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BIENVENIDO A ERASELAHISTORIA > 2º ESO CIENCIAS SOCIALES > Tema 8. El siglo de la hegemonía hispánica.
El Renacimiento. >
Ø The revival of the classical forms developed by the ancient Greeks and Romans.
Ø Art is unlinked from the Church influence and maecenas became the artists customers and protectors.
Ø Anthropocentrism. Human beings are the reference of art and the beauty canon is based on the human
proportion.
Ø The artist dedicated to scientific experimentation, and developed mathematical and lineal perspective to find a
solution to formal and visual problems.
Ø In painting and sculpture, objects are both related proportionally and rationally.
· The use of the classical orders columns (Doric, Ionic, Corinthian and Tuscan).
· The use of central floor plan (round or square) and Latin cross plan.
· Buildings are decorated with frontons, medallions and niches. Many buildings are triumph arch
shaped.
ü Filippo Brunelleschi. He developed the lineal perspective and designed the dome of Florence Cathedral.
He also built the Lorenzo’s Basilica and the Pitti Palace.
ü Leon Batista Alberti. He built the Palazzo Rucellai and the front of Santa Maria Novella Church in
Florence.
ü Donato Bramante. His main works were San Pietro in Montorio temple and part of Saint Peter’s Basilica.
ü Lorenzo Ghiberti, known for his reliefs such as the ones made for the Baptism Doors of Florence
Cathedral.
ü Donatello. He is famous for his expressive free-standing statues, as bronze David or Condotiero
Gattamelata.
ü Verrochio. He made exceptional portraits full of psychology, as David and Condotiero Colleoni.
ü Michelangelo (Cinquecento). He built the gigantic statue of David, showing his self-control the moment
before facing Goliath. Other works are Mosses, Vatican Pieta and Rondanini Pieta.
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· The painters dedicated to a more rigorous interpretation of landscape (trees, plants, flowers).
· They also studied the effect of out-of-doors light and how the eye perceives all the elements in
nature.
· Themes are usually taken from the classical mythology or Judeo-Christian tradition.
· The painter shows their characters in full range of postures and poses, as well as in diverse
emotional reactions and states.
ü Fra Angelico. He was interested in perspective. Some of his works are the Announcement and the
frescoes of Saint Marcos Covent in Florence.
ü Sandro Botticelli. He used the mythological and religious themes as in Venus birth.
ü Leonardo da Vinci. He was the best artist who represented the renaissance spirit. He studied the human
body, the light and created the sfumato. His most important works are The Last Supper and Mona Lisa (La
Gioconda).
ü Michelangelo. His paintings are influenced by the sculpture with great importance of volume. His
masterpiece is the Sistine Chapel frescoes.
ü Tiziano. He was the most gifted painter in Venice, who made important works for the Roman Emperor
Charles V. One of his works is Charles V at Mühlberg.
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