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BAcking Vox

Arr. Mike Smith Rosanna David Paich


Toto

Half-time Shuffle


q = 83
 
  2–7

[A] 
   

 8–19

 20 e=q
[B]                         
      
 Not quite a year, since you went aw - ay, Ro - san na yeah.


25

     











 Now she's gone and I


  q=e 
28

         
 have to say. 30–31
 
Meet you
[C] 33

                  
  all the way, Ro - san na yeah. Meet you


35

                  
 all the way, Ro - san na yeah. Meet you


37

                  
 all the way, Ro - san na yeah. Meet you

    
39 To Coda

                  
 all the way,  
Ro san na yeah.
2
[D] 
  
D.S. al Coda

  42–52

     
54

         
          
  
na yeah. Meet you all the way, Ro san


57

                           
 na yeah. Meet you all the way, Ro san na yeah. Meet you


60

                  
 all the way, Ro - san na yeah. Meet you


62

                 
 all the way, Ro - san na yeah.
Bass
Arr. Mike Smith Rosanna David Paich
Half-time Shuffle Toto
q = 83 
  
 2–3
4
    

      
8 [A] G F
     
           
Cont. sim.
12
G 
 Em7 
     
       
         
16
Eb

     
Cont. sim.
 20 e=q
[B]             
       
25
 
                      

30 q=e
     
 3
             
        
3
[C] 33 3
                       
   
35 3
      
                     
2
37 3
      
                     
39 To Coda
3
             
    
     
 

[D] 42 G F
     
 
        
Cont. sim.

46
G 
  Em7     
          


      


50
Eb D.S. al Coda
   
 
Cont. sim.

54

  
   
          
3
    
      
3

56 3
                  
         

58 3
      
                     
60 3
      
                     
62
  
3
  
                  
Drums
Arr. Mike Smith Rosanna
Half-time Shuffle Toto
David Paich

q = 83        3
               
          
    
3

 



[A]8 3
               
         
 

10


12

 
  3
14
                
              
 

16

  

18
 3
   

  
  
2 
[B]20 e=q
       
 

   
 

   
 


     

24
               
         
      

28
   
   

 

 

 

  q=e
 
30
   

     
Fill
   
       

[C]33   3    3  3   3     3  3
                                      
        
        

35



37



  3     3  To Coda   
                 
39
     
           
 
  Fill

[D]42 3
               
     
 
  

44



3
46



  3
48
                            
    
          

50

  

D.S. al Coda
52
 3

    
    

 
54        3  
                  
   
3 3
 
56   3     3  3   3     3  3
                                   
           
    

58


60



  3     3    
  
62
             
       
      
  
Guitar
Arr. Mike Smith
Half-time Shuffle Rosanna
Toto

David Paich

q = 83
   
       
 2–3

5

   
[A] 8
  F 
Em7
 
          





   G     


   
13

              


 



Dm
   
17
Eb
    

 20 
[B]   
e=q

21–27

          
q=e
 
Eb Bb F
 
28
 
                
 3 3 
 
[C] 33
      
  

Eb Bb F
                  

         
Eb Bb F

35

                   

     
Eb
 
Bb
  
F
37

                   
2 To Coda
      F   
     
Eb Bb

39

          
 

[D] 42
  Em7
  
 F
       
  
 




 
     
G Guitar Solo
    
47

         
   
3

 


 
     
50 D.S. al Coda

       
Cont. sim.

   
          
F
 
54 Bb
  
            
3 3

        
  

Eb Bb F

56
                 

     
Eb
 
Bb
  
F
58

                   

        
  
Eb Bb F

60

                


        
Eb Bb F

62

                 
Lead Vox
Arr. Mike Smith
Half-time Shuffle
Rosanna Toto
David Paich



q = 83

 
  2–7

[A] 8
                       

 All I wan - na do when I wake up in the morn - ing is see your eyes, Ro -
I can see your face still shin - ing through the win - dow on the oth - er side, Ro -
10

                        
3

 san - na Ro - san - na. I ne - ver knew that a girl like you could ev - er
san - na Ro - san - na. I did - n't know that a girl like you could make me

        
12

       
 care for me, Ro - san - na.


          
feel so sad. Ro - san - na.
       
15

   


All I wan - na do in the mid - dle of the eve' ning is hold you tight, Ro -

           
3
All I wan - na take is a night you'll nev - er ev - er have to com - prom - ise. Ro -
              
17
 
(2x)

 
 san - na Ro - san - na. (1x)
I nev - er knew you were look - ing for more than I could


san - na Ro - san - na. I nev - er knew that los - ing you could ev - er
     
19
 
  
 ev - er give
hurt so bad.

 20 e=q
   
[B]                
 Not quite a year, since you went aw - ay, Ro - san

 
24
     
        
 na yeah. Now she's gone and I
2

  q=e 
28

        
 30–31
 
have to say. Meet you
[C] 33
                  

  all the way, Ro - san na yeah. Meet you

       
35
       
  
 all the way, Ro - san na yeah. Meet you

       
37
       
  
 all the way, Ro - san na yeah. Meet you

                  
39 To Coda
    
 all the way,  

Ro san na yeah.
[D] 
 
D.S. al Coda

  42–52

                 
54

  
 
 na yeah. Meet you all the way, Ro san

                   
57


 na yeah. Meet you all the way, Ro san na yeah. Meet you

       
60
       
  
 all the way, Ro - san na yeah. Meet you

       
62
     
   
 all the way, Ro - san na yeah.
Keys/Synth
Arr. Mike Smith Rosanna David Paich
Half-time Shuffle Toto



q = 83

 

   

2–3 

   
  


 
  
      
   
    
[A] 8

   
  


   

       
     
        

 

11

   



      


     
    
               
    
          

  
15

             


  
 





 
 

  

     

[B]20  e=q
                 

 
   





  

 
  
2

             
24

     

 
      



 




      
q=e
        
28

     
      
    3    
   
                  
 


3

      
3 3  
[C]33
  
            
              


   
   


35





   


37





   

   
To Coda

39

             


          

  
 
      
 
3

        
Solo w/ square lead
[D] 42
   
3 3
           
3

 

  
3 3
3 3
 

               
       
44

    


6 3
    


     
   

       
47 (Guitar solo)

            

  

  
  
 





     
   

D.S. al Coda
 
50

    

  
    

   
            
54

      
    


       



3 3

       
 

  

56
           
              


   
 


4


58





 


60





   


62

             


       


  
   