PDO Tees KEYBOARD ANTHOLOGY¥BDOAKD A‘ ‘THOT! ‘Special thanks to JORDAN RUDESS for his assistance and cooperation Transcribed by CHRIS ROMERO Project Manager: AARON STANG Engraved by CHRIS ROMERO ‘Ar Layout: MICHAEL RAMSAY ‘Album Cover At ewsces 4200S «tp alms RECORONG COAFCRATEN seToruarr necoes rom aunvony (920i ELERTRA GRTEMTAMUENT COU? NC ‘zs ELERTHA EMTERTARDINT GROUPING. (©2008 WARNER BROS. PUBLICATIONS, ‘Al Rights Recorved Any o.piceno™ scence = srangement of the compoctions coresined Sic calecson sequres fee wren consent ofthe Publsher. Ne part mug soon be srotosoes =e (remorse get ot ergot oe Conyight Ac and G ¥CONTENTS IMAGES AND WORDS earning to,Live’ mares sus 2s sma 23 owas oT Ba eo ON SE TS Eee RN ‘Wait for SIO) occas wiera es puny zs pares a oare ese Metropolis - Part 1: The Miracle and the Sleeper AWAKE Scarred .. 6:00 METROPOLIS PT. 2: SCENES FROM A MEMORY Scene Two: 1. Overture 1928 Scene Three: I. Through My Words . . Scene Three: II. Fatal Tragedy . Scene Four: Beyond This Life .. . Scene Nines Finally Pree, co. sasane x's nies 0 se wure sa wenn ee oeety v's SHEE s OE Ct SIX DEGREES OF INNER TURBULENCE The Great Debate oi... cece cee ee eee eceeee eee eneeeeteeeeeeenens 107 Six Degrees of Inner Turbulence (selections from) TL. About to Crash. eececce eee e eee ee eee eeeeeees 125 Til. War Inside My Head »- 128 IV. The Test That Stumped Them All .... . BI V. Goodnight Kiss . 137 VI. Solitary Shell .. TRAIN OF THOUGHT Endless Sacrifice . . Vacant .. Stream of Consciousness ...Learning to Live Music by JAMES LABRIE, KEVIN MOORE, JOHN MYUNG, JOHN PETRUCCI, and MIKE PORTNOY Lyries by JOHN MYUNG 2nd Time: Drums Enter rd Time: Guitar Enters Nc. 7 eae : 1 Play 4 Times "Patch also sounds Sv Saw Lead Percussive Attack* EyB GSD ASE = *Paich also sounds 80>, NC. ESB GYD NC, Saw Lead nt Saas ‘Note: The guitar and drums play nthe tine Seats Shown, The kas playa pobriythn which i reflected byte note Beaming[Bliss Em ce AnyE Bous4/E Verse | ‘There was no time for pain, no ens er gy— for an - ger, Sight = less = ness as ha = ted slips a - way Walk - ing through in - 10 sects a lone, he_— stops. and takes. «a breath with nfl = dence and self con = tol 1 look at the world and see mo un - der- stand - ingTm wait - ing to find some sense of. strength AnyE Beus4/E Ym beg-gingyou fromthebot-tom of my heart toshowme under = stand a ee ee I need to live life like some peo ple nev - er will, So find.me ee ee ee See 9 a fe kkind = ness, find me beau = ty, find me truth. eer ee ea oe caer me ee ——ta = tion brings me to my knees_ and_1_— ley. here. drained. of strength, show me iC} 2-42 Chorus: pete Tempo n:.=1f,, kind-ness, show me beau-ty, show me truth. eT se The way your heart sounds makes all the Bell Patch Bm? Em? J = diffrence, Is what decides if youll en-dure the pain that we all feel The way your fo¢ Am7 Bm? Em? heat beats. makes all_the dif’ -frence i eam ing to five,1 wont give no more to give (D)s-10 Verse 2 S Tempo TIT: J= 150-160 Boust/E, the cit - y, whis = per = ing1 set out watch - ing from a- bove___ The nine = ties bring new ques - tions_=snew so. = lu = tions, to. be found. I Baus/E Rll in_ love wo be letdown, Em? Once a+ grin we dance in the crowd_ at times, a step a = way from a10 CE com- mon fear that’s all spread. out It wont lis = ten to what you say. AmOVE _— — Onee youre touched you stand face the bit - ter fight reached for love but now L__ reach for life a, jE} 4:01 142-144 F) 413 Bridge: ean BULL) cs ro An-oth- er chance to li. my life Vl five the sen-sa = tion in my heart Dsus E > To ride the wings of dreams__ in the changing ho-ri - com— BRMOedS.Ht brings inner peace with «in my —mind_____ As Tm lifted from where. I've split. as oe 1 hear an in-no-cent voice— 1 hear kind - ness, beau - ty, and |G] 45 Instrumental Break: NC. a. a Flutew/Percussive Attack® 2. - ——=- a a ae oe - : = = *Guitar and keys play duet (beaming indicates polyrhythn). Fits ES Gsus2 FHS Em(9) F#7a) Organ 2 Bell-lke Patch Synth Solo: Ba) A cm? Beus4 chm? Asus ‘Say. Lead widelay = a op Boyt Asus2 BUPA BOO) _—— fF Am9/E <2 — gett12 po V: 1 = 130 HH] 5:37 ¢ Fasus2 Baus4 B D Fem? E Gin SSS Fs ES ES BS BS [Haz0 + Tempo VI: D String Pad 136 Guitar Solo: Half-Time: = 68 E D E D Organ13 ES Square Lend w/Percutsive Attack* st ea to 4 es = nee Te eee Sea a= = ao o “Moore plays the same melody here as he does withthe rest of the band atthe ninth measure of Section K (the 8 bar). The beaming reflects the polyrhythm over 12/3 psa, 2 SS === eres we “3S ae e - ase vee F end poyytin "Wait For Sleep" Reprise: Tempo VI: J= 170-174 Esust Cmaj7 Piano (String Patch plays melody second time) 5 Amo Bm? Baws Gnas14 M)s.o Guitar Solo: ‘Fempo lt: J.= 124 Am? Bru? Em? CO) An? Bi? Em? Am? Bri? Em? C19) Am?-—Ben? Fiano and Sings Ov) Esus4 Cmaj7 ‘guitar plays harmony second time. IN] 9:08 ‘Synth Solo: AmT Bm? Em? Cmaj7 ‘Am? Bm? ‘Saw Lead fom at a ma String Pad Cmaj7 Am? Bm7 Em?‘The way your 1 [Olas Chorus: Fempo IX: J. = 124-128 Asue pre Baye, cs <> = beart sounds makes all the dif - fence Ws what de cides if you'll en- dure_ the pain that Bell Patch gS wwe all feel, ‘The way your heart beats makes all_ the diffrence in leam-ing to live, oe eee sus 4 a D Asus A Dt BYE Spread before you. is your soul So. for -ev- er hold the dreams with-in our mowThrough na - tures in - flex - i - ble grace, Tm team - ing to Guitar emers 2 Pad D0 : = Adi, Pad and Strings (8va) G De) C DE) G DO) fadeWait for Sleep VIN MOORE Music and lyrics by Intro Tempo I: - = 166 Pano w/ String Pad Esust AmyE mai? 2 *wlaustain pedal Am? Esusd Am/E Alois Verse 1. Cmaj7 Am? Esust Stand - ing by the AnyE Cmaj7 Am? Bousd . ————s SS win = dow, eyes up-on the moon, cs {©1992 OCTA MUSIC INC, VISE JAMS, INCHop - ing thatthe mem = ‘ty will Feave her spir it She shuts the doors and lights and lays her bod- y on the bed, im -ag- es and words are run ning deep. Em? co) Am? Bm? Esust sheets a= bove her head, — so qui'- et-ly she lays and waits for sleep end Rhy. Fig. 1She stares at the ceil - ing and tries — ‘And pie - tures the chain Cmaj7 Am? Bsus4(7) she's been try = ing to link again, but the feel = ing is gone,— and20 Dj i:10 Chorus 2: wiRhy. Fig. 1 (Piano w/String Pad) Am7 Bm? Em7 co) Am? Bm7 Ema wa ter cant cov et and ashes can't an= —swer her pain Cmaj7 Am7 Bm Em? co) Am? God, give me the pow- er to take breath fom a breeze. and call life from a colt Bm7 Em7(3) In with the ashes OF up withthe smoke from the fire Bm7(11) Amd D Caio ‘With wings up in heav- en ly- ing in bed,2 BmyD Cap DE) = palm of her and to mye, l now and for = ev = er Em? Bm? c curled in my heart and the heart. of the world. Am/E Cmaj7 oo segue to "Learning 0 Live” Am? Em? Bm? a E93)* Metropolis Part 1: The Miracle and the Sleeper ‘Music by JAMES LABRIE, KEVIN MOORE, JOHN MYUNG, JOHN PETRUCCI, and MIKE PORTNOY ee Lyries by JOHN PETRUCCI Tempo I: /= 104 NC, DE COVE DE Ess? Breathy Pad ew = “Patch is played 8vb. DE __ COVE Aloe Play 3 Time: D Esus2 D co) D Esus2 Synth, Strings* a! ee _—_ Sas, pe a - Se Right hand also sounds Bva and 8b Left hand also sounds Sv. D co) D Baus? ae oecE DsusE DYE cOyE = ‘The smile. of __ dawn ar Spath Strings* ——_— ~Paxch also sounds 8v0 and By. DE Bsus? pe, SOE sift fom. her home eS —— as =. $: f _ — Za : DE. ee ee are ee24 5c. $a DE COVE __3—> 5 —3—, ev - er out = grow. Death is the first dance e - ter ~ nal end Rhy. Fig. 1 Synth. Strings* Saw Wave® "Right hand also sounds Sva and 8: Left hand also sounds 8vb. ES DA The both. of you will GSA T was told there's amir = a ele. for each day that 1 ty. Fisusa G5(9) GSA T was told there's25 Fesust G59) GOYA <> 3 = SS 1 was told there'd be noone to call__ on when Tel a Jone and afraid. Bell Patch, Gsu2 6509) 509) Noma 3 Fe sus _— 1 was tld if you dream, of the next world, you'll find your - self Ge) Emo a EnyB BB 3B = swim-ming in a lake of fire ‘As achild I thought {could live with-out pain, with- out Synth, Strings* *Patch also sounds 8va and 8vb, sor = row, As a man. Tye found i's all caught up with me, Tm— a- pyre A Esusd, DE COE pd = ‘9 = sleep yet_Im so a = fraid 4 ao Sev FtSome - where ike a scene ffom a mem There's a pic - ture worth = Scene fom a mem = ‘ty DB DE COVE — fader z tou saad wor ‘Thou - sand words from fue - es be~ fore me. Fac > es jud - ing stares__ a DE COyE — it hides a way_ and will nev er be heard of a - gain De = ceit is__ the ore me. Hi) 338 Pre-chorus: Gs Fe pyre Bsus? The cit- y's cold blood teaches us to sure vive. with- out end see ond_ Symth, Strings* R: Saw Wave? ‘Right hand also sounds 8va and vb. Left hand also sounds Sv. ES__D5A cs Beus2, ts Just keep my heart. inyour eyes and_welll stay a27 ‘Tempo I: ). = 136 G pyre Esusd G DFE Dsus ACH Percussive Attack Pergussive Attack Gere Instrumental Break: Tempo ITI: J = 132 8509) A519) B59) G50) A5(9) es Tempo 1V: J= 126 Bai9) AQ) Bm(9) Go) AQ) Sew Lead s28 Bm? G59) ES(9) Fs) Ds) LHRH LHRH Drum Solo: ASO)/B Gs(9) Syath Stings cz ro Saw Wave Patch also sounds &vb, ES Fes IM Bass,Solo: ES FSRH LH RH ete ‘41 other instruments play in 4/4 for the frst four bars of Section O; somever. the keyboard play n 6 starting on beat 20f Section ©. ‘Tae beaming patterns reflec this polyrhstim.30 P| 6:32 Ist Time: Sole 2nd Time: Guitar Enters e Pereussive Patch" Play 4 Times "Patch also sounds Sv Saw Lead ‘The harmony notes were recorded separately on the album. Ri] Distorted Organ Ly RH LH RH LHRH LH RH31 |S] 7:23 Tempo V: 2)= 192 Saw Lead Synth. Strings32 Em D/FR Dsus? A/C# piaaad Percussive Attack Pereussive Attack TT] s:04 ‘Tempo VI: J= 120 Bm GB EmyB pre = A Bm op EmyB prt A Ball Pateh Be = fore the leaves: Flute + Bell atch Bm G Em D A Chorus: Bm op EmyB prt A 3 a there must be the third and last dance, This one will last for = ev = ‘Synth, Strings* *Patch also somBe op EmyB pyre A 3s ss = Met -rop- 0 - lis watch -es and thought - fully smiles. She's tak-en you to your home, > cB Gm Din 5 os ie aoa Da It can on ly take place when the struggle be-tween our chil -dren has end - ed. acto sounds vb, ec c BD/B> Bb —- ot? oS ee cle and the Sleep -Scarred | Music by JAMES LABRIE, KEVIN MOORE, JOHN MYUNG, JOHN PETRUCCI, and MIKE PORTNOY ‘Lyrics by JOHN PETRUCCI [Alo2. Bass Solo: Guitar Solo: = Bm7 ate Bm EB Bm? atop Bm 8 Pad = 3 2 ae ae = a = = B] 1.08 erse. ZEB ‘Bm? cto Bm EB To tise, to fall. To hur, to hate To = To heal, to save Cant hear it, we fear it, a+ ware - ness wont Guitar Patch (w/quarter note delay) nea it Dis- tract = ive, rer act + ive 2ou = = = a Fem? Eyre Ds) Bbs(9) Dai) Bbsus2(6) Sirings Io ie “patch also sounds 8va and 8¥b (Go Tempo I: J= 164 NC. String “patch also sounds 8ya and 8vb as FHS AS F#S As Fes AS FHS Gs FS Distorted Organ D] 2:36 Perse 1 Fes pyre Gp Abs) _——AS_H/ADSA I me-verbared my © = mo- tions, my pas - sional - ways37 pre G5__D/A (bs) AS F/ADS/A — : Fas Tnev-er lost my de = vo-tion, but some = where fate went wrong As Fes as Fes AS Fas AS FBS GS FS Distorted Organ pyre Gs__D/A Abs) AL F/A DS/A your ven-om's mot fam = ly Can't et them rape me &- gain, prt GS__D/A AS) AS F/ADS/A of : Won't let them filme with fa = tal is - tie reme dis.38 FF} 316 Pre-chorus: Bm Fan Go FO) AB fear? What if rest of the world was hope = less - ly blind - ed by_— the Strings and Bell_ 2 ‘patch also sounds 8va and 8b Bm7 Fea Ge) A G/B Csus2 Sud = den = ly Where would my sane = tity live? no = bod- y— cares. 2 ‘patch also sounds 8va and 8vb |G) 3:43 Versg2 es ppt as, DA 69 as A so Wsnev-er = ough. youre wasting your time, is = nt there some - thing could ss Organ > “TRerig har pr doubled wth ta sth sounds TE Osea Fis re GS D/A AGS) AS F/A DS/A > - oro i i ‘You don't un-der- stand you're closing me out, how can we live our lives. this way39 AS Fas AS FBS As FBS AS Fis Gs FS Hy 3:43 FHS prt G5 D/A AGS) AS FA DS/A — ee ae ge Youtell me Tm wrong Timrisk- ing my life, still Thave noth = ing in re- tum, = Organ a ee Distorted Organ pyrt GS_ DJA lbs) AS F/A DSA — s2 — 2 3 Ishowyoumy hands youdon't see the scars, maybe youll Feave_ me here to burn.— FRay Go) FO) E > _ What if the world was hope + less « ly drown = ing in vain? Strings and Bell_240 Bm? Fea) Go) A GB NC. Where would our self pit- y run? Sud = den= ly ev = ty 2 one cares. 35 (6:26) (6:53) me—— fear change me, be- lief will al = ways save_ m (fee) Bu? typ Bm E Blood swear- ing, fear star = ing, con- vic - tion made__a- ware, (Blood) (eat) Fem Ere 59) 1Bb5(9) I —3— 5D 1.2. Give up on mis ~ er- y, tum your back on dis 3. Leam-ing from mis - er- star - “ing back at is: Strings ‘patch also sounds 8va and 8vb Fem Ere pap Bbsus(6) to Coda 1 & 3-3 = 3 Cota 2 Leave their dis - ust be- hind, — Wash your hands__ of re gr Leav - ing dis - trust be: hind, — Tm n= spied andeon- tentag Da you feel Rhy. Fig. 1 (8 Times) Bei!) snd how come you dont want me ask ing? Dsus2 ‘You say you. want ey - ty - one hap ~ py— Dsus come you don't un - der ~ stand me? years say were inthis t -geth - er, Gmaj7 3S you_don' Asus? one there for me, some -times T feel know me an = y- more? ‘and how come my heart's not_ in vit- ed? Esus were not Jaugh ~ ing. well. Bsus2 ‘and how come I don't un - der - stand you? 1d Rhy. Fig. 2 soo pen. your eyes____ Boust 3S a T should face this a- lone. My = 2DS.% al Code it calms me_ toknow that 1 wont, rape Instrumental Break: Distorted Organ ‘Played slightly under tempo until start of next measure [M]} 7:38 ‘Synth Soto: ‘Bm? cto" IR ~~ Guitar Solo. ‘D.S.& al Coda 2 8 8 ap atay 2 L 9:31 2 Coda2 Outro: Tempo IV: /= 134 Bm? Fea) Go) FO) Strings *Patch also sounds 8va and 8vb Fay Go) FQ) FO)44 a 6:00 Music by JAMES LABRIE, KEVIN MOORE JOHN MYUNG, JOHN PETRUCCI, and MIKE POR’ Lyties by KEVIN MOORE Intro: BS DS GSS DS FS EbS pbs Distorted Organ ee fo Pe ES FS GS ADS ES DS FOYA i Bsusd AE B Fen7/B E NE E Feu E GF Isus4 Distorted Organ (6:00 on a Christmas morning) - Sample ls Allg) Aly, alls sii sii is al sl sl alBsust(9) (know all about the honor of God, Mary Jane)- Sample end Rhy. Fig. 1 Six o'- clock and the si - kicks him from a dream,__ © Sp. Fig. 12 Times) Beeorted Organ Cant find the strength, but he's__ got prom - is - es toPrechorus Gmaj7 Asus? but "Patch sounds 8vb Gmaj? Asus? Tye got bas - es to cov - er, rye ES bs Distorted Organ nev - ers bs bet FOYAIo). Ferse 2: NC. | He's in the park - ing lot and he's Just sit = ting in his ear__ ‘Rhy. Fig. 1 (2 Times) Is nine o'- clock, but he cant get out___ He lights a cig - tte and he, and he tums the mu - sie but just cant seem to. shake that sound thought. Td get 0 - ver, but its too late for me now.48 Gmaj? Asus2 NC. Te got bas- es to co - ver (Dj 2:2 Chorus: ae E anny E Mel-o- dy walks through the and mem-o-ry flies out the win - — dow, oor, Organ a) ze Fete Ba No ~bod- y_knows what they want, ‘tl they fi -malely_ let it all go._ Bm?0 Fig. 1@ Times) pa = # ‘LH RHLH RAL a = RY LH RH LH RH50 IF} 3:14 Bridge: Bm? Asust Pain in- side coming out - Saw Lead foe Pad (also sounds 8va) — ———— ———____—# 5 ese ae Gsus2 ‘The pain in - side aa ‘The pain in side ia ed ————— Gsus2 com-ing out - sidecom - ing out ~ side Second Time Only) + y ways to drown a man, so man-y ways to drag him down, m= Fig. 1 (2 Times) ssones added second time only Dime? Orrin fast__ and some take years____ and “ talk = ing in his sleep.—fi - milly found the sound, but he's in too Seep. Prechorus: Gmaj? Asus? Gmayr Asus? I could nev = er get 0 = ver, is it too late for me now? \e | altar Path *Patch sounds 8vb, aj? Asus2 NC. AE E Phage, E Mel-o-dy— walks through the door and_mem-o-ry flies out the win - dow. Fem/B ‘il they fi -nal-ly— let itA ~ don't cut your los = ses 100 soon, ‘eause you'll on ly be cut ting your ~ answer a call while you still hear at all, ‘emuse no -bod- y— will if you. Ts Outro: ‘Bm? Distorted Organ (6:00 on a Christmas morning) - sample (1 know all about the honor of God, Mary Jane) - sample 3Bree Ne) Og eAUaS|a _ 2 Scene Two: I. Overture 1928 Music by JOHN MYUNG, JOHN PETRUC MIKE PORTNOY, and JORDAN RUDES "Metropolis Pe. 1" Intro: Tempe I: /=111 NC. Play 4 Tin Strings Voyage Pha “sampled from "Mevopolis Part I" “Each repeat, add one octave higher to string patch, Le play Gea ntee ed ace toe ahote He: D2-D3 2nd time, DE-DDA drd time, D2-D3-D4DS dh time, a [A] o27 Main Theme: . D 3 al 3 2 a Be 4 and DS also sound. DS DOS) 5 DS. ose ‘Strange Deja Vu" Chorus, 2 Asus ‘Strings + Brass as tos 6 assay 6 Asus? ‘Trombone Patch37 Fay Asus BS co) D Ne. Cafe ony Strings™* RH “Jordan recreates this part live by switching a higher octave on and off while staying inthe lower position. i li. pa Zz ‘Siring also sound 8v. eg aa “ge Cgt Cs rn e884 85 *Precbend the A pan octave by = sliding hand up ripbon controller, C]isis then slide dovon ofter sounding the note. Synth Solo 1: DPAsusa(7) Fey Fésus4(7) [E]20 Ag? ‘Sings Brus, and Choir[Fla Guitar Solo 2: cam 2, PadCello + Strings Lead SS ———Horns + Voice 7 Cello + Strings eRe Cello + Strings segue to “Strange Deja Vu"Scene Three: I. Through My Words Music and Lyrics by JOHN PETRUCCI Segue from "Strange Deja Vu" Moderately Slow 4 = 108 Gmaj7 Plano Gmngi7/B All your eyes have ev = er seen all you've ev = er heard is etched_ Em() cof — a pon my mem = 0+ ry, is spo. = ken through. my words = = > io VISE sans. NC Tee y Worts-2-1 scnisisteed by WS MUSIC CORP. mass ‘Agha ReesAll that I take with me__ is all__youve let_ be = hind cops) — liv = ing in two minds Linked by an end im poss Segue to "Fatal Tragedy”a Scene Three: II. Fatal Tragedy ‘Music by JOHN MYUNG, JOHN PETRUCCI MIKE PORTNOY, and JORDAN RUDESS Lyrics by JOHN MYUNG z Through My Words" intro: Tempo I: «= 108 o2_Em EP Ac lone. at night 1 Rel. so sta we/sustan peda all. the on - swers EnyG When 1 sleep. at night__ ‘1998 YTSE SAMs, NC ‘AURIgas ReservedFem <_= (his mean? ‘Tempo Ii: J= 70 Em and trv - led = to oan oth‘at Leould trust him, fe Talked 10 me that night ena "Lad, did you know choy e —— was mur-dered here? This fa tal ‘ag e-dy__ was talked a bout. for years B BYA EnyG Em = = Vie - tor-i-a's gone for-ev = eh only mem-o Fes re- main. She (ahh. tei met “Harmony voices are one octave higher. B Fem iee =e Gn 12-String Gtr. = > Chm EG? ‘with-out_ truth, (there can be__ no tum-ing back)Fam A chm With out faith with out__ hope, (there ean EG be no peace of mind) r , Guitar Ptch Am EnyG ‘Mallet Patch Gultar Patch ps 1 Teamed = bout a mg end 2said?You'll know the truth asyour future days un - fold” Chote Patch 12-String Ger. Patch Fe A ee ee ee a (Ab a een 1D] 3:26 Chorus: Fem A cm Eat With- out love. with out truth, there can be no tum - ing back. Plano + Strings Fem With- out fulth,___with- out hope, thereean Hot Gtm A be no peace of mind, Mallet Pateh*Guitar Patch baataa 2 ee De -—— ge —=—a Satelit, a ti? ng up ribbon controler SS 7 22) ®, x > @ Si eld DS i he ih hana and ny on ribbon controller wile repeat. a ‘the ribbon with let hand index nger fo produce pitches shown 3 3 1 3 a - **Octave change produced using octave button. *Flutter vibrato created with ribbon by hold gn eet ace p44 © slice lft hand up and down ribbon , -onrollerto produce pitches shown+ Plano = Em BP Em Teves sesesere pes herapist: "N 1210 see how you ditd. Remember that death it not the end, bu only a trfnstion."2 Scene Four: Beyond This Life Music by JOHN MYUNG, JOHN PETRUCCI MIKE PORTNOY, and JORDAN RUDESS Lyries by JOHN PETRUCCI iro: (Adar Tempo I: /= 176, Gts ps as Fas ats Bs as Fis Gis ps as Fas Matrix Growl gts ops cs ras cts Bs Gs Fas KalimbaPatch | yg . Ear Bleeder Patch ‘1900 VISE JAMS, INC. Serene Bis Lite -16-1 smnisred by WB MUSIC CORP. res ‘ATR ReservesB} 0:45 ate "Mur - der young — git ad Pinel isi omccae iain te shoot = ing atm fy-ing sound. Ear Bleeder Patch5 cin E ® Be dead end ly = ing on the ground 2 Mallet + Pad Stand = ing by her was a man, Atmospheric Pad ad Gin te Fe ate + vous. shak = ing gon in and,79 Gn Gt Pp ake Wit - nes sys he tied = to "help, but held cm E tm bod - y fell a - cross that. pooryoung gir. Ear Bleeder Patch ine wit - ness ran to call___ for_ as-sis-tance, a80 cm E m OF ByG Ac [D] 2:26 4:50) 20:05) Chorus 1: trav String Pad** aeee £22) Atmospheric Swell**** Flutes Mellotron and Distorted Pad*** a “First time only. **On Ist and 2nd DS only ***On second DS only ****Every time (4-bar D begins chorus, cue notes on repeat) nae eG second time) © BP pe What we have been. what we ae, bd: ——J. ——J- ——~dcts ps as ris ats Matrix Grow! Ear Bleeder Patch [E]s.26 Bridge. Tempo Ul: = 198 Gam7 She wan - ted love Distorted Pad fll in = to Distorted Pad es a BS as Fs ts BS as Fas cs Bs BbS AScm E atm She mayhavefound @ rea = son. to for = Organ, a Wied meet + ing pre = ar- ranged? Had 2 vio = lent strug - gle tak- en place? Distorted Pad t0__change, sign that led there Wit-nessfound a switch-blade on the ground, ——— osWasthe vie - tim un - a- ware? ‘They con-tin - ued They founda note — in the kil - ler’s poe = ket Itcould have been a lost her love, NC Resoshape Patch, 1 feelthere's on - ly one thing Het to éo, Organ Resoshape PatchTd sooner take my life a+ way than » DS.% al Coda live with, des = ing you. what, we are. All that we lear, this. Mellotron Em9 Gte7 — time___ is car ! (What wehave. been is what we are)___ &Gmaj? D/A D ote aa = — —. E = — ae zt — # lite all that we lear this De » = a OE a Em9 D ter - . my SSF : Se yo ) Ohta ee (What we have_ been is. what we are,)___ 4 ma 3 2 G] sss DA taste ea ‘Break: 9 5 —— oS at, =< = SSF ie = . : x 9 = Hi] 6:26 ‘Synth Soto: Gt = A= bee, Lead Zouk is < ea Be = “| : 2 ~~ 523. Ss SSS 7 ae frases oe rT aS ~B@Sr, Se5:6 rsqziss a4 Gem 8:6 cea _™, Gent bee ¥ IR LHRH LH RH OL Tempo II: = 190 Gim7 oe Hr Guitar Solo: Organ,87 Bm cts cs AS BS Bm? cts bs AS -BbS ‘Tempo IV: J= 205 ,, Ba lez Synth Solo} Dm? ‘Trumpet Lead a rays mie AP 2d re — oe 3 3 “Live, only the op melody is played. Jordan uses a button to add the major third harmonies shown in cue notes,ee ee “Male pax Rpts singe notes wich double the top tae feathered fo ef measure. Bass Patch [K]o.05 tm? Xvlophone + FluteEb/G Aye DAS. al Coda 2 pas wha we are___ All- an Gai Emo D Gtr ——, e tin is car : (What wehave been ig. what we are). ried be yond this__ s is car | | vied be-yond ‘(What we have boon is what we are.)92 Scene Nine: Finally Free Music by JOHN MYUNG, JOHN PETRUCC MIKE PORTNOY, and JORDAN RUDESS [Aloze Lyries by MIKE PORTNOY in prt G String Quartet (condenseg) a Em yi Paes ptgaogg Tempo I Bm Gie7Gke7 Gey Ee? DHT Gamo Po of oy Fag Strings and Chureh Bell* F rests ‘Church Bell (only) Pa “In first measure, church bell plays eue notes only. Strings play all notes shown in first measure and hold chord jor 4 measures. chm Gtm Emaj7 chmEB Bie Gtmio/bis) Strings + Choig “Live, C41 iriggers a timpani roll. “*w/sustain pedal. Chica Verse 1. tm AteG4 Gém — cém tm Emaj7 SF Fri-day ey - ‘ning, the bloodstill on_my hands. To thinkthat she_ would leave me now for 2Gt atevat atm cém pémyctctm chm Sole sur- viv - or, ‘no wit-mess tothe erime— ‘that un- grate - fal man. chm Gam Bre < as 1 think thatthere’s. stil time. Hed_seem hope - less. and rmustact fast (0 60V - er up, B re cAm St NSS = S lost with, this note. ‘They'll buy in = to the Deu Chorus: tm payr* pe Emaj? ching fi- ally found my love, ve95 Bt Fe Gtm pire pe VY fi rilly. broke—— free. No long = et tom in two, Emaj7 cts Bot ptm —— Gtmigis) Td take. my own life. be = fore los ~ ing you." EJ 2:57 Verse 2: atm per Ema? Cm Fooling good. this Fri- day afternoon, Tran in = Jul-i- an said Electric Planore atm Bypt per weld. gett geth-er soon... He al - ways had_my hear, be needs to know. Ml fF 34 Chorus: Emaj? che Bp Dém Gh break fice of the Mir-a~ cle, it's time for him. to go. “Piano begins with ewe notes on beat 4 Emaj7 cms fi- nilly-found my love, I've Bot feel - ing Fe KS f= nilly. broke free. he'd kill. histhey'd ren = dex - ina path-way out of view ‘They thought no— one98 |G) or Gtmyrt Chsuse Amaj7PS) lay 3 Time Chureh Bell** “Ist Time Only **Cue notes held from last nove on both repeats. Gemyrt Chsus2, Amaj7(b5) [He+7 "One Last Time" Reprise: Cem, time, welllay down to day. Onelast time, until we 2. Mellotron[2s Guitar Solo: cin B Bridge eee vB ‘As their bod - ies tie stil, _ and the end - ing draws near, — Strings fe r ‘Strings also sound Siva ber 4 EB Bbe7 Chm Ho aT ee spir-its rise through the air. All their fears dis - ap- pear, it all be comes A. blind - ing light. comes in - to view. Strings + ChoirTe I ctnss_ ots? ctm cmp Bho ann new Fa - mil - iar voice comes shin - ing through. Ken Chorus: in vin pe Eng ed Bot Fe This feel - ing in side_ me, fi ally found my life m fi- nal - ly free a ln pat ot Ema? ctyct# at ptm No long - er tom in two, T leamed a - bout my life_by liv ing_ through you. Gn pert ve Ey atayc#_ mkt ‘This feel - ing jn side_ me, fi- nilly.found my life,'m fi nal-ly free. (ahh,101 Emgt_ bet at No long - er liv- ing_my own life-by —leam- ing from you. = cmt Bot Ft Wellmeeta-gain my_ friend some-day soon. Strings + Piano “Live, Jordan plays a "Rocket Brass" patch on ali le hand accents shoven. The high velocity of the note triggers the patch. Als, left hand sounds 8yb, ctm Emaj? chm Gm ater cémPizzicatto Strings Pigzicatto Strings dsato Strings cau, = “om - ; SS = > = WE ae = =Piggicatto Strings => Pizzicatto StringsPizzicatto Strings ctmayrt Piazieatto Strings Plzzieatto StringsPizzicatto Strings Pizzicatto Strings Plazicatto StringsThe Great Debate . Music by JOHN MYUNG, JOHN PETRUCCI, MIKE PORTNOY, and JORDAN RUDESS Tempo I: «= 164 Bsus4(7) Lyrics by JOHN PETRUCCI iene pagetee tte fe Etesitrstey fre ite feet: “Octave changes performed using octave bution. Play 3 Times, sas i Play 3 Times ‘©2001 YTSEJAMS, INC. Toe Gre Dette 18-1 saisred WB MUSIC-CORP, Pra “AU Righ Reseed4 6 3 _t6 6 6 3 v #25 See eee ye ree ¥ LH RH LHRH 5 5 5 e Play 3 Times Play 6 Times| FRE E = AnyE Fey ES E oe Em FaeT/E E What if someone said, promise lies a head. E7@) ator AnjE Fheye Life won't have to end, you could walk a Hg Ce . ¥ The Gt Debate 18-4 raateye — =< lie ‘They've un - cov ered something highly con - two ~ ver- sial —— a FTE ES E SSS Right to life is strong, cant you see it's wrong? Hyman kind has reached a Percussive Attack torr Pt E = flict. at__ ground e - ty ae, Perey cee Deb 18-3search = ing for 2 cue? Don't be fight - ened of the = = ows it cre ates__ Tum tothe Tight Tum - ing a way_—would be— a ter = ri- be— mis- take NC. ‘Resoshape Patch* a = “Octave changes performed using octave button. os Verse 2 An-ar + chis-tie mor-al vis- ion, indus - tiesof death. Facing violent op-po - sition 5 _———— Pad 4 anes 0SSS fons breed an tag-o - nis-tic views, Right wing sound bile pre mo = oni tions, = @ aby -rinth of rules__ re Feo Chorus 2. Boul coud Dead Gsus2 LF RS ‘Are you just i> fied? Are you just - i> fied? 5. Distorted Organ “Lower voice is spoken. Gsus2 Bsus? Esus2_ Caus2 Dsus? Fsus2 Csus2 Dsus? Faust Gsus2 ‘Are you justThisem-bry-on = ie clay wrapped in feres__de~ bate. would be bo Various Effects™ “The keyboard effects tn this section are triggered by Bf, which eld forall of Section G. — the key to treat-ment of dis-ease. and se-erets high - ly guard - ed. Chorus 2: Es Csus2 Dsus? Dsus? Fousd Gsus2Esusd_ Cus? —— Are you just = i+ fied? Areyou just - i 5 15, Distorted Organ — Lower voice is spoken. Es — Cous2. Dsus? Fsusd Gsus2Esus2_Csus2 Dsus Feus2 Gsust Are you just. i+ fied? ust = ie fied in tak ~ ing save ie, ite fo save life, Life Life sve lite= flict at ground 26 1» Strings + Choir © Te Get Dae 18-9+ ows it ere- ates__ Tum tothe igh, Tum-ing ‘waywould be a ter = rie ble mistake Were reach ~ ing, F Fsus2(Fi) F far? but have we gone too. (Ress Interlude: Tempo Ii: J.= 126 on Bhp ctbsy bm 4 Wave-based Lead ePlay 4 Times a Fast Attack Pad st *Use octave switch button to produce octave changes. Deter 18-11Gtosyp vest = ings ex = is = tere on Wo me Organ wieffects _ Dm Dm? op Z — = Care~ less - yt = geth + e@ we me os a Fast Attack Pad 4 Bb/D Gtbsy> Some- one els = eS ol tue, four days. fro = zen, _ Dm Dm? cp aie garaged: eShould we = sainst push each tbsp fence. have. col - id Dm (Ist Time Only) Play 3 Times Choir + EsteetsDistorted Organ* “Organ sounds 8b. ou. own. mor- tal 7 these days Pay atten + tion, tthe ques = tions we have raised. serigeas g The Gen Debt 18 76 wirtbbon controler Prous*Octave switches performed using octave button. P) ro-02 Guitar Solo: 2 © Trill is appoximately a minor 3rd interval performed with RH on ribbon conroller (note is sustained w/ pedal). The Ditch rise is the result of bringing the pitch wheel back and ‘radually releasing/bending forward while moving the mod Wheel (set for an octave bend up) forward atthe same tie. Ee: Bm boss endRhy. Figt = wiRhy. Fig. 1 (3 times) Fem Em Bm Pad FemBrass Patch* 3 sree ‘The lower part (for five measures) represents an approximation of what Jordan plays live during this section. Even though this part is higher than the right hand part, Jordan plays this three octaves lower than written Am? G/A FA G/A F/A G/A Am C/G. FRED Bd 5 84 Brass +Choir* 4 "Brass patch sounds 8a. Am GF G oF G Am G D F‘Tempo IV: J = 165 - 169 NC. Resoshape Patch* on Em Fe yE E E78) AteE Em Phere E TG) Agee *Octave changes performed using octave button ‘he Great Dette 18-17 Prous\y * oy gradually fade oSix Degrees of Inner Turbulence ° Il. About to Crash 0:56) Music by JOHN MYUNG, JOHN PETRUCCI, MIKE PORTNOY, and JORDAN RUDESS Intro. RIN Tempo I: «= 152 Lyties by JOHN PETRUCCI E DE E DE veaas {2001 YTSE JAMS, INC Six Degree ofa Tulse -17-1 scinstred by WB MUSIC CORP, Pavows ‘A Rips ReservesIL About to Crash = ve om aye bye cn Dye, IL. About to Crash (4:49 - 5:51) Guitar Soto: Tempo III: 2) = 120 CryEb “Abmaj? B/D Gm? Cm ‘Abmaij? Bbsust Plano + Pad ae Sic Dares fener Tree 17-3 PeesTempo IV: )=179 ab Bb FT) br cm9 Ab B/G Bb/F Bb Segue to "War Inside My Heac! 5 ot III. War Inside My Head (0:00-0:42) Music by JOHN MYUNG, JOHN PETRUCCI MIKE PORTNOY, and JORDAN RUDESS Lyrics by MIKE PORTNOYBrassPatche *Patch alsa sounds Bva IL. War Inside My Head (1:40 - 2:08) ‘Tempo V cm pyc Hear = ing voc - es frommil - esa Orchestral Patch + Chole Abc Fey Gyr cn way, Gay - ing things. ne - ver said.) See - ing | Sc Deyeesof ener Tarlence 17-5shad- ows in the light the day (wag - ing a war in = side my cm pyc Abc head) Feel = ing strang = ers star = ing, my____ way,__ (Read - ing rier or a rt minds ne - ver read) Tast = ing dan = ger_with each word 1 Fm Fay art Segue to "The Test That Stumped Them 4 sy, (Wag - ing a war in + side my..) SaDepe tle Tate -17-8 § 8Iv IN MYUNG, JOHN Pi Tempo VI: TOE MIKE PORTNOY, and JORDAN RUDESS Lyrics by MIKE PORTNOY £8 ey Guitar Patch a Monkey Skulls Patch ss SaDagee ote Tbe 1-7 :© find. the answers. (He seemed such @ clearcut. case.) We Sapir Batch J © o StS cean-not just lethim leave here, (and put all this work to waste) Why dontwe try shock teat ment? (It (pas real-ly mightdo some help.) We havejust the tools to fix himto save him. ftom him = Six Degrees of ner Turbulence 17-9 ProusSquawk Lead, Zipper Patch (8va), Monkey Skulls (Bva) pgs ie ee 4x24 134 Bay oe ok ee a4 © Zz Resonant Buzz Synth Solo: ‘Jordan literally wills on E and G, but beeause th pitch wheel's pushed yp a whole sip, an FH and trill sounds and then slowly descends as Jordan relecs= the pitch wheel. Six Dees of ene Turbulence 17-10Squawk Lead + Zipper Patch (8va) 0 pal LS Squawk Legd + Mallet Patch (8va) Resonant Buzz Re St oe saan 53.21 2 4 Squawk Lead, Si Dees fer Table 17-1 Prous¥. Goodnight Kiss = G, JOHN PETRUCC RTNOY, and JORDAN RUDESS Lyrics by MIKE PORTNOY toa ee Gmaj7 Dmaj7 vs 3 mi? Dmaj7 V. Goodnight Kiss (3:42 - 4:41) Tempo VII Cc Dm7/C GB FIA Am En/G = Brass and Choir Pad e Six Dees of nner Trblence= 17-13 Penns= Brass, Choir Pad, and Strings* cS 7 “The string patch doubles the guitar melody and sounds an oct higher than all the highest notes shown forthe next nine measure 5 Am D#7/Ab OG yee Fm? G c (e 9 : VL. Solitary Shell (0:13 - 0:34) ‘Music by JOHN MYUNG, JOHN PETRUC( MIKE PORTNOY, and JORDAN RUDESS ‘Tempo VIII: J= 100 Lyrics by JOHN PETRUCCI ‘Square Lead* *Paich also sounds 8va. ee Patch begins at eighth note in previous bar —— SSS SS = So —S _— © Tort LHRH LHRH LH Sex Deges fener Tate = 1714EER —_—_«_« ee VL Solitary Shell 5 Tempo VIII NC Ce 1 a3 Of — é See = Jas == Tt SS ae 2 A ee ee qi = SSS r — VL. Solitary Shell Tempo VIII (3:46 - 4:25) Pereussive Pad* $fboagos aoe ty ee Left hae sounds 8x ——— Si Degrees f ne Tuten -17-18 PrNVI. Solitary Shell (4:53 - 5:47) Tempo VIII Piano Solo: G PlanoDisaaee sa aaaass ands SSS LH RALIRE sin. 6 Sx Degenerate 17-17IDOE TeEndless Sacrifice Music by JOHN MYUNG, JOH? MIKE PORTNOY, and JORDAN RU Lyries by JOHN PETRUCCI Guitar Intro Tempo I: y= ing in my bed__ Dm Bb c Dm Bb F A Lost, T hear footsteps 0 - ver -head, ‘and my thoughts re - wm a = gain. Dm Bb Pr Dm 9 a = See © — line “eld. aa wap rd wort by Oh ee, See ea shinistred by WB MUSIC CORP, ‘ARs ResenedDm e Dm Bb F A _ Time keeps pass - ingby as nighttums in - Bj i:42 Pro-chorus. Gm 2 = *Cue notes indicate last piano chord. Gm c T need to see_your face © keep___me sane, to make___me whole. = Try tosay a= Ive. until Thearyourvoice, I'm gon-na lose my mind. Some~ one— tell_ me Grinding Fuzz Pateh_— ~~jsethis We this super fi-cial lie. Con = stant compromise, end - less ~ ~N Strings Dm Be Gm Bb A/C Verse 2 Tempo Dm Bb BT Dm Bb F of © —— Pain, it sad-densme__ 0 know the help - less ness. you feel. Ends Secon 12-3 revwhilea thou - sand. candles. Out - side this bar= ren room, the in, + ness in side ‘ing deeper still _—_ EE) 3:41 re-chorus: Gm BP Eb Gm cm pyre You're so far and so_____ a+ one. bers Safe 12-4to keep you sane, Youlong—_ for love's. em- brace. © Coda end = less saewti- fice. Mo = ments wast - ed, i+ se = te Time es cap - ing, end = less see-ri- fice. Mo ~ ments wast - ed, ae ‘Tempo III: J = 156 end - less sac = HC ~—Ciee, Fess Instrumental Break: 8 Bb(bS) Dm Db5/AbDm_ Bb(bs) Dm Db Guitar Patch En Stree 12-5Percussive Atta — —_ nese Sp ve see en et et a at Bhs Em BbSAS Abs Em BS Em Bhs Abs Em BS Em BS AS. Abs HIRE ERE UHRH LHRH LHRH DyF Bbs 65 CE arch, Dm. “Lead sounds BY LH RH LH RH OL RH OL OHO ORHsoT RHR mee be “*The right hand part also sounds 8va. . os EndieSerfce- 12-6 PrasEm choy Em ‘Flute & Bell (loco) ‘Bassoon (Bva & vb) widrums** Trumpet (8va) Digital Harp (los 6 = Buzzy Lead (loco & 8va) tay Kend (oo ered Wave Sv] ——<_ sae ce = jes oe toe ze “The pars shown indicate where Jordan literally played each ofthe sounds in this section, au while the paich names indicate the octave layer() programmed to sound relative tothe actual -SM@re drum assigned to FAB keys, In the frst two measures, Jordan crosses the right hand over to play the ower melodies. 988 drum assigned to G34 Synth. Solo: cher Dm Bb(S) Dm DbyAb Dm ——-Bb(bS)Dm_—Ds = £ ‘ ef Seite “we heel from fil dee Co quickly, then grad. release to D Dm Bb(bs) Dm DbS/Ab De 1Bb(bS)Dm Dbs/a> Em bs Em bs _ Abs Eim abs Nee Na Ne oe == wheel dive w/ al 2 rad release Em bbs AS Abs pa a 2 ‘ 2 3 ‘ i ‘ x = ee o [Endless Sacrifice - 12-7 od PrMos0sGuitar S: Dm BoD) D Guitar Patch B>(>5) Dm Dbs/ab Em Bbs_ Em Bbs_Abs_Em Bhs Em Bbsasabs ae 23 th, Solo: Dm ON Bobs) = Dm DbS/AD Dm Bobs) Dm . v Dbsjab Dm 1Bb(bS) Dm Dbsyab ‘ ase 4 aw Pr oN ta 1 vee Ze Oe ete a é Dm Bobs) Dm Dbsyab ; Dyas 1 “Hold high O and press lower G for will white Bending wheel from from 12 sep to full 2:35 Guitar Solo: Ef m BbS Em Bbs Abs Em Bos Em BbSAS ADS: Guitar PatchDm ‘Extreme Grinding Fuzz Patch aad Dm Extreme Grinding Fuzz Patch153 eT om ab ct O- ver thedis- tance, we try to. maksense of sur - viv- ing to-geth-er__ while liv- ing_ a par. Plano Dm ET Gm Bb act Striving for bal - ance, to. thechal - lenge. of stay ing con-nect-ed__ in. spite of nies Sse 12-10 PeaoaosDs a stance. Grinding Fuzz Pateh All you've forsak ~ en, and all that you'vedoneso_ that I could live out this un dy ing. dream. Plano = —=- = i or tak-en— forgrant-ed.— Tl all- ways. re-mem-ber_your end - 4 fee. Grinding Fuzz Patch x™M Chorus o + as es cap - ing, ‘Mo = ments wast ~ Extreme Grinding Fuzz Patch ~- J ita itary T stds ring dum sl sume tit Bepre ieseVacant Music by JOHN MYUNG Lyrics by JA. Moderately: «= 90 NC. chm GtmB chm Gtmys Cello; ——~ _— Plano* “Pad jades away during first bar of plano. **1Vith sustain pedal FamyA Ect piyee CBE pisz ctr EB c#mo) ctmp Gm Hey_— you, hhey_— you, Tm right here. (©2K8 YTSE JAMS, INC. Wacet-4-1 sminssed by WB MUSIC CORP. Peosia “AU Rights Renewedfad + ing, cant get through, _ cmos) EB chm otnys atm help ~ less, Choir Pad D/A Cémye ctm pie? Gt Head. swayed, and mine teared___los - ing. va - cant eyes, block holes. Am 1 los = ingcfm Gimp C#m your, Segue to "Stream of Consciousness chm o PioStream of Consciousness Music by JOHN MYUNG, JOHN PETRI MIKE PORTNOY, and JORDAN RU Aljo20 Guitar Solo: Band Intro: Tempo ‘Tempo I: J = 126 ctm _ otmys Lend <= cn toys Fava at 2. = A @.. tne view Came pde7 at chm Distorted Organ ctm GFoys Famya Ect ‘x03 YTSEJAMS, INC. Se fcoiomen 4 initrd by WB MUSIC CORE.NC. . Brass Patch a 5 tat Air Burst PadBrass Patch : Orchestral Patch, Pereussive Attack™ # ae a ‘Patch also sounds 8va. Gta ChnyE Ce Piano Play 4 Times oe Gasusa(7) mais) ctnyepimanctm J GFsusa7) ChnyE ce chm — Gasusa(7)— Amajr(1i/i3) cAmeDtm(tt) C#m a: : c= @.-. Ssream of Consowness = 14-4“Cue nowes played on! con recall of Rhy. Fig. | @.. Spagnacin pA gt rim pier ot asa vag Vibe —— pew OO nists — et THe ctm 8 a Ect View * 1 as 5 *Play as wrinen, hold pitch wheel down 1 octave 5 until rlease/bend in bar after next piey Sa of Coaioune 1-6 re at Ret“Dive | octave w/ wheel and release as quickly «as possible on all marked notes (next 2 bars), y 2 ¥ ‘Tempo IK: Distorted Organ Ce pid NG. ‘Cléan Guitar Pate Em ba cm Strings + Lead* ‘ream of Consoaset = 14-7 rae : Pewoues, "Lead doubles lowest note of each chord in right hand”Tempo IV: «= 100 NC. ‘Tempo III ‘Clean Guitar Patch a it ai - : i Strings + Lead* ‘Strings play all notes shown, Lead plays cue notes only (nex! 4 bars). Em p# chm B ptt sua of Contours 14-6 eMousGem? E Strings* 3 =Cue note indicates tasi note played by lead. Siving paich also sounds Sva Bu? <= a Bn? a a, m7 1. Ab? Paycho Str oe 7 Low Strings? *Paich also sounds Sva ‘ovum of Coninstes- 14-9 Ear“Cue notes played second time. <= “Note is held and fades out over the nex F)7:32 Original Theme: Tempo II Chm B chm B chm B chm, B Sram of Concousess 14-10Cem G?mB ‘Strings gn, Sia, Gtuys chm | evetpg*~2et Seu of Consouss- 14-1cP OF H]03 Harpsichord Solo: chm Bot B ia) ue 3o20 Guitar Soto: cém ts Harpsichord + String Pa Lae E A pier ty atypd chm of Cosouane= 14-18Fhnya Eat peeve chs Tempo 1 pee7 ot em @... Steam of Consioness- 16-4DREAM THEATER.eee ey This notation legend is meant to provide three key points of information necessary for performing these keyboard eee Dos iene one pS ae ate ROR RL Uo oar ‘controller, then these notes represent both the played note and the sounding note (which is the same as standard coc) OS NTE ee se accent ee uP GEOL tu nN sero Scena O NaC Cost sy Hac Sa cues Serie eee ee Can ye Rc ee a ocmr ca te Pea eae Played pitch) or a normal note that is bent up at a certain point in time to the sounding pitch shown. 3) All fines above the staff during leads and solos represent the general movement of the pitch wheel, The direction of the initiat diagonal line shows either an upward or downward movement of the wheel: If the wheel is held in position for a time before the release, a horizontal line will connect the initia Geet Cine Na ee Me Ca eee Rea eng ce Re oad affect the sound. Pitch movements using the ribbon are always indicated with text and slide lines between the Geese tue eo) esd ‘A Indicates playing F for one quarter note, then bending that note to G using the pitch EUORIUFUOGM CB SOR mC RLM Sea Lec COC LS LOT RE ees: ni CRIA C or ara geen TEU Can Cee MORRO aUC coe Cem aces mI micon eC before playing A on the next downbeat: Play F for two beats and A for one beat, using the pitch wheel to bend Peas € Indicates immediately bending an F to G (the F should not sound at the beginning of the measure) and then feleasing the pitch wheel on beat 2: Hold the F key for two beats and use the pitch wheel to create the G note. 1D: indicates playing F on beat 1, bending up to G on beat 2, physically playing the D Key on beat 3 (but because the pitch wheel is held in the highest position, an E sounds), and physically playing F on beat 4 (a G sounds). Oe eee en erg eee Peet oes2c ICCC MN (eal LeeLee Beethoven, Mozart, and Chopin and rock groups like Genesis, Yes, and E.L.P. have been RS ie Weel cecal Mer ect t(ete aA eo ReL UOC UNCLE eT PUERCO COteleemi ete ecm UT meeL eles ec URSN cM TOR UALR COLE CUT en cel CLL) Hiieluecuecsew om UTM ec Iee UT RIS ICR e OR UCe CHM AC URLS UES} Eola er Ves PL Corte cere Cham UC eWTeMoLerels este ey Tepe We co led-UCeM UccUcog ool Tole] Ae) when we got the go-ahead to make it happen, | was intent on putting out a totally precise finished product. My relationship with the transcriber for this volume is unique. Chris Tacs tea TO NEC ToL Top tac ea BUCIMAGES AND WORDS Learning to Live Wait for Sleep Metropolis - Part 1: The Miracle and the Sleeper PLY .A 0) Scarred 6:00 METROPOLIS PT. 2: SCENES FROM A MEMORY Scene Two: |. Overture 1928 Scene Three: I. Through My Words Scene Three: II. Fatal Tragedy Scene Four: Beyond This Life Scene Nine: Finally Free SIX DEGREES OF INNER TURBULENCE The Great Debate Six Degrees of Inner Turbulence (selections from) IL. About to Crash III. War Inside My Head IV. The Test That Stumped Them All V. Goodnight Kiss AA BESSo) eta aes ya TRAIN OF THOUGHT DSTO uni ee) Meters Stream of Consciousness See NUN, os