Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
A street dance is a dance style that evolved outside dance studios in any available
open space such as streets, dance parties, block parties, parks, school yards, raves,
and nightclubs. A street dance is a vernacular dance in an urban context. Vernacular
dances are often improvisational and social in nature, encouraging interaction and
contact with spectators and other dancers. These dances are a part of the vernacular
culture of the geographical area that they come from. Examples of street dance include
b-boying (or breakdancing), which originated in New York City.
The history of street dance is said to be divided into two eras.These are Old school and
New school. Almost all of roots of street dance is African American culture namely, hip
hop culture. Keep your mind that hip hop dance is one part of hip hop culture. Hip hop
dance is categorized into New school.
In Old school, there are B-boying, Locking, Popping etc. B-boying is frequently
called Break dance or Breaking but these names are not actually correct. B-boying was
born in the South Bronx of New York in the early 1970's. In the beginning, B-boying is
called Good Foot (It is the name of James Brown's hit tune.). Good Foot was different
from B-boying in that Good foot didn't include acrobatic move. The middle of
1970's Good Foot became to called "boie-oie-oings". It is the base of today's B-boying,
but it does not include acrobatic move too. The last 1970's, Puerto Rican young dancers
revolutionized B-boying. They started acrobatic move in B-boying like Windmill.
Locking and Popping are less popular than B-boying but many people love them.
Locking was born in Los Angeles in 1960's. It was perfected by "The Lockers". The
roots of Locking is said Robot dance. In 1969, an African American young man became
famous with his dance. His name was Don Campbell, and his dance was Campbell
Lock. Campbell Lock was new in all point, it's move was unique and comical. In 1970,
Don Campbell formed The Lockers. Their style was amusing and unique so many
people were attracted by them.
Breaking
Breaking was created by the African American youth in the early 1970s.[1] The earliest
breakdancers were the 1st Generation Bboys known as Trixie (Lauree Myers), Dancing
Doug (Douglas Colon), A1 Bboy Sasa, The Legendary Smith Twins and Clark Kent. The
groups included the "Zulu Kings".[2] By the late seventies, the dance had begun to
spread to other communities and was gaining wider popularity;[3] at the same time, the
dance had peaked in popularity among African Americans and Puerto Ricans.[3]
A practitioner of this dance is called a b-boy, b-girl, or breaker. Although the term
"breakdance" is frequently used to refer to the dance in popular culture and in the
mainstream entertainment industry, "b-boying" and "breaking" are the original terms and
are preferred by the majority of the pioneers and most notable practitioners.
Locking
Locking means freezing from a fast movement and “locking” in a certain position,
holding that position for a short while and then continuing in the same speed as
before. The movements were originally danced to funk music and create large
and are generally large exaggerated, and often very rhythmic and tightly synced
with the music.
Krumping
Krump is a street dance popularized in the United States, characterized by free,
expressive, exaggerated, and highly energetic movement. The youths who started
Krump saw the dance as a way for them to escape gang life and "to express raw
emotions in a powerful but non-violent way."
Popping
Popping is a street dance adapted out of the earlier Boogaloo movement
in Oakland, California, the Robot styles in Richmond, California, the Strutting
movements in San Francisco, California and the dances of the Oak Park community
of Sacramento, California which were popular through the mid-1960s to the
1970s. Popping would be eventually adapted from earlier Boogaloo movements
in Fresno, California in the late 1970s by way of California high-school gatherings of
track & meet events - the West Coast Relays. The dance is rooted through the rhythms
of live funk music, and is based on the technique of quickly contracting and relaxing
muscles to cause a jerk in the dancer's body, referred to as a pop or a hit. This is done
continuously to the rhythm of a song in combination with various movements and poses.
It was popularized by a Fresno & Long Beach-based dance group called the Electric
Boogaloos in which Boogaloo Sam, who is a key innovator of mixing popping
techniques to boogaloo. Popping Pete & Skeeter Rabbit were also a part of the group.
Closely related illusory dance styles and techniques are often integrated into popping to
create a more varied performance. These dance styles include the robot, waving and
tutting. However, popping is distinct from breaking and locking, with which it is often
confused. A popping dancer is commonly referred to as a popper.
Waving
Waving is an illusionary dance style composed of a series of movement that give the
appearance that a wave is traversing through a dancer’s body. Waving is thought to
have grown out of popping and funk dance scene and is often seen combined with
popping and its related styles.
Robotics Dance Style is exactly as it's name suggests - dancing like a robot. Some get
this style of dance confused with that of Popping but they are very different.
The moves themselves are called Dimestops - which means moving a part of your
body and bringing it to an abrupt stop - just like a robot.
House dance
House dance is a social dance and Street dance primarily danced to house music, that
has roots in the clubs of Chicago and of New York. The main elements of House dance
include "Footwork", "Jacking", and "Lofting". House dance is often improvised and
emphasizes fast and complex foot-oriented steps combined with fluid movements in the
torso, as well as floor work.
Street jazz
The style called Street Jazz is a combination of several dance techniques. Qaša – the
teacher, choreographer and dancer – creates it as a unique combination of jazz dance
technique and various elements of the street styles such as Hip Hop and R'n'B as a
unique fusion style.
Attire for street dance
Festival street dance:
This dance form is no longer just the territory of youth who bop their way from being
disengaged to being driven - it's also an outlet for a growing number of adults who
need their own story, to express themselves and to feel part of something. Once Street
Dance came in from the cold and made itself at home in our studios, it began to
glamourize the gritty and the primal - something that is surely worth tapping into when
we're feeling raw and need a lift.
Whether you want to steal some thunder and go it alone, or make it rain as part of
a crew, mastering a routine is a rewarding experience. With Street Dance, you can learn
formations that enable you to dance to trending rap, funk, hip hop or pop music - you
know, the stuff you hear everyday, whether it's mainstream or indie.
There are a lot of styles within the genre of Street Dance, from popping and locking to
breakdancing and house dance, so there's naturally a lot of room for self-expression,
and attitude. You can safely let it all out here, and there's also a real chance of elevating
your hobby, to make a profession out of your expressiveness.
While learning the basics of Street Dance, you'll work on strengthening your hands, feet
and joints - as opposed to more traditional dances which don't always demand complete
control over the shapes made by the extremities of your body. From creating turfing
hand illusions, which rely on wrist movements, to air-walking, which asks for strict
control of the heels - there are many moves that require attention to the smaller details
of form and co-ordination.