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DEF L E P P A R D E SI H I T
GREAT S

V A U LT

@ 1996WAR,NER, BROS.PUBLICATIONS
All Rights Reservetl

Project Manager:JeannetteDelisa
Music Editor: ColganBryan
Transcribedby: Louis Martinez,Doug Braceyand Wolf Marshall
All Photography:CynthiaLevine
exceptpages2 & 3: RossHalfin
Art Layout: JosephKlucar

Any duplication,adaptationor arrangementof the comprxitions

containedin this collectionrequiresthe written consentof the publisher..
No partof this bookmaybephotocopied or reproduced in any rval'*'ithoutperrussron.
Unauthorized usesare 3n iafrinocnranr n+ rha T-q n^nt.right.{ct and a::::::::.1.: :;.,;
 i
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 i N ' O NT H E H E A R T B
F EO L I N ' 15

Y O U E V E RN E E D E D
SOMEONE
SOB

HYSTERIA 95

L E T ' SG E T R O E K E D 1 6

L O V EB I T E S 3 O

MISS YOUIN A HEARTBEAT 117

P H O T O G R A P H4 0

P O U RS O M ES U G A RT l NM E 4A

R 0 C K0 F A G E S tz4

ROEKET ss

t
 WHEN LOVE & HATE COLLIDE
f,-qt -d \1s.. b!
JOEELLIOTT SICK S.\\'AGE
C{m7 E: E,9

- : : =

Slow mckbsll.d J- 67
Intro: E Bsus

DnctL3(Acoustic))-
ffiD ffi r)
*Gtr.1(Etedtic)

**Gtr.2 (Electtic)

.Gtr. I cled w/chorus effecl.

Bru\ Bsus

,D,ry,D TD ,D,ry

when Love& HareCollide L0 I

O 1995BLUDCLONRTFFOLALTD
All Righrsconrrcucdby BLUDGEoNRIFFOLALTD.ZOMBA MUS]CPUBLISHERS
LTD. tor rhcWond
AllRieha Rcsefled
 C{mll

if you would on ly change

Asus2

slam- mtng down_ the phone._ girl, hun - dreth I got )ournumber

E s us 2

on my- wall, but I ain\ gon-na male that_ calt._ when di - vid ed we srand.- ba- by, u

Rny. Fig. 2

:- .re & HarcCourde t0 2

 Bri/lee:
Esus2 B(lr) E
Grr-3mm

nir fall.- Gol the tirne, got a chance. gon na make tl,
.nd RJ|r.Fig.2 _
- I.is. J
, Rbr.
!-l-t Gtr.r -

Rhy.Fig.3A

us2 ClmT B(lr)

D N D DDffiDD T)Dffi

got my handsonyour heart,gon-na takeit I ln"$. I can't fight- this tlane. You couldha\e a
e n dR h ! . F i g . l

€trdRhy.Fig. 3A

when Love & Harecollide l0 3

 Rhy.Fig.3 (Grx ./l
E

,TrT.ffin r) mffiD
change of_ ifyou would on - ly chan8e your_ Cos'I'm
Gtr.2

C lm7 us2 B(||)

,- ,-,ry m ,T) rT)
a---\
)

cra - zy bout, you, ba by,

Chorus:
\rtRh!.FiE, | (Gtr 2) 2 tides
E Bsus Asus2 B ( lr )

rugnr_ is like

ctr 1 RIry.Fis.4 endRhy.fig. 4

-.\e & HarcCouide 10.4

 l0

year with out you, ba by. Do )ou ha\e a hern ol- wrrh-our

C{m7 Bsus Fimll

canl stop the bun in when love and hate ool

Gtr. -l Rhy.Fig.5
€nd Rhr. Fig. S

Gtr. 3 R1').Fig.5A
end Rnl: Fig.5.\

Uerse:
qlP,hy.Fig.2(Ctr l)2 titues
Esus2

I don t know whal we re fighr mg_

whenLove& Harocollide t0,5

I
 lt

Asus2 B(ll)

I could lell a

Esus2 C{mll

and il wouldcone as

Asus2 B( 1 1 )

hits you .ight bc tween the eyes.

BridBe:
wlRh!. FiC.3 (c tt t ) & 3A,(Gtr 2)
E

Gt..3,D ,ry D-
rnd a place and a rea- son, and I kDowI got a love

C{m7 A s us 2 B0l)

All I knoq g0t win- this time.- With- out

Chorus:
vlPny.F e.| (Gtr2) 2 tih$
E BO1) BOI)
Gtr.3

n'gnr_ is lile a

E B(u) BOD
i-\

year w'rn- our_ Do a heart_ of_ srone? with out

' :- -.'\. & HareCollide 10 6

t2
r/R]ly. Fig. s (G'l I) & 5A (Gtr Jl
clnll B(11)

can'l stop the hurt-

Guitar Solo:

Gtr- 3 / ffitr),ry Cant. rhy. simile

Bsus

WhenLove & HareCollide- l0 - 7

 t-: ^
ctt.3,D n,- ) ,) )
L'' nt tn) stntte

change of- if youwouldon-l) .hanee )our C o sI m

Gtr. 4

Gir. I
t4

Rhy.fig.4 (Grr i l
E B(lr) Asus2 B(11)
|-
L.nt. rn). \tmue
) ) )

whsn I4v. & HaG collid. l0 9

 t)

Rhy.Fie.6 (6r' 2)
E B(lr)

year with out- you, ba

Do you have a hean of srone? with- out
Dy, {(
If you

B(l l) B0t)

ar all. the huri

Gtr. 3

E(9)
Gtr. 3 . ,.\

lide

Gtr. I
 FOOLIN'
WordsandlvlusicbY
@=D O=c STEVECLARK,JOEELLIOTT
andR.J.LANGE
O=o O=u
@=o O=e
ModeratelyJ = 113
Rhy. Fig. 1
FnajT({a)/A Am(9) F0,lyA
srdns"fAlr'-lrAm(9)

*Alremale tuning for Gr. I onl)

w/Rhy.Fis.1 (Gri J) 2 rtner

FmajT({aYA Am(9) FmajT($a)/A

\-j

ILa dy Luck -
endRhy. Fig. r

F({4yA FnajT(laYA F(d4yA FnajT($4)/A

a - while.- Do with me -

dRhy.Ii8. I (Grr J) 2 tmer

Am(9) F({4yA Fmaj?(Sa)/A Am(9) F(lzr/A FnajT({a)/A

break the rakeyour fill. _ On and on -

2. Seeadditionallyrics

F({4yA FrnajT({4)/A Am(9) F({.1)/A

Arn(9)

eJlane - hasd)ed altd the fire has gone. oh,- ihis emp-ty bed is

tmlin' 8 I INc
MUslczoMBA ENTERPtuSES
o l98t DEF_LEPP
AllRighlsonbehalfofDEF-LE}PMuslcconlolledbyDEILEPPMUsIczoMBAMuslcPUBI,lstIERsLTD,fortheworld
All tushtsReseNed
 l7

FmajT({4)/A F({4yA FmajT(t4YA

re a - lized- go. _

a n- y ' b o d - y An y bod-y

R[y. Fig. 2

P,M. P.M.

*Gtr.2 play noiesin p@nlheses.

an-y-bod-y won
l8

ff srsn

An y bod- y oi:--- jusr got- ta know,

GtB.l&2 end R.hy.fig. 2

ctr.l

Gtr- 2

,olY
 10

'---=\

'Causeba - by. I'm

Rhy. Fig. 3

P.M.-.----.-.-.--

endRhy. rig. 3

eDdR.hy.Fig. 3A

(".M.) -----l
 To CodrL q
Bb5

F5 G5
GFs.I & 2.

w/Rhy . I . i g . l ( G t . l )

-..---->:
 2l
Guitar Solo:
D5C5D5 F5 c5 D5C5D5
qRby. Fig. 3 (cl| 1) & 3A fcri 2) et.rfi ) t

D5 C5 D5 F5 G5
D D ]
D
_/.

\|lli,hy.Fig.2(Gns.I a2)
D5C5D5 FsBb5 D5C5D5 F5 45 Asus2

,/: -/:* ,/" )' / - / ' J , / ) ,/:l

. Gtr,2

*Depressbar b€foE striking nole and gladually pDll up.

 D5 C5 D5

I'm Dot

Gtr. I Rhy. Fig. 4

Gtr.2 R"hy.Fra.4A
 Bb5 D5 C5 D5

No, no, Oh, no, no!-

my - sell _
endRby.ng.4

q/R\r. Fies.4(Gt/.1)& 4L(G!t.2)

D5 C5D5 Bb5 D5C5D5 F5 G5

I'm nor a fool in'!

Iool-in' my - self, - I'm not fool-in' my - selt _

Gtrsl&2
D5 C5 D5. D5 C5 D5

=----

Verse2:
Closeyoureyes,
Don't run andhide,
Easyloveis no easyride.
Justwakin' up to whalwe had
Could slop good love frorn goin' bad.
(To Btidse:)
 HAVE YOU EVER NEEDED SOMEONESO BAD
Bs A5
Emair{no.rrd,Asur2E5'F, E P.:1 B cis t:ll "cL:"1)^ "'.%

Introduction
ffi#
w wry'ffiffiffimwffi"ffi"ffi Words alld Music by
SlowlyJ = 69 PHILCOLLEN,JOEELLIOTTan
E5 3!d)
E najT(no As!s2 R. J. LANGE
N I t h t
al'.3J. ). )-.1

GT

w,ryd3l Fill I (2ndtine onlY)

E5 EmajT(.o3'd) Asus2

.D-.t .1. .b.--t

^/wwwwwwwv\,
Fdbt, -----------,

(cndRjffB)
RiIi A {playlst riirc only)

HaveYou EverNeeledSon.oneSoBad 6 _ r
O 1992BLUDCEON RIFFOLA LTD-'OLT Of POCEETPROO{,CTIO\S LTD
A ll Richtr
- on behctfur BLUDCEONRtFFOLALTD Conrdlledb\ BLLDCEO\ RIFFOL{ LTD-ZOVB a \{t SIc PTBLISHERS LTD. tor rheWorld
All turhB un behdlfor ouT OF l{l( KET PRODUCTIO\SLm cl*rllal \ zo\GA vt sK PIBLISHERSLTD. f.r ihewond
.\ll tulhc Ri$:n
 25

E5tltp.2) A5

L Here I am, I'm in dr wfong _ bed - a - gain.

2. Ther€ you go, -
mid nighl prom h-es a - sain.
Orr.3

E5

h's a game I just- can't There you are brealh- in' _

but they'rebro- ken by_ $e You wan- na go fur - ther, _
Gts.2&3

A5

soft on my skin, still you won't lel- me in.:l

fasl- er €v - 'ry day ba - by, ing_ youll be sone. A^dr'."", r""".i

E n n g' - - ' - - " - - - - r

han.-.----.-------------------.

P.t.

hlm ----- _ ________-__-----.

 B
l-l-l-1 |
rll ) ) t)) )'-4

k'ss - y day_
Why sa\,e your
1pl,y lsr !m. only(ohlYslnd 2)

Asus2 E
Bsus4
1-l-l I t-l--] 't |
.) .) )--d
) ) ) ) ' - 4

Ba'by. lel hean

Chorus
x D5
B5 E5vI
cl5
) J ) )

A5 ct5 E5(ryp.,

J, .)

Ha\e \o! E\er N.ened Someonr 50 BJd 6 l

 27
B5
tvcal 1! tine anlt) l'
J rend
FJ)r.
FiB.24r
I

ev - er need-edsome-one so bad, andyourethe g:rl I goF ra

GuitarSolo @"p""
Es(ypel) 45 E

P,M.

B5
@.p."
Es(ryF!) A5 E
.-
I

Bridee @.*"
D5 E50yF, A5 E

.- )

Ev - 'ry dream I dream_ is like_ some kind - a rash 'n' reck

R h y .F i l l I
 28
@"p"" @"x" @.p""
B5 E A 5 E

n l f
)

To give oui such you must be some_ kind- a drug.-

@"p""
B5 tyF3) A5 E

) .- )

And if ny time- dor\ ev-er come for ne you're slill_ the one.-

B5
)

Darnn€dif I don't, damnedif got - ta get a fii Have you

ct5 A5 B5 D.S. al Coda

) 1 . t ) t )-J ) )

need - ed some- one Yeah. Have you

Coda Chorus
o w/Rhy Fis.2 & 2,\lpl,r sihilc)
c{5

ev - er need - ed som€- one So b6d Have you

ev - e. want - ed

Have You El€r Ncoled Someone So Bad - 6 - 5

 29
A5

try hard thatyour world jusr fell Part?_ Have you

cls B5 A5

you're lhe

E5 EmajT(no3rd)
Rny.
Fis.I h r
I .A! )

girl got'lr have. got-tl have you, ba - by,

Clr, I

E5 EmajT(no3'd)

|t s a game I just- can't

E5 EmajT(no3rd)
Asus2 E5 Enaj?rnosrd) As!s2

er need- ed some'one so bad?-

Fi 2
Cr.2

:\n:aiSlmE50Bad-6.6
30

LOVE BITES
WordsandMusicby
STEVE CLARK, PHIL COLLEN, JOEELLIOTT,
R. J. LANGE andRICK SAVAGE
Dm Slo* Rock Fre Time

got love in you sights_

Dn7 Gm{add9) F(add 9)

Gn(add9) F(add 9)

do you look in you mii rorl Who do you think ofl_ Dcs he look lik m€?_

@lI98? BLUDCEON RIFFOLA LID./OUT OF POCKETPRODUCTIOT-SLTD.

All Rishls o. behllt of BLUDGEoN RIFFoLA LTD. co.|mlled by BLUDGEoN RIFFoLA LTD,ziriirii wusrc runusnt*s ut D. ror lhe world
All Righ6 otr behalf of OUT OF POCKET PRODUCTIOiTSLTD Conrrc ed by zoMBA MtiStC A;irlrsHEns LTD. ror ihe wortd
AII tuEhls Rcsfred
 Gm(add9)

And say thar it s fd ,ev - €rL Do you rhink rwice- d just touch'n' se?-

-l

Ooh -

sl'shttcdbacr Dd vib */bf /vv!1,/\,/vv\ >d cldrone pirchch{scudd.l.y

Jilll- /\r\,'v\,^./\-/v\

<swdlmrclm.
/\,/\./v1^/\,/\n

Gm(add9) C7sus4

or is it jusr for show?

E B "r, ,- o".*o*"*,--o'*nu

na touch you (oo_ duch ba

cuj*4r.,^,..,r,.r,r,vw.,^-.v.,^,rr.,r,r,^,r,^,'''''''

nsonion 'ib *'6*

t
@

Bt5 Bt 5/A' )

lov€_to you- miShtdrile - me

/\,.v!vv!v\/\/\,7\n

/\'/\,.\./\,'\./V$/wV\

,,V\,VV\,^/V\/\/\/V\
 33

AI5r'G

I knowyou think_ rhallove_ is th€ way_ you nal€_

Bt5 ToCo,b
+

s I donl wan-nab. $qewhen youd@- ide_ro brqr

a- /a/wv.\/\,.\/\
 F5 Bt5 c(m)5
tr A
I
, !t

Ir\ bnng-in neto_ my kne€s.

-
(Lovelives,-

{Btsusz)

--../\Jv\

dtrb.
'----j
:> rf
 JJ

Dnr(9) Gm(add9)

WhenImwithyo!

areyou sone whereehe? or do you pl€aseyou-self

Dn7(9) Gm(addg)

Whenlou wale up-

cl

if you throw it a bour.-

E urt Al5r'C

I dor't w& - na toucll you too_ mucb b.

c o sm a l - i n ' l o v e r o y o u - m i S h rd n v e . m e zy_

) o
fr coi* soro
!J h Backsround
cuitar

Bdqroundc!iw(o inu.Fis

'l)

-------:------
A
tr )
t
Al5

l sbring-in meto my kneeL

(bve liyes,_ lovedies.)

Bb5
-----:-.-t.

J
Il s bring- in melo_ my knes_
 39

Bt5

- !Ei= -t \ , F t
7 l t r ":-i
I I
l,l I. t l*
E .: - \e_eotlove in your si8hts
40

PHOTOGRAPH
WordsandMusicby STEVECLARK,
JOEELLIOTT.R.J.LANGE.
RICK SAVAGEandPETEWILLIS
E5 Csus2 G A5

H# ffi"- ffi H#
@=Er @=a, D5 E B B5
.-o '-o
O=Ar O =Bt w5to tm"" id," m+:L Hffi RF'fu
@=Dr O =Er
ffi ffiH# ffi ffi

Moderat€ rock .l = 126

"ooar"
t " " E 5 B A5 D5/A

'nf
2 src.)

D5/A

Ip _=:= nf
Rbl.IiB.l

*Doubled by anothergt..

Versel:
Wlhy. Fig.1 (C//. 7)
A5 D5/A N.C.E5 B A5 Ds/A E5 B

I'm out- a luck,_ Got a pho - to - graph.- pic-tureof

endRhy, Fig. I

1983DEFLEPPMUSICZOMBA ENIERPRISES
INC.
All Righhon beharfof DEFLEPI Mustc conrolled by DEF-LEPP MUslczoMBA Muslc puBLrsHERsLTD. ior theworld
All RichtsResetr€d
 41

*lRhy.Fig,l(Gtt.l) lst2 bars onl!

A5 D5/A E 5 B D5/A

uh,- pas- sion kill

VRny. Fis. I (Crr 1)

@
E5 Rh). F
*Gt..2
./D:!.mm

face_ ev-'ry lime

*Doubledby anolhergr.

endRhy.Fis.2 "P-
E 5 E
,T)m^ wlRh!.Fig.2 (Gtr.2)
--r +\

I- dream.- On page.- ev 'ry mag So wild,

@
li-. E endRhy.Fis. 2A

PM

endRby. Fis. rB
 yeah!

RhJ.Fis.28

q. R.hy.Fig.3A
'u Csus2 G
"ctr.3l l
) )

to this rock 'n'

Gt'l &2 nr,y.fig.:

dRhy. fig.3 (cl/s. I & ?) lst 3 ba* onlr

endRhy.Iig.3A
& Rhy. Fig. 3A (Grr J)
Csus2
) )

Oh. oh, look what you,ve_

 Chorus:
G,ts

(Bkgd.voc.) Pho - to graph.-

Rhy. Fig.4

D(1r)

I don't wanr_ your..._ I don'1 neecl your...-

Pho to graph.
endRhy. Fig.4

2nd tinc Ta CoJo I ^,

GB D(ll) Emla t S tine To coria V CIB

A1l I ve got - is pho to - graph.

to graph.- Pho to graph.

But it's not e noughl , I'd be your

' ' "' -
@ e/Rhy. Fig. l tcra /l
E
*..rrm rm
P,M.
M 'N TTD

(i0 you were there._ Put your hurt on me,

w/a.\y- Eig, | (Gtt. 1) lst 2 bars oklt

,TT TM ,TD TM TTT rN

Such you gor sryrc._

@
WR[y. Fi8. lA (Grr 1) A5 E5 E
) Rhy. Fig,2 (Gtr-2) 2 tines

feel like a child,- You got some kind a hold,

@
oFn
E 5 E

You re all $rdpped up in _ mls ter - y. - So wild

w/Rhy.Figs.lB (Grr 1)& 2A (G.r 2)

@ VRhy. ris. 28 fctr. /& 2) D.S./g al Coda I
E E B A5

so far - frorn ne. - You'reali _ I want,- my fan

G/B C E5 D5
sCoda
. o . t f f i ^ l

graph. sralght my
Pho $aph
Gtrs. t & 2 Grr. I
 45
wlRiy.Flg.s (Gtts.l a42ines
E5 B A5 D'A
*o

!-lb"-J-o--..--'_----o
t 2

B
||.-l-l-|-!
c t r s . f& 2 r / / , / ) / ) )
l r

,___- ,,:::::::::::::::-:: % y2 }Y

ldbk srad-.elease
I --;-;;::;;;:;:;;::";;;:;;
i'--- 7'--!

I
46

Guitar Solo: @
ope.
o o o
E5 A85 A5 E5
Gtrs 1 t l
r&2/ / I -^-1-
ctr,3 - -"'/ i\ ,), ;\ i i;r,,

o o @
A5{, A 8 5 A E 5
I tTl-l tTt
)-)

-1,4

I
-,/
_-\- I
'V/

B5 D.S.X al C.'th tl

/_ / /-/ ,---w

- to - graph. I wan na touchyou! - Ah!

Pho - to - graph.-

3' ;-
 47

'llRhy.Fie.4 (Gtts. I & 2) ti Jade

c a c D(11) Em(9) Em(e)
;__-_=:--.._

oh, Yeah, pho - to - graph.

i : i G.) Pho - to graph._
q4-ba. Bkgd, voclf figure & tead aocat an\b- (both ,i
fa.ie)
c/tsc D(lr) Em(e) G/B C Em(9) D(ll l

A-;*
A , H .- - - - r
I

G/B C G/B

{=

1 1 1 I I ,, I 1
, __/-,/\ ,.'-(/ ..-- --\,^. *

-:1 .D(11) G/B c D(1r) Em(9)

' l - * - h
i^- ie'c=+.-

_-/ -/ .*

L ':__ c trl:t ?111tj '

,.;-';i;;,,;;;;;.;;;;;;.-.-.;;
D(11) En(9)
\
!
 48

POUR SOME SUGARON ME

WordsandMusicby
STEVECLARK, PHIL COLLEN,JOEELLIOTT,
R. J. LANGE andRICK SAVAGE

I.C

Step in -
Okend v@s: *alk (h€y,

PourSomeSugtron Me l0 I
O 1987BLUDCEON RIFFT)LALTD /OUT OF POCKETPRODUCIIONS LTD.
All Rights on hehalf of BLIJDGEON RIFFoLA LTD. contolled by BLUDGEON RIFFoLA LTD,zo[,tBA MUSIC puBLtsHERs LTD. for rhe world
A1l Righls on hehalfor OUT O! POCKETPRODUCTIONSLTD Conmlled by ZOMBA MUSIC PUBLTSHERSLTD. for rhe World
All Risbh ReseRed
 49

B
cts

t'omb, ba- by, ci non gct ir Liv in' like a lov-er

2. R.d _ Ii8ht, yel - low light.gieen-a,li8hr, 80r da- zy lit - de wom - an

I I s dnqcujb @r lor ji )

l r

-.!k, in' like a narnp. like a vrd-e - o vamp, Dem , o - li - iion wom,an. can I
(Beyour-
\!n - ro.queen, me,ne quin! rhy rhn or a love. Sweel- dram, s4-cha rine,

--------J:' /t'--l
\<>-= > :
 Heyl- Heyl-

, - | \
(t.fi,r, G:+L{.)

Re-zlo n'a d a z - z l e , ' n ' a f l a s ha lit- d€ lieht, rel,e !i sionlov-er, ba - by, go atl - nisht. I
squeea a li1- tl€. squeea a lil rle. tease a eas y oP er kn@k-in on ny doo..- t

Cuilar2:conr'nue
iimile

Ut- de miss ah in- no-ceff

lit- tle miss ah in - no-cent

r c- I0-3
P o u rS o n eS u 8 a r oM
 G i ! ea l i r - r l e

cd5 B5 Ft5 c{5 B5

'-'-._------
I

II

(Brdk n up )
 me-) Ooh._ , n r h en a n e

(:nd od lrd lin.:ov.drbb€d gurr)

(Pour sug , ar on me._ ) C mon fi.e np, _

Poui Sonc SuAardn Me lO-5

 JJ

I m srick-y re€t, yean._

.'.\---'.'''.-

\n. r,n
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PPlr- f
54

1 , .. t t

E IierlDde

(c{5) (86)

Pou SonreSusaron Me l0 7
N.C.
N

. f i 7 N R 7

1' -
3'3
l v F t l{Y
l;;;.--------.-.-.-.-_--

r! . rhe peach- es. I (sac chNine.) Cos I m-

E5

Sdck y- swer liom my head, D) head

(Headl) (Head to n! feer._ )
 .lt osB ' c

E5

+ r-:
Coda

n
B5
N - r

me.- ) Ger all.- c o m ec e r i r . _ your sug rr on

/vY]v.!^M/w\_,w\_,\. ,\.
-^-/v\,\ A ,^,a,1

ry\,.\,.V!.v\,.\,,\,,v^/\.vv!1J!1^^

Pour Sohe Sugaron Mc t0 9

 57

E B

.- .r-: -l

,,v1,^,^..!,.\,\^,^,^,^,^,^,^, ,^n/V\,,\n
 ROCKET
WordsandMusicby
STEVECLARK, PHIL COLLEN.JOEELLIC
R. J. LANGE andRICK SAVAGE
@ rnmuucton
Moderate R@t J =86 (shuffle Fel)

Effects

,*a,-2P-1 f

Pr.-dti ,/r.t .'a r.h! .brlt 6 ldbt

:--. :--\ E lstver* N.c.

while lights.

'7\,,\,,\,^,7\./\,7\,^/v!1,.v.\,^./\,.\

/\,4,/v.v,va/\,!.v.\,/\ryV\,1\ ^/,v^/,v1/\,1/v.va./!1/v.v.\^

O I987 BLUDCLONRIFFOLALTD /oIiT OF POCKIT PRODT]CTIONS LTD,

All Right\.n b€halfolBLUDGEoNRlll;oLA I-TD.conrorlddby BLUDctjoN RTFFoLALTD./zol\'lBAMustc pLrBLlsHERsLTD. tor theworld
All Rightson bclralfof ouT oF PocKET PRoDUcrIoi{s LTD contulrcdby zoMBA M usrc puBLIsHERsLTD. for rh. wortd
All Rishh Rese^.d
 I
59

(cra - zy sound-)

E5
. . ,I .
:=-\ :}--

Jek Flash,Rock-er nan _

Sar-geantPellper dd the band_ Zi8 gl,Ben-ry andthe jets_ ah.|akea rock,el, We just got - ra

B5

We re son- na
rne oar{_ )

B7(nolid)

I "ill I will
col - li sion co6e to in - to my heart_ )
 60

fDl chorus
'tacod4+ l{c. FIn E5

E5
/---

sat el - lite of love -

$! el-lite of love- ) I ll b€ your lat - el - lile of lo!

We re gon-M fly-

_ lt.
FI
tEl
'f,'T--; --.

Ooh - ooh

I
I

I
t
 ,^/!^/!,vwv\,1,,v^]V\,.\,?\/^,"V\,^^

/V\,,v4/,v\,^/.\,.v1,.\^,a,/v.\,.v\,^,/v\

E5

E5

Ooh BlackJohn-ny B tn Gene Jen-ie. Kil ler eueen_

Lrz - 7y Maj - or Toh _ we jusr gor - ro

T ,'v!! ,,\,,v!\
 61

^/\/,\/^/^,^/v\,,\,\/?V\/.\/,.V\,^

BlackJohn ny B _ , Kil-ler Quen,

Lt-4 MaJor Tom_ we lusr gol _ to

T /^r'\_/!'\"^/^?\,\
 < = <

/v\7v\-,vt/\-^

< < < < < = <

Ff5
 '"""01-f-;!-ryT^l -!
-/\,.\,^^,.\,,\,^./\^^/\,\

,.\,.\,/\,^,/\n-l\./y\,,Vh

o..s* ar
/->

tly -

--------n
-Tl
--l
-Tl

iDel.yh.ndby&tasingbdwh ebend'.c

E5 Fl5 D5
Fls
4 coa"

(Roct et sat el-li1e oflove-

sat-el lite of love )

sal-ot lite of lovc-
 E5 F*5
!t

W er e g o n , n a fly-
s a r -e l , l i r e of love- )

E5 Ft5
 ANIMAL

WordsandMusicbv
STEVE CLARK, PHIL COLLEN,-JOEELLIOTT,
R. J. LANGE andRICK SAVAGE
Moderare
RockJ=122

E] Int"oou"tion
Bt5
D5 c5

,J'o^

ou*'*n*.,,.*n"',"u.uoo..of-iifll'ou'Pi',I14"iff..'j
bl!i?:;tR'-lPfJ.:.'ilf23i1?H,-[?
-ra-'uiil ",",,HER.
LrD.
forrbe
worrd
AuRishrs orour oFp@KErpRoDucrro
onbehalr irs LrD pijEiii risnslro i.. ,r,"w..ij
{;;Jr.J 11;o,M-n,r
 @ v".." r,Lrl:r:"ar.o
c5 B t 5 ( a d d9 ) Bt5(add9)

,'v\n,1,"\n/\n,.\nn /\

G5 Bb5(add9) c5 D5 Bbs(add9)

cir-cus comes10 town.

in the wn.h- ing hour.-
overdubctr (addfiLrs.ors vc6c)

c rs r.2 coilr@smire (Rhl. Fig r)

fiG==..-
slov dNe */br
(Di(ortio')
 B t 5 ( a d d9 )

w on a r€nr- mg-
lm shad- ow in th€-

Bb5(adde) G 5 a Bt5(add9) D5

Just like a riv -

And like fte driv - in raiD
/\,.v!a,/\,1,,VVV\n
 69
Bt5(add 9) G5 c5 lql X Bi
o v/fin|s (lndrimel
------:-----.

cor -

=--=te

Ff5 cl5

n- my blood.-

,^./\,,\,,\,^n,1,\

FiII5
70
Go,u62,1 r.Fzr RhY Fig z Fl5 cl5
B5

yolr touch - don t ne€d yout love -

I ned-

@ cr'o-'

dd I lusl. -
and I noed. -

^,^/V\,^/VVvw
^^-.!^./w\,^/V\
^,.V\]"vv\-.\,/Vl^/t^!

,/\,/v^,.vv\,?v\,^,.v\

wanr'- and I need -

And I
^,^,,\,,!,V\,'\,.V\,\
Z- ^,"\,?Vwvw!^?w\
 7l

r, c"r,+ [i 2.

An- i - mal.

^.,,w\,,\,,!.\,^,^nn,\

_ o F

o5 c5
 cund solo
-Fl
t-1-t-1
curlsr., -1-l-1
.t ., a a a a a
Bl5

Gon - ra take you lov€ n' nrl

t-3-:-
t-i- _J-==-3;:=:a
D5 Bt5 D5 C5
f-T--T-l

D.s.g

C5
_.t-!|-l-1..--|-'
J J J J J J ! J . ]! ! . ]
lX- ,i n'll; f,'-

I I I T I I

II
-$ coa' os Fl5

And I wmr. _ and I ne4

And I
,.\./VV\,^/\,^,/V\^/V\
^----\

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And I wmr, -
Take- m., _
/\,v!1,/\..vr ./!vv\

/\,.\./\,^^,.v1,.v1,.\^^
 md I lusr,_
Make your an - i-md._

. . a lta-

and I ne€d, ---

snow- me._ An- r - mal
sroke
^ ^.1..4.A^.,./.-^ _ me,_
^/94444aa/\.,v\ me be_ your_
^

,^,.\,^,.!1,^./\,^,.\,.\,^,.]' ,,v\,i./\,t\,.\,1,A,.!..!
 F{5

And I wan! -

and I lusr.- An- i - mal.-

heh!heb!
^/\./\,.\./\..\,^./\/\,.\/\,^n

^,.\,/!.\,/vv1^-/\..v1..V\
 7-1

ARMAGEDDONIT

-
WordsandMusicby
STEVE CLARK, PHIL COLLEN, JOEELLIOTT,
R. J. LANGE andRICK SAVAGE
=:=
E
- ModdareR@kJ=l t6

:-

-
-

- D 5 A D 5 A A D5 A D5 E5

: )
F

t-1
=

:D.rrcs bd befoE sriki4 noE.

c {E) ES (E

J ||ll

', Richr^oi
beha,r
orBLUDGEoxoJ?f;&LAuff;"4*5ff..!
!lii'.";tRlii'tITJi,'B'JiB?T.'d: p!
ArrRiehs orour oFpocKErpRoDr.clo(siiD, A;i;,,rl; bi 2biiii iiuiii pi iiilirnsBL,SHERS
o. bebalf rro
LrDrorde\\qr,,
..,
r".,r. " ".rj
D5 4 5 ( E E E) E5 (E E) IE E)

E5
. N
r-:
shen you re read- ) to chance if you dont wan na dance-
wnen you n€eo sone donl cos you al - read-y did.-

E5
. t ari )t-l a +

tour le - rer word- whenyou re read- y to

lan - gle your .lewels- vhne your shak,ir' ya

E5
h
 79

E 5 ,
Y .j' t
^l
.r I r: ? .1, .f-: i

You say lhat krve is when you gel some_

You flash you bed rDom lite a jump-in jack

E5 E5
., .l' J-'J r J }

:.r won r l!i8 8er rhe 8un._

:- slnh a pat on lhe back._ (y.) canr sroP it
 E5 A5 B5
.r I
@

You Ino{ )ou gor [.

E.n-*
I csu62 (add 2)

(Cirne all or your lov - in ) Ev -ry

Caus2 D5/ A G/B CsE2

I I

(Gim-me all thar you gor._) (Ev - .y bit of your lov

 D5

(Gim- me all rhar you bir oi your lov -

E5

Ooh.real ly gerrin'
(Ar ha Bed don lr:) (Yes.Arm- ma'

D " , , , . , ,., ..., .

. in iil c - nron.Stele. c!,raf I

 D5 A,/C { A5
I

Hu - ooh!
t-J_-----l

l S c E s
"-*,,tt-']---l
. a
@
a . r
Jlr .f
A
 83

'Iake
ir,

8ot an irch- y fin ger fo!- bw - ing ne.- pull n.

.*'JTn m
rf'8 8er Ine gun _
 ) )

" 8 5
.tfur--
^' . l
a
t
a
L
a . a
t
a
t
a
t
a
t
a
t l t L rr-1 tTt-"]

get iin it? Oh, real- ly

l) tT-] rT-]

DSXatcoda

rTI-: r:-J
(oh, )
 +- Ccoda
85 l
sE2 D5/ A G/B CBus2
I I

de you get- tin nl

(Nev-e! wdr n ( G i n - D e a l l o f y o u rt o v -

{add2) C6rr2 DS/ A

r .l;->

Ooh-- oh,
(cih, me all

:rE 2 (sald2) Csua2 G5 D5

a a

ill _ oh
lcin ne all of your lor in )

c5 D5
 I \ N

(Gin-m€ all of your iov-

i
-b,Vv..,..ryvwwM

f"*,

t'^ .--- a=i ;^r^;[;l;r;T;>""\

I've
bir of yolr lov in )

DS/ A G/B C6us2

I

Oh. are lou

l C i m - m ea l l o f J o ! r l o r d)
n-llT ,,,.,.,.""../wwwwv\ r'?-
 87

de you ger !'n ir?

(Cim me all rharyou gor_ ) (E! , ly bit of your lov ,
 88

BRINGIN' ON THE HEARTBREAK

WordsandMusic by
Rock balhd J =76 STEVECLARK,JOEELLIO.-
and PE'IE WILLIS
*Gtr.I

*Gtrs. I & 2 w/dislortior.

,/^,l:-- Am7(A F({4)/A

B r i n g t no' nt h eH e a n b E a t 7 l
O I98I DEF.LEPPMUSIC
LTD. ror rhewodd
All RightsConhllcd by DEF.LEPPMUSI(IZOMBA MUSICPUBLISHERS
All RishtsRe\eRed
,
i

I
 1
89
FmajT(6) Bb/B
end Rhy. Fig. I

*/lhy. Fis. I (Crr J)

F(S4YA G6 F6 FmajT(6)
An?(a

Gyp'sy,- s i l t i n ' look'in' pret tY,- a brok en with laugh - in'

,tlRhy-EiC.I Gtt. 3) 2 tines
Bb/B E'7 ArnT(a F(l4yA

mys - t'ry,- al-ways wild, _ like a child- with -

2. SeeadAitionallytics

FmajT(6) Bb/B E:7 An7(a F($4yA

you're al - in', -
ways search search-in'

G6 F6 FmajT(6) Bbts E,I

but it's eas - y come, and go. - oh,_ ['m sor'ry but it s
feel , in', -

Chorus:
D5 Cs C5 D5 E5 D5 B5

You'rc bring - in the heart ache,- tak in' all lhe

! -r3r' on theHelttbFal ?-l

 C5 G5

A5 F5
::-\

Bdngin on tbeHcanbrelk- 7 l
 9t
\|Ehy, Fis.2 (Gtrt. t a 2)2 tiaes
A5 F5

lr. $/Rhy.Iig. 1 (crr J)

To Cotla &
A5 F5 Am7(a F({4tA
;--\

bring,in' on the helrt achel - Can't you see?

Gtr.2

FnajT(6)

fE.
2. You're such a se- see']_ Canr \ou
-=

Gt.Z
 ;- >- i;=--->

,/^^,./-a-\-- ,/_ ,/-a-_,

Bnngin onlhe EerrbEat-7-5

 3
I

s
Coda
w/xny.Fi*z(Gtts.I & 2)3 tines
D.S.Xat Coda A5 F5

of me!
 You'rebring,in' on the heart - break,

)^7:

A5 F5
.--\

You're bring in' on the hean break._

->-

l 1 I I I

Gtrs.I & 2

You'resucha secret,
Mistyeyedandshady.
Lady,how youholdthekeyl
Oh.you'relike a candle.
Your flameis slowlyfading,
Bumin' out andbumin' me.
Can'tyou see?
Justtry'n io sayto you:

Bringin o. th€ HeartbE3t - 7 - 7

 95

HYSTERIA

WordsandMusicby
Moiqr.ateRNk (,J+a 104) S?EVECLARK, PHIL COLLEN,JOEELLIOT'T,
R. J. LANGE andRICK SAVAGE
@ Inrroauccon
(Bas playssteadyElbt
D(add4) G(naj7) (3Yr)./vv\'^/\'v\'^,/\,.r'^/v\nn
5

En(addz)

M'/\,,wv\,/!,^,,\,.\,^..\,^n
^-/.--\^

hm/.V!.Vv1,/\^/,\,^n,?W\

O I9I]TBLUDGEONRIFFOI,ALTD /OLT OF POCKETPRODUCTIONS LTI)

d LRIgh6ONbEhAIf OIBLUDOEONRIFFOLALTD CONiiOIICd bY BLUDGEO\ RIFFOLALTD.ZO\'IBA \!L'SIC PL'BLISHF RSLTD for dT \\'ON,I
All Rith( or behatfof ouT oF PocKET pRoDLcTIo\s LTD Controlt.db\ zo\tB r \jLslc pL BLISHER5 LTD :.: .J].\r rnd
All RisbriR.n'n.J
96

odd I pl.F nf,r lir r

[E]
-
D{.dd4) Er(.dd2)

our or reacn_ yean.

iq - lo \oJ _ )edn. _
44ryY,^ ,^ "^ ^,"."
:t'-"r4

Im
I

you.- yeah,_
ctriBs I l.lean bno and 3 ( r/di.ro-ior)

Ei(ddd2) claj?
.'--:\

I'm sha-kin to my
lhafs rigbtl Dream ne off my
 I
97

ll

^,/wvvwvv\,/!^,/\

c (add2)

(c) (D) D5
-
)

n?)
a (Eml
v!^,a,!!a,a,^ -l
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It s such a
{Do you b€ - l,e!e n/)

" " " ' """' "^ ' ""' ". "" 'J--
).
I

(whenyouger thar
b€t - Ier srarr
(ber - ter start ",'l

"",",,J,_=-=-rT
" o*o

*e
 99

A5
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 10r

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(Hys- le - ri

c
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You d ber- ter be -
(Whenyoueerrhal feel - in-)

o*o
c u t r d T p a l s r i l LI ( r 1 . D * )
D(addlt) Gnaj?
:=)

Dsus2

7 JA!.---=---" t ) A!'-"

tcer clos- er to ne. - )

,a/V\,,\,,!^,.w\,^,\,1,\,.v\n
 103

D(sus2)

r.L.j.---'--'-.------..-. r .EJ]^J-"

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104

. b - h '.Ti.l'.j.l'^"

D!us4 D
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RrUA

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 t05

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--< s!.ll-in w'dme

vvv

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v v v

.' 6.A-,.r,^r,..,^,^,^n^,^r.,-r,^,^r.
F'ill E
nno-.,
106

LET'S GET ROCKED

WordsandMusicbt
PHIL COLLEN,JOEELLIL
R J. LANGE andRICK SA\
B''5 c5 F5
ffi"" fd", !ffi"
Effi H14f, H1+I FfH
F5 B'5 A' Dt5 At5
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H+H ffi ffi H++H FC+f, Fffi
lnlroduction
J = 96 l l l = l l l
t6rhNorcshume

c5 Bt5 Ci

Ctr.2

I
O I99? BLUDCgONRIFFOLALTD./OUTOF PoCKF]IPRODUCTIONS LTD
behauof 8t_uDGEoNiiFFOLA LTD. Conlro edb! BLUDCEONRIFFOLAt,TD ZOMBA IUUSICPUBLISHERS r TD for ihe World
nniu LTD f(r th' W'nd
on telarr "t oul or pocKEI PRoDIICTION5 LTD ContolledbtZOIUBA MUSICPUBLISHERS
-
' 'e1rd
A L I R i l h rR
 10'7
I
Bt5 Bt5 C5 F5 Br5 c5 F5

I'm your

Cu .l

N.C. EI5/F

dr ry, ev - 'ry - day kid, hap - py to_ do nolh in'. In

gP _-=.:.=

N.C, I:5

rhafs what I did. Got a mil- lion ways ro make- my day.- Butdad'dy dont - a - gree,
-

(cleu lone*/&lr, & clotut

 "Ger your botl right out of bed -
whefiI try- to get a_waY- ne says he got plans for me ,

crr.I cl
^a"^,/\ a\/\/V\,.W\//\,/V\7^,

"cet up- " He s:

ffi rug-gln' *- andmov€- voursleep- v head - Don\ shak€my Itee

Gus.l&2 Clr.2

-l-

P.H.
GIT.2

P.H.

"Tak€ out $e trash.' "Ti_dy your room." reall)

(rporzn:
No w!yl) Gpokn,C'mon.get

IdsCelRcled ll-3
 109

Sor'ry. dad,_ got-ra dis-ap - p€ar.- Leas get be rock out of here.-

B15

F.-t ) )

S e v- e n d a y nisht.

Et5 c5 Br5 C5 Bt5

t-E
..J. ) ))^). ,ll
in at th€ deep end,- hang on tight.- won\ take a mio-ute.

B!5 c5 Bl5 c5 F5

Ir won'r take long. So gel on Come on, c -mon,

ll0
Bl5vr C5v'rI F5
F t - t l
I 't.))
c v t ) ) ) ) ,)

Lel sger.ler'sgel, lefs gel.leasget rocke.l L€fsget, Iefsget, let'sget, let's 8e:
cr.,2

Bl5"' csv,,,Et5 Bt5"'

l r f)
Lefs go all tie way. get it nighl 'n'dav - C'-non'

Ir rV€ne
.
B!5'' cs''r' F5 N.c.
FI
) )

Iefs get, Icr'c get. let s gel. Iel s get rocked

' *nh .ombinaiionpicklnd nngcre.

Gr's GerRcked II -5
 lll

dude. driv- in' wi$_ my ba by gel her 'n_ the mood.-

Ctr.I Clr.2

dial- in' duough_my dr - o_ andI'm a r€3d-y lo make_my mo!e. _ BLrl

she go! ain'l rock'n' real-ly groove,

,_21 'v\.vvv"vv-v-v-!
r F /:^-r:-----.\

ili^*

aio 'pjn, Mo - zan, Bee-lho,ven._ makesme rvat- na screan,_

P . H .- - - - - - - - - - - 1

Cr,z 6r. I

!i
tt2

Bach.Tchai- kov - sky, \'r- o

tf'-1-r'1
1))1))!)Ja.a.-
lT-t--

E'5/F

arock'soutof thequestion
Thatain'tmy scene.Well.I'm sor'ry girl,_ heres my con'fes - sion. Gp,r.r:I suppose
6r.l&2

Bddse
lsus

All I wan - na do- is take a ride- in ' !o $e blue.-

Ev- 'ry time I wanr to love- you I gct stuck in - side- my

 tFill S
C5 A5 BI5 F5 B'5 F5 C5

.t",r",'I feel lucky today. H e y , l o o k a l l h a lm J n : Do )ou wan-nr 8el

Bt5

r"F ' ) . 1 ^ )) ^ . ) ) )

Do you wan-na get

'slapbackfomd,giraldelay
 114
GuitarSolo
D!5 Ai5 El5 El5

fTT) ffi

. onlyvibrdroeNod string

Dr5

ffi

c5 Bt5 c5 Br5 C5
r-r n fl
/ / ' ) / / ' / ' | \ . ) . J. t l j

ev -'ry bod

Lefs Get Rtiked ll 9

 ll5

Er5

Let's gel Iefs gel, ler's Ier's 8er Do youwan-na? Do youwan,na?

016. l& 2 (compasite
chqd9

Chorus
F$5 Fr5sus4 F,5

kt's get. lefs get, l€fs g€t, gei rocked, Get on top_ of

l-€t s ger, ler's 8er. lel s 8er. Ier's 8er,

(Love ro rock_ your
 Fl5 C{5
.:---\ q

Rock the niSht_ a- way._ Iefs gel

Bs cl5 Fl5 Gl5

Do you sanna get rockedl)

LeasGctRocleil.ll 1l
 II
MISS YOU IN A HEARTBEAT
= F B! Gm

ffi ffi"m"imim
WordsandMusic by
:-l
Slow rock ballad ., = 67 PHIL COLLEN

(Bb)
=
=
I

Versel:
(Bb) (Eb) (Bb)

thal there's some thing deep in

(Bb) (Eb)

for loye was such a cdme.

Pre-ChorusI:
-

a
Rlly. Fig. I
rBbl (Gm) F
Gt .2*
) n)
The more you care,

Rhy.Fis. 1A

*Acousticgrr.

\1,$ You,naHeMbeat- 7 - I

O I99OBLI]DCEONRII.FOLAI,TD.
All RighrsConrolledby IILUDGEONRTFFOLALTD IIOVBA l\t USICpltB LISHERSLTD for de \\,ortd
AtLRiphR
c .sened
 (endRly. fig. :

- ,-,7,7 t l-, -DJ, -

needro rum-:I - way. causeir don t mar

Chorusl:
R h y .f i 8 . 2
Bb Bb
: : : : :
,-;r-r7r7 r7ri / / / / / / / / / / / / / / / / / / / /

Oooh. - Oooh, -

Rby, Fig. 2A

Bb F

nffiffi)T ,7ffiffiffi ffiffitrtffi

missyou right

Miss Youln A Headbeat 7 2

 r19
(end Rhy. Iig. 2) Bb

Nffiffiffi fTffiffiffi

oh, no.

(crd Rhy, [is. 2A)

A.H. When Ive - touch - lose my self con - lrol,

(8va)
a sad seo sa tion I can't

/--...:,

I keep lbe faith and there'sa rea-son

 t2r
Pre-Chorus 2:
VRty.Ii&1&lA
F E b

no need!o tum_ a, way,caus€

it don'tmar _ rcr
Chorus2:
dRhy.rig.2&2A
B b F ( l n

B' a-\

miss you right Oooh, -

Oooh

beat.'Causeit ain't- love_ if it don't - feel thar way.

Bridge:
Gtr. I
Gm F F C'm F
/7. )-)

I ain't big on pron-is,es._ I'll be lrue I'll do 'bout an,y $ing, _ yejh,
Gtr.2

Vis YouIn A Hentar - 7,5

 GuitarSolo:
E' Gtt, I txet (4 tuedsures)

ba-by for you.

Gtt. 3 (klton stt. )

VRhy. Fig,lA fcrrl)

F

rTrTffim mmmm

M ^ \ Y o u l n A H e m b . a t- ? . 6
 Bb
- - - -
/ / / / / / / / / / / /

Chorus3:
\rlRhy.Fia,2 & 2L (fi.st 7baa)
B b F

( oooh,-)
Yeah,- fd

oh,_ miss you in a heai b€at.'Caus€it ain'L

missyourighr a - way._ ( oooh,-) miss you in a hean

Bb

Mis Yo lo A tlerrbe{ -7-7

 ROCK OF AGES
WordsandMusicby
STEVECLARK,JOEELLIOT
andR.J.LANGE

E5 E5v! A5 C5 C5 En D5 B5
'ffi''"
Fifi,. ffii,
ffi F- f f i f f i f f i
ili-
ffi#"iH+H
ii-
ffi+t'"
ffi
:--
_iii-

Steady4, =96

A5
Rhy.Fis.r
D

O 1983DEF LEPPNIUSIOZOMBAENTERPRISES TNC

All Rightson behatf.lDEF LiiPP MUsIc contolled by DEF LEppMUsIczoMBA Mustc puBLIsHERs LTD. for rheworld
All tuChlsResened
 A5 B5

Gon-na stofi o frel-

Gtrs. tacet
N.C. (85)

ga& - er 'round,- rock this place the groundl Bum it up! L€r's go

Warchthe night- go up ilt smoke!- Rock on. - rock drive me cra ' zi - er! -
 A5 G5 G5 A5

D ) , t t , T
Whatdo you want?- I want rock' yesI do!
Gtr. I Rhy, Fig. 2
-'--\

Ct..2 Rhy, Fig.2A

erd Rhy. figs.2 & 2A

^J. , )t.

Long live Let's go, let's strike a light,- we'regon na blow like dy - na-mitel-

DTN)
il ir lales all nighr,gon-na ser rtu' to$n a - lightl

Chotus:

C5
 127

roll - Rock of

we gol rhe pow

To Coda#

We got the glo Just say Youneed i!, - and if you need it say:
 Verse2:

I'm got the

I tnow for sure thereain't feel it. don'r fight

go with the flow!- Gim,me, gim me, gim-me, gin me, gim me onemorefor the roadl_

a 2 < 2 a r : . a
 \
129

wl*A!. Figs.2(Gt,.I) & 2tt (Gtr.2)

A5 G5

What do you wanr? Wllat do you wanr?_ rock n roll. _

Guitar Solo:
Ctrs. I & 2iac€t
N.C.(Es)

Youbetcha! Long
Gtr.3

)-^----;=a

I
 WordsandMusicbY

SlowrockJ =76 ff!ffiffiffi D

JOE ELLIOTT

A5

Rhy.Ii8,l 1/,
Gtr.l V W

f ,u^.t- "' '1

"; v ; , \./ \/
1t2 1r2 il'. !", |'a {

*chordspulserhythmicallyw/bar

t. Wark a-way-
(endRhY.lig l)

1 91 9 ' ? Y V

-";-i,-' "' : ::--- --1'r

-, *, t., *, t: t?

-.-.----aaaaaa'--€ (Gir. 2 ou

*i!*.r_+r..#

*Bo$ nolesvrb,
 VersesI and 2:
Substitute Rhy. Fig. 1, Gtrs. r and 2 (2nd tim€)
Asus2

if- youwant- io, kay- if - you,

Gtr. I
2. (Seeadditional lyrics)

(Gtr. 1o.
<J<---'

*Gt..3 v

nf h.u

+cleanw/chorus and delay

Bfidge I a d2:
N.C.(A) (D)

l. (a)You can- run* butyou_ can_nev er hide

2. (SeeadditionatLrtict)

*dpick andfingersthroughoutBridge-

Rhy,Iill1
,Gtr.2

T w o S t c p s B e h i n-d9 - 2
 rD) (D) Gt..3 Flm Rhy.Fis.28

Theres a mag

Gtr.l Gtr. 3 to slashes

Gtr. I

*FretFl on@)w^humb (Gtr.3our

(endRht. f'9. :B
D G E5 D
I

have- i1 aLl.

L e n dR h ) . F i g . : A

(endRhy. l'ig. l)

lso srepsBehind I l

-L
 fll be two steps- you._
(wher

And I'11 be there io _ re mind_ (a) that n

on ly mi nute of your

Two StepsBehind -9 -4
 I
l-r:
To Coda $
*(Gtr.1to slaihes

1ctr.4out)

+2ndrime$lr
/Rhy. Fi8.r (G'r 1)

Grr. 2

*Bothnotes!ib.

c D

Gtr. I

2. Take the time

lwhispered:) So walch out

T w o S t e p s B e h -i n9 d- 5

-4.
 A H. (ct..2 out)
@ y 9 ) - -- - - - - l

Gt..5

Guitar Sola:
VRhy. [ig. 1 (Gti 1)
Gtr.5 at .rz

P-M._-r

*quickly depress bar 1/2

stepbefore pulling up one whole step
Pre-Chorus:
F{{m VRny. Figs.2,| (Gtr.1)and2B(ctr.3)

"\9

Two SteF B.hind , 9 - 6

 137
VRhy. Fig, 3 (cr. 4/ D.S.ftal Cotla
c A5

though your- soul, but you canl- have _

(Gt .5 out)

Y e d h - r u m -a - r o u n d , - I'll b e two- steps be hind. I'II

Gt.. I lnd 4 iD -1tz -112.18 .1t2 112 '1r, (Two steps_b€-hind-
w w v w w w

tem. b.tr -
-1/21t2.18 -1/2-112 .lt2
V V V V V V

hind
-112 (Two- steps_ be- hind._
Gt.Iand4
Rhy. Fig. 4A (end R}ly. Fis. 4A)

-112 -112

Gtr. s Rny. Fig. 48 (€Dd Rhy. Fig. 4B)

*Downstemmed vocal written 8vb to facilitate readins

T s o S E p s8 . h , n d. 0 - 7
 Rhy. Figs.4A, Grlr. 1 ard l and48 ,Gh.5 (6 tines)
A1-_ c D

And I'' l l
)

'-.i--/

'-.'--...-.-..... (Two- steps be hind.

\

-/

(Two- steps be hind.

a---

(Two - steps-

T w o s r e p sB e h i . d - 9 - 3
 Yeah.-
) steps- b€, hind.-

P.M. --J

Yeah,
)
__99*"rcp"_ be - hind--

1)

:--\-

I 1 . r ? -
. ::-
Tlvo - sreps
) st€ps- bc - bnd-
Ioco(8ya)
/F-
,l
1

fr::_tr "
I

,l
I
I I

yerre 2.: Take the time andthint aboutit. Arid8" 2.r I ook aroundand seewhat you cd find.
Walk theline. Like aftre that's bumin'up insidene.
Youjuslcan'tfight it.
Two Sr.ps B.hind 9 9
 *-
GUITARTAB GLOSSARY
TABLATUREEXPLANATION ARTICULATIOl{S
REAOINGTABLATURE:TablatureI lustraleslhe s x slrings of lhe glrrlar Noles
: . . c n o r d sa r e i n d c a l e db y r h e p a c e r n e nol l f r e tn u m b e r so n a g v e n s t r i n g ( s )
HAMMER
ON:

on lo higher

finger.
Onlythe

PULLOFF:
Playhighernole,

BEI{DING]IOTES
anolherlinger.
Onlythe lirsl note

H A L FS T E P :P a y

LEGATO
SLIDEI

PREBEND AND
the
RELEASETBend
7 - 9 9 - l following
lhe slr ng p ay it,
n o t e .( O n l y

(A"-= W H O L ES T E P :
P A L MM U T E :
ll " )
| + +
I a l
I + b y i g h ly
t o u c h i n gl h e
\
slr ng(s)near

RHYTHMSLASHES
ACCENT:
Nolesor
c STBUM
\ rNDrca-
i . TIONSI @ @ @ @ o o INDICATING
. Slrum wilh L ' ' A
SINGLE
A C F
I ndicated NOTES
rhylhm. -- USING
^ / a a a a a a
T h e c h o r dv o r c r n g a
s r e f o u n do n T - - RHYTHM
the lirsl page of ihe lranscnption SLASHES:
DOWN
undernealhlhe song lil e. STROKES
single noles are incorporaledinlo
AND
a rhylhm parl The note nam€ s
indicaredabove lhe rhylhm slash
UPSTRO{ESI
'A hat slep s lhe sma esl intervaln with a tret numberand a sln.lg
Weslern musict il is equalloonetret
A wholestepequas lwo lrets.
"By KennChpkinandAarcnSlang
( - . ) o r u p s t r o k e v( ) orlhe pick.

i 1990BeamMeUp Musc
crocPPrsewn. nc
Secured Madei ! S A Al F'ehtsReserved
lnbmaronaCopy.iqhl
 | /<FF/
PTIUR T I NM E
S T T MSEU G A R
PHBTOGRAPH
L O V EB I T E S
L F T ' SE E T R O E K E D
T W T lS T E P SB E HI N D
A NI M A L

FBBLIN'
R0Errt
W I { E NL B V E& U A T TS O L L I D E
A R M A G E D D TIITN
H A V E Y O U E V E RN E E D E D
S O M E C I NSEO B A D :,
T

R t ] C KT l FA G E S 5
c
a
HYSTERIA
M I S SY E UI N A H E A R T B E A T

E R I I I G I NT' I NT H E H E A R T B R E A K

lsBN 0-7692-0498-8

"iltltlt||ilililt][ll[ill
9 "780769'' 2049971

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