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Martin Breaugh
regime and close personal friend of the Führer, Albert Speer. Far from
being a politically neutral exercise in aesthetics, architecture, to quote
Adorno, is cast “in the same nature of the musical accompaniment with
which the SS liked to drown out the screams of its victims.”26
The starting point of Abensour’s analysis is the relationship that a
political regime establishes with time and space. Such an analysis is
necessary insofar as such a relationship shapes the social bond. In the
context of French political thought, the question of the social bond re-
fers to the idea that political regimes partake in the creation of the ways
by which citizens relate (or not) to one another. The link between archi-
tecture and totalitarianism thus can be examined through an investiga-
tion of the totalitarian institution of the social bond.
To determine the “nature” of the social bond under totalitarianism,
however, one must first identify the political subject of such a regime.
For Abensour, totalitarianism is the exact opposite of “the universe of
citizenship” or of the “res publica,”27 inasmuch as it is the realm of the
“mass,” a pseudo-political subject that is constituted neither in autono-
my nor in agency or action, but as a submissive and even radically het-
eronymous entity with regards to the political movement and the order
of the state.28 Abensour points out that totalitarian regimes invent a
specific manner of integrating the mass from a political point of view.
Indeed, by denying the possibility of agency to the people that make up
the mass, totalitarian regimes transform them into a “political” actor
capable of being totally and unreservedly mobilized.
Architecture plays a pivotal role in mobilizing the mass by creating
public spaces that encourage, reinforce, and sustain the reactions and
feelings of the mass. Borrowing from Elias Canetti’s Crowds and Power,
Abensour sees the mass as a gathering of human beings that allows for
the surmounting of the phobia of contact. More important, argues
Abensour, this phobia “transforms itself into its opposite, the quest for
contact, the fusion into an whole, [into] a dense body.”29 In other words,
a “density” (compacité) is generated by the mass that actually abolishes
the space that exists between humans. Such a phenomenon is desirable,
because it creates a community that is blandly egalitarian and fusional.
Elias Canetti writes: “in that density where there is scarcely any space
between, and body presses against body, each man is as near the other
as he is to himself; and an immense feeling of relief ensues. It is for the
sake of this blessed moment, when no-one is greater or better than an-
other, that people become a [mass].”30
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On the “Political Philosophy” of Miguel Abensour 239
The “new utopian spirit,” though, persists long after the Paris Com-
mune of 1871, as Walter Benjamin, Ernest Bloch, and Emmanuel Levi-
nas, among others, partook in it.
The work of the “new utopian spirit” can be described as that of a
“rescue by way of transfer.” The “new utopian spirit” puts utopia to the
test of the most unfavourable and anti-utopian of ideas, notably that of
“taking seriously the hypothesis of the repetition in history … of catas-
trophe.” For Abensour, “only a thought of utopia that does violence to
itself, that includes in its own movement a critique of utopia, is strong
enough to destroy the myths that undermine utopia.”75 In other words,
the new utopian spirit seeks to purge utopia of its blind spots or myths
to give life once again to its emancipatory energies. By proceeding in
such a fashion, the new utopian spirit manages to open a “passage to-
ward an unexplored elsewhere … within which it struggles with its
most contrary” ideas and principles.76 By liberating utopia from its
blind spots, the new utopian spirit provides for a better appreciation of
the relationship between utopia and emancipation. This is an essential
contribution to political theory because it uncovers the true raison d’être
of utopian thinking: human emancipation. In fact, contends Abensour,
there can be no utopia without a relationship to emancipation.
The nineteenth-century French philosopher Pierre Leroux argued
that utopia represents the third wave of human emancipation that tries
to organize the common world through association, not hierarchy.
Abensour discovers in the work of Leroux a pathway that allows for an
encounter between utopia and democracy.77 Whereas the link between
utopia and emancipation might be obvious, the link between utopia
and democracy remains more obscure, if only because some utopian
traditions seek to rid the world of politics. The last point is a precisely a
utopian blind spot identified by Leroux, who attempted to conceptual-
ize the social bond in a non-authoritarian fashion by postulating the
existence of a mutual attraction between humans: “in the manner of
democracy, attraction rests upon an experience of humanity, [of] the
recognition of human beings by their fellow human beings.”78 As we
can see with Leroux, utopian thought does not refuse politics or deny
the importance of the political; it actually thinks through one of the
most difficult political questions, the question of the social bond.
Although Abensour does not think that we can simply resume Ler-
oux’s project based on “mutual attraction” after the totalitarian attempt
to destroy the political, he does believe that it nevertheless underscores
a crucial aspect for our understanding of the relationship between
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248 Thinking Radical Democracy
utopia and democracy: the “human element.” This is where the main
protagonists of the new utopian spirit, such as Martin Buber or Em-
manuel Levinas, will locate utopia – that is to say, in the interhuman
relationship. Levinas’ attempt to think utopia “otherwise”79 – in the
proximity of an encounter with the Other – does not abolish Otherness.
On the contrary, the asymmetrical and infinite responsibility of the self
for the Other, postulated by Levinas, preserves plurality and difference
in the encounter with the Other. As for insurgent democracy, we have
seen that it generates a particular type of social bond founded in divi-
sion and conflict: “as paradoxical as this may seem,” writes Abensour,
“democracy is the form of society that institutes a human link across
political struggles.”80 A social bond is thus established through the con-
flicting manifestation of division that occurs with the expression of hu-
man plurality. Does the totalitarian experience not demonstrate that
conflict can be overcome only by suppressing plurality through the fus-
ing of individuals into a dense mass?
The encounter between utopia and democracy occurs precisely at the
confluence between plurality, conflict, and the interhuman relation-
ship. Abensour writes: “on the level of non-coincidence, each of these
two poles [utopia and democracy] designates a form of non-fusional
community that is constituted, paradoxically, by and through a test of
separation.”81 In a certain sense, one of the basic political problems that
Abensour ceaselessly explores in his work on utopia and democracy is
how both approach plurality, difference, and alterity through the recog-
nition of the benefits of division and conflict. We could say that utopia
and insurgent democracy thrive on plurality and difference, and seek
to preserve and promote both.
The association of utopia with totalitarianism and the commonplace
refusal of the idea that utopias seek emancipation also rest upon a long-
standing misinterpretation of utopian thought. This misunderstanding
can be traced back to two problematic, yet widely admitted, readings of
Thomas More’s Utopia (1516). Indeed, Abensour often asks if contem-
porary readers even know how to read utopias:82 more than just a prov-
ocation aimed at “distracted readers,”83 Abensour’s interrogation seeks
to open a hermeneutical space providing an understanding of the full
complexity of utopian thought.
In his analysis of More’s Utopia, Abensour radically critiques the two
classical interpretations of the work. Both the “realist” reading of uto-
pia, as a political blueprint that must be implemented,84 and the “alle-
gorical” reading of utopia as a pathway to God,85 are seen as “tyrannical
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On the “Political Philosophy” of Miguel Abensour 249
gap that prevents their full realization and, at the same time, preserves
the impulse of liberty at the origins of their deployment.
From his early work on utopia to his later work on insurgent democ-
racy, Miguel Abensour has persistently grappled with the enigmas of
freedom and emncipation. At the same time, he has engaged in a relent-
less critique of political domination. If the guiding principle of his
thought is the need for a political manifestation of human plurality, its
condition of possibility is the public and even radical expression of divi-
sion and conflict. Indeed, the gravediggers of political freedom, wheth-
er totalitarian “egocrats” or liberal oligarchs,88 seek to impose oneness
by neutralizing the democratic energies of the Many. Thus, the attempt
on human plurality often takes the form of an assault on, to use Marx’s
term, “true democracy.” This is why we can say that, although some
contemporary thinkers offer hypothetical proposals for the future89 and
others offer, more modestly, a resignation to the current “normal” politi-
cal order,90 Abensour provides us something both more difficult and
more exhilarating: an invitation to think and act in concert with others
without sacrificing the quality of our liberty, an exhortation “to make
political liberty synonymous with a living critique of domination.”91
NOTES
1 For example, in 1999 the widely read Magazine Littéraire, a leading indi
cator of the state of ideas in France, published an issue entitled “The
Renewal of Political Philosophy”; see Magazine Littéraire, no. 380 (October
1999).
2 For an excellent description of the intellectual context of twentieth-century
France, see Manent, “Return of Political Philosophy.”
3 Miguel Abensour, “Présentation,” Cahiers de philosophie politique 1 (1983): 3.
4 Jon Elster, “Obscurantisme dur et obscurantisme mou dans les sciences
humaines et sociales,” Diogène 1–2, no. 229–230 (2010): 235.
5 Gilles Labelle and Daniel Tanguay, “Le retour de la philosophie politique
en France,” Politique et Sociétés 22, no. 3 (2003): 4.
6 Pierre Bouretz, “Pierre Clastres: La société contre l’État,” in Dictionnaire des
œuvres politiques, ed. François Chatelet, Olivier Duhamel, and Evelyne
Pisier (Paris: Presses Universitaires de France, 1986), 151. Unless otherwise
noted, I am translating throughout the chapter.
7 Jérôme Melançon, “Miguel Abensour, critique de la politique,” Politique et
Sociétés 28, no. 1 (2009): 229.
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On the “Political Philosophy” of Miguel Abensour 251
5 1 Ibid., xl–xli.
52 Ibid., xli.
53 Ibid., xxiv.
54 I have offered a general theory and history of such struggles from the
Roman Republic to the Paris Commune of 1871; see Martin Breaugh, The
Plebeian Experience: A Discontinuous History of Political Freedom, trans. Lazer
Lederhendler (New York: Columbia University Press, 2013).
5 5 Abensour, Democracy Against the State, xli.
56 Ibid., xxiii.
57 Ibid.
58 Nicole Loraux, The Divided City: On Memory and Forgetting in Ancient
Athens, trans. Corinne Pache and Jeff Fort (New York: Zone Books, 2001).
5 9 Abensour, Democracy Against the State, xxiv.
60 Ibid., xxv.
61 Ibid.
62 Manuel Cervera-Marzal, Miguel Abensour, critique de la domination, pensée de
l’émancipation (Paris: Sens & Tonka, 2013), 169.
63 For an analysis of the importance and impact of Abensour’s work on the
field of “utopian studies” in the Anglo-American world, see Christine
Nadir, “Utopian Studies, Environmental Literature, and the Legacy of an
Idea: Educating Desire in Miguel Abensour and Ursula K. Le Guin,”
Utopian Studies 21, no. 1 (2010): 24–56.
6 4 Tom Moyland, as quoted in ibid., emphasis added by Nadir.
65 Miguel Abensour, Le procès des maîtres rêveurs (Arles, France: Sulliver,
2000).
6 6 Ibid., 9.
67 Joseph Déjacque, À bas les chefs (Paris: Champ Libre, 1971).
68 William Morris, News from Nowhere and Other Writings, ed. Clive Wilmer
(New York: Penguin Books, 1993). See also Miguel Abensour, “William
Morris: The Politics of Romance,” in Revolutionary Romanticism, ed. Max
Blechman (San Francisco: City Lights Books, 1999), 125–61.
69 Miguel Abensour, L’utopie de Thomas More à Walter Benjamin (Paris: Sens &
Tonka, 2000), 19–20.
70 Lefort, Un homme en trop. This book, of lasting influence in France and
elsewhere, has yet to be translated in English.
71 Miguel Abensour, “L’histoire de l’utopie et le destin de sa critique I,”
Textures 6 (1973): 3–26; idem, “L’histoire de l’utopie et le destin de sa
critique II,” Textures 7 (1974): 55–81.
7 2 Abensour, “L’histoire de l’utopie et le destin de sa critique II,” 55.
73 Ibid., 69.
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254 Thinking Radical Democracy
7 4 Ibid., 67–70.
75 Miguel Abensour, “Le nouvel esprit utopique,” Cahiers Bernard Lazare,
nos. 128–130 (1991): 145.
76 Ibid., 151.
77 Abensour, Procès des maîtres rêveurs, 16.
78 Abensour, Pour une philosophie politique critique, 354.
79 See also Miguel Abensour, “To Think Utopia Otherwise,” trans. Bettina
Bergo, Graduate Faculty Philosophy Journal 20–21, nos. 1–2 (1998): 251–79.
80 Abensour, Democracy Against the State, 123.
81 Abensour, Pour une philosophie politique critique, 361.
82 Abensour, “Nouvel esprit utopique,” fn. 3.
83 Horacio Gonzalez, “Le processus de libération des textes,” in Critique de la
politique: Autour de Miguel Abensour, ed. Anne Kupiec and Étienne Tassin
(Paris: Sens & Tonka, 2006), 29.
84 Abensour, L’utopie de Thomas More à Walter Benjamin, 34–5.
85 Ibid., 39–41.
86 Miguel Abensour, “L’homme est un animal utopique: entretien avec
Miguel Abensour,” Mouvements 45–46 (May–August 2006): 86.
87 Miguel Abensour, Rire des lois, du magistrat et des dieux: l’impulsion Saint-
Just (Lyon, France: Horlieu, 2005).
88 On the tension between liberalism and democracy, see, for example,
Martin Breaugh and Francis Dupuis-Déri, eds., La démocratie au-delà du
libéralisme: perspectives critiques (Montreal: Athéna Éditions, 2009).
89 Alain Badiou, The Communist Hypothesis, trans. David Macey and Steve
Corcoran (London: Verso, 2010).
90 Gauchet, Condition historique, 160.
91 Abensour, Democracy Against the State, back cover; the blurb was written
by Max Blechman.