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Jonathan Harvey, 1939-
Tombeau de Messiaen, 1994
Olivier Messiaen, 1908-1992

Abstract
The English composer Jonathan Harvey (b.1939) has distinctive thoughts and
expressions on music. Since he has been linking philosophical and religious insights
with music, the voices and sounds rooted deeply within his soul has transcended
musical expressions to a completely new level. Therefore, he is praised as the most
spiritual English composer. His works embrace vast category, from instrumental music
to electronic sounds. He gave birth to many of the classics amid the history of electronic
music, with Tombeau de Messiaen (1994) being one of them.
Tombeau de Messiaen was composed in honor of the French composer Olivier
Messiaen (1908-1992). The piece ingeniously unified many elements that are diametric
in nature, such as the electronic music as to piano, harmonic series as to the 12 equal
temperament, and melody as to chord. Having been inspired by Harvey, the author
attempted to implement the concepts of encompassing the opposites as well as harmony
in her own work- a piece that combines guzheng and electronic music from which one
quests the unique sound.
Keywords: Jonathan Harvey, Spectral Music, Electronic Music, Olivier Messiaen.

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1973 ─ Gerard Grisey, 1946-1998 Tristan
Murail, 1947- ... L'Itineraire
2
"He is a rare spirit, ever in search of the new and numinous." Farber Music,
http://www.fabermusic.com/Composers-Details.aspx?composerid=297 (Accessed 10 November, 2011).
3
"An online poll recently guessed whose music would still be played 50 years on...I would put
Harvey high on the list. Beneath the compelling ebb and flow, his music has a stillness and non-specific
spirituality which feed mind and spirit." Farber Music,
http://www.fabermusic.com/Composers-Details.aspx?composerid=297 (Accessed 10 November, 2011).
4
"I believe this "stillness" can be found in all great music." Jonathan Harvey, In Quest of Spirit:
Thoughts on Music, (Berkeley: University of California Press, 1999), 67.
1
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Oxford Music Online, http://www.oxfordmusiconline.com/public
(Accessed 28 May, 2011). Michael Downes Jonathan Harvey: Song offerings and White as
jasmine (2009). Vivosvoco.com, http://www.vivosvoco.com/index.html (Accessed 10 November,
2011).
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Oxford Music Online, http://www.oxfordmusiconline.com/public (Accessed 28 May, 2011).
14
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"Spectral music is allied to electronic music. " Contemporary Music Review. Vol.19, Part3.
(2001): 11.
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20
1995 Bloch Lecture
1999
21
“a free-willed unity of consciousness, which contains divergence, beyond opposites” Jonathan
Harvey, In Quest of Spirit, (Berkeley: University of California Press, 1999), 35.
22
19 Frederick Ouseley
1825-1889
23
Matthew Jenkins, "A Search for Emptiness", Perspectives of New Music, Vol.44 No.2 (Summer
2006): 220-231.
24
"Well, I started as a Christian, and I've never officially left! I don't see a contradiction between
10
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them. They both lead to the spiritual realm, which music

music does too in its own way. I often have the sense
that in great music, you can feel underneath the busy surface something still and calm which never
changes. You could call it 'the music behind the music'. That's what I'm searching for." Ivan Hewett,
"Jonathan
onathan Harvey: How I gave voice to an orchestra", The Telegraph. (UK: Aug, 2008).
11
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25
Jonathan Harvey, "Music, Ambiguity, Buddhism: A Composer's Perspective" in Contemporary
Music: Theoretical and Philosophical Perspectives, ed. Max Paddison and Irène Deliège (UK: Ashgate
Publishing Company, 2010)
26
P Proposition P P P ∨ ¬P
27
“The Essential question that occupies the musician always and inevitably reverts back to the
pursuit of the One out of Many.” Igor Stravinsky, Poetics of Music in the form of six lessons (MA:
Harvard University, 2003), 140.
12
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30
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AmbiguityN7MUnityNk1*rhijC*©Ûk=>?Ì<89¡2
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32
" Music, however, exposes this ambiguity within language-based consciousness. It undoes the
word and returns to pure awareness.", In Quest of Spirit, (1999): 48.
33
"I'm excited by the materiality of the sound itself, by the such to use a Buddhist term the thing
in itself: the grain, the richness, the quality of the sound. And I'm fascinated by musical concepts which
have to grow in a certain direction, become quieter or louder or faster or slower."
78
1Ambiguity2ö&ÉpkïWX0É D@;¡=#S&89É
Å!S80Éde89¼)ÌûüRSY¦ÉÚÂ¼RS
óè<e
./RCrM01";<22Gp.ë"´2N Ë<N
34
ÖG.3YE.Éj3>89ù!É£¤B.<./89
¡2*ÉÖ,k=CDo}±A`ÛDoUD...uàDVÉÆ
×f+E/^®F@AÉF]^>8)1transcendence289<
34
"So, what is the purpose of music? It is, in my view, to reveal the nature of suffering and to
heal." Jonathan Harvey, Arnold Whittall.
79
q")r123s./@At$
hi @A v)
Stage Works Passion and Resurrection 1981
Inquest of Love 1991/92
Wagner Dream 2006
Orchestra Symphony 1966
Benedictus 1970
Persephone Dream 1972
Inner Light 3 1975
Inner Light 2 1977
Whom Ye Adore 1981
Easter Orisons 1983
Madonna of Winter and Spring1+ Electronics2 1986
Lightness and Weight 1987
Timepieces 1987
Concerto for Cello 1990
Tranquil Abiding 1998
White as Jasmine (+ Soprano) 1999
Fanfare for Utopia 1995
Concerto for Percussion 1997
...towards a pure land 2005
Messages1+ Chorus2 2007
Speakings1+ Electronics2 2008
Weltethos1+ Chor2 2011
Ensemble Timepoints 1970
Inner Light 1 1973
Quantumplation 1973
Round The Star And Back 1974
Smiling Immortal 1977
String Quartet No 1 1977
Album 1978
Concelebration 1979/81
Modernsky Music 1981
Bhakti 1982
Gong-Ring 1984
Tendril 1987
Valley of Aosta 1988
Serenade (In Homage to Mozart) 1991
Lotuses 1992
Scena 1992
The Riot 1993
Pastorale 1994
Soleil Noir/ Chitra 1994/95
80
Hidden Voice 1 1995
Wheel of Emptiness 1997
Death of Light, Light of Death 1998
Hidden Voice 2 1999
Bird Concerto with Pianosong 2001
Moving Trees 2002
Jubilus 2003
Clarinet Trio 2004
Climbing Frame 2004
Run Before Lightning 2004
String Trio 2004
Two Interludes for an Opera 2004
Sprechgesang 2007
Cello Octet 2008
Choral Music Cantata I 1965
Gaude Maria 1965
Iam Dulcis Amica 1967
Carol 1968
Cantata IV (Ludus Amoris) 1969
Cantata VI (On Faith) 1970
Cantata VII (On Vision) 1972
The Dove Descending 1975
Sobre Un Extasis De Alta Contemplacion 1975
I Love The Lord 1977
Magnificat & Nunc Dimittis 1978
Magnificat & Nunc Dimittis 1978/2002
Hymn 1979
O Jesu Nomen Dulce 1979
Resurrection 1980
The Path of Devotion 1983
Come Holy Ghost 1984
Forms of Emptiness 1986
God is Our Refuge 1986
Lauds 1987
Thou Mastering Me God 1989
Praise Ye the Lord 1990
The Angels 1994
Dum transisset sabbatum 1995
How Could The Soul Not Take Flight 1996
Ashes Dance Back 1997
Marahi 1999
Missa Brevis 1995
Mothers Shall Not Cry 2000
The Summer Cloud's Awakening 2001
Sweet/ winterhart 2001
81
Remember, O Lord 2003
The Royal Banners Forward Go 2004
Vocal Music In Memoriam 1969
Cantata V (Black Sonnet) 1970
Angel Eros 1973
Cantata X (Spirit Music) 1975
Lullaby for the Unsleeping 1982
Nachtlied 1984
Song Offerings 1985
From Silence 1988
You 1992
One Evening.... 1993-94
Chu 2002
Songs of Li Po 2002
Buddhist Song No 1 2003
Buddhist Song No 2 2004
Instrumental Four Songs Of Yeats 1965
Music Variations 1965
Cantata II (Three Lovescapes) 1967
Transformations Of "Love Bade Me Welcome" 1968
Four Images After Yeats 1969
Laus Deo 1969
Dialogue & Song 1965/77
Correspondances 1975
Be(com)ing 1979
Toccata 1980
Curve with Plateaux 1982
Nataraja 1983
Flight Elegy 1983-89
Ricercare Una Melodia 1984
Three Sketches 1989
Fantasia 1991
Chant 1992-94
Advaya 1994
Tombeau de Messiaen 1994
ff 1995
Haiku 1997
Still 1997
Sufi Dance 1997
Vers 2000
At a Cloud Gathering 2005
Other Presences 2006
Electronics Mortuos Plango, Vivos Voco 1980
Ritual Melodies 1989-90
Mythic Figures 2001
82
HIJK=
¡§\wr
Deliège, Irène and Wiggins, Geraint A. Musical Creativity: Multidisciplinary Research
in Theory and Practice. New York: Psychology Press, 2006.
Harvey, Jonathan. In Quest of Spirit: Thoughts on Music. Berkeley: University of
California Press, 1999.
________. Music and Inspiration. London: Farber and Farber Limited, 1999.
Downes, Michael. Jonathan Harvey: Song offerings and White as jasmine. England:
Ashgate Publishing Limited, 2009.
McDermott, Robert. The New Essential Steiner. Massachusetts: Lindisfarne Books,
2009.
eO'Hagan, Peter. Aspects of British Music of the 1990s. England: Ashgate Publishing
Limited, 2003.
Paddison, Max and Deliège, Irène. Contemporary Music: Theoretical and
Philosophical Perspectives. England: Ashgate Publishing Limited, 2010.
Stravinsky, Igor. Poetic of Music in the Form of Six Lessons, Massachusetts: Harvard
University Press, 2003.
83
Stockhausen, Karlheinz. Stockhausen on Music: Lecture and Interview compiled by
Robin Maconie. London: Marion Boyars Publishers Limited, 2000.
Whittall, Arnold. Jonathan Harvey. London: Farber and Farber Limited, 1999.
Á8<Høù8ôL<Á6e e 84É<!! !
|§\wr
<H,:n 894¡¢L<Â£rÂ£89D~1É2011<
IJ1Messiaen Oliver2<H¤89>R7ÿ!L1Technique de mon Langage
Musical2<¥2¦<r|/890w§É1992<
¨Ð©< <r3¬891É2010<
HÙoQªoÎ«─IÃº89>RL
®§<H%§WX7fg89ÿ!YZ¤"89D@L<rúª89
1É2008<
¢§*r
Harvey, Jonathan. "Spectralism." Contemporary Music Review. Vol.19, Part3. (2001):
11-14.
________. "The Metaphysics of Live Electronics." Contemporary Music Review.
Vol.18, Part3. (1999): 78-82.
84
________. "Madonna of Winter and Spring." The Musical Times. Vol.127,
No.1720. (1986): 431-433.
Jenkins, Matthew. "A Search for Emptiness: An Interview with Jonathan Harvey."
Perspective of New Music. Vol.44, No.2. (2006):220-231.
85
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. . . . .

Analysis On Jonathan Harvey's Tombeau de Messiaen

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Analysis On Jonathan Harvey's Tombeau de Messiaen

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!

Tombeau de Messiaen, 1994

Olivier Messiaen, 1908-1992

musical expressions to a completely new level. Therefore, he is praised as the most

music, with Tombeau de Messiaen (1994) being one of them.

Tombeau de Messiaen was composed in honor of the French composer Olivier

attempted to implement the concepts of encompassing the opposites as well as harmony

quests the unique sound.

Keywords: Jonathan Harvey, Spectral Music, Electronic Music, Olivier Messiaen.

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([*e lm@AD@7no ...................................................................................... 59

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pq9o®ræst9u<l 1980 v)Twtx1Pierre Boulez, 1925- 24yz

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una Melodia119842oMadonna of Winter and Spring119862oAdvaya119942o

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1University of Glasgow2=ÓÔrD1University of Cambridge2£¤ÜJD¤É

ÝÞß§0à1Erwin Stein, 1885-195827=áÚ0âã1Hans Keller,

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them. They both lead to the spiritual realm, which music

&'x2-1yr Op.2, No.2 ....................................................................... 11

()*+,-./@0123s./1Jonathan Harvey, 1939- 2345

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One Evening119942ÉHIJ4KL1Tombeau de Messiaen, 19942~./

1University of Glasgow2=ÓÔrD1University of Cambridge2£¤ÜJD¤É

ÝÞß§0à1Erwin Stein, 1885-195827=áÚ0âã1Hans Keller,

1919-198528Dä@<./ 1969-70 ïEåæÚçrD1Princeton University2

}Z=D@É1977 ® 1993 vÉï./ÄìÑÚrD1University of Sussex2

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