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Gregory Knapp
To cite this article: Gregory Knapp (2013) Curiosity, Inquiry and the Geographical Imagination.
Daniel W. Gade. New York: Peter Lang, 2011. xvii and 307 pp., maps, ills., notes, bibliog.,
index. $59.95 cloth (ISBN 978-1-4331-1541-7), The AAG Review of Books, 1:1, 13-15, DOI:
10.1080/2325548X.2013.785742
The AAG Review of Books 1(1) 2013, pp. 13–15. doi: 10.1080/2325548X.2013.785742.
©2013 by Association of American Geographers. Published by Taylor & Francis, LLC.
conversations and interviews, archives and browsing of German philosophical roots and his impact on genera-
books in libraries. Scholarly ideas pass through an ini- tions of students. In addition to the Sauer school, he
tial phase of “glimmering,” followed by research, publi- highlights John K. Wright, David Lowenthal, Yi Fu
cation, and critique. Gade provides examples of his own Tuan, and Clarence Glacken. Sauer’s many students
projects that did not completely make it through the are also discussed in terms of his ongoing influence on
process of publication, due to difficulties of data gather- thought inside and outside of geography. Charles Olson,
ing or the unwelcome discovery that someone else had for example, was influenced by Sauer in his poetry and
already published on the topic. Gade recognizes that the leadership of the Black Mountain School.
latter should not be a deterrent, but he prefers the role
of pioneer rather than refiner of knowledge. He prefers Gade suggests that teaching and textbook writing can
to be the fox rather than the hedgehog. be distractions from the purer pursuits of scholarship
and publication. He points to Glen Trewartha as a case
In this light, Gade provides outlines of tentative research example of a scholar whose textbook writing might have
on subjects as diverse as the diffusion of bullfighting, ar- distracted from more productive research. Gade is also
son as a form of slave resistance, a German voluntary fire skeptical about rules, canons, and institutions. Advo-
department in Brazil, cats and insects as human food, cacy and instrumental research are criticized as often
the early adoption of lightning rods in Venice, the Ma- involving unrealistic goals and as sometimes driven by
deira-Mamoré Railroad, dooryard gardens in Peru, civets puritanical guilt rather than playful, epistemic curiosity.
in Ethiopia, chestnuts in France, and lemon pavilions at A somewhat different critique is extended to postmod-
Lake Garda, Italy. Few of these topics appear relevant ern and other approaches of the new cultural geography.
to solving pressing problems, but all are intriguing and Gade argues that postmodern approaches run the risk
entertaining. of devaluing the environment, the past, and the role of
principled creativity in history, reducing reality to pol-
In Gade’s view, the heroic, questing individual is central. itics and discourse. Gade also is concerned about the
Counterenlightenment authors such as Rousseau, Herd- tendencies in cultural ecology, whether ecosystemicist or
er, Goethe, Fichte, and Wilhelm von Humboldt estab- adaptationist, to overgeneralize about functional causal
lished the importance of the spirit of rebellion, cultural relationships and neglect spatial and temporal variation.
diversity, viewing phenomena in contextual unity, poly- Environmental history’s topics are limited by the need
valent curiosity, and self-formation (Bildung). This set of for written documentation. Gade identifies historical
orientations is in opposition to reductionist approaches ecology as a subfield better situated to carry forward the
that deny or truncate the role of the autonomous mind agenda of classical cultural-historical geography.
or of human diversity. Structuralism, Marxism, neoclas-
sical economics, environmental determinism, and other Gade briefly touches on the topic of civilizational sup-
frameworks need to be “put aside” for vibrant research port or resistance to epistemic curiosity, speculating that
to take place. some societies are more hostile than others to indepen-
dent inquiry. In that context, it would have been nice
The book contains many vignettes and brief biographies to provide some discussion of East Asian civilization,
of exemplary figures and scholars who celebrated the both in terms of the persistence of shamanism and in
virtues of free inquiry and/or the values of the coun- terms of the respect accorded to individualism in the
terenlightenment. Gade flags Herodotus, Thomas Jeffer- arts. Indeed, much of Gade’s thought seems akin to Zen
son, Humboldt, Ratzel, Thoreau, George Perkins Marsh, and other forms of Buddhism, with a similar appeal to
Elisée Reclus, Vidal de la Blache, and various natural- mindfulness and the ineffable. One might take an even
ists. He also points to thinkers such as Carl Jung, Joseph broader view and see the counterenlightenment itself as
Campbell, Friedrich Nietzsche, and Michel Foucault; having been directly or indirectly influenced by oriental
composers such as Berlioz and Mahler; artists such as religion and art.
Miró; and poets such as William Blake, Charles Olson,
and Gary Snyder. He argues that an explicit embrace of If there is a weakness in the approach taken here, it
romantic tenets is required as a corrective to the tenden- might lie in an antinomian tendency to mistrust any es-
cy of uniformitarian intellectual movements to claim a tablished movement, institution, or bent. Most people
hegemonic role as the sole advocates of rationalism. are complex mixtures of (often incompatible) interests
and practices. It is possible to find creative and original
In geography, Gade identifies Sauer as one of the best insights in the works of putative advocates of reduction-
exemplars of the romantic imagination, spotlighting his ist paradigms or traditional institutions, and it is easy to
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