SUMMATIVE

TEST IN
MUSIC 7
2ND QUARTER
WRITE THE LETTER
OF THE CORRECT
ANSWER ON YOUR
ANSWER SHEETS.
1. Cordillera- a.Ibaloi Badiw
style of singing
without prior b. Dagdagay
preparation or c. Oppia
practice in
leader-chorus d. Owiwi
form.
2. The following a.Bua
Cordillera Vocal
Music are b. Dagdagay
infancy-related c. Oppia
songs of the
Kalinga except d. Owiwi
________.
3. Langan Bata- a.Ifugao
Bata is an
b. Kalinga
infancy-related
Cordilleran vocal c. Subbanen
music of the
_______ tribe. d. Tausug
 a.Bua
4. Ifugao epic
b. Hudhud
poetry which is
recited and c. Kawayana
chanted during
occasions. d. Langan
Bata-Bata
 a.Bungkaka
5. Ifugao gongs
b. Gangsa
played by striking Palook
with the palm c. Gangsa
while rested on Toppaya
the lap d. Tongali
 a.Bungkaka
6. Ifugao gongs
strike or beaten with b. Gangsa
wooden mallets Palook
while held by the left c. Gangsa
hand. Usually played Toppaya
by men. d. Tongali
 a.Bungkaka
7. Cordillera
bamboo b. Gangsa
instrument Palook
played by striking c. Gangsa
Toppaya
against the palm
d. Tongali
of one hand.
 a.Bungkaka
8. Cordillera nose
flute played with b. Gangsa
the extreme Palook
forward edge of c. Gangsa
the right or left Toppaya
nostril d. Tongali
9. Which of the a. Antang
following are
Cordilleran vocal b. Sindaay,
ensemble with Tarasul
instrumental c. Tamuyong
accompaniment Dango,
used for Oggayam
matchmaking? d. Salidummay &
Dangdayang-ay
10. Which of the a. Antang
following are
Cordilleran vocal b. Sindaay,
ensemble with Tarasul
instrumental c. Tamuyong
accompaniment Dango,
used for Oggayam
d. Salidummay &
entertainment? Dangdayang-ay
 a.Ambahan

11. Mangyan song b. Marayaw

used to communicate
with spirits; rituals for c. Oppia
healing the sick and
protecting the d. Pamuybuyen
community.
12. Composed of a.Ambahan
seven-syllable line
ending in rhymes; often b. Marayaw
used by Mangyan
parents for teaching c. Oppia
their children, in
courtship, and by
d. Pamuybuyen
visitors to ask for food.
 a.Gangsa

13. Mangyan lute b. Gitgit

with long neck, and
has two strings that c. Kalutang
run from the neck to
the base of a d. Kudyapi
resonating chamber.
 a.Gangsa
14. Mangyan
b. Gitgit
instrument with 3
to 4 strings with a c. Kalutang
wooden body
and human hair d. Kudyapi
for the bow.
 a.Gangsa

15. Mangyan b. Gitgit

instrument which
is a pair of equal- c. Kalutang
sized wood
struck together. d. Kudyapi
16. Palawan lyrical poem
expressing love;
accompanied by kusyapi
a.Bagit
(two-stringed lute) played b. Basal
by a man; and pagang
(bamboo zither) played by c. Kulial
a woman. d. Tultul
17. Palawan vocal
music about epic a.Bagit
heroes; chanted at b. Basal
night, ending at c. Kulial
daybreak. d. Tultul
18. Palawan Music played
on the kusyapi, showing
rhythm, movements and
a.Bagit
sound of nature like rustling b. Basal
of leaves, running water,
chirping of birds, monkey, c. Kulial
snakes, etc. d. Tultul
19. Palawan ensemble
of one or two big gongs
a.Bagit
(Agung), a pair of small b. Basal
ringed gongs (Sanang) c. Kulial
and a drum Called
(Gimbal). d. Tultul
20. “Basal” of
Palawan is an a.Gimbal
ensemble of the b. Kusyapi
following instruments: c. Pagang
Agung, Sanang and
________. d. Suling
 a. Balitaw
21. Musical style
of the Visayans; a b. Binanog
song-and-dance c. Rondalla
debate between a
man and a d. Tultogan
woman.
 a. Balitaw
22. String
ensemble b. Binanog
originating from c. Rondalla
Spain played
with a pick or d. Tultogan
plectrum.
23. Bamboo and a. Balitaw
drum ensemble used
by the natives for b. Binanog
communication.; to c. Rondalla
produce sound of the
body of the bamboos, d. Tultogan
they are being struck
by sticks.
 a. Balitaw
24. Gong, drum & b. Binanog
wooden percussion
ensemble used to c. Rondalla
accompany a dance d. Tultogan
movement imitating
the flight of the hawk
25. Which of a. Bandurria
the following b. Gangsa
is NOT a c. Laud
Rondalla d. Octavina
Instrument?