     
     
Progresión II-V-I menor:

D-7b5 G7+9 (G7b9) C-
Opciones de Escalas 4 C-maj7 C-6 Escala menor melódica

       
   
escala locria §2 (Modo VI de F menor melódica)
G7b9
  
2 2 escala disminuida 3 C-maj7

D-7b5 Escala menor armónica
               
        
a evitar
Escala menor natural (eólica)(Modo VI de eb Mayor)
2 C-7
     
    
1 D-7b5 escala locria (Modo VII de eb Mayor) 1
   
G7+9 escala alterada (Modo VII de ab menor melódica)
  
1 C-7 C-6 Escala dórica (Modo II de bb Mayor)
             
    
G7+9 G7b9 C- C-maj7 C-7 C-6

D-7b5
 
 

    
   
  
 








II-V-I Menor Minor II-V-I
C-7b5 C7+9 (C7b9) C-

4 C-maj7 C-6 Escala menor melódica
 Opciones de Escalas
  
2 C-7b5 Escala Locria §2 (Modo VI de Eb Menor Melódica) 2 C7b9 Escala Disminuida 3 C-maj7 Escala menor armónica

a evitar
2 C-7 Escala menor natural (eólica)(Modo VI de eb Mayor)
  
1 C-7b5 Escala Locria (Modo VII de Db Mayor) 1 C7+9 Escala Alterada(Modo VII de Db menor melódica) 1 C-7 C-6 Escala dórica (Modo II de bb Mayor)

C-7b5 C7+9 C7b9 C- C-maj7 C-7 C-6

 
Progresión II-V-I menor:

D-7b5 G7+9 (G7b9) C-
Opciones de Escalas 4 C-maj7 C-6 Escala menor melódica

  
2 D-7b5 escala locria §2 (Modo VI de F menor melódica) 2 G7b9 escala disminuida 3 C-maj7 Escala menor armónica

Escala menor natural (eólica)(Modo VI de eb Mayor)
2 C-7
  
1 D-7b5 escala locria (Modo VII de eb Mayor) 1 G7+9 escala alterada (Modo VII de ab menor melódica) 1 C-7 C-6 Escala dórica (Modo II de bb Mayor)

D-7b5 G7+9 G7b9 C- C-maj7 C-7 C-6

 
I-6
I-6
II-7b5 V7/I- I-
II-7b5 V7/I- I-
II-7b5 V7
I Maj7 II-7b5 V7/I-

II-7 V7
Imaj7 IVmaj7
II-7b5 V7 I-
V7
IVmaj7
I- IV-
II-7b5 V7/I- I-
II- V7 Imaj7
II-7b5 V7/I- I- II-7b5 V7/I-
F Dorica (modo II de Eb mayor)
D Locria (modo VII Eb mayor) G alterada (VIIº Ab menor melodico) C Dorica (modo II de Bb mayor)
I-7
I-7 II-7 V7 I Maj7 II-7b5V7/I-7 I-7
V7/I-7 I-7b6
II-7 V7 I Maj7 II-7 V7/I- I-7

I Maj7
IV-7
IV-7 bVI Maj7 V-7 IV-7 V7 I-7
I-7 II-7 V7/I I Maj7 II-7b5 V7/I- I-7 V7/I-
II-7 V7/I I Maj7 II-7 V7/I-

I-7b6 Eolica (menor natural) I Maj7
I-7 IV-7
IV-7 bVI Maj7 V-7 IV-7 V7/I- I-7

I- I-Maj7 I-7 I-6
I-
IV- IV-maj7 IV-7 IV-6 V7/I
II-7 V7/II V7 I6 II-7 V7/I- I6 II-7 V7

II-7
I6 V7/II
I Maj7 VI-7 II-7 V7
II-7 V7 I Maj7 VI-7 II-7 V7
V7/I-
V7sus
V7/IMaj7
I- V7/IV
IV- II-7b5 V7/I-

I- V7/IV
IV- II-7b5 V7/I-
I- V7/IV
IV- II-7b5 E locria (F mayor) V7/I- A alterada (Bb menor melodica)
V7/I-
Patrón Armónico B de Rhythm Changes
Curso de Armonía Moderna - nivel 2 Rhythm Changes B section Harmonic Pattern
Tipo de Acorde: II-V relativo Dominante por extensión II-V relativo Dominante por extensión
Función Tonal: Subdominante Dominante Subdominante Dominante
Análisis: II-7 V7/V II-7 V7/V
Cifrado: A-7 D7 D-7 G7
Flechas:

                
Relación Escala - Acorde:
   
Mixolidia (modo V escala mayor) Dórica (modo II escala mayor) Mixolidia (modo V escala mayor)
  
Dórica (modo II escala mayor)
                 
         
 
Fórmula: 1 2 b3 4 5 6 b7 8 1 2 3 4 5 6 b7 8 1 2 b3 4 5 6 b7 8 1 2 3 4 5 6 b7 8
       
   
Notas del acorde, tensiones y notas a evitar:
  
          
 
Fórmula: 1 b3 5 b7 T9 T11 6 1 3 5 b7 T9 4 T13 1 b3 5 b7 T9 T11 6 1 3 5 b7 T9 4 T13
 
    
Acorde:
   
 
 
 

 

Bajo:
II-V relativo

Dominante por extensión

Diatónico

Diatónico
Subdominante Dominante Subdominante Dominante
II-7 V7/V II-7 V7

G-7 C7 C-7 F7

                
Dórica (modo II escala mayor) Mixolidia (modo V escala mayor) Dórica (modo II escala mayor) Mixolidia (modo V escala mayor)

                   
  
          
 
1 2 b3 4 5 6 b7 8 1 2 3 4 5 6 b7 8 1 2 b3 4 5 6 b7 8 1 2 3 4 5 6 b7 8
        
  
 
   
 
 
     
1 b3 5 b7 T9 T11 6 1 3 5 b7 T9 4 T13 1 b3 5 b7 T9 T11 6 1 3 5 b7 T9 4 T13

Acorde:
  

 




 



 
 
Bajo:
  
Patrón Armónico B de Rhythm Changes
Curso de Armonía Moderna - nivel 2 Rhythm Changes B section Harmonic Pattern
Tipo de Acorde:
Función Tonal:
Análisis:
Cifrado: A-7 D7 D-7 G7
Flechas:

                
Relación Escala - Acorde:
 

Fórmula:

Notas del acorde, tensiones y notas a evitar:

Fórmula:
 Acorde:
  

 

Bajo:
G-7 C7 C-7 F7

                






 
Patrón Armónico I- / I-Maj7 / I-7 / I-6
Harmonic Pattern I-/I-Maj7/I-7/I-6
 Relación Escala - Acorde:

Menor Armónica Menor Armónica
                
  a evitar  
 Fórmula: 1 2 b3 4 5 b6 7 8 1 2 b3 4 5 b6 7 8

Menor Melódica Menor Melódica
  
               
 
 Fórmula: 1 2 b3 4 5 6 7 8 1 2 b3 4 5 6 7 8
Eólica (Modo VI escala mayor)
      
       
 Fórmula: 1 2 b3 4 5 b6 b7 8

Dórica (Modo II escala mayor)
 
        
 
 Fórmula: 1 2 b3 4 5 6 b7 8
     
 Notas del acorde, tensiones y notas a evitar:
     
   
 
 

 Fórmula:
1 b3 5 7 t9 t11 (b)6 1 b3 5 7 t9 t11 (b)6
 Tipo de Acorde: Diatónico Tónica

 Función Tonal: Tónica Diatónico
 Análisis: I- I-maj7
 Cifrado: C- C-maj7
 
 Acorde:
  
   
   
 Bajo:

1

2
 
Menor Melódica
   
     
1 2 b3 4 5 6 7 8
   
     
1 2 b3 4 5 b6 b7 8
Dórica (Modo II escala mayor) Dórica (Modo II escala mayor)

     
     
    
1 2 b3 4 5 6 b7 8 1 2 b3 4 5 6 b7 8
        
       
1 b3 5 7 t9 t11 (b)6 1 b3 5 (b)7 t9 t11 6(T13)
Diatónico Diatónico
Tónica Tónica
I-7 I-6
C-7 C-6
   
   
2
Harmonic Pattern I-/I-Maj7/I-7/I-6

  
 
 Fórmula:
  
 
 Fórmula:
  
 
 Fórmula:
   

 Fórmula:
   

 Fórmula:
 Tipo de Acorde:
 Función Tonal:
 Análisis:
 Cifrado: C- C-maj7
 
Acorde:
  

    
   
 Bajo:
 
1

2






C-7 C-6
   
   
2
Patrón Armónico I - V7/IV - IV
Curso de Armonía Moderna - nivel 2 Harmonic Pattern I - V7/IV - IV
Tipo de Acorde: Diatónico Dominante secundario Diatónico

Función Tonal: Tónica Dominante Subdominante
Análisis: I I6 Imaj7 V7/IV IV IV6 IVmaj7
C  C6 Cmaj7 
Cifrado: C7 F  F6 Fmaj7 
 
            
Relación
Escala - Acorde: Escala Mayor Mixolidia (modo V escala mayor) Lidia (modo IV escala mayor)

                
   Nota a evitar     
Fórmula: 1 2 3 4 5 6 7 8 1 2 3 4 5 6 b7 8 1 2 3 #4 5 6 7 8
 
Notas del acorde, tensiones
      
y notas a evitar:
     
     
  
Fórmula: 1 3 5 7 T9 4 T13 1 3 5 b7 T9 4 T13 1 3 5 7 T9 T11 T13

Acordes: C C6 Cmaj7 C7 F F6 Fmaj7
    

 





  

  
Bajo:   
Patrón Armónico I - V7/IV - IV
Curso de Armonía Moderna - nivel 2 Harmonic Pattern I - V7/IV - IV
Tipo de Acorde:
Función Tonal:
Análisis:
C  C6 Cmaj7 
Cifrado: C7 F  F6 Fmaj7 
 
            
Relación
Escala - Acorde:


Nota a evitar
Fórmula:
Notas del acorde, tensiones
y notas a evitar:

 
Fórmula:
Acordes: C C6 Cmaj7 C7 F F6 Fmaj7

   
 Bajo:
Nivel 2
©danielfedele2014
Formas: Rhythm Changes
Basado en el tema de George Gershwin “I Got Rhythm”

esta forma, de 32 compases y de tipo AABA, se denomina
“Rhythm Changes”.
Normalmente se toca en la tonalidad de Bb.
• Temas representativos:
En Bb:
I Got Rhythm (George Gershwin)
Oleo (Sonny Rollins)
Rhythm-A-Ning (Thelonious Monk)
Lester Leaps In (Lester Young)
The Flintstones (Bryson Goldberg)
The Theme (Miles Davis)
Cotton Tail / Duke Ellington

En F:
Hackensack (Thelonious Monk)
Salt Peanuts (Dizzy Gillespie)
• Bibliografía:
Vol. 47 de Jamey Aebersold
• Vídeo:
George Gershwin toca I Got Rhythm:
http://www.youtube.com/watch?v=vIpNepgmCQA
• Blog:
http://www.cuadernodeejerciciosdearmoniamoderna.com/formas-del-jazz-rhythm-changes/
Rhythm Changes www.cuadernodeejerciciosdearmoniamoderna.com
Imaj7 VI-7 (V7/II) II-7 V7 Forma: AABA

A Bbmaj7 Mayor G-7 [G7] Eólica C-7 F7
 
Dórica Mixolidia

                
      

        


  
      
 

       
    
 
Imaj7 V7/IV IV6 IV#º
1. 2.
Bbmaj7 Mayor Bb7 Mixolidia Eb6 Lidia Eº Disminuída T-ST
      
D-7 G7 C-7 F7

C-7 F7 Bbmaj7 Fine
     
   
     
   
      
   



     
       
     
          
       
II-7 V7/V II-7 V7/V

B A-7 Dórica
        
D7 D-7 G7
   
Mixolidia Dórica Mixolidia
        
            
 
  




















 


           
II-7 V7/V II-7 V7
G-7 C7 C-7 F7
       
Dórica Mixolidia Dórica Mixolidia
              
           

D.S. al Coda
  

 

 

 



 
    
                
Rhythm Changes
Imaj7
A Bbmaj7 Mayor

    

    

   

   


 
1. 2.
 
Bbmaj7 Fine

 


 
 


B
 A-7 Dórica






 
 F7 Mixolidia

 D.S. al Coda


 
 
Imaj7 VI-7 II-7 V7/I III-7 VI-7
V7/IV IV +IVdim
II-7 V7
I V7/I V7/II II-7 V7/I I
V7/V V7/V
V7/V V7/I
I
A
II-7 V7 I
II-7 V7 II-7 V7
B (G) (C)
II-7 V7 II-7 V7
(F)
I VI-7 II-7 V7
II-7 V7
V7/II
I G7 II-7 V7/I
A
II-7 V7/V II-7 V7/V

B (G) (C)

(F)
V7/II
I G7 II-7 V7/I
A
II-7 V7/V II-7 V7/V

B (G) (C)

(F)
I
A
V7/V V7/V
B
V7/V V7/I
A I
I +Idim II- +IIdim III- V7/II II- V7/I
I V7/IV IV +IVdim I V7/II II- V7 I
V7/V V7/V V7/V V7/I

I V7/II
V7/IV IV7 +IVdim I
II-7
V7/I I V7/IV IV7 +IVdim
I I
I
V7/V V7/V
V7/V V7/I
Imaj7 VI-7 II-7 V7
Nivel 1
©danielfedele2014
Formas: el blues
Tipos de Blues:
o Blues Dominante:
El acorde de tónica es dominante (I7)
Straight No Chaser / Thelonious Monk

Tenor Madness / Coltrane-Rollins
Walkin´ / Miles Davis
Billie´s Bounce / John Coltrane
Sandu / Bobby Timmons
Freddie Freeloader / Miles Davis
Blue Train / John Coltrane
Blues In The Closet / Oscar Pettiford
o Blues Mayor:
El acorde de tónica es mayor (I, I6, Imaj7)

Blues For Alice / Charlie Parker
Au Privave / Charlie Parker
One OĆlock Jump / Count Basie
Blue Monk / Thelonious Monk
(aparece también como dominante)
o Blues Menor:
El acorde de tónica es menor (I-, I-6, I-7)
Equinox /John Coltrane

Footprints / Wayne Shorter
Mr P.C. / John Coltrane
Birk´s Works / Dizzy Gillespie
Israel / John Carisi
Stolen Moments / Oliver Nelson (solos en blues menor)
Otras características:
o Blues de Riff:
Blues compuesto de una frase corta (riff) que se repite

tres veces.
Bag´s Groove / Milt Jackson
Blue and Boogie / Miles Davis
C Jam Blues / Duke Ellington
Sonnymoon For Two / Sonny Rollins

o Blues Con Ritmo Ternario:
El compás suele ser 3/4, 6/8 o 6/4.
Footprints / Wayne Shorter (menor en 6/4)
All Blues / Miles Davis (dominante en 6/8)
o Blues con Puente:
Una forma poco común de tema tipo AABA donde las A

son forma blues de 12 compases y la B un puente de 8
compases.
Unit 7 / Cannonball Adderley

One Mint Julep / Rudy Toombs
Locomotion / John Coltrane
Bridging The Blues / Barney Kessel
Doozy / Benny Carter
Just Walkin´/ Wes Montgomery
Blog:
http://www.cuadernodeejerciciosdearmoniamoderna.com/formas-del-jazz-el-blues/
Nivel 2
©danielfedele2014
Formas: el blues menor
Temas representativos:
Mr PC / John Coltrane
Equinox / John Coltrane
Israel / John Carisi
Birk's Works /Dizzy Gillespie
Stolen Moments /Oliver Nelson (Solos en blues menor)
Footprints / Wayne Shorter
Bibliografía:
Jamey Aebersold Vol. 57 Minor Blues In All Keys.
Blog:
http://www.cuadernodeejerciciosdearmoniamoderna.com/formas-del-jazz-el-blues/
Blues Menor en C Minor Blues in C
Opciones de escalas
V7alt
escala pentatonica Menor (blues) C7alt escala alterada

   
       
      
 
V7¨9
escala dórica C7¨9 escala disminuida st-t
      
          
I- I- IV- II-7¨5 V7 I- V7
Opciones de acordes
C- C- F- D-7¨5 G7¨9 C- C7
                
V7alt
escala alterada
   
escala pentatonica Menor (blues) A7alt
             
      
V7¨9
A7¨9 escala disminuida st-t
  
escala dórica
              
    
IV- I- V7/II
F-  C- A7¨9
                
susV7/V V7alt
escala lidia b7
  
escala alterada

A¨7 G7alt

            
    
II-7¨5 V7¨9
D-7¨5 escala locria (§2)

G7¨9 escala disminuida st-t
               
  
II-7¨5 susV7/V V7 I- II-7¨5 V7
D-7¨5 A¨7 G7¨9 C- D-7¨5 G7¨9
        
       
Blues Menor en C
Opciones de escalas
V7alt
escala pentatonica Menor (blues) escala alterada


V7¨9
escala dórica escala disminuida st-t

I- I- IV- II-7¨5 V7 I- V7
Opciones de acordes
                
V7alt
escala pentatonica Menor (blues) escala alterada


V7¨9
escala dórica escala disminuida st-t

IV- I- V7/II

                
susV7/V V7alt
escala lidia b7 escala alterada


II-7¨5 V7¨9
escala locria (§2) escala disminuida st-t

II-7¨5 susV7/V V7 I- II-7¨5 V7
        
       
I- I- II-7b5 V7/IV-7
II-7b5 V7/I-
IV-7 I-
II-7b5 V7/I-
I-
I-7
IV-7
sus V7/V
V7/I-7
I-6
IV- I-6
V713b9 I-6
sus V7/V
I-7
IV-7
V7/V sus V7/I-
I-7
I- I-b6 I-6
V7/IV IV- IV-b6 IV-6 V7/Imaj
I Maj7 bIII Maj7 bVI Maj7
V7/I- I- V7 susV7/V V7/I-

I- I- V- I-
IV-
I-
I-6 V7/IV
IV-6 I-6
sus V7/V V7/I- I-6 V7/I-

IV-
I-
I- V7/V V7/I- I- V7/I-
II-7b5 V7/I-
Nivel 2
©danielfedele2014
Análisis de Temas – Datos
Tema: In A Sentimental Mood (Duke Ellington)
Año composición 1935

Período estilístico Swing
Estilo Jazz Ballad
Tempo Lento
Tonalidad F
Compás 4/4
Modo Menor-Mayor
Forma AABA
Número compases 32
Modulación Sí
Dominantes Sí
secundarios
Dominantes por Sí
extensión
Dominantes No
sustitutos
Intercambio modal No
Acordes disminuidos No
Partitura Aebersold Vol. 12
Pista de Aebersold Vol. 12
acompañamiento
https://www.youtube.com/watch?v=sCQfTNOC5aE
Vídeo
Nivel 2
©danielfedele2014
Análisis de Temas – Datos
Tema: In A Sentimental Mood (Duke Ellington)
Año composición
Período estilístico
Estilo
Tempo
Tonalidad
Compás
Modo
Forma
Número compases
Modulación
Dominantes
secundarios
Dominantes por
extensión
Dominantes sustitutos
Intercambio modal
Acordes disminuídos
Partitura Aebersold Vol.12
Pista de Aebersold Vol.12
acompañamiento
Video
In A Sentimental Mood - Análisis
Duke Ellington 1935
 Tonalidad: F
 Compás: 4/4
 Tempo: Lento
 Estilo: Jazz Ballad
 Forma: A A B A
 Tipo de Acorde: Diatónico Diatónico
 Función Tonal: Tónica Tónica
 Análisis: I- I-maj7
 Flechas:  Cifrado: D-: D- D-maj7
A  Análisis Melódico:
T 
T11
    
3 5 6

2

T
   
       

         
1 2 b3 4 5 b6 7 8 1 2 b3 4 5 b6 7 8
Menor Melódica Menor Melódica

        
       
1 2 b3 4 5 6 7 8 1 2 b3 4 5 6 7 8
    
    
1 2 b3 4 5 b6 b7 8
  
 Relación Escala - Acorde: Pentatónica Mayor
      
    
     
 Fórmula: 1 2 3 5 6 8 1 2 b3 4 5 6 b7 8

      
     
    
 Fórmula:    
1 b3 5 ( b)7 t9 t11 (b)6 1 b3 5 7 t9 t11 (b)6
    
Acorde:
 

 
   
 Bajo:
 
1

Diatónico Diatónico Diatónico Diatónico
2 Tónica Tónica Subdominante Subdominante
I-7 I-6 IV- IV-maj7
D-7 D-6 G- G-maj7

T
T11

3
4 3 2 T

b7 T9 5

T9
    
      
           
1 2 b3 4 5 b6 7 8 1 2 b3 4 5 b6 7 8
        
Menor Melódica Menor Melódica Menor Melódica
             
   
1 2 b3 4 5 6 7 8 1 2 b3 4 5 6 7 8 1 2 b3 4 5 6 7 8
  
Eólica (Modo VI escala mayor) Eólica (Modo VI escala mayor)
   
            
1 2 b3 4 5 b6 b7 8 1 2 b3 4 5 b6 b7 8
   
     

       
  
1 2 b3 4 5 6
 
b7 8 1 2 b3 4 5 6

b7 8
1 2 b3 4 5

6
 
b7 8
  
      
             
  
  
1 b3 5 7 t9 t11 (b)6 1 b3 5 (b)7 t9 t11 6(T13)
1 b3 5 ( b)7 t9 t11 (b)6 1 b3 5 7 t9 t11 b6(T13)
     
  
Diatónico

2
 
Diatónico 3
Subdominante Subdominante Igual compás 1
 IV-7 IV-6
G-7 G-6 D-
4 5 b2 T b7 b3 5 b7
  
 
T
       
Menor Melódica
   
      

Eólica (Modo VI escala mayor) 1 2 b3 4 5 6 7 8
   
     
1 2 b3 4 5 b6 b7 8
       
Dórica (Modo II escala mayor) Dórica (Modo II escala mayor)

           
    
1 2 b3 4 5 6 b7 8 1 2 b3 4 5 6 b7 8
    
  
     
  
  
1 b3 5 7 t9 t11 (b)6 1 b3 5 (b)7 t9 t11 6(T13)
 
   
4 Copyright©DanielFedele2014

5
3
II-7 relativo Dominante Secundario

Subdominante Dominante
Modulación II-7 V7/II Igual compases 15-16
F: A-7 D7 G-7 C7
5 T9 T
  
b3 3
  
Dórica (modo II escala mayor) Mixolidia b9 b13 (Modo V menor armónica)


              
  
1 2 b3 4 5 6 b7 8 1 b2 3 4 5 b6 b7 8
            
   
   
1 b3 5 b7 T9 T11 6 1 3 5 b7 Tb9 T#9 4 Tb13
 

   
 
6


7
Diatónico Diatonico Modulación

Tónica Dominante Db
 Imaj7 V7/I- Igual compás 8 Igual compás 10
Modulación
Fmaj7 D-: A7 Fmaj7  Eb-7 Ab7 
1. 2.
T T 2 T b2 4
b6 Fine
        

Escala Mayor Mixolidia b9 b13 (Modo V menor armónica)
          
     

     
1 2 3 4 5 6 7 8
   1 b2 3 4 5 b6 b7 8 Igual compás 10
              
    

1 3 5 7 T9 4 T13 1 3 5 b7 Tb9 T#9 4 Tb13
 
     
 
8
   
4
B Puente (Bridge)
Diatónico Diatónico Diatónico Diatónico
Tónica Tónica Subdominante Dominante
Modulación Imaj7 VI-7 II-7 V7
Db  Dbmaj7 Bb-7 Eb-7 Ab7
   
7 b6 7 4 b3 2 T T9 T 2 b7 T 6 5
           
   
Escala Mayor Eólica (modo VI escala mayor) Dórica (modo II escala mayor) Mixolidia (modo V escala mayor)
            
         

    
                
1 2 3 4 5 6 7 8 1 2 b3 4 5 b6 b7 8 1 2 b3 4 5 6 b7 8 1 2 3 4 5 6 b7 8
           

    
         
        
1 3 5 7 T9 4 T13 1 b3 5 b7 T9 T11 b6 1 b3 5 b7 T9 T11 6 1 3 5 b7 T9 4 T13
   
  
   
9
 
10
Dominante Secundario
 Dominante
Igual compás 9 V7/II Igual compás 10
Dbmaj7 Bb7 Eb-7 Ab7
    
T
Mixolidia b9 b13 (Modo V menor armónica)

      
    
1 b2 3 4 5 b6 b7 8
         
   
1 3 5 b7 Tb9 T#9 4 Tb13
   
 
 

11 12

5
Igual compases 9-10

Dbmaj7 Bb-7 Eb-7 Ab7
 
            

  

  
Igual compases 9-10
  


 
13

14
Diatónico Diatónico
 Subdominante Dominante
Modulación II-7 V7
F: G-7 C7 Da Capo a casilla 2

  
T11
    
Dórica (modo II escala mayor) Mixolidia (modo V escala mayor)

     

        
 
1 2 b3 4 5 6 b7 8 1 2 3 4 5 6 b7 8
   
       
   
1 b3 5 b7 T9 T11 6 1 3 5 b7 T9 4 T13
  
  

 


 
15

16
In A Sentimental Mood - Análisis
Duke Ellington 1935
 Tonalidad:
 Compás:
 Tempo:
 Estilo:
 Forma:
 Tipo de Acorde:
 Función Tonal:
 Análisis:
 Flechas:  Cifrado: D-: D- D-maj7
A  Análisis Melódico:
  
        



  
    
   
 Fórmula:


   
 Fórmula:
   
Acorde:


   
 Bajo:

1
2
D-7 D-6 G- G-maj7
      
    







 
2 3
 Igual compás 1
G-7 G-6 D-
      
     







 
4 Copyright©DanielFedele2014
5
3
Modulación Igual compases 15-16
F: A-7 D7 G-7 C7
  
  







6 7
Modulación
 Db
Modulación Igual compás 8 Igual compás 10
Fmaj7 D-: A7 Fmaj7  Eb-7 Ab7  Fine

1. 2.
    
     
 

 

 


8

4
B
Modulación
Db  Dbmaj7 Bb-7 Eb-7 Ab7
             
 
 




9 10

Igual compás 9 Igual compás 10
Dbmaj7 Bb7 Eb-7 Ab7
    






11 12
5
Igual compases 9-10

Dbmaj7 Bb-7 Eb-7 Ab7
 
            








13 14

Modulación
F: G-7 C7 Da Capo a casilla 2
  
     







15 16
I- I-Maj7
I-7 I-6
I-
IV- IV-maj7 IV-7 IV-6 V7/I
II-7 V7/II V7 I6 II-7 V7/I- I6 II-7 V7

II-7
I6 V7/II
I Maj7 VI-7 II-7 V7
II-7 V7 I Maj7 VI-7 II-7 V7
V7/I-
V7sus V7/IMaj7
Curso de Armonía Moderna - Nivel 2 - Test
1 Escalas Menores
Acorde cuatriada Tensiones
Eb Menor Armonica
   
Eb-maj7
  
                 
1 2 b3 4 5 b6 7 8 1 b3 5 7 T9 T11 b6
B Menor Melodica
 
B-maj7
       
     
  
1 2 b3 4 5 6 7 8 1 b3 5 7 T9 T11 T13
A Frigia
A-7
   
          
  
1 b2 b3 4 5 b6 b7 8 1 b3 5 b7 b2 T11 b6
Bb Locria §2
  
Bb-7(b5)
                 
  
1 2 b3 4 b5 b6 b7 8 1 b3 b5 b7 T9 T11 Tb13
Db Locria
   
Db-7(b5)
 
              
1 b2 b3 4 b5 b6 b7 8 1 b3 b5 b7 b2 T11 Tb13
2 Escalas para Dominantes Secundarios
V7 / VI-7
E mixolidia b9 b13 (A menor armónico) E7 [A-7]   
    
         
1 b2 3 4 5 b6 b7 8 1 3 5 b7 Tb9 T#9 d4 Tb13
 compatible e intercambiable con Tb9
2

3 Escalas Pentatonicas
Ab Pentatónica Mayor ("De Blues") F Pentatónica Menor ("De Blues")
blue note
   
   
blue note
    
   
 
1 2 b3 3 5 6 8
1 b3 4 #4 5 b7 8
Db Pentatónica Mayor ("De Blues") B¨ Pentatónica Menor ("De Blues")

    
   
blue note
  
blue note
        

1 2 b3 3 5 6 8
1 b3 4 #4 5 b7 8
4 Progresión II-V-I menor:

4 D-maj7 D-6 Escala menor melódica
   
   
3 D-maj7
   
Escala menor armónica
    
a evitar
escala locria §2 (Modo VI de G menor melódica)
 
2 2 A7b9 escala disminuida

                  
Escala menor natural (eólica)(Modo VI de F Mayor)
E-7b5 2 D-7
    

  
escala alterada (Modo VII de Bb menor melódica)
E-7b5 escala locria (Modo VII de F Mayor) A7+9

      
1 1
           
1 D-7 D-6 Escala dórica (Modo II de C Mayor)
   
E-7b5 A7+9 A7b9 D- D-maj7 D-7 D-6

 


    

  
     
     
    
1 Escalas Menores
Acorde cuatriada Tensiones
Eb Menor Armonica Eb-maj7
 
Formula:
B Menor Melodica B-maj7
 
A Frigia
A-7
 
Bb Locria §2 Bb-7(b5)
 
Db Locria
Db-7(b5)
 
2 Escalas para Dominantes Secundarios

V7 / VI-7
E mixolidia b9 b13 (A menor armónico) E7 [A-7] 

Formula:

2

3 Escalas Pentatonicas
Ab Pentatónica Mayor ("De Blues") F Pentatónica Menor ("De Blues")
blue note

blue note



Formula:
Formula:
Db Pentatónica Mayor ("De Blues") B¨ Pentatónica Menor ("De Blues")

blue note

blue note
 

Formula:
Formula:
4 Progresión II-V-I menor:

4 D-maj7 D-6
3 D-maj7
a evitar
2 2 A7b9 2 D-7
 E-7b5

1 E-7b5 1 A7+9 1 D-7 D-6

E-7b5 A7+9 A7b9 D- D-maj7 D-7 D-6

Pistas de acompañamiento de la serie Hal Leonard
Listado de temas
Hal Leonard
Play-Alongs
http://www.halleonard.com/search/search.do?menuid=2760&seriesfeatu
re=&subsiteid=65
Jazz Play-Along Songfinder As of November 2013
Song Title (Volume Number) Key
Acapulco 1922 (-164) E-flat

Ac-cent-tchu-ate The Positive (-18) A-flat
Adios (-96) F
Affirmation B min
Afro Blue (-61) D min
After You've Gone (-24) F
Afternoon In Paris (-114) C
Against All Odds (Take A Look At Me Now) (-102) B-flat min
Agua De Beber (Water To Drink) (-23, -131) D min (A min in v. 131)
Aguas De Marτo (Waters Of March) (-117) A min
Ah-Leu-Cha (-142) F
Ain't Misbehavin' (-46, -100) E-flat
Ain't No Mountain High Enough (-107) D min
Ain't Nothing Like The Real Thing (-85) E-flat
Ain't That A Kick In The Head (-99) E-flat
Air Mail Special (-28) B-flat
Air On The G String (-120) A-flat
Airegin (-12, -33) F min
Aja (-78) C mod to A-flat
Alexander's Ragtime Band (-87) F
Alfie (-123) C
Alfie's Theme (-33) B-flat min
Alice In Wonderland (-10, -31) C
All Alone (-89) F
All Blues (-2, -1A) C
All I Ask Of You (-83) C
All I Want For Christmas Is You (-162) A-flat
All In Love Is Fair (-107) D min
All My Loving (-58) E-flat
All My Tomorrows (-95) A min
All Of Me (-17, -82, -128) C
All Of You (-16) E-flat
All Or Nothing At All (-99) A min
All The Things You Are (-39, -75, -118, -129) F min
All The Way (-95) E-flat
All Too Soon (-74) F
Allen's Alley (-69) B-flat
Almost Like Being In Love (-118) C min
Alone Together (-169) D min
Along Came Betty (-50, -55) A-flat (Bb in v. 55)
Alouette (-134) F
Alright, Okay, You Win (-32) E-flat
Always On My Mind (-145) E-flat
(There's) Always Something There To Remind Me (-123) C
Amigos Para Siempre (Friends For Life) (-83) F
And I Love Her (-29) C min
And the Angels Sing (176) E-flat
And The Angels Swing (-132) A min

Angel Eyes (-35, -130) D min (C min in v. 130)
Angela (-65) C min
Another Star (172) A min
Another Suitcase In Another Hall (-83) C
Anthropology (-5) B-flat
Any Dream Will Do (-83) C
Apple Core (-43) F min
April In Paris (-17) none
Aqui, Oh! (-147) G
Are You In The Mood (-121) G
Are You Real (-55) F
Arioso (-120) E-flat mod C min
As Long As I Live (-99) F
Ask Me Now (-90) none
At Last C
At Long Last Love (-16) C
Au Privave (-26) F
Auld Lang Syne (-111) F (G in v.111)
Autumn In New York (-34, -131) none
Autumn Leaves (-1A, -7, -49, -128) E min (G min in v.49)
Avalon (-24) F
Away In A Manger (-20) G mod to E-flat
Azure-Te (Paris Blues) (-74) D-flat mod to D mod to E-flat
B
Ba-Lue Bolivar Ba-Lues-Are (Bolivar Blues) (-90) B-flat
Baby Elephant Walk (-154) F
Baby I Need Your Lovin' (-85) F
Baby, It's Cold Outside (-162) B-flat
Baby That's What I Need (Walk Tall) (-140) F
Baby What A Big Surprise (-124) C
Bag's New Groove (-151) C
Bags And Trane (-151) C min
Bags' Groove (-35, -114) F
Bahia (Na Baixa Do Sapateiro) (-132) G
Baia (Bahφa) (-96) G
Bali Ha'i (-15) F
A Ballad (-43) C
Ballin' The Jack (-87) B-flat
Bandstand Boogie (-64) A-flat
Barbados (-142) F
The Bare Necessities (-93) F
Bark For Barksdale (-42) F
Basic English (-160) F
Basin Street Blues (-30, -100) B-flat
Basstronaut (-112) D
Battle Hymn Of The Republic (-157) B-flat/D-flat
Be Careful, It's My Heart (-14) F
Be Thou With Me (-120) B-flat
Be-Bop (-48) F min

Beauty And The Beast (-10) E-flat/F
Begin the Beguine (-169) C
Bellavia (-127) B-flat
Bemsha Swing (-91) C
Ben (-85) F
Bennie And The Jets (-104) B-flat
Benny's Bugle (-86) B-flat
Bernie's Tune (-19) D min
BΘsame Mucho (Kiss Me Much) (-96) F min
Bess, You Is My Woman (-45) B-flat
Bessie's Blues (-35) E-flat
The Best Thing For You (-110) none
Better Get Hit In Your Soul (-68) F
Between The Devil And The Deep Blue Sea (-18) F
Bewitched (-11, -129, -130) C
Beyond The Sea (-95) E-flat
BH12 Bar Blues (-97) F
Biji (-33) F
Bill Bailey, Won't You Please Come Home (-87) F
Billie's Bounce (Bill's Bounce) (-3, -26) F
Billy Goat Stomp (-119) E-flat/C min
Bim-Bom (-84) C
Bird Feathers (-48) B-flat
Bird Of Beauty (-52) G
Bird Of Paradise (-142) F min
Birdland (-50, -140) G
Birk's Works (-3, -9) F min
Black Bottom Stomp (-119) B-flat/E-flat
Black Coffee (-105) F
Black Frost (-155) F min
Black Hole Sun (-158) G
Black Market (-140) B-flat
Black Orpheus (-40) A min
Blackbird (-29) G
Blame It On My Youth (-47) E-flat
Bloomdido (-30) B-flat
Blow Mr. Dexter (-60) B-flat
Blue 'N Boogie (-48) B-flat
Blue Charlie Brown (-57) F
Blue Christmas (-38) F
Blue In Green (-2) D min
Blue Monk (-91) B-flat
Blue Rondo A La Turk (-) Am/F
The Blue Room (-11) F
Blue Skies (-14, -118, -132) E min
Blue Train (Blue Trane) (-6, -13) E-flat
Blue Wind (-135) G
Bluebird (-97) E-flat
Blues Busters (-143) B-flat

Blues By Five (-79) B-flat
Blues For Alice (-3) F
Blues For Martha (-109) E-flat
Blues In A Minor (-151) A min/F
Blues In Frankie's Flat (-17) E-flat
Blues In H (B) (-151) B
Blues In 9/4 (-160) C
Blues In The Closet (-3) A-flat
Blues in the Night (176) B-flat
Blues March (-55) B-flat
Blues Talk (-143) F
Bluesette (-31, -131) B-flat
Bluesology (-151) E-flat
Body And Soul (-4, -130) D-flat
Boneology (-152) D-flat
Bongo Bop (-142) C
Boogie Stop Shuffle (-68) B-flat min
Boplicity (Be Bop Lives) (-19) F
Bossa Antigua (-84) B-flat min
Boulevard of Broken Dreams D min
Bouncing With Bud (-101) B-flat
Bourree In E Minor (-120) E min
Bradley's Groove Shop (-143) E-flat
Brake's Sake (-90) G
Brandenburg Gate D min
Brazil (-96) G
Brazil Blues (-113) F
Brazilica (-146) D min
Break On Through To The Other Side (-70) C min mod to C-sharp min
Break Out The Blues (-73) B-flat
The Breeze And I (-96) E-flat
Breezin’ D
The Bridge (-33) B-flat
Bridge Over Troubled Water (-122) E-flat
Bright Mississippi (-91) A-flat
Broadway (-34) E-flat
Brown Hornet (-62) F
Brussels In The Rain (-113) C
Bud Powell (-67) F
Budo (-19) A-flat
Buenos Aires (-83) B-flat
Buster Rides Again (-101) B-flat
But Beautiful (-4) G
But Not For Me (-45) E-flat
But She's My Buddy's Chick (-99) F
Bye Bye Blackbird (-34, -49) F
Bye-Ya (-91) A-flat
Byrd Like (-48, -138) F
C
C-Jam Blues (-3, -41) C
Cabaret (-100) E-flat
Cakewalk (-109) D min
Caldonia (What Makes Your Big Head So Hard?) (-105) C
Call Me (-40) C
Call Me Irresponsible (-34, -128) G min
Can't Buy Me Love (-58) B-flat
Can't Help Lovin' Dat Man (-39, -118) E-flat
Candle In The Wind (-104) E-flat
Candle On The Water (-93) C
Cannonball (-139) B-flat
The Cape Verdean Blues (-59) C min
Captain Marvel (-67) G min
Caravan (-1) F min
Carmen (-146) B-flat
Cast Your Fate To The Wind (-65) A-flat
Castles Made Of Sand (-80) G
Cause We've Ended As Lovers (-135) C min
Cecilia (-122) F
Celia (-53) B-flat
Ceora (-12, -144) A-flat
Chain Lightning (-78) B-flat
Chain Reaction (-155) B-flat min
Chameleon (-62) B-flat min
Change Partners (-14) F
Charade (126601-154) A min
Charade (212066-176) A min
The Chase, Parts 1 & 2 (-60) A
Chase The Clouds Away (-127) C
Chasing The Bird (-53) F
Cheek To Cheek (-14) C
Chega De Saudade (No More Blues) (-23) D min mod to D
Chelsea Bridge (-88) D-flat
Cherokee (Indian Love Song) (-32, -51, -130) B-flat
Cheryl (-74) C
Chi Chi (-51) A-flat
Chicago Song (-155) C min
Chicago (That Toddlin' Town) (-81) B-flat
The Chicken (-116) B-flat
A Child Is Born (-54, -108) B-flat
Children Of Sanchez (-127) D min
Children Of The Night (-22) F-sharp min
Chim Chim Cher-ee (-93) C min
Chitlins Con Carne (-35) C
Christmas Is Coming (-66) E-flat
The Christmas Song (Chestnuts Roasting On An Open Fire) (-25, -66) E-flat (F in v.66)
Christmas Time Is Here (-38, -57, -66) F
The Christmas Waltz (-25) F
Christopher Columbus (-28) B-flat

Chucho (-112) D min
Circle (-79) D min
Climb Ev'ry Mountain (-115) C
Clockwise G
Cold Duck Time (-59) F
Colour My World (-124) F
Come Candellia (-61) G
Come Fly With Me (-81) B-flat
Come On, Come Over (-116) C min
Come Rain Or Come Shine (-18, -118) F
Come Sunday (-41, -128) B-flat
Come Together (-29) D min
Comin' Home Baby (-6, -97) G min (D min in v.97)
Coming On The Hudson (-90) none
Con Alma (-9) C
Conception (-19, -160) D-flat
Confirmation (-26) F
Connie's Blues (-114) E-flat
Constipated Duck (-135) E
Continuum (-116) E
The Cooker A-flat
Cool (-92) C
Cool Blues (-48) C
The Core (-138) E-flat min
Corn Bread (-144) F min
Cotton Tail (-7, -41, -53) B-flat
Countdown (-13) E min
Cousin Mary (-13) A-flat
Crazeology (-53) B-flat
Crazy (-83, -145) A-flat (F in v.145)
The Creole Love Call (-88) B-flat
Crepuscule (-121) F
Crocodile Rock (-104) F
Cruella De Vil (-10) B-flat
Cute (-17, -169) F
D
D Natural Blues (-30, -137) D
Dance Of The Infidels (-48, -101) F
Dance Only With Me (-76) F
Dancers In Love (-88) F
Dancing In The Street (-107) F
Dancing On The Ceiling (-11, -130) F
Daniel (-104) C
The Darktown Strutters' Ball (-87) C
Darn That Dream (-49, -129) G
Dat Dere (-59) C
Day Dream (-88) F
A Day In The Life Of A Fool (Manha De Carnaval) (-23, -133) F min
Days Of Wine And Roses (-82, -154) F

Deacon Blues (-78) C
Dead Man Blues (-119) B-flat
Dear Heart (-154) F
Dear Old Stockholm (-103) D min
Dearly Beloved (-39, -130) C
Deck The Hall (-111) F
Delauney's Dilemma (-151) E-flat
Desafinado (-8, -118) F
Desafinado (Off Key) (-128) F
Detour Ahead (-69) C
Dewey Square (-142) E-flat
Dexter Digs In (-60) D-flat
Dexter Rides Again (-60) F
Dexter's Minor Mad (-60) C min
Dexter's Riff (-60) G
Dexterity (-48) B-flat
Dextivity (-60) C
Dindi (-40) E-flat
Dizzy Atmosphere (-48, -133) A-flat
Django (-19, -151) F min
Django's Castle (-121) E-flat
Djangology (-121) G
Do I Love You Because You're Beautiful? (-15) B-flat
Do It Again (-78) G min
Do Nothin' Till You Hear From Me (-41) F
Do-Re-Mi (-115) E-flat
Do What You Wanna (-146) D
Do You Hear What I Hear (-162) B-flat/C
Do You Know What It Means To Miss New Orleans (-100, -105) C
Does Anybody Really Know What Time It Is? (-124) F
Doin' Everything With You (-127) F
Domination (-139) D min
Don't Be That Way (-86) F
Don't Blame Me (-106) C
Don't Explain (-74) D min
Don't Get Around Much Anymore (-1, -118, -131) C
Don't Know Why (-102) B-flat
Don't Let The Sun Go Down On Me (-104) C
Donna Lee (-5, -26) A-flat
Doodlin' (-36) D-flat
Doozer Blooze (-143) D min
Doxy (-1A, -5, -33) B-flat
Dragonfly (-42) E min mod to F min
Dream (176) B-flat
Dream A Little Dream Of Me (-100) G
Dream Dancing (-71) C
A Dream Is A Wish Your Heart Makes (-93) G
Dream On (-158) F min
Dreamsville (-106, -128) C

The Drive (-44) C
Drop Me Off In Harlem (-88) C
The Duke (-) C
E
╔ Luxo S≤ (-147) D
Early Autumn (-110) C
East Of The Sun (And West Of The Moon) (-99) G
Easter Parade (-89, -129) F in v.88, B-flat in v.129
Easy Living (-7, -75) E-flat
Easy Street (-110) E-flat
Easy To Love (You'd Be So Easy To Love) (-16) C
Ebony Samba (Sambanegro) (-147) A min
Edelweiss (-115) B-flat
Eight Days A Week (-58) C min
Eighty One (-79) F
Eine Kleine Nachtmusik (-63) G
Eine Kleine Nachtmusik ("Rondeau"), Fourth Movement (-159) E-flat
Eine Kleine Nachtmusik ("Serenade"), First Movement Excerpt (-159) G
El Condor Pasa (If I Could) (-122) C min
Eleanor Rigby (-29) E min
Elevation (-42) E-flat
Elogie (-101) D-flat
Eloise (-98) E-flat
Elora (-152) B-flat
Emancipation Blues (-44) G
Embraceable You (-45, -82) E-flat
Emily (-141) B-flat
Emperor Waltz (-63) C
The End (-70) A min
Epistrophy (-5, -156) none
Equinox (-13) C min
E.S.P. (-22) none
Estate (-84) D min
Every Breath You Take (-158) D min
Every Day I Have The Blues (-30) E-flat (A-flat in v.30)
Ev'ry Time We Say Goodbye (-16) E-flat
Everything But You (-88) F
Everything's Alright (-83) F/F min
Evidence (-90) E-flat
F
Fairest Lord Jesus (-157) F
Falling In Love With Love (-21) B-flat
Theme From Family Guy (-64) F
Fancy Pants G min
Fascinating Rhythm (-45) F
Fat Cat (-143) F
Federico (-61) G min
Feels So Good (-65, -127) F
A Felicidade (-84) A min

Feliz Navidad (-38) E-flat
Festive Minor (-43) E min
Fever (-105) A min
Fiddler On The Roof (-139) D
Fields Of Gold (-102) B min
The 59th Street Bridge Song (Feelin' Groovy) (-122) G min/A min
52nd Street Theme (-51, -156) C
Fifty Ways To Leave Your Lover (-122) F
A Fine Romance (-39) C
Fire (-80) F min/D min/C
First Light (-138) A-flat min
First Moves (-33) D min
The First Noel (-111) B-flat
Five Brothers (-19, -43) C
500 Miles High (-67) none
Five Spot After Dark (-55) B min
Flamenco Sketches (-79) C
Flamingo (-84) C
Fly Like An Eagle (-158) A min
Fly Me To The Moon (In Other Words) (-27) A min
Flying Home (-86) E-flat
Focus (-168) F
A Foggy Day (In London Town) (-45, -81) F
The Folks Who Live On The Hill (-39) C
The Fool On The Hill (-29) C
Footprints (-1A, -6, -22) C min
For All We Know (-118, -130) E-flat
For Heaven's Sake (-72) F
For Once In My Life (-107) F
For The Beauty Of The Earth (-157) A-flat
Four (-2) E-flat
Four Brothers (-28) B-flat
Four On Six (-137) G min
Fox Hunt (-53, -152) A-flat
Foxey Lady (-80) D
Fran Dance (-79) B-flat
Theme From "Frasier" (-64) B-flat
Freckle Face B-flat
Freddie Freeloader (-1A, -3) B-flat
Freeway Jam (-135) G
Freight Trane (-59) A-flat
Frenesφ (-84) A-flat
Frere Jacques (Are You Sleeping?) (-134) E-flat
Fried Pies (-137) F
Frieda (With The Naturally Curly Hair) (-57) F
The Frim Fram Sauce (-12) B-flat
From This Moment On (-71) F min
Frosty The Snow Man (-25) C
Full Count (-143) B-flat

Fun Time E-flat
Funkallero (-37) C min
Funky Blues (-142) C
G
Gary's Notebook (-144) B-flat min
Gavotte 1 (-120) C min
Gee Baby, Ain't I Good To You (-73, -128) E-flat
Georgia On My Mind (-34, -56, -94) F
Gentle Rain (-169) A min
Get Me To The Church On Time (-46) G
Giant Steps (-13) F min
The Gift! (Recado Bossa Nova) (-23) D min
Ginger Bread Boy (-74) B-flat
The Girl From Ipanema (Gar⌠ta De Ipanema) (-8) F
Girl Talk (-27) F
Girls & Boys Come Out To Play (-134) D
Give It All You Got (-127) B-flat min
Give Me That Old Time Religion (-157) B-flat/C/D-flat
Give Me The Night (-65) F min
Glad To Be Unhappy (-76) F
Gnid (-168) F
Go, Tell It On The Mountain (-20) F
God Bless' The Child (-130) E-flat
God Rest Ye Merry, Gentlemen (-20) E min/F min/F# min
Golden Horn C min
The Golden Striker (-151) E-flat
Good Bait (-168) B-flat
Good King Wenceslas (-111) B-flat/C
A Good Man Is Hard To Find (-87) B-flat
Good Morning Heartache (-35) D min mod to F
Goodbye (-106) C
Goodbye Pork Pie Hat (-68, -135) E-flat (D min in v.135)
Goodbye Yellow Brick Road (-104) C min
Gorilla Man Blues (-143) A-flat
Got A Match? (-62) D min
The Grand Old Duke Of York (-134) F
Grandpa's Spells (-119) B-flat
Gravy Waltz (-31) C
The Great Pumpkin Waltz (-57) C min mod to G
Green Chimneys (-90) A-flat min
Green Earrings (-78) G min
Green Haze (-79) B-flat
Greensleeves (-20) E min
Groovin' (-152) F
Groovin' High (-9, -48) E-flat
Grown-Up Christmas List (-162) F/D/E-flat
Guataca City (-112) G min
Gunslinging Bird (-68) C min
Gypsy In My Soul (-103, -128) E-flat

Gypsy Jingle-Jangle (-55) D min
H
Habanera (-63) D min
Half Nelson (-2) C
Hallelujah I Love Him (Her) So (-94) F
Hallelujah Time (-109) F
Hallucinations (-101) F
Hang On Sloopy (-146) C
Happiness Theme (-57) F
Happy Go Lucky Local (-30) C
Happy Holiday (-38) B-flat
Happy Xmas (War Is Over) (-162) F
Hard To Say I'm Sorry (-124) B-flat
Hark! The Herald Angels Sing (-20) F
Harlem Nocturne (-105) C min
Haunted Heart (-76) E-flat
Have You Ever Been (To Electric Ladyland) (-80) F
Have You Met Miss Jones? (-11, -129) F
Havona (-116) E
Hawaii Five-O Theme (-64) D min
He's A Tramp (-93) A min
Heart And Soul (-56) F
Heat Wave (-89) G
Heatwave (Love Is Like A Heatwave) (-85) F min/E-flat
Heigh-Ho (-10) B-flat
Hello, Dolly! (-100) C
Hello, I Love You (Won't You Tell Me Your Name?) (-70) B-flat
Hello, Young Lovers (-15) C
Here Comes Santa Claus (Right Down Santa Claus Lane) (-38) E-flat
Here, There And Everywhere (-29, -97) F (G min in v.97)
Here's That Rainy Day (-4) G
Here's To The People (-33) E-flat
Hey Nineteen (-78) E-flat
High Five E-flat
High Fly (-35) C min
Hill Where The Lord Hides (-127) F min
Hip Skip C
Ho-Ba-La-La (-84) G
Hocus-Pocus (-144) F
Hoe-Down (-44) C
A Holly Jolly Christmas (-162) C
(There's No Place Like) Home For The Holidays (-25) C
Homeward Bound (-122) C
Honeysuckle Rose (-34, -121) F
Honky Cat (-104) C
Hot House (-168) C
Hot Toddy (-105) F
A House Is Not A Home (-123) B-flat
How About You? (-169) G

How Deep Is The Ocean (How High Is The Sky) (-14, -49) C min
How Deep Is Your Love (172) E-flat
How High The Moon (-27) G
How Insensitive (Insensatez) (-1A, -8, -130) D min
How Sweet It Is (To Be Loved By You) (-107) B-flat
Hummin' (-136) G
Hymn To Freedom (-109) B-flat
I
I Ain't Got Nothin' But The Blues (-88) F
I Can't Get Started With You (-27) C
I Can't Give You Anything But Love (-77, -131) A-flat
I Can't Stop Loving You (-94) F
I Concentrate On You (-16, -82) E-flat
I Could Write A Book (-11, -128, -131) E-flat
I Cover the Waterfront (-169) G
I Didn't Know About You (-88) F
I Didn't Know What Time It Was (-76) E min
I Don't Know How To Love Him (-83) E-flat
I Feel Pretty (-92) F
I Get A Kick Out Of You (-71, -82) F min
I Get Along Without You Very Well (Except Sometimes) (-56) B-flat
I Got A Woman (-94) F
I Got It Bad And That Ain't Good (-41) G
I Got Rhythm (-45, -53) B-flat
I Got The Sun In The Morning (-89) F
I Gotta Right To Sing The Blues (-118) B-flat
I Guess I'll Hang My Tears Out To Dry (-106) E-flat
I Guess That's Why They Call It The Blues (-104) C
I Have Dreamed (-15) F
I Hear A Rhapsody (-103) C min
I Heard It Through The Grapevine (-107) D min
I Heard The Bells On Christmas Day (-25) F
I Just Called To Say I Love You (-52) E min
I Left My Heart In San Francisco (-95) B-flat
I Let A Song Go Out Of My Heart (-41, -129) E-flat
I Love Paris (-46, -71) C min mod to C
I Loves You, Porgy (-49) F
I Mean You (-156) F
I Never Knew (-126) F
I Remember Bird (-44) F
I Remember Clifford (-55) E-flat
I Remember Wes A min
I Remember You (-7) F
I Saw Mommy Kissing Santa Claus (-162) E-flat
I Saw Three Ships (-134) G
I Say A Little Prayer (-123) G min
I Shot The Sheriff (-102) F min
I Should Care (-136) B-flat
I Thought About You (-99) F

I Wanna Be Around B-flat
I Want To Be A Sideman (-98) E-flat
I Will Always Love You (-145) B-flat/C
I Wish (-52) F min
I Wish I Didn't Love You So (-118) E-flat
I Wish I Were In Love Again (-77) G
I Wished On The Moon (-69) B-flat
I Won't Dance (-77) C
I'll Be Around (-106) C
I'll Be Home For Christmas (-25) C
I'll Be Seeing You (-32) E-flat
I'll Close My Eyes (-73) G
I'll Drown In My Tears (-94) A-flat
I'll Never Fall In Love Again (-123) E-flat
I'll Remember April (-34) G
I'll String Along with You (-169) E-flat
I'll Take Romance (-118) F
I'm Beginning To See The Light (-41, -129) F
I'm Glad There Is You (In This World Of Ordinary People) (-139) F
I’m in the Mood for Love D-flat
I'm Just A Lucky So And So (-41) G
I'm Old Fashioned (-106) E-flat
I'm Putting All My Eggs In One Basket (-89) C
I've Got A Crush On You (-45, -136) A-flat
I've Got My Eyes On You (-71) E-flat
I've Got My Love To Keep Me Warm (-14, -162) E-flat (F in v.162)
I've Got The World On A String (-18, -81) F (E-flat in v.81)
I've Got You Under My Skin (-16, -82) E-flat
I've Grown Accustomed To Her Face (-46) E-flat
I've Heard That Song Before (-32) C
I've Never Been In Love Before (-76) B-flat
Idol Gossip (-42) D min
If Ever I Would Leave You (-132) A-flat
If I Only Had A Brain (-18) F
If I Should Lose You (-7, -142) G min/C
If I Were A Bell (-49) F
If This Isn't Love (-139) B-flat
If You Could See Me Now (-168) A-flat
If You Leave Me Now (-124) C
If You Never Come To Me (Inutil Paisagem) (-117) C
Ill Wind (You're Blowin' Me No Good) (-103) B-flat
Imagine (172) C
Impressions (-1A, -6, -13) none
Impressions Of Tiananmen Square (-113) D min
In A Mellow Tone (-1) A-flat
In A Sentimental Mood (-1) D min
In A Silent Way (-140) E
The "In" Crowd (-105, -146) E-flat
In Love In Vain (-141) E-flat

In My Life (-58) B-flat
In The Cool, Cool, Cool Of The Evening (-56) F
In The Garden (-157) B-flat
In The Mood (-28) A-flat
In The Still Of The Night (-16) F
In The Wee Small Hours Of The Morning (-118) C
In Walked Bud (-156) F min
In Your Own Sweet Way (-) E-flat
Indian Summer (-24) A-flat
Indiana (Back Home Again In Indiana) (-24) F
Intermission Riff (-28) D-flat
Into It (-132) D min
Introspection (-156) none
Invitation (-23) C min
Is You Is, Or Is You Ain't (Ma' Baby) (-105) A min
Isfahan (-72) D-flat
The Island (Comecar De Novo) (-147) none
Isn't It A Pity? (-45) C
Isn't It Romantic? (-21) E-flat
Isn't She Lovely (-52) C min
Isn't This A Lovely Day (To Be Caught In The Rain?) (-89) G
Israel (-12) C min
It Ain't Necessarily So (-45) G min
It Came Upon The Midnight Clear (-20) B-flat
It Could Happen To You (-27) F
It Don't Mean A Thing (If It Ain't Got That Swing) (-1, -129) B-flat/G min
It Had to Be You (-169) A-flat
It Might As Well Be Spring (-15, -47) G
It Never Entered My Mind (-46) F
It's A Most Unusual Day (-108) G
It’s a Raggy Waltz G
It's A Small World (-93) F
It's All Right With Me (-16) E-flat
It's Beginning To Look Like Christmas (-162) A-flat
It's De-Lovely (-16) F
It's Easy To Remember (-47) F min
It's My Life (-158) D min
It's Only A Paper Moon (-18) F
It's Too Late (-102) C min
It's You or No One (-168) E-flat
J
Ja-Da (-24) A-flat
The Jasmine Tree (-114) G
Jay Bird (-152) A-flat
Jeannine (-139) A-flat min
Jelly Roll (-68) B-flat min
Jelly Roll Blues (-119) E-flat
Jeepers Creepers B-flat
Jersey Bounce (-28) C

Jeru (-42) E-flat
Jeruvian (-75) A-flat
Jesu, Joy Of Man's Desiring (-63, -120) F
Jesus Loves Me (-157) E-flat
Jet Song (-92) B-flat
Jingle Bells (-111) F
Jingles (-51) E min
Jitterbug Waltz (-31) E-flat
The Jive Samba (-50, -59, -136) F
The Jody Grind (-36) B-flat min
The Joker (-144) E-flat
Jordu (-74) C min
Journey To A Rainbow (-127) C
Joy To The World (-20) C mod to E-flat
Joyce's Samba (-139) C
Juju (-22) none
Julia (-58, -146) C
Jump For Joy (-74) E-flat
Jump, Jive An' Wail (-32) B-flat
Jumpin' At The Woodside (-17) B-flat
Jumpin' With Symphony Sid (-160) C
June In January (-47, -130) E-flat
Just A Closer Walk With Thee (-157) B-flat/C
Just Friends G
Just In Time (-118) B-flat
Just One Of Those Things (-71) D min
Just Squeeze Me (But Don't Tease Me) (-54) F
Just The Two Of Us (-65) D-flat
Just You 'N' Me (-124) B-flat
K
Kansas City (-126) B-flat
Kansas City Stomp (-119) E-flat
Kid Charlemagne (-78) D min
Killer Joe (-6, -55) C
Killing Me Softly With His Song (-102) F min
Kinda Cute (-160) C
King Porter Stomp (-119) A-flat/D-flat
A Kiss To Build A Dream On (-100) C
Klactoueededstine (-142) B-flat
L
La Ronde (-151) C/D-flat
L.A. Woman (-70) G
Lady Bird (-5, -168) C min
The Lady Is A Tramp (-11, -82) C
Lady Madonna (-29) E-flat
The Lady's In Love With You (-110) G
Lament (-72, -152) F
Lament For Booker (-138) B-flat
The Lamp Is Low (-169) G

Land Of Make Believe (-127) B-flat
Las Guajiras (-61) G min
The Last Time I Saw Paris (-110) A-flat
Latin Reaction (-143) C min
Laudate Dominum (-159) F
Laura A min
Lazy Bird (-13) G
Lazy River (-56, -131) F
Lazybones (-56) C
Lean on Me (172) B-flat
Learn To Be Lonely (-83) B-flat
Learnin' The Blues (-81) C min
Led Boots (-135) G
Les Fleurs (-146) E-flat
Lester Leaps In B-flat
Let It Be (-29) C
Let It Snow! Let It Snow! Let It Snow! (-25) G min
Let The Good Times Roll (-94) F
Let There Be Love (-99) E-flat mod to E
Let's Call The Whole Thing Off (-45) G
Let's Call This (-91) E
Let's Dance (-86) E-flat
Let's Eat Home (-98) E-flat
Let's Face The Music And Dance (-14) C min
Let's Get Away From It All (-82) E-flat
Let's Get It On (-107) E-flat
Let's Get Lost (-69) E-flat
Liberty City (-116) G
Light My Fire (-70) A min
Like Someone In Love (-118) C
Like Young (-110) B-flat
Li’l Darlin’ F
Limehouse Blues (-24, -121) A-flat (G in v.121)
Linda Guajira (-61) G
Line For Lyons (-19, -43) G
Linus And Lucy (-57, -66) A-flat
Listen Here (-98) F
Litha (-67) E min
Little Boat (-40, -128, -129) B-flat
Li'l Darlin' (-17) F
Little Girl Blue (-11) F
Little Sunflower (-1A, -50, -138) D min
Little Waltz (-108) F min
Little White Lies (-160) D-flat
Little Willie Leaps (-51) F
Little Wing (-80) A min
Lollipops And Roses (-118) E min mod to F
London Bridge Is Falling Down (-134) E-flat/E-flat min
The Lonely Bull (-164) A-flat

The Lonely Goatherd (-115) F
The Lonely Night (Night Lights) (-42) C min
Long Ago (And Far Away) (-39) F
The Long And Winding Road (-58) E-flat
Long Tall Dexter (-60) B-flat
Look For The Silver Lining (-77) E-flat
The Look of Love D min
Look To The Rainbow (-108) E-flat
Look To The Sky (-117) E-flat
Lookin' For Love (-145) E-flat
Lookin' Good (-98) B-flat
The Loop (-67) F
Loose Ends (-62) E min
Lotus Blossom (-88) B-flat
L-O-V-E (-95) G/A-flat/A
Love And Marriage (-64) C
Love Ballade (-109) D/E-flat
Love Bug Boogie (-127) E-flat
Love For Sale (-71) B-flat
Love Is A Simple Thing (-99) C
Love Is Here To Stay (-45) F
Love Is Just Around The Corner (-118) F mod to D min
Love Letters (-47) G
Love Me Two Times (-70) F min
Love Walked In (-45) E-flat
Love You Madly (-54, -88) F
Love, Look Away (-15) E-flat
Lover (-27) C
Lover Man (Oh, Where Can You Be?) (-54) D min
Loves Me Like A Rock (-122) F/G-flat/G
Lucky To Be Me (-92) F
Lullaby Of Birdland (-7, -131, -160) D min/F min
M
Mack The Knife (-100, -169) C
Mad Be-Bop (-152) E-flat
The Magic City (-113) C
Mahjong (-22) F min
Maiden Voyage (-1A) D
Make Me Smile (-124) B-flat/G min
Make Someone Happy (-46) E-flat
Makin’ Whoopee G
Mambo From The Dance At The Gym (-92) G min
Mame (-100, -164) C/D-flat/D
A Man And A Woman (Un Homme Et Une Femme) (-40, -131) E-flat (E in v. 131)
The Man I Love (-45) E-flat
Man In The Green Shirt (-140) B-flat
Man in the Mirror (172) C/D-flat
The Man That Got Away (-99) F
Manhattan (-21) F
Mania De Maria (-147) D min
Manic Depression (-80) A-flat
Manila (-61) C
Manteca (-9) B-flat
Maputo (-155) G min
Mar-Cia (-132) E-flat
Marble Arch (161) A-flat
Maria (-92, -115) C
Mariel (-112) C min/G min
A Marshmallow World (-38) E-flat
Mas Que Nada (-23) A min
Maybe I'm Amazed (-97) D
Maybe You'll Be There (-72) E-flat
Mean To Me (-103) F
Meditation (Meditacao) (-8, -130) C
Menina Flor (-84) E-flat
Mercy, Mercy Me (The Ecology) (-85) E-flat/E/A min
Mercy, Mercy, Mercy (-35, -59, -140) B-flat/G min
Merry Christmas, Darling (-38) B-flat
Mess Around (-94) B-flat
Michelle (-58) F min
Mickey Mouse March (-93) F
Midnight Mood (-140, -160) D-flat (E-flat in v.160)
Midnight Sun (-110) C
Milano (-114) D min
Milenberg Joys (-119) B-flat
Milestones (-2, -12) F
Mimosa F min
Minor Swing (-121) A min
Minuet In F Major, K. 2 (-159) F
Minuet In G (-63, -120) G
Minuet In G Major, K. 1 (-159) G
Minute By Minute (-65) C
Mirror, Mirror (-67) C
Miss Fine (-44) C min
Mission: Impossible Theme (-64) G min
Mission To Moscow (-86) B-flat
Mrs. Robinson (-122) A-flat
Mr. Kenyatta (-144) G min
Mr. Lucky (-154) B-flat
Mr. P.C. (-3, -13) C min
Mistletoe And Holly (-162) B-flat
Misty (-4, -129) E-flat
Moanin' (-6) F min
Moment To Moment (-154) G min
Moment's Notice (-13) E-flat
Mona Lisa (-95) E-flat
Money (-158) C min
Money In The Pocket (-140) C

Monk-Tuno (-112) C
Monk's Dream (-90) D
Monk's Mood (-156) F min
Mood (-79) F min
Mood Indigo (-41) A-flat
Moon River (-31, -126, -154) C
Moondance (172) A min
Moonglow (-106) E-flat
Moonlight Becomes You (-126) F
Moonlight In Vermont (-54) E-flat
Moose The Mooche (-26) B-flat
More G
The More I See You E-flat
More Than You Know (-47) C
Morgan The Pirate (-144) E-flat
Mornin’ D/E-flat
Morning Dance (-65) F
The Most Wonderful Time Of The Year (-38) B-flat
Moten Swing (-17) A-flat
Mountain Greenery (-21) C
Move (-51) B-flat
Movin' Along (Sid's Twelve) (-73) E-flat
Mr. Jelly-Lord (-119) B-flat
Must Be The Blues (-143) G
My Attorney Bernie (-98) D min
My Bells (-37) C
My Cherie Amour (-52) G
My Favorite Things (-15, -38, -115, -131) E min
My Foolish Heart (-4, -130, -141) B-flat
My Funny Valentine (-4, -21, -49, -129) C min
My Girl (-107) B-flat mod to C
My Guy (-85) B-flat
My Heart Belongs To Daddy (-71) C min
My Heart Stood Still (-21, -141) F
My Ideal (-118) E-flat
My Little Drum (-66) F
My Little Suede Shoes (-26) E-flat
My Love (-97) F
My Old Flame (-54) G
My One And Only Love (-4) C
My Romance (-4, -11, -128) C
My Serenade (-121) C
My Shining Hour (-18) E-flat
My Ship (-106) F
N
Naima (Niema) (-13) A-flat
Nancy - With The Laughing Face (-81) C min
Nardis (-2) E min
Nature Boy (-108) D min

Nearer, My God, To Thee (-157) G
The Nearness Of You (-4) F
Nefertiti (-12, -22) C min
Never Can Say Goodbye (-107) E-flat
Never Say Yes (-136) G
Never Will I Marry (-129) B-flat
New World Symphony (Theme) (-63) A
New York, New York (-92) E-flat/E/F
Nica's Dream (-36) B-flat min
Nice 'n' Easy (-81) C
Nice Work If You Can Get It (-45) A-flat
Nigerian Marketplace (-109) A min
Night And Day (-71, -81) E-flat
Night Dreamer (-22) G
The Night Has A Thousand Eyes (-54, -128) G
A Night In Tunisia (-9) D min
Night Life (-145) E-flat
Night Lights (-73) E-flat
Night Train (-35) B-flat
A Nightingale Sang In Berkeley Square (-47) E-flat
Nights At The Turntable (-43) C
No Moe (-53) B-flat
Nobody Else But Me (-69) E-flat
Nocturne In F Minor (-63) F min
Noreen's Nocturne (-109) E-flat
North Atlantic Run (-43) G
Norwegian Wood (This Bird Has Flown) (-58) E-flat
Nostalgia In Times Square (-68) E-flat
Now He Beats The Drum, Now He Stops (-67) C min
Now's The Time (-1A, -3, -26) F
Nuages (-50, -121) G
Nutville (-59) C min
O
O Christmas Tree (-111) F
O Come, All Ye Faithful (Adeste Fideles) (-20) G
O Grande Amor (-117) A min
O Little Town Of Bethlehem (-20) F
O Morro Nao Tem Vez (Favela) (Somewhere In The Hills) (-117) G min
O Pato (The Duck) (-84) D
O Tannenbaum (-66) F
Ob-La-Di, Ob-La-Da (-58) B-flat
Oblivion (-101) E-flat
The Odd Couple (-64) D min
Ode To Joy (-63) E-flat
Off Minor (-156) G min
Oh, Good Grief (-57) C
Oh Happy Day (-146) F
Oh, Lady Be Good! (-45) F
Oh, What A Beautiful Mornin' (-31) B-flat

Ol' Man River (-76) E-flat
(The Old Man From) The Old Country (-136) B-flat min
Old Devil Moon (-46) F
Old King Cole (-134) G min
Oleo (-5, -33, -53) B-flat
On A Clear Day (You Can See Forever) (-77) G
On A Slow Boat To China (-118, -133) E-flat
On Broadway (-102) F mod to G-flat mod to G
On Green Dolphin Street (-49, -103) E-flat
On The Other Side Of The Tracks (-77) G
On The Road Again (-145) F
On The Sunny Side Of The Street (-32, -126) C
Once I Loved (Amor Em Paz) (Love In Peace) (-8) G min
Once in a While (-169) E-flat
Once Upon A Dream (-93) F
One For Daddy-O (-136) B-flat
One For Helen (-37) C min
One For My Baby (And One More For The Road) (-81) E-flat/G
One Man's Dream (-140) B-flat min
One Mint Julep (-126) A-flat
One Morning In May (-56) D
One Note Samba (Samba De Uma Nota So) (-8) F min
One O'Clock Jump (-17) D-flat
Only Trust Your Heart (-40, -131) C
Ooo Baby Baby (-85) B-flat
The Opener (-37) C
Opus De Funk (-36) B-flat
Opus One (-28) G
Orbit (-37) G min
Orchids and Butterflies C
Ornithology (-5, -26) G
Our Delight (-69, -168) A-flat
Out Of Nowhere (-7) G
Outra Vez (-117) D
Over The Rainbow (-18, -169) E-flat
P
Pannonica (-91) none
Paper Doll (-24) F
Para Ti (-61) E min
Parisian Thoroughfare (-101) F
Part Time Lover (-52) B-flat min
Pavane (-63) G min
Pavane (For A Dead Princess) (-63) G
Pay Juaquin (-61) F
Peace (-36) B-flat
The Pebble Beach Theme (-57) F
Peel Me A Grape (-98) A min
Peg (-78) F
Peggy's Blue Skylight (-68) D-flat

Pennies From Heaven (-99) C
Pent Up House (-51) G
People Are Strange (-70) F min
People Get Ready (172) C
People Will Say We're In Love (-76) C
Perdido (-1) B-flat
Peri's Scope (-50) C
Peter Gunn (-154) F
Petite Fleur (-84) G min
Petits Machins (-79) C
Pfrancing (No Blues) (-79) F
Phase Dance (-50) B min
Piano Concerto No. 20, Second Movement ("Romanza") Excerpt (-159) B-flat
Piano Concerto No. 21 in C Major ("Elvira Madigan"), Second
Movement Excerpt (-159) F
Pick Up The Pieces (-97) F min
Pick Yourself Up (-39) F
Pinball Wizard (-158) C
The Pink Panther (-154) E min/G min
Pithecanthropus Erectus (-68) F min
Place St. Henri (-109) B-flat
Poinciana (Song Of The Tree) (-96) G
Polka Dots And Moonbeams (-126) F
Poor Butterfly (-24) A-flat
Porky (-139) B-flat
Portrait (-68) D-flat
The Preacher (-36) F
Prelude To A Kiss (-1, -129) C
Punk Jazz (-116) none
Pure Imagination (-103) E-flat
Purple Haze (-80) E-flat
Pursuance (Part III) (-51) B-flat min
Put On A Happy Face (-77) E-flat
Puttin' On The Ritz (-89) F min
Q
Quasimodo (-142) E-flat
The Queen Bee F
The Queen's Fancy (-114) B-flat
Quiet Nights Of Quiet Stars (Corcovado) (-8, -130) C
Quizßs, Quizßs, Quizßs (Perhaps, Perhaps, Perhaps) (-96) E min
R
The Rainbow Connection (-108) G
Raindrops Keep Fallin' On My Head (-123) F
Rainy Days And Mondays (-102) E-flat
Ran Kan Kan (-23) D
Rare Moment C
Reach Out, I'll Be There (-85) G min
Real Live Girl (-77) F
Recorda-Me (-1A) A min

Red Clay (-12, -138) C min
Red Cross (-53) B-flat
Reflections (-90) A-flat
Relaxin' At The Camarillo (-51) C
Retrado em Branco e Preto G
Reunion Blues (-73, -114) F
Revelation (-62) G
Rhythm-a-ning (-91) B-flat
Ribbon In The Sky (-52) E-flat min/E min/F min
Riders On The Storm (-70) E min
Rikki Don't Lose That Number (-78) B-flat
Rio (-147) F min
Rise (-155, -164) F min
River People (-116) E mod to F
Road Song (-50, -137) G min
Roadhouse Blues (-70) E-flat
Robbin's Nest (-103) D-flat
Rock-A-Bye, Baby (-134) A
Rock Salt a/k/a Rocker (-42) B-flat
Rocket Man (I Think It's Gonna Be A Long Long Time) (-104) D min
Rockin' In Rhythm (-69) C
Rockin' Around The Christmas Tree (-162) C
Rockin' Chair (-56) E-flat
Rose Room (-24) A-flat
Rosetta (-103) F
'Round Midnight (-91) C min
Route 66 (-32) F
Royal Garden Blues (-87) F mod to B-flat
Ruby, My Dear (-156) F min
Rude Old Man (-75) B-flat
Rudolph The Red-Nosed Reindeer (-25) C
S
'S Wonderful (-45) E-flat
Sabroso (-61) D
Sack Of Woe (-139) F
St. Louis Blues (-24) A-flat
St. Thomas (-6, -33) C
Salt Peanuts (-9) F
Samantha C
Samba Cantina (-75) F min
Samba De Orfeu (-75) D-flat
Samba Dees Days (-133, -147) G
Samba For Carmen (-113) E-flat
Santa Baby (-162) G
Santa Claus Is Comin' To Town (-38) B-flat
Saratoga Hunch (-98) C/E-flat
Satin Doll (-1A, -1, -12) C
Saturday In The Park (-124) C min/E-flat
Savior, Like A Shepherd Lead Us (-157) D-flat

Say It Isn't So (-89) B-flat
Scatterbrain (-135) B-flat min
Scotch and Water (-140) B-flat
Scrapple From The Apple (-5, -26) F
Secret Love F
Se±or Blues (-36) E-flat min
Sentimental Journey (-32) C
September In The Rain (-160) E-flat
September Song (-110) C
The Sermon (-73) E-flat
Settin' The Pace (-60) F
Seven Come Eleven (-32) A-flat
Seven Steps To Heaven (-2) F
Shadow Dancers C min
The Shadow Of Your Smile (-40) E min
Shaker Song (-155) C
Shawnuff (-9) B-flat
She's A Carioca (-117) C
She's A Woman (-135) E
She's Funny That Way (-126) E-flat
Sheep May Safely Graze (-120) B-flat
Shiny Stockings (-17) F
Show-Type Tune (Tune For A Lyric) (-37) F
Shuffle Boil (-91) F
Siciliano (-120) D min
Sid's Delight (-168) A-flat
Sidewinder (-6, -144) E-flat
Signed, Sealed, Delivered I'm Yours (-85) A-flat
Silent Night (-20) C
Silhouette (-155) F
Silver Bells (-25) B-flat
Simple Samba (-147) none
Theme From The Simpsons (-64) E-flat
Sing, Sing, Sing (-86) E min/A min
The Single Petal Of A Rose (-72) D-flat
Sir Duke (-52) C
Sister Sadie (-36) G
Six And Four (-44) F
Six Appeal (-86) F min
601 Blues (-143) C
Sixteen Going On Seventeen (-115) F
Skating (-57, -66) C
Skating In Central Park (-114) C
Skylark (-56) E-flat
Sleepers, Awake (Wachet Auf) (-120) F
A Sleepin' Bee (-69, -141) A-flat
Slip Slidin' Away (-122) F
Slipped Disc (-86) A-flat
Slippers (-68) B-flat

Small Fry (-54) E-flat
Small World (-46) E-flat
Smells Like Teen Spirit (-158) F min
Smoke Gets In Your Eyes (-103) E-flat
A Smooth One (-86) F
The Smudge (-109) E-flat
Snakes (-62) G
Snow Samba (-113) F min
Snowfall (-25) F
S≤ Danτo Samba (Jazz 'N' Samba) (-8) C
So Easy (-60) E-flat
So Long, Farewell (-115) C
So Nice (Summer Samba) (-23, -128) F
So Sorry Please (-101) E-flat
So What (-2) none
A Social Call (-114) E-flat
Soft Lights And Sweet Music (-89) F
Softly As In A Morning Sunrise (-27) C min
Solar (-1A, -2) C min
Solitude (-41) E-flat
Some Day My Prince Will Come (-10, -49) B-flat (Disney version: F)
Some Enchanted Evening (-47) E-flat
Some Other Spring (-72) C
Some Other Time (-92) C
Somebody Loves Me (-130) F
Someone To Light Up My Life (Se Todos Fossem Iguais A Voce) (-117) B-flat
Someone To Watch Over Me (-45) E-flat
Something Good (-115) F
Somewhere (-92) E-flat
Song For Maura (-113) G min
Song For My Father (-1A, -12, -36) F min
Song For Strayhorn (-43) D
The Song Is Ended (But The Melody Lingers On) (-89) E-flat
The Song Is You (-39, -131, -132) C
Song Of The Jet (Samba do Aviao) (-40) E-flat
Song To My Son (-112, -113) A min
Songbird (-65) A min
Sonnymoon For Two (-30, -33) B-flat
Sophie (-135) E-flat min/G
Sophisticated Lady (-1) A-flat
Soul Eyes (-69) C min
Soultrane (-168) E-flat
The Sound Of Music (-115) F
(I Can Recall) Spain (-67) D
Spain (-62) B min
Spanish Flea (-164) B-flat
Spanish Harlem (-164) E-flat
Speak Low (-27) G min
Speak No Evil (-22) C min

Speedball (-144) D-flat
Theme From Spider Man (-64) C min
Spiral B min
Spring Can Really Hang You Up The Most (-106, -133) C
Spring Is Here (-132) A-flat
Stablemates (-55) D-flat
Star Eyes (-142) E-flat
Theme From "Star Trek(R)" (-64) C
Stardust (-34, -56) D min
Steamsville (-143) B-flat
Steeplechase (-53) B-flat
Stella By Starlight (-7) B-flat
Step Lightly (-55) D min
Steppin' Out With My Baby (-14) D min
Sticks (-59) B-flat
Still Crazy After All These Years (-122) B-flat/C
Stolen Moments (-6, -44) C min
Stompin' At The Savoy (-28, -128) F
Stormy Weather (Keeps Rainin' All The Time) (-18) A-flat
Straight Ahead (-44) C min
Straight Life (-138) F
Straight No Chaser (-90) B-flat
Street Life (-65, -164) F min (C min in v.164)
Street of Dreams E-flat
A String Of Pearls (-28) C/A-flat
Strollin' (-36) D-flat
Sugar (-35) C min
Song From M*A*S*H (Suicide Is Painless) (-75, -141) D min
Suite Sioux (-138) D min
Summer Wind (-82) E-flat/F/G
Summertime (-45, -160) A min
Sun Goddess (-146) F
Sunday (-77) C
A Sunday Kind Of Love (-54) F
Sundown (-137) A
Sunny (-73) A min
Sunshower (-132) A min
Super Jet (-168) B-flat
Superstar (-83) E-flat
Sure Thing (-72) E-flat
Surfin' Snoopy (-57) C
The Surrey With The Fringe On Top (-15, -129) F
Sway (Quien Sera) (-95) D min
Sweet And Lovely (-141) C
Sweet Georgia Bright (-35) C
Sweet Georgie Brown (-169) E-flat
Sweet Happy Life (Samba de Orpheo) (-23) C
Sweet Lorraine (-133) F
The Sweetest Sounds (-15) D min/F

The Sweetheart Tree (-154) F
Swing 42 (-121) C/E
Swing Spring (-79) B-flat
The Swingin' Shepherd Blues (-30) C
Swinging on a Star B-flat
Switchin' (-137) F
Syeeda’s Song Flute none
Symphony No. 40 in G Minor, First Movement Excerpt (-159) G min
Symphony No. 40 in G Minor, Fourth Movement (Allegro) G min
T
Take Five (-, -12, -75, -97) E-flat min (G min in v. 97)
Take Ten (-75) D min
Take The "A" Train (-1) C
Take The Coltrane (-30) F
Takin' It To The Streets (-158) C
Taking a Chance on Love C
Tangerine (-27) G min
A Taste Of Honey (-108, -164) D min (Beatles ver: F-# min)
Teach Me Tonight (-126) E-flat
Teaneck (-136) B-flat min
Tea for Two (-169) A-flat
Teen Town (-116) C mod to E
Teenie's Blues (-44) F
Tempus Fugit (-48) G min
(Love Is) The Tender Trap (-95) F
Tenderly (-31, -141) B-flat (E-flat in v.141)
Tennessee Waltz (-145) C
Tenor Madness (-3) B-flat
Tequila (-137) A
Thank You (161) B-flat min
Thanks for the Memory G min
That Old Black Magic (-18) E-flat
That's A Plenty (-87) D min
That’s All B-flat
Theme For Jobim (-42) G min
There Is No Greater Love (-34) C
There Will Never Be Another You (-7, -128, -131) E-flat
There's A Small Hotel (-11) E-flat
These Foolish Things (Remind Me Of You) (-126) E-flat
They All Laughed (-45) G
They Can't Take That Away From Me (-45) E-flat
They Say It's Wonderful (-14) F
Things Ain't What They Used To Be (-3) B-flat
Things To Come (-9) F min
Think Of One (-90) F
Think On Me (-50) none
Third Stone From The Sun (-80) B-flat
34 Skidoo (-37) A min
This Can't Be Love (-21) A-flat

This Christmas (-162) F
This Guy's In Love With You (-123) C
This Here (-73) F
This Masquerade (-65) F min
Thou Swell (-21, -129, -130) E-flat
Three Blind Mice (-134) C
Three Views Of A Secret (-62, -116) E/D-flat/G
Ticket To Ride (-29) A
Tico Tico (Tico Tico No Fuba) (-96) A min mod to A
Tiger Rag (Hold That Tiger) (-87) B-flat/E-flat/A-flat
Till There Was You (-46) E-flat
Time After Time (-82) C
Time Out Of Mind (-78) B-flat
Time Remembered (-37) none
To All The Girls I've Loved Before (-145) G/A-flat
To Brenda (With Love) (-113) C
Tones For Joan's Bones (-67) none
Tonight (-92) B-flat
Too Close For Comfort (-46) C
Too High (-52) A min
Too Late Now (-118) C
Too Young To Go Steady (-72) B-flat
Toot, Toot, Tootsie! (Good-bye!) (-87) C
Tootsie Roll (-133) F
Top Hat, White Tie and Tails C
Topsy (-51) B-flat min
Totem Pole (-144) E-flat min
Touch Me (-70) A min mod to D-flat
Tour De Force (-9) A-flat
Tourist In Paradise (-155) G min
Toyland (-111) F
Trains And Boats And Planes (-123) B-flat mod to G min
Triste (-8) A
Tristeza (-147) B-flat
Trixie (-152) F
The Trolley Song (-) E-flat
Truffles (-109) D min
Try To Remember (-108) F
Tune Up (-2) D
Turkish Rondo (-159) F min
Turn Out The Stars (-37) none
Turn Your Love Around (-155) A min
Turnaround (-30) C
Turnpike (-152) B-flat
Tuxedo Junction (-28) B-flat
25 Or 6 To 4 (-124) G min
Twinkle, Twinkle Little Star (-134) G
Twisted (-30) C
Twisted Blues (-137) B-flat

Two Bass Hit (-74) C mod to D-flat
Two Degrees East, Three Degrees West (-114) F
U
Ugly Beauty (-91) D-flat
Un Poco Loco (-101) C
Unchain My Heart (-94) A min
Under The Sea (-93) B-flat
Unit 7 (-59) C
Until I Met You (Corner Pocket) (-17) D-flat
Up Jumped Spring (-74, -138) B-flat
Up On The Housetop (-111) E-flat
(Used To Be A) Cha Cha (-116) D min
V
Valse Hot (-108) A-flat
Vendome (-151) G min
The Very Thought Of You (-34) A-flat
Violets For Your Furs (-136) F
Vivo Sonhando (Dreamer) (-117, -133) G
Voodoo Child (Slight Return) (-80) A min
W
Wade In The Water (-146) D min
Wail (-101) E-flat
Wait Till You See Her (-76) E-flat
Wakyumwa Katamganga C
Walk On By (-123) C min
Walkin' Shoes (-19, -43) E-flat in v.43, G in v.19
Waltz For Debby (-19, -37) D min mod to F
Waltz For Moe (-112) C min
Wapango (-112) C min
Warm Breeze F
Watch What Happens (-23, -40) E-flat
Watermelon Man (-61, -62) F
Wave (-8, -40) D
The Way You Look Tonight (-39) C
We Need A Little Christmas (-162) F
We Three Kings Of Orient Are (-111) D min
We Wish You A Merry Christmas (-111) C
Weasel Shuffle (-97) G
Wee Dot (-152) B-flat
Well You Needn't (It's Over Now) (-6, -156) F
West Coast Blues (-31, -137) B-flat
White Rabbit G
What A Diff'rence A Day Made (-110) F
What A Fool Believes (-102) A min mod to E-flat
What A Friend We Have In Jesus (-157) F
What A Wonderful World (-95, -100) F
What Becomes Of The Broken Hearted (-107) F
What Child Is This (-66) F min
What Is There To Say (-69) B-flat

What Is This Thing Called Love? (-71) F min
What Now My Love (-96, -164) G/A-flat
What The World Needs Now Is Love (-123) B min
What'd I Say (-94) F
What'll I Do? (-14, -31) C
What's Going On (-85) E-flat
What's New? (-32, -132) C in v.32, E-flat in v.132
Whatever It Takes (-143) F
When I Fall In Love (-47) E-flat
When Joanna Loved Me (-75) E-flat
When Lights Are Low (-110) E-flat
When Sunny Gets Blue (-7, -130) G min
When The Saints Go Marching In (-87) F
When The Sun Comes Out (-105) B-flat
When The World Was Young (-133) D-flat
When You Wish Upon A Star (-10) F
Where Or When (-21) E-flat
While We're Young (-108) E-flat
Whisper Not (-19, -55) D min
Whistle While You Work (-10) C
White Christmas (-162) E-flat
Who Can I Turn To (When Nobody Needs Me) (-141) E-flat
Who's Afraid Of The Big Bad Wolf? (-10) G
Who's Smokin'? (-113) B-flat/C min
A Whole New World (-93) F/A-flat
Wholly Cats (-86) G
Why Can't You Behave? (-77) B-flat
Wichita Lineman (-145) B-flat
Willow Weep For Me (-27) G
The Wind Cries Mary (-80) F
Wind Machine E-flat
Windows (-50, -67) none
Windy (-137) F
Wishing You Were Here (-124) G min
Witch Hunt (-22) C min
Witchcraft (-81, -141) F (E-flat in v.141)
With a Little Help from My Friends (172) B-flat
Wives And Lovers (Hey, Little Girl) (-31, -129) B-flat
Wolverine Blues (-119) B-flat
Wonderwall (-158) D min
Woodyn' You (-5, -9) D-flat
Work Song (-59, -136, -164) F min/G min
Y
Yardbird Suite (-5, -26) C
Yearnin' (-44) C
Yellow Submarine (-58) F
Yes And No (-22) E min
Yesterday (-29, -97) F
Yesterdays (-1A, -39, -49, -131) D min

You and the Night and the Music C min
You Are Beautiful (-76) E-flat
You Are My Sunshine (-105, -145) F
You Are So Beautiful (-102) F
You Are The Sunshine Of My Life (-52) C
You Are There (-98) E-flat
You Are Too Beautiful (-11, -118, -128) C
You Belong To My Heart (Solamente Una Vez) (-96) E-flat
You Better Go Now (-76) E-flat
You Brought A New Kind Of Love To Me (-54) A-flat
You Call It Madness (But I Call It Love) (-74) F
You Don't Know Me (-94) E-flat
You Don't Know What Love Is (-47) G min
You Got It (-139) A min
You Know What I Mean (-135) D
You Make Me Smile (-155) F/G
You Stepped Out of a Dream C
You Took Advantage Of Me (-21) E-flat
You'd Be So Nice To Come Home To (-16) A min
You're All I Want For Christmas (-162) F
You're Looking At Me (-72) C
You're My Everything (-138) A min
You're Nobody 'til Somebody Loves You (-95, -131) F
You've Changed (-72) E-flat
You've Got A Friend In Me (-10) E-flat
Young At Heart (-131) B-flat
Younger Than Springtime (-15) E-flat
Your Song (-104) E-flat
Z
Zanzibar (-98) B-flat
Zingaro (Retrato Em Branco E Preto) (-117) G min
Zip-A-Dee-Doo-Dah (-10) B-flat
Listado de temas de Jamey Aebersold
Pistas de acompañamiento – play alongs
www.jazzbooks.com
10/17/21 76 How to learn tunes Bebop Db 126 3 11
24-Measure Song** 1 How to play and improvise Exercise C 138 5 10
26-2 75 Countdown to Giant Steps Bebop F 225 10 d2,10
26-2 (Confirmation) 28 Cotrane Bebop F 210 7 6
3/4 Double-Up Blues 88 Millenium Blues Blues Eb 144 12 5
4 measure Cadences 1 How to play and improvise Exercise -
500 Miles High 95 500 miles high Bossa C- 126 12 6
6/8 Modal Blues 2 Nothin but Blues Blues C- 184 10 3
7/4 - 3/4 4 Movin on Contemp C- 196 6 10
88 Basie Street 37 Sam Nestico Swing C 118 4 2
A Bientot 95 501 miles high Bossa C- 144 3 8
A Child Is Born 91 Players Choice Standard Bb 92 6 7
A Flower Is A Lovesome Thing 66 Billy Strayhorn Ballad Db 56 2 10
A Foggy Day 25 All time standards Standard F 208 8 d1,7
A Little Of This? 42 Blues in all keys Blues F 100 8 10
A Loan To Gather 101 Secret of the Andes Waltz C- 138 7 6
A Love Supreme 28 Cotrane Modal F- 114 - 9
A Night In Englewood 77 Paquito de Rivera Bossa A 108 5 2
A Night In Tunisia 43 Groovin' high Bebop D- 138 5 4
A Search For Who? 57 Minor Blues All Keys Blues A- 112 13 10
A Time For Love 40 Round Midnight Ballad Bb 76 2 d2,9
A Warm Breeze 37 Sam Nestico Standard F 120 4 7
A Weaver Of Dreams 46 Out of this world Standard C 104 4 6
Above and Below 83 Brecker Brothers Latin/Fus Ab 138 - 9
Achin' And Breakin' 88 Millenium Blues Blues F 56 7 1
Action 29 Jimi Raney Bebop D 208 6 8
Adam's Apple 33 Wayne Shorter Blues Ab 178 7 d2,2
African Skies 83 Brecker Brothers Fusion F 92 - 2
Afro Blue 64 Salsa/Latin Jazz Afro/Cub F- 184 13 6
After You've Gone 44 Autumn Leaves Standard C 176 6 5
After You've Gone 79 Avalon Standard F 216 8 11
Afternoon In Paris 43 Groovin' high Bebop C 124 5 5
Afternoon In Paris 70 Killer Joe Standard C 132 5 6
Agitation 4 Movin on Contemp Bb- 256 5 4
Ah! A Bossa 47 I got rythm, all keys Standard Gb 112 3 6
Airegin 8 Sonny Rollins Bebop F- 246 8 8
Algo Bueno 65 Four and more Bebop Db 142 4 d2,9
All Blues 50 Magic of Miles Blues G 104 8 4
Contemporary Standards &
All Blues 81 Originals Standard G 120 10 3
All My Love 105 Dave Brubeck Ballad A- 48 2 8
All Of Me 95 502 miles high Swing C 160 7 1
All Or Nothing At All 44 Autumn Leaves Standard C 160 4 10
All Or Nothing At All 94 Hot House Standard A- 168 4 11
All That Jazz 87 When Light are Low Standard F 152 5 12
All The Things You Are 43 Groovin' high Standard Ab 132 5 3
All The Things You Are (All Keys) 68 Tune Up (All keys) Standard (Ab) 200 12 4
All The Things You Are (F) 55 Jerome Kern Standard Ab 260 7 13
All The Things You Are (S) 55 Jerome Kern Standard Ab 138 6 2
All The Things You Are** 16 Turnarounds'n cycles Standard Ab 138 5 d2,11
All The Things You Are** 36 Bebop and beyond Standard Ab 140 5 3
All Things Unfinished 4 Movin on Contemp D 116 3 9
Almost Like… 47 I got rythm, all keys Standard E 112 3 8
Alone Together 41 Body and Soul Standard D- 126 3 d1,2
Along Came Betty 14 Benny Golson Bebop Ab 114 4 4
Along Came Betty 65 Four and more Bebop Ab 116 4 d1,9
Alto-itis 73 Oliver Nelson Swing Bb 252 10 7
And Then She Wept 83 Brecker Brothers Ballad Eb 50 3 7
And What If I Don't? 11 Herbie Hancock Bebop Eb 118 4 4
Angel 62 Wes Montgomery Contemp E- 126 6 8
Angel Eyes 23 One dozen standards Ballad D- 68 4 d2,2
Angela 63 Tom Harrel Contemp F- 132 5 7
Another Time, Another Place 87 When Light are Low Standard F 176 7 2
Another Yew (There Will Never Be)
(F) 15 Payin' Dues Standard Eb 284 8 2
Another Yew (There Will Never Be)
(S) 15 Payin' Dues Standard Eb 164 5 6
Antabus 82 Dexter Gordon Blues C- 280 27 14
Anticipointment 101 Secret of the Andes Latin Eb 160 5 3
Apple Jump 82 Dexter Gordon Rhythm F 164 6 4
April (I Remember April) 15 Payin' Dues Standard G 276 4 9
April In August 76 How to learn tunes Bebop C 156 6 6
April Mist 63 Tom Harrel Contemp F 116 4 4
Are You Real? 14 Benny Golson Bebop Eb 214 6 5
Arthur's Dance 96 Latin Quarter Lat/Fusion G- 128 - 8
As Time Goes By 94 Hot House Standard Eb 104 4 6
As We Speak 103 David Sanborn Fusion A- 120 4 9
At Twilight 76 How to learn tunes Latin C 156 6 4
Auld Lang Syne 78 Jazz Holliday Classics Ballad F 69 8 6
Aulil 10 David Baker Contemp E 142 6 2
Aulil 76 How to learn tunes Contemp E- 152 6 8
Autumn (Leaves) 20 Jimi Raney Standard G- 144 5 3
Autumn In New York 40 Round Midnight Standard F 69 3 d1,6
Autumn In New York 93 What's New Ballad/Bos F 54 2 6
Autumn In New York 97 Standard With Strings Ballad F- 69 3 7
Autumn Leaves 44 Autumn Leaves Standard G- 174 7 2
Autumn Leaves 54 Maiden Voyage Standard G- 100 4 14
Autumn Leaves (All Keys) 67 Tune Up (All keys) Standard (G-) 160 12 4
Autumn Leaves** 20 Jimi Raney Standard G- 144 5 3
Avalon 39 Swing, swing, swing Standard F 252 10 8
Avalon 79 Avalon Standard F 138 5 1
Azule Serape 91 Players Choice Standard F 216 7 1
Baby Won't You Please Come 80 Indiana Ballad G 58 5 4
Home
Back At The Chicken Shack 49 Sugar Blues F 88 8 6
Back On Track 92 Lennie Niehaus Contemp Bb 184 4 8
Backdoor Shuffle (Shuffle Blues) 90 Odd Times Blues F 116 11 8
Ballad Blues 32 Ballads Blues Bb 65 6 9
Ballad Waltz 4 Movin on Ballad D 98 7 7
Barbados 69 Bird Goes latin Lat/Blues F 176 19 1
Barbara 18 Horace Silver Bebop Eb 164 4 8
Basie-Straight Ahead 37 Sam Nestico Bebop F 176 5 5
Basin Street Blues 46 Out of this world Standard C 58 4 5
Bb Blues (Shuffle-Time) 54 Maiden Voyage Blues Bb 88 10 3
Bb Blues For Wes 20 Jimi Raney Blues Bb 230 18 5
Bb Blues** 21 Getting it all together Blues Bb 84 8 d2,15
Bb Rhythm Changes** 16 Turnarounds'n cycles Standard Bb 132 4 d2,9
Beatitude 5 Time to play Contemp C 93 14 8
Beatrice 91 Players Choice Standard F 132 9 4
Bebop O'Rooney 47 I got rythm, all keys Standard F 116 4 2
Bebop Tune** 3 II-V-I Bebop Eb 224 4 6
Bebopish (Half Nelson) 5 Time to play Bebop C 164 13 9
Bernie's Tune 91 Players Choice Contemp D- 216 8 10
Bertha's Bossa 88 Millenium Blues Blues F- 120 13 7
Betwixt And Between 92 Lennie Niehaus Contemp C- 168 6 9
Beyond All Limits 9 Woody Shaw Bossa F 165 4 8
Beyond All Limits 9 Woody Shaw Swing F 165 4 8
Big Apple 42 Blues in all keys Blues E 76 7 9
Big Blues 56 Monk Blues Bb 120 15 11
Bilbao 101 Secret of the Andes Swing G- 160 6 2
Bill Bailey 79 Avalon Standard Bb 138 7 10
Billie's Bounce 6 All Bird Blues F 154 - 2
Billy Boy 80 Indiana Swing C 252 7 10
Bird Blues 2 Nothin but Blues Blues F 160 13 12
Bird Gets The Worm 69 Bird Goes latin Latin Ab 240 7 10
Birdlike 60 Freddie Hubbard Blues - 92 21 4
Birthplace Blues 70 Killer Joe Blues Bb 176 16 12
Black Nile 33 Wayne Shorter Bebop D- 228 7 d2,9
Black Thursday 10 David Baker Bebop F- 106 3 6
Black, Brown & Beautiful 73 Oliver Nelson Ballad Eb 54 2 9
Blood Count 66 Billy Strayhorn Ballad D 56 1 12
Blue And Sentimental 94 Hot House Standard Eb 84 7 9
Blue Daniel 91 Players Choice Contemp D 126 13 3
Blue In Green 50 Magic of Miles Ballad G- 54 7 6
Blue Minor (Latin Minor Blues) 90 Odd Times Blues Bb- 116 9 2
Blue Moon 34 Jam Session Standard Eb 105 5 d2,9
Blue Moon 70 Killer Joe Standard Eb 60 2 5
Blue Room 39 Swing, swing, swing Blues F 120 5 5
Blue Seven 8 Sonny Rollins Bebop Bb 120 12 4
Blue Top Expresso 47 I got rythm, all keys Standard C 100 3 12
Blue Train 38 Blue Note Blues Eb 116 12 d1,2
Bluellespie 77 Paquito de Rivera Blues Bb 114 13 5
Blues Allegro 29 Jimi Raney Blues F 125 6 11
Blues Andante 29 Jimi Raney Blues F 70 6 9
Blues For Alice 65 Four and more Blues F 108 10 d1,10
Blues For Wood 9 Woody Shaw Blues F- 112 22 4
Blues In Bb** 1 How to play and improvise Blues Bb 132 11 7
Blues In F** 1 How to play and improvise Blues F 152 12 8
Blues March 14 Benny Golson Blues Bb 118 12 9
Blues Minor 27 Cotrane Blues F- 245 12 7
Bluesette 43 Groovin' high Blues G 132 7 9
Body And Soul 41 Body and Soul Ballad Db 63 2 d1,3
Body And Soul 74 Latin Jazz Bolero Db 92 2 6
Body And Soul 75 Countdown to Giant Steps Standard Db 110 2 d2,4
Body And Soul 93 What's New Ballad Db 56 2 8
Body And Soul** 15 Payin' Dues Ballad Db 82 2 4
Bolivia 35 Cedar Walton Contemp G 106 8 3
Bonnie's Blue 19 Dave Liebman Blues F 163 17 7
Bossa Belle 10 David Baker Standard C 148 4 7
Bossa For Cheryl 30 Rythm Section Workout Bossa Eb 120 5 4
Boston Bernie 82 Dexter Gordon Bebop Ab 176 6 11
Bout You And Me (How About You) 20 Jimi Raney Standard Eb 178 6 2
Brite Piece 19 Dave Liebman Contemp B 220 5 6
Broadway Bossa Nova 105 Dave Brubeck Latin G 196 7 5
Buffalo Wings 63 Tom Harrel Contemp F- 120 4 11
But Beautiful 23 One dozen standards Ballad G 70 4 d2,7
But Not For Me 65 Four and more Standard F 150 4 d2,3
But Not For Me 75 Countdown to Giant Steps Standard Eb 208 9 d2,8
Buzzy 69 Bird Goes latin Lat/Blues Bb 216 7 3
Bye Bye Blackbird 39 Swing, swing, swing Standard F 138 5 6
Bye Bye Blackbird 65 Four and more Standard F 138 6 d2,1
Bye Bye Boston 30 Rythm Section Workout Bebop C- 176 6 3
Bye, Bye, Blues 79 Avalon Standard C 232 10 6
C Jam Blues 48 In a Mellow Tone Blues C 144 13 6
Can't We Be Friends 89 Darn that dream Standard F 108 6 2
Cantaloupe Island 11 Herbie Hancock Modal F- 132 8 2
Cantaloupe Island 54 Maiden Voyage Modal F- 96 7 11
Cantaloupe Island 85 Reharmonized Standards Standard F- 110 9 2
Caravan 59 Invitation Standard F- 200 5 d2,5
Cariba 62 Wes Montgomery Blues F- 160 12 2
Catalonian Nights 82 Dexter Gordon Latin Bb- 168 6 6
Cedar's Blues 35 Cedar Walton Blues Bb 192 20 2
Central Park West 75 Countdown to Giant Steps Bebop B 66 10 d2,3
Ceora 38 Blue Note Bebop Ab 134 5 d2,2
Ceora 59 Invitation Bossa Ab 104 4 d1,7
Ceora 106 Lee Morgan Bossa Ab 126 6 3
Changes 76 How to learn tunes Bebop C 144 6 9
Chelsea Bridge 32 Ballads Ballad Db 69 3 7
Chelsea Bridge 66 Billy Strayhorn Ballad Db 56 3 3
Cherokee (All 12 Keys) 61 Burnin' Standard Bb 268 12 4
Cherokee** 15 Payin' Dues Standard Bb 294 5 10
Chi Chi 94 Hot House Blues Ab 176 20 4
Chicago Song 103 David Sanborn Fusion C- 72 4 5
Chick 77 Paquito de Rivera Funk Bb 248 9 12
Chick's Tune 38 Blue Note Bebop C 212 8 d2,9
Children Of The Night 33 Wayne Shorter Contemp B 212 5 d2,3
Christmas Without You 77 Paquito de Rivera Bolero Eb 76 3 4
Chucho 77 Paquito de Rivera Blues D- 180 19 8
Climbing Up 47 I got rythm, all keys Standard D 112 3 10
Clockwise 35 Cedar Walton Contemp E 168 5 4
Close Your Eyes 94 Hot House Standard Eb- 252 10 8
Coltrane Blues** 16 Turnarounds'n cycles Blues Bb 126 11 d2,10
Come Candela 64 Salsa/Latin Jazz Guaracha G- 192 - 7
Come Rain Or Shine 25 All time standards Standard F 154 6 d2,4
Con Brio 102 Jerry Bergonzi Latin Bb 250 14 7
Confirmation 6 All Bird Bebop F 204 7 4
Confirmation 65 Four and more Bebop F 116 5 d2,5
Confirmation 69 Bird Goes latin Latin F 208 8 13
Confirmation (All Keys) 68 Tune Up (All keys) Bebop (F) 192 12 1
Confirmation** 20 Jimi Raney Bebop F 165 6 10
Confirmation** 28 Cotrane Bebop F 210 7 6
Confirmed (Confirmation) 20 Jimi Raney Bebop F 165 6 10
Coral Keys 60 Freddie Hubbard Contemp G- 146 6 5
Corners For Herbie 103 David Sanborn Fusion E- 114 5 8
Cottontail 48 In a Mellow Tone Bebop Ab 194 9 5
Countdown 28 Cotrane Bebop D 255 11 11
Countdown 75 Countdown to Giant Steps Bebop D 304 26 d2,13
Crazy Rhythm 94 Hot House Standard F 118 10 1
Crescent 27 Cotrane Ballad C- 109 7 8
Crisis 38 Blue Note Contemp B- 172 4 d1,5
Crisis 60 Freddie Hubbard Contemp B- 185 4 8
Curacao 64 Salsa/Latin Jazz Afro/Cub F- 207 7 10
Cycle of Dominants 1 How to play and improvise Exercise -
D Natural Blues 62 Wes Montgomery Blues D 92 9 9
Daahoud 53 Cifford Brown Bebop Eb 126 7 7
Dance Of The Infidels 88 Millenium Blues Blues F 152 15 10
Dancing In The Dark 81 Originals Standard Eb 116 3 10
Dancing On Bird's Grave 81 Originals Latin F 220 4 15
Darn That Dream 89 Darn that dream Standard G 58 2 7
Day By Day 59 Invitation Standard G 112 5 d2,3
Days Of Wine And Roses 40 Round Midnight Standard F 88 4 d1,4
Dear John 60 Freddie Hubbard Contemp B 230 15 9
Dear Lord 28 Cotrane Ballad D 97 2 8
Dear Old Stockholm 91 Players Choice Standard G- 144 5 5
Dearly Beloved 55 Jerome Kern Standard C 160 7 6
Del Sasser 13 Cannonball Adderley Bebop Eb 252 5 3
Deliro 64 Salsa/Latin Jazz Bolero G 80 3 8
Desafinado 31 Bossa Nova Standard F 186 3 6
Desafinado 74 Latin Jazz Bossa F 184 5 1
Desafinado (Slightly Out Of Tune) 98 Jobim Bossa F 136 3 11
Dewey Square 6 All Bird Bebop Eb 204 8 5
Dewey Square 69 Bird Goes latin Latin Eb 184 8 4
Dexology 82 Dexter Gordon Bebop Bb 152 7 9
Different Places Together 102 Jerry Bergonzi Lat/Bossa Bb 138 5 3
Dig (Fast) 7 Miles Davis Bebop Ab 224 9 13
Dig (Slow) 7 Miles Davis Bebop Ab 176 8 3
Do Nothing Till You Hear From Me 48 In a Mellow Tone Standard Bb 80 4 3
Dolphin Dance 11 Herbie Hancock Contemp Eb 124 4 7
Donna Lee 69 Bird Goes latin Latin Ab 192 8 12
Donna Lee (Indiana) 6 All Bird Bebop Ab 214 8 6
Don't Blame Me 34 Jam Session Ballad C 69 2.5 d1,4
Don't Blame Me 74 Latin Jazz Bolero C 92 4 12
Don't Get Around Much Anymore 48 In a Mellow Tone Swing C 104 4 4
Doodlin' 86 Horace Silver - Shoutin out Blues Db 112 13 12
Doozy 87 When Light are Low Bebop F 200 4 7
Doujie 62 Wes Montgomery Bebop F 200 7 10
Down And Up 38 Blue Note Swing Bb 197 8 d1,6
Down And Up 59 Invitation Contemp Bb 184 7 d1,11
Down And Up 68 Tune Up (All keys) Swing All 208 24 5
Down Time 81 Originals Blues D 130 6 2
Downtown Carmi 42 Blues in all keys Blues F# 116 10 11
Doxy 8 Sonny Rollins Bebop Bb 134 9 2
Doxy 54 Maiden Voyage Bebop Bb 92 8 13
Dr. Jay 42 Blues in all keys Blues Eb 120 9 8
Drawing Room Blues 66 Billy Strayhorn Blues C 116 13 7
Dream 85 Reharmonized Standards Contemp C- 100 8 7
E.S.P. 33 Wayne Shorter Contemp F 284 10 d1,5
E.T.'s Blues 88 Millenium Blues Blues Bb 336 7 14
Early Autumn 40 Round Midnight Ballad C 66 3 d2,7
Ease Away Walk 14 Benny Golson Contemp C- 74 11 3
East Of The Sun 71 East of the sun Standard G 130 5 4
Easy Living 22 Favourite Standards Ballad Eb 52 3 d1,5
Easy Living 52 Collectors Item Ballad Eb 54 2 10
Easy Living 59 Invitation Ballad Eb 50 2 d1,6
Easy Money 87 When Light are Low Bebop F 176 7 5
Easy Nuff 81 Contemporary Standards & Contemp G- 288 6 13
Originals
Ecaroh 18 Horace Silver Bebop Db 164 1+5 6
Eclipse 76 How to learn tunes Bebop C 148 7 7
Eighty One 50 Magic of Miles Blues C- 104 15 9
El Cura 77 Paquito de Rivera Swing/Lat C 208 7 10
El Gaucho 33 Wayne Shorter Contemp E- 184 11 d2,11
El Toro 38 Blue Note Contemp D- 208 17 d1,3
Elegy For A Duck 73 Oliver Nelson 6/4 Blues C- 138 11 6
Elvinish 70 Killer Joe 3/4 Blues C 116 8 4
Embraceable You 51 Night and day Ballad G 66 3 3
Emily 52 Collectors Item Standard C 69 3 6
Epistrophy 56 Monk Bebop Db 126 8 6
Essence 5 Time to play Ballad Eb 80 3 7
Estate 94 Hot House Bossa A- 112 3 5
Evening Star 87 When Light are Low Standard F 88 3 9
Everybody's Song 76 How to learn tunes Bebop C 146 6 3
Everything Happens To Me 23 One dozen standards Ballad Bb 70 3 d1,4
Everything I Have Is Yours 72 Street of dreams Ballad C 66 2 8
Exotica 75 Countdown to Giant Steps Contemp C 124 2 d2,5
Eye Of The Hurricane 11 Herbie Hancock Blues F- 265 2+18+1 9
F Blues (Tootsie) 54 Maiden Voyage Blues F 92 10 10
F Blues With Bridge** 3 II-V-I Blues F 240 7 8
F Blues** 21 Getting it all together Blues F 72 7 d2,14
Falling In Love With Love 71 East of the sun Standard Bb 160 7 7
Falling Stones 81 Originals Contemp - 60 4 4
Fantasy In D 35 Cedar Walton Contemp D 252 7 7
Far Wes 62 Wes Montgomery Bebop Db 100 3 12
Fast Blues In Bb 2 Nothin but Blues Blues Bb 192 18 5
Fast Blues In F 2 Nothin but Blues Blues F 192 11 10
Fast Mode Al 30 Rythm Section Workout Modal Eb- 240 7 5
Faster Than Whiz 88 Millenium Blues Blues Eb 208 5 11
Fee-Fi-Fo-Fum 33 Wayne Shorter Contemp G- 112 5 d1,6
Fifth House 75 Countdown to Giant Steps Lat/Swing C 224 9 d2,7
Firm Roots 35 Cedar Walton Bebop Eb 264 7 5
First Step 90 Odd Times Contemp C- 100 4 1
Five Eight-Bar Phrases** 4 Movin on Modal - 272 9 3
Flamingo 49 Sugar Ballad C 60 2 10
Flat Tire! Flat Tire! 47 I got rythm, all keys Standard Db 132 4 5
Flesh And Spirit (Body And Soul) 15 Payin' Dues Ballad Db 82 2 4
Fly Me To The Moon 65 Four and more Standard C 140 6 d1,7
Fm, Ebm, Dm 4 bar phrases 1 How to play and improvise Exercise -
Fm, Ebm, Dm 8 bar phrases 1 How to play and improvise Exercise -
Fools Rush In 41 Body and Soul Standard C 120 5 d1,8
Fools Rush In 97 Standard With Strings Swing C 120 5 2
Footprints 33 Wayne Shorter Blues C- 176 11 d1,3
Footprints 54 Maiden Voyage Blues C- 108 7 12
For Heaven's Sake 89 Darn that dream Standard F 52 2 3
For Lydia 81 Originals Bossa - 132 6 6
For Regulars Only 82 Dexter Gordon Bebop Db 168 6 7
Forest Flower (Sunrise) 74 Latin Jazz Cha Cha A 112 4 2
Four 65 Four and more Bebop Eb 132 5 d1,1
Four (All Keys) 67 Tune Up (All keys) Bebop (Eb) 152 12 6
Four (Fast) 7 Miles Davis Bebop Eb 224 10 9
Four (Slow) 7 Miles Davis Bebop Eb 144 6 1
Four Brothers 46 Out of this world Bebop Ab 120 5 9
Four On Six 62 Wes Montgomery Bebop G- 104 15 3
Four On The Floor 57 Minor Blues All Keys Blues F- 96 11 6
Fourths? 57 Minor Blues All Keys Blues F#- 116 15 7
Freddie Freeloader 50 Magic of Miles Blues Bb 96 11 2
Freddieish 5 Time to play Contemp Bb 122 5 3
Free, Is Free 95 503 miles high Lat/Swing C 212 5 2
Freight Trane 36 Bebop and beyond Blues Ab 216 25 6
Fried Bananas 82 Dexter Gordon Bebop Eb 176 7 1
Friends (Just Friends) 20 Jimi Raney Standard F 232 8 6
Fugato 29 Jimi Raney Contemp C- 115 4 10
Full House 62 Wes Montgomery Bebop F- 176 5 11
Full House 103 David Sanborn Fusion F 110 4 7
Funkallero 45 Bill Evans Bebop C- 116 10 5
Funky Sea, Funky Dew 83 Brecker Brothers Funk/Bal F- 84 - 4
G Minor Blues** 3 II-V-I Blues G- 116 11 5
Gdansk 77 Paquito de Rivera Lat/Funk D- 100 11 6
Georgia On My Mind 49 Sugar Ballad F 56 2 7
Gerkin for Perkin 53 Cifford Brown Blues F 168 17 11
Gertrude's Bounce 53 Cifford Brown Bebop C 184 6 9
Giant Steps 75 Countdown to Giant Steps Bebop Eb 308 19 d2,12
Giant Steps (All Keys) 68 Tune Up (All keys) Bebop (B) 224 26 6
Giant Steps (Bossa) 65 Four and more Bossa B 110 11 d2,10
Giant Steps (F) 28 Cotrane Bebop B 308 19 5
Giant Steps (S) 28 Cotrane Bebop B 224 14 4
Giant Steps (Swing) 65 Four and more Swing B 120 9 d2,11
Gibraltar 60 Freddie Hubbard Modal G- 185 7 3
Glass Mystery 63 Tom Harrel Contemp - 66 3 13
Gone But Not Forgotten 92 Lennie Niehaus Contemp F 108 4 2
Gone Forever 101 Secret of the Andes Ballad F 70 4 11
Gone With The Wind 58 Unforgettable Standard Eb 152 6 2
Good Bait 65 Four and more Standard Bb 108 3 d1,11
Good Bait 99 Tadd Dameron Swing Bb 108 6 10
Good Luck With Your Music 101 Secret of the Andes Swing F 140 6 1
Good-Bye 94 Hot House Ballad C 56 2 10
Gregory Is Here 17 Horace Silver Bebop Bb 152 3 7
Groove Blues In F 20 Jimi Raney Blues F 150 14 11
Groovin' (I Got Rhythm) 47 I got rythm, all keys Standard Ab 116 3 4
Groovin' High 43 Groovin' high Bebop Eb 150 5 2
Groovitis (Sugar) 5 Time to play Bebop C- 122 10 2
Guataca City 77 Paquito de Rivera Latin G- 120 15 1
Guess What Key I'm In** 16 Turnarounds'n cycles Blues G 112 9 d2,12
Guido Rides Again 90 Odd Times Contemp C- 162 11 4
Guitar On Top 93 What's New Contemp C- 184 8 10
Half-Nelson** 5 Time to play Bebop C 164 13 9
Hand In Glove (Love For Sale) 35 Cedar Walton Bebop Bb 232 5 9
Have You Met Miss Jones? 25 All time standards Standard F 208 9 d1,2
Have You Met Miss Jones? 74 Latin Jazz Mambo F 184 10 4
Have Yourself A Merry Little
Christmas 78 Jazz Holliday Classics Ballad C 100 4 5
Hay Burner 37 Sam Nestico Standard F 112 4 4
Hello 87 When Light are Low Contemp Ab 152 5 6
Here Comes McBride 105 Dave Brubeck Blues C- 152 16 10
Here's That Rainy Day 23 One dozen standards Ballad G 142 5 d1,2
Hideaway 103 David Sanborn Fusion Eb- 100 4 10
High Fly 43 Groovin' high Bebop Bb 120 5 6
Home At Last 38 Blue Note Standard Bb 114 4 d2,4
Home Court Advantage 47 I got rythm, all keys Standard Bb 112 4 1
Home Stretch 2 Nothin but Blues Blues D- 168 10 7
Honeysuckle Rose 71 East of the sun Standard F 152 7 1
Hope Street 63 Tom Harrel Contemp Eb- 216 12 9
Horizontal 2 Nothin but Blues Blues C 132 8 8
Hot House 94 Hot House Bebop C 216 10 7
Hot House 99 Tadd Dameron Swing C 216 8 8
Hotel Grande (There's A Small
Hotel) 20 Jimi Raney Standard Eb 168 4 4
How About You** 20 Jimi Raney Standard Eb 178 6 2
How High The Moon** 6 All Bird Bebop G 220 7 8
How Insensitive 31 Bossa Nova Standard D- 120 4 8
How Insensitive (Insensatez) 98 Jobim Bossa D- 126 6 7
How Long Has This Been Going
On? 51 Night and day Ballad G 69 3 6
Hustle And Shuffle 88 Millenium Blues Blues G 112 12 9
I Can't Get Started 25 All time standards Ballad C 74 3 d1,6
I Can't Get Started 74 Latin Jazz Bolero C 84 4 3
I Can't Give You Anything But Love
(F) 89 Darn that dream Standard Eb 216 7 13
I Can't Give You Anything But Love
(S) 89 Darn that dream Standard Eb 126 6 4
I Ching Reading 102 Jerry Bergonzi Swing E 192 6 14
I Could Write A Book 25 All time standards Standard Eb 212 7 d2,8
I Cover The Waterfront 40 Round Midnight Ballad F 61 2 d1,7
I Cover The Waterfront 97 Standard With Strings Ballad F 69 2 1
I Didn't Know About You 48 In a Mellow Tone Ballad Db 66 2 7
I Don't Stand A Ghost Of A Chance 52 Collectors Item Ballad C 60 3 3
I Fall In Love Too Easily 59 Invitation Ballad Eb 48 3 d1,9
I Gave You Violets For Your Furs** 23 One dozen standards Ballad F 68 3 d2,5
I Get A Kick Out Of You 51 Night and day Swing F- 168 4 14
I Got It Bad 48 In a Mellow Tone Ballad G 54 2 9
I Got Rhythm 51 Night and day Standard Bb 196 3 4
I Got Rhythm** 6 All Bird Bebop Bb 256 9 10
I Got Rhythm** 8 Sonny Rollins Bebop Bb 270 9 9
I Got Rhythm** 20 Jimi Raney Standard Bb 244 8 8
I Got Rhythm** 47 I got rythm, all keys Standard Ab 116 3 4
I Got Rhythm** (F) 7 Miles Davis Bebop Bb 264 11 11
I Got Rhythm** (F) 7 Miles Davis Bebop Bb 216 10 14
I Got Rhythm** (S) 7 Miles Davis Bebop Bb 160 7 4
I Got Rhythm** (S) 7 Miles Davis Bebop Bb 126 6 8
I Hadn't Anyone Till You 58 Unforgettable Standard F 104 5 13
I Hear A Rhapsody 80 Indiana Standard Eb 188 9 7
I Hear A Rhapsody 85 Reharmonized Standards Standard Eb 240 10 11
I Know That You Know 40 Round Midnight Standard C 264 10 d2,8
I Left My Heart In San Francisco 34 Jam Session Ballad Bb 144 2.5 d1,11
I Let A Song Go Out Of My Heart 12 Duke Ellington Standard Eb 172 5 4
I Love You 25 All time standards Standard F 236 9 d1,4
I Mean You 36 Bebop and beyond Bebop F 200 8 9
I Mean You 56 Monk Bebop F 192 9 5
I Remember Bird 73 Oliver Nelson Blues F 84 9 4
I Remember Clifford 14 Benny Golson Ballad Eb 60 2 7
I Remember You 22 Favourite Standards Ballad F 114 4 d2,8
I Saw Mommy Kissing Santa Claus 78 Jazz Holliday Classics Bossa C 108 4 1
I Should Care 23 One dozen standards Ballad C 100 6 d1,6
I Thought About You 41 Body and Soul Standard Eb 152 6 d1,6
I Want More 82 Dexter Gordon Bebop Ab 232 7 12
I Wish I Knew 71 East of the sun Standard G 144 6 5
Idaho 89 Darn that dream Standard F 252 9 12
If I Love Again 40 Round Midnight Standard F 232 7 d2,4
If I Should Lose You 22 Favourite Standards Standard Bb 134 4 d2,3
If I Were A Bell 46 Out of this world Standard F 126 4 2
If You Could See Me Now 72 Street of dreams Ballad Eb 56 3 2
If You Could See Me Now 99 Tadd Dameron Ballad Ab 56 3 4
II/V7/I (Twelve Keys) 64 Salsa/Latin Jazz Bolero All 108 1 5
III/VI/II/V7 54 Maiden Voyage Contemp F- 92 33 15
I'll Be Home For Christmas 78 Jazz Holliday Classics Ballad C 56 5 10
I'll Remember April 43 Groovin' high Standard G 228 6 8
I'll Take Romance 58 Unforgettable Standard F 126 6 5
Ill Wind 46 Out of this world Standard Bb 88 4 10
Illegal Entrance 76 How to learn tunes Bebop Db 148 4 13
I'm A Fool To Want You 51 Night and day Ballad E- 63 2 13
I'm Always Chasing Rainbows 79 Avalon Standard G 126 6 3
I'm An Old Cowhand 41 Body and Soul Standard Eb 120 5 d2,8
I'm Confessin' That I Love You 58 Unforgettable Standard Ab 100 4 7
I'm Getting Sentimental Over You 52 Collectors Item Standard C 152 7 2
I'm Glad There Is You 46 Out of this world Standard F 66 2 8
I'm In The Mood For Love 72 Street of dreams Standard C 116 6 12
I'm Old Fashioned 55 Jerome Kern Standard F 120 5 5
I'm Thru With Love 72 Street of dreams Ballad F 88 2 11
Imagination 23 One dozen standards Ballad Eb 70 4 d1,3
Imagination 58 Unforgettable Ballad Eb 48 2 8
Imogene 103 David Sanborn Fusion G- 80 2 4
Impressions 54 Maiden Voyage Modal D- 112 5 2
Impressions (Fast) 28 Cotrane Modal D- 300 12 3
Impressions (Slow) 28 Cotrane Modal D- 224 9 2
In A Melatonin 75 Countdown to Giant Steps Contemp Eb 104 3 d2,6
In A Mellow Tone 48 In a Mellow Tone Standard Ab 104 5 2
In A Minor Mood 88 Millenium Blues Blues C- 120 9 6
In A Sentimental Mood 12 Duke Ellington Ballad F 62 2 7
In Case You Haven't Heard 9 Woody Shaw Contemp Bb 190 1+6+1 6
In Passing 73 Oliver Nelson Cycle G 132 14 8
In The Wee Small Hours 58 Unforgettable Ballad C 48 3 6
In Walked Bud 56 Monk Bebop Ab 184 6 3
In Your Own Sweet Way 105 Dave Brubeck Swing A- 104 5 2
India 81 Originals Modal G 248 - 5
Indian Summer 39 Swing, swing, swing Standard G 92 4 7
Indiana 61 Burnin' Bebop Ab 348 13 2
Indiana 80 Indiana Standard Ab 182 9 1
Indiana 84 Dominant Workout Standard Ab 132 5 d2,14
Indiana** (Donna Lee) 6 All Bird Bebop Ab 214 8 6
Infant Eyes 33 Wayne Shorter Ballad Bb 56 3 d1,4
Inner Urge 38 Blue Note Contemp G 188 11 d1,8
Inside Out 83 Brecker Brothers Blues F 132 - 3
Inside Out 102 Jerry Bergonzi Swing Eb 178 7 8
Interplay 45 Bill Evans Minor Blues F- 108 10
Introspection 56 Monk Contemp Db 138 8 10
Invention 29 Jimi Raney Bebop Eb 232 8 2
Invisible Light 102 Jerry Bergonzi Ballad Eb 50 3 11
Invitation 34 Jam Session Standard C- 202 5 d2,6
Invitation 59 Invitation Standard C- 120 4 d1,10
Is This Blues? 47 I got rythm, all keys Standard Eb 116 4 3
Isfahan 66 Billy Strayhorn Standard Db 112 5 6
Isotope 38 Blue Note Blues C 188 23 d1,9
It Could Happen To You 22 Favourite Standards Standard G 172 7 d2,4
It Don't Mean A Thing 59 Invitation Standard G- 180 6 d2,2
It Might As Well Be Spring 25 All time standards Ballad G 68 2 d1,8
It's The Talk Of The Town 95 504 miles high Ballad F 63 2 5
It's You (It's You Or No One) 15 Payin' Dues Standard F 218 7 7
It's You Or No One 61 Burnin' Standard F 320 11 5
It's You Or No One (All Keys) 68 Tune Up (All keys) Standard (F) 232 24 3
I've Grown Accustomed To Her
Face 25 All time standards Ballad Eb 72 4 d2,6
I've Told Ev'ry Little Star 55 Jerome Kern Standard F 108 6 10
Ivory Coast 96 Latin Quarter Lat/Fusion Gb 132 - 6
Ja-Da 79 Avalon Standard F 138 11 7
Jamboree 96 Latin Quarter Lat/Fusion F- 132 - 1
Jazz 'N 'Samba (So Danco Samba) 98 Jobim Bossa C 168 7 3
Jeanine 13 Cannonball Adderley Bebop Ab 245 5 8
Jeanine 65 Four and more Bebop Ab 160 4 d1,2
Jessica 11 Herbie Hancock Ballad C- 88 2+7+2 8
Jingles 62 Wes Montgomery Bebop E- 224 5 5
Jitterbug Waltz 72 Street of dreams Standard Eb 152 5 3
Jody Grind 17 Horace Silver Blues Bb- 156 16 5
Johnny Come Lately 66 Billy Strayhorn Bebop C 208 9 9
Jonathan's Waltz 29 Jimi Raney Bebop A 75 5 5
Jordu 53 Cifford Brown Bebop C 120 5 2
Joshua 50 Magic of Miles Contemp D- 216 5 10
Joy Spring 53 Cifford Brown Bebop F 132 6 1
Juicy Lucy 86 Horace Silver - Shoutin out Bebop F 120 7 1
Juju 33 Wayne Shorter Contemp B 178 10 d2,5
Jungle Juice 86 Horace Silver - Shoutin out Contemp E- 200 4 11
Just Friends 34 Jam Session Standard F 196 7 d1,3
Just Friends 59 Invitation Standard F 120 5 d2,4
Just Friends** 20 Jimi Raney Standard F 232 8 6
Just One Of Those Things 51 Night and day Standard F 96 3 5
Just Squeeze Me 48 In a Mellow Tone Standard F 100 4 8
Just Squeeze Me 71 East of the sun Standard F 104 5 2
Just You, Just Me 72 Street of dreams Standard C 152 9 7
Katrina Ballerina 9 Woody Shaw Contemp G- 160 5 3
Keep It Up 61 Burnin' Swing Eb 324 13 10
Kenny'll Make It 42 Blues in all keys Blues Bb 96 8 3
Kentucky Oysters 10 David Baker Blues F 142 10 4
Killer Joe 14 Benny Golson Bebop C 116 5 2
Killer Joe 70 Killer Joe Bebop C 104 5 1
Killer Pete 5 Time to play Bebop C 125 4 5
Kirsten And Her Puppy Katie 76 How to learn tunes Bebop F 120 6 12
Kozo's Waltz 106 Lee Morgan Waltz Bb 176 13 5
La Dama Y El Vagabundo 77 Paquito de Rivera Latin Eb 142 10 11
Ladybird 36 Bebop and beyond Bebop C 200 22 2
Ladybird 70 Killer Joe Bebop C 152 10 10
Ladybird 99 Tadd Dameron Swing C 152 13 3
Lady's Bounce 30 Rythm Section Workout Bebop Bb 112 9 6
Laird Baird 69 Bird Goes latin Latin Bb 160 16 7
Lame Duck 88 Millenium Blues Boss/Blues Bb 120 4 2
Lament For Booker 60 Freddie Hubbard Ballad Bb 47 2 11
Larue 53 Cifford Brown Ballad C- 59 3 3
Latin Quarter 96 Latin Quarter Lat/Fusion C 184 - 3
Latino 73 Oliver Nelson Bebop Eb 208 9 3
Laura 34 Jam Session Ballad C 80 4 d2,7
Laurie 45 Bill Evans Ballad Bb 66 2 8
Lazy Bird 38 Blue Note Bebop G 178 7 d2,7
Le Miroir Noir 10 David Baker Blues C 86 8 9
Le Roi 10 David Baker Contemp C- 272 12 3
Leila 62 Wes Montgomery Contemp F 72 3 7
Let It Snow 78 Jazz Holliday Classics Swing F 120 5 4
Let's Fall In Love 58 Unforgettable Standard C 112 5 9
Like Somebody (Like Someone In
Love) 20 Jimi Raney Standard Eb 145 5 9
Like Someone In Love 23 One dozen standards Standard C 195 11 d1,5
Like Someone In Love 58 Unforgettable Standard C 116 5 4
Like Someone In Love** 20 Jimi Raney Standard Eb 145 5 9
Like Sonny 27 Cotrane Bebop Eb 155 8 5
Limehouse Blues (Fast) 91 Players Choice Standard Ab 264 9 12
Limehouse Blues (Slow) 91 Players Choice Standard Ab 232 11 9
Linda Chicana 64 Salsa/Latin Jazz Cha Cha Bb- 140 5 3
Lisa 103 David Sanborn Fusion E 100 4 2
Little Boat 31 Bossa Nova Standard Bb 144 11 9
Little B's Poem 95 505 miles high 3/4 Waltz F- 144 15 7
Little Dancer 63 Tom Harrel Contemp Eb- 168 7 3
Little Red's Fantasy 9 Woody Shaw Contemp F 130 4 2
Little Sunflower 60 Freddie Hubbard Modal D 128 4 2
Locomotion 38 Blue Note Blues Bb 232 8 d2,3
Loft Dance 19 Dave Liebman Contemp Gb 292 21 5
Lonely Street 37 Sam Nestico Ballad F 58 2 10
Long Ago (And Far Away) 55 Jerome Kern Standard F 200 8 9
Long Meter Jazz-Rock 2 Nothin but Blues Blues D- 152 6 6
Long Tall Dexter (aka LTD) 82 Dexter Gordon Blues Bb 204 20 13
Look For The Silver Lining 80 Indiana Standard Eb 154 7 8
Lookout Farm 19 Dave Liebman Free Form D- 273 - 9
Lorenzo's Wings 77 Paquito de Rivera Latin C- 116 8 3
Love For Sale 40 Round Midnight Standard Bb- 240 3 d1,8
Love Is Here To Stay 25 All time standards Standard F 196 7 d2,9
Lover 61 Burnin' Standard C 312 7 9
Lover (3/4) 22 Favourite Standards Standard C 186 5 d2,5
Lover (4/4) 22 Favourite Standards Standard C 204 4 d2,9
Lover Man 32 Ballads Ballad F 65 3 2
Lover, Come Back To Me 97 Standard With Strings Swing Ab 184 4 10
Lover, Come Back To Me! 41 Body and Soul Standard Ab 184 4 d2,5
Lover, Come Back To Me! 61 Burnin' Standard Ab 342 5 3
Lover, Come Back To Me** 18 Horace Silver Bebop Ab 308 5 9
Lullaby Of The Leaves 58 Unforgettable Standard C- 144 6 14
Lullabye Of Birdland 40 Round Midnight Standard Eb 138 7 d1,2
Lush Life 32 Ballads Ballad Db 66 1+2 5
Lush Life 66 Billy Strayhorn Ballad Db 66 2 5
Magic Morning 4 Movin on Contemp E 138 5 2
Maiden Voyage 11 Herbie Hancock Modal D 126 5 3
Maiden Voyage 54 Maiden Voyage Modal A- 96 3 9
Maiden Voyage 81 Originals Standard - 120 4 11
Maiden Voyage 85 Reharmonized Standards Standard E- 116 6 4
Major Scales in 5/4 90 Odd Times Contemp - 104 2 5
Making The Rounds 92 Lennie Niehaus Contemp F 152 6 3
Mambo Inn 64 Salsa/Latin Jazz Mambo F 224 9 4
Manteca 64 Salsa/Latin Jazz Mambo Bb 208 6 9
Margie 79 Avalon Standard F 240 9 12
Marie Antoinette 38 Blue Note Contemp C- 196 15 d2,5
Marmaduke 69 Bird Goes latin Latin F 208 8 2
Mary Lou 86 Horace Silver - Shoutin out Latin C- 208 11 2
Master Of The Obvious 81 Originals Ballad - - 5 9
Mating Call 99 Tadd Dameron Rumba/Sw F 160 6 11
Mayreh (All God's Chillun) 18 Horace Silver Bebop F 268 10 7
Mean To Me 65 Four and more Standard F 104 3 d2,4
Meditation 31 Bossa Nova Standard C 146 4 3
Meditation (Meditacao) 98 Jobim Bossa C 110 2 9
Melancholy Baby 71 East of the sun Standard Eb 126 6 9
Memories 77 Paquito de Rivera Latin F 120 1 7
Metamorphosis 92 Lennie Niehaus Contemp G 130 6 12
Midnight Waltz 35 Cedar Walton Blues C 180 16 8
Milestones (New) (Fast) 50 Magic of Miles Modal F 200 7 12
Milestones (New) (Slow) 50 Magic of Miles Modal F 72 6 5
Milestones (Old) 7 Miles Davis Bebop Bb 132 6 7
Mindanao 64 Salsa/Latin Jazz Mambo F- 208 10 12
Minor Blues In C 2 Nothin but Blues Blues C- 120 10 11
Minor Mood 53 Cifford Brown Bebop F- 126 14 4
Minor to Dominant (II/V7) 1 How to play and improvise Exercise -
Mister Sandman 46 Out of this world Standard Bb 160 6 3
Misty 41 Body and Soul Ballad Eb 60 2 d2,3
Misty 49 Sugar Ballad Eb 96 2 3
Misty 70 Killer Joe Bossa Eb 108 3 8
Miyako 33 Wayne Shorter Ballad E- 72 5 d1,7
Modal Voyage 5 Time to play Modal D 135 5 6
Moments Notice 38 Blue Note Bebop Eb 240 8 d2,8
Moment's Notice 65 Four and more Bebop Eb 176 6 d2,7
Monkish 56 Monk Ballad Eb 48 2 4
Monk's Mood 56 Monk Ballad Db 52 3 2
Montmartre 82 Dexter Gordon Bebop Bb- 208 6 3
Mood Indigo 12 Duke Ellington Ballad Ab 100 4 5
Moon Alley 63 Tom Harrel Contemp F 126 5 2
Moon And Sand 93 What's New Bossa D- 108 3 11
Moon Rays 86 Horace Silver - Shoutin out Bebop Eb 126 4 4
Moonglow 59 Invitation Ballad C 86 2 d1,8
Moonlight In Vermont 65 Four and more Ballad Eb 60 3 d1,5
Moontrane 9 Woody Shaw Contemp Bb 272 8 5
Moose The Mooche 69 Bird Goes latin Latin Bb 224 10 8
Morgan The Pirate 106 Lee Morgan Waltz Eb 168 6 10
Moving Right Along 92 Lennie Niehaus Contemp Bb 184 5 11
Mr. Day 28 Cotrane Blues F# 244 23 10
Mr. Green 93 What's New Contemp D- 164 9 3
Mr. Kenyatta 106 Lee Morgan Latin G- 216 7 7
Mr. Lucky 52 Collectors Item Standard G 92 4 9
Mr. P.C. 27 Cotrane Blues C- 260 29 2
Mr. P.C. 70 Killer Joe Blues C 200 20 13
Mr. Super Hip 2 Nothin but Blues Blues F- 168 7 2
My Favorite Things 25 All time standards Standard E- 224 5 d1,9
My Favorite Things 90 Odd Times Standard E- 126 4 10
My Foolish Heart 25 All time standards Ballad Bb 74 2 d1,3
My Funny Valentine 25 All time standards Ballad C- 78 2 d2,10
My Heart Stood Still 71 East of the sun Standard F 240 10 11
My Ideal 22 Favourite Standards Ballad Eb 136 5 d1,4
My Little Brown Book 66 Billy Strayhorn Ballad Bb 69 2 11
My Little Suede Shoes 6 All Bird Bebop Eb 160 5 7
My Little Suede Shoes 69 Bird Goes latin Latin Eb 148 7 9
My Melancholy Baby 80 Indiana Standard Eb 116 5 6
My Old Flame 22 Favourite Standards Ballad G 70 3 d1,3
My One And Only Love 51 Night and day Ballad C 56 3 9
My Secret Love 34 Jam Session Standard Eb 276 7 d1,6
My Shining Hour 44 Autumn Leaves Standard Eb 184 6 3
My Ship 89 Darn that dream Standard F 56 2 11
Naima 27 Cotrane Ballad Ab 55 4 4
Namely You 40 Round Midnight Standard Bb 138 5 d2,2
Namely You 97 Standard With Strings Swing Bb 138 5 9
Nancy With The Laughing Face 40 Round Midnight Ballad Eb 60 2 d2,5
Nardis 50 Magic of Miles Contemp E- 160 7 8
Nearness of You 22 Favourite Standards Standard F 82 4 d1,6
Nefertiti 33 Wayne Shorter Contemp Ab 116 8 d2,8
Nica's Dream 18 Horace Silver Bebop Bb 210 4 5
Nica's Dream 65 Four and more Bebop Bb 112 3 d1,8
Nica's Dream 81 Originals Standard Bb- 132 4 1
Night And Day 51 Night and day Standard Eb 160 6 2
Night Dreamer 33 Wayne Shorter Contemp G 128 10 d2,10
No More Blues 89 Darn that dream Standard D- 250 4 8
No More Blues 98 Jobim Bossa D- 184 3 12
No Smoking 57 Minor Blues All Keys Blues B- 104 12 12
Now Hear This 42 Blues in all keys Blues C 96 8 5
Nowhere (Out Of Nowhere) 20 Jimi Raney Standard G 160 4 7
Now's The Time 6 All Bird Blues F 154 13 2
Nutville 17 Horace Silver Bebop C- 284 14 9
O Grande Amor 98 Jobim Bossa A- 116 5 4
Oasis 19 Dave Liebman Contemp F 128 9 4
Off A Bird 81 Originals Contemp - 200 - 7
Off Minor 56 Monk Bebop G- 160 8 8
Oh Yell! 47 I got rythm, all keys Standard G 88 4 11
Oh, Lady Be Good 39 Swing, swing, swing Standard F 92 5 4
Ojos De Rojo 35 Cedar Walton Contemp F- 260 14 6
Old Devil Moon 25 All time standards Standard F 230 6 d2,7
Old Folks 71 East of the sun Ballad F 60 2 3
Oleo 65 Four and more Bebop Bb 200 8 d2,6
Oleo (I Got Rhythm) 8 Sonny Rollins Bebop Bb 270 9 9
On A Clear Day 94 Hot House Standard G 132 5 2
On A Misty Night 99 Tadd Dameron Swing Eb 126 5 2
On A Slow Boat To China 91 Players Choice Standard Bb 176 6 8
On Green Dolphin Street 34 Jam Session Standard Eb 203 7 d1,2
On Green Dolphin Street 81 Originals Standard Eb 240 9 8
On Green Dolphin Street 85 Reharmonized Standards Standard Eb 168 8 3
On Green Dolphin Street 90 Odd Times Standard Eb 138 8 3
On Green Dolphin Street 93 What's New Standard Eb 164 7 1
On Green Dolphin Street (Eb) 59 Invitation Standard Eb 138 5 d1,3
On Green Dolphin Street {C} 59 Invitation Standard C 120 5 d2,6
On The Sunny Side Of The Street 49 Sugar Standard C 104 4 8
On The Trail 34 Jam Session Standard F 122 9 d2,8
Once I Loved 31 Bossa Nova Standard F 184 5 7
Once I Loved (O Amor En Paz) 98 Jobim Bossa D- 164 5 10
Once In Awhile 34 Jam Session Ballad Eb 140 3 d2,3
Once Remembered 4 Movin on Contemp G- 208 7 6
One For Daddy-o 38 Blue Note Blues Bb- 104 11 d1,4
One For Tom 96 Latin Quarter Lat/Fusion A- 120 - 9
One Note Samba 31 Bossa Nova Standard Bb 218 7 11
One Note Samba (Samba De Uma
Nota So) 98 Jobim Bossa Bb 160 5 6
One O'Clock Jump 71 East of the sun Standard Db 152 17 10
One Step Ahead 96 Latin Quarter Lat/Fusion F# 106 - 2
Only Trust Your Heart 95 506 miles high Bossa F 144 5 11
Optimum Propensity 102 Jerry Bergonzi Swing Ab 130 6 1
Opus De Funk 74 Latin Jazz Mambo F 208 27 5
Ornithology 69 Bird Goes latin Latin G 216 8 6
Ornithology 93 What's New Bebop G 184 8 12
Ornithology (How High The Moon) 6 All Bird Bebop G 220 7 8
Our Delight 91 Players Choice Bebop Ab 160 7 11
Our Delight 99 Tadd Dameron Swing Ab 160 7 5
Our Man Higgins 106 Lee Morgan Blues Bb 240 14 14
Out House 102 Jerry Bergonzi Swing Bb 260 9 2
Out Of Nowhere 20 Jimi Raney Standard G 160 4 7
Out Of Nowhere 22 Favourite Standards Standard G 126 5 d2,6
Out Of Nowhere 59 Invitation Standard G 112 4 d1,5
Out Of This World 46 Out of this world Standard Eb 126 3 7
Over The Rainbow 34 Jam Session Ballad Eb 126 2 d1,9
Paco And Dave 96 Latin Quarter Lat/Fusion D7 126 - 7
Parisian Thoroughfare 95 507 miles high Swing F 200 8 4
Party Time 106 Lee Morgan Swing Ab- 112 14 8
Passion 10 David Baker Ballad G- 58 2 5
Patience Plus 61 Burnin' Swing Bb 276 9 8
Pat's Retort 92 Lennie Niehaus Contemp Eb 160 7 13
3/4
Patterns 73 Oliver Nelson Modern C- 189 5 10
Patterns 92 Lennie Niehaus Contemp F 200 7 14
Peace 17 Horace Silver Ballad Bb 61 8 8
Peg O' My Heart 80 Indiana Standard Bb 126 10 3
Penny 86 Horace Silver - Shoutin out Bebop Bb 264 11 9
Pensativa 60 Freddie Hubbard Standard Gb 170 3 10
Pent-Up House 8 Sonny Rollins Bebop G 230 17 7
People Time 87 When Light are Low Ballad G 66 2 3
Perdido 12 Duke Ellington Standard Bb 220 7 6
Perdido 65 Four and more Standard Bb 132 5 d1,4
Perdido (All Keys) 67 Tune Up (All keys) Standard (Bb) 138 12 5
Perhaps 93 What's New Bebop C 166 20 4
Peri's Scope 45 Bill Evans Bebop C 126 8 3
Personality 23 One dozen standards Standard G 134 6 d2,6
Philly Mambo 64 Salsa/Latin Jazz Mambo D- 232 12 11
Picadillo 64 Salsa/Latin Jazz Mambo A- 208 - 13
Picadilly Lilly 19 Dave Liebman Contemp E 184 6 2
Pick Yourself Up 55 Jerome Kern Standard F 144 7 12
Poinciana 72 Street of dreams Standard G 150 6 4
Point Of No Return 92 Lennie Niehaus Contemp F 152 5 7
Polka Dots And Moonbeams 23 One dozen standards Ballad F 60 3 d2,4
Polka Dots And Moonbeams 58 Unforgettable Ballad F 60 3 10
Poor Butterfly 39 Swing, swing, swing Standard Ab 132 6 3
Poor Butterfly 80 Indiana Standard Ab 118 6 11
Portrait Of Dorian Mode 101 Secret of the Andes Swing Eb 200 6 5
Prelude To A Kiss 12 Duke Ellington Ballad C 62 2 10
Preparatory Exercise #1 76 How to learn tunes Swing/Lat - 140 2 1
Preparatory Exercise #2 76 How to learn tunes Lat/Swing - 140 2 2
Pretty Eyes 86 Horace Silver - Shoutin out Contemp - 168 10 6
Prince Albert (All The Things You
Are) 36 Bebop and beyond Standard Ab 140 5 3
Prisoner Of Love 46 Out of this world Standard Eb 72 2 4
Process Of Illumination 101 Secret of the Andes Latin D- 120 7 9
Put On Your Thinking Cap 47 I got rythm, all keys Standard B 112 3 7
Quickie 4 Movin on Contemp Bb 272 11 8
Quicksilver (Lover Come Back To
Me) 18 Horace Silver Bebop Ab 308 5 9
Quiet Nights Of Quiet Stars 31 Bossa Nova Standard C 138 5 5
Quiet Nights Of Quiet Stars
(Corcovado) 98 Jobim Bossa C 132 5 1
Rain Check 66 Billy Strayhorn Bebop F 208 8 8
Rain Forest 96 Latin Quarter Lat/Fusion G- 176 - 4
Random Minor Chords 4 bar
phrases 1 How to play and improvise Exercise -
Random Minor Chords 8 bar 1 How to play and improvise Exercise -
phrases
Ray's Idea 36 Bebop and beyond Bebop Db 204 8 5
Recorda-Me 38 Blue Note Bebop A- 184 14 d2,10
Red Clay 60 Freddie Hubbard Contemp Db- 116 - 12
Red's Blues 102 Jerry Bergonzi Blues Bb 150 12 5
Reflection 30 Rythm Section Workout Ballad F 60 2 8
Remember When 92 Lennie Niehaus Ballad Ab 69 3 5
Repetition 91 Players Choice Bossa Eb 138 6 2
Repetition Blues 42 Blues in all keys Blues Db 96 7 6
Rhythm (All Keys) 67 Tune Up (All keys) Standard (Bb) 184 12 7
Rhythm In Bb (I Got Rhythm) 20 Jimi Raney Standard Bb 244 8 8
Road Song 62 Wes Montgomery Contemp G- 126 6 4
Robbin's Nest 36 Bebop and beyond Bebop Db 172 7 7
Room 608 18 Horace Silver Bebop Bb 274 10 4
Rose Room 79 Avalon Standard Ab 120 5 2
Rosetta** 6 All Bird Bebop C 186 6 3
Round About 84 Dominant Workout Bossa Eb 110 3 d2,15
Round Midnight 40 Round Midnight Ballad Eb- 58 ### d1,3
Round Midnight 56 Monk Ballad Eb- 48 3 9
Ruby My Dear 36 Bebop and beyond Ballad Eb 134 3 4
Ruby, My Dear 56 Monk Ballad Eb 54 2 7
Rudolph The Red-Nosed Reindeer 78 Jazz Holliday Classics Swing C 144 6 7
Rufus Did It 57 Minor Blues All Keys Blues D- 126 14 3
Run For Cover 103 David Sanborn Fusion E- 100 4 1
Rush Hour 92 Lennie Niehaus Contemp Bb 180 8 4
Sabor 64 Salsa/Latin Jazz Mambo A- 224 30 2
Sack Of Woe 13 Cannonball Adderley Blues F 168 6 9
Sadie's Dance 96 Latin Quarter Lat/Fusion G- 96 - 5
Sail Away 63 Tom Harrel Contemp C 126 3 5
Samantha 37 Sam Nestico Ballad C 69 3 8
Samba De Luvsme 30 Rythm Section Workout Samba G- 240 6 9
Samba Teekens 29 Jimi Raney Bebop F 246 7 6
Sandu 53 Cifford Brown Blues Eb 116 13 8
Santa Claus Is Coming To Town 78 Jazz Holliday Classics Swing C 120 6 3
Satellite 75 Countdown to Giant Steps Bebop G 260 11 d2,11
Satin Doll 12 Duke Ellington Standard C 128 4 2
Satin Doll 54 Maiden Voyage Standard C 88 6 8
Satin Doll 66 Billy Strayhorn Standard C 112 5 4
Saudade 13 Cannonball Adderley Standard Eb 192 1+5.5 5
Scene 63 Tom Harrel Contemp G 112 6 8
Scooter 4 Movin on Contemp F 248 23 5
Scotch And Water 13 Cannonball Adderley Blues C 180 5 4
Scott's Waltz 30 Rythm Section Workout Waltz G 190 8 7
Scrapple From The Apple 6 All Bird Bebop F 196 7 9
Scrapple From The Apple 69 Bird Goes latin Latin F 232 8 11
Second Time Around (Ballad) 71 East of the sun Standard C 66 2 6
Second Time Around (Swing) 71 East of the sun Standard C 126 5 12
Secret Love 61 Burnin' Standard Eb 336 10 11
Secret Of The Andes 101 Secret of the Andes Latin Db 120 8 7
Senor Blues 86 Horace Silver - Shoutin out Blues/Lat Eb- 120 9 10
September In The Rain 40 Round Midnight Standard Eb 126 4 d1,5
September In The Rain 97 Standard With Strings Waltz Eb 160 4 4
September Song 25 All time standards Standard C 130 6 d1,5
September Song 65 Four and more Standard C 114 4 d1,6
Serenade To A Soul Sister 86 Horace Silver - Shoutin out Blues Eb 140 11 8
Serenata 52 Collectors Item Standard F 126 6 7
Serpent's Tooth (I Got Rhythm) (F) 7 Miles Davis Bebop Bb 216 10 14
Serpent's Tooth (I Got Rhythm) (S) 7 Miles Davis Bebop Bb 126 6 8
Seven For Twelve 90 Odd Times Contemp F 168 12 9
Seven Steps To Heaven 50 Magic of Miles Bebop F 216 9 7
Shadow Of Your Smile 59 Invitation Standard G 118 3 d2,10
Shania 101 Secret of the Andes Ballad Eb 110 3 8
Share-A-Key (Cherokee) 15 Payin' Dues Standard Bb 294 5 10
Shirley 38 Blue Note Standard A- 112 4 d1,7
Shoutin' Out 86 Horace Silver - Shoutin out Bebop F 208 9 3
Shuffle Duty 42 Blues in all keys Blues Ab 72 6 1
Sidewinder 106 Lee Morgan Boss/Blues Eb 160 9 2
Silent Night 78 Jazz Holliday Classics Ballad C 100 7 9
Silver's Serenade 17 Horace Silver Bebop E- 137 10 3
Simultaneous Looks 102 Jerry Bergonzi Swing C- 208 10 10
Singin' 53 Cifford Brown Bebop Ab 208 7 6
Sister Sadie 17 Horace Silver Bebop G 175 7 6
Six And Four 73 Oliver Nelson Blues F 138 11 2
Sky Dive 60 Freddie Hubbard Contemp G- 145 3 7
Skylark 32 Ballads Ballad F 72 3 3
Slang 83 Brecker Brothers Fusion C- 112 - 8
Sleigh Ride 78 Jazz Holliday Classics Swing G 252 5 8
Slidin' Home 47 I got rythm, all keys Standard Bb 216 6 15
Slow Blues In F 2 Nothin but Blues Blues F 63 6 4
Slow Blues In G 2 Nothin but Blues Blues G 80 7 9
Slumber 19 Dave Liebman Contemp C- 128 4 3
Smoke Gets In Your Eyes 55 Jerome Kern Ballad Eb 58 3 8
Smoke Gets In Your Eyes 85 Reharmonized Standards Standard Eb 54 2 6
Snakes 103 David Sanborn Fusion G- 120 4 3
Snap, Crackle, and Pop 5 Time to play Modal Bb 84 - 4
So What (F) 50 Magic of Miles Modal D- 164 7 11
So What (S) 50 Magic of Miles Modal D- 106 6 2
Softly, As In A Morning Sunrise 40 Round Midnight Standard C- 240 9 d2,6
Softly, As In A Morning Sunrise 85 Reharmonized Standards Standard C- 252 12 9
Solar 88 Millenium Blues Blues C- 160 17 3
Solar (Fast) 7 Miles Davis Bebop C- 264 22 12
Solar (Slow) 7 Miles Davis Bop/Bossa C- 132 12 5
Solar Flair 38 Blue Note Bossa C- 208 14 d2,6
Solar Flair 54 Maiden Voyage Bossa C- 104 8 4
Solar Flair (All Keys) 67 Tune Up (All keys) Bossa (C) 126 12 1
Soleil D'Altamira 10 David Baker Contemp C- 192 4 8
Solid 8 Sonny Rollins Blues Bb 230 24 6
Solitude 12 Duke Ellington Standard Eb 116 4 3
Some Of The Things I Am** 16 Turnarounds'n cycles Bebop Ab 138 5 d2,11
Some Of These Days 80 Indiana Standard F 138 6 2
Some Other Blues 27 Cotrane Blues F 174 18 3
Some Skunk Funk 83 Brecker Brothers Funk/Fus G-/F- 147 - 5
Somebody Stole My Gal 80 Indiana Standard Eb 176 5 9
Someday My Prince Will Come 58 Unforgettable Standard Bb 120 7 11
Something Cute 106 Lee Morgan Swing G- 238 9 4
Song For Barry 83 Brecker Brothers Latin/Funk Bb- 130 - 6
Song For My Father 17 Horace Silver Latin F- 137 7 2
Song For My Father 54 Maiden Voyage Latin F- 100 5 7
Song For My Father 85 Reharmonized Standards Standard F- 126 7 1
Vol #
Song Title n° Vol Name Style Key Tempo Choruses Track
Soon 22 Favourite Standards Standard Eb 178 7 d2,2
Sophisticated Lady 12 Duke Ellington Ballad Ab 70 2 8
Soul Eyes 32 Ballads Ballad C- 69 3 8
Soul Eyes 74 Latin Jazz Bolero Eb 92 2 9
Soul Sister 82 Dexter Gordon Bebop G 138 16 8
Soultrane 99 Tadd Dameron Ballad Eb 80 3 7
Sound Advice 102 Jerry Bergonzi Swing Db 144 5 12
South Of The Border 57 Minor Blues All Keys Blues C#- 186 18 2
South Of The Waltz 77 Paquito de Rivera Waltz E- 188 5 9
Southside Samba 87 When Light are Low Samba F 132 5 11
Speak Low 25 All time standards Standard F 240 5 d2,5
Speak Low 65 Four and more Standard F 116 3 d2,2
Speak No Evil 33 Wayne Shorter Contemp C- 134 4 d1,8
Speakerphone 57 Minor Blues All Keys Blues Ab- 132 16 9
Special Delivery 57 Minor Blues All Keys Blues Eb- 144 16 4
Speed Trap 57 Minor Blues All Keys Blues E- 126 10 5
Speedball 106 Lee Morgan Swing Db 184 10 12
Spiritual 27 Cotrane Modal C- 97 - 6
Sponge 83 Brecker Brothers Fusion F 186 - 1
S'posin' 44 Autumn Leaves Standard Bb 134 6 7
Spotty 95 508 miles high Blues C 208 24 9
Spring Is Here 34 Jam Session Ballad Ab 60 3 d2,5
St. Louis Blues 79 Avalon Standard G7 100 12 5
St. Thomas 8 Sonny Rollins Latin C 208 16 3
St. Thomas 74 Latin Jazz Mambo C 224 18 10
Stablemates 14 Benny Golson Bebop Db 254 7 8
Stablemates 65 Four and more Bebop Db 112 4 d2,8
Star Eyes 34 Jam Session Standard Eb 204 8 d1,8
Star Eyes 59 Invitation Standard Eb 120 4 d1,4
Stardust 52 Collectors Item Ballad C 60 3 5
Stars Fell On Alabama 52 Collectors Item Standard C 66 3 8
Stella (Stella By Starlight) 15 Payin' Dues Standard Bb 174 6 3
Stella By Starlight 22 Favourite Standards Standard G 124 7 d1,2
Stella By Starlight 59 Invitation Standard Bb 108 5 d2,8
Stella By Starlight 85 Reharmonized Standards Standard Bb 240 8 8
Stella By Starlight 93 What's New Standard Bb 120 6 2
Stella By Starlight (All Keys) 68 Tune Up (All keys) Standard (Bb) 132 12 2
Step By Step 75 Countdown to Giant Steps Bossa Eb 116 10 d2,1
Sticky Wicket 82 Dexter Gordon Bebop Bb 138 13 2
Stolen Moments 73 Oliver Nelson Blues C- 104 10 1
Stompin' At The Savoy 34 Jam Session Standard Db 160 7 d2,4
Stop, Stop, Stop-Time Blues 88 Millenium Blues Blues F 120 15 12
Stopstart 106 Lee Morgan Swing G- 240 9 13
Stop-Time Blues 70 Killer Joe Blues Bb 128 16 7
Stormy Weather 44 Autumn Leaves Standard Eb 112 2 6
Straight Ahead 73 Oliver Nelson Bebop G 250 3 11
Straight To The Heart 103 David Sanborn Fusion Eb 72 9 6
Stranger In Paradise 49 Sugar Standard C 104 3 9
Straphangin' 83 Brecker Brothers Funk D 92 - 10
Street Of Dreams 72 Street of dreams Standard Eb 104 11 1
Strollin' 18 Horace Silver Bebop Db 144 6 2
Subject To Change 101 Secret of the Andes Swing A- 245 10 4
Sugar 49 Sugar Bebop C- 120 12 2
Sugar 70 Killer Joe Bebop C 108 9 2
Summer In Central Park 18 Horace Silver Bebop F 136 5 3
Summer Samba (So Nice) 31 Bossa Nova Standard F 165 6 10
Summer Serenade 87 When Light are Low Bossa F 116 4 4
Summertime 25 All time standards Standard D- 128 10 d2,2
Summertime 54 Maiden Voyage Standard D- 108 9 5
Sunny 49 Sugar Standard A- 118 10 5
Super Jet 99 Tadd Dameron Swing Bb 250 11 6
Suspended Motion 29 Jimi Raney Bebop D 170 6 3
Suspended View 63 Tom Harrel Contemp F 112 7 12
Sweet And Lovely 59 Invitation Standard C 116 4 d1,2
Sweet Clifford 53 Cifford Brown Bebop F 252 9 12
Sweet Combustion 88 Millenium Blues Blues C- 126 14 8
Sweet Georgia Brown 39 Swing, swing, swing Standard Ab 234 11 2
Sweet Georgia Brown 70 Killer Joe Standard Ab 108 5 9
Sweet Georgia Brown 84 Dominant Workout Standard Ab 172 6 d2,13
Sweet Georgia Brown (All Keys) 67 Tune Up (All keys) Standard (F) 160 12 2
Sweet Lorraine 52 Collectors Item Ballad C 72 3 11
Switch In Time 37 Sam Nestico Bebop F- 168 15 3
Syncopated Plus 57 Minor Blues All Keys Blues Bb- 126 14 11
Tadd's Delight 99 Tadd Dameron Swing Ab 176 7 1
Take 5 105 Dave Brubeck Swing Eb 188 - 1
Take Five 90 Odd Times Standard Eb- 126 2+vmp 6
Take The "A" Train 12 Duke Ellington Standard C 162 6 9
Take The "A" Train 65 Four and more Standard C 112 4 d1,12
Take The "A" Train 66 Billy Strayhorn Standard C&Eb 176 10 1
Tangerine 22 Favourite Standards Standard F 200 7 d2,7
Tea For Two 51 Night and day Standard Ab 116 6 12
Teach Me Tonight 41 Body and Soul Ballad Eb 76 2 d2,10
Teaneck 95 509 miles high Swing Bb 232 8 10
Teenie's Blues 73 Oliver Nelson Blues F 138 14 5
Tenderly 44 Autumn Leaves Standard Eb 108 2 4
Tenor Madness 8 Sonny Rollins Blues Bb 230 24 6
That Old Feeling 72 Street of dreams Standard Eb 138 6 6
That's All 41 Body and Soul Ballad C 66 2 d2,7
The Basie Band Is Back In Town 105 Dave Brubeck Swing F 138 5 7
The Bird 42 Blues in all keys Blues D 138 11 7
The Blues Walk 53 Cifford Brown Blues Bb 204 14 10
The Boy Next Door 71 East of the sun Standard Bb 120 7 8
The Camel 42 Blues in all keys Blues G 100 8 12
The Courtship 87 When Light are Low Bossa Eb 96 3 10
The Double Up 106 Lee Morgan Blues F 116 15 1
The Duke 105 Dave Brubeck Swing C 124 5 3
The End Of A Love Affair 93 What's New Standard F 168 6 9
The Flag Is Up 29 Jimi Raney Contemp F 120 7 7
The Gentle Rain 89 Darn that dream Standard C- 86 3 5
The Gigolo 106 Lee Morgan Waltz Eb- 152 4 9
The Girl From Ipanema 31 Bossa Nova Standard F 146 4 2
The Girl From Ipanema 70 Killer Joe Standard F 116 4 3
The Girl From Ipanema 90 Odd Times Latin F 112 4 7
The Girl From Ipanema 98 Jobim Bossa F 144 4 8
The Hardbop Grandpop 86 Horace Silver - Shoutin out Bebop Ab 204 8 7
The Lamp Is Low 72 Street of dreams Standard G 240 9 10
The Maestro 35 Cedar Walton Contemp B 164 4 10
The Man I Love 51 Night and day Ballad Eb 63 2 11
The Meeting 73 Oliver Nelson Blues-ish F 228 9 12
The Nearness Of You 59 Invitation Ballad F 54 2 d2,9
The Night Has A Thousand Eyes 52 Collectors Item Standard G 192 6 12
The Night Has A Thousand Eyes 75 Countdown to Giant Steps Lat/Swing G 216 6 d2,9
The Old Country 94 Hot House Contemp D- 92 8 3
The Party's Over 25 All time standards Standard Eb 70 2 d2,3
The Preacher 17 Horace Silver Standard F 180 14 4
The Promise 27 Cotrane Modal G- 164 5 9
The Rainbow People 82 Dexter Gordon Bebop Eb 112 5 5
The Ray 102 Jerry Bergonzi Swing Gb 240 6 13
The Real McCoy 88 Millenium Blues Bos/Blues D- 132 12 4
The Romp 87 When Light are Low Blues C 116 16 13
The Scene Is Clean 99 Tadd Dameron Swing Ab 138 6 12
The Shadow Of Your Smile 34 Jam Session Ballad G 132 4 d1,5
The Song Is You 55 Jerome Kern Standard C 144 3 3
The Song Is You** 15 Payin' Dues Bebop C 228 5 8
The Sun King 81 Originals Modal D 116 - 14
The Theme (I Got Rhythm) (F) 7 Miles Davis Bebop Bb 264 11 11
The Theme (I Got Rhythm) (S) 7 Miles Davis Bebop Bb 160 7 4
The Things We Did Last Summer 89 Darn that dream Standard G 63 2 9
The Touch Of Your Lips 72 Street of dreams Standard C 96 5 9
The Very Thought Of You 41 Body and Soul Standard Ab 112 4 d2,9
The Water's Edge 63 Tom Harrel Contemp E 132 5 6
The Way You Look Tonight 55 Jerome Kern Standard Eb 200 5 7
The Way You Look Tonight 61 Burnin' Standard Eb 300 7 7
The Wind Machine (F) 37 Sam Nestico Standard Eb 264 5 11
The Wind Machine (S) 37 Sam Nestico Standard Eb 188 3 6
Theme For Ernie 36 Bebop and beyond Ballad Ab 116 2 8
There Is No Greater Love 34 Jam Session Standard Bb 196 8 d2,2
There Will Never Be Another You 44 Autumn Leaves Standard Eb 168 7 8
There Will Never Be Another You 93 What's New Samba Eb 192 7 7
There's A Small Hotel** 20 Jimi Raney Standard Eb 168 4 4
There's No There There 101 Secret of the Andes Ballad D- 215 9 12
They Didn't Believe Me 80 Indiana Standard F 136 6 5
Third Rail 61 Burnin' Contemp Bb 304 9 6
This Can't Be Love 89 Darn that dream Standard G 200 10 1
This Here 13 Cannonball Adderley Waltz F 132 8 7
This Is For Albert 33 Wayne Shorter Contemp G 194 6 d2,6
Three Little Words 51 Night and day Standard C 176 10 7
Three O'Clock In The Morning 79 Avalon Standard C 116 6 4
Three Plus Two 88 Millenium Blues Blues C- 144 12 13
Three To Get Ready 105 Dave Brubeck Waltz C 156 14 9
Thrivin' From A Riff (I Got Rhythm) 6 All Bird Bebop Bb 256 9 10
Time After Time 41 Body and Soul Standard C 138 5 d1,4
Time Remembered 45 Bill Evans Contemp C- 108 6 4
Tiny Capers 53 Cifford Brown Bebop Eb 120 6 5
Tippin' Time 30 Rythm Section Workout Blues Bb 108 11 2
Tivoli 82 Dexter Gordon Bebop Db 108 3 10
To The Fore 76 How to learn tunes Bebop C 162 7 10
Together 29 Jimi Raney Ballad F 75 3 4
Tokyo Blues 86 Horace Silver - Shoutin out Blues C- 184 18 5
Tomorrow's Destiny 9 Woody Shaw Contemp F- 230 3 7
Tomorrow's Expectations 19 Dave Liebman Ballad Gb 60 2 8
Too Marvelous For Words 39 Swing, swing, swing Standard G 138 5 9
Too Young To Go Steady 52 Collectors Item Ballad F 52 2 13
Toot Toot Tootsie 79 Avalon Standard C 224 9 9
Totem Pole 106 Lee Morgan Latin Eb- 138 5 6
Toys 11 Herbie Hancock Contemp D- 124 2+5+1 5
Train Shuffle 63 Tom Harrel Contemp F 128 7 10
Travelin' Blues 105 Dave Brubeck Blues F 69 6 4
Triple-itis 42 Blues in all keys Blues A 72 5 2
Triste 95 510 miles high Bossa Bb 176 7 12
Triste 98 Jobim Bossa Bb- 152 6 5
Try A Little Tenderness 72 Street of dreams Ballad C 58 2 5
Try For Five 92 Lennie Niehaus Contemp Bb- 152 5 10
Tune Up 65 Four and more Bebop D 116 4 d1,3
Tune Up (All Keys) 67 Tune Up (All keys) Standard D 144 12 3
Tune-Up (F) 7 Miles Davis Bebop D 232 9 10
Tune-Up (S) 7 Miles Davis Bebop D 168 6 2
Turn Out The Stars 45 Bill Evans Ballad C 96 3 10
Turnabout 96 Latin Quarter Lat/Fusion Eb/F 216 - 10
Turn-Around 92 Lennie Niehaus Blues A- 160 18 1
UMMG 66 Billy Strayhorn Standard Db 208 8 2
Uncommon Tones 75 Countdown to Giant Steps Bebop (Eb) 132 12 d2,2
Unforgettable 58 Unforgettable Standard G 112 7 3
Unisphere 105 Dave Brubeck Swing Eb 183 5 6
Unit 7 13 Cannonball Adderley Blues C 214 6 6
Up Against The Wall 28 Cotrane Blues Ab 150 12 7
Up And Down 57 Minor Blues All Keys Blues G- 160 16 8
Up Jumped Spring 60 Freddie Hubbard Contemp Bb 135 5 6
Valse Hot 8 Sonny Rollins Bebop Ab 140 14 5
Velvet Rose 76 How to learn tunes Bebop C 138 7 5
Very Early 45 Bill Evans Ballad C 84 5 6
Vierd Blues 7 Miles Davis Blues Bb 100 12 3
Violets For Your Furs 23 One dozen standards Standard F 68 3 d2,5
Virgo 33 Wayne Shorter Ballad F 54 2 d2,4
Walkin' Up 45 Bill Evans Contemp C 108 4 9
Walking On The Moon 101 Secret of the Andes Swing C- 185 20 10
Waltz For Debby 45 Bill Evans Standard F 168/112 4 2
Waltz For Spring 92 Lennie Niehaus Contemp Bb 160 4 6
Waltzing 105 Dave Brubeck Waltz G- 196 6 11
Wapango 77 Paquito de Rivera Latin C- 134 11 13
Warm Valley 48 In a Mellow Tone Ballad Bb 56 2 10
Watermelon Man 11 Herbie Hancock Blues F 128 7 6
Watermelon Man 54 Maiden Voyage Blues F 96 8 6
Watermelon Man 85 Reharmonized Standards Standard F 120 11 5
Wave 31 Bossa Nova Standard D 144 4 4
Wave (Vou Te Contar) 98 Jobim Bossa D 131 4 2
We Three Kings 78 Jazz Holliday Classics Waltz E- 126 4 11
Weaving Thru Changes 47 I got rythm, all keys Standard A 120 3 3
Well You Needn't 56 Monk Contemp F 176 11 1
West Coast Blues 43 Groovin' high Blues Bb 120 8 7
West Coast Blues 62 Wes Montgomery Blues Bb 116 8 6
West Coast Blues 74 Latin Jazz Blues Bb 152 14 8
What Is This Thing Called Love 74 Latin Jazz Mambo C 240 11 11
What Is This Thing Called Love? 41 Body and Soul Standard C 232 8 d1,5
What Is This? (Thing Called Love) 15 Payin' Dues Standard C 200 6 5
What It Is 81 Originals Funk Eb 122 - 12
What's New? 41 Body and Soul Ballad C 63 2 d1,7
What's New? 74 Latin Jazz Cha Cha C 120 6 7
What's New? 93 What's New Bossa C 112 5 5
When Lights Are Low 52 Collectors Item Standard Eb 104 5 4
When Lights Are Low 87 When Light are Low Standard Eb 140 6 1
When Sunny Gets Blue 49 Sugar Ballad F 52 3 4
When The Saints Go Marching In 80 Indiana Standard F 154 12 12
When You Wish Upon A Star 58 Unforgettable Ballad C 58 2 12
When Your Lover Has Gone 41 Body and Soul Standard Ab 138 5 d1,9
When Your Lover Has Gone 97 Standard With Strings Bossa Ab 138 6 8
Whisper Not 14 Benny Golson Bebop C- 112 5 6
Who Can I Turn To 89 Darn that dream Standard Eb 108 5 6
Who Cares? 89 Darn that dream Standard C 160 7 10
Who Said That? 57 Minor Blues All Keys Blues C- 100 11 1
Why Do I Love You? 55 Jerome Kern Standard Ab 176 9 11
Why Not 105 Dave Brubeck Swing F 194 7 12
Wiggle Waggle 42 Blues in all keys Blues B 66 6 4
Wiggy 102 Jerry Bergonzi Swing C#- 124 6 9
Wild Flower 33 Wayne Shorter Contemp Bb 142 4 d1,9
Will You Still Be Mine? 23 One dozen standards Standard Bb 208 5 d2,3
Wind Print 102 Jerry Bergonzi Latin G 160 6 4
Windows 95 511 miles high 3/4 B- 140 6 3
Winter Wonderland 78 Jazz Holliday Classics Swing Eb 116 5 2
Witch Hunt 33 Wayne Shorter Contemp C- 130 7 d1,2
Witchcraft 44 Autumn Leaves Standard F 164 6 9
With A Song In My Heart 51 Night and day Standard C 104 4 10
Without A Song 34 Jam Session Standard Eb 250 6 d1,10
Wives And Lovers 22 Favourite Standards Standard Eb 184 5 d1,7
Work Song 13 Cannonball Adderley Bebop F- 196 16 2
Wrap It Up - Minor Blues In All
Keys 57 Minor Blues All Keys Blues All 96 12 13
Ya Gotta Try 37 Sam Nestico Standard C 240 7 9
Yardbird Suite 69 Bird Goes latin Latin C 176 8 5
Yardbird Suite (Rosetta) 6 All Bird Bebop C 186 6 3
Yes And No 33 Wayne Shorter Contemp D 264 6 d2,7
Yesterdays 55 Jerome Kern Standard D- 60 3 4
Yesterdays 85 Reharmonized Standards Standard D- 224 12 10
You And The Night And The Music 41 Body and Soul Standard C- 152 5 d2,4
You And The Night And The Music 97 Standard With Strings Swing C- 126 5 6
You Can Tell 102 Jerry Bergonzi 3/4 B 114 6 6
You Do Something To Me 51 Night and day Standard Eb 176 8 8
You Don't Know What Love Is 32 Ballads Ballad F- 72 3 6
You Go To My Head 40 Round Midnight Ballad Eb 69 2 d2,3
You Go To My Head 97 Standard With Strings Bossa Eb 88 2 3
You Know I Care 91 Players Choice Ballad Db 36 2 6
You Made Me Love You 79 Avalon Standard Eb 88 4 8
You Say You Care 23 One dozen standards Standard F 224 10 d1,7
You Stepped Out Of A Dream 34 Jam Session Standard C 256 9 d1,7
You Stepped Out Of A Dream 59 Invitation Standard C 172 5 d2,7
You Stepped Out Of A Dream 70 Killer Joe Standard C 126 5 11
You, Only You 87 When Light are Low Standard Bb 132 2 8
You're A Joy 99 Tadd Dameron Ballad Ab 56 3 9
You're My Everything 41 Body and Soul Standard C 144 5 d2,2
You're My Everything 97 Standard With Strings Swing C 138 5 5
You're The Song (The Song Is You) 15 Payin' Dues Standard C 228 5 8
Yours Is My Heart Alone 41 Body and Soul Standard C 200 7 d2,6
You've Changed 32 Ballads Ballad Eb 70 3 4
Zambia 106 Lee Morgan Swing C 236 12 11
©danielfedele2014
Bibliografía
Teoría de armonía moderna:
En español:
o Enric Herrera. Teoría Musical y Armonía Moderna.

Antoni Bosch Editor. www.antonibosch.com
o Claudio Gabis. Armonía Funcional. (CD)

Ricordi. www.ricordimusica.com.ar
o Ted Gioia. El Canon del jazz. Los 250 temas imprescindibles.

Turner 2013. www.tedgioia.com
En inglés:
o Jimmy Kachulis. The Songwriter's Workshop: Harmony.(CD)

Berklee Press. www.berkleemusic.com
o Andy Jaffe. Jazz Harmony.

Advance Music. www.advancemusic.com
o Mark Levine. The Jazz Theory Book.

Sher Music. www.shermusic.com
o Jerry Coker. Hearing The Changes.

o Barrie Nettles. Harmony.

Berklee Press. www.berkleemusic.com
o Ron Miller. Modal Jazz Composition & Harmony.

o Ted Gioia. The Jazz Standards. A Guide to the Repertoire.

Oxford University Press 2012. www.tedgioia.com
Publicaciones
daniel fedele
• Curso de Armonía Moderna

http://www.cuadernodeejerciciosdearmoniamoderna.com/curso-de-armonia-moderna/
• Cuaderno de Ejercicios de Armonía Moderna

http://www.cuadernodeejerciciosdearmoniamoderna.com/ejercicios-de-armonia-moderna/
• Cuaderno de Ejercicios de Blues

http://www.cuadernodeejerciciosdearmoniamoderna.com/cuaderno-ejercicios-de-blues/
• Cuaderno de Ejercicios de Ritmo y Articulación

http://www.cuadernodeejerciciosdearmoniamoderna.com/ejercicios-de-ritmo-y-articulacion/
• Cuaderno de Escalas para Saxo

http://www.cuadernodeejerciciosdearmoniamoderna.com/cuaderno-de-escalas-para-saxo/

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Curso de Armonía Moderna

©2015 daniel fedele

1.Plan de estudio nivel 2

o Conceptos de Armonía Funcional

2.Acordes diatónicos y sus inversiones

6.Acordes dominantes secundarios

10. Formas: Rhythm Changes

12. In A Sentimental Mood

13. Test nivel 2

Nivel 1 Nivel 2 Nivel 3 Nivel 4

Teoría de Armonía Funcional Armonía Funcional Armonía Modal Armonía

Escalas • Escala mayor • Escalas menores • Escalas Bebop • Escalas

Familias • Diatónicos • Dominantes • Dominantes • Disminuidos

X La escala mayor es la más utilizada en música occidental.

X Las escalas generan acordes.

X Los acordes están compuestos por intervalos.

X Los intervalos tienen distintas sonoridades, desde la consonancia a la disonancia.

X La cantidad y calidad de intervalos contenidos en un acorde determinan

X La armonía funcional clasifica los acordes con funciones tonales.

X Para ampliar la paleta de colores sonoros se utilizan familias de acordes relacionados

X La familia de Acordes Dominantes Secundarios resuelve en acordes diatónicos.

X La familia de Acordes de Intercambio Modal se toma prestada de modos paralelos.

X La familia de Acordes Disminuidos , construidos con dos tritonos, se utilizan como

X Las Progresiones Armónicas , compuestas por las diferentes Familias de Acordes , se

X Analizar un tema significa determinar qué Familias de Acordes conforman las

           

                      

III- I VI- IV II- VII º V III-

III- I VI- IV II- VII º V III-

III- I VI- IV II- VII º V III-

      

    

          

   

    

             

          

      

             

             

      

Imaj7 1ª 2ª 3ª II-7 III-7 IVmaj7

        

      

        

              

      

  

Imaj7 1ª 2ª 3ª II-7 III-7 IVmaj7

   

IVmaj7 VII-7b5 III-7 VI-7 II-7 V7 Imaj7

 C Mayor A Menor Natural (Eólica)

 C Mayor A Menor Natural (Eólica)

Dórica I-7/I-6 II-7 bIIImaj7 IV7 V-7 VI-7b5 bVIImaj7

Frigia I-7 bIImaj7 bIII7 IV-7 V-7b5 bVImaj7 bVII-7

Menor I-maj7 II-7b5 bIIImaj7#5 IV-7 V7b9b13 bVImaj7 VII0

Menor I-maj7 / I-6 II-7 bIIImaj7#5 IV7#11 V7b13 VI-7b5 VII-7b5

Intercambio Menor melódica Lidia Locria ª2

Opciones de Menor Armónica Menor Armónica Dórica Menor melódica

IV- II-7b5 V7/I-

I- I- II- V7/ I maj7

I Maj7 II-7b5 V7/I- I- V7/I-

II- V7/II II-7 V7/IV

I-7 II-7 V7 I Maj7 II-7b5V7/I-7 I-7