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When looking at the history of music video I decided to look at things from the
beginning of the subject. I thought this would be important as I would be finding out
how music videos took off in the first place. The earlier music videos that I knew
about were 'video killed the radio star' and 'bohemian rhapsody' however to my
knowledge that was all I knew that these were not the earliest and so I decided to
go and research more into it and check on some earlier ones. After some research
on the internet I found out that the first music video would be 'The little lost child' in
1894. This is considered more like the first illustrated song. Using a magic lantern, a
series of still images were projected on a screen simultaneous to live performances.
I then after reading that compared it to a more music video like 'This is America' or
an animated music video like 'Earth' and see how they have change since the first
one. This is important to see how tastes have changed as far as music videos go.
After comparing pieces like video killed the radio star to old town road, I figured out
a few different things. For example, 2 things have never changed when it comes to
music videos, and they are that they have always had either a performance aspect
or a narrative to it. The development of motion picture complexity has been driven
by a continuing technological evolution, ignited and manipulated by human
initiative and inventiveness, which has afforded filmmakers the opportunity to
practice a more complex craft to tell more complex stories. Other music videos
have more of a narrative to the production for example 'maps' by maroon 5 has a
full story and no shots of him singing at all. to get a higher grade I will have to focus
on a good narrative in my own piece and so looking at other productions with that
same idea about them. Then came changes in technology “The development of
motion picture complexity has been driven by a continuing technological evolution,
ignited and manipulated by human initiative and inventiveness, which has afforded
filmmakers the opportunity to practice a more complex craft to tell more complex
stories”. This is a short extract from Ryan A. Piccirillo. (2011). The Technological
Evolution of Filmmaking and its Relation to Quality in Cinema. The reason I have
chosen to use this Extract was because I feel as if it is the perfect way to describe
the change in technology in film in the last however many years. “He goes on to say
Although the linear technological evolution of filmmaking has empowered
filmmakers by offering a more diverse catalogue of tools and techniques, it is the
filmmaker’s ability to effectively and discerningly utilize this technology within a
temporal and societal context that truly drives cinematic quality, of which there has
been no clear linear progression.” I feel like this is important point to make, as it
means although the technology has become greater in its physicality the people
behind it have also become smarter and more aware as how to use it. Then I dove
deeper into camera changes and found out as film history has progressed, so too
has the sophistication of filmmaking technology, from cameras, to sound recording,
to editing. Technological advancements in these areas expand the creative
potential of the filmmaker. However, just because technology is more advanced
does not mean that it is necessarily superior in each given application. Rather,
advanced technology is advantageous in that it broadens the toolset available to
the filmmaker from which he or she can discern which equipment and techniques
are best suited to a given production. French film theorist Louis Delluc would call
these filmmaking techniques and methods cinematic formal elements, or those
elements unique to film as an art form, such as editing and camera movement
(Jaramillo). As the evolution of film has progressed, the catalogue of cinematic
formal elements has grown, enabling filmmakers to, at their discretion, make more
complex films.
Piccirillo, R.; 2011. The Technological Evolution of Filmmaking and its Relation to
Quality in Cinema. Inquiries Journal