6 Techniques & Tricks to Sing With More Emotion and

Confidence
December 5, 2017

By Cari Cole

By Cari Cole

A singer is always juggling two balls in the air. One is technique, and one is emotion. When you
focus too much on technique, the emotion suffers. When you focus too much on emotion,
technique falls flat. The goal is balance, but how?

I have found over 3 decades of coaching some of the world’s greatest voices, that it starts with
technique. Technique is the foundation upon which you layer everything else. When you build a
solid technique, the voice becomes stronger and can facilitate more expression – sing with more
emotion. To sing with emotion and no technique only results in an unstable sound or a voice that
catches and cracks under the pressure. Your voice needs to be strong in order to sing with more
emotion.
Here are my top6 Ways to Sing With More Emotion and Confidence, so you can
feel the power your voice is capable of. I hope it helps you blow people away
(yourself included ;))

1. Marking.
Marking is a technique for rehearsing in a light voice. It is a powerful technique that trains the
voice to accurately execute the intervals of the melody line and find the center of pitch without
strain. When you rehearse a song this way, you will perform with greater ease and better pitch.
When a singer only rehearses at the same volume they perform with, it programs the wrong
movements into the voice’s muscle memory. This reinforces bad form and singing off pitch.

Sing through the song lightly but with a focused sound. A focused sound means a clear sound
that is not breathy or pushed. Another way to explain this technique is to sing “small but clear”.
If you can’t sing the notes small at first, don’t be discouraged, this is not uncommon. The voice
has to learn how to sing this way by practicing it over and over. During your practice try to be as
accurate pitch wise as you can. Use your ear to match the pitch and don’t worry about the quality
of your sound until you can execute the pitch perfectly. Then try to get a good small and clear
sound. You may switch early into head or falsetto, don’t be distracted by that. Just continue to
execute perfect pitch.

2. Matrixing Pitch & Perfecting Execution.

This technique programs the notes of your melody into your neuron muscle memory and
strengthens the singers’ ear and pitch. Particularly useful for preparing material for a
performance and the recording studio. *Matrix = means that within which, or within and from
which, something originates, takes form, or develops. Matrix* the melody by finding the
corresponding notes on the keys of the piano. You don’t have to play the piano in order to do
this. Spending the time to find the actual notes will show you the roadmap of your melody in a
visual manner, further impressing it in your mind’s eye.

Note: If you read sheet music you can refer to it, if not, you can make your own sheet music or
write the notes or patterns (up/down) of your melody over the corresponding words on your lyric
sheet.

Sing on “ah” as you play the corresponding notes on the keys of the piano or sing the notes of the
song. Notice the distance between the notes – how far apart or close they are. If they are up or
down. If the note you struggle with is the same note you sing earlier in the song in another spot
etc. Identifying where the notes are helps carve your roadmap. Go slowly and focus on hitting
the bulls-eye of each note. Go over and over the notes that you consistently hit “off pitch”.
Another trick is to connect that note to the note before. In other words learn to “link” the “off
pitch” note to the note in front of it. Make an exercise out of the tough spots in your song.
3. Putting More Soul & Emotion in Your Voice.
This process develops a stronger sense of rhythm which leads to more emotion. It develops a
singer’s soulfulness and makes the song ‘feel good’.

 Tap out the beat of the song with your foot. 1 – 2 – 3 – 4 . Focus on centering the beat perfectly.
Do not tap early or late. Get in sync with the rhythm. This seems to be easy, but rarely is. Most
people’s sense of rhythm is either early or late.
 Sing the song and clap your hands together for each syllable, every word and note. Be sure to be
EXACT. Do not miss anything. Notice where you are off and go over it until it is right.
 Combine step one and two. Be exact and work over trouble spots by slowing the rhythm down
until you can get up to speed without losing the rhythm.

4. Placing Emphasis on Different Words.

Speak the lines below putting an emphasis on only one word in the phrase. Repeat the phrase
again putting the emphasis on another word. How does it sound? Notice the different words
being emphasized brings a different feeling to the line. Reflect on the saying “It’s not what you
say but how you say it”.

Try the sequence below speaking slowly:

Imagine if you could fly

Imagine if you could fly

Imagine if you could fly

Imagine if you could fly

Imagine if you could fly

Repeat the step several times to discover different ways to phrase. Also try putting the breath in
different parts of the phrase. How does it sound/feel? This process if particularly helpful when
you have a chorus that has the same lyric line over and over. I wouldn’t do it in the order above –
but use the exercise to find ways to keep repeated phrases from sounding monotonous.

5. Make it Yours.
Every singer has their own unique way of expressing, their own way of interpreting a song. The
key is to not get in your own way. A lot of people run into difficulty here because they are afraid
to step out on their own. It is easier to “copy” someone else’s phrasing and expression. It seems
like the “safer” route. However, stepping out on your own and doing it your way is what gives
singers recognition and their own style.
Go in the direction your voice wants to go. Don’t force notes that are unnatural.

Start with finding the right key (a half step makes ALL the difference.) If the song has lots of
riffs, take some out. If the song has no riffs, try adding some. If the song is fast, try slowing it
down to make it more acoustic and ballad-like. How does your voice want to sing the song?
Experiment. Record, and listen back. Sculpt your song.
6. Monologue Your Lyrics.
A technique or trick to deepening your emotional connection to the song is to speak the lyric out
loud like an actor doing a monologue. Speak slowly reflecting on each phrase before saying it.
Make sure you mean what you are saying. That means asking yourself, “what would I feel to say
that phrase?” Then feel it and speak the phrase. Your goal is to get each phrase coming from you
with more conviction and authenticity. Questions to ask are:

 What is the song saying?

 What emotions are present in the song?
 Envision a scenario that just happened that the lyric is a natural reaction to.
 How would you have to feel to sing this lyric.

When you monologue, be sure to speak the lyric aloud, very slowly, emphatically, in front of a
mirror until you are convinced that what you are saying is real. Then sing the song with from that
place. You’ll find your song has more meaning for yourself and your audience.