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REVISED DEARLY DEPARTED LIGHT CUES

In general the lighting will be realistic in nature.

CUE 1: Houselights/Preshow. General morning lighting. Amber sidelight from one side
and blue sidelight from other. Light blue backlight. Sunlight from window or window pattern
depending upon scenic design.

CUE 2: House to Half.

CUE 3: House Out

CUE 3.1: AF - Blackout


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Act 1, Scene 1 – Bud & Raynelle’s Kitchen, Morning

CUE 4: Isolate on table area. Amber & blue frontlight. Middle amber sidelight from one
side of stage and blue sidelight from the other side. Light blue backlight. Amber special toplight
on table. Sunlight from window in kitchen.

CUE 5: Blackout
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Act 1, Scene 2 – Royce’s Room and Marguerite’s Kitchen, Morning

CUE 6: Isolate on table area and couch. Amber & blue frontlight. Amber sidelight from
one side of stage and blue sidelight from the other side. Light blue backlight. Amber special
toplight on table. Sunlight from kitchen and bedroom window.

CUE 7: Blackout
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Act 1, Scene 3 – Ray-Bud & Lucille’s Kitchen, Morning

CUE 8: Isolate on table area. Amber & blue frontlight. Amber sidelight from one side of
stage and blue sidelight from the other side. Light blue backlight. Amber special toplight on
table. Sunlight from window in kitchen.

CUE 9: Blackout
******************************************************************************
Act 1, Scene 4 – Junior and Suzanne’s Car, Afternoon.

CUE 10: Isolate on car. Amber & blue frontlight. Light blue sidelight both sides of stage.
Light blue backlight. Amber toplight. Some type of moving effect on car if equipment exists in
theatre.

CUE 11: Stop moving effect, if effect is possible.


CUE 12: Resume moving effect.

CUE 13: Blackout


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Act 1, Scene 5 – Raynelle’s Kitchen, Afternoon.

CUE 14: Isolate on table area. Amber & blue frontlight. Light blue sidelight both sides of
stage. Light blue backlight. Amber special toplight on table. Sunlight from window in kitchen.

CUE 15: Blackout


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Act 1, Scene 6 – Royce’s Car, Afternoon.

CUE 16: Isolate on car. Amber & blue frontlight. Light blue sidelight both sides of stage.
Light blue backlight. Amber toplight.

CUE 17: Blackout


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Act 1, Scene 7 – Ray-Bud’s Living Room, Late afternoon.

CUE 18: Isolate on couch. Amber & blue frontlight. Magenta sidelight from one side of
stage and blue sidelight from the other side. Blue backlight. Late afternoon sunlight from
window in living room.

CUE 19: Blackout.


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Act 1, Scene 8 – Ray-Bud’s Back Steps, Evening.

CUE 20: Isolate on steps. Amber & blue frontlight. Lavender front wash. Blue sidelight
from one side of stage and bluegreen sidelight from the other side. Deep blue backlight. Amber
porchlight from top.

CUE 21: Blackout.

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Act 1, Scene 9 – Radio Station, Evening.

CUE 22: Lights up on cyc only, in dark blue. Or backlight in deep blue.

CUE 23: Isolate on table. Amber & blue frontlight. Amber toplight. Blue cyc, if there is a
cyc.

CUE 24: Blackout


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Intermission
CUE 25: Intermission. General late afternoon lighting. Rose sidelight from one side and
blue sidelight from other. Blue backlight.

CUE 25.1: AF- Add Houselights.

CUE 26: House to Half.

CUE 27: House Out

CUE 27.1: AF - Blackout


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Act 2, Scene 1 – Depew Funeral Home, Morning

CUE 28: Amber & blue frontlight. Amber sidelight from one side of stage and blue
sidelight from the other side. Light blue backlight. Amber toplight. If possible stained glass
window pattern from back.

CUE 29: Blackout


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Act 2, Scene 2 – Depew Funeral Home, Early Evening.

CUE 30: Isolate on Veda & Raynelle with frontlight, but keep others onstage lit at a
medium level. Amber & blue frontlight. Light Rose sidelight from one side of stage and blue
sidelight from the other side. Blue backlight. Amber toplight. If possible stained glass window
pattern from back.

CUE 31: Blackout


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Act 2, Scene 3 – Depew Funeral Home, Early Evening.

CUE 32: Isolate on Nadine & Lucille with frontlight, but keep others onstage lit at a
medium level. Amber & blue frontlight. Light Rose sidelight from one side of stage and blue
sidelight from the other side. Blue backlight. Amber toplight. If possible stained glass window
pattern from back.

CUE 33: Blackout


******************************************************************************
Act 2, Scene 4 – Depew Funeral Home, Early Evening.

CUE 34: Isolate on Clyde & Ray-Bud with frontlight, but keep others onstage lit at a
medium level. Amber & blue frontlight. Light Rose sidelight from one side of stage and blue
sidelight from the other side. Blue backlight. Amber toplight. If possible stained glass window
pattern from back.

CUE 35: Blackout


******************************************************************************
Act 2, Scene 5 – Depew Funeral Home, Early Evening.

CUE 36: Isolate on Jonior & Royce with frontlight, but keep others onstage lit at a medium
level. Amber & blue frontlight. Light Rose sidelight from one side of stage and blue sidelight
from the other side. Blue backlight. Amber toplight. If possible stained glass window pattern
from back.

CUE 37: Blackout


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Act 2, Scene 6 – Depew Funeral Home, Early Evening.

CUE 38: Isolate on Lucille, Suzanne, Delightful, & Juanita with frontlight, but keep others
onstage lit at a medium level. Amber & blue frontlight. Light Rose sidelight from one side of
stage and blue sidelight from the other side. Blue backlight. Amber toplight. If possible stained
glass window pattern from back.

CUE 39: Blackout


******************************************************************************
Act 2, Scene 7 – Raynelle’s Bedroom, Evening.

CUE 40: Isolate on bedroom area. Amber & blue frontlight. Blue sidelight from one side
of stage and bluegreen sidelight from the other side. Deep blue backlight. Amber toplight.

CUE 41: Blackout.


******************************************************************************
Act 2, Scene 8 – Depew Funeral Home, Morning

CUE 42: Amber & blue frontlight. Amber sidelight from one side of stage and blue
sidelight from the other side. Light blue backlight. Amber toplight. If possible stained glass
window pattern from back.

CUE 43: Add more red into sidelight.

CUE 44: Change backlight to cooler blue.

CUE 45: Isolate on area DS where casket is located.

CUE 46: Expand Lighting for entire compoany.

CUE 47: Blackout

CUE 48: Curtain Call.

CUE 49: Brownout.

CUE 50: Blackout.


CUE 51: Post-show Up

CUE 51.1: AF – Add Houselights

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