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V E R Y BEGINNING B A N D

Grade

Armada
VICTOR LOPEZ (ASCAP)

INSTRUMENTATION

1 Conductor 2 Baritone Treble Clef W O R L D PARTS


10 Flute (World Part Trombone in BI-Treble Clef) Available for download from
www.alfred.com/worldparts
2 Oboe 4 Tuba
10 Clarinet 2 Mallet Percussiòn Horn in El.
2 Bt Bass Clarinet (Bells and/or Xylophone) Trombone/Baritone in Bi. Bass Clef
6 Eb Alto Saxophone 1 OptionalTimpani Tuba in El. Bass Clef
4 BI» Tenor Saxophone (Tune:G,C) Tuba in El>Treble Clef
2 Tuba in Bi. Bass Clef
2 E\> Baritone Saxophone Percussiòn 1
8 BbTrumpet (Snare Drum, Bass Drum) Tuba inBbTreble Clef
1
4 FHorn Percussiòn 2
6 Trombone/Baritone/Bassoon (Tambourine)

PROGRAM NOTES
This piece was inspired by the Spanish Armada, which was the fleet that sailed against England under the command of
the Duke of Medina Sidónia in 1588, with the intention of overthrowing Queen Elizabeth I of England to stop English
involvement in the Spanish Netherlands and English-sponsored piracy in the Atlantic. The fleet's mission was to sai!
to the Gravelines in Flanders and transport the famous Tercios de Flandes, a ground force of over 30,000 men led by
the Duke of Parma, across the channel to England. The mission eventually failed due to strategic errors of the Spanish
commander, bad weather, and early British attacks on the Armada, especially during the Battle of Gravelines. The
foliowing year, England mounted a similar large-scale naval campaign against Spain known as the English Armada (or
Drake-Norris Expedition), which also failed.

NOTES TO THE CONDUCTOR


Armada was written specifically for the Very Beginning Band Series and utilizes the first six notes of most band methods.
At the beginning, the melody is played by the flute, oboe, and clarinet. Note that although the melody (measures 1
through 17) is an eight-bar phrase, it is broken into a 2-2-4 pattern. Make certain that the unison whole notes in the
alto saxophone and horn parts are played in tune, without vibrato, and kept under the melody. The staccato quarter
notes should be played short and tight. At rehearsal number 9, the mallet percussiòn and tambourine parts have an
ostinato pattern, which is persistently repeated. Please strive to have each note in the pattern played with the same
weight or stress.

At measure 17, the staccato quarter notes in the low brass and woodwinds should be played as if they were eighth
notes with eighth rests in-between. In this section, the trumpet has the melody and the alto saxophone and horn have
a very simple countermelody. At rehearsal number 25, the melody is now in the low brass and woodwinds while the
flute, oboe, and clarinet have the staccato quarter notes. Aim for balance and have the lower-sounding Instruments
heard with a bit more prominence. At measure 33, the percussiòn section is featured. In the absence of the optional
timpani piayer, the part has been cued in the bass clarinet and tuba parts.

Armada is one of those pieces that will make very young musicians sound as if they have been playing a lot longer.
Enjoy!

Please note: Our band and orchestra music is now being cdlated by an automatic high-speed system.
The enclosed parts are now sorted by page count, rather than score order.
Armada
F U L L SCORE B y Victor Lopez ( A S C A
Approx. Duration - 2 :00
Moderato J = 116

Flute

mf

Oboe m

mf

Bb Clarinet

mf

B\> Bass Clarinet É

mf

Eb Alto
Saxophone ê mf

Bb Tenor
Saxophone
mf

Eb Baritone
Saxophone
mf

Moderato J = 116

Bb Trumpet

FHorn
É
mf

Trombone/Baritone/
Bassoon
mf

Tuba

mf

Mallet Percussiòn
(Bells and/or Xylophone) É
Tune: G. C

Optional Timpani

mf
S.D.
Percussiòn 1 li:
(Snare Drum, Bass Drum)

Tambourine
Percussiòn 2
(Tambourine)
"\f 1 2 3
© 2011 BELWIN-MILLS PUBLISHING C O R P (ASCAP). mp3
a division of A L F R E D MUSIC PUBLISHING CO.. INC.
35333S AU Riehts Reserved includiíig Public Performance
Purcha
perform
I
— WM. /ji
Fl. i ;

Ob.

Cl.

B. C l .

A. Sax.

T. Sax.

Bar. Sax. J ) -

p -
Tpt.
mf

Hn.

Tbn./Bary
Bsn.
\ - 4
Tuba -k^yl, ^
y i> i,
* •

Bclls and/or Xylophone

MIt. Perc. 2 A • =

r LT r [J^::^ 1 U 1 u
Timp. j j - H

Perc. I í J J t - i J -

- ' r - f - ^ - — — ^ r

— > # ^—p—p *—*—


Perc. 2
6 7
^
8
r 1
r LJ r L/^ 1 U 1 U 1
9
10
35333S
f =p
1^ ,
Fl. K l A > r T f ?

f
T f ?
I»- •
Ob.

1 1 1
' ' " -
Cl.

B. C l . J » . , . - =

^ ú
A. Sax.

T. Sax.
T •! ' = ê

Bar. Sax.
.'.7 ' '

Tpt. 1,1 1

Hn.
o~

Tbn./Bar./
Bsn.

Tuba — i — - —
í •

MIt. Perc.
U 1 1 1 U 1 -J 1 u
Timp. 1 > •

Perc. 1
„ J i - = ^ J J \
~ — r - ^ '^-r- -f-^-—

Perc. 2 ~l*—f f f—f f

U U1 J U 11 U
L
1 1 1 1 15
12 13 14

35333S
17

Fl.

Ob.

CL j r =
r
-m^— í —
r
1- " r
(Tpl.)

B. Cl. 1
J J J J J J J J

A. Sax.

T. Sax.

Bar. Sax.
V > J r r
^ ^ ^ ^

17

Tpt.

j J ^ ^
Hn.
* ^ • r ^

Tbn./Bar./
Jé J J J J =
Bsn.
jê jé dj H

Tuba

MIt. Perc.

Timp.

Perc. 1 ^ j j j -J J J
r w ^ r ^ - r ' r ' r r r r

Perc. 2
r l / r f
16 17 18 19 20

35333S
25

Fl.

Ob.

Plav

Cl.
r r r r
mf

B. C l . ^ ^ ^ ^ ^

A. Sax.

T. Sax.

Bar. Sax.

25

Tpt.

Hn.

Tbn./Bar./
Bsn.

Tuba

MIt. Perc.

Timp.

Perc. 1 ^ J ^ J
r w ^ r w > r r r ^

Perc. 2
21 22 23 2.4 25

35333S
7

Fl.

Ob. r f r f

Cl.

B. C l .

A. Sax.

T. Sax.

Bar. Sax.

Tpt.
\? -

Hn.
y — —

Tbn./Bar./ j j * p
r 4
Bsn.
^ ^ r

Tuba

MIt. Perc. f-^Á 1 j j ^ 1J 1 =1


r " ^ ^ ^

Timp. ^'íh^'
y V \, - -• —

Perc. 1 ^ J J ^ i J J i
r ' ' r

Perc. 2
r ^ w ^ r ^ ^ r ^
26 27 28 29 30

35333S
33

Fl.

Ob.

Cl.

B. C l .
i (Timp.) r
^ r r

A. Sax.

T. Sax.

Bar. Sax.

33

Tpt.
r ^ ^ r ^ =
1rJ. 1 f.j =

Hn. ^ j - =
Tf^ *=»

Tbn./Bar./ i): 1 i, -
'^
Bsn.

Tuba -^•4^T4T—í

(Timp ' ^ ^ f ' '

MIt. Perc. J 1 J 1
^ ^ ' " ^ ^ ^ ^ -

Solo

Timp. -^Í^TIT ^ j > 1 i H\ i \


d % J -à % í J 1

Perc. 1 „ ^ j -
^ J J= J J^ J \ } J i J * J J J
" r ^ r H r r r ^ r ' r ' T ' r ' 1- ' r '

~» » 9 ^ —» * w ) í
T
Perc. 2 ~W F \

31
r r r ^ j
33
%
34
í
^ r ^-J
32 35

35333S
9

37

Fl.

Ob.

Cl.
mf
(Tpt.)
Play

B. C l .
mf

A. Sax.

T. Sax.
j J J

Bar. Sax. -J J J J

37

Tpt.

Hn.

Tbn./Bar./
Bsn.

Plav

Tuba

MIt. Perc.

Hnd Solo

Timp.

Perc. 1 J i J í j J
r ' r ' r ' r ' T f r ^"

Perc. 2

36 37 38 39 40

35333S
10

Fl.

Ob.

1 r
Cl.
r r

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn./Bar./
Bsn. É

Tuba

MIt. Perc.

Timp. j > j >

Perc. 1 j j j = n j n j ^ j j i - ^

" r ^ r ^ ~ r ^ -f—f—r—*— t—r—r^->—


Perc. 2
41 42 43 44

35333S
11

45
1»-
Fl.

Ob. \ r r

p'lay
- 1 í 1
f ^ ^
Cl.

B. C l .

A. Sax. l i .. =
ft, ... -,

T. Sax.
- ' =

Bar. Sax. 1 . • ^

45

Tpt. |> J J J = q - 1 1 ^

Hn. l ^ ' =
9^ ° =

Tbn./Bar./
^*Í^T^ í =
Bsn. . / b 1, f í

Tuba

p—p—p p—w—
r L/ r
MIt. Perc. ""P
- J 1 u
-J 1 u
[ ^ = 4 1 U 1 L

Timp. 1

Perc. 1 „ J ^ j ^ -

^ — f —
r-^— — ^ — f

1r L/ r
Perc. 2 - p — p — p — p — » — » —
1 [
r
45
U 11 U
461
U
47
L £ = ^1 U 1 U J

35333S
12

Fl.

Ob.

Cl.
É

B. Cl.

A. Sax.
> >

>
T. Sax.

>
Bar. Sax.

Tpt.

Hn.
> >

>
Tbn./Bar./
Bsn.

Tuba

>
>
MIt. Perc.
È

Timp.

Perc. 1

Perc. 2
r cjr L r r L / r
49 50 51 52 53
Armada
FLUTE By Victor Lopez (ASCAP)

Moderato

w—f t 1 • # — m— « — m
r M — -%

4
71

»—1
r 1*—! m -|#-
—^ fp — f
-—f *—1

•J 6 — 1 '
7 8 4— 10

© 2011 BELWIN-MILLS PUBLISHING CORP. f ASCAP). n,pg


a division o f A L F R E D MUSIC PUBLISHING CO.. INC. \ ^ ' )
35333 AU Rights Reserved including Public Peiformance Purchas^ll-length
performance recordin
Armada
OBOE By Victor Lopez (ASCAP)

Moderato

»—1ff • •—1
m
r m ^—1
»—1
-> f—r—
^—
^ ^M ^ 1 4— 4 p4—
mf

25

17-24

33

9 ^ 1m -í^
«
h >

1*^ =
F = 1 ^
TO " 1^ ?
*J 49 50 1 51 52 53
í
1 \

© 2 0 1 1 BELWIN-MILLS PUBLISHING CORP. (ASCAP), mp3


a division o f A L F R E D MUSIC PUBLISHING CO., INC. T
35333 Ali Rights Reserved including Public Performance Purchas^^ll-leng
peiformance recordi
I M •
Armada
Bb C L A R I N E T By Victor Lopez (ASCAP)

Moderato

^ 1 1 1 1—
^ 4 ^—j J ^— 4 — d — J — d — T J J ^
r ^ ^ j
4

1 «
1
« m é ' •
« ^ ií •
1 1
7 3 1 s

9J 11

17

331

1»/
(Tpt.)
25
Play

m
m

1 _

1—
i# m —a — 0 — 0
i—
1•
K —V 1 — K
4 K
m 0
*J 27 28 • 29 30 31 32

37

H
1 1
O
1
1F
r:^-;

CJ 33-36 38 39 40 41

(Tpt.)

45
Play
— ,
« —

í '
1 w
tJ 42 1 r 4 r—í—1 44 46 47
f

52 > > 53
>
O 2011 BELWIN-MILLS PUBLISHING CORP (ASCAP),
a division o f A L F R E D MUSIC PUBLISHING CO., INC.
mp3
35333 AU Rights Reserved ineluding Public Performance
Purchase afuH-length
performance recording
Armada
Bb BASS C L A R I N E T By Victor Lopez (ASCAP)

Moderato

-/íU
^—'
^ — — ^-
T"^ - i J 1 ^
^
- —j 2 —

* 0 11 f 12 1 1 14-b

17

— — -
• J 16

25

y ~ \
^ h

*— m o

33

—1
^ * * 0 * * *
*) 31 3L_: é •
2 (Timp.

37
Plav

'jr'\— ^ ^ m
t j * ' ' ' 38 ' • ' " 3 41 •
mf

45

1 ^ I ^ -

>

> 53
>
© 2011 BELWIN-MILLS PUBLISHING CORP (ASCAP), mp3
a division o f A L F R E D MUSIC PUBLISHING CO., INC. \
35333 AU Rights Reserved ineluding Public Performance
P u r c h a
p e r f o r m
1
A r m a d a

27 28 29 30 31 32

~é "-^
^ ' -é- '

33 - 36 37 38 39 40 41
4 ^
i —r
41» ^ « ~é é é

m f

42 43 44 45 46 47

^ . ^ . r-^ ' > ''' > ' ^ 1—



^
—firF \ \ — — • — \ \ \ \ \

^ . . . . ^ ^L —
j' —
^
. \ - 1- ^ 0

!" 0

'•• —


' \
^.
• — ' —
• —

49 50 51 52 53

>
5t
Armada
Eb A L T O S A X O P H O N E By Victor Lopez (ASCAP)

Moderato

í >
\ ^ 1
&
mf

4 - O
^

/
vrt> ^
*
-
• 1 r—1
* a F-^
41 ^ .
~

2S

25-28

33 37

4^
4

<> 1—« 1 — • — «
4 ' —
33-36

• •
A 1

• 1 « «
41 •

45

n • •
y
*
A 1
Tm f O. ^4 >
44 46 47 48

52 > 53 >
>

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a division o f A L F R E D MUSIC PUBLISHING CO.. INC.
mp3
35333 AH Rights Reserved including Public Performance
Purchase afull-lengt
performance recordin
Armada
Bb T E N O R S A X O P H O N E By Victor Lopez (ASCAP)

Moderato

2
mf

17

CJ 16 •

25

-gf— i
?— ã M m
1 i
• • • ' —iS
24

^ 26
^ 27

28 • 1 W
_.... 4

r3>
• 29 30

33 37

33-36

41 * • • * 42 ' * • * 43 f

45

>

> >
© 2011 BELWIN-MILLS PUBLISHING CORR (ASCAP),
mp3
a division o f A L F R E D MUSIC PUBLISHING CO., INC.
35333 AH Rights Reserved including Public Performance
Purchase afull-length
performance recording
Armada
E\> B A R I T O N E S A X O P H O N E By Victor Lopez (ASCAP)

Moderato

í - I- i r \ ( - I- { r |J ^ -
67

. 12 14-15

17

25

n • • • • • • •

> m

»J22 23
• • • •
24 26
w 27


y
• •
-fL. ^

^ , >
^
P

29 30 31 33-36

© 2 0 1 1 BELWIN-MILLS PUBLISHING CORP. (ASCAP), rnp3


a division o f A L F R E D MUSIC PUBLISHING CO., INC. J )
35333 Ali Rights Reserved including Public Performance Purchas^Tflill-length
performance recording
Armada
Bb T R U M P E T By Victor Lopez (ASCAP)

Moderato

> >
, ^ 1 4, 1
tf 4


# •

i' 1 •

^ _ V ^
18 19 20 21

25

0
Jr i • >
^ tf •
23 • 24 25-28 29
J 22 *

33 37

n
^ tf1 A ^•
• • • *
39 * 40 41 42 • 43 •

45

3 ^ 3

-ihr-, —
> 1
r—^ —i
J S ^
^ Y ^ - 1
0 51 •1 •
1 » 2 > 5
1
5

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a division of ALFREI5 MUSIC PUBLISHING CO., INC.
35333 AH Rights Reserved including Public Peiformance
Purchase afull-length
performance recordin
Armada
F HORN By Victor Lopez (ASCAP)

Moderato

-O^: ^
=^

m1 /

o :^ <> 1 -0 1-í=>

17

— \ A
m é :^ ^ 0
^ 1 — Kj —
' - — «
•l «
• • • .L-o
,
'

^-•^ T ; T '

25

? f» • . ^
VM; 0 = j 1 ,
« « (f

33 37

Jr 1 i-» >
t -\
V. 9 1
*J 30 31 32 33-36 T * * •


l í r r •
1 1
=çiv^ m
-¥t^ :r«^ j 1 ^ « .L-o 1
1
^

45

É tJ
-o-
49
> > 53 >

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35333 AH Rights Reserved including Public Performance
Purchase afull-length
performance recording
A r m a d a

World Part By Victor Lopez (ASCAP)


HORN in El>


Moderato

0
'
L s
^1? ;

Q 1

-A.— J 1
• J • • * 18 13 1 2G 21 • • *

25

» 1

H '
-y^ ,
- m - ^ '
u 3S-J8 29

331 37

D 1
..Jí L _ — 1
- ^ . - ^ Hl V • m
•J35 39 1 10 * 1• • • 12

45

53 >

5 2011 BELWm-MILLS PUBLISHING CORP. (ASCAP),


a division ofALFRED MUSIC PUBLISHING CO., INC.
35333 Ali Rights Reserved including PuHic Períiamiuice Purdwse a fuU-leni-lh
performance recording!
aHrea.con/diMmio«ils
Armada
TROMBONE/BARITONE/BASSOON B y Victor Lopez (ASCAP)

Moderato

.'>^U J ^ -
m
I- l t \U - 6 7

1 1

17

i
25

! • • •

r — * — 15^ M
^ • tf — i —

'

y \> 4 4 4 4
39 40 41 42 43

45

>
i _ ^ 1 m
&
>
—i—= 1
~ y ^ r - ^ 4
53
4
— ^
>
\

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a division o f A L F R E D MUSIC PUBLISHING CO., INC. i^^J
35333 AU Rights Reserved including Public Performance Purchaselifull length
performance recordin
Armada
TUBA B y Victor Lopez (ASCAP)

Moderato

^y.~\> 4 — — > í— ' i i— 1 ^ 1


y M> 4— 1 h—
^
1 « 1 •

^ J II ^

17

14-15

•I» 11> _ > > _ 1


1
— tr 1
1
48 . 49 — 50 51 — s -0L ^ 52> > 5 i -

• >
© 2011 BELWIN-MILLS PUBLISHING CORP. (ASCAP) mp3
a division o f A L F R E D MUSIC PUBLISHING CO.. INC.
35333 AU Rights Reserved including Public Performance
Purchase a full-length
performance recording
Armada
MALLET PERCUSSIÒN By Victor Lopez (ASCAP)
(Bells and/or Xylophone)

Moderato
Bells and/or Xylophone

H 1 ^

*J
'f 7. \1-8 10 11
mf

45

> >

52 >

© 2011 BELWlN-MlLLS PUBLISHING CORP (ASCAP), mp3


a division o f A L F R E D MUSIC PUBLISHING CO., INC.
35333 Ali Rights Reserved including Public Performance
Purchase a fuU-length
performance recording
Armada
PERCUSSIÒN! _ B y Victor Lopez (ASCAP)
(Snare D r u m , Bass Drum)

Moderato

-í——• -
S.D.
1
h - \ tf i J (J 1 ^ - 2 1

L
1
í
•H——1 6-7

„ - M - - -4- tf J ^ - 1 ^ 1
1 Hl

"•- \ 10 12
P
If i -
1 14-15

17

II > «tf tf tf m m tf « m tf i J M
tf tf tf tf 1
16 !
9
9
0
P
r r i '
r 21

25

S
i r ?

{ r í
0 0 0

M M iM J J tf «
" r r r i=
36 r
r M i 9 r r i0 r 4 ir F r i '
45

- ^ J |J ^ - r M 1
" r 7 - 11 r í r 'l. ^f f f i f j - 11- 1 f .i f 1 - ;i - i f 1
42 r 4
i r r 4

„J ^ - 1 1[J i - J ^ - II
" r
49
i - =j
r 5
0 5
if ? 1',f i f f 1'•r ^ - "

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a division o f A L F R E D MUSIC PUBLISHING CO., INC.
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performance recordin
Armada
PERCUSSIÒN 2 By Victor Lopez (ASCAP)
(Tambourine)

Moderato
Tambourine

r
— #
í - \1 - i 9l f l - 1- \ \
H r l - — \—
j •

" 41 2 3 4 5 ' 6-7


mf

(4)

17

II F >.
II %
14 15 16 17-18 19

25

•1
II 9 m w m m p p p 9 P P >
I
1
1
1
1
20 21-22 23
r
1 24 25-28

33

r í r í

37 45

Hf ^ r^ • » m-

>
r j -—
p
*1
p p
— J < — — —

® 2011 BELWIN-MILLS PUBLISHING CORP. (ASCAP). mp3


a division of ALFRÍÍD MUSIC PUBLISHING CO.. INC. • u.
35333 All Rights Reserved including Public Performance
Purchase afull-length
performance recording
Armada
B A R I T O N E Treble Clef B y Victor Lopez ( A S C A P )
(World Part T R O M B O N E m Bb Treble Ciei)

Moderato

i J \ í j \ -
6-7

-S-
t J \ -
14-15

4
>

>
>

© 2011 BELWIN-MILLS PUBLISHING CORR (ASCAP),


mp3
a division o f A L F R E D MUSIC PUBLISHING CO., INC.
35333 All Rights Reserved including Public Performance
Purchase a full-length
performance recording

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