Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
BOOK 1
By Angela Edwards
1
Disclaimer
This a personal artist/practitioner’s interpretation of voudon from the viewpoint of the human condition
and psychosexual mind. It is not therefore a strict blueprint for these historically rooted living traditions,
nor is it meant to be followed as a magical order. Although I do practice in day to day rituals using
traditional Haitian voudon and South American Quimbanda,my solid devotional practice being centred
around Pomba Gira Rainha and Pomba Gira Dama da Noite, this piece of work is focused on the
individual’s creative experiences. I have tried to keep the characteristics of lwa and offerings as close as
possible to Haitian voudon tradition. This is a postmodernist take of a Westerner living in the twenty first
century on these religious practices, therefore should be seen as separate from formal voudon spiritual
initiation, and not as disrespectful to these rooted traditions or religions.
Note On Associations :The following associations of the lwa are not all being condoned or are practised
by the writer in her life , Bestiality [abuse of animals sexual or physical],necrophilia,cannibalism ,
murder , incest,paedophilia[abuse of children sexually or physical], unconsensual cutting , genki porn ,
rape , branding inflicted upon another not used in a transgressive consenting adult environment etc. The
writer would also like to clarify that she is not responsible for any use of illegal drugs or condoning use
of substances such as crack , heroin. Or condoning practice or invocation to the lwa using these
substances or self destructive addiction .Also she does not condone self harm and all rituals regarding
cutting should be done in a sane mind.But although any of these things are far from right in our civilised
humanistic mind.The writer did feel that as lwas represent all aspects of our shadow selfs darkest
conscious being ,it would be wrong to not include these associations. She also felt that as lwas are once
human beings , that these things would exist in them as they do in humanity also.
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Table of Contents
Section 1
Foreword :A magical grammar of the psychopathology stirred by the night and magic .
An Introduction Essay
The tree of Death in its Qliphoth landscape as a reflection of the human condition Pages 26-28
Section 2
Page 25
Chapter 1
Chapter 2
4
Chapter 3
Chapter 4
Marinette Properties
Page 47
Chapter 5
Chapter 6
Chapter 7
Chapter 8
5
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Section 3
The conclusion
Essay Title :
The fundamentals of Utilising the Qliphoth to perfect being of becoming in nothingness /
everything in the path transfixed of the void .
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A magical grammar of the psychopathology stirred by the night
and magic.
A Foreword By Nicholaj de Mattos Frisvold
Angela Edwards’s art is disturbing in its brutal and direct exposition of the human condition. She
gives you the most honest and raw speculum of sex, flesh, ink and darkness so you can mirror
your own honesty. It is annoying, it is real - and it is brutal. This brutality is splashing over the
canvas in intoxication and exaltation as it takes on a life of glory in its grim strokes- depraved,
direct and deadly honest it calls the attention to you and ask you; who the fuck you are. Edwards
is transgression, because she went to hell and then she came back to the world of the living with
the courage and honesty of giving us her soul. She will challenge you both as a woman and by her
honesty. Many will shout depraved! Many will shout blasphemer! Many will not see this tour de
force of naked demonstration of truth being won by the hands of blasphemy, sex, brutality and
honesty to honest for most of us. Edwards’s art is transgression; she takes your idols and your
loved ones, the meaning of life you smear upon the ecstasy of sex and sheds its skin - just to show
you the marrow of existence. The desiring and sexual soul within all you love and keep sacred.
Tantric Brute Grimoire is an artistic transgression - but it is also a provocation, because ruthless
honesty does tend to provoke. This work is as she herself says: "a mirror of the fragility of human
existence" - in this we find the brutality and softness of the human condition. Her brutality lies in
her honesty and her softness in the soul wrecking honesty of exposing this work. Her grimoire is a
psychosexual map of the modern female mage. Her route to revealing this her grammar of the
soul is to present a series of rites and spirit maps drawn from the darkest sexual dungeons of the
soul. In full dregs she throws her soul in your face to serve as a blueprint of the brutality of life -
that grim teacher who by negation leads you to completeness. Art expresses the soul and for
Edwards art must be "shameless, unflinching and truthful" hence dissecting - or rather revealing -
the soul in a shameless exposition of truth. This is what Tantric Brute Grimoire is doing.
Another provocative element in this grimoire is how she equally shamelessly lays claim to Les Lwa
and can easily be taken as an corruptor of Vodoun, but this is not so. For Edwards the gathering of
hot Lwa she has worked with has been as a part of an internal mago-artistic work. She has simply
responded to the mirror of her soul in the name of art and magic, because the artist and the
magician are both walkers between worlds. This makes this work not a transmission from the
peristyle of Vodoun, but from the peristyle of the soul of the artist. In this work we find a selection
of dangerous and hot Lwa loosely applied to the adverse side of the Tree of Life used as a mirror of
the artists’ psyche, it is here she finds the references of her revelation and liberation. Edwards say
much of her life and soul in revealing the nature of the Lwa that she has used as mirror for her
map of Life. In this we find yet another level, an exposition and revelation of the human condition
in the reflection of spiritual potencies of a hot nature. Few of us dare walk there unless we are called
and even then there is resistance. In this celebration of death, sexual brutality and heresy she invites
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you to Inferno and Purgatory - just to let you lose in your own depraved wilderness in order to find
your own Paradiso. She has given you the compass that is a qliphotic culmination - because in the
triumph of the averse and lifeless - new life can be found.
The sexual soul provokes by itself - and even more so when the one who reveals it is a woman. Any
woman will feel ease by this -any man slightly tormented. In this way Edward’s by being who she is
and present her soul, brute and truthful in this way, will challenge the world. In doing this she has
also accomplished her artistic creed - to make you aware of the guides in life we often reject in
taking on the negative and depraved as guides for truth and self acceptance. There is a glory in
resorting to the negative and lifeless in order to affirm your life and purpose - this is the darkest of
daggers, the most gloomy of the roads of ecstasy.
Tantric Brute Grimoire is an important document as it exposes flagrantly and with secure colours
the condition of a western mage that explores the sexual soul in the name of ascent. In doing this,
Edwards gives a voice to the world of female mysteries few dare to venture within.
Tantric Brute Grimoire is a gift of the magical artist to the world - a map of her own redemption by
resorting to the powers we suppress as guides to bring us to an awakening to truth. This is a post
modern grimoire -and as such it is a work that takes the pulse of time - and as such it takes a stab at
our sense of decency and shame, our taxonomies and certainties in quite revolting and proper ways.
It is a magical grammar of the psychopathology stirred by the night and magic - it is a unique
modern magical document infused by the blood of Teresa of Avila, Felicien Rops, Francis Bacon,
Lucian Freud and Annie Sprinkle in the spirit of liberation and transgression. In an unflinching and
shameless revelation of truth.
Nicholaj de Mattos Frisvold
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Introduction
"Take me like a ragged naked hobo to the crossroads, crawling, hands scuffed, knees
bleeding, therefore being, humbly, all aspects of human imperfection. Take me
under the stars, darkness illuminated by the brightest light of knowing and feeling
universally everything, transgressed through imperfection to perfect divinity, so that
in all the fragility of the human condition lays, in ugliness, the most radiant beauty.
Take me to the crossroads, sweat and blood, legs spread in animalistic lust, orgasm,
creation conjoined with annihilation, destruction to death, heaven riding hell. Let
me know a full life like the most intimate lover. In the lwa's passage be the journey
to the birth of my fearless true universal full soul."
In the path of the Qliphoth nightside tree of life we find an in-depth mirror of the fragility of
human existence, and the brutality as well as softness of the human condition. In these terms this
map can be compared to the all TRUE ART, encompassing to set out all aspects of our base
instincts and universal living.
Although the Tree is metaphysical in its approach, unlike intuitive art it is based upon cerebral
academia, that the principles and philosophical end results are fundamentally linked. Throughout
history, philosophical-religious thought has been married with the same ideologies, and obsessive
questioning of human existence as art, whilst searching for a man or woman's passage to his or
her full divine enlightenment of martyred ego, transgressed higher self, the soul.
In art we find spirituality, expression of our Soul, in that all true Art is shameless, unflinching and
truthful. To my mind no religions in purist spiritualist approaches fit such explorations of life and
death. The fragility of the primordial state of being is reflected and imperfect, as that of Afro-
derived traditions such as voudon, Ifa, Palo and Quimbanda /Kuimbanda. All rely on direct purist
spiritualist contact and the interaction with lower spiritual energies (or once human spirits) that
mirror the full beauty and ugliness of all of the universe in its full real limitless glory. So as in art,
we find even the ugliest creations are also similar, in the way that emotively they are always
linked to true beauty. In this way also do the spirits of voudon, the lwa.
Though, if placing upon the back of the Tree of Life (the Qliphoth Tree of Death), or the front of
the Tree of Life, most lwa, that are always accessed through mediumistic communication would be
placed on the connections rather than the sephiroths, as they are in spiritualist context literal
gateways to mediumistic contact with the dead.
The spirits of voudon, the lwa, do in the exploration of the darker aspects of the soul self, and fit
perfectly in reflecting a true uncompromising map of humanity. This the pioneer Michael
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Bertiaux was fully aware of as a artist and practitioner in VGW, as well as Kenneth Grant in the
Nightside of Eden. In these dimensions, they are the most unflinching honest interpretation of
human existence and the Tree of Life.
They are also, in these aspects, a true linked force to the primordial self, expressed by all true
artists. Especially in the families of voudon spirits of the Gede and Petro, we find the links between
sex, sexuality, creation and destruction, annihilations of the self in all forms of death through
practical action and exploration of the darker aspects, of the often denied self, the hidden soul.
The lwa work within the laws of combined alchemy, red creation, sexuality, black destruction and
death encompass universal alchemical fusion in their magickal practice. Like the twins of Ifa
conjoined in marriage, these are twinned polar attributes of the same thing. It also serves as
positive and negative combined, male and female combined in intercourse, to form the creation of
the enlightened, fully transgendered, transgressed self. All things in life cross over to form one.
Life and death are one of the same in that one cannot exist without another. They are the
entwined reflection of the universal existence of spirits and ourselves .
Here the ideas of combining the Qliphoth Tree of Death in Cabala and lwa spirits with paintings
of invocations made perfect sense, because for an artist and practitioner all things are a reflection
of pure true divinity of humanity and the universe fully embraced. So in the husk shells of the
Qliphoth we find spiritual rebirth also.
Traditionally the Qliphoth is represented by twelve legions of goetic daemons of higher derived
spirit origin, i.e. fallen angels: Thaumiel, Ghagiel, Sacariel, Ga'ag Sheblah, Golachad, Thagirion,
A'Arabzaraq, Samael, Gamaliel and Lilith. Lilith is the cast out wife of Adam, the father of
humanities. She is the original mother of humanity before Eve who resides at the base of
Qliphoth's roots, upon Malkuth Earth. The archetype of Lilith also focuses on sexual vampirism,
another type of utilisation of absorption of energy practiced in any form of sexual spiritual
invocations or sexual magical traditions, linking the ideology of utilising lwa upon the Qliphoth
from a sexual magical practitioners perspective. In Lilith we discover a complex and accurate
reflection of the mother of humanity, portraying through her attributes of being humanities'
darker self, the reflection of our own denied soul, making her the closest spirit connected to lwa
consciousness in this attribute. For in the darker aspects of the spiritualist lwa, we also find the
daemonic human consciousness of humanity represented in the form of the shadow reflection of
ourselves, which connects both things.
If we are to work with Voudon as a form of tantra, in the Egyptian origins of tantra (as a Northern
African culture) in the use of the symbol of the Ankh in relation to energy points. We find a strong
link to the African magickal practise. Historically I see it as a practice of African and not Asian
heritage. Most sex-magickal practices have been originally developed in Africa. Therefore I
connect these ritualistic practices to Voudon and Afro-derived traditions also.
The traditions of transgressive extremes through the art of body modification, which is another
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huge aspect of left-hand path, the modern sex-magickal practises have also historically first
evolved from tribes such as Sara-Kaba in the African Congo through wooden mouth plates,
genital piercing, fire rituals, etc. This shows that in some ways the often seen as primitive primal
world of ancient African cultural traditions has been also a pioneer in these aspects. Only recently
did a more developed form in the postmodernist sex-magickal Western world became popular. So
these ancient African traditions have contributed vastly to a huge influence on S&M culture as we
know it in modernist society today. We can also connect such rooted living African traditions in
their essence to philosophical pioneers like De Sade ,and Bataille. African culture has had a great
impact upon sophisticated Western philosophical thought and culture. Through these tribes
ancient traditions in Africa, we trace the true origins of S&M rituals such as flesh hooks, cutting,
play piercing, breaking the flesh, and other uses of ritualistic forms of transgression.
So such things are the same in their elemental place of the transgressed universal self, and a true
exploration of lwa spirit maps. In voudon it is known naturally that such qliphoth psychosexual
images ,worlds, are transmitted to the vessel through direct spiritualist possession .Through
dreams or during the entranced action of the transgressive possession of the following sexual rites
or other intense invocation rituals . Such things allow a type of zombified submission, an out of
body astral communication of the elemental spirit worlds to the lwa initiate. That form visual
maps then projected into art of the hidden elemental nightside spirit world reflected from the
spirit vessels subconscious into direct visual manifestation.
So the Qliphoth sets out a blueprint combined with art, it is a map of our perfect, imperfect, all
embracing, knowing, awakened souls.
So, lwa, ride me like a horse in savage violation of knowing, and "take me like a ragged naked
hobo to the crossroads, crawling, scuffed hands, bleeding knees, therefore being, humbly, all
aspects of human imperfection. Take me under the stars, darkness illuminated by the brightest
light of knowing and feeling universally everything, transgressed through imperfection to perfect
divinity, so that in all the fragility of the human condition lays, in ugliness, the most radiant
beauty.
So, "take me like a ragged naked hobo to the crossroads, crawling, hands scuffed, knees bleeding,
therefore being, humbly, all aspects of human imperfection. Take me under the stars, darkness
illuminated by the brightest light of knowing and feeling universally everything, transgressed
through imperfection to perfect divinity, “so that in all the fragility of the human condition lays, in
ugliness, the most radiant beauty. Take me to the crossroads, sweat and blood, legs spread in
animalistic lust, orgasm, creation conjoined with annihilation, destruction to death, heaven riding
hell. Let me know a full life like the most intimate lover. In the lwa's passage be the journey to the
birth of my fearless true universal full soul."
A.Edwards August 2011
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Footnotes:
There has long been a natural historical link to Arabic and Northern African traditions such as
Babylonian, Assyrian and Congo African: Quimbanda, Ifa and Voudon. The Congo-derived
Quimbanda utilises the lunar cycle, the use of herbs in a magical ritual and the abstract form of
astrology with roots in Babylonian astrological practice
(1). The Babylonians first invented astrological practice, as astrology is of Northern African
descent.
(2). This explains this form of astrology as a prominent root to all Quimbanda and Ifa Afro-
derived practices, unlike Grecian astrological tradition whose closest counterpart is to a more
formulated Western astrological tradition practiced today. It is also known that the legions of
Pomba Gira and Exu hold the closest similarity in relation to Arabic Jin spirits. Both traditions and
all Afro-derived rituals also utilise ancestor worship as a main focus of practice. (3) Northern
African Arabic tradition is linked in cuneiform.
(4) Veves and pontos are both used for invocation of spirits in their magical ritual tradition. All
are utilised as an artistic form of magickal sigils. This was later developed by artists and
practitioners like A O Spare (5) and Andrew Chumbley (6) throughout their magical practices.
The artist's exploration of sexuality and death is prominent throughout art history, reflecting the
Gede and Petro lwa associations with sex creation and death destruction as Voudon spiritualist
traditions cross over into fine Art. This is especially prominent in the works of voudon initiate and
fine artist Maya Deren (7). The Qliphoth is also linked in Northern African tradition to voudon
and all Afro-derived heritage (8).
Quimbanda is rooted in the Brasilian street spirits of Pomba Gira and Exu (9), although as a
spiritualist tradition and not a sex-magickal practice. We find that in some Pomade Gira's roots as
a prostitute or focused on being a woman of the night ,examples Pomba Gira Rainha, Pomba Gira
Dama da Noite ,Pomba Gira Maria Navalha { Pomba Gira Of The Razor who shares not similarity
as a whore but in her razor attribute with petro lwa Erzulie Danto with ever present dagger )and
Pomba Gira Sete Encruzilhada i.e. a sexually empowered woman, are the basis to all sex-magickal
practice. Sex-magickal practice like prostitution is not based upon profane relationships,
attractions, or our own sexual preferences. Sex magic is the ability to utilise the experience of all
energies and sexual positions separately in communication with the lwa spirits regardless of any
personal ideologies, preferences towards our own sexuality, or sex through invocation. For sex-
magickal practices are not based upon human love but on the interaction with spirits using others
bodies as spirit vessels only. Although Hindu Tantra is spiritual love, so loving relationships like in
sufism can be practiced, it is not a necessity to sexual magical practices regarding spirit
invocation. All that is a necessity, it is not a desire of love for another human being, but a desire of
love for the invoked spirit, as in voudon serves to sexually feed the lwa.
So Pomba Gira's essence is therefore Afro-derived, and the Northern African aspect of her is found
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in Ishtar/Inanna.
The postmodernist western invocation of this deity found through the autosexual writings of
Anais Nin , Katherine Millet,Juila Kristeva and Pauline Reage . We find the roots of the basic
principles regarding tantra and sex magick in these attributes. In ancient Egypt, an original
system using sexual energy points that is closely related to kundulini has been historically
validated, in knowing that tantra came from Northern African traditions and the fundamental
aspects of sexuality associated with the lwa. In Hindu tantric left hand path practice we link it as
dominated by the female current in the divine female deamonic Kali's embodiment . A afro
representation is found of her in the lwa of creation, lesbianism , female psychosexuality , sacred
creative sexuality, beauty radiated by the planet venus of Erzulie Danto , who utilises raw sensual
female tantric brutality fully .
(10) So therefore we could also argue and debate that, just as Tantra originates from Egypt, it is
possible with such strong links between Arabic and Afro magical traditions that tantra did not just
manifest in energy points but also in a more brute elemental developed from forms of African
tribe body modification, and that S&M did originate in the practices of Yoruba and voudon also.
1. Kuimbanda The Art Of Exu by Nicholaj De Mattos, Frisvold, 2006
2. Babylonian Starlore, an illustrated guide to the Starlore and ancient constellations of ancient
Babylonia by Gavin White, 20073. Devils and Evil Spirits Of Babylonia by R.Campbell Thompson,
1903
4. Babylonian Magic And Sorcery The Prayer of the Lifted Hand by Leonard. W. King, 1895
. The Book Of Pleasure by A. O. Spare, 1913
6. Qutub (A Sufi Tantric Grimoire) by Andrew Chumbley, 1995
7. The Divine Horseman by Maya Deren, 1953
8. The Qliphoth is linked to voodoo afro derived tradition in these books:
& Secrets of voodoo 1969 V-eve 1974 by Milo Rigaud,
& VGW by Micheal Bertiaux Revised, 1988, page 636 - map of the Qliphoth using Gede Lwa
& Cults Of The Shadow, 1975, The Nightside Of Eden, 1977, Against The Light, 2007, all by
Kenneth Grant
& (placing lwa on the frontside of the tree of life) Vodou Visions :A Encouner With Divine Mystery
by Sallie Ann Glassman 2000
9. Pomba Gira And The Quimbanda Of Mbumba by Nicholaj De Mattos, Frisvold, 2011
10. Ecstasy Through Tantra by Dr John Mumford, 1988
& The Ancient Secret Of The Flower Of Life Vol 1 & 2 by Drunvalo Melchizedek, 1999-2000
& Hecate's Fountain by Kenneth Grant 1992
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The tree of Death in its Qliphoth landscape as a reflection of the
human condition
Kether surrounds the sun, it goes beyond the sun in that Damballah is the magick of the universal
eternal light, absolute being. In Damballah we see the total enlightenment with the divine through
sexuality, creation, ophidian intercourse with the universe. He is also considered more female in
nature or transsexual, or of neither gender, to fulfil our divine all.
The male aspect of sexuality and death that could be derived as the same spirit as Maman Brigitte,
his wife, in that he is the masculine version of the human aspect of sexual force, and she is the
female aspect of sexuality. In this way I feel that together they could both represent one individual
who is fully aware and utilises the male and female self combined, like the Marassas Twins. Baron
Samedi represents forceful heterosexuality, the need to ride the horse and procreate through
death of orgasm. He is death and also, in forceful sexual elements, creation. From a philosophical
standpoint the creation through penetration is anointment of all aspects of our selfs, our fears.
Transgressing fear of death in exploration of sexuality could, combined with Brigitte as all united
aspects of the individual, lead to death of our old preconceptions, to creation of a human being
The face of female psychosexuality, death, empowerment and crossing over the spiritualist realms.
On side with the death and creation of the female transgendered, violently sexual self. The first
woman who dies in the graveyard, the first woman who, enlightened through death of ego,
realises her full potential. As mistress of the graveyard, of the spirits and dead souls, she is also the
ruler of the human soul. Saturn is of female creation also. .
Dark goddess of space, the witch of the forests and of female psychotic violence unrepressed. She
frees people from bondage of their own enslaved ideas and opens us up to a full existence without
fear. She is known for her dark female self, primordial, violent, without care for human emotions
or constraints, which in its annihilation as in Baron Kriminel allows the practitioner to live
beyond the universe without morals to transgress to a full life. She is, in many ways, the female
15
counterpart aspect of Baron Kriminel, focusing on violence, violation, cruelty, power through
direct force from a female angle. Her turn-ons are inflicting violence upon others, their screams
of pain, her control, domination and power. She is also reached by burning, scolding of the
human flesh, the scent as it melts, as an offering to her, and helps aid in magical rites involving
black magic, or herbal rites used to inflict death upon others.
Gede of annihilation of the profane ego and destruction through all transgressive violent
extremes. He is also the other face of Death with Nibo, though he is the one who inflicts violence
upon others; he attacks and enforces. Nibo is the submissive S&M partner, while Kriminel is the
top enforcer. Baron Kriminel also deals only with the masculine psychotic element, not sexuality,
only creation in terms of savage violent annihilation of our old soul so that we can be reborn
again. Baron Kriminel is often said to be the spirit of human gangsters. In this way he works on a
level of being a killing machine with no human profane emotions, attachments or morals. He
smashes up societal conformities as the true left hand path initiate. He is a protector to the faithful
and law of destiny, in that he will grant wishes in exchange for a blood pact or a debt. He can also
be contacted in masochistic sexual rituals of cutting play, piercing, gagging or rape. In this way he
relies on being an lwa of honour, truth and trust, but savage in that any unpaid debts will be fully
collected in death.
The twins are always at the centre of the universe, placed in the middle. They represent all aspects of
sexuality and violence combined, the bisexual element of united all, and the full soul transgressed
through extremes to darkness and light united.
Erzulie Danto is the nightside aspect of Erzulie Freda, she reflects female sexuality, violence,
creation and lesbianism. As the patron of female homosexuality, she is the female aspect of Baron
Limbi, the wresting archetype of male-on-male sexual congress. She works rooted towards the
earth of the Qliphoth tree as she represents the elemental aspects of the primordial female self.
She can be reached by female-on-female oral sex as worship especially on time of a woman’s
cycle period, and fed by menstrual blood also
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8.Hod Mercury = Baron Limbi
Masculine struggle, the archetype of male homosexuality, anal sex acts and violation through
bestial sexual force. Turns on are homosexual male sex rape force. He can be invoked in
homosexual cottages and takes his image in rough trade Soho rentboys that reflect a brutalised
imperfect lived-in beauty. He is also used in healing rites and is a glutton in his continual need to
fed upon male flesh or gorge himself upon all sodomised aspects of the self.
Baka is the main protagonist in all initiations into the darker essences of the human soul,
transgression through extremes, and therefore is at the roots of the Qliphoth map. He is
humankind at its most perverse ugliness, he is the most extreme aspect of the primal elemental
self. His offerings are acts of the most extreme animalistic base nature of humankind. The darkest
De Sade-ian aspects of sexually, perverse violence; the voudon temple is the body, the earth is the
temple of initiation. In soil exists the elemental transgressive form of initiation that is spirit lwa to
man/woman, elemental initiation. The raw primitive elemental self is the soul’s connection to the
earth.
II Uranus Daath=Nibo
Lwa of self mutilation, transgression through ritualistic sexual extremes. He represents the
submissive, the inflicted upon, the victim not enforcer. Also transgressive states through rape or
sexual abuse, used as a way of absorbing violent energies or experiencing everything, can be
associated with the lwa and his psychological mindset. Nibo, like Rosa Caveira Exu and Rosa
Caveira Pomba Gira, represent those who have died young in the street due to violent existences,
or children born to a life of violence and poverty. Nibo is also the transgendered aspect of men in
that he concentrates on the male’s need to also encompass male as well as female qualities. He is
male and female in his bisexual attributes. He is, through his sexuality and infliction of self
mutilation, as well a murder victim, hence the bridge between creation and life which lies in sex,
and the main gateway into the Qliphoth tree to daath, death also.
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18
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Tantric Brute Grimoire
The Book
"For all lovers past ,present , whose scent , skin , touch , has been my prayer their bodies the
temple of flesh and blood worship in the exploration of my true nature pilgrimage to the soul.
This grimoire is dedicated to all of you ".
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The Start
The Start
Who shall penetrate the great mysteries of flesh , bone , blood, to the living soul.
Shadow warriors of the fragility impurity of humanity were in lays purity of the self.
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Kether – Damballah
Chapter 1
Invocations
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you come inside of me to lay in nature in you .
Intercourse with the universe, in you I know
the beginning and the end snaking up of ALL in our universe, all aspects of CREATION.
Damballah, your light is a never-ending, white rays beyond the sun of knowing,
of feeling everything, and in your light I find in your love, the magic of my absolute full being.
Damballah
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Properties:
Note: an offering of an egg placed on an animal bone and covered in corn syrup, left at midnight
in the church yard on the new moon.
Sexual associations: Any penetration and ejaculation into vaginal, anal, mouth opening, man to
woman, man to man, suffocation at point of orgasm ,blowjobs ,affixation with ropes induced by
yourself or a lover at point of orgasm , Japanese Genki (eel porn ), bestiality for a woman with
pythons.
Materials: Animal bone, egg, corn syrup, flour, sugar,ropes , cream ribbons , white linen.
Element : water
Stone:Opal(purity),Amber(harmony),moonstone(dreams)
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Chokmah - Baron Samedi
Chapter 2
Chokmah - Baron Samedi Invocation
Sexual associations: missionary, man on top from behind dominating on top of a woman, male
instigated rape of a woman, heterosexuality, male masturbation,use of silicon mould vaginas , sex
dolls for penetration by man, use of hot peppers on genitals, any necrophiliac practices, man on
dead woman, tying up with ropes, bondage, the male on woman rapist .
Human excretion offerings: Sperm or female sexual discharge, human bones or corpses.
Materials : purple velvet, casket pins, graveyard dirt, cigar, rum, the coffin,shades , human
remains.
Element : Earth
Tarot Card Associations: Death, Judgement ,The World, King Of Pentacles, Justice
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Binah - Maman Brigitte
Chapter 3
Binah - Maman Brigitte invocation
I dream of a boned dildo upon the temple, inserted; visions of life, sex and death entwined.
Hard Savage, rough brutalised piercing desire on fire, passion transfixed by pain.
Sexuality, death burning with desire in every aspect of the temple of the body;
elemental, eroticised, sensual, all fulfilling BEAUTY.
In battery operated,electrical harsh rapid pumping ,fucking machines ,
rhythum raw stinging vaginal entrails ,rubbed up .
Shoved up ,squatting on top of a crystallised purple amethyst
glistening phallus, striking semi precious hardness pushed inside .
To in you find a need in myself invoked for sterile man-made, rapid procreation , undenied .
I reach out, outstretched arms, a cross to be creation and death, destruction combined.
I want to be the psychotic female, sexual aggressor, to bring on death through life.
You feel in my possession the forever hungry wetness between my thighs;
through death of orgasm to the womb of creation.
Savage, brutal, wise, you are no stranger to taking life as well as being all GIVING.
Your radiating beauty of being, the transgressed death to the full FEMALE self,
is the altar on which the empowered female force can transform.
Mother of the universe, of the female shadow self, keeper of the graveyard.
Goddess of life and death, goddess of the full beauty of the raw,
unashamed, brutalised, REAL human soul.
Goddess of all aspects of the fragility of humanity, of ALL in life, ACCEPTANCE.
Death is always with me, life is always with me,
cruelty and nurture double faceted combined.
walking conjoined in marital union, in wisdom, running through my veins,
purple scarlet blood, running through her, Brigitte, mother nature.
under the weeping willow shivering encrusted
leaves flick beckoning to where mourners clutch
pure white lilies to invoke purist nothingness the state beyond existence
The streets with there seductions entice calling my soul in their promise
of a way of life streamed through depths of sexuality death ,
they are the playground to the graveyard .
Loss is gain, peaceful energy transfixed to the angelic void ,
as in oded your blue flaccid lips locked to mine ,
our last farewell straggled death enveloped my full cosmos.
Cold bloodied marriage, necrophiliac corpse fucking entered,
make love to within, without sweet unknown dead oblivion,
absorbed like breath into myself,
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your gift awareness of death, the extended self ,
corpses lay inside the living womb FERTILITY
knowledge that the underground of the catacombs of hell is also the heaven, CREATION.
Your honesty of knowing all this, of living in radiating raw untainted TRUTH.
You are fire and I burn in knowing you fully in all life,
like a candle illuminated by the brightest warmth,
glowing in your knowledge of EVERYTHING.
Maman Brigitte
Properties:
Ritual Note: An offering of rum infused with peppers, wrapped in purple cloth at the cemetery on
gravestone of the first woman who died.
Sexual associations: Sexual position - woman on top of the man, vaginal masturbation, use of
vibrators ,masturbation with stone amethyst dildos, fucking machine by a woman.use of hot
peppers on genitals and any practices involving woman on dead man necrophilia.
Human excretion offerings: Menstrual Blood/female sexual discharge, human bones or corpses.
Materials: antique, wedding, funeral lace,the willow tree ,willow tree twigs , casket pins,
graveyard dirt, coffin, human bones, dead human foetus, rum infused with peppers, chilli,
cigarettes; purple, scarlet velvet.
Tarot Card Association: Death,Judgement ,Strength, The World, The Empress ,Queen Of Pentacles,
Justice
Lwa Family:Gede
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Chesed - Marinette Of The Dry Bones
Chapter 4
Chesed - Marinette Of The Dry Bones invocation
Marinette.
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Properties:
Ritual note: An offering of burning the flesh with black wax at midnight, with candles (black) and
dried black roses left on the altar.
Sexual associations: instigated by a woman, dom; burning, scolding of flesh with water, wax,
tearing the skin with flesh hooks,use of electro shock probe vibrators on another’s nipples genitals
suspension, hot blades inserted into skin of another.
Materials: herbal mojo bags to aid health or death, fire, whips, canes, animal or human bones,
animal/human skin parchment, black raven feathers, jet stone, black/red dried roses, the cauldron,
metal hooks, thigh length high heeled black or red leather/rubber boots, tree bark from the forest,
pine cones, paper adverts in phone booths or magazines for professional dominatrix s.
Element : Fire
Stone : Jet ( death morning stone , Garnet (passion stone , sexual energy),Malachite (creativity ,
change),Moonstone(astral projection )
Tarot Card Associations:The Magician , The Empress ,The Hang man , The Wheel Of Fortune ,
Strength , Judgement ,Justice, The Star.
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Geburah - Baron Kriminel
Chapter 6
Geburah - Baron Kriminel invocation
Ritual note: ritualistically consecrated knife, cut flesh, blood placed on crimson cloth, set alight
with fire at a gravestone.
Sexual associations: S&M dom rape, breaking of the flesh through biting, cutting of skin, nails
placed through flesh by yourself on another ,play piercing, flesh hooks, gagging, inflicted violence
upon another, murder , cannibalism,snuff porn, [certain Baron Kriminels not all can also be as
well as in rape associated with paedophilia or sexual abuse ,As his essence is a love for
annihilation of others as his victims .He is turned on by power, cruelty and just as live black
chickens are burnt in Haiti as a offering to appease him with their screams in death .As he loves
these act of cruelty ,he takes human victims in this way also, fitting such acts as paedophilia into
the essence of his conscious make up also ] also we find the archetype of harsh power in cruelty
and his need for another’s sexual slavery power domination in Baron Kriminel the ghetto pimp .
Human excretion offerings: Blood through cutting and syringes.
Materials: Casket pins, knifes, razors, guns, human teeth, crack cocaine, crack pipes, rough
bourbon, speed, gags, restrainers,shades , bling , gold tooth caps , gold teeth or tooth caps set with
gemstones such as diamonds , powdered cocaine, human remains, flesh /bone, playing cards,
gambling chips, money bills.
Element: Fire
Tarot Card Associations:The Tower , Judgement , Strength , The King Of Swords ,The Devil ,
Death , The Wheel Of Fortune , Justice
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Tiphareth - The Marassas
Chapter 7
Tiphareth - The Marassas invocation
Marrassas.
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Properties:
Note:Red and Black candles melted to form one then lit on altar.
Sexual associations: Any bisexual act or sexual act incorporating crossing over of gender roles,
such as threesomes, female penetration of a man or woman with a dildo, male/ female
transvestitism, gender role-play, incest.
Human excretions offerings : Blood and sexual discharges.
Materials:red and black satin ropes plaited ,red and black candles , the strap on dildo,
transvestite/transgender porn,threesome porn,magazines dvds , hormone tablets,transexual
/transvestite whore phone booth call cards .
Stone:Garnet (balancer of male and female energies ,for psychic sensitivity , sexual
energy ),Onyx(energy transformation),ruby (stimulator of sexuality),Garnet(to attract soul
mates),Malachite (creativity ,change)
Tarot Card Associations : Lovers ,The Sun , The moon , The world
Lwa Family : Gede and Petro
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Netzach - Erzulie Danto
Chapter 8
Netzach - Erzulie Danto invocation
Erzulie Danto.
Properties
Ritual note: An offering of a peacock feather soaked in Florida water, a red candle with blue silk
tied around it; rose petals left on altar; a blue cloth with menstrual blood.
Sexual associations: Cutting of the vaginal flesh, labial piercing, oral female on female sex, oral
female on female sex during the time of a woman’s menstrual cycle,fisting woman on woman ,
consummation of drinking of menstrual blood by a man or woman and any form of lesbianism.
Human excretion offerings: menstrual blood, blood from knife cuts, female sexual discharge.
Materials: Red or blue or green velvet, peacock feathers, Florida water, blue jasmine, rum,dental
damns,Tampax ,towels panty liners soaked in menstrual blood, tobacco hand-rolled, red roses,
knife.
Element : Earth
Tarot Card Associations : The Lovers , Strength , Temperance , The Queen Of Swords ,The Queen
Of Cups , Queen Of Pentacles, The World , The Moon
Lwa family:Petro
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Hod - Baron Limbi
Chapter 9
Hod - Baron Limbi invocation
Mounted, sodomized gluttony, feasted upon, pushed into, on top, from behind.
Your face is a Francis Bacon painting;
primal man-on-man desire on fire, Pasolini screens,
shudder, blur images embodied, oh archetype, Sebastian.
Oh serenade me with ,sweet green carnation gritted through clutched teeth
In your desirable sonnet , in prisons mapped out , meat rack lies prostates illicit divinity .
All is a danger; distorted, raw man-on-man erotic wrestling ,grappling ,trade action on trail.
Full-on divinity of masculine power, seductive hardness encapsulated,
I flinch, shudder, clit hard-on, twitching, wet, just thinking about you.
In public convinces in glory holed beauty ,urinal soaked squaller you reside .
To find you bent down full mouth , full hand , full anus
in the weapon of the exploding loaded hard-on you are invoked.
Fantasising, as a voyeur watching past lovers engaged in a man-on-man congress,
forced up on top, pumping hard, manly sweat
scent filling the air, masturbating fingers fastly penetrating
inside my ass, pussy to orgasm, watching, I have invoked you.
Roles reversed of straight manipulated sexist male fantasy in sharing two women in a bed ,
To be made in heterosexual mans image , I lustfully daydream
" total turn on"in sharing a bed with two men , and in this expression I find you invoked.
Private moments husked in a semi-conscious state,
fingers forcibly upon myself vibrator, violently violating my anus,
crouched on crawling on all fours, imagining you taking me,
forced through, self ravaged, in my mind
thinking of your seductive masculine bestiality, I invoke connection to you.
Transgressing to a masculinated male state,
pushing my lover’s head, stifled roughly, loss of breath,
into the pillow, strap-on inserted inside, conjoined in animalistic wild desire, I invoke you.
With my lover impaled in my ass salty stinging come inside,
your image revealed in a religious enlightened epiphany.
I have become closer to a intimate understanding of you,
in invoking all pure homoerotic masculated, impassioned hunger.
Screams of pain ejaculated, speared, all absorbing pleasure, and I am somewhere else, through
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force pushed through to magic insatiability, fed magically,
where resides true iconic muscular male beauty.
Baron Limbi .
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Properties:
Ritual note:Blue candle inserted into anus until climax a sperm drenched black candle then lit as a
offering at altar.
Sexual associations : sodomy male on male, female on male with dildo, masturbation anally,
homosexuality and voyeurism for a woman watching male sodomy.
Materials: Blue silk, sweets, silicon dildos, condoms, medicinal herbs, grass or dirt from
Hampstead Heath or other homosexual cruising grounds, blue jasmine, green carnation(the
flower worn by Oscar Wilde as a victorian symbol of homosexuality}, sandalwood, musk,
cleansing herbs, sage, poppers, rent boy call cards.
Element : Earth
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Yesod - Kalfou
Chapter 9
Yesod - Kalfou invocation
Devil’s claw onto a upside-down cross, body splinted through into two.
Two directs, enforced chaos at the unstraight dusty highways,
your path is roughness, inflicted, harsh; lessons of change.
Goetic daemonic gateway channelled arousal, hanged man
upon scarlet pillar, tied human bloodied, chaotic powerlessness.
You are the rouged imprinted keys to the gateway of the universe of nightside magic.
He tells me he knows all lwa, that he is the medium into the self,
to communication to all the lost dispossessed, rejected, darker spirits, consciousness.
Enveloping my image in gnostic blackout, tight blindfold,
pressed against tears, blanketed bleak depths unknown,
I am in all unknowing, self aware.
The moon image of the darker human aspirations fulfilled perversely, wholly in lessons.
Nail me in encrusted blackened scars blood trickling to the crossroads as your mistress ,
Within abominations fuelled to my accomplished sacred free falling will ,
There he greets arms forever open in bloodied red aristocracy .
In Saturnalia’s pacts to bloodied servitude fed leading to in ownership spirits equality .
In dreams of marriage ,consummated in his ruby union ,
I embody the devils true bride .
The secrets of desires rendezvous ,
ladies of the night under the purple pulped up fig tree silhouette
of the female sex ,inspired shadow desire ,
Noir is the night , coal tinged , pit black the serpents that recoil upon the retreat of his gateway ,
Sol Niger shadow magick illuminated inferno
residing in the true hell of humanity meets my paradise in HIM.
I invoke you to bravery, to not be scared, held back, to have no constraints.
Eyes closed, jump over the edge of the worlds, conventions, without fear.
Through direct action smashing of ego,
yours is a teaching of spiralling impact uncontrolled glowing enriched PURE FIRE .
Keeper to the keys of the soul of the humanity,
communication with all spirits, Petro Legba, father of the human
and spirits full universal consciousness .
I find your vision re-enforced in the hollowed silver
in the moon which reflects light within darkness.
Kalfou.
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Properties:
Ritual note: An offering of rum and a cigar left by moonlight at the crossroads.
Sexual associations : Higher mental transgression through extremes dealing with the sexual
mental aspect of oneself.
Materials: The wand, the scrying bowl, crystal ball, tarot cards, runes, ifa shells, hoodoo bones,
rubies,the ouija board, pendulum, any divination tools, animal bones, human skull, dark rum,
cigars, chocolate, animal skin parchment, gold coins.
Element: Fire
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Malkuth – Baka
Chapter 10
Malkuth - Baka invocation
Baka of all imposing elemental, scatological, raw divinity; tied, bent over.
The tongue inside, rimmed, excrement, your scent,
sweetness tasted on my tongue ethereal debasement.
I crouch down, golden piss trickling down my throat,
soiled in pure initiation of the roots of the universe,
my base instincts in fellowship and marriage with the earth.
Blood, excrement, piss, all filthiness, your divine sacred objects,
spiritual transgression to the higher earth-bound self.
Within the human race there is no sexual deprivation perversion unexplored ,
no radical blasphemous element ,in the sewer of darkness of our sexual ever longing souls .
Withstanding all limits , in that all is natural in being a product of human nature alone .
Reflected in the human institution ,our free instinct in these places,
in humanities atavistic chants descending from the guts you are invoked .
Bent over, cock in ass, cock in mouth,cock in cunt stabbed from all directions
,defaced humble knees against floor orgasmic guttural gorgeousness .
Your roots inserted within the body, brown tawny bark,
roughed tearing each tunnel of soft sweltering flesh drenched.
Urine splashed stench, dripped upon naked back,
I invoke you in all profane filthiness which is divine,
enlightened, close to my bestial animal self; I invoke you.
My lover’s cock embedded into the warm
living sacred tunnel of earthy divine shit I invoke you, visionary original SIN.
Naked quivering porcelain white pure FLESH
covered in my entrails of birth re emergence in urine, shit, soiled in your love I invoke you.
SIGHT myself awakened in full knowing of our full existence,
elementally in full acceptance of beauty in everything,
even the most disparaging sexual acts,
Enema flushed out dead matter polluted purity ,
in myself , my lovers I drink ,sprayed through hollow throat swallowed ,
consecrated in your , fount of holy water, I find you invoked.
My nose compressed hard against putrid intoxicating scent ,
in material moulded stifled ,to the soiled wetness
In my lovers stained ingrained white cotton panties
in warm , glowing , gold, gloriousness the impression
of your radiating image in this I find you invoked
I invoke you into me; dualism enlightened deprivation,
soul majesty resides in humble ruptured stained rags .
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De Sadeian glorified elemental filth ,
fed upon ,to have only one lover , found in extended life ,
this is were in your stunning embodiment ,I wish to reside.
In the dead excrement waste,we are but living breathing corporsal decay ,
in this I find life’s sermon dwells transformed to everlasting BLISS .
And to know you is to know everything; every perverse,
unsettling, extreme human tendency; to know the whole universe alone.
In these acts I invoke you, human disgust, ugliness
transgressed to the most radiating beauty
of the true reflection of the untainted pure human self,
you are the roots to all divinity and beauty.
Heaven is found in violation , degradation in all worldly explorations
In the earth , blood , bones, flesh has become my chapel
of worship ,humanity the pulpit , Gran Bois .
My tarnished unflinching ever feeling, being soul,
impure, solicited, resurrection, enlightened Eucharistic feeding invoked.
I come to you naked as I came into and will leave this world ,
covered over, under earth within cathartic saviours submissions reign.
This is were our magic begins as it ends in being a child born in corrupted innocence and in you I
see reflection back to me the bravery of admittance ,
in the true image no pretence or lies beautifully exposed.
Baptised , without guilt ,radiating naked shamelessness ,
spirit ,soul in our physical form ,I have become Baka’s encapsulated hymn .
In your actions, my soul is saved through extreme partaking of EVERYTHING, dark leads to light.
That the individual finds in the ugliness fragility of the human condition,
the higher which is the lower self formed as one whole,
Baka.
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Properties:
Ritual note: Brown candle was burnt and an excrement/urine soiled cloth, a hand full of dirt
collected from where a oak tree has grown, offered at altar .
Sexual associations: Scatplay, golden showers, rough group sex incorporating scatological
elements, rimming,any form of bestiality , enemas and oral consummation of urine or faeces.
Materials: Dirt, dark rum, rolled cigarettes, rubber bedsheets, mud, oak bark, twigs, urine , soiled
underwear ,animal or human excrement.
Element : Earth
Lwa Family:Petro
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Daath – Nibo
Chapter 11
Daath - Nibo invocation
Heal my scars and reconstruct me in the image of the Gods,
the image which radiates as the face, Nibo.
Imperfection close to perfect divinity; TURN ON; the point of a Knife.
Bloody crimson ripped flesh, self mutilation,
a reminder of my notwithstanding mortality, that the body
is just a shell that covers the eternal spirit.
Sliced scarlet split ,snuffed out "come" to divine numbness ,
he carries me , he absorbs my pain in his sweet bitter infused EMBRACE
In teenage sexual slavery , in the belief of a pimps fist , gun ,knife against my flesh to equal
worthiness of his love ,in this humble self aided victimisation I found you invoked .
To a state place discovered ,in being not constructed of the human body ,
virginal clarity reconstruction of the body tainted in him .
I kneel arms around back bamboo canes flinch
through flesh’s bloody rivers trickling ,dripping running,
broken through in ecstatic self flagellation,I invoke you.
So in you I am a reborn, child with no fear,
for fear chains up mankind, and only fearless do we fulfil our true potential.
Blessed be fearlessness in your prayers. I know no fear of death ,
in my reflective powder blue malleable tinged flesh,
despite insignificant human existence.
In you I crossover to the experience of infliction,
to where death in its violent beauty lies, and I know I need not fear it any more.
I play the victim in you, I surrender my flesh to my lover pierced broken,
powerless I am THEIRS in possessed pure selfless trust, love, I invoke you.
In docile opium induced submission ,the flesh rips,
the flesh disintegrates, the soul does not, full soul attained in death.
The spirit enters torn flesh, and there resides the beauty of you.
The mirror image of myself fascinated , transfixed needles
rippled through the skin , rusty nails broken through
,self sabotage transformation to become a living Nkisi I invoke you
Ritualistic spiritualist communication at the end of a knife,
penetrating, sharp. ENTER ME, slick silver blades under the skin.
Destruction of self ,my resolution ,in the crossing through death
I am blessed by your knowledge of rebirth, total soul.
You are the beginning and the end, sex and death united,
you are the gateway to my universal being, you are everything.
Full sacrifice without ego personified, rouged Stigmata,
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knowledge that in the devil sin lays within every saint.
Fearless of death, father of a humanity
which dares to live beyond its own existence, in you
I find myself crossed over to the other side of martyred divinity,
Nibo.
Properties:
Ritual note: offerings of sage, medicinal herbs wrapped in a claret cloth, cut with a razor my left
arm then left bloodied razor as a offering with a cigar and rum, at gravestone.
Sexual associations: S&M sub, cutting, branding, self-inflicted by yourself or another, , flagellation
with whips on self or by another rape, sexual abuse inflicted upon yourself by another[he is found
in the embodiment of sexual physically abused children , the young and powerless, this is one of
his archetypes ] use of electro probe vibrators on your own genitals or by another , use of syringe
for injecting heroin [ ritual numbness self sabotage and insertion breaking of the flesh] Nibo is
found also in the victim of the street whore who submits to sexual slavery in a kind of pact or
deluded form of love to the pimp
Human excretion offerings: Blood through cuttings, syringes etc.
Materials: knifes, razors, rope tied in hangman’s knot, heroin, syringes, herbal mojo bags,
shades ,medicinal herbs, honey-infused rum, weed skunk, morphine, Valium, purple, black or red
silk scrafs; purple, black or red silk/satin, slimline cigarettes, coins.
Element: Earth
Tarot Card Associations :The Hanged Man , The page Of Swords ,Nine Of Swords ,The Hierophant,
Page Of Pentacles, Death
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Invocation Of The Gateway Into The Void
Epilogue
Black is the Sun :In My Eulogy To The Void Of Transformation Alone.
An invocation of the mother void
93
Prologue
"To have only one lover - LIFE; to be free, in liberation that feeds me in my exploration, experience
of ALL, to sacrifice myself unto everything, without restraint, fully, with no fear of DEATH,
transgressed to my realised lived-in true soul."
This is my tantric grimoire recordings, the diary of rituals I conducted over a couple of years. In
every act of perverse sexuality and violent extremes of my true unashamed deviant human nature
the lwas are invoked. Each painted veve worked like the sigils of A. O. Spare to map out spiritual
communication in my magical experiments, painted maps, my book of pleasure of the lwa.
Whether called upon or not, they are incorporated in all aspects of my conscious/unconscious self.
In interacting in all these acts, offerings, practises, humans exhibit full imperfection of the brutal
self. They are with us always and brought to existence through these acts consummated. I feel
now envisioned with truth, transgressed through experiences, all aspects of the human self. I
awake in the darkness and all is now enveloped in earth-shattering light, shaking; I know I fear
not anything in my life anymore, with visionary essence looking at my true ugly beautiful
reflection in total acceptance. All life is experience in handing myself over to my full unidealised
nature rooted deep in the earth. I am awake through these rituals, in contact to lwa my journey
ended with divinity close to the image of the gods. My true magical heritage, my breathless
elemental being has been inflamed by lwa, through which "to have only one lover - LIFE; to be
free in liberation that feeds me in my exploration, experience of ALL, to sacrifice myself unto
everything, without restraint, fully, with no fear of DEATH, transgressed to my realised lived-in
true soul
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“I seek out when you cannot contemplate either your body or heart without disgust. I encounter
everywhere a trivial incident, seemingly innocuous,which plunges me into the foulest horror ,as if
I were a corpse being pursued by the corpse I am .”
Jean Genet
As a practitioner of the left hand path . I have always been fascinated by the role of psycho-sexual
transgression. Through extremes and the role of in these things sacred prostitution / female
psycho-sexuality. This type of work I have physically undertaken . It has been directly related the
ideology of through ritual. Using the tunnels and Sephiroths of the Qliphoth{tree of death} .
In these practices the left hand path is not evil as such . When relating to right hand path
ideology or philosophy . Both are neither good or bad in the profane misconception and both
work towards the same goal of being united with the spirits. Or to a higher universal
understanding . The lhp s only difference is to my mind that it involves full surrender in
embracing all shedding the skin , pushing ones own boundaries in the world. For it is the active
path of FIRE of full becoming also . In the actions of experiencing through choice , extreme
sexuality or violence in my rituals .
Sperm, female discharge and blood are all used to activate these radical uncompromising
highways . Using the left hand path rituals of abolishing all through sex creation and death blood
sacrificed wholly . That in the practitioners descent of full surrender of oneself to the depths .
Transform him /her to the practitioners full ascension of untainted divinity . To reach our fully
activated by the radiating black sun than empowers the abyss .Our luciferian full nature revealed
. The void of spirituality or consciousness .As I would see it the worlds computer to the root of
all .
The void is another aspect found in the daemon Choronzon a elemental explored in setian
philosophy .In the work of Thomas Karlsson ( Qalbalah, Qliphoth and Goetic magic} .Also
Choronzon can be linked directly to the void .As Choronzon is said to be a gateway to the
Qliphothic universe . That this deamon acts as a control panel of energy translating as the
void.The universal light that operates the Abyss .
This philosophy regarding these elements and aspects of Choronzons character . Are reliterated
in the typohdian grimoire The Nightside Of Eden By Kenneth Grant .Grant describes Choronzon
as the gateway to the Qliphoth. The governing energy that operates all transmissions and access
for the practitioner into the void ,Abyss and Qliphothic realms .
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In these aspects Choronzon is characterless and more a reflection of our total darker
consciousness .He is also darker universal energy as found in the symbols of Chaos magick . The
cause of all transmission and effect .In Chaos magick the teachings are to invoke no Gods or
Spirits. Only universal energy alone to therefore become Choronzon .The ideology of the Chaos
magick system . Is the none worship of Gods or higher spirits . We find as practitioners a more
purist LHP approach .In placing no superiority on our devotional practice . In all spirits being the
voids energy or merged abyss in being nothingness .The Chaos magickal practitioner reaches
equality with in nothing being sacred to the GODS. .Reflecting the ideology of the Lhp adepts
philosophy to become merged equal nothingness annihilation of the materialistic world the void
alone. . Using symbolic transmissions that can be traced as the most purist devotional cult of
annihilation of human character/ ego in their pure power . In these aspects Chaos magick is the
mother cult of the void and the Abyss .Of supreme magical spiritual attainment of the
practitioner crossing over to the spiritual realms fully embraced . Therefore we could find in the
Qlilphoth being the dead shells of rebirth to a higher conscious .The Qliphoth is mainly attributed
to belonging to the Chaos magicians work . In magickal contemporary magickal practice today .
For the vat of energy the void can be compared to the black sun or sigil’s used in the work of the
Chaos magic of Peter Carrolls group the Illuminates Of Thanateros. Or the work of Chaos
magics grandfather Austin O Spare . Who uses his Neither Neither system to become all
incorporating divine full gender transcendence .
Therefore the womb of the universe that is the void can not be referred to as neither male or
female as at the start and at the end. It is to be to become all incorporated both. In the grimoire
Qutub Chumbley refers to this as the point used in these types of workings . As it being the
mother /father to us all of fully embraced transgendered nothingness which in turn is to become
our imperfect or perfect uncorrupted nature in the voids prayer invoked. When the practitioner
sheds the skin ,surrenders to the flesh , smashes all social conformity . Pushing the boundaries of
gender , sexuality or acceptability in sexual magical ritual they embrace the void also .
This is further explained in abolishment of gender roles within sex magickal practice .And in
Crowleys use of the XI degree as a superior form of sexual magick . In Bertaiuxs system he refers
to this type of sex magical ritual also . Through the red and black alchemical twins or marassas
united .In the philosophy of bisexuality /homosexuality being utilised in ritual as the ultimate
sexmagickal passage. To invocations to higher spiritual attainment .
As Crowley did believe it was only through homosexual passive and dominant anal sex superior
magickal powers could be attained . That as he incorporated both sexual roles of giver ,taker
with his lovers . In becoming male and female sexually united that he would invoke the void or
the Abyss .This is explored within his writings extensively including The book The vision and The
Voice. In Crowley’s philosophy is similar to the ideas found in Bertiaux s system. In the Voudon
Gnostic Workbook. . In VGW Bertiaux also references homosexual passivity merged with
homosexual active practices. As his main fundamental sexmagickal system .
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That allows his entrance through the lwa Nibo to access the void .
Through the sephroith of Uranus which is Daath .This sexmagickal practice is by Bertiaux
referenced as a means of entering the meon that is the void also .We can also find anal sex or
homosexuality explored in similar context . In the work of Kenneth grant. Who refers to this
practice in the last of the trilogies ( the final attainment of full self through the void) as the
mauve zone .
While as a sex magickal practitioner myself I do not see a full relationship with just male
homosexual practices or anal sex in particular regarding Qliphoth work etc .Nor do I totally
equate these acts. In ritual as doorways in all aspects to the void or abyss transcendence . I have
come to the realisation that homosexual sexmagickal practice. Becomes in theory a example of
these practitioners workings to attain through bisexuality or becoming both roles in a sexact male
and female . The perfected none gendered aspect of the Qliphoths work. In leading to full
knowledge of the vision of the void that holds no specific gender .The sexual magickal
practitioner is none sexual in that all aspects of sexuality are explored . Regardless of personnel
sexual preference to access spirit invocation . In this aspect the prostitute is also none sexual as
his or her personnel sexual preferences become irrelevant as regards to their work. This is also a
trait found in the switch BDSM who accesses like in bisexuality all aspects of psycho sexuality
also .In this way all three access the void fully .
As a bisexual woman myself and practitioner. It has been through sexual acknowledgement of all
sides of gender male and female taken into myself. That I have been able to in all sexual magical
acts utilise the role of both . Therefore acknowledge myself as becoming all polarities in this
work . Which makes perfect sense when acknowledging that perfect nature attained through the
void .That holds no gender in its nothingness. Therefore the Qliphoth and void is to become
spiritually light activated all things . In this work then type of breakdown occurs of the
conditioned self . Where in ritual spiritual contact the practitioner reaches the final stage though
consciously embracing these all things to the evolvement of through smashing of ego.
To become transgressed to the void wholly .In reaching the void illuminated by the light of the
black sun . Our darker subconscious nature . We are able to reach in the Luciferian sense of the
word our equality with the spirits / GODS outside of humanities restraints . This end product is
the product of full universal gnosis .That is in essence the light bearer Lucifer. The one whom,
illuminates with shining black sun . In our chosen pathways the true LHP adepts practice . The
universes womb is the void of spirit materialisation .
In these practices of more extreme forms of gnosis and worship lay our true perfect nature. Our
nature as it was before and after , past and future so fully we become. In these types of practice I
have learned that most magic is useless. Without directed real life action and strong projected
intent . For if we are to find our true nature or become the final attainment of as man /woman
uniting with the void to higher consciousness. All work should be whether transgression or
otherwise. When used as our tools to exploring our true psycho sexual nature must be practised
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with directed conscious intent .This is the key to all successful magic to practice it with projected
true intent . Another aspect of this practice from my own point of view is that the tunnels of the
Qliphoth whether utilised as tools in the ideologies of Grant , Bertiaux , and the Draconian
current of the Dragon Rouge.
Is that spiritual contact for myself is attained through real life action activation . Not just in
traditional ritual spirit invocation but in spiritual contact possession within our actions in our
material world. In this aspect the spiritual realm crosses over into our mortal realm , so therefore
like male /female , sex creation/death , darkness/ light all aspects become formed as one . On the
LHPs initiation through surrender sacrifice to all to higher spiritual all embraced attainment.The
Qliphoth is the shells of death the void though it is Hebrew the tree of knowledge also .
In this way it is the Abyss of nothingness ruled over by Babalon and all abominations broken also
to the divine void .Babalon like some Pomba Giras in the Brazilian religion Quimbanda
are.Identified as being the whore and the ultimate archetype example of the unholy and holy
female . The Qliphoth is activated by the black sun radiating light that the dark lightbearer also
that is Lucifer uniting Lucifer with Babalon in abyss union wholly . This is another aspect that fits
into the ideologies of Quimbanda as Pomba Gira is the wife of EXU (the Quimbanda lucifer
counterpart ). In these spirits we not only find examples of female sexuality ,or psycho-
sexuality (as in Lilith often referred as hells whore also) soiled imperfection equating perfection
but in the whore that is open to all without judgement. The sacramental spiritual healing
unconditional that is also dualistically invoked . The spirit of Lilith can also be linked to the
Quimbanda spirit of Pomba Gira Do Inferno queen of hell fire in Quimbanda .Whom with her
chalice (is also linked to the western icon of Babalon ) .As hells whore again like Lilith who
resides upon Malkuth. Minus Liliths colder vampiric manifestations . She is at the roots of the
religion of Quimbanda also . As the original female manifestation of Quimbanda governing all
her legions .In being the original imperfect mother of humanities darker aspects as is Lilith .
Lilith hellswhore resides at the base of Malkuth in the Qliphoths roots that translate as the earth ,
the holy /unholy filth of universal everything for holy holy is the WHORE .The whore that in
embraced nothingness ,nothing remains sacred and all remains sacred in filth .Sacred
prostitution is also another aspect of the void . Not only in that Babalon in thelema theory sits on
the otherside of the Abyss of the void .But in that when working with prostitution that is not
sacred in western societies philosophy . That when prostitution becomes used in sacred context
it transgresses like the void of nothing to all . Whereupon nothing and everything is sacred
wholly. The connection between the whore who in society is seen as the outcasted filth or in
sacred whoredom being consciously open to all heals the unwanted , unloved . Who in
desperation pay for her services to lay these burdens upon her .
The whore becomes the nursemaid to the unwanted masses healing with her filth medicines
purity . When I have been working as a prostitute either on the streets as heroin addicted teenager
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then later today as a chosen profession to explore its sacred properties consciously as a sex worker
and BDSM switch / Sub as research towards my second Pomba Gira grimoire writings , film and
paintings . I have found the healing aspect to be true of these actions.In that these actions have
informed my magical work. My divine work with Liliths / Babalon and Pomba Giras currents. As
to becoming healing filth and my transgressive Qliphoth work. With Malkuths base actions
leading to a higher purist gnosis activated by the harsh dark light activated of the black sun .In
filth nothing becomes sacred . Therefore in this path everything within the void becomes sacred
also.
In my second experiences of my chosen work of prostitution. Without profane things as
circumstance .This has allowed me to wholly give myself over to clients in love or a higher
detached understanding from myself sacrifice .In welcoming all human nature now matter how
imperfect as beautiful. This transgressed state of wholly accepting freedom of mind consciousness
is the full beauty in ritual translated as the LHP . In realife actions using sexuality and violence
.Examples using cutting of the skin in sigil worship , prostitution , submission all forms of our
psychosexual nature . We can in conscious rejection of mundane societies moralistic ideologies
surrender ourselves fully to the spirits to all .
To my mind it is not only important to use traditional invocations in spiritual work founded upon
classical ritual and our altars . It is of just as much if not more valid importance to transcend
traditional spiritual prayer into the living world through our own directed living actions .This
includes the practitioner not only in one ritual using cutting as a form of invocation , or anal sex
in one sex magical ritual then returning in they profane lives back to normality . Instead it means
full surrender to the merciless lhp fully in all areas of their lives day to day . Living in ritual all
transgression ritual practices like for example as found in the Aghori whom sacrifices all worldly
possessions to beg upon the street , homelessness or to sleep with corpses in graves out of choice.
In
a life affirmation extended full ritual .
That in these actions becomes their quest life of full sacrifice also. For most of the time such
approaches to magical work . In western society are more rare .In our culture for most
practitioners feel lighting a candle on a altar , reading books or doing a small ritual in a
graveyard. Will be enough to access full spirit contact or spiritual enlightenment . So while all
these things are valid in our practice . They are only valid to my mind to a extent . For we need to
surrender fully to the lhp path . Fully in the action of lifestyle . Living our practices and beliefs .
Through realife transgressive rituals or sacrifice ourselves living beyond social conformity. While
for some the word lifestyle is a profane terminology. As breaking taboos or transgressing can
never become habit or safe .That full transgression should be as in the void in its actions and
philosophy the universe limitless .Without man-made restrictions. It is only when fully
acknowledged in acceptance in carrying through our beliefs consistently in life. That fully can
we become .
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As outcasts through intent . In our choice to reach full uncompromising luciferian
enlightenment.To in these acts that incorporate creation sex with death annihilation we can in
united alchemical practice reach our soul. Another aspect of the void or divine nothingness
reached through the Qliphoth tree of death knowledge that transgresses to spiritual rebirth. Is that
the void can through these rituals when finally rested in or attained translate as the true human
soul. The soul to my mind is perfection accomplished through spiritual nothingness , as the soul in
my mind human or spiritual transcends the mortal realm in its full ascension totally . In our
inferno path that leads to ascension through regression to the nothingness that is our full realised
primal nature in the void. The full human soul is reached through actions embracing all actions
exhibiting the darker sexual, violent aspects of ones nature . In that the soul acknowledges all as
worthy or sacred just as in the act of prostitution. It is open to all rejects nothing as spiritual
forms of knowledge or higher spiritual understanding universal enlightenment.
The evolvement of contemporary occultism evolving from more original shamanic forms has I
feel regressed upon its self again.For in the voids philosophy and practice as previously discussed
access to these Qliphothic universes. Can be only gained by stripping down to the practitioners
body as a vessel only .Therefore the lowest form of magical vision or practice becomes the
highest . The simplistic becomes the most complex . In that ceremonial magical practice or
traditional goetic rituals become worthless. In smashing of all to the divine full nature which lays
in the void of full transformation.So we find as practitioners the body that is the shell that covers
the soul is to become our only altar . The flesh and blood our tools consecrated in work. As
regards through ritual entering the qliphothic void. Of becoming activated universal nothingness
which is also ALL.
In the spells of the void all is celebrated . All is sacred in that all is of value to our path to the end
magical state which is the Qliphoth state fully activated by the radiating luciferian black sun in
the universe of the void . To reject all gods , take upon yourself no Gods and in this take equality of
all gods upon yourself . Annihilation of the black light s universal destruction .That is the void
invoked .There in the shadows remains light. In this path to perfect being of becoming in the path
of nothingness which is also everything the path transfixed of the void alone .
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Footnotes :
1/ Thomas Karlsson ,Qabalah, Qliphoth and Goetic Magic reprint 2004
2/ Kenneth Grant, The nightside of Eden Skoob Books 1994
3/The Book Of Pleasure, Austin O Spare 1913
4/Qutub , Andrew Chumbley ,fulgur 1995
5/ Aliester Crowley, Visions and the voice 1912 & The book of law 1904
6/Micheal Bertiaux, The Voudon Gnostic Workbook reprint Red wheel/weiser 2007
7/ Kenneth Grant, Beyond The Mauve Zone Skoob Books 1990
8/Nicholaj De Mattos Frisvold , Pomba Gira and the Quimbanda Of mbumba Nzilia Scarlet
Imprint 2011
9/ Peter Grey ,The Red Godesse Scarlet Imprint 2007
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Prepared by MagCloud for andrea bierwirth. Get more at angelaedwardsart14.magcloud.com.