Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
what purpose?
This essay explores how Tennessee Williams has made use of props and stage directions, in
A Streetcar Named Desire (written in 1947), to provide the audience insight into Blanche’s
By exploring the symbolic meaning of bathing, lighting and flowers, and the necessity of
music and clothing for Blanche’s character, this essay concludes that the play has conformed to the
norms followed by a majority of plays. This has been done to captivate the audiences interest and
arouse speculation and excitement within the crowd. Through the use of quotes and examples from
A Streetcar Named Desire, the essay has provided evidence to support why something was done and
for what purpose. Also, the use stage directions are discussed and the purpose behind them.
The conclusion drawn at the end of this essay is how props and stage directions contribute to
Blanche’s character and what we can understand about Blanche through the symbolism used in the
play.
1
The importance of symbolic props and stage directions in understanding of Blanche
In his play, A Streetcar Named Desire, Tennessee Williams helps the audience comprehend
Blanche’s character through the use of props and stage directions. The use of these two vital
elements stimulates the audience to think about Blanche’s complex personality, helps understand
Throughout the play, Blanche bathes frequently to ‘soothe her nerves’ and achieve peace of
mind. The baths denote her effort to cleanse herself of her execrable history and her attempts to turn
a new leaf. However, she is unable to evade her haunting past. For example, in scene two, after
having a bath Blanche says: ‘Here I am, all freshly bathed and scented, and feeling like a brand-new
human being.’ Similarly, in scene three, Stanley turns to water after he struck Stella. This tells us
that Williams has portrayed water as an object to erase mistakes, soothe nerves and elude
subconscious guilt. The baths could also be associated to the Fountain of Youth, a mythical fountain
in St.Augustine that is said to provide the consumers with everlasting youth. Blanche’s insecurities
about her appearance and constant need to bathe represents her desire to obtain the beautiful
Having been through some upsetting ordeals, Blanche’s delusional nature causes her to
pretend like everything is alright. Blanche always cowers away from bright light is reluctant to
reveal her age to Mitch, with whom she is romantically involved. Her desperate attempts to evade
the light shows that she lets her insecurities control her, making her apprehensive of rejection due to
her fading beauty and increasing age. Blanche’s fear of being seen in the light represents that she
wants to hide away her secrets and past. She is afraid of being exposed and having to face reality
2
once the mask comes off, allowing everyone to see her for who she truly is. In fact, Blanche covers
the light bulb in the Kowalski’s apartment using a Chinese paper lantern. Williams has done this to
show that Blanche wants the truth and reality to remain hidden; she wants to live in her delusional,
perfect world. Shying away from the light also refers to Blanche’s unwillingness to accept that her
old life is over, because being exposed to the world means she would have to move on.
Clothing, in A Streetcar Named Desire, offers a clear view of which class each character
belongs to. Williams portrays Blanche as an upper class woman, wearing expensive silk and satin.
In scene 1, Blanche arrives at the Kowalski’s apartment wearing white clothes, giving her an
elegant, dainty and pure look. The way she is portrayed in the beginning, wearing Angel-like
clothes, contradicts with her personality which doesn’t seem to be pure. In scene two, Blanche
wears a red satin robe; red being the color of the Devil. The red clothing implies Blanche’s loss of
innocence and the dangerous secrets and delusions she has. Clothing is significant because it is a
reflection of the personality of the character, giving us insight into the kind of person they are, or in
Williams has used references to flowers and presented Blanche as wearing flowery dress to
represent her innocence. In scene three, when Stella tells Blanche that she is as fresh as a daisy,
Blanche responds with: ‘One that’s been picked a few days’ Daisies symbolize beauty, and purity.
Blanche is a flower that is wilted, in need of two things: Water, representing her attempts to wash
away her past, and Light, representing that she needs to face reality. A flower, once picked,
gradually starts to lose its beauty and life. Similarly, Blanche, who is ageing tiredly, is slowly
moving towards the horrible fate that awaits. As the play progresses, in scene five, Mitch gifts
Blanche roses which represent love. Finally, in scene nine, Blanche sees a Mexican vendor selling
tasteless flowers for the dead, hinting her awaiting, untimely end.
3
Throughout the play, a ‘blue piano’ is heard playing at times of passion or lust. In scene one,
the blue piano’s music is heard before Blanche’s arrival. In scene three, after Stanley abuses Stella,
the piano is heard once again, during their passionate reunion. And finally, in scene ten, when
Stanley rapes Blanche, the blue piano’s plays softly, its music overpowered by the sound of drums
from ‘Four Deuces’. The Varsouviana polka, on the other hand, is associated with death and
disaster. Williams has linked the polka with the death of Blanche’s young husband which was
disastrous for her. Blanche speaks about her former husband in scene one and six. At both times the
polka is heard. Finally, in scene eleven, Blanche is having an insane episode and believes that Shep
has come to sweep her away. However, the polka is used to suggest that something horrible is going
to happen instead. Williams has linked the blue piano to lust or passion and the polka to death so
that the moods would reflect on the audience each time the music is heard.
Through the entire play, the women are made to look inferior. Ultimately, it is Blanche who
receives a punishment regardless of whether or not she was the villain. Her rebellious, secretive
nature was unacceptable to the men, especially Stanley. Most of the props used made Blanche seem
either weak and vulnerable, or contemptible and dishonest. Blanche being portrayed in a negative
light and facing a horrible end could be seen as Williams way of warning the audience about the
inequality between men and women as well as the results of being an independent woman.
Without the use of props and stage directions, Williams wouldn’t have been able to develop
Blanche’s character. He would be unable to arouse curiosity, excitement or speculation within the
audience and Blanche’s character would be incomplete. Using props and stage directions is vital in
a play and by following conventions, Williams has ensured his play was enjoyed and appreciated.
4
Bibliography