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An Abbreviated Study of the Ages of Drummers and Fifers in the
Continental Army
John U. Rees
Originally published in The Brigade Dispatch, in two parts: vol. XXIV, no. 4 (Autumn 1993),
2-8; vol. XXV, no. 1 (Winter 1994), 2-12. Abridged version of this article published in
Percussive Notes, Journal of the Percussive Arts Society (August 2005), 64-66.
Foreword. This work was my first demographic study of Continental soldiers. I began
research for it around 1989 and basically formulated my methodology from whole cloth.
The end result was somewhat crude based on a relatively small sample. Still, I think the
work still has some merit, and as such I offer this updated version.
“Each morning we… had to play and beat the Reveille”
An Overview of Military Music.
1st. When the army is to march, the General (and not the Revellie) is to beat in the
morning.
2nd. At the beating of the General, the officers and soldiers are to dress and prepare
themselves for the march, packing up and loading their baggage.
3rd. At the beating of the troop, they are to strike all their tents and put them in the
wagons …
4th. … at least a quarter of an hour before the time appointed for marching, the
drummers are to beat a march, upon which the troops are to march out and form at the
head of their encampment … Precisely at the hour appointed for marching, the drummers
beat the march a second time, at that part of the line from which the march is to be made
… upon which the troops face or wheel … and instantly begin the march.
Further orders, tinged with criticism, were issued for the march through Philadelphia
later the same month: “The drums and fifes of each brigade are to be collected in the
center of it; and a tune for the quick step played, but with such moderation, that the men
may step to it with ease; and without dancing along, or totally disregarding the music, as
too often has been the case.” Whatever the musical quality, the daily schedule often
changed to fit situational needs.
An example of massed during the War of the Revolution. This engraving
commemorates an event at the 1781 Coxheath encampment, when the British 6th
Regiment of Foot drummed T. Lamb, Esquire, the mayor of Rye, out of camp.
Gregory J.W. Urwin, Redcoat Images, No. 816, “A VISIT TO CAMP or the ROGUES
MARCH,” circa 1781 (unknown artist), Gerry Embleton Collection
___________________
Several works have discussed battlefield drum signals, most notably Raoul Camus’s
Military Music of the American Revolution, but there is much yet to be learned on their
practical use. William Windham’s Plan of Discipline for the use of the Norfolk Militia ...
(London: 1768) provided twenty drum commands for everything from “Fix bayonets,
marching” to “Form Battalion!” Other manuals followed suit. In actuality, battle and
maneuver signals varied. During Maj. Gen. John Sullivan’s expedition against the
Iroquois in 1779, orders for 4 August stipulated signals for marching in files, advancing
by sections and platoons, closing columns, and displaying into line. By comparison,
Major General Friedrich Wilhelm de Steuben's 1779 Regulations gives only three
different signals for marching forces: for the "Front to halt", "the Front to advance
quicker", and "to march slower." In 1780 British Captain John Peebles, 42nd Regiment,
noted the "General Rules for Manouvring the Batt[alio]n. by the Commanding Officer,"
appended to which are “Signals by Drum”:
Preparative. to begin firing by Companies, which is to go on as fast
as each is loaded till the first part of the General when
not a shot more is ever to be fired.
Another instrument, the bugle horn (also called the French, hunting, or German post-
horn) was commonly used by light and mounted troops, and especially associated with
the British light infantry. Massachusetts Lieutenant Joseph Hodgekins wrote of the 16
September 1776 Battle of Harlem Heights, “the Enemy Halted Back of an hill and Blood
[blowed] a french Horn which whas for a Reinforcement …” Xavier della Gatta's 1782
painting "The Battle of Germantown" shows a horn-blowing musician at the head of two
files of British light infantry, and the song "A Soldier" (New York, 1778) begins with the
lines:
It is uncertain when American light troops first used horns, but during the June 1778
Monmouth campaign New York Lieutenant Bernardus Swartwout noted,
[25 June] The Horn blowed (a substitute for a drum in the [light] Infantry corps) we
marched about four miles ...
[26 June] At the sound of the horn we marched eight miles and halted …
Bands of music, playing orchestral instruments, were also present with some units,
serving a largely ornamental purpose. Most British regiments had their own bands at one
time or another, several surrendering at Saratoga and Yorktown. Only a few Continental
units followed suit, most notably the 3rd and 4th Artillery, 2nd Virginia, and Webb’s
Additional Regiments.
Proficient field musicians (drummers, fifers, and, for light troops and cavalry, buglers)
were hard to find, as they were expected to learn many tunes, from popular melodies like
"Roslyn Castle" to practical beats such as "Water Call" or "Roast Beef."
Recognizing their special duties, efforts were made to provide musicians regimental
coats with reversed colors based on European practice. In May 1777 the Continental
Clothier General informed 3rd New Jersey Colonel Elias Dayton “there is 395 Blue coats
faced red on the road from Boston … which I design to furnish your regmt. … I have also
… sent you 12 Red Coats fac'd with blue of the clothing taken from the enemy for your
drums & fifes.” This variation was not always possible, as some units wore un-dyed linen
hunting shirts, while in autumn 1778 Washington’s army was issued French-made coats
of blue or brown with red facings, with no distinction for musicians.1
The musicians of the Continental Army have long been relegated to a minor role in
comparison to those soldiers who carried muskets or commanded troops in battle. In
actuality the duties they performed were essential to the army and contributed greatly to
discipline and order both in camp and on the battlefield. The original purpose of this
study was to gain some knowledge of, and if possible ascertain a trend in, the ages of
those soldiers who served as musicians. During the course of the research personal
accounts by the soldiers themselves were gathered which give some further
understanding of the daily lives, duties and role of musicians in the army. These soldiers’
narratives have been appended to the study.
Iron fife excavated at Red Bank battlefield, site of the assault on Fort Mercer, October 22,
1777. Division of Military History and Diplomacy, National Museum of American History,
Catalog #: 58146M, Accession #: 204703; Dimensions: 0.5" H x 14" W x 0.5" D; Specific
History. “This fife from the period of the American Revolution was unearthed on Red Bank
battleground in 1880 near the New Jersey Monument.”
https://amhistory.si.edu/militaryhistory/collection/object.asp?ID=231&back=1
_______________
Some musician’s narratives support the contention that the younger and smaller the
musician the more likely it was he would play the fife rather than the drum. Fifer Samuel
Dewees, being "about or turned of 15, but quite small of my age," was enlisted by his
father into the 11th Pennsylvania Regiment. Although he joined the army in 1777 Dewees
spent the first year and a half of his service doing duty in a hospital or as waiter to the
regiment’s colonel. He did not perform the duties of a musician until the summer of
1779, even though he had been wearing a musician’s uniform prior to that and must have
received some sort of training as a fifer. John Piatt, a fifer in the 1st New Jersey, was ten
years old when he enlisted in 1776 and claimed that sometime during his service he was
"taken a prisoner at pluckemin [New Jersey] by the British and released afterwards being
a Youth..."4
The age of a musician occasionally had other benefits (or possibly embarrassments)
and sometimes affected the duties he performed. James Holmes, a drummer in the 11th
Pennsylvania Regiment, was 13 years old when he joined in 1778. He stated in his
deposition "that he was not in Any engagements not being permitted by his Captain, on
account of his Youth was generally ordered to the rear..." Another musician, James
Kirkpatrick of the 3rd New Jersey, enlisted as a fifer in 1778 at the age of 15. Two years
later he exchanged his fife for a drum, probably due to experience and maturity. Philip
Reamer of Malcom's Additional Regiment and the 11th Pennsylvania had a similar
experience. He enlisted as a fifer at 14 years of age in 1777 and was made a drummer in
1780, while James Purdy of Lamb's Artillery Regiment began as a fifer in 1778 and
changed to the drum the following year. In all, seven musicians in this study played both
the fife and drum during their military service.5
As may well be assumed there are indications that as the war continued the numbers of
younger musicians declined. In 1775 and 1776 terms of enlistment for the Continental
Army soldiers were usually for no more than one year. Beginning in 1777 the army began
enlisting men for three years or the war. Those musicians who had enlisted at age 14 in
1777 were 17 years old by 1780, more mature and still looking ahead to three more years
of service until the war’s end.
During the course of the war the numbers of men enlisted to be musicians declined.
The tables below show that the majority of the men in this sampling (60 percent) enlisted
in 1777 or 1778. Beginning in 1778 and continuing through to the end of the war
regimental quotas for the individual states were periodically reduced and existing
regiments consolidated. These adjustments were due to the chronic problem of supplying
the army with enough recruits to keep regiments at their required strengths. In this
manner the number of musicians needed for the army was reduced, though the attrition
caused by death, desertion, and expired enlistments ensured that periodic shortages of
fifers and drummers occurred until the end of the war.6
Total: 67 Musicians
Ages of the Musicians During Their First Year of Service
1782 1 - 15 years
As a result of the decreasing need for new musicians the following resolution was
announced on January 22, 1782:
General Orders ... The United States in Congress assembled have been pleased to pass the
following resolves.
In Congress December 24, 1781.
Resolved, That in future no recruit shall be inlisted to serve as a drummer or fifer. When
such are wanted, they shall be taken from the soldiers of the corps in such numbers and of
such description as the Commander in Chief or commanding officer of a separate army
shall direct, and be returned back and others drawn out as often as the good of the service
shall make necessary.
On the same date General George Washington wrote to General William Heath that the
resolution of Congress "respecting the Music of the Army... prohibits enlisting any More
under that Denomination, but does not affect those already in service; You will be
pleased therefore to Order Cloathing for them accordingly."7
Four months later, in April 1782, the lieutenant colonel of the 10th Massachusetts
Regiment wrote Heath concerning his efforts to procure musicians: "I mentioned to your
honor the last time I waited on you that the 10th Massts Regt wanted a number of
Drummers & Fifers to compleate their Corps - Mr. Highwell has since been with the Regt
and has recommended some to me for the music though not the whole that were wanting
we want three Drummers and two Fifers but at present can find but one Fifer and two
Drummers who have natural Geniuses for music - the Drummers are Israel Duey and
George Durreycoats the Fifer Saml Collimer they are men of small stature and I believe
will answer the purpose..."8
Of those men noted in the previous letter as having "natural Geniuses for music" the
records for only two have been found. George Derecoat is shown to have served in
Colonel Benjamin Tupper's 10th Regiment for twelve months in 1782 having enlisted in
January of the same year. Samuel Collamore served for the same period in the same
regiment and is noted as having been appointed a musician as of March 31, 1782.
Evidently these men were taken out of the ranks rather than being enlisted specifically as
musicians as per the December 1781 orders. One other soldier in this study, George
Harley of the 2nd New Jersey, served as a drummer in 1782, apparently for the first time,
and was also probably taken from the ranks.9
Samuel Dewees, a fifer in the Pennsylvania Line, recounted that, "...I divided my peacock
feathers with Pat Coner [a drummer], and we decorated our caps in fine style with peacock
plumes." (Samuel Dewees, A History of the Life and Services of Captain Samuel Dewees...
The whole written (in part from a manuscript in the handwriting of Captain Dewees) and
compiled by John Smith Hanna (R. Neilson, Baltimore, 1844), 272. Illustration by Donna
Neary, from Raoul F. Camus, Military Music of the American Revolution. (Chapel Hill, NC,
1976), 126.
Capt. Charles Willson Peale’s company, 2nd Battalion Philadelphia Associators, Princeton
battlefield. Fifers and drummers wore reversed colors, as evidenced in this deserter
advertisement: “Philadelphia, April. 13, 1776 … Ran away from the subscriber, on the
evening of the fifth instant, an English servant boy, named JOHN MITFORD, about fifteen
years of age … He had on, when he went away, a scarlet coatee with white metal buttons,
and brown collar, such as fifers of the Philadelphia second battalion commonly wear …“
Pennsylvania Evening Post, 13 April 1776. (Daryian Kelton, drummer)
Although most of the studied pension applications were not very informative beyond
the basic service record of the former soldiers, a few give some interesting details
concerning the lives of musicians of the army. Several of these narratives corroborate
each other in some aspects of the musician's life. Samuel Dewees, the fifer, continued his
services in the military sporadically after the war. During Fries Rebellion in 1799 he was
attached to a company of regulars for the purpose of recruiting new soldiers and moved
with them to Northampton, Pennsylvania where they "encamped two or three days." He
noted, "I had played the fife so much at this place, I began to spit blood... By the aid of
the Doctor's medicine and the kind nursing treatment I received... I was restored to health
again in a few days and able to play the fife as usual." Another fifer, Swain Parsel of the
3rd New Jersey Regiment, had a similar experience. He "enlisted in the beginning of the
year [1776]... as a fifer for one year... That on the expiration of this service he again
enlisted in the same Regt. under Captn. Patterson - but the practice of fifing being
injurious to his health, he entered the ranks as a private soldier till the termination of the
war..."10
Another old soldier, John McElroy, 11th Pennsylvania Regiment, had a unique story to
tell of his service. He stated in his pension deposition, "As to my ocupation I have none
being nearly blind by reason of my eyes being nearly destroyed by the accidental bursting
of cartriges in the year 1779 at Sunbury Pennsylvania..." McElroy had enlisted as a fifer
in 1776 and, despite the accident to his eyes, was appointed to the position of fife major
in 1780. John McElroy and another fifer, Aaron Thompson of the 3rd New Jersey, both
retained some mementos of their military service well after the war. The former wrote in
1820 that "I have my old Fife and knapsack yet," while a friend of Thompson noted after
his death that he "had heard him [Thompson], often say so, and mention, the fact of his,
having mutilated his fife in order to prevent its being stolen and that he might preserve it,
as a relic, of his services in that Struggle."
A further search of the pension files would in all likelihood supply additional
information about musicians’ lives as well as more evidence regarding their age. This
study and the statistics it has produced give a reasonable idea of the age of the average
drummer and fifer in the Continental Army, having been found to be about 18 years.
More research into the personal statistics and military duties of musicians is highly
desirable in order that a full picture of their services be made known. There still lie
untapped many journals, letters, and other documents which may shed light on this little-
known aspect of the army of the revolution.
Capt. Andrew Fitch’s company, 4th Connecticut Regiment, Valley Forge, 1778
(Matthew Skic, fifer, and Aaron Walker, drummer)
__________________________
(Note: Any of the soldier's narratives given above for which sources have not been given
will be found in the alphabetical listings of musicians included in the statistics section
immediately following.)
73 musicians total
Total Average age - 18.5 years
Average age for fifers - 17 years (17 years including fife majors)
Average age for drummers - 19 years (20 years including drum majors)
Drummers
Total - 26 Average Age - 19 years
Drum Majors
Total - 2 Average age - 28 years
1 19 years
1 38 years
Fifers
Total - 37 Average Age - 17 years
1 10 years
1 11 years
2 13 years
7 14 years
2 15 years
2 16 years
6 17 years
5 18 years
2 19 years
3 20 years
3 21 years
1 23 years
1 24 years
1 28 years
Fife Majors
Total - 2 Average Age - 22 years
1 20 years
1 24 years
Instrument Unknown
Total - 6 Average Age - 20 years
1 14 years
1 15 years
1 16 years
1 21 years
1 26 years
1 29 years
Adjusted Statistics Including 11th Pennsylvania List (See Section III, data uncertain)
Total musicians including PA Archives list - 82
Adjusted Total Average age - 18 years
Adjusted average for fifers - 17 years (including fife majors)
Adjusted average for drummers - 19 years (including drum majors)
[See Part Two]
1st, 2nd, 3rd, 4th New Jersey Regiments; also including Spencer's, Malcom's and Forman's
Additional Regiments
(Note: Two of the musicians from Malcom's Regiment who were later transferred to the
11th Pennsylvania Regiment have not been included with the New Jersey troops.)
55 musicians were examined with information being found for 13 (24 percent).
15 musicians total: Average age of grand total - 17 years
Average age for fifers - 16 years not including fife major
17 years including fife major
Average age for drummers - 17 years
Elias Brown, fifer 1777, fife major 1782 - 62 years old in 1820 (19 years in 1777) (fife
major, 24 years in 1782) first enlisted in 1777 in 5th Connecticut Regt.
William DeMott, fife - 51 years old in 1820 (11 years in 1780)
Joseph Gallaspy (Gillespie), fife - born in 1760 (21 years in 1781) killed in battle near
Lewiston, New York in 1813.
Arthur Gillass (Gillis), drum - 64 years old in 1818 (23 years in 1777)
Peter Gross, fife - 57 years old in 1818 (20 years in 1781)
Joseph Lummis, drum, Lambs Artillery Regiment - 59 years old in 1818 (18 years in
1777) He "enlisted... in the Company commanded by Captain Dayton (who then
Commanded an Independent Company of Artillery) to serve as a Drummer for three
years in the Month of May 1777 he Joined the Army at Middlebrook, and... was
detatched to the Pennsylvania line and served at the right wing of that division
[Commanded by General Wayne], Captain Dayton resigned [and then Captain Bond
Carnes Commanded a short time] and Captain Randal Commanded the Company,
this Deponent was in the battle of Brandywine, Germantown and Pialy [i.e., Paoli,
under the Command of Captain Randal], took winter quarters at Valley forge and in
the Spring of 1778 was detatched to the New Jersey troops under the Command of
General Maxfield [and was with him at the battle of Monmouth] served in the Jersey
line the Campaign of 1778 and took Winter quarters at Elizabeth town, and in the
Spring 1779 the Company was sent to Eastown with the pieces taken at Saratoga
where they remained until General Sullivan returned from after the Indians, then the
Company returned to Morristown to Winter quarters [and there joined the Second
Regiment of Artillery... Commanded by Colonel Stephens], in the Spring of 1780 the
Company [with a detatchment of Artillery from the Second Regiment] was sent to
Springfield, where this deponent Continued until his time of Service Expired, at
which time the Company was Commanded [by] Captain [Isaiah] Wool [of New
York]..."
Deposition by Joseph Bloomfield in 1820: "In 1776 two Companies of
Artillery were raised in New Jersey for one Year & afterwards the Officers
Commissioned for the War. the Company in West Jersey, was Commanded by
Hugg-Westcoat & Dayton - and arranged as one of the Companys of Lambs Artillery
& in 1778 Attached to the Jersey Brigade with two field Pieces..."
Benjamin Loring, drum - 53 years old in 1818 (16 years in 1781)
Isaac Moore, fife - 52 years old in 1818 (14 years in 1780)
James Purdy, fife and drum - 60 years old in 1820 (fife, 18 years in 1778) (dram, 19
years in 1779)
James Pembrook, drum (brother of David Pembrook, see below) missing October 6,
1777; made his escape from the enemy December 20, 1778
David Pembrook, fife - 68 years old in 1833 (14 years in 1779)
"It was on the 1st February 1779 he enlisted for during the War, as a fifer, and served
nearly two years as a Fifer... and then went into the Ranks as a private... He was in
one battle of Johnstown, where Colonel Willett commanded - When he entered the
service at West Point in 1779 his father David Pembrook, and his brother James
Pembrook, belonged to the same company in which he enlisted... during the late war
[of 1812] he served... in the 5th United States Regiment... He was wounded at Detroit
and disabled so as to be unable to labor, and is now wholly disabled..."
Benjamin Peck, drum - 53 years old in 1823 (10 years in 1780)
Joseph Ranford, fife, Walker's Co. - 57 years old in 1820 (14 years in 1777) the pension
denotes as having belonged to Crane's Artillery, Wells' Co.
Christopher Shultz (Shellts), fife - 55 years old in 1820 (16 years in 1781)
(His pension notes that he enlisted in 1777 but the rolls show that he enlisted in
January of 1781)
Robert Saunders (Sanders), fife - just enlisted in October 1778, noted as "practicing at
the [artillery] park"
Drummer Phillip Winter, Pennsylvania light infantry company, 1779.
________________
III. 11th Pennsylvania Regiment *
Gleaned from the printed muster rolls of the 11th Pennsylvania Regiment, containing
personal information for each man. The ages are taken to be as of the date of enlistment.
The date of this return is not known though there are some indications that it was made in
1780. For statistical purposes the 1780 date for the roll is used to determine the men's age
at their time of enlistment. Due to uncertainty as to the accuracy of these rolls this data
has been evaluated separately. Additionally this information has not been included in the
table of statistics for the overall group of musicians examined.11
Thomas Cunningham, drum - 18 years old, enlisted in 1777 (15 years in 1777)
Benjamin Jeffries, drum - 15 years old, enlisted in 1777 (12 years in 1777)
Robert Hunter, drum - 40 years old, enlisted in 1777 (37 years in 1777)
Thomas Harrington, drum - 14 years old, enlisted in 1777 (11 years in 1777)
Samuel Nightlinger, drum - 16 years old, enlisted in 1777 (13 years in 1777)
James Raddock, fife - 16 years old, enlisted in 1777 (13 years in 1777)
George Shively, fife - 19 years old, enlisted in 1777 (16 years in 1777)
David Williams, drum - 17 years old, enlisted in 1777 (14 years in 1777)
Squad drill, without arms, Fort Ticonderoga, New York.
___________________
33 musicians were examined. Muster rolls for Patton's and Rawling's Additional
Regiments were examined in their entirety. The additional musicians were either taken
from partial listings or merely stumbled upon during research. Rawling's Regimental
muster rolls were examined but no information was found in the pension files or
elsewhere.
Thomas Burk, fife, 10th Pennsylvania - 60 years old in 1820 (18 years old in 1778)
enlisted in 1778.12
William Darby, drum, Patton's Additional & 11th Pennsylvania - 60 years old in 1819
(18 years in 1777)
Laurence Frey [Fry], drum, Malcom's Additional & 11th Pennsylvania - 60 years old in
1825 (12 years in 1777)13
James Holmes, drum, 11th Pennsylvania - 53 years old in 1818 (13 years in 1778)
enlisted in 1778.14
"Deponent saith that he was not in Any engagements not being permitted by his
Captain, on account of his Youth was generally ordered to the rear - was with Genl.
Sullivan up the Susquehannah as far as Tioga..."
John Hutchison, drum, 4th Pennsylvania - 63 years old in 1818 (21 years in 1776)15
Barney Johnson, fife, 3rd Maryland - 57 years old in 1820 (13 years in 1776)
Matthew Jackson, fife, 4th Massachusetts - 57 years old in 1820 (14 years in 1777)
John McElroy, fife, 11th Pennsylvania -(60 years old in 1820, [16 years in 1776, fifer]
[20 years in 1780, fife major])16 In 1776 "...he enlisted as a fifer in the sixth Penn.
Battalion for the term of one year, in Capt. James Wilsons Company of foot, in Col.
William Irvines Regiment... the said Declarant... marched to lower Canada, and was
in the battle of the Three Rivers above Quebec on the 8th. day of June 1776, and also
in several skirmishes with Indians and British. That the declarant in the latter part
of... 1776 again enlisted as a fifer with Col. Hartly of the Penna. line to serve during
the war, and served under Genl. Wayne in the years [1777 and 1778.]... [In 1779],..
served in Sullivans Campaign through the Indian Country as fifer of the 11th Regmt.
Pa. line, and then returned to Genl. Waynes command in the state of New Jersey in
[1780]... was then appointed Fife Major, and served as such in the 3rd Regiment of
the Penna. line under Col. Craigs command - and also served in part of the years
1782 & 1783 in the second Regmt. commanded by Col. Humpton... was honorably
discharged on the 2nd day of July AD. 1783..." In another deposition McElroy stated
that "As to my ocupation I have none being nearly blind by reason of my eyes being
nearly destroyed by the accidental bursting of cartriges in the year 1779 at Sunbury
Pennsylvania... N.B. I have my old Fife and knapsack yet also"
Philip Reamer [Roemer], fife and drum, Malcom's Additional & 11th Pennsylvania - 61
years old in 1824 (fife, 14 years in 1777) (drum, 17 years in 1780)17
George Reese, fife, Patton's Additional - 56 years old in 1819 (14 years in 1777)
William Reddick, fife, Patton's Additional - 58 years old in 1818 (17 years in 1777)
Jacob Wisner, fife, 4th Pennsylvania - 55 years old in 1819 (13 years in 1777)18
Acknowledgements
I wish to thank both Gary Vorwald and Thaddeus Weaver for their comments, insights
and suggestions concerning the narrative at the beginning of this study. Additionally, the
microfilm collection of pension files and muster rolls in the collections of the David
Library of the American Revolution were invaluable and necessary for the completion of
this work. Finally, special thanks go to Linnea Bass, Brigade of Guards, and Bruce
Wilson, 3rd New Jersey Regiment, for their help in transferring my writings from my
ancient computer to a format usable by the Brigade Dispatch, in a much appreciated,
albeit roundabout, manner.
General Sources
The quotation in the title of this article is taken from the General Orders of June 4, 1777: "The
music of the army being in general very bad; it is expected, that the drum and fife Majors exert
themselves to improve it, or they will be reduced, and their extraordinary pay taken from them..."
John C. Fitzpatrick, ed., The Writings of George Washington from the Original Manuscript
Sources 1745-1799, vol. 8 (Washington, D.C.: G.P.O., 1933), 181-182.
Revolutionary War Rolls, National Archives Microfilm Publications, Record Group 93, M246,
Washington, 1980:
reel 55 to reel 62, muster rolls of the 1st, 2nd, 3rd, and 4th New Jersey Regiments;
reels 128 and 129, Spencer's Additional Regiment;
reels 125 and 126, Malcom's Additional Regiment;
reel 126, Patton's Additional Regiment;
reel 126, Rawling's Additional Regiment;
reel 117 to Reel 120, Lamb's 2nd Continental Artillery Regiment.
Index of Revolutionary War Pension Applications in the National Archives, Washington, D.C.,
1976. The actual applications and related materials may be found in National Archives Microfilm
Publication M804 (2,670 reels).
Raoul F. Camus, Military Music of the American Revolution (Chapel Hill, N.C., 1976).
Francis B. Heitman, Historical Register of Officers of the Continental Army During the War of
the Revolution - April 1775 to December 1783 (Baltimore, 1982).
The Life and Adventures of M'D. Campbell: The Money-Maker, No publisher, no date (held in the
special collections of Rutgers University).
Samuel Dewees, A History of the Life and Services of Captain Samuel Dewees... The whole
written (in part from a manuscript in the handwriting of Captain Dewees) and compiled by John
Smith Hanna. (R. Neilson, Baltimore, 1844), 92-97, 125-126, 133-134, 138-152, enlistment and
detached service; 148, some time between late summer of 1778 and spring of 1779 Dewees was
serving as a waiter at Humpton's private residence at Somerset Courthouse in New Jersey. He
claimed that while he "homed" he "was dressed in a Fifer's regimental coat and cap, with [a]
horse or cow tail hanging thereon..."; 152-153, attack on Stony Point. Samuel Dewees' pension
file gives two different ages (57 years old in 1820 and 56 years old in 1818) for which reason he
is not included in the age statistics of this study. A brief outline of his early services according to
his memoirs is as follows: His father having been captured at Fort Washington in November of
1776 was released from prison in the beginning of 1777. Samuel Dewees was enlisted by his
father as a fifer, in the 11th Pennsylvania Regiment commanded by Colonel Richard Humpton,
being "about or turned of 15, but quite small of my age." Dewees served in the fall of 1777 in a
hospital at the "Brandywine meeting-house" (probably Birmingham Meetinghouse), at one point
under the command of Captain George Ross, Jr. of the 11th Regiment, and remained on duty with
the sick or was absent from the army until the spring of 1778. Following his return to the army at
Valley Forge be rejoined the 11th Pennsylvania, became waiter to Colonel Humpton and again
was detached from the army. In July of 1779 when he returned to his regiment he claimed to have
been "one of the musicians attached to the detachment" which attempted to attack Stony Point,
though General Anthony Wayne left "the musicians (or at least a portion of them) myself
included in the number behind him." Dewees says that this assault was not successful and he did
not take part in the later successful assault on July 16th (hereafter cited as Dewees, History of the
Life and Services of Captain Samuel Dewees).
Fifer Samuel Dewees’ memoir can be viewed at, http://www.fifemuseum.com/sammy-the-
fifer.html (Courtesy of Steve Dillon)
Notes
1. Raoul F. Camus, Military Music of the American Revolution. Chapel Hill, N.C.: University of
North Carolina Press, 1976 (see pp. 99-107 for Norfolk manual and other drum commands).
Samuel Dewees, A History of the Life and Services of Captain Samuel Dewees... The whole
written (in part from a manuscript in the handwriting of Captain Dewees) and compiled by John
Smith Hanna. Baltimore: R. Neilson, 1844, 92-97, 125-126, 133-134, 138-152, 163-165, 170-
176; Dewees was a fifer in the 11th Pennsylvania Regiment.
Samuel Dewees, A History of the Life and Services of Captain Samuel Dewees... The whole
written (in part from a manuscript in the handwriting of Captain Dewees) and compiled by John
Smith Hanna. (R. Neilson, Baltimore, 1844), 92-97, 125-126, 133-134, 138-152, enlistment and
detached service; 148, some time between late summer of 1778 and spring of 1779 Dewees was
serving as a waiter at Humpton's private residence at Somerset Courthouse in New Jersey. He
claimed that while he "homed" he "was dressed in a Fifer's regimental coat and cap, with [a]
horse or cow tail hanging thereon..."; 152-153, attack on Stony Point. Samuel Dewees' pension
file gives two different ages (57 years old in 1820 and 56 years old in 1818) for which reason he
is not included in the age statistics of this study. A brief outline of his early services according to
his memoirs is as follows: His father having been captured at Fort Washington in November of
1776 was released from prison in the beginning of 1777. Samuel Dewees was enlisted by his
father as a fifer, in the 11th Pennsylvania Regiment commanded by Colonel Richard Humpton,
being "about or turned of 15, but quite small of my age." Dewees served in the fall of 1777 in a
hospital at the "Brandywine meeting-house" (probably Birmingham Meetinghouse), at one point
under the command of Captain George Ross, Jr. of the 11th Regiment, and remained on duty with
the sick or was absent from the army until the spring of 1778. Following his return to the army at
Valley Forge be rejoined the 11th Pennsylvania, became waiter to Colonel Humpton and again
was detached from the army. In July of 1779 when he returned to his regiment he claimed to have
been "one of the musicians attached to the detachment" which attempted to attack Stony Point,
though General Anthony Wayne left "the musicians (or at least a portion of them) myself
included in the number behind him." Dewees says that this assault was not successful and he did
not take part in the later successful assault on July 16th.
Fifer Samuel Dewees’ memoir can be viewed at, http://www.fifemuseum.com/sammy-the-
fifer.html (Courtesy of Steve Dillon)
John C. Fitzpatrick, ed., The Writings of George Washington from the Original Manuscript Sources
1745-1799.Washington, DC: Government Printing Office, 1931-1944; 1, 4, 6 June 1777, 11 July
1777, v. 8 (1933), 155, 181, 185-186, 379; 16, 23 August 1777, v. 9 (1933), 79-80, 124-126; 8
February 1778, v. 10 (1933), 433-434; 9 September 1779, v. 16 (1937), 257-258.
Philip R.N. Katcher, Encyclopedia of British, Provincial, and German Army Units 1775-1783.
Harrisburg, Pa.: Stackpole Books, 1973, 27, photo, 1st Regiment of Foot Guards musician’s coat.
John Peebles, 21 and 22 August 1780 journal entries, Papers of Lt., later Capt., John Peebles of
the 42nd. Foot ("The Black Watch"), 1776-1782; incl. 13 notebooks comprising his war journal,
Scottish Record Office, Edinburgh; Cunninghame of Thorntoun Papers (GD 21/492), book #11,
16-21.
John U. Rees, "'The Great Neglect in provideing Cloathing': Uniform Colors and Clothing in the
New Jersey Brigade During the Monmouth Campaign of 1778," Military Collector & Historian,
v. XLVI, 4. (Winter 1994), 165; v. XLVII, 1 (Spring 1995), 18 (World Wide Web),
http://revwar75.com/library/rees/neglect1.htm and
http://revwar75.com/library/rees/neglect2.htm.
John U. Rees, "'Bugle Horns', 'conk shells' and 'Signals by Drum': Miscellaneous Notes on
Instruments and Their Use During the American War for Independence," The Brigade Dispatch,
v. XXVI, no. 4 (Winter 1996), 13-15
(World Wide Web), http://revwar75.com/library/rees/buglehorns.htm
Friedrich Wilhelm de Steuben, Regulations for the Order and Discipline of the Troops of the United
States Part I. (Philadelphia, Pa.: Styner and Cist, 1779), 52, 64, 67-71, 90-93.
Hew Strachan, British Military Uniforms, 1768-96: The Dress of the British Army from Official
Sources. London: Arms and Armour Press, 1975, musicians’ dress and instruments, 105, 139,
154, 159-161, 204-20.
2. Robert G. Athearn, The American Heritage New Illustrated History of the United States, vol.
III, "The Revolution" (New York, 1963), 202.
3. Bennett Culhbertson, Esq. A System for the Compleat Interior Management and Oeconomy of
a Battalion of Infantry (Dublin, 1768), 12-13. Hugh Barty-King, The Drum (London, 1988),
facing page 32, painting of Lord George Lennox and the 25th Regiment in Minorca in 1771
showing adult drummer and a fifer in the early or pre-teenage years. Painting attributed to
Giuseppe Chiesa; also a discussion of British army drummer boys in the 18th century with two
examples, one Joseph Brome who entered as a drummer boy at eight years of age (date unknown)
and eventually became a lieutenant-general, and the other John Shipp who could not wait for his
eighteenth birthday when he could be raised "to the ranks." He was made a corporal immediately
and eventually received a lieutenancy in the 87th Regiment of Foot. Barty-King also states that
the normal age when boys were taken in as drummers was "between ten and twelve." According
to some inferences in this work it could be that the appellation of "drummer boy" was used for
both fifers and drummers, 72-73.
4. Samuel Dewees, A History of the Life and Services of Captain Samuel Dewees... The whole
written (in part from a manuscript in the handwriting of Captain Dewees) and compiled by John
Smith Hanna. (R. Neilson, Baltimore, 1844), 92-97, 125-126, 133-134, 138-152, enlistment and
detached service; 148, some time between late summer of 1778 and spring of 1779 Dewees was
serving as a waiter at Humpton's private residence at Somerset Courthouse in New Jersey. He
claimed that while he "homed" he "was dressed in a Fifer's regimental coat and cap, with [a]
horse or cow tail hanging thereon..."; 152-153, attack on Stony Point. Samuel Dewees' pension
file gives two different ages (57 years old in 1820 and 56 years old in 1818) for which reason he
is not included in the age statistics of this study. A brief outline of his early services according to
his memoirs is as follows: His father having been captured at Fort Washington in November of
1776 was released from prison in the beginning of 1777. Samuel Dewees was enlisted by his
father as a fifer, in the 11th Pennsylvania Regiment commanded by Colonel Richard Humpton,
being "about or turned of 15, but quite small of my age." Dewees served in the fall of 1777 in a
hospital at the "Brandywine meeting-house" (probably Birmingham Meetinghouse), at one point
under the command of Captain George Ross, Jr. of the 11th Regiment, and remained on duty with
the sick or was absent from the army until the spring of 1778. Following his return to the army at
Valley Forge be rejoined the 11th Pennsylvania, became waiter to Colonel Humpton and again
was detached from the army. In July of 1779 when he returned to his regiment he claimed to have
been "one of the musicians attached to the detachment" which attempted to attack Stony Point,
though General Anthony Wayne left "the musicians (or at least a portion of them) myself
included in the number behind him." Dewees says that this assault was not successful and he did
not take part in the later successful assault on July 16th (hereafter cited as Dewees, History of the
Life and Services of Captain Samuel Dewees).
Nigel Reed, "The Voice of Experience." This is an excellent article containing extracts from the
memoirs of Samuel Dewees (a fifer in the Pennsylvania Line) with an intelligent discussion of
their content.
5. Men in this study who played both the fife and drum during their service: John Scrouse,
Robert Jeff, and James Purdy, Lamb's Artillery; William Walker, 1st New Jersey; David Jacobs,
Malcom's Additional Regiment; James Kirkpatrick, 3rd New Jersey; Philip Reamer [Roemer],
Malcom's Additional and 11th Pennsylvania
6. Robert K. Wright, The Continental Army (Washington, D.C., 1983), contains a detailed
narrative of organizational changes in the Continental Army.
7. General Orders, 22 January 1782 and Washington to William Heath, 22 January1782, John C.
Fitzpatrick, ed. The Writings of George Washington from the Original Manuscript Sources 1745-
1799, vol. 23 (Washington, D.C., 1937), 456-457, 457-458.
8. Lt. Colonel Tobias Fernald to Maj. Gen. William Heath, April 1782, William Heath Collection,
Massachusetts Historical Society, vol. 24, item 285, published in The Express (Quarterly
Publication of the Brigade of the American Revolution), vol. X, no. III (Winter 1990), Drummer's
Call, submitted by Henry Cooke, 2.
9. Massachusetts Soldiers and Sailors of the Revolutionary War (Boston, 1898), 694, George
Derecoat; 800, Samuel Collamore, fifer, Col. Tupper's 10th Regt., service from 1 Jan. 1782,
reported appointed drummer 31 March1782.
10. Dewees, History of the Life and Services of Captain Samuel Dewees, 331.
11.Thomas Lynch Montgomery, ed., Pennsylvania Archives, series 5, vol. III
(Harrisburg, 1906,) 644-662.)
12.Ibid., series II, vol. XV, list of Pennsylvania Pensioners of the Revolution, 1820.
13. Ibid., series 5, vol. III, 644-662.
14. Ibid., series II, vol. XV, 683-741, list of Pennsylvania Pensioners of the Revolution,
1820. Ibid., series 5, vol. III, 644-662.
15. Ibid., series II, vol. XV, 683-741, list of Pennsylvania Pensioners of the Revolution,
1820.
16. Ibid., series 5, vol. III, 644-662.
17. Ibid., series 5, vol. III, 644 to 662.
18. Ibid., series II, volume XV, 683-741, list of Pennsylvania Pensioners of the
Revolution, 1820.